1111.LODY IIAKIR, ....... I , 1tl'I * I~~ STARS 11#6 UP TO TAll6 PART IN-

BRITAIN'S BIGGEST BASH!

THE BEST IN JAZZ Every Friday 6d.

I 1111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 1111111111111111111111111111111111111111111111111111111111111111111111111 11

is ► ACKER BILK-one of the 122 stars

► KEN COLYER ► TUBBY HAYES

Thousands flock to MM Festival

THE big r■sll is •• ! Today (Friday) th1usands of MELODY MAKER reatlers are beading

for Blackpool-for the MM's gia■t three­day Jazz and Po111 Festival.

• Tbey are co■i■f tr .. all ner Brltai■ ftr tlle live creat mnts witll a cast tf ner 121 ttln tn■ the worlds of trad, 111dern jazz and Pop.

e ADAM FAITH, ACKER BILK, TUBBY UYES, CRAI& DOUGLAS, KENNY BALL.

Three trad shows • Tllese are j ■at five of the na■es wb llave

sparked tff the rusll tt Blacllpttl.

• YN can take yt■r pick fre■ three ■■iq• trad 1lltws-i1cl1di1f th first ever " Jazz Splaalltanlar."

• Or the creat Pt11 Ct■cert witll " Parade ■f the Pops" ct■pere De11y Piercy. Or Peter Bur■an'a top modernists fro■ his Rtyal Festival Hall allows.

And don't ferret, girls! Six of yo■ wllt hwe llt1pt tickets fre■ Cll11. Rickards (Travel} Ltd., 13, Spri•f Street, London, W ,2, will be cllt111 tt fly !tack tt Lo■don with Adam Faith after the Pt11 CNcert i■ a special *ADAM FAITH - ft11ing plane. N■w read all abollt the Festival t■ Plf• 8. IXlck.dO lu~;agrr,s.'olth

STARS IN YOUR EYES!

► GEORGE MELLY

SEE CENTRE PAGES FOR MORE DETAILS

ii\UllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllJIJIIIIIIIIIIIIIJllllllll111UUIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIL---------------_.

Poge 2- MELODY MAKER. Juno 3, 1961

Only the record buyers can answer this question-1111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111

Anthony Newley -hit or miss? " JU~~er

80A~t:o':a~Y ~ew1:~

" PoP Goes The weasel ''-then ~eT~ t;~e':t':~bSJe~u!:~ ::~e':o::e:~:,\~~1 t:!rs,o~~

"PoP Coos The Weasel .. happens to be the brightest, the most entertaining and the most original POO to be released on eltheT side of the Atlantic for years. NewJey has Jtivcn this traditional jingle a new and completely off~at treat• ment, and the mustcal setting provided by Ian Fraser Is equally a knockout.

EXCELLENT

N.W. LONDON FROM JUNE 4 JUNE 11 NI LONDON • JUNE 18 SOUTH LONDON

BERNARD HINCHCLIFFE presents (direct from hor Torrttic Austr.11i.1n Tour) Ono of Britain'• Greatest- THE FABULOUS

FRANK IFIElD

hearted mue ro<:k styling. The Newley oerfonnance Ls excel­lent and his fans wlll love lt.

But we're still convinced that the ,veasel 1S going to pop in

a ~J1c~?Yioos Tony a/Ur in r,u,klrig_ the "weasel"? .. some•

~~~yy tt~c:;&~~ .. ~w"i~un~i~~ the PoP world."

* Frank lfie!d L •F:~~d.~Fl:.!i1s~: ';,{T:~~ aort ot ·· soft 8hoe" numbtr :~~l a ro•J~ll~~s:en"~. F~\~~ a.i~s fi. fn fr!en~ fashion a,;,~;C:o e:~~>· mtht0 ~=fYted as a Nctro work song. and Frank delivers the cattl\Y lyric In im• pres,;ivc and authentic tuhton .l-11&1.nst. a dramatic and arresting acoompanhnent from Ken Jones (Columbia).

* Joe Loss L \ i:1~0-g~~~-H~~it/ '~l~!~t fted culta.r 1.5 featured aaa1nst. the orchestra in the nlce melodlc lint or tatlno. \\'heels ls the numb~r that <lrtw a wide resl)Onse when Joe played It. in

televised world Ballroom

Jf*:1tf~t.~1fa1~0Jf!a" ehn llm a~ attractive. Botl\ are •· ar.elnt Time !or D::meer$ ·• orterlnas (H;\J\ ).

SUCCESS-BUT NOW FOR A SUCCESSOR! TEi~!'nfc0 }~~S~~u!"!.b~r!, ~!!r ,~!:ie~tulect~rdKg~~!f•1; currently selliflK well. Thr: 1,roblem, in ract, is to find a follow­up dhc.

"Trouble is." Tedd.)' conftded I<> the MM. ·• we have a terrible Job ftndlng sutta.ble song material. So few son.gs lend themselves to our type or tre.atment.

·· When · How wonderful·

All-star sound ol

• music THJ~ •~~ ~: c~:~~~: Hammerstein score for •• The sound of Music:• Just two standout ttems are that en .. gaging children's song, "00.o Re-Ml," and ° Cllmb Ev'ry Mountain."

On this Pye EP release, these are lnclUded with the title song and .. My Favourite Things."

IEPae•••o~ And four toPline artists have oeen recruited to sing tht numbers.

Joan Regan and a child.o ren's chorus give whimsJcaJ expression to "oo-Re-MI.''

Dickie Valentine does an ex .. pressive Job on "Mountain." The pcwerful voice of Edmund Hockridge is heard on "Sound of Music."

Petula Clark sing;s the de--lightf~ " My Favourite Things."

An excellent recorded intro­duction to some unforgettable show tunes •

Tony Osborne

"TH i~~rne' ~~~r;~:ten ~~t admirable arr~ll for a collection of song, that never fail to evoke the charm and atmos,>here of the capital citY of France.

His deft piano playing Is featured with lush string In .. terpretations on " Under the Roofs of Paris." " song from the Moulin Rouge," "Chez Moi " and " Under the Bridges of Paris" (HMV),

.Johnny Mathis

turned up trumps, Columbia wa.med us to make :mother re­cording-but. we're sun tookmg ror the rl8hi song.

BY POPULAR DEMAND

REQUESTS •• Meanwhile. we·re especially

happy with the current release -lt ts really a ·double• hit.. The backing ls • My Dearest Dear,' from Ivor Novello's • The Dancing Years: and this ts getting a lot of requests."

HE'S BACK!

WHEELS CHA-CHA By

JOE LOSS & HIS ORCHESTRA Now Recorded on HMV • POP 880

As played in the World and United Kingdom Ballroom Dancing Championships

11,eydon't want morbid songs

.. S'Nh~pet1 50fy~ic.~lt~ay~

Shirley Bassey ... That's the key to success. The fans don't want morbid stories. The1 want nloely•worded love songs- the sort or aong that Is popular on Two·Way

mily Fuourites.' ' :trtrt.11 speaks with

authority. She hlS joined the srowing army Of pop singers who take old material and mOdernlse It so that It will cllck Into the Top Twenty.

Unusual .. You'll Never Know.''

Shlrley•s ourre-nt Hit Parade sons, is a nother oldie. " It was so popular during my recent Australian ni ght-club tour that I decided to record it here," she says.

" 1t•s an unusual song for me-the cllmax really comes In the middle, with a 1radual build-up. But I definilely think this Is the present vogue ... a song t hat endears a lover to a,nother person. Miserable songs rarely make It. And I'm Glad! "

Coaching

half an octave more." It Is tour months since

Shirley appeared in Britain. She observes " a marked change ·• In muslcal lastes since 1he start ot 1961.

Hopeful " Teenagers, who are

chiefly responsible for buy• Ing the discs., have certainly changed their likings. They are much more broad in their ouUook."

WHAT DOES SHE MEAN BY THAT "HOPEFUL " LYRIC'1

"Well, PoSSlbly t,opeful Is the wrong word to really get :ve~.-:n;• 1:nn:a':.yl~i.t: S:,~! words must be nice. Com· pllment■ry. Romanllc,"

Shirley, who is to makt DOES SHE HAVE her first public appearance TROUBLE IN FINDING

June 3, 1961. MELODY MAX£R-Poge 3

in York on June 5 since the G O O D s OH Gs To ~'!'0V:!.0'~f~e:,on~~1·,sa:~ RECORDf material simply btQUse the 'Now 1'111 taking voice coaching' == d:!"n°:' her votee Modern ::..~.::"~ th:_!Ol ;1r: ..... --------------------,,--

.. It's not such a strain modern backings and up,-t~ to sing now. Working in "How we're ba-ck where date treatment they always A111traua, I had ton1U we started-the oldles are come off . .,...,._ and when I re- usually the best. They don't " THERE'S NOT SO turned I Just had to have write the sentimental sort MUCH RISK ATTACHED them out. Now I'm takln8 of song much these days. TO THEM, OLDIES ARE A voice coaching-to gain .. EverybOdY Is taking old SAFE B ET."

~~~~·~ 'l'he trend in lrad

BARBER AND BIJ.K ON THE SAME LP! HEr~·~a~.!"£r"A~~dit•f~!-J?eh~}:e:::~Go1:lttr ·"a~T:ie: 11:b~~: :~ cJ~tt ttt:.:i'ia!:1:s~e ff.;1f,,!?1i:sf~~:r,~;nm~I'u~~e ~oggy:;.: ~~!c!:Z~~ zgg;;n~(~ A/;l~v ~h~~;f ;;i:v~~ff!:Jgze1!u~~;,: ;nf addlrig favourites such as "C.lt.E. A.torch.," •· Darden~lla," and " Easter Parade."

CHRISTIE BROTHERS

NEW MAGIC FROM

MATHIS YOU SET MY HEART /'n\ lontana

TO MUSIC H316

Good ENTERTAINMENT va ue. A TWO-MANUAL ORw\N

that is DEPENDABLE and LOW IN PRICE

CONTEMPORARY MODEL

BwJl_ El((T li:Oll l( ORGA X

The Bnm ELECTRONIC O RGAN is ideal for use on public premises. Its unique styling: (in colours to harmonise ~th your decoration scheme) makes it a oent.re of attraction,

~ i.~,::: ~fke~ 1~:n jn::~t~!rd~:~i~~ ~~ f~r: home with it- il is so simple to play, and normal piano­techniques can produce deep rich bass notes. It eao be easily moved from room to room, for it -..-eighs only JS6 lbs. and is (luickly dismantled, as shown above.

Al 298 Gwintas ii iS ind,od a sqUJtd in1•1sin1<nll

1:/;f,/;'""''f,{:1::; SYDNEY S. BIRD & SONS, LTD, ~:;f.'::! f.r:::.: .~ 3, Palace H.amions, Palate Gardens. Enfield, Hiddx. " or dir~ct/rom: Td~t: EJ>Jfidd 8S1t Works: Rfftt l.aMI, Poot., 0oruc".

Page 4--MELODY MAKER. June 3, 1961

Melody Maker charts Da ta supplied by over 100 record d ea lers

1. (4) SVRRli:NDER ...... .. ........ Elvis Presley. RCA 2. (1) RUNAWAY .. . . .. . . . ..• , • Del Shannon. London 3. (5) THll FR IGHTENED CITY .. Shadows. Columbia " · (2) BLUE MOON . .. ... .. .. ....... ..... Marcels. Pye 5. (8) MOR£ THAN l CAN SAY .... Bobby Vee. London G. (3) YOU'R E DRIVING ~IE CRAZY

Temperance seven. Parlophone 7. (6) ON T HE REBOUND .. . ..... Floyd Cramer. RCA 8, (7) DON'T TREAT ME LIKE A CHILD

Helen Shaoiro. Columbia 9. (11) YOU'LL NEVER KNOW Shirley Ba.ssey. Columbia

10. (9) WHAT 'O I SAY~ . . • . . . Jerry Lee Lewis London 11. Cl6) Ll'l'TLE DEVIL .... . .. . ........ Neil Sedaka. RCA 12. 0 7> BUT I DO .... . . . . . _ ... . .. Clarence Henry. Pye 13. (-) HAVE A DRINK OS l\lE . . Lonnie Donegan. Pye 14, <10) WOODEN HEART .......... Elvis Presley. RCA 15. ( 12) EAS>: GOING ME . .. . .. Adam Paith. ParlophOne 16. 118) WARPAINT ................ a,oo. Brothers. Pye 17. (-) IIEl,LO )IARY LOU/ TRA\'ELIN' M AN

Ricky Nelson. London 18. (]fl T HEME FROM DIXIE .... Duane Eddy London 19. (-) HALFWAY TO P ARADJSli: . . Billy Pury. Decca 20. (-) l '\'E T OLD E\'ERY LITTLE ST AR

Linda Scott. Columbia

JAZZ TOP TEN 1, (JI A G OLDEN TREAI URY OF ■I LK (LPJ Ad:tr BIik. COIUMbb. '2. ,:u THE NUTCRAC KER SUITE (LP) .. Duke Ellln&LOD, PhlliPJI 3. (2) ACKER CLP) ••. , •••• , , .............. Aektr Silk.. COlumbla 4, (·0 BEAUTY AND THE BEAT (LP)

O~rse She•rtnc 11nd Pen, ~e. Ca.pilot 5, 1-) THE BEST OF BARBER AND BILK fLPI

Chrl• B11rber and Acker BUit. Pye •• fSI THEM DIRTY BLUES (LPJ ...•.. Jullan Adderley. Riverside 7, (71 TIME OUT {LP) , , , , •• , . , , ........ Due Brubttt. Ponta.na a. flt CHRIS I AR8[R'S AMERICAN JAZZ ■AND rLPI , • Columbia I, (91 SCVEN AGES OF ACKER (LP• •.•. , Atker Blllr:. Colu.mbta

11, {Si CHRIS IIARIIER IN COPl!N HAGCN tLP) .•..•.• C,otu1nbl._

" TOP TEN LPs I. 411 Q.t. BLUES . . . ........................ Elvis Prt'-l!llt'1- RCA 1, (21 SOUTH PACIFIC , ........................ SOUl.'ldtn.c:k. ROA 3, rl, HIS H,11,NO IN MINE ................. El'tb P~ley, RCA 4, (31 LISTEN TO CLIFF! .............. Cllfl Rlcb~:-d. COlumbta 5, (41 BL.ACK ANO WHIT E MINSTREL SHOW

o«>rat Mltc:hell. RMV 8. ,,. A OATC:: W ITH THE EVERLY BROTHERS .•• . warner Bros. 7. f8) N ICE 'N' EASY .... .. ...... .. ...... P~nk: Sinatra. Capitol 8, UI) ADAM • • .. . . •• . . . .. .. . Adam Faith. Pulophone 9. en OKLAHOMA . . .•. , . .. ....... , • , soundtrt:ck. CapJ1ol

1e. 1101 T HE RAV CONNIFF Hl•Ff COMPANION ·• PhUlps• • This 1s a two-LP album.

