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[email protected] 516.317.8257 selected works 2007-2011 David Rowan Johnson

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Hypothetical Architecture from my Undergraduate and Graduate studies in Architecture.

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  • [email protected]

    selected works 2007-2011

    David Rowan Johnson

    rowandesign.carbonmade.com

  • 1. mobius studio

    David Rowan Johnsonselected works 2007-2011table of contents:

    5. innovation incubator

    6. corrugated shells

    7. NIKE cloud

    9. warped plies

    10. venice lounger

    8. between the sheets 12. small built works

    11. built works

    2. BODO sun

    3. inhabitable visions

    4. parametric shingles

  • 1. mobius studio

    David Rowan Johnsonselected works 2007-2011table of contents:

    5. innovation incubator

    6. corrugated shells

    7. NIKE cloud

    9. warped plies

    10. venice lounger

    8. between the sheets 12. small built works

    11. built works

    2. BODO sun

    3. inhabitable visions

    4. parametric shingles

  • SITE STRATEGY :CONVENIENCE PATHS

    ORGANIZATIONAL STRATEGY :MEANDERING PATHS / CONTINUOUS SPACE

    VISITOR

    STUDENT/FACULTY

    Mobius Studioinstructor: Olivier Touraineprogram: UCLA Architecture Department

    The studio promotes interconnectivity within the school of architecture as well with the campus community. It is sited in such a way to create paths of convenience across the site and campus. The building wraps around these high trac areas to expose the building and its uses to the public. The form relates to adjacent building height to t with the campus landscape and wraps around a central courtyard and creates a continuous ring of space. Program is terraced within to create a more open and interconnected studio environment. Floor slabs are punctured to bring in more light as well as create more interior views. The building meets the ground with reveals for light as well as views inward. A meandering path makes its way into the building to give public a view of the work and facilities.

    South Elevation

    Site Plan

  • QUAD PERSPECTIVE

    NORTH-SOUTH SECTION

    +36

    +24

    +12

    -12

    -20

  • NORTH EAST AERIALGALLERY / PIN-UP

    DN

    DNUP

    FACULTY

    UP

    DN

    UP

    CLASS

    ENRTYCOURTYARD

    SHOP

    LECTURE

    GALLERY / PINUP

    STORAGE

    CLASSRM

    GROUND FLOOR F -1

    COMP. / PRINT

    FACULTY

    1ST YEAR

    PINUP

    -3

    -6

    -7.5

    -9UPDN

    DN

    DN

    LIBRARY / LOUNGE

    DN

    F 4

    2ND YEAR

    3RD YEARUP

    -12

    F 3 F 2

    SHOP ENTRY

    COURTYARD ENTRY

    STUDIO ENTRY

    GALLERY ENTRYADMINISTRATION ENTRY

    LECTURE ENTRY

    SHOP

    LECTURE

    ADMINISTRATION

    FACULTY

    2ND YEAR

    LIBRARY / STUDY

    3RD YEAR

    1ST YEAR

    PRINT / COMP.

    STEAL SUPER STRUCTURE

    STEAL SECONDARY STRUCTURE

    TRANSLUCENT GLASS PANEL

    S.I.P.

    GALLERY

    CLASSROOM

  • NORTH EAST AERIALGALLERY / PIN-UP

    DN

    DNUP

    FACULTY

    UP

    DN

    UP

    CLASS

    ENRTYCOURTYARD

    SHOP

    LECTURE

    GALLERY / PINUP

    STORAGE

    CLASSRM

    GROUND FLOOR F -1

    COMP. / PRINT

    FACULTY

    1ST YEAR

    PINUP

    -3

    -6

    -7.5

    -9UPDN

    DN

    DN

    LIBRARY / LOUNGE

    DN

    F 4

    2ND YEAR

    3RD YEARUP

    -12

    F 3 F 2

    SHOP ENTRY

    COURTYARD ENTRY

    STUDIO ENTRY

    GALLERY ENTRYADMINISTRATION ENTRY

    LECTURE ENTRY

    SHOP

    LECTURE

    ADMINISTRATION

    FACULTY

    2ND YEAR

    LIBRARY / STUDY

    3RD YEAR

    1ST YEAR

    PRINT / COMP.

    STEAL SUPER STRUCTURE

    STEAL SECONDARY STRUCTURE

    TRANSLUCENT GLASS PANEL

    S.I.P.

    GALLERY

    CLASSROOM

  • Bodo Suninstructor: Open Competitionprogram: Boat Museum / Library / Theatercollaborator: Chris White Bod's unique geographic conditions challenge its architecture to be equally unique. Prolonged darkness gives man the opportunity to create the light of his own city. Only in prolonged light can man appreciate a perpetual oasis of warm, open shade. The Kulturhus will transform the waterfront of Bod with light. Light will make the hall itself a destination not only for cultural events, but as everyday social space.The marina will be a landscape of bright warmth in the darkness of night and winter, with the Kulturhus serving as the Bod Sun. The large face of the arched shell will radiate light outwards on the entire waterfront area. The Slooping Museum is chiey for the purpose of exhibiting Bod's maritime history and heritage. The proposal locates the museum on the pier root site facing the quay, where the main exhibition piece is the last remaing Nordlandsjekt, Anna Karoline, displayed through the center room of the building. Also included in the Museum is a small restaurant & snack bar, classroom, small presentation hall, oce space, and additional exhibition space.

    Bodo Sun 1/5

  • Slooping Museum

    1

    2

    3

    4

    5

    6V1

    V2

    V3

    Wind Shelter

    Promenade

    Horizontal Symetry Vertical Symetry

    Shadow Analysis

    Bodo Sun 2/5 Site / PromenadeSite: three conditions of symmetry

    Time-light Symmetry: Bod Sun

    In analyzing the sun chart of Bod (6766 North - 1422 East), the one month of night and one month of day is a unique and signicant phenomenon. There is a possibility to introduce an articial source of light which brightens the long darkness in the winter, attracting the inhabitants of Bod to engage both buildings.

    Vertical Symmetry: The reecting sea

    To build this new sun for the city, we will take advantage of its location near the sea. Water duplicates the presence of an object through reection, the reection line dissolves with degrees of vibration. The Nye Kuturhus (BKN) is a lighted public arcade that extends into the sea with a semicircular outline, the reection of which forms a huge disc of light.

