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Delaware Center for the
Contemporary Arts
Art & Community
Visual Arts Residency
Program 2010-2011
David (Jason) Pressgrove
Sandro Del Rosario
Hoyun Son & Jung A. Woo
Colette Fu
DCCA11
This publication is dedicated to the memory of Ronald Kelson (October 7, 1994–March 5, 2011) a Project StayFree student who was essential to the completion of X: Exhibition and Maps.
Left: Papier-mâché fruits and vegetables created by students enrolled in the Evening Enrichment program at the Latin American Community Center hung from the mobile kitchen during the Movable Feast event at the DCCA.
Delaware Center for the
Contemporary Arts
Art & Community
Visual Arts Residency
Program 2010-2011 11
David (Jason) Pressgrove
Sandro Del Rosario
Hoyun Son & Jung A. Woo
Colette Fu
INTRODUCTION
All of the projects included in this publication address the theme of identity. Throughout history, during times of political and economic hardship artists have looked inward to reflect on their individual responsibility. The artists participating in the Art and Community Visual Arts Residency program during 2010-2011 not only explored this concept independently, but they also engaged, inspired, and mobilized community members to do the same.
Over the past year DCCA Artists in Residence have worked with adjudicated youth, immigrant and first generation American teens, local art students, and homeless women in the Wilmington community. The projects have been as diverse as the participants—investigating urban planning and participation, conveying autobiographies through animated shorts, uniting communities through food, and finding empowerment with pop-up books. The artists led their partners into new territory, stumbling over obstacles and rising to new heights daily.
These residencies all led participants down the path to self-discovery through the arts. We are grateful for those who helped plan the journey and those who were brave enough to take the first step.
Jane Chesson Curator of Education
VISUAL ARTS RESIDENCY PROGRAM 3
ACKNOWLEDGEMENTS
The artists whose projects are described in this publication are an extremely diverse group of individuals whose countries of origin span three continents. While their upbringing and educational backgrounds differ widely, they share a common passion; they are all highly creative and sensitive individuals who are committed to making a difference to the people around them through their teaching and art making. We are fortunate, indeed, that they made their way to the DCCA, and we thank them for enriching our community.
David (Jason) Pressgrove made a deep impact on the lives of the youths from Project Stay Free with whom he collaborated, and, in turn, was profoundly affected by their valiant efforts to free themselves from their troubled pasts. Sandro Del Rosario impressed us all with his energy and curiosity and we delighted in watching him as he shared his enthusiasm with his Cab Calloway and West End Neighborhood House students. Hoyun Son and Jung A. Woo were perpetually active dynamos who prepared tantalizing feasts for the DCCA staff in the midst of working tirelessly with the participants of the Evening Enrichment program at the Latin American
Community Center. Colette Fu shared both her bookmaking talents and her quiet and calming personality with the women at the YMCA’s Home Life Management Center whose lives previously had been filled with so much turmoil. These artists each gave so much of themselves and we appreciate and applaud their efforts.
We thank the agencies and sponsors who made these programs possible. Lead support for the DCCA’s 2010-11 Art & Community Visual Arts Residency Program came from the National Endowment for the Arts, the JP Morgan Chase Foundation, Bank of America, and the Delaware Division of the Arts, a state agency dedicated to nurturing and supporting the arts in Delaware in Partnership with the National Endowment for the Arts. Special support was provided by the Puffin Foundation.
And we acknowledge the tireless efforts of Jane Chesson, our Curator of Education (aka “super Jane”), who successfully negotiated through the complex inter-institutional challenges and the multitude of organizational details required for each residency with determination, grace, and good humor.
Maxine Gaiber Executive Director
2 DCCA ART & COMMUNITY
ABOUT
DAVID (JASON) PRESSGROVE
David (Jason) Pressgrove (Jackson,
MS), Assoc. AIA, is an artist, researcher,
contractor, and project architect. He lives and
works in Jackson, Mississippi. He received
a B.Arch degree from Mississippi State
University. Pressgrove is the recipient of the
Design Corps’ Design for the Underserved
98% Award at Structures for Inclusion 8,
held at the Graduate School of Design at
Harvard University, for his not-for-profit
architectural service (2008). In 2008,
Pressgrove was awarded a MacDowell
Fellowship, and, in 2006, served as a design
fellow for Architecture for Humanity, where
he served as the day-to-day architect for the
East Biloxi Coordination and Relief Center.