TOP T~N EPs t :;: ~~IEFF~SH~~.?v~i 0i50$ ·:.·::.-:::::·C1jtf"fUCi1~·1(i. g::~:e:: 3. (31 ADAM'S HIT PA.HAD£ ., •• ••• Ad,m Filth. P1u•iophont-4. 141 THI!: JOHN BARRY SOUND •• ... • .. . .. _. Colwnbla 5. 15• SUCH A NIGHT ........... ... ,. ....... Eh'ls Pruley. RCA a. llt UNFORC ETTA8LE .. .... .... .... Nat "Kina:·· Cole. Capitol 7. ((II ADAM, NO. 1 .. , ............. Adam Fai&h. Parlophone S.. (8l MC:: ANO MY SHADOWS, No 1 . •• , Cllft Rkhard, Columbb. 9, till -SOUTH PACIFIC HIGHLICHTS •• , , •••••• SOllrtd&ratk:. RCA

"'· (10) NINA ANO FREDERIK, No. t , ............... , .. , Columbia

JUKE BOX TOP 20 :: :~: ~~ :~~NAOYE~ .::::::::: :::::::::::::::•~I ~~n~~~$.lCfiA~~: 3. (31 T Ht FRIG HTENED CITY ., ............ ShlldOW'S. Columbia 4. (5t MOR• THAN I CAN S A Y ......... . .... Bobby v~e. London 5, f81 WHAT'O I SAY? •..••. . ..•• . • . ••• Je""' Ue Le•b. London I. (1) I UT I DO ......... . . ... . .. . .. ....... . Clarence Henry. P)"e 1 . UI) YOU' LL NEVER KNOW •••••• •••• Shlrlt'Y Bas:;ey. Co!untbla a. (11!11 LITTL.E DEVIL .......................... Nen $('dab.. RCA 9. flH ON TH£ REBOUND .................. Floyd. Cramer, 1tCA

11. 161 SLUE MOON •••• _ ......... ,. ........ ,. .. • .. • Marcell. Pye 11. 10 DON'T TREAT Ml! LI KE! A CH ILD Helen Shapiro. Columblt, 1'.Z. (10) YOU"RE DRIVINC ME CRAZY

Tempt-ranee $e'l"t.l\. Parlophone 13. 07> HAVE A DRINK ON ME ............ Lonnie Donea:an. Pye 14. (161 W OODEN HEART . . •.••.•. . •. .•• . ••..•. Blvls Presley. RC .... 15, 113) EASY COINC ME •.•• , ...••••.••• Ad:>.m Paith. Par\ophone 16. t2G) HELLO MARY LOU TRAVELI N" MAN

Rlc-ky Nchon, Londo!'l 17. {19) AFRICAN WAL TZ ..... . .. . .. . Johl'lny D.ank.WOtth- Columbia 18, 1-) RUNNIH' SCARED • _, , ........... Roy Qrblao11. London 19. ( ) HALFWAY T O PARADISE. ................ 8l!ly F'Ur7. D l"CCll '.ZI, 1-) I STILL LOVE YOU A.LL, ................. Kenn}" B'all. Pye

Supplied by Pbol'lor,:raphlc mre. Ltd.

TWENTY TOP TUNES

AMERICA'S TOP TEN ' M }'.)\~d, bf ., V<k:-.el)· ••-:nut 4::lt«l h~y 31, 1tf$1.

1. f7l TRAVCLIN· MAN ········ · ······· · ··· R:ck.J Nt~on lllt'C)erial) '2.. Ill RUNNIN' SCARED ................ Roy Orbison (Mooumcnu 3, (&1 BRANO NEW BROKEN HEART ...... CQl\nlt F"!'2.:nd.1 (MOMI 4. 141 A HUNDRCO POUNDS OF CLAY ., Oene- Mc-Oanlc-:6 4L:.~rt)'I 5, (21 RUNAWAY Del Shannon 181& TopJ • • (&) DADDY'S HOM.£ . ' .... " .... SMp 1-1\d tht' Limelt1tht4 fffu:11 7, 13, MOTHER,IN,U.W . , ..•.••.•.••••••••. .Crn:t K. Doe CM!n,O

~- (~~ :~tti ':t".°LlsL~~-·'.:: :::::~::::::·. ~:~n N;;:gi <Vt:;!i~H 11, (-) MOODY RIVER • .. ................ PM Bootle (Dot)

Rare discs lost in £20,000 blaze

RARE Glenn Miller te~~ 0 1esi~:Y~t:':~T~;::~ master tapes were Dor-sey and Georse Gersh,.in.

lost in a £20,000 blaze Jeff Kruger. boss or Ember that raged through the lm0~n:"fn °~;taiuio~1J~~ Ember Records build• Street at 3 a.m. on Saturday. i ng in London, on Glenn Miller discs ~F.:.r.:.i.:.d.:.a;.:Y.:.• ________ 1 oi::es.U1e .~~l::ft"~tfti•ge~oo~i.

MD Laurie Jackson f~!n~r,dT(:j~i~'::-e<il~tei:'11

only hope 20th Century-Fox in

F "th New York can substitute thos.e pens 31 scare Glenn Miller, Tatum and Dor-~m Ltturte Johnson 1fl: cur-

~la~ Fri{l~~~IJne;hefl.h~o;,ew~g~ DENNIS IIEWEY AIRS ro~rut~~~! fr~~~l~iw!\1fo~i! a Whol)pcr!"

"the fllm. about the Loch Ness Mon.st.er. also stars Std James,

Cal::!rr1~~if1 •~~p~~iJ'~~it~~e ers' Playt tine " broadcasts lhts month-on June 6. 13, 15 and 27. He al.so alrs ln - Midday Mustc Ha11 " on July 3. soundtrack orchestra.

Orchs. Now Ready

EASY GOING

ME Adam Faiths Latest Hit

Full Orchestration 4/-

APOLLO MUSI( LTD. I Sole Soll;ng Agents,-

164 SHAFTESBURY AVEN UE, CAIIPBEll CONNELLY & co. LTD. LONDON, W.C.2 10 Denmark Street, W.C.2

This W oelc-An Exciting new single f rom

MONTY BABSON MY FAITH/The Moon Will Weep

PG 9016

An unforgettable ballad

m11mHmE .. iii!imm.iii1mrnmmmmmmmmmmmmmmmmm1mi:rn TOP :EE:Jr.rS ::ill

IF I HAD A llm TALKING PICTURE OF YOU Ill mn ··-·

II .~H:.;:t;;:~: I 4$-HLG «:ISO Lonlot1

l1•11ta;II IH4t/I41l :-e~.:. M O(CC.,\ RfCOltO O)WPANY UO • otCCl MOU$( • Al&ERT OIIUIUWH • lOIIDON SE 1

.sey waxings. The Mnter tuna, were from the 1941-2 era. I ahllll cable New York t.o see if the;• can help."

Adds Kruger: " The fire ha.s tert us in a real mess and LS bound to delay us a little.

"But t.he di.strlbutors are ~ele!ntiirp~:Jo~~~• we hope

GENE VINCENT & SHADOWS FOR CHANNEL ROCK

T~e;ra~wihaen~~n:u~!~= Uons on a .. Rock Across The Channel " trip on June 18.

Some 2.000 rnns are exoeeted. t~::ke G~~t~~dn Jg~rnia1:f; aboard the "Royal onttoatl."

On French TV be Se~k~~~er a~dt J~~~t ar~I~ ,·tslon w!.11 cover the boat·s Mr1val at Cala.ls..

on thetr return. The Shadows l\ead an all•Star show tor con• certs ot tJ1e Oranado. Shi:-ew&­bury. on June 23. Grenada. M.arust\eld 12-11. nnd &soldo. Wa kefteld f2S I.

The blll comprises Billy Fury, Peter Elllott, the RM Prtce combo. Patti Brook and oom• pi-re Chris C,11rh,en

Shirley Bassey loses her MD

Bombay bandleader visits Britain

Money is the root of Brenda's tour

NEW FOLK SONG CLUB TO OPEN Ill LONDON

Ewan Ma.econ trnd Peggy see-­ger a.re. to set up their own rolk sons club ln the centre or Lon• don.

The clul> wlll M run Jolnt1f wlth th~ folk song magazine "Sine." edited by ~tM cohim.n.Lsc: Eric Winter.

It. opens on June 25 at 1, Soho Squore. w.1.

Messengers tour COPl!NHAO!:r." ' Wedne~day.-Art

Blakey·is Jan; ::-.tessens:el'$ wlll !n• elude a Quick return visit. to europc In o round•the-worl4 Lour lnt.e1· In the su1nmer.

chI~e d~~~Fna&n~i~k. b1~1t lg; 1roup wlll not re,•t.sl t Isr-l taln.

BARBER IN -BASIE OUT THE Chris Barber

Band is to take over star billing from the Count Basie Orchestra for Belgium's third lnte rnat i onal Jazz Festiv al on June 29 and 30.

Because or American com­mitments. the Basie band will tly home to the States at the end or the Antlbes Festival on Julv 23 and will not return for

8h;r1\~ Bl;~~~r~it;:~n rnlt1:r J aziband.

The Festi\'al will also star such top American names as

~~ri ~~~~l:~;i~~r:J~~ J18a~~~~n. Tour ends

The Barber Band ends its two-week tour of Germany at HHde.sheim1 tomorrow t.Satur-

daltreturM to London !or its resident. Wednesdav spot at the l\larquee Club on June 7.

June 3, 1961. MELODY MAKER- Pago !5

thii!el~arie~aiilnd wm be at tho B~autieu Ja,z Festival on is~1~~anib th:;P~lr st~1ig~t~~

ro~~ti:~~od~o 8ril~k~~tJ~~~~

1961 tour ol American college.. , ...,_

bla~-t,,a-Tour the following day.

B:·itain's second representa-

DICK CHARLESWORTH ACKER BILK and

Bows IN Disc LABEL Kenny Ball will kick off a new jazz serie s in

D1c;:k Chnrle~worth's City th L" ht p Gents are the first artists !{IJneu e 1g rogramme ~~ lhr:~c~~~JtbteJkt~hk~- from June 12-y e_t

¥he fl,st disc h,ued b> the another BBC recognt-nrm re-atu1·e.s 1 he Ch11rlesworth • f t d · band g10;;-ing •· ln (\ Shant.Y in lfOR O ra Jazz popU• 9~u: ::~ \~~·~_":. backed by l arity.

DICKIE BACK AT ~ SCHOOL'

KEEP IN THE KNOW WITH

~ NEWSCARDS FREE INFORMATION

SERVICE mallin; you up-to-th• mlnut• newa aboul the beet In J•:t:i:

• nterta.lnment.

fot lntotmation rinq, GERtatd 7494/~,'& or wtite

LYN DUTTON AGENCY LTD 8 GftEAT CHAPEL STR£.ET

LONDON W.1

Tfn~~n~u~~~~1f,~t n8:..~· J:f~:

·· Trad-Fad/' wtuch wm spot-. li8J~wB~~1~,1~s 8 tofai\~~~u~r~~~ on t Programme-at ~. t l~lo~~~-\1clJllg~

J{\zzinen.

and eomp6red b)'

shows wlll !~a.­Band., and the

re~nt the K enn}'

CLUB FIRE RISK -BIG LCC PROBE

d!ltt wlll be with folk siruters Robin Hall :and Jirumte Mac-grwJ·· })and hos a Hyde Park Hotel caban:t d..tte on June 19.

Herr Lennie macht

TU~\,e\'l~;u•~~11),.1~. ~J;!~ in the llr:,t or thtte .. Te-t" matdu;-, ror the Mt::1.0UY ,, \kt:I'( ( ' rh•l...et (.' UJ) at Hroode, .. i,ur,· on Thur:-.d;\y.

Ph·t ured Mlt"r me Jt;tme art- ( l•r) Konnle ('arrnll, thh<'r .. l."31Jlal11 1·r,n1k Parr, Hertmrd H:r('~,1an. t ·ro11k Hulder. \ I(' , .~\\' ... , Ml1:k .\lulll,:an anti W:Hl,r 1-·:rnk(•,.

ne, t('tam --<·ored 160. or whlc•h former ~urn..'~ t.-011110 p1,t,tr . Utunl ... (·o, ~,·ored .:;. \\1.1llr nrnke,;i IOPl)('d th" Ha,11•r~ hO\\IIIIJ:' UJ;ure-. \\ llll :; rvr ~-!. Tht l(;U('N r('J>ll,•4J \\llh 1:u-trum1u.·ler (; I.) 11 \Jorgan maklr1g toll M-ore 111111 H.

etwas komisches''' ,._...,..........,....,.....,.,..........,. ... , FRANKIE VAUGHAN Dn1mmer L~nnle HMUng,-

made his d1~ dibut a~ a vocal­ht on Mon<!laf,

Backed loy the Alex WeJ,;h

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Lennie lOld the MM: .. The 1·<?cord Is in ',cod• Oennan and <NIii 1>e relea!l;ed M I>}' Herr Len• lie Hastlne};."

.;.. Mr, Lc1rnle make$ ~ometl&!ng tunru,.

SEASON EXTENDED Frankie vaughan'l'I summer

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,,,,.--.....___ ,--..___,,, ~ ~ ~

Riverboat debut by ~ new Elsdon band ,.,--__,,

Tony Newley show for Manchester

LESLIE GRADE GOES U.S STAR-SPOTTING Top Brlt111h a~nt LffUe Ornde

Otes to .New York tomorrow (Saturday) to ntgotlate autumn tours ot Brtta,n by American alars.

On hi,i. list are such artists a.s f'ab1an Bobby Darin and Duane

• 'V

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Po9e 6-MELOOY MAKER. June 3, 1961

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All 1euen, •hlch must be aecomt>anied b)' a ,11.mped and adc:trette<S e11vel0Pe. s.hould b• Mnt to: Jan 01,sc Bur..-u, " MelOd)' Maker," 4, Arn, Slreet, LonCDn, W.C.t.

and the trio num~r. "One ,Mo'."

They are a pretty varted. batch and tha record as a whole ts much more than the general ·· cra.,h~ba~b" wMeh one tend.6 to a&s0etate wU.h a lot ot so-called "SoUl."

Bud Powell. Horace $1lver and RM 03rland are a!I <ll!J~ cernab!e influences In Tlm~

~10Ji5}1fii:;1~n~1%~ls. le°~~~ upa~ae00:i~i1ra: ~J;n~ u-:~i rtai.ured on every track except .. One Mo"." ts a .Sen.$1t.lve and ral)ld:y maturing trum1>et.er who £rovtdes many or tbe album's

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BOB D.\Wl:UKS.

Mixture AL SMITH (LP). '' Rf'IU' my

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Smith (\'OC'.}: Cddie " Lockjaw ..

Duis HM,): Shiller $c:6tl (OrC$0); Wendell Martha.II (bus): Arthw Edaehlll (dr$-,).-INO. New York..

AL c~of::!11\n w~~wn~ ;n: Jf"l'StY, by t:(l(llf' 1,11, •~. ~ound.8 like tl C'hllf'('IMrnl nE'd 6111,ttr who IHl!S taktn 10 l)atl:td~ on the one han(I, rh)lhm•and .. blUt.'8 011 the Other-wllll a !lo(rOIIJt lncllnatlOO townras the ff.a)• Charlte

"P,\•NO:~tt Tlme" Is sung tn ~hla

fgioet;g~A tygRni&c~:\d ~~ b~~~~ !~t.tt~ew

5 or ll~r!i.t1~!