    Horizontal Symmetry: Two poles and a promenade

    One pole is dened by the blocks 100 and 105, and the second by the Pier Root site. Both are facing each other, containing a virtual axis of symmetry in the water. Both are connected by what could be a very interesting urban land-scape, the harbor promenade. Our proposal locates the Slooping Museum on the Pier Root Site, facing the quay front and the harbor, and leaves the more complex program to the second pole. The Nye Kulturhus is located on block 105 and face the harbor, and the library, the international center, etc, are located in the spacious block 100. There is a formal relationship between the two buildings; the Nye Kulturhus is an index to the form of the museum, which suggests one building being pulled from the other. There is a coherent structural system based on parabolic geometries and a common membrane that allows the possibility of both reecting and emitting light over its entire surface.

    Promenade: an urban landscape

    Of equal importance as the buildings will be the attractive-ness of the urban space that connects them. Our project addresses this space with wooden and glass strips as the basic cells that, in multiple combinations, would generate the individual elements needed to urbanize these spaces:

    1. Wind shelter: the wooden walkway folds to create a shelter that will attenuate the severe wind blowing across the harbor. 2. Benches: both as folded wood and cubic translucent glass emerging from the walkway. 3. Planters: some voids are inserted between the cells that allow vegetation to grow. 4. Light lines: below the boardwalk, lights project upwards form-ing an entropic landscape through the promenade. 5. Light displays: emerging from the walk as translucent mono-liths, they will extend the inner exhibition program to the outdoors. They can be used to display information, or as art frames to display temporary digital work.

    All the described elements are scattered between the twelve main lines that run from the Slooping Museum to the Nye Kulturhus.

    Kulturhus

    Library

    Site Plan 1:750

    Promenade Elements

    1wind shelter2 wood bench3 transluscent bench4 planter5 light line6 ligth display

    February 21

    April 21

    June 21

    View 1- elements of promenade View 3- wood bench and displayView 2- wind shelter, transluscent bench, and light lines

  • Second Floor 1 : 500Ground Floor 1: 500Library

    1 rythmic center2 meeting room3 study area4 public computers5 news papers6 local collection7 open collection8 information 9 sorting machines 10 exhibition display 11 seating area 12 restrooms13 oces misc.

    Section 1:300

    1 restaurant 2 main hall3 stage4 dressing room5 tech room6 loading 7 bridge 8 rythmic center 9 library

    K2

    K1

    Kulturhus

    1 covered plaza2 foyer hall3 exhibition 4 tickets5 cloakroom6 refreshments7 elevators8 restrooms9 second hall10 escalators 11 tech storage12 dressing room13 greenroom14 warm-up room15 rehearsal hall16 loading dock

    Library

    1 waiting area2 culture caf3 youth caf4 kitchen 5 restooms6 showroom/ workshop7 international center 8 black box theater 9 adult 10 children11 lending area

    Kulturhus/ LibraryThe Kulturhus will transform the waterfront of Bod with light. Light will make the hall itself a destination not only for cultural events, but as everyday social space.The marina will be a land-scape of bright warmth in the darkness of night and winter, with the Kulturhus serving as the Bod Sun. The large face of the arched shell will radiate light outwards on the entire waterfront area.

    The proposal places in blocks 100 and 105 a complex hybrid building that emerges from the smaller and fragmented urban scale of the adjacent buildings, climbs vertically, merges into one form, and ends with a unied ring of light facing the harbor. A sheltered, open-air piazza provides Bod's residents a refuge from the dark, windy winter months. Cafes border the piazza with tables, and the leeward-facing view of the marina, framed with a series of high wooden arches, keeps out the northwest wind and overlooks the illuminated marina and Slooping Museum. The building reads as a cascade of light that connects both blocks with a bridge above Halogalandsqata Street. The ground oor of the Kulturhus is divided into two areas: public gathering space, and theater support areas. Just inside the sheltered public plaza, ticket sales, restrooms, and cloak rooms receive concert goers. A facade of treated glazing separates the interior space from the piazza. The marina is visible through parabolic glazed arches which speak to the Slooping Museum directly across the water.

    The form of this large foyer space comes directly form the theater oor which swoops overhead, with wooden planks that conjure the hull of a huge ship resting on the soaring glass wall.

    A restaurant is located above the main theatre, providing beau-tiful views of the harbor. The libraries, showrooms, cafeterias, international center and rhythmic center are located on block 100. A central covered street gives access to these programs, connecting a unied, continuous space below the singular translucent roof. In the upper level, the circulation surrounds the high space of the libraries. Here we nd other services, like the newspapers, collections, seating room and the administra-tion oces

    Kulturhus

    1 main hall2 orchestra pit3 stage4 side stage5 back stage6set storage7 rehearsal rooms 8 misc. workshop9 oces misc.

    K4

    K5

    K6

    K7

    K8

    K3

    K9

    K10

    K11

    K14

    K15

    K12K13

    K16

    L2 L7

    L9

    L8

    L6

    L3

    L4

    L5

    L1

    L10

    L11

    K12

    K12

    K12

    K2

    K1

    K4

    K5

    K6

    K7

    K8

    K3

    K9

    K4

    L2

    L7

    L9

    L8

    L6

    L3

    L4

    L1

    L10

    L11

    L2

    L5

    L13L12

    1

    3 8

    6

    7

    5

    2

    79

    Elevation 1: 500

    Bodo Sun 3/5

  • 12 3

    Section A 1 : 200

    1 exhibition space2 classroom3 auditorium

    Bodo Sun 4/5 Slooping MuseumThe Slooping Museum is chiey for the purpose of exhibiting Bod's maritime history and heritage. The proposal locates the museum on the pier root site facing the quay, where the main exhibition piece is the last remaing Nordlandsjekt, Anna Karoline, displayed through the center room of the building. Also included in the Museum is a small restaurant & snack bar, classroom, small presentation hall, oce space, and addi-tional exhibition space.

    The space is wholly day-lit by the fully glazed facades at east and west. The dierent light quality over both the course of the day and the year changes the atmosphere and experience of visiting the museum continually.

    The form of the museum is determined by the geometry of a parabola. The prole of the shell registers three intersecting parabolas. At these intersections, parabolic openings connect the interior spaces transversely across the museum.

    The form of these parabolas are taken directly from the aper-tures on the face of the Kulturhus, which faces the museum across the marina. The direct correlation between these two building forms creates a strong visual continuity across the harbor.

    The main public areas of the museum are located on the ground level. An open plan, divided into three parallel sections, accommodate the major public programs. The entrance to the museum opens directly to the ticket counter. Adjacent to the ticket counter, the restaurant has a view of the city and sea to the west.

    The central exhibit space, steps down below grade, allowing visitors to get face to face with hull of the ship. From this lower space, visitors have have access to a classroom and small meeting hall. Also below grade, oce space and museum storage lie below the secondary exhibit space.

    The secondary exhibit space is designed to accommodate both permanent and temporary installations.