His work has been exhibited in West Coast
Green Conference, San Francisco, CA; the
Repetti Gallery, Long Island, City NY; and
the Boston Society of Architects, in Boston,
MA. Pressgrove’s work has been published
in publications including Architectural
Record, Actar, and the Institute for Advanced
Architecture Catalonia.
ARTISTS FROM PROJECT STAYFREE:
Rayquan Chambers Artise Colson
Joshua Cortes Eddie Cruz
Ah’Kee Flonnary Tyquil Hamilton
Jacob Hendrickson Ronald Kelson
Devon Pierce Therion Reese
Jaquan Reeves Trey Richardson
Shyhem Warren
With special thanks to James Bailey, David
Jacobs, Jermaine Lemon, Tyrah Lusby, Albert
Mills, Nina Phillips, and Myles Younger
VISUAL ARTS RESIDENCY PROGRAM 5
DCCA Artist in Residence David (Jason)
Pressgrove partnered with Project Stay
Free (PSF) in the fall of 2010. PSF’s
mission is to liberate youth from the
juvenile justice system. Jason collaborated
with ten young men who faced
overwhelming challenges at home, in
school, on the job, and in the community
to create artwork documenting their lives
and environment. He worked with the
group to create plans, models, sculptures,
and drawings exploring the ideas of
community, art, architecture, and place.
Jason challenged his students to
reconceptualize the city in which they
live. The group created maps and images
illustrating their physical and geographical
identity. They used graphing, masking, and
color-coding to create a visual language
about their community. The artists worked
with Jason to delineate personal and
cultural boundaries in the community in
which they live; places where they feel
ownership; environments where they feel
welcome and familiar; and areas that
remain foreign. Through this process each
artist began to map abstract self-portraits
of their geographic identity.
Over the course of his eight-week
residency Jason became extremely
invested in the lives of the young men
with whom he worked. They took field
trips to visit and photograph each other’s
communities and the group bonded over
their desire to share their past experiences
and plans for better futures.
Jason describes the process of working
with the young men from PSF, “Each
day, the guys would provide me with
some clues as to their knowledge base:
geometry, math, language, music, and
imagery with which they associate
themselves.” He continues, “In the end,
a true and honest understanding of big
ideas takes time and work, work and
time, time and work, and so on. I have
during the course of the project, and with
conscious hesitation, thought of the guys
as my most-treasured (and) rarest of tools
in an earnest and deliberate making-of-
things. In this way, the project was an
overwhelming success for me, my work,
my medium, and I hope, for the DCCA.”
David (Jason) PressgroveX: Exhibition and Maps
FALL 2010 PARTNERProject StayFree
Left: Artise Colson works with classmates at PSF to map his community.
Center: David (Jason) Pressgrove discusses the group’s final exhibition with visitors at the DCCA.
Right: David (Jason) Pressgrove and Ah’Kee Flonnary work together in the PSF classroom.
Far right: Students from PSF work in the DCCA classroom to complete their new city models for the final project X: Exhibition and Maps.
4 DCCA ART & COMMUNITY
In the spring of 2011 DCCA Artist
in Residence Sandro Del Rosario
collaborated with teens from Cab
Calloway School for the Arts and West
End Neighborhood House. Through a
series of experiments and assignments in
mixed media, photography, drawing, and
collage, the teens created conceptual self-
portraits based on an exploration of their
geographical and cultural identity. With
Sandro’s help, students experimented
with digital cameras and graphic design/
animation software to create unique
projects. Sandro compiled the group’s
work along with his own to create the film,
A Place to be Somebody.
The group began with an introduction
to animation. They researched different
methods and developed general narrative
outlines for their own personal stories.
Students worked in a variety of media
from traditional to digital as they each
explored for themselves the most efficient
and expressive way to share their unique
vision.
Sandro worked with the students
individually as they painstakingly formed,
retooled, and executed their animations.