Power. sol:°~{~;~ h1:5~sti~r; M~t gwtng, and Sh!rtey SOOti. ts very mu.ch in evlcte~ oe.

" rve Got a Girl •• Is t.notb« old trlend-" RoU 'Em Pet.c "­In sllithtl}' dlff'<"rent dress.

Davis a.gain s\jpports· with hta

~•~~"X,itlJi~· ,~"flrct~~ &~~: tboua:th Smith'& '1'aULng IS rat.btr too "so\1l-nlled " tor my taste .

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·-----------------

Terry Lightfoot's secret weapon

No bird for this Dickie

IT is not every week that a player of Dickie Hawdon's class and cultivated taste returns to the ranks of the primitives.

On Monday, he made his bow with Terry Lightfoot's band, and I went to the Welwyn Garden Jazz Club to witness the event.

At first ,t seemed curi- r '::! ~ ST ~

~~~r ?e~~s~;Ji::~~ £ t t.J!I' 1J :t f once again such themes as " Original Dixieland One-Step " and "Tlsho­mklgo."

Like his playing. hts stance and stage manner are relaxed and contained. In both re,. s~cts, his stgrn. air or aernch• ment contraste<I with the band's general exuberance, though without damaging the total imp.act.

Once ear and eye had· ac­customed themselves to ti\~ situation, it beeame clear that

:~"'~~~ "£:fr 1:filillJ'~t~d r~1°t; newcomer.

warmth and colour In his playing."

I t.-OOk another opinion. that of draughtsman Allen St.one. whose brother, Jon, plays lrum• p_et. He said: "I used to be In the RAF with Alan Elsdon. so iL"s a bit difficult for me to say. Actually, I like main­stream myselt. ·•

Dancers 1"I • -------..

Hawdon. himself, didn't find the change or s1.y1e LOO hard­except on his feet.

.. I had to dig back ln the memory a btt tor those old tunes.'' he said afterwards.

·· 8ut, I've eujuyetl my:st!'ll, and nobody shouted anythini:t rude. In tact.. t..wo or three came up and said It soµnded all right.

., But before anything I need

:t.'l~t~g Jp_c:~J f{~ ~dte~~ rible do&: trouble. Where's t.he nearest- ehatr? "

,. June 3, 1961. MELODY MAKEF-PQge 7

Dickie Hawdon-back with the primitives

No tricks ~~--Por the most par-t he was

playing numbers he had not ~~::art~ w~i:h:ris trJ~~ion~f favourites - "Fidgety Feet • "Panama." .. Muskrat" and the like.

Despit.e a preference ror mtddle--road Jazz (Fairweather• Brown. Bruce Turner and Humphrey LyU.elton were his favourit.e.s), Allen Stone visits the we1w:vn club every week.

"It's the only re11Ular ,,Jazz place here.·· he explained. · It's an evening out. I listen to the bands. bu~ 10 per cenL Jus~ come here to dance. tt·s not an appreciative audience."

This remark interested me because Ken Lindsay, who runs Lhe club with George Peacey. had taken the dtametrlcally opposite view.

Jazz shortage-in New Orleans!

He dldn·t. over~decorate hi$ C!~ogt~ J~:e in modlSh

He played cleanly and sen• sibly, and h'$ style impressed me as an admirable blend of tranquillity and attack. No knotted vetns on this fore­head!

What the trad rans wm think Is another matter.

Technique ~ ft ~

At Welwyn's " Cherry Tree.·· the band Y.as received wtth cons1>icuous enthusiasm.. I

~:gia:nc~~~~tit~~ reihe~! selves about the trumpeter·s ldenmy.

one young man who did.

~1~wmiia:•l~r~crt~f:~1'ciu;.T:Jt I think Alan Etsdon had more

••••••••••••••••••••

Popular ------.... ,.. "You·u find this an apprect-ative crowd." he told me when I arrived. " And many of the dancers do appreciate jazz. in spite of who.t is said in $Orne quarters.'' ,

~n1a~10

cfu:~~sasJi~rf:":~re be-tween this band and that. Allen Stone made the point blmseir.

·· Mickey Ashman goes down well here, and when Kenny Ball's on you have to come early to ,ret in.

"L:gh~foot ls always popular. too. and one ot the reasons is because he has a friendly ap. proach which relaxes every­bOdy. Some bands, as _a:ood or better. ran because their man• ner is aloof."

True. Lightfoot works hard, gives the dancers what they want. puts on a show. Most or the music is fast and loud, and even the slo,i,.·s tend to be hammered home. IL"s an all• out effort.

Relaxed

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Page 8-MELODY MAKER. Jane 9, 1981 June 9, 1961. MELODY MAKER-Page

that burnt cork.Latest news is that Russia

now wants the series-and thatthe Director of Soviet TV,Konstantin Kousakov (whoarrived in London on Wednes-day to cover the Trooping ofthe Colour), was knocked outby Georgt Chisholm.

AmbassadressRUSSIA also wants Arm-

strong and Basle. But istakine, what semen to me a very

The storyof Cliff

CLIFF RICHARD startedoff as an Elvis fan-

tried to sound like him,wore sideburns to look likehim. Tack Good told himthey'd have to come off-orno more TV dates.

Every year he returns todo a show for his oldschool and the teacher stillcalls him Harry Webb. Theyboth laugh to recall thatshe told him he'd neveramount to more than arock-'n'-roll singer.

PaperbackIt's all in the Cliff

Richard Story, "It's Greatro Be young "-now issuedas a lavishly illustratedpaperback (Consul Backs,3s. 6d.). A frank account,at times touching in itssincerity, and warmly recom-mended to all Cliff'sadmirers.

Marty Wilde

Watch the 'Birdie''BYE, Bye, Birdie," now showing at

the Opera House, Manchester, isthe best American musical to hit Britainsince "Oklahoma."

It is pure entertainment. It has no mes-sage, is not cluttered -up witnobscure ballet sequences, hasan excellent score and a well -Chosen cast headed by thewonderfully talented ChitaRivera.Bedraggled feather

'T's a feather (thoughone, I feel) in the cap in our carather a bedraggled

of BBC -TV to have wonthe Intern t I T Ia Iona e e -vision Festival awardwith "The Black andWhite Minstrel Show."

Bedraggled, in view of thefeelings of most people inshow business about ' black-ing up."

TechniqueBUT it is some consolation to

learn that this show shot sensible attitude over the deal.ahead of strong competition It does not want themfrom the rest of the world booked through the U.S. Statechiefly on its pace and teehni- Department. Which, it fears,cal merits. would use the occasion forWhich makes one wonder world-wide propaganda.whether it would have sue- "Don't," it says, in effect,ceeded equally well without all « bring politics into this

music."And it has, as it were, ap-

pointed British singer GeryScott (Scottova on her Russiandiscs) the unofficial Ambassa-dress for Western Jazz.

Gery, after selling 4.000,000discs behind the Iron Curtain,shot to belated fame in herown country when she ap-peared on our screens duringthe Moscow May Day celebra-tions.

Back in London on Tuesday,she's empowered to line up

ON THE BEATby

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BRAND

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Count and Louis as a straight-forward business deal.

/ wonder if any of our boyscan interest her... , Surprise

URPRISE of the Week No.1: The man who walked

into Alec Strickland's SohoRecord Centre and asked for abox of gramophone needles.

Surprise of the Week NO. 2:Alec still had some.

Puzzledlaa ACK in Britain after four-I-. months under contract tothe Australian BroadcastingCommission and one month inLos Angeles and New York,poll -winning harmonica player

is somewhatpuzzled.

"In England," he told methis week, " they were alwaystelling me to be more commer-cial. To eat, I slightly com-promised.

" Then a club owner heardme in New York, and my actwent over really big. After-wards he told me: ' Boy, if youcould only be a little less com-mercial you'd be really terri-fic!' "

Luckily for Max, it's no hard-ship not to be commercial(though he's wondering nowjust what the word means).

And it's likely he'll be hittingthe U.S. headlines later in theYear.

We may, in fact, be seeing aslittle of him as we now see ofVictor Feldman...

Eh?THEY'RE telling the one

about the last man leftalive in New York after thecataclysm. (He was, of course,a musician.)

After a few days living it upin all the deSerted bars, theloneliness (plus the colossalhangover) began to get himdown. Eventually he couldstand it no longer.

He went to the top of hishotel, hurled himself off theroof,

Passing his room on the 18thfloor, he heard his 'phoneringing. .

Capture the Holiday Spiritat the

* WINTER GARDENS *EMPRESS BALLROOM

BLACKPOOLDANCING NIGHTLY

TO THE MUSICOF

KEN MACKINTOSHHis Saxophone tii ORCHESTRA

JULY 3rd UNTIL NEUT. 9th

Talking -point is the debut ofMarty Wilde, in the title rem,making his first appearance inmusicals. His is not a demand-ing part and he makes a goodjob of it.

The score, by CharlesStrouse, has no potential chart -toppers, but several catchysongs - particularly "Kids,"" Happy Face" and "Rosie."

The show (in Manchesterfor another week yet) willsurely run for a couple of yearswhen it reaches Her Majesty'sTheatre, London, on June 15.-Jerry Dawson.

THE producers of "Musicat Newport "-the re-

named Newport Jazz Festi-val-have signed BOB HOPEfor the afternoon of July 1.

Jackie Wilson returned toaction on Sunday, May 28, onthe Ed. Sullivan TV Show.

Harry Belafonte begins a 12 -week concert tour of key U.S.cities on June 15 with a two-week engagement in Washing-ton, D.C., Miriam Makeba willbe featured.

Three families who live closeto Freebody Park in Newportare putting their houses up forsale. They fear that last year'soutburst will be repeated.

Jazz historyDiamond Books plan to pub-

lish five volumes covering thehistory of jazz. Martin Wil-liams is to write on NewOrleans, Wen Shih on theSwing Era and Ira Gitler onEarly Modern. Writers tocover the 'twenties and the'fifties have not yet beenselected.

The Miles Davis -Gil Evansconcert at Carnegie Hall lastweek was a triumph for both.Says Cannonball Adderley:"Miles played like he neverplayed before-strong, fiery,beautiful solos."

UncomfortableThe Evans band was well -

rehearsed and it, too, playedparticularly well, showing Gil'scompositions for the jewelsthey are. As J. J. Johnsonsays: "All future CarnegieHall jazz concerts will sufferby comparison."

However, there was one un-comfortable situation. Follow-ing the intermission, MaxRoach, who had been sitting inthe audience, walked back-stage, then on stage and sat

Harry Belafonte

op knockingtrad, Dad

BRITISH jazzmen arecertainly the best

outside America. YetI'm sure British criticsaren't giving them afair crack of the whip.

Instead of giving our youngup-and-coming musicians allthe encouragement they needat a time like this, the criticsare over -analysing the indi-vidual sounds from instru-ments.

And they're losing sight of thejazz produced by the bands.

Critics are not constructiveenough. Right now, with jam popu-larity rising, they ought to getbehind our jazzmen and not narrowthe music own so finely.

The soundA chap doesn't have to examine

every single instrument individuallyto appreciate a tune. It's the over-all sound that should be judged.

There are same really excellentbudding jazzmen around in Britain.Up and down the country I hearsemi -pro groups with some poten-tially great jazzmen.

All they need is the right type ofencouragement and patience. Tocritics, I say: Don't line up ouryoung jazzmen and compare themwith Americans.

We know we're nowhere near per-ect yet. We all know, too, that we

'44%444..44

BOB HOPE forNewport

MILES concertrumpus

HARLEM jazzfestival

down. He and another manheld up placards. Roach'ssigns read: " Africa for theAfricans" and "FreedomNOW."

The concert was stopped and'both men were led from thestage. Miles, unsettled by thisoccurrence, wanted to end theconcert, but was persuaded tocontinue.

'Swing' dateGerry Mulligan, Count Basle

and their orchestras, the SlideHampton unit, the Bay BryantTrio and Lambert, Henrieksand Ross are among the jamheadliners who will appear atHarlem's first jazz festival onJune 16 and 17. The festival isto be sponsored by the Free-dom Fund Committee of theNew York branch of theNAACP.

Miriam Makeba, GloriaLynne, the Slide Hamptongroup, and

the festival at Newport.The talent tab for Newport isup to $150,000.

Another all-star "Ming"date is scheduled for releaseby Prestige. Pee Wee Russell,Danny Barker, Buddy Tate,Joe Thomas, Al Sears, VicDickenson, Joe Benjamin, CliffJackson and J. C. Heard tookPart,

WoodchoppersWoody Herman opened at the

Waldorf-Astoria with a smallhand, the Woodchoppers, onMay 21.

Teenage record stars BobbyVee and Brenda Lee will co-star, in a new film, "LearningAbout Love.'

If it's a boy, Sandra Dee andhusband Bobby Darin will callIt Robert Eugene, but theyhaven't yet picked a name fora girl.

Americannnaages areuttering up t for theserial rights to the unfinishedbiography et Sammy Davis.One offered 115,009 just to seethe manuscript 24 hours earlierthan any competitor.

says ACKER BILKthis week's guest columnist

don't swing as naturally as theAmericans.

WE DO KNOW WHAT'SWRONG, THOUGH, AND REAL-ISING IT IS HALF -WAY TOCURING IT.

Technically, most critics knowwhat they're on about.

I know they can weed out goodplayers and bad ones if they Wantto set about at. But that's notalways the right philosophy.

Jazzmen can take a knock. Musi-cians here have got plenty of fail-ings.

BUT IF THE CRITICS GIVEBRITISH JAZZ TEN YEARS, ITWILL BE AS NATURAL AND ASGOOD AS THAT IN AMERICA.

Dirty word