    Elevation 1:300

    Membrane Detail

    1 inner translucent polycarbonate 4cm2 triangulated steel rib structure3 controlled air chamber4 external translucent polycarbonate 4cm5 substructure of steel for wooden skin6 external skin: lattice of pressure treated wood

    1

    2

    3

    4

    5

    6

    Second Floor 1 : 500Ground Floor 1: 500Library

    1 rythmic center2 meeting room3 study area4 public computers5 news papers6 local collection7 open collection8 information 9 sorting machines 10 exhibition display 11 seating area 12 restrooms13 oces misc.

    Section 1:300

    1 restaurant 2 main hall3 stage4 dressing room5 tech room6 loading 7 bridge 8 rythmic center 9 library

    K2

    K1

    Kulturhus

    1 covered plaza2 foyer hall3 exhibition 4 tickets5 cloakroom6 refreshments7 elevators8 restrooms9 second hall10 escalators 11 tech storage12 dressing room13 greenroom14 warm-up room15 rehearsal hall16 loading dock

    Library

    1 waiting area2 culture caf3 youth caf4 kitchen 5 restooms6 showroom/ workshop7 international center 8 black box theater 9 adult 10 children11 lending area

    Kulturhus/ LibraryThe Kulturhus will transform the waterfront of Bod with light. Light will make the hall itself a destination not only for cultural events, but as everyday social space.The marina will be a land-scape of bright warmth in the darkness of night and winter, with the Kulturhus serving as the Bod Sun. The large face of the arched shell will radiate light outwards on the entire waterfront area.

    The proposal places in blocks 100 and 105 a complex hybrid building that emerges from the smaller and fragmented urban scale of the adjacent buildings, climbs vertically, merges into one form, and ends with a unied ring of light facing the harbor. A sheltered, open-air piazza provides Bod's residents a refuge from the dark, windy winter months. Cafes border the piazza with tables, and the leeward-facing view of the marina, framed with a series of high wooden arches, keeps out the northwest wind and overlooks the illuminated marina and Slooping Museum. The building reads as a cascade of light that connects both blocks with a bridge above Halogalandsqata Street. The ground oor of the Kulturhus is divided into two areas: public gathering space, and theater support areas. Just inside the sheltered public plaza, ticket sales, restrooms, and cloak rooms receive concert goers. A facade of treated glazing separates the interior space from the piazza. The marina is visible through parabolic glazed arches which speak to the Slooping Museum directly across the water.

    The form of this large foyer space comes directly form the theater oor which swoops overhead, with wooden planks that conjure the hull of a huge ship resting on the soaring glass wall.

    A restaurant is located above the main theatre, providing beau-tiful views of the harbor. The libraries, showrooms, cafeterias, international center and rhythmic center are located on block 100. A central covered street gives access to these programs, connecting a unied, continuous space below the singular translucent roof. In the upper level, the circulation surrounds the high space of the libraries. Here we nd other services, like the newspapers, collections, seating room and the administra-tion oces

    Kulturhus

    1 main hall2 orchestra pit3 stage4 side stage5 back stage6set storage7 rehearsal rooms 8 misc. workshop9 oces misc.

    K4

    K5

    K6

    K7

    K8

    K3

    K9

    K10

    K11

    K14

    K15

    K12K13

    K16

    L2 L7

    L9

    L8

    L6

    L3

    L4

    L5

    L1

    L10

    L11

    K12

    K12

    K12

    K2

    K1

    K4

    K5

    K6

    K7

    K8

    K3

    K9

    K4

    L2

    L7

    L9

    L8

    L6

    L3

    L4

    L1

    L10

    L11

    L2

    L5

    L13L12

    1

    3 8

    6

    7

    5

    2

    79

    Elevation 1: 500

    Bodo Sun 3/5

  • Exploded Axon

    Transplant

    Haze

    Styrofoam

    Circulation

    Haze(25x 8 x 10)

    Styrofoam Cups(25 x 25 x 6)

    Transplant(20 x 25 x 4)

    Cones of Vision

    Cones of Vision(Detail)

    Donovans Work

    Inhabitable Visions instructor: Judith Musselprogram: Tara Donovan Gallery

    Occupying multiple planes; oors, walls, ceiling, each of Donovans works is to be view from a certain angle. In creating a space that houses her work highlighting these views, the gallery becomes an instrument for viewing. Lines of sight are made physical to bring focus to each piece, while creating a dynamic space to experience the work. The work plays back on the architecture with powerful light and shadow on the simple concrete nish.

    F-1F1F2

    AB

    C

    DN

    DN

    A

    B

    C

    A

    B

    C

    DN

    UP DN

    UP

    UP

    UP

    OPEN TO BELOW

    +12+5

    +5

    +2.5

    +15

    +0

    -12

    20 4 8 16

    F-1F1F2

    AB

    C

    DN

    DN

    A

    B

    C

    A

    B

    C

    DN

    UP DN

    UP

    UP

    UP

    OPEN TO BELOW

    +12+5

    +5

    +2.5

    +15

    +0

    -12

    20 4 8 16

  • Exploded Axon

    Transplant

    Haze

    Styrofoam

    Circulation

    Haze(25x 8 x 10)

    Styrofoam Cups(25 x 25 x 6)

    Transplant(20 x 25 x 4)

    Cones of Vision

    Cones of Vision(Detail)

    Donovans Work

    Inhabitable Visions instructor: Judith Musselprogram: Tara Donovan Gallery

    Occupying multiple planes; oors, walls, ceiling, each of Donovans works is to be view from a certain angle. In creating a space that houses her work highlighting these views, the gallery becomes an instrument for viewing. Lines of sight are made physical to bring focus to each piece, while creating a dynamic space to experience the work. The work plays back on the architecture with powerful light and shadow on the simple concrete nish.

    F-1F1F2

    AB

    C

    DN

    DN

    A

    B

    C

    A

    B

    C

    DN

    UP DN

    UP

    UP

    UP

    OPEN TO BELOW

    +12+5

    +5

    +2.5

    +15

    +0

    -12

    20 4 8 16

    F-1F1F2

    AB

    C

    DN

    DN

    A

    B

    C

    A

    B

    C

    DN

    UP DN

    UP

    UP

    UP

    OPEN TO BELOW

    +12+5

    +5

    +2.5

    +15

    +0

    -12

    20 4 8 16

  • Section ASCALE: 1/4 = 1-0

    Section B SCALE: 1/4 = 1-0

    Section CSCALE: 1/4 = 1-0

    Section ASCALE: 1/4 = 1-0

    Section B SCALE: 1/4 = 1-0

    Section CSCALE: 1/4 = 1-0

  • Section ASCALE: 1/4 = 1-0

    Section B SCALE: 1/4 = 1-0

    Section CSCALE: 1/4 = 1-0

    Section ASCALE: 1/4 = 1-0

    Section B SCALE: 1/4 = 1-0

    Section CSCALE: 1/4 = 1-0

  • SUM

    MER

    SO

    LAR

    WIN

    TER

    SOLA

    R

    VIEW points

    Parametric Shingleinstructor: Michael Raprogram: Single Family Racade Detail Rethinking a standard building element, parametric shingles function both environmentally and aesthetically. With three points of connection each shingles orientation is highly controlled, to both views and solar protection. The translucent veneer wood shingles are position and oriented to mitigate the most direct solar gains of the interior space. This pattern, parametrically calibrated, composes both an overall and local strategies to the surroundings with criteria such as a solar response, day-light control, amble operability for views, and a sensibility to spatial aect.