Each short animation serves as a self-
portrait of the artist; the shorts feature a
day in the life of the American teenager,
a meditative jog through a park, and the
confrontation of sexuality and identity.
Sandro then took these individual pieces
and edited them together to create one
narrative of a young group of artists
coming together from very different places
to create a unified artistic voice.
Sandro explains the process and
outcome of the project, “I believe that
this project impacted more or less each
student’s personal development, as for
some students it just offered a chance
to experiment animation as a new art
form, while for others it redefined a choice
of their personal medium of expression
(photographs, pastels, water colors, digital
software, etc.), and for others it was
an invaluable opportunity to bring out
personal issues never expressed before.”
Sandro Del RosarioA Place to be Somebody
SPRING 2011 PARTNERSCab Calloway School of the Arts & West End Neighborhood House
Left: Branden Tucker uses digital media to alter images for his animated short.
Center: Sandro Del Rosario works with students in the DCCA classroom on concepts and drawings for their digital self-portraits.
Right: Genevieve Niedenzu works with colored pencils to alter her photographs.
Far left: Artist in Residence Sandro Del Rosario discusses the project with Cab Calloway students Emily Desmond and Jimmy Martinez.
VISUAL ARTS RESIDENCY PROGRAM 7
ABOUT SANDRO DEL ROSARIO
Sandro Del Rosario (Los Angeles, CA)
was born in Italy. Sandro Del Rosario
is a visual and media artist, with years
of professional experience as a graphic
designer and photographer. He received
his BFA with honors in Graphic Design
from I.S.I.A. of Urbino, in 1993. After
working as a multimedia designer in
Bologna, Milan, and Florence, he was
awarded a Fulbright Scholarship in
1998. Fulfilling his longtime passion for
animated films and moving images, he
enrolled in the Experimental Animation
program at CalArts where he received
his MFA in Film/Video in 2001. His work
has received numerous awards and his
videos have been screened worldwide,
including at the Museum of Modern
Art, the Lincoln Center in New York, the
London Film Festival, the Rotterdam
Film Festival, and the Annecy Animation
Festival. He now lives in Los Angeles,
California, and he’s currently working on
his new experimental film “Lo Sguardo
Italiano.”
ARTISTS FROM CAB CALLOWAY
SCHOOL OF THE ARTS & WEST END
NEIGHBORHOOD HOUSE:
Kelsey Birchenall Shylier Clark
Emily Desmond Noah Henry
Jimmy Martinez Genevieve
Niedenzu
Branden Tucker
With special thanks to Richard Hanel,
Kathleen Fanny, and Charlene Reed
6 DCCA ART & COMMUNITY
Movable Feast was a public art project
developed by artists Hoyun Son & Jung
A. Woo that mapped a diverse cultural
landscape through food in the summer
of 2011. The artists worked with youth
enrolled in the Evening Enrichment
program at the Latin American Community
Center (LACC) with extra assistance
from the Delaware Center for Horticulture.
Hoyun and Jung A. led the group in a
process of exploration as they researched
the impact of globalization on our dinner
tables, and examined recipes as sources
of identity, culture, and history.
The group researched local edible weeds
and collected, mapped, and illustrated
recipes from family, friends, and neighbors.
They planned and designed two Feast
Events that took place outside of the
LACC and DCCA in July and August of
2011. During these events they cooked,
shared food with the public, provided
information and education, and collected
community recipes.
During the six-week residency the
group built a mobile kitchen and stage
attached to and surrounding Jung A.’s
pick-up truck. During the events each
of the participants rotated between
prepping, cooking, serving, educating,
and recipe collection. In addition to their
performances the group also produced a
large-scale art installation in the DCCA that
included three-dimensional self-portraits,
information on regional edible weeds,
papier-mâché produce, photographs, and
an interactive media kiosk.
The goal of the residency was to “enable
participants to develop artistic skills
as well as to understand how the arts
can be relevant to their own lives and
communities.” Hoyun Son and Jung A.
Woo strove to stimulate the community’s
consciousness of the relationship between
the natural world of their own backyards
and the pursuit of healthy lifestyles.