my mates came running up to meshouting: " What about Kenny Ball,Ack? What do you think of thisSamantha lark? Are you worried... is he a threat?"

Worried? I'm happier than everto, see Kenny doing well. There'splenty of room for more successfulbands.

It's no use there being one or twobands hitting it off. We needbetween six and eight really first-rate groups around so that whenone's popularity dwindles there areplenty of others on the way up

High societyW EL% rbeedeenn tit; Wholotwoeful d havethought, a few years ago, that jazz-men would be playing at debutanteparties, the London Palladium andGrosvenor House?

I was tickled pink, playing for allthose elderly ladies at GrosvenorHouse. The band played welt,though.

I don't know what it was about usthey liked-the bowler hats?-butthey certainly seemed very happy.

Though one lady said to me: "Ilike your music, but, darling. pleaseplay a little quieter!"

SpasticsI'M very pleased to say the band is

raising money all over the coun-try for mentally - handicappedchildren and for spastics.

I'm making special appeals at con-certs. It gives me a great kick tobe able to help less fortunate folkin this way.

Kids are my weak spot. I've twoNOW here's something funny, marvellous children, Peter and

When my band came back Kenny. Peter is aged two. Jennyfrom Germany a few weeks ago all is at the ripe old age of one!

1111,%111/11.11/41,411.444111:11.111.444444%.1114.1141444W

NEXT WEEK

TerryLightfoot

IM feeling in a pretty sober mood.When you come to weigh it up,

trad has had to fight all the way,to get the popularity it's gained.

We have had to fight Fleet Streetnewspapers, the majority of adultsand the critics. Somehow, jazz hasalways been a dirty word.

The only people who brought thismusic eat into peak popularity arethe fads. They all deserve a big" thank you" for standing by jazzwhen it was not the drawing powerit is today.The fans put the TemperanceSeven at the top of the Hit Parade.To me, this is proof that jazz hadmade it. The barrier has beencrashed. Marvellous!

I reckon the Temperance Seven,are a knockout! They really knowthe gear. I'm glad they are doingso well.

`Samantha'

Your Blackpoolprogramme

9711E biggest Jazz and PopBash of them all-that's

this weekend's MELODYMAKER Jazz and Pop Festi-val in Blackpool.

Tonight (Friday), tomorrowand Sunday, the whole ofBritain's most famous seasideresort will be swinging to thebig names of British jazz andpop. The full programme is:

*Tonight (Friday) from 8p.m. to 2 am, nine top Madgroups will give the Festival astorming start at the River-boat Jazz Rand Ball " in theEmpress Ballroom, WinterGardens.

Over 1,000 MM readers havealready booked their tickets tohear the bands of Acker Bilk,Kenny Ball, Ken Colyer, theClyde Valley Stompers, CyLaurie, Alex Welsh, Ken Sims'sVintage Jazzband, the Saintsand the Steadfast Jaszband.

During the Ball, the winnerof the 1961 Queen of Jazzbeauty contest will be crowned.

Saturday: There are twogreat events. From 2 p.m. to6 p.m. you can swim or jive atthe unique " Jazz Splashtacu-lar," in the Derby Baths.

Eden Kane

BerylBrYden Metes

As well as seven top tradgroups-those of Bilk, Ball,Colyer, the Clydes, Laurie, theYorkshire Jazzband and theMerseysippi Jazzband-therewill be a Swimwear FashionParade organised by Messrs.Lewis's, demonstrations of LogRolling and Aqua' Clowns.

And at 8 p.m. in the PavilionTheatre, Monty Sunshine'sBand, with Beryl Bryden, willstart their concert. Comperingthis, and the other trad events,will be poll -winning jam singerGeorge Melly.

Sunday: Take your pickbetween pop and modern jazz.At the Blackpool Opera Housewill be the MN's two fabulouspop concerts starring AdamFaith. Craig Douglas, CherryWainer, Bob Miller and theMillermen, Eden Kane, MikeShaun, David Lane and theSaints Jazzband. The firsthouse starts at 6.20 p.m., thesecond at 8.15 p.m.

From '7.30 p.m_ at the Pavil-lon Theatre. Peter Burman'sJazz Tete a Tete will presentthe Tubby Hayes Quartet, AllanClanley-Keith Christie Jazz.makers, Ronnie ROBS Quartet,Eddie ThompSon trio and gueststar Kenny Baker.

Have a good time!

arratts of ManchesterTENOR SAXOPHONES

Hawkes, 20th Century ...

Martin, Handcraft ...New Olds, Parisien

BARITONE SAXOPHONESRampone, with Case

Olds, Parisien... . --ALTO SAXOPHONES

Conn, UnderslungMartin Handcraft ...Selmer Su pe ract I onSelmer, Mark VIBuescher Aristocrat...Pennsylvania ... -.

TRUMPETS

Imperial Mark VIII ... ...Imperial Mark IV _ _ _Besson, 10.10 ... . ...French Besson ... ... ...Besson New Creation, S.F. ...Olds Ambassador Trumpet -Cornet :::Bouncy, N.V.A. ... ... ...

TROMBONES

L48L57L65L70475

... 79 Ins.

L45L55

. . . L90. 120 gns.

..

.,

/25L35

C57L80

L45L40

450LI8L41L45L45L39L40L10L90

L75L50.C40

Getzen Trombones and Trumpets ...CLARINETS

Selmer Artist ... ... ... .. ...Conn Ebonite ... ... ... ... ... CM

Selmer Gold Seal "A" _ ... ... ... /20Romeo Alto Clarinet ... .Buisson Bass Clarinet ... ... - 98 gns.Lafleur Eb Clarinet ... - _ ... ... - L32

.. ... ... 16 gns.Swell Back Basses L30 and L40 new

BARRATTS FOR PREMIER EQUIPMENT* 86 Oxford St.. Manchester I. 10052)4843* 176a Westgate Rd., Newcastle-upon-Tyne 22331* I Meadow St., Preston 4728 * 15 Portree St., Glasgow

Page 8-MELODY MAKER. Jane 9, 1981 June 9, 1961. MELODY MAKER-Page

that burnt cork.Latest news is that Russia

now wants the series-and thatthe Director of Soviet TV,Konstantin Kousakov (whoarrived in London on Wednes-day to cover the Trooping ofthe Colour), was knocked outby Georgt Chisholm.

AmbassadressRUSSIA also wants Arm-

strong and Basle. But istakine, what semen to me a very

The storyof Cliff

CLIFF RICHARD startedoff as an Elvis fan-

tried to sound like him,wore sideburns to look likehim. Tack Good told himthey'd have to come off-orno more TV dates.

Every year he returns todo a show for his oldschool and the teacher stillcalls him Harry Webb. Theyboth laugh to recall thatshe told him he'd neveramount to more than arock-'n'-roll singer.

PaperbackIt's all in the Cliff

Richard Story, "It's Greatro Be young "-now issuedas a lavishly illustratedpaperback (Consul Backs,3s. 6d.). A frank account,at times touching in itssincerity, and warmly recom-mended to all Cliff'sadmirers.

Marty Wilde

Watch the 'Birdie''BYE, Bye, Birdie," now showing at

the Opera House, Manchester, isthe best American musical to hit Britainsince "Oklahoma."

It is pure entertainment. It has no mes-sage, is not cluttered -up witnobscure ballet sequences, hasan excellent score and a well -Chosen cast headed by thewonderfully talented ChitaRivera.Bedraggled feather

'T's a feather (thoughone, I feel) in the cap in our carather a bedraggled

of BBC -TV to have wonthe Intern t I T Ia Iona e e -vision Festival awardwith "The Black andWhite Minstrel Show."

Bedraggled, in view of thefeelings of most people inshow business about ' black-ing up."

TechniqueBUT it is some consolation to

learn that this show shot sensible attitude over the deal.ahead of strong competition It does not want themfrom the rest of the world booked through the U.S. Statechiefly on its pace and teehni- Department. Which, it fears,cal merits. would use the occasion forWhich makes one wonder world-wide propaganda.whether it would have sue- "Don't," it says, in effect,ceeded equally well without all « bring politics into this

music."And it has, as it were, ap-

pointed British singer GeryScott (Scottova on her Russiandiscs) the unofficial Ambassa-dress for Western Jazz.

Gery, after selling 4.000,000discs behind the Iron Curtain,shot to belated fame in herown country when she ap-peared on our screens duringthe Moscow May Day celebra-tions.

Back in London on Tuesday,she's empowered to line up

ON THE BEATby

PAT

BRAND

EVERYBofirstwitie

IT I" ACKzO THE

vt.MELODYMAKS

viaW P ALL. TINS RZVIVA1.16M,ye" NuST htMR NY IIVAIWIT .517M"-II,M51. /(D TAMPaSK8 NE

Wt7/1EssAN A:Jr.-GIRL BINAAT

ROCK & ROLLto

RON OGDEN& HIS BOYS

* 3 Times Daily *CENTRAL PIER

BLACKPOOL

H EAP'SMUSIC SHOP

i Carter Street(behind Grand Thealrel BLACKPOOL

for all yourMusical Requirements

Count and Louis as a straight-forward business deal.

/ wonder if any of our boyscan interest her... , Surprise

URPRISE of the Week No.1: The man who walked

into Alec Strickland's SohoRecord Centre and asked for abox of gramophone needles.

Surprise of the Week NO. 2:Alec still had some.

Puzzledlaa ACK in Britain after four-I-. months under contract tothe Australian BroadcastingCommission and one month inLos Angeles and New York,poll -winning harmonica player

is somewhatpuzzled.

"In England," he told methis week, " they were alwaystelling me to be more commer-cial. To eat, I slightly com-promised.

" Then a club owner heardme in New York, and my actwent over really big. After-wards he told me: ' Boy, if youcould only be a little less com-mercial you'd be really terri-fic!' "

Luckily for Max, it's no hard-ship not to be commercial(though he's wondering nowjust what the word means).

And it's likely he'll be hittingthe U.S. headlines later in theYear.

We may, in fact, be seeing aslittle of him as we now see ofVictor Feldman...

Eh?THEY'RE telling the one

about the last man leftalive in New York after thecataclysm. (He was, of course,a musician.)

After a few days living it upin all the deSerted bars, theloneliness (plus the colossalhangover) began to get himdown. Eventually he couldstand it no longer.

He went to the top of hishotel, hurled himself off theroof,

Passing his room on the 18thfloor, he heard his 'phoneringing. .

Capture the Holiday Spiritat the

* WINTER GARDENS *EMPRESS BALLROOM

BLACKPOOLDANCING NIGHTLY

TO THE MUSICOF

KEN MACKINTOSHHis Saxophone tii ORCHESTRA

JULY 3rd UNTIL NEUT. 9th

Talking -point is the debut ofMarty Wilde, in the title rem,making his first appearance inmusicals. His is not a demand-ing part and he makes a goodjob of it.

The score, by CharlesStrouse, has no potential chart -toppers, but several catchysongs - particularly "Kids,"" Happy Face" and "Rosie."

The show (in Manchesterfor another week yet) willsurely run for a couple of yearswhen it reaches Her Majesty'sTheatre, London, on June 15.-Jerry Dawson.

THE producers of "Musicat Newport "-the re-

named Newport Jazz Festi-val-have signed BOB HOPEfor the afternoon of July 1.

Jackie Wilson returned toaction on Sunday, May 28, onthe Ed. Sullivan TV Show.

Harry Belafonte begins a 12 -week concert tour of key U.S.cities on June 15 with a two-week engagement in Washing-ton, D.C., Miriam Makeba willbe featured.

Three families who live closeto Freebody Park in Newportare putting their houses up forsale. They fear that last year'soutburst will be repeated.

Jazz historyDiamond Books plan to pub-

lish five volumes covering thehistory of jazz. Martin Wil-liams is to write on NewOrleans, Wen Shih on theSwing Era and Ira Gitler onEarly Modern. Writers tocover the 'twenties and the'fifties have not yet beenselected.

The Miles Davis -Gil Evansconcert at Carnegie Hall lastweek was a triumph for both.Says Cannonball Adderley:"Miles played like he neverplayed before-strong, fiery,beautiful solos."

UncomfortableThe Evans band was well -

rehearsed and it, too, playedparticularly well, showing Gil'scompositions for the jewelsthey are. As J. J. Johnsonsays: "All future CarnegieHall jazz concerts will sufferby comparison."

However, there was one un-comfortable situation. Follow-ing the intermission, MaxRoach, who had been sitting inthe audience, walked back-stage, then on stage and sat

Harry Belafonte

op knockingtrad, Dad

BRITISH jazzmen arecertainly the best

outside America. YetI'm sure British criticsaren't giving them afair crack of the whip.

Instead of giving our youngup-and-coming musicians allthe encouragement they needat a time like this, the criticsare over -analysing the indi-vidual sounds from instru-ments.

And they're losing sight of thejazz produced by the bands.

Critics are not constructiveenough. Right now, with jam popu-larity rising, they ought to getbehind our jazzmen and not narrowthe music own so finely.

The soundA chap doesn't have to examine

every single instrument individuallyto appreciate a tune. It's the over-all sound that should be judged.

There are same really excellentbudding jazzmen around in Britain.Up and down the country I hearsemi -pro groups with some poten-tially great jazzmen.

All they need is the right type ofencouragement and patience. Tocritics, I say: Don't line up ouryoung jazzmen and compare themwith Americans.

We know we're nowhere near per-ect yet. We all know, too, that we

'44%444..44

BOB HOPE forNewport

MILES concertrumpus

HARLEM jazzfestival

down. He and another manheld up placards. Roach'ssigns read: " Africa for theAfricans" and "FreedomNOW."

The concert was stopped and'both men were led from thestage. Miles, unsettled by thisoccurrence, wanted to end theconcert, but was persuaded tocontinue.

'Swing' dateGerry Mulligan, Count Basle

and their orchestras, the SlideHampton unit, the Bay BryantTrio and Lambert, Henrieksand Ross are among the jamheadliners who will appear atHarlem's first jazz festival onJune 16 and 17. The festival isto be sponsored by the Free-dom Fund Committee of theNew York branch of theNAACP.