  • SUM

    MER

    SO

    LAR

    WIN

    TER

    SOLA

    R

    VIEW points

    Parametric Shingleinstructor: Michael Raprogram: Single Family Racade Detail Rethinking a standard building element, parametric shingles function both environmentally and aesthetically. With three points of connection each shingles orientation is highly controlled, to both views and solar protection. The translucent veneer wood shingles are position and oriented to mitigate the most direct solar gains of the interior space. This pattern, parametrically calibrated, composes both an overall and local strategies to the surroundings with criteria such as a solar response, day-light control, amble operability for views, and a sensibility to spatial aect.

  • WILSHIRE BLVD DEVON AVE

    S. BEVERLY GLEN BLVD.

    1. master Bed2. master bath3. kitchen4. dining 5. sun deck6. deck7. parking8. living9. guest

    1

    2

    3

    4

    5

    6

    7

    8

    9

    F 1F 2

  • WILSHIRE BLVD DEVON AVE

    S. BEVERLY GLEN BLVD.

    1. master Bed2. master bath3. kitchen4. dining 5. sun deck6. deck7. parking8. living9. guest

    1

    2

    3

    4

    5

    6

    7

    8

    9

    F 1F 2

  • ROTATIONAL POSITIONS

    -15 0 +15

    UNCONDITIONED

    CONDITIONED

    (EQUI

    NOX)

    FIXE

    D

    FIXE

    D

    OPE

    RABL

    E

    BALL JOINT SECTION

    EXPLODED BALL JOINT

    steel cable / rod

    translucent wood veneer

    molded plastic coupler

    resin panel

    cable sleeveset screw

    SYSTEM DETAIL

  • ROTATIONAL POSITIONS

    -15 0 +15

    UNCONDITIONED

    CONDITIONED

    (EQUI

    NOX)

    FIXE

    D

    FIXE

    D

    OPE

    RABL

    E

    BALL JOINT SECTION

    EXPLODED BALL JOINT

    steel cable / rod

    translucent wood veneer

    molded plastic coupler

    resin panel

    cable sleeveset screw

    SYSTEM DETAIL

  • Innovation Incubatorinstructor: Craig Hodgettsprogram: Center for Innovationcollaborator: Adam Levine

    The organizational layout of this project is derived from a number of hierarchies; including social interaction, ecient workow, noise control and air quality. The southern section of the site is given to the public, which includes the oces, galleries and theaters.

    The shops are brought together at the center of the site for a few reasons. Workow is less disturbed when shops are adjacent to each other, allowing users to have quick access to diering types of tools. This crossover also increases social interaction among rms that work on dierent sorts of projects. Another benet is that all specialized HVAC and air removal equipment can be condensed and minimized. The shops are all on one level, allowing for ease of shipping as well as moving ones work from assembly space to shop and to gallery space.

    Pods of small shop space and meeting rooms are dispersed through the site for the benet of people who primarily function in the design and assembly spaces. These pods are organized by adjacencies and sight connections throughout the project. Circulatory paths also catalyze social and visual interaction

    ASSEMBLY

    GALLERY

    PARKING

    PARKING ENTRY SHOP

    ASSEMBLY

    ADMIN.

    ADMIN.

    STORAGE

    COMMUNALDESIGN LASER

    ELECTRONICS

    MEETING

    MEETING3D PRINTDESIGN

    DESIGN

    DESIGN

    MECHANICAL

    PARKING ENTR

    Y

    THEATERTHEATER

    GALLERY

    DESIGN

    PUBLICASSEMBLY

    GALLERY

    SHOP

    SECTION A: EAST ATRIUM

    SECTION B: CROSS ATRIUM

    DIAGRAMMATIC SECTION

    LASER CUT ROOM

    ASSEMBLY

    GALLERY

    3D PRINT ROOM

    MEETING ROOM

    DESIGN

    DESIGN

    SHOP LEVEL

    A

    B

  • Innovation Incubatorinstructor: Craig Hodgettsprogram: Center for Innovationcollaborator: Adam Levine

    The organizational layout of this project is derived from a number of hierarchies; including social interaction, ecient workow, noise control and air quality. The southern section of the site is given to the public, which includes the oces, galleries and theaters.

    The shops are brought together at the center of the site for a few reasons. Workow is less disturbed when shops are adjacent to each other, allowing users to have quick access to diering types of tools. This crossover also increases social interaction among rms that work on dierent sorts of projects. Another benet is that all specialized HVAC and air removal equipment can be condensed and minimized. The shops are all on one level, allowing for ease of shipping as well as moving ones work from assembly space to shop and to gallery space.

    Pods of small shop space and meeting rooms are dispersed through the site for the benet of people who primarily function in the design and assembly spaces. These pods are organized by adjacencies and sight connections throughout the project. Circulatory paths also catalyze social and visual interaction

    ASSEMBLY

    GALLERY

    PARKING

    PARKING ENTRY SHOP

    ASSEMBLY

    ADMIN.

    ADMIN.