Hoyun Son & Jung A. WooMovable Feast
SUMMER 2011 PARTNERLatin American Community Center
Left: Two students from the LACC pose with their final installation at the DCCA.
Center: Perogies formed with wonton wrappers were handmade by students and served during the Movable Feast events.
Right: Artist in Residence Jung A. Woo works with students in the mobile kitchen to feed the community.
Far right: Students from the LACC cook perogies outside during the Movable Feast event at the DCCA.
8 DCCA ART & COMMUNITY
ABOUT HOYUN SON
Hoyun Son (Chicago, IL ) was born in Korea. She earned her BFA and MFA at the School of the Art Inst i tute of Chicago. Her work has been exhib i ted and performed at Pro ject Row Houses, Houston, TX; Midwest Museum of Contemporary Art , Indianapol is , IN; and Columbus Museum of Art , Columbus, OH among others. She is a rec ip ient of var ious awards and fe l lowships inc luding awards f rom Skowhegan Paint ing and Sculpture, and the MacDowel l Colony. Her work has been rev iewed in var ious media inc luding New York Art Magazine.
ABOUT JUNG A. WOO Jung A. Woo (Kansas City, MO) was born and raised in South Korea. She earned her MFA from the School of the Art Institute of Chicago in the Department of Sculpture and her BFA from the New York State College of Ceramics, Alfred University in Alfred, NY. Woo is the recipient of several awards. She received a CAPP Grant from the City of Chicago Department of Cultural Affair in Chicago, BRAF Project Grant from Black Rock Arts Foundation in San Francisco, and Campus Life Award of the Pepper Fund from Pitzer College in 2010.
ARTISTS FROM THE LATIN AMERICAN
COMMUNITY CENTER: Omar Rivera Wilmel Rivera Erik Zavala Angelica Barreto Miguel Maldonado Roué Cantoran Seleena Colon Israel Munoz Edward Morrow Coreese Mitchell Grace Juarez
With special thanks to Aracelio Caraballo and Michael Vincent
VISUAL ARTS RESIDENCY PROGRAM 9
ABOUT COLETTE FU
Colette Fu (Philadelphia, PA) received
her MFA in Fine Art Photography from
the Rochester Institute of Technology in
2003. In 2008 she received a Fulbright
Fellowship to photograph the 25 ethnic
minorities of her mother’s hometown
in Yunnan Province, China. She has
created much of her work during
artist residencies which she has held
at a wide range of arts organizations
including: the Provincetown Fine Arts
Work Center, Instituto Sacatar, Bemis
Center, Visual Studies Workshop, the
Millay Colony, and the Alden B. Dow
Center for Creativity. Fu has received
numerous awards including those from:
the Independence Foundation, Sovereign
Foundation, Pennsylvania Council
on the Arts, Virginia Museum of Fine
Arts, Virginia Commission for the Arts,
Constance Saltonstall Foundation, En
Foco, Photographer’s Forum, Nikon, the
Puffin Foundation, and the Society for
Photographic Education. She works as
a paper-engineering consultant for stop
animation commercials, freelances, and
teaches pop-up courses at various art
centers and institutions.
ARTISTS FROM THE YWCA HOME
LIFE MANAGEMENT CENTER:
Tamara Helm Maggie Kellagher
Gresha McKnight Paula Perry
Dijon Scott Shannon Walker
Lisa Yingling
With special thanks to Evelyn Baldwin
10 DCCA ART & COMMUNITY
During the fall of 2011 Colette Fu
collaborated with a group of women
enrolled in the YWCA of Delaware’s
Home Life Management Center to create
autobiographical pop-up books exploring
the themes of self and body image. The
women working with Colette were living
full time in the Home Life Management
Center with their families as they learned
valuable life skills and increased their
education to obtain adequate employment
in preparation for their move to permanent
housing.
Colette began by introducing basic paper
engineering techniques to the class. As
they gained confidence she introduced
themes of body image, race, and
ancestry. To explore these ideas Colette
led instruction in basic photography and
book binding techniques. Each participant
worked from a template to create three-
dimensional, carousel, pop-up dollhouse
structures, each nearly two feet in height.