Miriam Makeba, GloriaLynne, the Slide Hamptongroup, and

the festival at Newport.The talent tab for Newport isup to $150,000.

Another all-star "Ming"date is scheduled for releaseby Prestige. Pee Wee Russell,Danny Barker, Buddy Tate,Joe Thomas, Al Sears, VicDickenson, Joe Benjamin, CliffJackson and J. C. Heard tookPart,

WoodchoppersWoody Herman opened at the

Waldorf-Astoria with a smallhand, the Woodchoppers, onMay 21.

Teenage record stars BobbyVee and Brenda Lee will co-star, in a new film, "LearningAbout Love.'

If it's a boy, Sandra Dee andhusband Bobby Darin will callIt Robert Eugene, but theyhaven't yet picked a name fora girl.

Americannnaages areuttering up t for theserial rights to the unfinishedbiography et Sammy Davis.One offered 115,009 just to seethe manuscript 24 hours earlierthan any competitor.

says ACKER BILKthis week's guest columnist

don't swing as naturally as theAmericans.

WE DO KNOW WHAT'SWRONG, THOUGH, AND REAL-ISING IT IS HALF -WAY TOCURING IT.

Technically, most critics knowwhat they're on about.

I know they can weed out goodplayers and bad ones if they Wantto set about at. But that's notalways the right philosophy.

Jazzmen can take a knock. Musi-cians here have got plenty of fail-ings.

BUT IF THE CRITICS GIVEBRITISH JAZZ TEN YEARS, ITWILL BE AS NATURAL AND ASGOOD AS THAT IN AMERICA.

Dirty word

my mates came running up to meshouting: " What about Kenny Ball,Ack? What do you think of thisSamantha lark? Are you worried... is he a threat?"

Worried? I'm happier than everto, see Kenny doing well. There'splenty of room for more successfulbands.

It's no use there being one or twobands hitting it off. We needbetween six and eight really first-rate groups around so that whenone's popularity dwindles there areplenty of others on the way up

High societyW EL% rbeedeenn tit; Wholotwoeful d havethought, a few years ago, that jazz-men would be playing at debutanteparties, the London Palladium andGrosvenor House?

I was tickled pink, playing for allthose elderly ladies at GrosvenorHouse. The band played welt,though.

I don't know what it was about usthey liked-the bowler hats?-butthey certainly seemed very happy.

Though one lady said to me: "Ilike your music, but, darling. pleaseplay a little quieter!"

SpasticsI'M very pleased to say the band is

raising money all over the coun-try for mentally - handicappedchildren and for spastics.

I'm making special appeals at con-certs. It gives me a great kick tobe able to help less fortunate folkin this way.

Kids are my weak spot. I've twoNOW here's something funny, marvellous children, Peter and

When my band came back Kenny. Peter is aged two. Jennyfrom Germany a few weeks ago all is at the ripe old age of one!

1111,%111/11.11/41,411.444111:11.111.444444%.1114.1141444W

NEXT WEEK

TerryLightfoot

IM feeling in a pretty sober mood.When you come to weigh it up,

trad has had to fight all the way,to get the popularity it's gained.

We have had to fight Fleet Streetnewspapers, the majority of adultsand the critics. Somehow, jazz hasalways been a dirty word.

The only people who brought thismusic eat into peak popularity arethe fads. They all deserve a big" thank you" for standing by jazzwhen it was not the drawing powerit is today.The fans put the TemperanceSeven at the top of the Hit Parade.To me, this is proof that jazz hadmade it. The barrier has beencrashed. Marvellous!

I reckon the Temperance Seven,are a knockout! They really knowthe gear. I'm glad they are doingso well.

`Samantha'

Your Blackpoolprogramme

9711E biggest Jazz and PopBash of them all-that's

this weekend's MELODYMAKER Jazz and Pop Festi-val in Blackpool.

Tonight (Friday), tomorrowand Sunday, the whole ofBritain's most famous seasideresort will be swinging to thebig names of British jazz andpop. The full programme is:

*Tonight (Friday) from 8p.m. to 2 am, nine top Madgroups will give the Festival astorming start at the River-boat Jazz Rand Ball " in theEmpress Ballroom, WinterGardens.

Over 1,000 MM readers havealready booked their tickets tohear the bands of Acker Bilk,Kenny Ball, Ken Colyer, theClyde Valley Stompers, CyLaurie, Alex Welsh, Ken Sims'sVintage Jazzband, the Saintsand the Steadfast Jaszband.

During the Ball, the winnerof the 1961 Queen of Jazzbeauty contest will be crowned.

Saturday: There are twogreat events. From 2 p.m. to6 p.m. you can swim or jive atthe unique " Jazz Splashtacu-lar," in the Derby Baths.

Eden Kane

BerylBrYden Metes

As well as seven top tradgroups-those of Bilk, Ball,Colyer, the Clydes, Laurie, theYorkshire Jazzband and theMerseysippi Jazzband-therewill be a Swimwear FashionParade organised by Messrs.Lewis's, demonstrations of LogRolling and Aqua' Clowns.

And at 8 p.m. in the PavilionTheatre, Monty Sunshine'sBand, with Beryl Bryden, willstart their concert. Comperingthis, and the other trad events,will be poll -winning jam singerGeorge Melly.

Sunday: Take your pickbetween pop and modern jazz.At the Blackpool Opera Housewill be the MN's two fabulouspop concerts starring AdamFaith. Craig Douglas, CherryWainer, Bob Miller and theMillermen, Eden Kane, MikeShaun, David Lane and theSaints Jazzband. The firsthouse starts at 6.20 p.m., thesecond at 8.15 p.m.

From '7.30 p.m_ at the Pavil-lon Theatre. Peter Burman'sJazz Tete a Tete will presentthe Tubby Hayes Quartet, AllanClanley-Keith Christie Jazz.makers, Ronnie ROBS Quartet,Eddie ThompSon trio and gueststar Kenny Baker.

Have a good time!

arratts of ManchesterTENOR SAXOPHONES

Hawkes, 20th Century ...

Martin, Handcraft ...New Olds, Parisien

BARITONE SAXOPHONESRampone, with Case

Olds, Parisien... . --ALTO SAXOPHONES

Conn, UnderslungMartin Handcraft ...Selmer Su pe ract I onSelmer, Mark VIBuescher Aristocrat...Pennsylvania ... -.

TRUMPETS

Imperial Mark VIII ... ...Imperial Mark IV _ _ _Besson, 10.10 ... . ...French Besson ... ... ...Besson New Creation, S.F. ...Olds Ambassador Trumpet -Cornet :::Bouncy, N.V.A. ... ... ...

TROMBONES

L48L57L65L70475

... 79 Ins.

L45L55

. . . L90. 120 gns.

..

.,

/25L35

C57L80

L45L40

450LI8L41L45L45L39L40L10L90

L75L50.C40

Getzen Trombones and Trumpets ...CLARINETS

Selmer Artist ... ... ... .. ...Conn Ebonite ... ... ... ... ... CM

Selmer Gold Seal "A" _ ... ... ... /20Romeo Alto Clarinet ... .Buisson Bass Clarinet ... ... - 98 gns.Lafleur Eb Clarinet ... - _ ... ... - L32

.. ... ... 16 gns.Swell Back Basses L30 and L40 new

BARRATTS FOR PREMIER EQUIPMENT* 86 Oxford St.. Manchester I. 10052)4843* 176a Westgate Rd., Newcastle-upon-Tyne 22331* I Meadow St., Preston 4728 * 15 Portree St., Glasgow

Page 10-MELODY MAKER. June 3, 1981

INSURANCE ,,. , .. -• MOTOR IN$UIIANCE-Lowrst rat~.

best \.e-n»$- N0 REST R ICTI ONS ON OCCUPATION.-W. C. Collin, and CO (ln .. urancf 8rokf'r$L u..11. Ou-t't'n v ,etorla Strtee. E.C.◄. rc.11 687$.) Our Mw.iN.I Jn~l"l:lmt'nl Insura.ore­Sth4'mf'. alrt:idY trldfl.J' too.-n. Al.SO Llr"'• l!:ndowaitn,, Ho~ l"ure,."lak.

Dankworth Orch-THE full Johnnyf ■ t estra will play t he I rs opening night of a new jazz club at the Ploug h, llford, on June 6. The res ident group will include Dank­worth sidemen Kenny Wheeler (tpt.), Art Ellefson (tnr.J, aqd Eddie Harvey (tmb.) , with weekly g uest stars.

* * * TRINITY Ja::z Club, \Vands--worl1L Common. ttorts a

new to-band poJitJI tomorrow

JSClUtrdGJI}, toft/t Cl .ses,1on b V he Kmnv Robtn.son ana Ron :::::,~!~ o~si,,~'01c;17:n B~ffz: Sb: sltart uie bflling o n Ju.ne 10.

Celebration

JAZZ on the AIR Dt'lo.dnay. 12,tt -1.t a ,m. I : Europun All $tu1, 19fl.

THURSDAY, J UNE I : • .1,,a.1 p,,n, X: J an Cot1rlrr. 5,1· 1.11 R: J au Journal. ,.:,e H t : J au 0 1-K,, 1.31.1.1 P 1: Ja.u c onna.~u. t.t •t.• 6 5 : Ja&. Without Bf'al't H.2CI· u .t o : •· Jkt.wttn connnnon11 Uld

J:~n~f:b~c~~.l::!tJ~·~ ~1•Ja"Jt~~? 11.50:•U.15 A 1 2 : Mru. M.C Blut­mowt!'!', "rKtn%lt :e4ndon. 11.1-12.t p I E lllnttOD! .. Th1,1ndt r ": Mutt?• pieces. 1t,30·12:.t U: Mulllt:an.. Farmer.

FRI DAY, JUNE 1 1 . ...... 15 o.m. L: Jan D1$ct. f . 11•7,3t H 2: Jilt.a Tr1o. ,.,s.,.,s D s: J II Z& mlt Jot. 11.u.11.ss F 2 : Dtchtt at 8:0t)"Ylilt. BO 1137-38. 11. 15•1f .'5 R: Jan Lrcend. 10.341.11.1 X: La P'tt r!t du Jan. 1u1-11.t J : EchOtl OI Bourbon SL 10.35•11,I Y: JU!. Gallet)". 11.45·11.15 :t: Jan Actualt• tlt11. 141.50.11.is A 1 2 : Jan 1n thl" N!aht.

P:ocrammts 1ubJtft, to cban,e.

Key to Stations A: RTP France t : 1-1829m ..

48.30-m. 2-113m, I: RTP Pr-a.nee 2: 498. 4f5, 347, 218m. C: R1'P Franct , (r.d only} : S.9, !10. 9:Z. tM, t!, 99 Mc. b1u14 ~. D: BBC: l-UOO. 247m. 2-4G4m. 3-23':lm. E : NOR WDR ; i°'• 189, 49.38.m, F : Bt1itan Radio:

H'74L\ivrt~7•1_.\2,267¾-~~-98n:: $ WP B•Badt n: :t9$. 363, 19.S. O .29nt J : AFS Otrmuy: 547. 344. 2 'ilm. K! SBC S:Otkholm: wa. 2~$. 2t$ and (I.Sim band l-• ~R t'klt1• 1176. 417 31. 2S or Ulm. hnd~. 0: BR Munich: ::;: itt t~i::.· ;; ~R :;~u~i\!~~\ 5otm. R : R AJ l!al7: 3.$$, 2!0. 21)i m I: hropp 1: IG47m. T : VOA: 7$, 49, 31. J9m bands. Rtpnt._17:lim U,W). U: IU.cllq Jktmrn : 22tm. Vt Radio Elrpann: $30m. W: Lu.um­bour1 : 1- 1293t'I. 2-208. 41.28m. X : Monte c,u-10: 205m. Y: &BC Lu1u~o: ~Um. Zt SBC Orne..-a/l.eusannr: at3m.

F. W. Street ~

■teev•• Wllc;\I• Tr♦molo Unit ollow,

yo\l to 1horJMn or Uott•n by h oH o ton•

by • imple up o•ul dow11 n overnnt ol the Vilnotor Jbm.

The e xc:lutlv e Jjg•by Tre l'tlolo OC"lion. give, you Ttel'l'OlO o t )'OCIT

individ1.ul 1:hoi<:e o• 1peed ond d♦plh.

Supplied cofflpl• t• with " roe.lee r 0 1,:l jon"

bridt• which p1evenh .. , ow~n t "

by 11!.e 1h'in9-O +dolly designed 10 thot II will not

lip, Co.mpl♦I• -.,nit ,o.aily tittM to ony

tullor.

0 At 11/ good O.,tm,

or writ, for Ml d,t,;J, to O.pt. I/J/6

114 CHARING CROSS RD., LONDON, W.C.2

SBCOMD TIMI:

'V\'rl~~, a•~,,:::et~o ;-•:,ee A~1~~ 01'1flt1ti,-:UIQn h'-1.'" lh•d OJ\ nlth Bourne .u u .. lc In the State .. to rorm a 1ttw Joint na11 .. 1c p u bllsh-lnfn{':i!~:t; or the Rank su~ sidtnry, FUtnu~lc, will be control­led throuahout America l\Dd Canada. by newly-formed Bournc-~~u!~~~ tor, ~~~i~~ve &:rn:: t..Mme 1$ $0lldl)' Dtacea. Ill tbe chark..

TAKDfG THI!. STAGE

B •\t,:elra~ro~olrl~~~~dayi,;,·a~~ lf'II .. me llh l)OIICY thtse d1l)S ls to rontentl"Jtt on uni> one :.ong­a Yl"<U".

It -11eeme to p,ny oft', tor the lMt t hree >·car& Jll)\'C produced .. My SOJ)tClllbcr Lovc:• .. E\·ery­where" a.ttd. •• The S1ng1ng

1961 la Br

t°eesln:Cc~f1~fu~t bihr15 Charlt~: a,nd ls yet l'IUOtber 1>rc:.k for an unknown writer.

Tolch hai,: O\'Cr J.000 sonp to ro~/.~~~~~m~riir 3~~e~ i:J;r<:gr

June 3, 1961. MELODY MAKER- Poge 1 It

THIS WEEK'S COMMENTS ON LAST WEEK'S NEWS

II a Politeman asks your name ..

IT was with Interest that I read Pat

Brand's comment last week on the police• musician relationship in Archer Street.

Whlle 1t ls common know­ledge that at common i.w a person has only the right to "pass and repass " along the "Queen's Highway" (thus It ts a common law ofl'ence to stand at a bus

~~.JwgJt1iie a ~Nil• i~i strictly curtailed by statu­tory legislation In demand­Ing the name and address ot an lndlvidua.l. ln the street or elsewhere.

' Permissive' Under the provisions of t..he

Meuopolit,an Rallway Aet, 1894, and the Road Trame Act, 1934. a person must. on de• mand. supply hiS name and address to a person authorised

bynia\~hJu~·4 3iJX'~i;ifJ~h"t a poltceman cannot demand as Of right to set a drh•ing licence; H, mtty have to ne proaucea. howen:r. to any pollce ttauon 10 the country, or to any unJ•

r Stirrfng'Tt up t in Archer St.

~.:. ':1 t:r:t!~== I

Yrom last tttek's .. Beat."

formed policeman, wlthln tour da~Y~~Jh~l~~~:·i, these two ~t':~:e?°1trm:~a~a• r:g "lh~! matter. Further. of course. bOth statutes arc pormtsslvc and not imperative. That is to say, ~ constable mny, but need not, l'.l:ik for a name and nddress.

p1;'~~ti.1!,hl!,'hl1~ 1~siMtt~ ~fl: way or a mot.Qr vehicle, one can scead.!Ml.lY retuae to do so under any ot.ber ctrcum.stances.

Limited It would s~m. therefore, that

there Is no duty tmS>O,s,ed by low upon the police to demand a name and addre" except under lbc al>Ove--rnctu.toned Acu. 'fhu.s. how c:in a person obstruct o Policeman In the execution of a duty he ts not calted upon by law to perform?

·i ne mterngent ponceman

lt~f !hi~Jrie :ti~:1~;'1!~~~,

SPOTLIGHT ON THE STARS

•

CLIFF IS BACK ON 'JURY'

A REPEAT, BUT I HOW BRILLIANT!

c oi:i~A.;i;,uri,;i~~ t1 m: briltia Harry Belafonte show of Ch , 1'360. which tea,. tured B:-own!e McGhe@ and erry.

To Wa.E Pe re,peo nMdo.y when een1u., sutroctL y t e most. atrocious and lnfl.oproprtate choir I b(l.ve ever hoord. alia~/}tC,:! ~1,i~~ strli~~f,},'! Hrl'-tol.

It's conwnercial ,v••~~~1:u11/t•1t:~t ~e;.~{ ~;t1~ llow ("tin he ~l.)' tho.t .. " :lUY• thin::- -.ound-; 1>01> 1t·-i lrnd 'f"

True t.rad d.ot~n·t exbt t.Odar. True, tr3d 1$ wl:at the Necroe3 J>h.lYed. when Ube-roted trom 61.$.o

;tf~nim\~11o~a~<15 tgI:~~at verl,' aOOd lmlta.llon. toO. It ta IOOfse!y called t.rad, but it L'f. h\ !Act. commercial Jazz.-,. A. SUl'het. L1>pln,:h..tm. Jtutland.

Pro Barber . ..

,v~l\S~o~~e~t·0 c:ruc~: ~ Ohrt,; B.'lrber·s article or tb.e pro-, \."IOU.3 week.

nus WM, atte~ au. the rran11: opinion of ~m,....,,. whtl hwi wit,..

ot Jazz In toW'H

TOP SAX

PLAYERS