    STORAGE

    COMMUNALDESIGN LASER

    ELECTRONICS

    MEETING

    MEETING3D PRINTDESIGN

    DESIGN

    DESIGN

    MECHANICAL

    PARKING ENTR

    Y

    THEATERTHEATER

    GALLERY

    DESIGN

    PUBLICASSEMBLY

    GALLERY

    SHOP

    SECTION A: EAST ATRIUM

    SECTION B: CROSS ATRIUM

    DIAGRAMMATIC SECTION

    LASER CUT ROOM

    ASSEMBLY

    GALLERY

    3D PRINT ROOM

    MEETING ROOM

    DESIGN

    DESIGN

    SHOP LEVEL

    A

    B

  • FREIGHT

    HALLWAY

    FREIGHT

    OUTD

    OOR

    ELEVATOR

    LOADINGDOCK

    PR

    IVAT

    E E

    NTR

    Y

    ELEV

    ATOR

    PU

    BLI

    C E

    NTR

    Y

    STAIR

    STAIR

    TO P

    ARKI

    NG

    LOADING

    ELEVATOR

    ELEV

    ATOR

    FREIGHT

    MEC

    HAN

    ICAL

    PRIVATE ENTRY

    LOCKER ROOM

    BATHROOM/SHOWER

    HAL

    LWAY

    CAFERESTROOM

    PUBLIC ENTRY

    MATERIAL STORE

    STAI

    RTO

    PAR

    KIN

    G

    FREIGHT

    UP

    UP

    UP

    UP

    DO

    WN

    UP

    UP

    DN

    UP

    UP

    DN

    UP

    DN

    UP

    UP

    DN

    UP

    DN

    UP

    DN

    DNUP

    DN

    UP

    DN

    DN

    UP

    UP

    DN

    DN

    UP

    shop view main atrium

    F0 shop level

    F2

    F3

    fabrication pods

  • FREIGHT

    HALLWAY

    FREIGHT

    OUTD

    OOR

    ELEVATOR

    LOADINGDOCK

    PR

    IVAT

    E E

    NTR

    Y

    ELEV

    ATOR

    PU

    BLI

    C E

    NTR

    Y

    STAIR

    STAIR

    TO P

    ARKI

    NG

    LOADING

    ELEVATOR

    ELEV

    ATOR

    FREIGHT

    MEC

    HAN

    ICAL

    PRIVATE ENTRY

    LOCKER ROOM

    BATHROOM/SHOWER

    HAL

    LWAY

    CAFERESTROOM

    PUBLIC ENTRY

    MATERIAL STORE

    STAI

    RTO

    PAR

    KIN

    G

    FREIGHT

    UP

    UP

    UP

    UP

    DO

    WN

    UP

    UP

    DN

    UP

    UP

    DN

    UP

    DN

    UP

    UP

    DN

    UP

    DN

    UP

    DN

    DNUP

    DN

    UP

    DN

    DN

    UP

    UP

    DN

    DN

    UP

    shop view main atrium

    F0 shop level

    F2

    F3

    fabrication pods

  • Umbrella HouseInstructor: Mark Mackprogram: Single family Residence Sited on Eastern Canal in Venice, CA the Umbrella House is a steel structure whos form relates to views of the canal and solar orientation. The curved shells shade the harsh south/ southwest sun with an air gap to vent hot air. The plan maximizes site usage, taking advantage of the necessary site set backs. The south terrace accepts the three foot set back giving it a functional use. The ground oor kitchen opens up the canal side yard bringing the exterior into the house. The split level organization helps to dene interior spaces while leaving it open with little partition.

    CANAL ELEVATION 1/4 = 1 SOUTH ELEVATION 1/4 = 1

    16'-3"

    4'4" 5'-0"22'-0" 4'0" 29'2" 17'-7"9'3" 15'-4"9'3"4'0"

    -

    -

    -

    00/00/10

    CORRUGATED SHELLS2343 EASTERN COURTVENICE, CA 90291

    1/4 = 10000

    -

    03

    REVISIONS/SUBMISSIONSNO.

    SCALE

    DATE

    DRAWN

    CHECKED

    JOB#

    SHEET#

    All ideas, designs, arrangements and plansindicated or represented by this drawing are ownedby and are the property of _________________and were created, evolved and developed for useon, and in connection with the specified project.None of these ideas, designs, arrangements or plansshall be used by or disclosed to any person, firm orcorporation for purpose what so ever without thewritten permission of _________________.

    Written dimensions on these drawings shall haveprecedence over scaled dimensions. Contractorsshall verify and be responsible for all dimensions andconditions shown by these drawings. Shop detailsmust be submitted to this office for approval beforeproceeding with fabrication.

    SECTIONS/DETAILS

    D2

    D1

    D3

    SECTION A D1- ROOF TO WALL DETAIL 1-1/2 = 1 D2- CURVED ROOF DETAIL 1-1/2 = 1

    D3- CLERESTORY 1-1/2 = 1SECTION B 1/4 = 1

    2x10 JOIST

    1/2 PLYWOOD

    W 8 X 31 (4R CUSTOM EXTRUSION)

    10 BAT INSULATION

    JOIST HANGER

    4R 3CORRUGATED STEEL

    2 LAYERS 1/2 PLYWOOD

    1/2 BOLT

    4 STEEL PURLIN

    ROOFING MEMBRANE

    3 CORRUGATED STEEL

    2 X 10 BLOCKING

    2x10 JOIST

    1/2 PLYWOODW 8 X 31

    10 BAT INSULATIONJOIST HANGER

    4R 3CORRUGATED STEEL

    2 LAYERS 1/2 PLYWOOD

    1/2 BOLT4 STEEL PURLIN

    ROOFING MEMBRANE

    3 CORRUGATED STEEL

    2 X 10 BLOCKING

    D2_CURVED ROOF DETAIL

    D1_ROOF TO WALL DETAIL

  • Umbrella HouseInstructor: Mark Mackprogram: Single family Residence Sited on Eastern Canal in Venice, CA the Umbrella House is a steel structure whos form relates to views of the canal and solar orientation. The curved shells shade the harsh south/ southwest sun with an air gap to vent hot air. The plan maximizes site usage, taking advantage of the necessary site set backs. The south terrace accepts the three foot set back giving it a functional use. The ground oor kitchen opens up the canal side yard bringing the exterior into the house. The split level organization helps to dene interior spaces while leaving it open with little partition.

    CANAL ELEVATION 1/4 = 1 SOUTH ELEVATION 1/4 = 1

    16'-3"

    4'4" 5'-0"22'-0" 4'0" 29'2" 17'-7"9'3" 15'-4"9'3"4'0"

    -

    -

    -

    00/00/10

    CORRUGATED SHELLS2343 EASTERN COURTVENICE, CA 90291

    1/4 = 10000

    -

    03

    REVISIONS/SUBMISSIONSNO.

    SCALE

    DATE

    DRAWN

    CHECKED

    JOB#

    SHEET#

    All ideas, designs, arrangements and plansindicated or represented by this drawing are ownedby and are the property of _________________and were created, evolved and developed for useon, and in connection with the specified project.None of these ideas, designs, arrangements or plansshall be used by or disclosed to any person, firm orcorporation for purpose what so ever without thewritten permission of _________________.

    Written dimensions on these drawings shall haveprecedence over scaled dimensions. Contractorsshall verify and be responsible for all dimensions andconditions shown by these drawings. Shop detailsmust be submitted to this office for approval beforeproceeding with fabrication.