The individual houses consist of eight
rooms—each room illustrating a different
narrative, experience, or dream for the
future. The women used photographs,
magazines, illustrations, and sound chips
to create homes that tell the story of their
unique experience as they work to create
a permanent home for their family.
The participants used mostly imagery
in place of text for the books to allow
more freedom for the exploration of
personal stories and vulnerabilities. The
project worked to break through the
barriers created by the media’s portrayal
of idealized women and gave a voice
to women exploring their own identity.
Colette remarks, “Artmaking for me has
always been a way for me to express
myself in a safe, constructive way. The
women found our classes to be a quiet,
meditative time while (also) learning and
accomplishing something they never
dreamed they could do.”
Colette FuPop-Up Homelife
FALL 2011 PARTNERYWCA Home Life Management Center
Left: Artist in Residence Colette Fu discusses pop-up techniques with student Tamara Helm.
Center: Women in the YWCA’s Home Life Management Center work on their pop-up books during class.
Right: Gresha McNight displays a pop-up card made to practice paper engineering.
Far left: Dijon Scott uses collage and pop-up techniques to tell her story.
VISUAL ARTS RESIDENCY PROGRAM 11
12 DCCA ART & COMMUNITY
PARTICIPATING ARTISTS
2011 Sandro Del Rosario, Los Angeles, CA Colette Fu, Philadelphia, PA Hoyun Son, Chicago, IL Jung A. Woo, Kansas City, MO
2010 Carrie Dashow, Brooklyn, NY Carlos Ferguson, Grinnell, IA David (Jason) Pressgrove, Jackson, MS
2009 Elisabeth Nickles, Philadelphia, PA Ben Volta, Philadelphia, PA
2008 Tanya Aguiñiga, Los Angeles, CA Liz Hickok, San Francisco, CA Sonja Hinrichsen, San Francisco, CA Richard Saxton, Boulder, CO
2007 Maria Anasazi, Philadelphia, PA Matthew Dehaemers, Kansas City, KS Yukie Kobayashi, Philadelphia, PA
2006 Claire Sherwood, Huntington, WV
2005 Kira Lynn Harris, New York, NY Jessica Irish, Boston, MA Stephen Metts, Boston, MA Erika Nelson, Lucas, KS Suzanne Proulx, Erie, PA
2004 George Apotsos, Philadelphia, PA Madeline Gielow, Portland, ME Tiffany Holmes, Chicago, IL
2003 Lynn Marshall-Linnemeier, Atlanta, GA Gregor Turk, Atlanta, GA Jane Ingram Allen, Troy, NY
2002 Ava Blitz, Wynnewood, PA Jennifer Schmidt, Boston, MA
2001 Maria-Theresa Fernandes, Baltimore, MD Kim Mayhorn, Brooklyn, NY Brian Moss, Santa Monica, CA Neila Kun, Malvern, PA
2000 John Giordano, Lambertville, NJ Benjamin Schulman, Philadelphia, PA
1999 Sandra Camomile, Pottstown, PA Eve Andrée Laramée, Brooklyn, NY Paul Santoleri, Philadelphia, PA
1998 Linda Lorrie Gross, Philadelphia, PA Mei-Ling Hom, Philadelphia, PA
1996 Susan Fenton, Bala Cynwyd, PA Mary Giehl, Syracuse, NY
1995 Sandra Gould Ford, Pittsburgh, PA
1994 Mary Scrupe, Washington, DC Maria-Theresa Fernandes, Baltimore, MD
1993 Homer Jackson, Philadelphia, PA Alison Saar, Brooklyn, NY
1992 Cynthia Cox, Brooklyn, NY Holly Hofmann, Baltimore, MD
1990 François Morelli, Hoboken, NJ
1986 Jonas Dos Santos, Philadelphia, PA Bernice D’Vorzon, East Hampton, NY
1985 Carol Toth, West Virgina
Top: Artist in Residence Sandro Del Rosario interviews Branden Tucker for his animated short.
Bottom: A participant from the YWCA shows her pop-up in progress.
Far left: Students from Cab Calloway School of the Arts use light boxes to work on their animations.