~~~ ~OR A

HOHNER $pi,.ln," the mO-')t p:aycd: tune tn the world. f FOCUS ON FOLK

cA.iu~lt fo~~ i :tn; u i•u~oc!~

Superb tone, fe.ather llght response with Go,don Beeson patented pads, perfect balance, articulated G sh1.Up, special C/01holtokoy. MM r-d~"' se .-.i,e

SONGWRITERS Thi, eo1,1uon en1ille. you to

fre. advlc• on •n,- ene son, or lyric )'OU m•Y ha" t written , OR :;:,,.:."tw•r 10 a ,on,wrHing:

M $ ffl"9l bur r,t me a nd ad• drat 01 lhe sen~,. and must be accompa nied i,,- s.a.e. Poll to Sonl(Wrilers' A C11f'IH 81.1reau, " MeJody Maker,• 4, Arrle St reel, Undon, W.C,1.

Th~ 1idi1or ('Dn C~(II "" li<t-

!~";,.t::,:()s:«~lr:',,":'!,t!nr~:/J. TM., t'(mp(),r is wllid 1111til Jun~ 17, 1961, /r,r ,~us in Briu~in: tmtil '"'' 1, 1961, for O'fflS~M i11bsnibtrs,

I

talent'! This Question arises after a post-,vhttsun trip to ) fanchester.

~Ye~~n1?i~es~n t~=i~gl~n~~ 1»' the hQ.N'\.<tlnggine: ~pinnf>r.ct, who have troveUed through rrom Livel"'p()Ol for four weeks t0 es1.abll.sh new sessions at the wagg:on and Horses, off Deans .. gate.

Last Thursdny Alex. C~tt'll)l>ell

But where was the lOC..'l.1 talent from which t.be club should draw atrength? I was up from London nnd. wlt.l\ the Spinners, be save n &plt:ndld evening

,c,,""""""""",,.,.....,,.,.....,...,.....,,t How long can orgnot.$('rs oay

8 FLAT TENOR No 11N. New lustre gold lacquered with nlektl t;eys. High F ,harp. D♦ lux.t cut. .11) S G.

:h~~~~ ·~:~:~;i~~-asH:foh 1~N. .ffl 15 S. Both 41$0 in pllln gold llcque, without high F shat~.

HOHNER SAXOPHONES

ls ployed by IYtN DAWSON ol the Joe lotl Orc.heltl'a

HONNER 11/13FARll1NGOOIIROL-N ECI • ,.,.,_,,,,,. /., "'"'""'"-·

Page 1 2- M ELODY MAKER. June 3. 1961

JAZZSHOWS PRESENT ...

Jazzshows1 Jazz I Club I lid C •v•"'v N1011T AT ? 30

100 OXl"ORO STH:EE'r W 1

M•na;<:r: DON KIKGSWl:.Ll..

P ridm•, Junl! 2 MKKY ASHMAN AND HIS

RAGTIME JAIZ BAND Suru,-dt1>', June 3 THE HEW ORLlANS KNIGHTS

L~d b y IRIC ALLANDAI.I

Srmdtu', June 4 CYRIL PUSTON'S

EXCELSIOR JAll BAND Mondm·. June S TERRY u,HTIOOT AND HIS

NIW OILIANS JAZZMEN TuNdm•, June 6 DICK CHARLISWORTH

AND HIS CITY GENTS W ('dn.-J'tfo)', Junl ? ( UDE VALLEY STOMPERS 'ThurJld(U', Junl! 8 fAIRWEATHER·BROWN ALL STARS

I I

Piccadilly Jazz Club llJ t .,, .. NOGH• .. , ,o

41 C,T WINDMILL ST W 1

J;otnn« in Han1 Yard

FrltlOl', June 2 THE NEW OILIANS KNIGHTS

Led by (RIC ALLA.NDALI

Sa1urdo)·, June 3 ERIC SILK'S SOUTHERN JAIi IANO

Su ndt!.)'. June. 4 MICKY ASHMAN AND HIS

RAGTIME JAll I AND

.\lor1tia.)', iurie S IRUCE TURNER JUMP BAND 'l'uC".fdO.>•, Jml(' 6

Closed \VL"dr1cfdO>', June 7 JIMMY ANDERSON"S SWINGTn

1'lmuda>•, June 8 Closed

Ortails ol borh cl~ s {, om. th• S~c,e!CIJ)' .bnst:.w, ltd., 64-66 Oxford St,, London, W.1. T.t.pl-:ene: lAN1h&m 0114

KEN COLYER I JAZZ CLUB

FOLK FORUM At Studio ·51, 10/11 6t, Newport St.

l e ;e;tia, Squ~r• tt1Jb•l

Frida,· ( 7.30) MEMPHIS CITY JAZZ BAND Sm1.1rdlU' { 7,30)

LEN BALDWIN DAIJPHI"' STREET SIX S und«Y (7.J5)

THE TEMPERANCE SEVEN W,dnrtdOl' (7.30) THE. RIVERSIDE JAZZMEN J'hursda>' (7.30) KENNY ROBINSOfAz.Z BAN D

All-lllGMI ms10NUl1S UlrAD-lv1-.MIOIIIGHI MICKY ASHMAN

AND HIS RAGTIME BAND BARRY MARTYN'S

CAMELLIA JAZZ BAND

tfon-t'l'l•fflb■n .-dtrntl.-d ilt all M>uloni Apply NOW •• , nMmb•nhl~ ,,.

tut Jurio. 1902

A EC ITAL ROOM, ROYAL FESTIVAL HALL

"JAZZ •nd VOICES" TPairsdCJY, Jrsnr IS, at 7.45 o.rn. MICHAEL GARRICK & JOHNNY SCOTT QUARTtTS and Ruden from Uni•

nnity of Lo11!1011. Gu■it st.,, J•uVt0lit1l1,1 DICK POWfll T~'(e,l.a7/&,&/-,4 -lr11111R.F.H.WAT3191

ltALPH PIT(RS PRUfNT$

THE

TEMPERANCE SEVEN

al thC

WINTER GARDENS, MARGATE

•• SUNDAY, 4 th JUNE at 3 o'clock p.m.

n:ans1 an. Sh tJt ., 1/t. u"'"· l it t,om Winlo1 G..-.nt lox Ol1ic• ~ daily (lnd. Sund:ly) ,o a.m, If) I p .111.

T• I. THANET l'..179.S (If f>" tti• door,

JAZZ MARDI GRAS TERRY LtCHTFOOT A NO HIS

N E W ORLEAN S JA ZZMEN DICK CNARLHWOilfll & TIii c,n GENTS with I A CKII LY ...

plu, S OTHllt GROUPS MlH JAZZ CLUB t9•t CONTH T INTIR J A.IZ Q.U8 TUG0 0 F0 WAlt

CONTH T SidHhow1-l•~•quo-Ror1■1tvr..nlJ

Uc•"s•d f•r-Camlv•I Pro<♦l'.c>n

Tlck eta-AII day • 12/6 Evening only 716

SfM"c-laJ r~1lucC'd ro:1~, (~ ~u,tiu D•ta,IS lfon'I f. l(ltn• v. Old ft.ctory,

Uttlo Dunham, l(lngl Lynn.

SA TU•DA Y, JlllY 11~ 2.J0-11 p.m. DIEREHAM ~ NORFOLK

,,_ ,~, _,., • SATURDAY •

AT THE TROUBADOUR. E:i.r:~ Court. l0.30'. THAMES IDE FOUR.

• SUNDAY • RICHMOND FOLK CLUB. 7-10.

~\~~r:,~~1~ ~~t~~&o~~~~~: s~~e ,·an.

• WEDNESDAY • BROMLEY FOLK CLU8, "S':H and

Cl-art,•~-·· I...:,-bt mtt:tlna: t ·. J S('.>tt>mbf'r

,~Lr~11u1c~L~~m.in~1.:'K\~~ c:~~ LAROU&. 1·h111r1k ro1.11, Enoch. Pal and Oomlnl:;c<· ___ _

• THURSDAY • 8LU£a AND BAARELHOUSI!,-

" Roundhous@. Wa.rdOU?' S:!f'ei., THURSD~Y: IUl'I-JUNE, R IVER,

80AT SHUFFLC, 7.30: ST£VC KN8QW, 1..0 NC ,IONN IIAL,l)R 'f. ALIX CAMPBELL, l:NOCH KENT,

'

RED SULLIVAN. T;ckt-:s 10 • ta<'b from: £. O. PU:lt:'. 9 . P~d: Road. J't~('hr't'lMd

HIGH W YCOMBE Town Hall

TEMPERANCE SEVEN 1.45 I• 9,415 .. d 10.JO lo U,JO, ~u,

DAVE SHEPHERD JAZZ SIX

FRIDAY, JUNE 9th, 8 to 12. 6 /•

ALL-NIGHT

JAZZ FESTIVAL wlrh

KENNY BALL SIMS-WHEELER CLYDE VALLEY ...

ALL THE KINGS JAZZMEN .,

SAFFRON WALDEN. Essex Friday. June 231, 8 p.m.

Ticlc•U 2 0 f• inc. Re fre1hments ,,_ ltH"III M•tc $111 ... SalfrNW•I·•

ST. GILES VICARAGE GARDEN CAMBERWELL

SATURDA Y, JUNE 17th Jive to

ACKER BILI ..,.. w. PARAMOUNT JAZZ ■AND

o .1s-2.,s p.m.J

KENNY ROBINSON JAH ■AND

(lrom the l<on ColVfl' Jnr. Ch.tb)

w1th JESS CONRAD (3-4.45 p_m.)

Admtnlon .3/6

M.atcham's Park, RINGWOOD, Hants 2 -Day IC-Ban d

SJ\'fL.RVAY, Jun~ 11:

Mr. ACKER BILK KENNY BALL

C L Y DE VAL LEY S TOM PERS F LEE· REKKEAS

SUNDAY. June 18:

JAZZ f EI TIYAL

3 p.m.- 12

Tick et•:

12/6 C.Kh £1 both days

JOHNNY DANKWORTH TEMP ERANC E SEVEN

JOE HARRIOff QUINTET A L EX WELSH ~u .. e tc.

JAZZ CLUBS IN LONDON Sam and Jeff Kruit r 'I

PLAM INCO CLUB, 3S-37, WardOur Sll'Ht, w.,.

Eurot••·• 1e.adln1 Ian c:lub since 1952. Ct,nrd 15-lt, Cueata alwan welcome.

DJnc:e or lltltn tn comfort, Com1>eres: Tony Hatt or Bu Curht-* FRIDAY ('Jnd). 7.J,CM1,31

Together a.,taml Tr~men(lous TUBaY HAYE$ QUARTl!T plu& .. THE ,JA1-Z PIVE" w ith VIC ASH, HARRY KLl!IN, ar:CI. lntroduc:01 Gordon Beck on piano, *SATUADAY (3rd). 7,30•11.4'

B} cl.•M3.lld' TOMM V WHITTLE ~ lh JIM MY Sl< IOM ORE and "FLA.MINCO ALL STARS " tOl'l,11'ht, BILL LE SAGE on VISES! Plu1 TONY KINSEY TRIO plu, DICK MORRIS· SEY QUART ET With Stan Jone&. *SUNDAY (41h). 7.30-11

S.Oundo,a Jre:a1er lhan ever: OON RENDELL QUARTET tt:1.t11r.n.:

~0..,t'.Z'.!"swo\T~h o'UfATEi

0"~~~

Boll E■ord, ShJk t Keane and Brian Dte. Phil Seamen. Wt1c:om~ Qa,k, ■IX CURTIS. *COFFEE 8AR, hot Sl'll!IC:Jil$, Ind c1r1ru, ,. *MEMBERSHIP T IL L JAN., 1962. only ID.. P.O .. s.a.e. to •• WOOd• htncb, NOrlt, Hurow. MtddlHtll.

SAVES YOU 2- EVERY VISIT.

Tony Ha,r1t and Rik Qunnell presen1

THE " ALL NICHTER " CLUB, 33.37, Waraour Street, w.1.

• FRIDAY. 11-4.38 a,m, The ta.buloU!I Al.. WATSON s1art •dlh PETE CHtsTER and THE CHUTNUTS.

•SATURDAY. 12.t.3110 a.111. The Oyn:unlci 8attle of !hi Oua,tet1: BOBBY WELLINS OUARTET vtrsu'S JOHNNY BIRCH QUARTET. $12r• rln,c Slan Rf>binson. etc, Compeu: Johnny Cu11nell a1 all HMtons. SUNDAY AFTERNOON. 3·C n.m.: JAM SESSION pl"$ f"rldaw> Niithl Llne-UI).

CAFE LE JAZZHOT '257, Fulham Road. S.W.$. Fla. 940.

Frida.- KEN BARTON, Saturday- WALLY FAWKES.

QLYN MORCAN, Su11dily-JIMM Y LOUGH ER, Monelay IAN BELL. TUetdO BOBBY WELLINS' FOUA

w ilh BOBBY BREEN. • WedntsdaJ BRUCE TURNCR. Thurld;h•- TREVOR KAY,

Frl.-Sat. 9-1: Su M. to Thu rt. 8 ·12.

• F"RIDAY (TODAY) •

CLASSIFIED ADVERTISEMENTS

SN also PAGE 10 (COL. 1)

and PAGES 14 a nd 15

EDMONTO~LUB, :\ta.ton H.t!" H :-ttotd Rvad FAIR-WEATHER BROWN ALL STARS.

FINCH LtY~'"rfftlVl' H2ll. ~ 11; NORMAN DAY'S CHICAGOANS,

HARRINGAY JAZZ CLUB! HAARINGAY JAZZ CLUBl

ERIC SILK 'S SOUTHERN J.8.l! EVERYBODY WELCOME. " THE

MANOR HOUSE" !Opt)O,lt(' Mano: HOU•(' Ttlbtl. 8•1l.SG l).m.1 1'•0 Club bare. 11 D m.!! YouT bos-:s. Nanda. :ind Ran. l..(-11lry.

MEMPHISCITY. COLVER' S, NOAM"N DAY'S JAZZMEN •1th

PATTI CLARKC, - FINCHLEY. RIVOLI " Wonderful" 9ALLROOM.

8:'!)('llt\- R:~~. Crof~O:'I P11~i: W"lcom,· bu~ to s !. LOl'ldOft ST ltVE CAV['S SOUTHERN STOMPIRS.

SOUTHERN JAZZ CLIJ8, Muontc Hall. OYt':" "Old RNl L!on."' 640. Hlrh R02d. v,·:on•·ont: COLIN KINCWELL'S JAZZ BANDITS. lnttr• nl 8 A I.AN RACKHAM. ~U.l "''tf't ERIC SILK,

THC GIGANTIC SOUL 8AND. f.-r.da~. Sat.ird1Ly, $;,and;,.~· -B~.,.L,, W!)rd,om· S~• "l.

WALLY FAWKCS.-"·S~z St:l!." K:nl(. R.oad. C1\f':.i.u ·

• SATURDAY • TRINITY JAZZ C'lub. St. ~Sai\"

'.\lU'il~:, llt"a. n::11h· Ro:.d \\'.i.ruh­•·orth commtm.- KENNY ROalNSON J.Hzb;,ind. RON RE!NDALL J11um•n 7.30•ll o.m. cont.tauou~i !'-rv. mtm• bn., wt-;,comt.