    SECTIONS/DETAILS

    D2

    D1

    D3

    SECTION A D1- ROOF TO WALL DETAIL 1-1/2 = 1 D2- CURVED ROOF DETAIL 1-1/2 = 1

    D3- CLERESTORY 1-1/2 = 1SECTION B 1/4 = 1

    2x10 JOIST

    1/2 PLYWOOD

    W 8 X 31 (4R CUSTOM EXTRUSION)

    10 BAT INSULATION

    JOIST HANGER

    4R 3CORRUGATED STEEL

    2 LAYERS 1/2 PLYWOOD

    1/2 BOLT

    4 STEEL PURLIN

    ROOFING MEMBRANE

    3 CORRUGATED STEEL

    2 X 10 BLOCKING

    2x10 JOIST

    1/2 PLYWOODW 8 X 31

    10 BAT INSULATIONJOIST HANGER

    4R 3CORRUGATED STEEL

    2 LAYERS 1/2 PLYWOOD

    1/2 BOLT4 STEEL PURLIN

    ROOFING MEMBRANE

    3 CORRUGATED STEEL

    2 X 10 BLOCKING

    D2_CURVED ROOF DETAIL

    D1_ROOF TO WALL DETAIL

  • BASEMENT 1/4 = 1 FIRST FLOOR 1/4 = 1 SECOND FLOOR 1/4 = 1

    3'10"

    14'2"

    6'-8

    "

    18'-1

    0"10

    '0"

    21'-8

    "

    29'2

    "9'

    3"17

    '7"

    15'4

    "9'

    3"9'

    3"

    12'-8"

    3'10"

    15'4"

    9'3"

    9'3"

    4'3"

    18'-1

    0"

    15'0"

    4'4"

    29'2"

    16'-5

    "

    4'-4"

    17'7"

    -

    -

    -

    00/00/10

    CORRUGATED SHELLS2343 EASTERN COURTVENICE, CA 90291

    1/4 = 10000

    -

    03

    REVISIONS/SUBMISSIONSNO.

    SCALE

    DATE

    DRAWN

    CHECKED

    JOB#

    SHEET#

    All ideas, designs, arrangements and plansindicated or represented by this drawing are ownedby and are the property of _________________and were created, evolved and developed for useon, and in connection with the specified project.None of these ideas, designs, arrangements or plansshall be used by or disclosed to any person, firm orcorporation for purpose what so ever without thewritten permission of _________________.

    Written dimensions on these drawings shall haveprecedence over scaled dimensions. Contractorsshall verify and be responsible for all dimensions andconditions shown by these drawings. Shop detailsmust be submitted to this office for approval beforeproceeding with fabrication.

    SECTIONS/DETAILS

    D2

    D1

    D3

    SECTION A D1- ROOF TO WALL DETAIL 1-1/2 = 1 D2- CURVED ROOF DETAIL 1-1/2 = 1

    D3- CLERESTORY 1-1/2 = 1SECTION B 1/4 = 1

    2x10 JOIST

    1/2 PLYWOOD

    W 8 X 31 (4R CUSTOM EXTRUSION)

    10 BAT INSULATION

    JOIST HANGER

    4R 3CORRUGATED STEEL

    2 LAYERS 1/2 PLYWOOD

    1/2 BOLT

    4 STEEL PURLIN

    ROOFING MEMBRANE

    3 CORRUGATED STEEL

    2 X 10 BLOCKING

    UMBRELLA ROOF SHIELDS DIRECT HEAT AND LIGHT

    ROTATED SOUTH

    STRUCTURAL AXON

    SHADES

    AFTERN

    OON SUN

    SUN DEF

    LECTED IN

    TO SPAC

    E

    FLOORS SHIFTED TO DIVIDE SPACE AND EASY VERTICAL TRANSITION.

    LIVING

    BEDROO

    MMAS

    TER

    DINING

    OFFICE

  • BASEMENT 1/4 = 1 FIRST FLOOR 1/4 = 1 SECOND FLOOR 1/4 = 1

    3'10"

    14'2"

    6'-8

    "

    18'-1

    0"10

    '0"

    21'-8

    "

    29'2

    "9'

    3"17

    '7"

    15'4

    "9'

    3"9'

    3"

    12'-8"

    3'10"

    15'4"

    9'3"

    9'3"

    4'3"

    18'-1

    0"

    15'0"

    4'4"

    29'2"

    16'-5

    "

    4'-4"

    17'7"

    -

    -

    -

    00/00/10

    CORRUGATED SHELLS2343 EASTERN COURTVENICE, CA 90291

    1/4 = 10000

    -

    03

    REVISIONS/SUBMISSIONSNO.

    SCALE

    DATE

    DRAWN

    CHECKED

    JOB#

    SHEET#

    All ideas, designs, arrangements and plansindicated or represented by this drawing are ownedby and are the property of _________________and were created, evolved and developed for useon, and in connection with the specified project.None of these ideas, designs, arrangements or plansshall be used by or disclosed to any person, firm orcorporation for purpose what so ever without thewritten permission of _________________.

    Written dimensions on these drawings shall haveprecedence over scaled dimensions. Contractorsshall verify and be responsible for all dimensions andconditions shown by these drawings. Shop detailsmust be submitted to this office for approval beforeproceeding with fabrication.

    SECTIONS/DETAILS

    D2

    D1

    D3

    SECTION A D1- ROOF TO WALL DETAIL 1-1/2 = 1 D2- CURVED ROOF DETAIL 1-1/2 = 1

    D3- CLERESTORY 1-1/2 = 1SECTION B 1/4 = 1

    2x10 JOIST

    1/2 PLYWOOD

    W 8 X 31 (4R CUSTOM EXTRUSION)

    10 BAT INSULATION

    JOIST HANGER

    4R 3CORRUGATED STEEL

    2 LAYERS 1/2 PLYWOOD

    1/2 BOLT

    4 STEEL PURLIN

    ROOFING MEMBRANE

    3 CORRUGATED STEEL

    2 X 10 BLOCKING

    UMBRELLA ROOF SHIELDS DIRECT HEAT AND LIGHT

    ROTATED SOUTH

    STRUCTURAL AXON

    SHADES

    AFTERN

    OON SUN

    SUN DEF

    LECTED IN

    TO SPAC

    E

    FLOORS SHIFTED TO DIVIDE SPACE AND EASY VERTICAL TRANSITION.

    LIVING

    BEDROO

    MMAS

    TER

    DINING

    OFFICE

  • B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    DN

    DN

    UP

    UP

    UP

    F31/8 = 1

    NIKE Cloudinstructor: Greg Lynnprogram: Retail / Fitness Center.