VISUAL ARTS RESIDENCY PROGRAM 13
PARTNER ORGANIZATIONS
AIDS Delaware
Alzheimer’s Association Delaware Valley
Arden Community Recreation Assoc.
Ashland Nature Center
Bancroft Elementary School
Big Brothers Big Sisters of Delaware
Blue Print Communities of Delaware (Edgemoor and 2nd District)
Clarence Fraim Boys & Girls Club
New Castle Boys and Girls Club
Brandywine Senior Center at the Claymont Community Center
Cab Calloway School of the Arts
Casa San Francisco
The Challenge Program
Christina Cultural Arts Center
Cokesbury Village
Community Service Building
Delaware Adolescent Program, Inc.
Delaware Art Museum
Delaware Breast Cancer Coalition
Delaware Center for Horticulture
Delaware Korean Methodist Church
Delaware Nature Society
Delaware State Parks
Delores J. Baylor Women’s Correctional Institution
Dover Art League
DuPont Experimental Station
Eastside Neighborhood Association
Epiphany House
First and Central Presbyterian
First State School at Wilmington Hospital
First Unitarian Church
Friendship House, Inc.
George Read Middle School
Girls Clubs of Delaware
Girls Incorporated of Delaware
Greater Newark Boys & Girls Club
H. Fletcher Brown Boys & Girls’ Club
Haven Place
Hope House I
Hope House II
Howard High School of Technology
Indo-American Assoc. of DE
Joseph H. Douglass School
Kuumba Academy
Latin American Community Center
Margaret S. Sterck School/Delaware School for the Deaf
Mary Campbell Center
Ministry of Caring Child Care Center
Nefertiti Made Hair Braiding and Weaving
New Castle County Detention Center
Peoples’ Settlement Association
Project Stay Free
Services to Overcome Drug Abuse Among Teens
Sojourner’s Place
University of Delaware Art Department
West End Neighborhood House
Westminster Presbyterian Church
Wilmington Historical Society
Wilmington Senior Center
YWCA Home-Life Management Center
Top: Artist in Residence Colette Fu discusses the work created by the women from the YWCA during the final exhibition Pop-up Homelife at the DCCA.
Bottom: PSF student Eddie Cruz uses tools in the DCCA classroom to create his city model.
Far right: Artist in Residence David (Jason) Pressgrove and participants from Project Stay Free during their preview exhibition at the DCCA.
14 DCCA ART & COMMUNITY VISUAL ARTS RESIDENCY PROGRAM 15
VISUAL ARTS RESIDENCY PROGRAM 17
Printing by:
16 DCCA ART & COMMUNITY
Right: Artists in Residence Hoyun Son and Jung A. Woo along with students from the Latin American Community Center host their final Movable Feast event for community members outside of the DCCA.
A forum for new ideas, new ART
200 South Madison Street Wilmington, DE 19801
302.656.6466 302.656.6944 fax
[email protected] www.thedcca.org
Delaware Center for the Contemporary Arts
The Delaware Center for the Contemporary Arts is a non-collecting art museum dedicated to the advancement of contemporary art. Our mission is to present exhibitions, offer exposure to the creative process, provide educational opportunities and extend innovative programs to a diverse community.
Lead support for DCCA’s Art & Community Visual Arts Residency Program 2010–2011 was provided by the National Endowment for the Arts, JPMorgan Chase Foundation, and Bank of America. Special support was provided by Puffin Foundation.
DCCA Education Programs are made possible, in part, by individual contributions; member support; and by major grants from AstraZeneca, Borgenicht Foundation, Bank of America, JPMorgan Chase Foundation, ING DIRECT, the National Endowment for the Arts, and the Delaware Division of the Arts, a state agency dedicated to nurturing and supporting the arts in Delaware in partnership with National Endowment for the Arts. Additional support is provided by the Delaware Humanities Forum, a state program of the National Endowment for the Humanities; DuPont; United Way of Delaware; The First State Gridiron Board; The Gilliam Foundation; Puffin Foundation; Wilmington Flower Market; The Christmas Shop Foundation; and by Amtrak—Official Transportation Provider for the DCCA.