WOOi> CREIEN: THC AVON CITY JA2'.ZBANO! 1Mtm.btrs on:y.)

• SUNDAY • COOKS CHINCFORD

ROl'.11 1-°'ol'"-l Halt! TERAY LIGHTFOOT N.O,J.M.

HOT CLUB OF LONOON. j o.m' KEN BARTON'S ORIOLE JAZZ, BAND.-" ShakC'J.i)l":irc Ji. ·, ', P .~ Strt•·t. ,,;ooJw,C'h

AT TOTTENHAM "Gc'O:"ltt snd \'Ll,tJrt "" !HL,:h '.Roa.<l.l: Am~rtC:l:'1 A:to:~t LENNON HARRIS.

COLDERsciiiiN-"R•ftclory: CY LAURIE Band.

WALLY ~Six B<tlls,"" l<.o;:, Road. Ch:-:~ta.

WIMBLED~IJPHIN STACCT SIX.-Mu:bl)l'<>Ulth HaH.

• TUESDAY • "CREEN MAN," Wt.at £~11na::

Th:ink• JIMMY and ALAN SKID• MORE. o;vn 'rhon::l Thi! •tt-k: =---~',I. St~f OICIC MORRISSEY olus ,11, .:'lft !Ht BARRY KERSWELL Q :,ltll;• !f'. . Nl'Xt Kr:th Chrli.t;t,

WOOD GREEN: 808 WALLI S STORYVILLE JA2'.%MtN!

• WEDNESDAY • 8RUCE TURNllR. --car, It J~Uhoi..

f'u:n:un Ro:1d. _ CATFORD ••• T:1t,'• Ht~d."' Brom­

:tl· RO.id, MONTY SUNSHINE BAND. ICA. ti. 00\'(' s:rt-f''.. W.l. WNJl\t~•

d.l}", 7:h Junf' a: t: p.m. ; Pc·::-,.onal Cho!ct· bv AlUn Moril,lln. Don RNI· man. SUT"'i"t\· 0)' Clu~I, f"ox. Adm~&-

100 :? $. KLOOKS KLtEK. R:1·1 ... a" H:ot~l.

'cfR~u~3mP°l.'~$-.c:t;.~hc- c't~~~ ~t5

R~ ROUCHS OCTtT.

RIVERSIO!! JAZZMEti.-Krn C01• \·e::-·,.. TOTTENH~-Club: AU:X

REVELL JAZZMEN!

• THURSDAY e ACTON, High S:rt\"'t. 0f'Ortt:- and

Orus:on. t.on.lol\·~ luxury Maln:-1nam club: Jol'ln Ho;tar-i; C<imbo. Thanlr.s Bu(Sd\" Boumh :a:'ld c:aud~ Lau1uu.

KEttSINCTON TOWN HALL TEMPERANCE SEVEN

an:I U1it c~nc.>rd J.1nb.l1"d. SAV~ YOUR .,t,:; kr the DQhMllli\:

JAZZ AT NICKS, H·t~'" L'• Ol'"'tn. MARSH TRIO.

J')1,;.;_ °""! :it , H~'k~ta\l SJnlth. 1"11! ~ 8.,:-0:1 \ 1 n Qu.r.t~1 C<:iwh·v BARON .'\:--111 ," H -~"" (;a("::. L. :,,ton,e

LONDON Ci"i-Y"s'TOM PERS. L;utenarnpton .

MEMPHIS ~WICH. OPENING J UNE C, L ,S,J.M.

TUDOR HOUSE, INirtlcd, Kent: FAIRW EATHER! 8AOWH ALLSTARS. :>.lembtl"JI 4 - : ltU~UI ~ •, 'HO o.m,

PRESTON SCOTT'S JAUBAND, wJ,Ul Jay Adanb- Sll.lnts. QUEIEN v 1C'TORIA.~;th Cheam:

DAUPHIN STREET SI X, ST. LOUl~RI( HOTEL,

HORNCMURCH: ERIC ALLANDAU:'$ Ntw Orlt:11'1$ Kn:ghta.

SOUTHAM PT ON. Po.rt Ballroom: CY LAURIE AHO HIS BAND,

AIYl!ltSfDc'JAZZMEN.-Ef:l Pie l,:.fld

IIOWAL STAii. 11.AIDITOMI: r.:o. ao1u 111·1 CONCORD .All■AND.

N.8. L- on Prt • p.m.

•

I ·'."

• WEDNESDAY • DACENHAM ,JAZZ Club. R~Ul

0.1t Hott!: .ALEX WELSH BAND. HAS~EM ER£ H ALL, H.ililtmtre:

M ICK Y ASHMAN. 8-11 p.in.

KEN COL~ma.r"t Jan Club • •• Wh!U• H:,rt."' sou1h:;1:t.

OXFORD, ~i.w°lroom: KEN COLYER'S NEW ORI..IAHI JAZZ• 8AND,

ST, ALIA.NS, Marktt Uit!I; KEN BARTON, _ ___ _

• THU RS DAY • AT "THE CROWN," TWJC KEN

HAM : THE JOHN WEST CROUP Ntxt ••ttk: RONNIE ROSS.

■AR■Ecuc"'"7i'iz ~Ub 0.-,'II':'!.\ Holt!, U.awotk~. S.i•~n.. NEW : ~:::La~NICHT& Itel b7 1:1110

•• CLA... Plii ON:•ntu S a.o;tc-ote St.a.tton; M AC DUNGAN'$ J AZI-BANDI

ATALANTA BALLROOM , WOKINC: LONDON ~OMPER.S, -Krnny B:ulOl)'f Orio~ J~ttb.1.11<1. Bl\r!O'A".

• MONDAY

H"~t~~~ ~l: g~~RLE~~gik~~~ Ti:0,"i~~:-~1~;:~r'A~ri. L Yll'TEL·

IPSWI CH JAZZ ClUb:MICKY ASH· R0X80ROUQH.HoT EL. tJ:nro,w-on. MAN'S RACHME .JA2'.Z8ANDt tht•Hil!: TONY PARSONS COOO

RIVERSID~ JAZZMEN.-Whltton TIME JAZZMEN. l•l0.30. Youth Ctub. WATFORD JAZZ C LUB. UnHtd El(.

ST. LOUIS~ORD. Odton s•~\·Jctmf':.'11.'•. Club St. A!b3n'& Ro:\cl: &1:room; CY PRESTON' S Exce:s1or BOB WALLIS STORYVILLE JAZ.Z-

Ja:n.l».t11d. 1c";:;':.:""-'=-::-c==-----SDUTHENO, P:;1!:lff Dantf' StudlM. FAN CLUBS l/• pr, ini,111

Pltr H,ll. 8°11 l).m-: ALE;IC; WELSH 801 WALLl$.--Junt Barlo ... ,. JO,

•~r:,~c KEN~C•s HEAD " : e.a6rB~cour~::~tE~vw1iRTH. -.Jami's 808 l:FFORD, DEREK WARN£. Thornburv. 12. Rokel0d11t Roo.d. BRIAN DEE, . K~nlev. Sui-rt,·

WELWYN~ Ohcrrytree S:1:\~-NsVa.t. ~: J-e~n ltt°fr:;~~-:'3£ Hout; 808 WALLIS. Stlnn Ave., ~ 22

• TUESDAY • ASHFORD, K ENT. Cou:1tv Hotel:

MAC DUNCAN'S J!Uzba:nd.

· sPliCIAL ANNOUNCE.M INT. All t:nqultl('Ji •~1t:.rdln1t Mr. AC'kPJ BIik'• Pttn Club to: The BIik MarJc.tt!nst Boud I. Otta\ Ch~ptl S:l'"ett. Lon~ d.on, w .1,

NORTHERN SECTION- JAZZ CLUBS AND EVENTS :

See cols. 4 and 5 facing page

RONNIE SCOTT'S CLUB

39 Gerrard Stroot, W.1 Tel.! GER,1ud 4752

LICIIN$1!0 SAR - INOIAN A NO INGI..ISI➔ HINU­

COllffU f> $NACK$ (t1•m~u •"d tt.e;,. G"••tt 011ly)

Mo"•;!t'~!:·S;,"2 1'i-::'J!,~t,~~5'°••?,:!_~ P-"" • 1NSOMNIACS CI.V&."

(all ,.;,i,c JU'l'I Sch•~•. G""',u wel<o-..) A.FTll\NOON SlSSIONS AOMIUION fft.(l.

Mft.. T.V,. MH $($$IONS. UC. An4 ,., d .. ...,.e.,;n11 •-•hu wnk or,.._

8UT JAZZ IN TOWN

IIRIOA'f, J1i,,1 l,,,d_ 1 Suioo,io. '1,0.11.U Ha,.ol4 Mc;Nai,. ! '11n Qul..cot S'9tt• 0"'"1tt: ~\'-iJH~=~ ~ i~~lO .. "'-,

- w'tth the Quifllot a.rwl G"'tttL -

SATU"OAY, Jufte J,.4_ 1 $.en•-.. 1'.)0. II.JI) Hi11-P'91"' HcNalr, Odt Jollo• Tri<>. n. Q.,huet, s-u-Oe.,<:ha ...

ALL NICiHTEII - ll-S Lffl, - w,th it.a Cih1i11tat a"d G"'uto. -

SUNDAY, hrn1 '1h, 7-11 p..,.. Tfle Oic;lc H orriu•'f Qi,iu·tot Pru, Ci.b K•.,... l"'IONOAY, .hi'" Slh, H I HtCft.S ,ft.II NIICHT, 1.~11 p,m. Huold HcHalr Pl,1t T~ Of11 J.,.., T"lo, C.l. Ka.,.. TUESDAY. J""• .ti\, 7_,0..ll•p.M. J Ol!tl'tl'ty 0 .Al'tkwonh Giu.AN•t• Cab Kay-. W IDNISDAY, h,.,. 7th. 7.,0.llp..m. Jo• lihr-riou Q"i""t•t, Ca.b K•r._ THUflSOAY. J-•••I\. 7.10.12 p ..... S<ott­o ... ct,.,_, Q IOi"l•t. , .. ,., p ... ,c. Tho, Cd, K.aw ..

M IDLAND & NO1'THS"N SICTION PIIIIStNT

TUBBY HAYES QUAATl!T

MoM•y, J.,,... .St!I. Null\•i4 Hou,I. ■i.-­•l\tfu.,...

w..i11 .... ,:h.y, J11n• 7d,. Chadd.1"1:01'1 Puk Hott-t.O.rby.

Frioil.oy. Juh 9th. W,.tu, £.a&I., Ch,b, Nouift.i­h•~

KENNY BALL'S JAZZMEN

lllrl 81.ac .. _l W l .. t•r Gar-4•"'• su •••<tc.,..,._1 c~u11.) D•r•T eu.hs

LiY•~I (c•••r11) •"'•"''"• Sun 4 North.,..n fl•ati11a ,.._dy-..J H- ' Su«o.-.:1 (e<,>l>ffN) T.,.. ♦ Harrow, e,i t;lh L•rie t1 Hall W-4 7 Eu,. 9•.at lt.KONl!fl• Thu • Co"•"tl'T ThooatN (ce..,cort.) fri t ■•do F..,,;., .. 1 $.at II) l,ri1t9I V,.i••••ity Svn 11 S-u.rt..ro11,;, (cenc•rt) Moft 12 Hamm•nmlth p-,.1.1. Tu• ll BafflH A1Hm.bly Ha.ti W-.d 14 E.a•,- ■ ... t lt.H•Nllitl& Thu IS Ch•lt•,.ha.m T e wt1 Hall ,,t 16 a,l1htol'I, D•m• (cone.rt) $.i.1 11 lt.lt1...,.01Ht, Hnclum'• Park s..., II J .u .... h • w• Mon 19 ■irmln•h•l'I\, Di•••1h I n.It. W•il 21 fuw •-, 111.ffenllli"• T"t,,w 22 G\11Wtortl. W0>04,n 8.-Hllre

::~ ~ ~:~::.~••11 (oll til••> Sun U J.lo;r,tf"• 111,u;.,._1 H •t1 16 :r:,'i'::.";.. H.a••r- Hew••

T<w• 11 N e ....... C:rew11 WM la "~.u,- ..... t" tll.o<eNllon■ JI,., lt a.di.tit J,...., CI .. I. lllrl JI ~ lnptet1 ~rlYato 'Illa",:•)

Sole Raor't"tt1Harlon: ltldc felio.t)

CANA VARIETY AGENCY 5 WARIUIUR stun. LONDON. IJU

5EI lt■S. t1$7

The Sensational-ER IC SILK

AND HIS

SOUTHERN JAZZ BAND

Fulford Hall, Earlswood Nr. BIR.MIKOHA.\I

tBY cou.ntty of Co1:ir1. R,. PRYKE)

1961 Summer

"FESTIVAL OF JAZZ" 1-rit:ain'J. 9reatotl evt-r Tf-1<1.tion.al h•n

eYel'tt fc-~hlnfll9 tM b;fllld.s of

CHRIS BARBER Mr. ACKER BILK TEMPERANCE SEVEN

TERRY LtCHTFOOT MICK MULLIGAN

ALEX REVELL CHARLES GALBRAITH

£0. CORRIE • MERCIA SECOND CtTY • PANAMA

NEW ORLEANS SUTTON CHICACO

EXCELSIOR

SAT., Bth .1u, Y Jn:r. ~1•1,1111 and lxh1bitlons

Complct• ,.~,o~ .,,~,.. •. Ole:. 10 • .,...- 11.a p.111. T~kel, Of'lly 12,,

'MAIL THIS COUPON TODAvl I ,01llval Offket, '24 lA $1~11•,d Rei., ( I Snlttey. wwwkkt)oiife. I

I iii:'To~ ~96i'"k~•ti~;:~•J~x!~ I I !~I~!!'!~"::':~~ r; ;add~·.uj I I .... ,.... I

I ::::~;;:::::::.':::::::::::::.':::::::::::.'::: : L:················· ........................ MM~I

Juno 3, 1961. MELODY MAKER-Pago 13

• NORTHERN SECTION • JAZZ CLUBS & EVENTS

* TICKETS ARE STILL AVAILABLE FOR

Northern Floating JAZZ FESTIVAL

Sunday, lune 4th, 1961 LIVERPOOL to the ISLE OF MAN

with

MR. ACKER BILK • BOB WALLIS • KENNY BALL KEN COLYER • THE VINTAGE J.B. • ALEX WELSH

THE MERSEYSIPPI • THE ZENITH SIX Cl YDE VALLEY STOMPERS ED. O'DONNELL KEN INGRAM'S EAGLE JAZZ BAND • MIKE TAYLOR

and man)' -,thcr St.ar Attraction• TICKETS £2 C..sh (Rail fare extra).