    Creating a new relationship between retail and tness, NIKE cloud places tracks, basketball courts, ten-nis courts, tness centers, racquetball and other sports courts around a central retail core. Apperatures in the main court create visual connections between the two programs creating a dialogue with eachother. An immersive retail environment NIKE Cloud rethinks the standard display, using a spherical forms to envelope the consumer in merchandise.

    4

    1. inventory2. tness center3. racquetball court4. retail display

    1

    2

    3

  • B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    DN

    DN

    UP

    UP

    UP

    F31/8 = 1

    NIKE Cloudinstructor: Greg Lynnprogram: Retail / Fitness Center.

    Creating a new relationship between retail and tness, NIKE cloud places tracks, basketball courts, ten-nis courts, tness centers, racquetball and other sports courts around a central retail core. Apperatures in the main court create visual connections between the two programs creating a dialogue with eachother. An immersive retail environment NIKE Cloud rethinks the standard display, using a spherical forms to envelope the consumer in merchandise.

    4

    1. inventory2. tness center3. racquetball court4. retail display

    1

    2

    3

  • 154'

    130'

    106'

    82'

    72'

    62'

    52'

    42'

    32'

    22'

    EAST WEST SECTION1/8 = 1

    1/32 = 1

    CONTEXT SECTION

    B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    DNDN

    UP

    F1 1/16 = 1

    DN

    B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    DN

    UP

    DN

    F21/16 = 1

    B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    UP

    1/16 = 1F4

  • 154'

    130'

    106'

    82'

    72'

    62'

    52'

    42'

    32'

    22'

    EAST WEST SECTION1/8 = 1

    1/32 = 1

    CONTEXT SECTION

    B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    DNDN

    UP

    F1 1/16 = 1

    DN

    B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    DN

    UP

    DN

    F21/16 = 1

    B4

    B3

    B2

    B1

    A6A5A4A3A2A1

    B5

    B4

    B5

    B6

    B3

    B6

    B2

    B1

    A6A5A4A3A2A1

    UP

    1/16 = 1F4

  • Panel Assembly Axonometric

    Panel Connection Detail

    1- 1/8 Steel rod and plate

    2- 1/4 Injection molded Urethane

    3- 1/8 Panhead screw

    4- 1/8 Steel cable5- 1/8 Wire ties

    Exploded Connection Axon

    6- 1/16 Rubber

    12

    3

    4

    5

    6

    Between the Sheetsinstructor: Heather Robergeprogram: Facade Panel System Digital design has given rise to formal experimentation that outpaces advancements in construction methods. This technology seminar attempts to choreograph formal experiments in step with computer aided manufacturing processes such that the two are linked from the outset. Participants design and prototype formed aluminum panel arrays for use in building envelopes. In order to incorporate highly crafted, custom panel manufacture, the design proposals will limit tooling costs by limiting unit types. The unit will be understood as a tessellation unit capable of drawing topographic elds with geometric rhythm. Modulation of pattern, shape and texture are the primary design techniques with each relying heavily on intense elds of geometric description.

  • Panel Assembly Axonometric

    Panel Connection Detail

    1- 1/8 Steel rod and plate

    2- 1/4 Injection molded Urethane

    3- 1/8 Panhead screw

    4- 1/8 Steel cable5- 1/8 Wire ties

    Exploded Connection Axon

    6- 1/16 Rubber

    12

    3

    4

    5

    6

    Between the Sheetsinstructor: Heather Robergeprogram: Facade Panel System Digital design has given rise to formal experimentation that outpaces advancements in construction methods. This technology seminar attempts to choreograph formal experiments in step with computer aided manufacturing processes such that the two are linked from the outset. Participants design and prototype formed aluminum panel arrays for use in building envelopes. In order to incorporate highly crafted, custom panel manufacture, the design proposals will limit tooling costs by limiting unit types. The unit will be understood as a tessellation unit capable of drawing topographic elds with geometric rhythm. Modulation of pattern, shape and texture are the primary design techniques with each relying heavily on intense elds of geometric description.

  • Warped Pliesinstructor: Jason Payneaim: distortion of primitive

    This project is specically interested in exploiting the double curvature of a standard skate deck beyond its material

    capabilities to create bends that can only be achieved by predetermined slits and darts. Charles and Ray Eames engineered six

    dierent darts into the leg splint in order to allow the various curvatures for each part of the splint; in addition, each slit in the ply

    rotates around a central pivot point to create slits rather than cuts. The formal expression of the bulges arrayed across the surface was

    chosen by displacing the areas of double curvature to specied locations. The result of the displayed double curvature is a reaction to

    forces of nine localized curvatures. The combination of these nine forces results in unique areas of localization that are doubly curved

    to resolve the surface within the provided parameters.

    plywood mold

    warped plies: pushing the limits of woods bending capacity, warped plies uses a skateboard as a primitive to exploit woods plastic potentials.

    top surface

    R 0-8 1/2

    R 0-2 1/2

    R 0-1 1/2

    R 8-1 3/2

    R 0-1 1/2

    R 0-1

    R 0-1

    R 0-1/2

    R 1-8

    R 10-9 1/2

    R 4-3 3/4

    R 1-8

    R 1-11 1/2

    R 0-2 1/2

    R 0-2

    R 0-1 1/2

    R 0-7 3/4

    A A

    A

    B

    B B

    C C

    C C

    D D

    D

    A

    B

    C

    D

    A

    B

    C

    D

    skate deck with deformation unrolled

  • Warped Pliesinstructor: Jason Payneaim: distortion of primitive

    This project is specically interested in exploiting the double curvature of a standard skate deck beyond its material

    capabilities to create bends that can only be achieved by predetermined slits and darts. Charles and Ray Eames engineered six

    dierent darts into the leg splint in order to allow the various curvatures for each part of the splint; in addition, each slit in the ply

    rotates around a central pivot point to create slits rather than cuts. The formal expression of the bulges arrayed across the surface was

    chosen by displacing the areas of double curvature to specied locations. The result of the displayed double curvature is a reaction to

    forces of nine localized curvatures. The combination of these nine forces results in unique areas of localization that are doubly curved

    to resolve the surface within the provided parameters.

    plywood mold

    warped plies: pushing the limits of woods bending capacity, warped plies uses a skateboard as a primitive to exploit woods plastic potentials.

    top surface

    R 0-8 1/2

    R 0-2 1/2

    R 0-1 1/2

    R 8-1 3/2

    R 0-1 1/2

    R 0-1

    R 0-1

    R 0-1/2

    R 1-8

    R 10-9 1/2

    R 4-3 3/4

    R 1-8

    R 1-11 1/2

    R 0-2 1/2

    R 0-2

    R 0-1 1/2

    R 0-7 3/4

    A A

    A

    B

    B B

    C C

    C C

    D D

    D

    A

    B

    C

    D

    A

    B

    C

    D

    skate deck with deformation unrolled

  • Venice Loungerindependentrecycled skateboards / oak plywood The skateboard has had a long lasting and continuing eect on Californias culture and way of life. As a reaction to this pervasive inuence, I hope to tap into this vast market by creating a product that makes use of recycled skateboard decks and components. The skateboard has a number of inherent qualities that are apt for furniture design. The skate deck has natural curves that can be manipulated to conform to the human body. The trucks and hardware alternatively can allow the decks to ex and serve as an active cushioning system for the product. My intention is to use these properties innovatively to create a marketable product, meanwhile enhancing my craft in woodworking and digital fabrication.

    1

    3

    224"

    32"70% material efficiency

  • Venice Loungerindependentrecycled skateboards / oak plywood The skateboard has had a long lasting and continuing eect on Californias culture and way of life. As a reaction to this pervasive inuence, I hope to tap into this vast market by creating a product that makes use of recycled skateboard decks and components. The skateboard has a number of inherent qualities that are apt for furniture design. The skate deck has natural curves that can be manipulated to conform to the human body. The trucks and hardware alternatively can allow the decks to ex and serve as an active cushioning system for the product. My intention is to use these properties innovatively to create a marketable product, meanwhile enhancing my craft in woodworking and digital fabrication.

    1

    3

    224"

    32"70% material efficiency

  • glasses: molded plastic and bent plywood

    lounger: plywood and canvas

    OSB Tea table

    deck chair

    laptop stand: perforated bent plywood

    shaped plywood longboard

    Built WorkIndependent With a love for designing and building, I spend my freetime working on furniture, products and other small projects.Above: This private deck in Princeton, NJ, makes use of a simple design and matierials (rebar and decking) to keep the cost down for clients.Below: Halfpipe in Princeton, adapts a time tested design to a small space.

  • glasses: molded plastic and bent plywood

    lounger: plywood and canvas

    OSB Tea table

    deck chair

    laptop stand: perforated bent plywood

    shaped plywood longboard

    Built WorkIndependent With a love for designing and building, I spend my freetime working on furniture, products and other small projects.Above: This private deck in Princeton, NJ, makes use of a simple design and matierials (rebar and decking) to keep the cost down for clients.Below: Halfpipe in Princeton, adapts a time tested design to a small space.

  • David Rowan Johnson 1322 Electric Ave _ Venice, CA 90291 _ [email protected] _ (516) 317-8257

    Design- rowan.carbonmade.comHandmade- rowandesign.carbonmade.comDigital Fabrication- rowanfabrication.carbonmade.com

    EDUCATION

    + Master of Architecture @ University of California Los Angeles (UCLA) 2008-2011

    + Bachelor of Science in Architecture @ SUNY Bualo 2004-2008- Barcelona Study Abroad Program (summer 2007)

    EXPERIENCE

    + Ilan Dei Studio _ Venice, CA _ December 2010 - May 2011- Designer / fabricator- interior / product design_ digital and analog fabrication _ material research

    + Eva Jensen Design _ New York, NY _ June-September 2008- Architectural intern- high end residential: site documentation_conceptual design_design development_drafting_3D modeling_rendering + Interiors: with Interior Designer, Barbara Campbell _ Princeton, NJ _ June-August 2006- high end residential, design, interior nish work

    + Construction: with private contractor, Merrill Hammond _ Princeton, NJ _ June-August 2004-2006- carpentry, additions, roong, framing, ooring, drywall, painting

    + Freelance Work: furniture design / build, fence and porch construction, nish carpentry, rendering, drawing, model making.

    SKILLS

    + DIGITAL- Rhino, RhinoCam, Grasshopper, V-ray , SurfCam, Auto CAD, 3-D Studio Max, Photoshop, Illustrator, InDesign, Premier

    + ANALOG- model making, woodworking (furniture, products, interiors), metalworking, construction and installation - digital fabrication ( highly knowledgeable with techniques and methods of digital fabrication using Laser cutter, 3D printer and 3 Axis CNC mill)

    HONORS

    + Herricks High school Outstanding achievement in Technology 2004+Department of Architectures High Achievement _ SUNY Bualo_spring and fall 2006.+ Currents Exhibition UCLA, Best of student work_ fall 2008

    PUBLICATIONS

    + SUNY Bualo Intersight V 9.06 (pg. 6)+ UCLA Architecture and Urban Design 2009-2011 (pg. 21)

  • David Rowan Johnson 1322 Electric Ave _ Venice, CA 90291 _ [email protected] _ (516) 317-8257

    Design- rowan.carbonmade.comHandmade- rowandesign.carbonmade.comDigital Fabrication- rowanfabrication.carbonmade.com

    EDUCATION

    + Master of Architecture @ University of California Los Angeles (UCLA) 2008-2011

    + Bachelor of Science in Architecture @ SUNY Bualo 2004-2008- Barcelona Study Abroad Program (summer 2007)

    EXPERIENCE

    + Ilan Dei Studio _ Venice, CA _ December 2010 - May 2011- Designer / fabricator- interior / product design_ digital and analog fabrication _ material research

    + Eva Jensen Design _ New York, NY _ June-September 2008- Architectural intern- high end residential: site documentation_conceptual design_design development_drafting_3D modeling_rendering + Interiors: with Interior Designer, Barbara Campbell _ Princeton, NJ _ June-August 2006- high end residential, design, interior nish work

    + Construction: with private contractor, Merrill Hammond _ Princeton, NJ _ June-August 2004-2006- carpentry, additions, roong, framing, ooring, drywall, painting

    + Freelance Work: furniture design / build, fence and porch construction, nish carpentry, rendering, drawing, model making.

    SKILLS

    + DIGITAL- Rhino, RhinoCam, Grasshopper, V-ray , SurfCam, Auto CAD, 3-D Studio Max, Photoshop, Illustrator, InDesign, Premier

    + ANALOG- model making, woodworking (furniture, products, interiors), metalworking, construction and installation - digital fabrication ( highly knowledgeable with techniques and methods of digital fabrication using Laser cutter, 3D printer and 3 Axis CNC mill)

    HONORS

    + Herricks High school Outstanding achievement in Technology 2004+Department of Architectures High Achievement _ SUNY Bualo_spring and fall 2006.+ Currents Exhibition UCLA, Best of student work_ fall 2008

    PUBLICATIONS

    + SUNY Bualo Intersight V 9.06 (pg. 6)+ UCLA Architecture and Urban Design 2009-2011 (pg. 21)

  • [email protected]

    selected works 2007-2011

    David Rowan Johnson

    rowandesign.carbonmade.com