SPl:'(i.el 1r•ns lo end from lntrpool from mo)t pl1'CtS in thrt Midltnds and the North hnt beeCI ttservtd, but these will nol run un:~ss fu:lly booktd. Om

l,000 litktts h.11~ bt:1:11 ruerffll. 1001( YOURS NOW ! ! A tr•i• hts •h•O been ,rrqtd lo lr,,t:f from Sl,ckpool lo Uvecpool on the

,,..,n1 .. of U,, 4th Ain<. Ji<kels are ,vJi!;aiblt fto,m .ii lMillKht:.s of Lewis's Lid., Wils«1 Pt<k ltd., Stdton.s, tit., o, f«Mn P. J. P. Denrtt:hy ltd., HJfllield Chif'llllt1'5, H,tlf,eld Road,

lkidlonl, t, Yo.t<,. T,I. 23S13. PIHH H"d ......... Uct,:;eu. I e"clou .................... bel"I payment In full. I ecc•pt tti,t o"IY In lhe cvettl or ttie,e ~Ina no ,,._in wlll • ,etund IM!! med• of • dep,o•lt.

Name, ...................... ·-•······•--•••"-... ----------l\ddre••··· ................................................................................................ _

,· woukl.lilc.e, to tuvcl by tr.tin from

.... PLEAS£ .• ENCLOS£ .. A "'s.A.E ............................... _.

■ IIIINGING YOU THI IISY IN JAZZ Je,"I n dl't ,:19~ or ,~., for11> below ""4th 101. to ff~- • ~""'"'" q,f 1,.ON0ON·s Fl"S-T AND ONLY lll!AL JAZZ CLU■•

tll 7Hn' T'r<Jllli1!01t,.l)

Sole Atem•• LYN 001TON AGHfCY GUl, 7"9"

TICKETS MUST BE STRICTLY

l l!.--L.tM ... tnr_.o_.-_.8_.0_0_.K_.N_o_w_.'.._:,l j NORTHERN JAZZ CLUBS ,,.,.,..,, ■ BLACKPOOL

• SATURDAY • i

N'AMI .................................................. .

O.AT£ OJ arfllfH ................................ ..... .

ADOft~ ............................................. ,.

DANKWORTH NIGHT at tho MARQUEE Sulmlv. Jtine 4, at 7.30 p.m.

MOORE'S MUSIC! DUDLEY MOOR£ LEAOS AN ALL·STAR TENTETTE Pl•Yotlf h,,, <)w" co-mpos,11o,.,, -tnd .,,,..,.t•m•nH Ll11c-f.lp inc~dc,: BHT COURTUY • TOMMY WHlfTLI H&IIRY KUl!'f • RAY PRf:MRU At NIWMAN • PATRIClt CiOWIRS DIIUK HOGG • VIC &SH LlNNlf IUSH • STAN PALMIR plut the ALAN CL&Ri TRIO

I ~!F!~S~~T~:.I The London Jazz Cent.re

Saturda}', June 3rd * BERT COURTLEY . SEXTET

fea1urln9 lfCA.THY UOIAftT fl DILL JONES * DON .ENDELL

QUINTET Sunda)-', June 4th * DANKWORTH

{Stt 4;,,1,,. '"' t"11 ,-.,,J "'ednl!SdU)', June 7th

ONE DAY ONLY JUNE 18 RETURN -SUNDAY DAY TRIP

,.,,.. US uo. Lum 10 •·"· CALAIS ki~1vk°Sk5Nb-. R~~Hi~-.;'- TO {#1[1/d1 u,bj,«1 ,.,.,.,,

ROCK ACROSS THE CHANNEL on the M.V. •• ROYAL DAFFODIL'"

THE FABULOUS-

SH A DOWS GENE VINCENT

AND BIG SUPPORTING COMPANY TICknS, J:2.2.0 ,.tllffi obolnMI♦ ''"" t:egl• s, • ..,.,. looki119 Offic::e, 3 Quey1,

To.,..., Nill, lonckM\, f_C,l. T•le'1hoM, MIMcing lane 4,S1.

1 enc:lose ,tamP*Q! eddr♦ued • nvelope, als.o Po1t1I Ordor/(hcque v•lu♦ ............... ..

NAME .................................... , ........................................................................ .

ADORES$ .............................. ..................... ..

N•rn •HUI• 6/tEAT /iltWfAND1t

BARRY MARTYN'S CAMELIA JAZZMEN

■oeki11a• ror tM ,.,.,u ro,tnl1h1 JUNI JVNC I Qra"•J .. .,d t $tro•tt.a<n. ,0111111 2 H lfh W7tomb• Hib,o,u•

Jau: Club II WiMa.er J.C. J H etilow J. c_ • n fklh._.,...,

$1""410 SI 14 Stffle JI ◄ St<Hlo SI IS Off S h ltha.m 16 lt.Ndinir J.C. • OR 11 Ha..t• ..... •dJ.C. ~ ~~:;:~~=,.,· J. c. i: ~c.:_~:.~1~4: ... 511 AND H(All-Tt,• 11.-.t fr•Jhly in•plr-,11 band ro,- ,. • • ,._ Thi , ba--4 i~ MMI• \>II' •rui ,.ly from •flthua.i .1r.oi- ~ N•w o,.,_"• 11111,ic.. Al.l. l!NQVlllll'S-8. Gfffr•w (me-r-,). 6. St.atlo n A ppreac•, YOrclni;r, W•t•r• S"rr•Y• W •l'tt•ortt, 1176

L.S.JJM., B0Dl!G.A. MANCHESTERt ALEX WELSH AND HIS BAND.

Looli: wti""tar ootnins ot New LS.J.M. CIUCI at

ALEXANDRA HO"TEL. LANCASTER. Saturd:11, June 10t.l'I, and enr1

SaturcJa.1.

s.s.J.M .. CEOiiCi ... HOii°L. auA:SU:M B01 11 KINC TUIA .. BAMCLA Y :!Ind

hi• YOAKSHIIRE JAZ%8AHD.

• SUNDAY •

Jo:::~-:ETl1;5Er-:'0,.YttoL H~gT:~·No.

L.S.J.M., Au.IA LODGE, STOCKPORT:

PAUL BEATTIE AND THE 8£ATS. LS.J.M.. BODEGA, MANCHESTER: 808 "l<INO TU&A " BARCLAY aod

HIS YORIC$HI RE JAZZBANO.

S.$.J,M .• C£~L. BUR-SLCM TEX MATTHEWS CARIBBEAN$.

• MONDAY • Y.S.J .M .. Dar1um Hotel. DoncHteri

Ml KE COTTON'S JAZZMEN.

• WEDNESDAY • L.S.J.M.. BODEGA. MANCHESTER:

PETE HASL.AM•S COLLEGIANS.

(/ul, Secretaries!

"MELODY MAKER" POSTERS

i1t their Clult, ,h-01dcl wr-itt to lhe

Advertisement Manager,

"MELODY MAKER" 96. Long A<te, London, W.C.2

WHO WIU. H PLIAUD TO ,ORWARD A IUPPLY

JAZZ club

DON'T MISS THE

DUTGH SWING COLLEGE BAND during DUTCH FESTIVAL WEEK

JUNE 12th-17th at

SCARBOROUGH F,ce folder hoM

O.pt. -48. Town Hall. Su,1bo1ou11\

* H~~~rr:JN BAND * WALLY FAWKES QUINTET

J.A.T.P.? NO! in the NORTH MAC DUNCAN JAZZ

HORNSEY TOWN HALL Tl,is Saturday, June 3rd

FAIRWEATHER-BROWN ALL STARS

Saforclay. Juue 10th Dancing 8 to Midnight

TED HEATH :u::: AIIHKI llekets 5fl

A~•lssien t1 Hlcllit I/• Licensed Bar • Coffee Bar

JAZZ t..~ PHOENIX ....,_,,M-.t<-f•m ..... ..,.,..,u.L.tt. .. ,.~.,11,, Ut-enJ.ed CRAND RE-OPIENINC. NIC.HT 11,til SPIKE MILLIGAN ill ,.,_. •HMY tOUON, pl•• JOt kAlllOTT _. k.lY ff MIIO .... tilt (Ol.i. NTH~ ()UA.Utl

M4 Si-.,PA.11VfUYIII l.isun • Danu • Ddt1l- • Rda.l"

10 8ritoin'$ Too Jo:.:. Crouo1 37 C.venci11h ~·· + OXl«d CIUUS

Sundoy, 4th Jun,, 8 p.111.

GREYHOUND, GOODMAYES ILFORD

H•rro w ! H•rrow I H,rrow I TUE ngA.OSTON£ HOTEL

'0119. Mo,1h Konow T11b• THE DOWNBCAT£RS

JACK SHARP£ MIKE SENN KIERRI SIMS

£'t'Cr.>' Saw,.d<1y Admission SI· l..:ot110d lo 10.30 p.m.

Rock • Cha Cha • Poe,• • J~n.

NEW Jazz Club Calendar Section

starts this week. Costs only 1 /-aword.

Club Setretaries wishing to tale part should contact:­

" MELODY MAKER," Oassified Advertisement Dept.,

96, Long Acre, London, W.C.2.

ALL THESE FEATURES IN A 13 GN. TRUMPET!

{ "" 1~{,ll

" TO•

HtC.I{ ........ S,IUJ PlATE

I STURDY RELIABLE VALVES

Ametican style wide bore. Huvy Gold Laequer with Nic;kcl Trim. High tempered self centering springs fo, fast action. Complete with cushion rim mouthpieco.

THE -~ .. "'',, r, • ~ : /, ,,••I.-...

~ 114 CHARING CROSS ROAD, LONDON, W.C.2

Page 14-MELODY MAKER. June 3, 1961

Th!

PARAmoun, Selection

JUNE BARGAI NS

..... 0

.. tao .. ,a 0 • • U,6 • .. w 0 •• m10

WORTH WAITING FO R I

FORMULA 602 lust Arrived. The llnen 1.ie(Uon offh,1~" l" ~ Wen CM. (Com.pl•t• wiUI UM.$.)

E:S1~.;~I~ :::: IUsopoo ~ .-.ood,_.-.J,-4 ,. NI O =: ~~.!:::..•:l!I!;~r1~u ::•~~ ~~~.oi!~.~1:!~!.'1,_~i ::: .... , $.P,. l ood q,wJilT ..... ~ l aoaa. ITAI.IAN TIHBALES Firn tim• in ,i,;,

COUM,Y, lr•n Sl'\111,, ,und. C:U pl°,

"':t'R:'k~,..S'o~ M\r,dl~'& 1:1,~t· EASY H.P. fACIUTIES. 1 Ylt. GUAAANTEE ON AU. AECONOITIONEO IN51/f.UMEHTS Wrilt, ,,.._ « ffll'-PAUa 0Off JIVSICA.L tJQftVIID'f CO.,

11 lkfWMIIIC7 A"'-, 11'.L •a. tl'H OH¥ AU, J>U IAt'O'IDAt

!C:: ~!;~~~!-1;,:!, .. fil Alllo.a.tal«,B,A. •• ..... All9,. 'Si:llft . , •• •• lil Allo,W.tt, fl.i\.Tt1pf'f ,. 1n ,._.,,,,._,,Jl-•-.kl""'M-l. U6 !'nor.ON-•"'. .. U6 "-t. 0.. lOII. • 111• l'!IMt'. StllM•GtMfft.J,«'11- •• •. u, nt .. , ■UUMII, (Ml!) I.-<', •• U8 n.i.. a.111,llC.ntl. W-S S. tci,,. •• ,. t:16 ....... RaJICatw. \\ 6(1111111. u....... .. 171 ...... -...,UCJlnl.,~i.iW,~iL •• l?t

(h'u I .. 1'ul.a 1u .welt r- till l<i liM

.. 11, 2t 111.0MILL Y ST., SHAFTeSBU "Y Ave. LON OON , W . I, GE""• rtl 011

MODERN MUSIC CLAJlUICT!I -pleC•. f"l.01'11 -,w.._ k~ .... 1i,l1>l U0 Cl.rlo RoMU, r.t• W COna,lalf'~l_,odN QI) t . 1.011,hn11M1i.1. Ht .. a . 1-Nrial.mt.. QB e111..,.,.- rift.,..., .Ill Clr,k.rl (hit\!. I ll LallOI', l,u...a ot• 01 ALTO·• _,w... T&JI0J\'1 -ptorw. ~lQO S..1-.tt, ,.,J.k,,llr,p. d,:5 $d•w, 1',.,1,..r 1111. 118 S,la.tr.<'11~,"'ttH J7e (Oaa,1!"1¼1n,:=1,l ff$ 14,1-■tf., ...... t Jt6 ■D--Arillioitrr.tffl c»,ia,t,,.i;b<,1,t1"1 . .dit lb.ua ••••~ u,o • ·• · x:u• O.•"· m lliac.ll@A ,.,...,..,,, r.t Bollft, l"11A, c.L ~

,ouo,ooaowJt P'1W.CATIOXU e,ub Joat't a l...io• Tr, .6 tu• Ii'~ A•tctfl . _ ... Ho• Trp.t ... ,. Ecs IHff S- ~ 0111 TT,. A)I. f•. J>,U.-.rtb "•' e'Slutn n,,_.&u• .. • -,-en11ui 1-,i•• n.,.4 Su.t .. lll.117 A•~II

ft.OIDtl:TI 'u •-• TIOlllOlll:S 'U .,_.

■1n1a,l111_,.__ ,.,,i,t. r.u ..,_1_1,,..1.0~ t'. tu toa.,1/lf<td-c,r,_ ltO lUq,t;IL\.uot•"' SJ•,l'flA.:t8•o,I ltO ---• 1U W• t:» ... .. ,.,,.,...,-,., .. ,uo ......... __ 11, ._, .... 11,1i:..,,,1 ru -...o• '40G'. •lat a. Il-..1J!OA l.1btrt7 ID ('oac Af'llllt 1B llM ... Cffatioo..•llllfl ,ae f;M.11 ~UulooJI M 801TARS •u •-• Cl.1:A.RAWCS lhrnl•

Ou,allOc•. Miki .• ao Tr••M<t. t ••M it ......... MM .. U0 Alte $1oftN, - G ..,_, W<lld ....., &50 f'IMoc , ..... lllhit a ~w,mt..._ li90 T'tee,r au,--• ..

B ILLY ••d MIC K AMSTIELL 2 G W A RDOUR STR£1ET. W.1

ON11 au d.ly 5al. 9-6.30. Gtlt 440

MUSICIANS WANTED 8d. per word

ROBB STORME ood lhe

WHISPERS REQUIRE

ORIGINAL LEAD GUITARIST

ENGAGEMENTS WANTED u.,,, ..,, ABLE, ACCO MPLISHED ACCORD­

IONIST :H·allab!t.-P-:-o. •~2 ABLE, ACCOMPLISHED PIANI ST.

-Pro. 4!-42. ABLE ACCOR010NIST.-AS9 3457,

34:e~COROION I P IANO. - W cmblO

ACCORDION VIBRAPHONE, ••Hh D rummer. ~farUn P:\yM.-Ted. 315$.

ALT01BARIJFIU~,C1ad.-Prl. 69$3.

Ja!~ TfS~j~~t Rr'r~f' lo~~~ln: re~0 -~~~

JUnf" 10th. An.nhlna.-Wd. 1849, ALTO CLAR.. re,1d,,bU1,.k, uotrJ•

tn.eed -ca 8<1$2, ALTO CLAR., resltent. ,eason.-c:L

◄$11 ALTO CLAR ./Vtoltn. read/busk.-

Gu!. 5442. ALTO YIOLIN.-Mac. 3-655, BASS, ear.-Bf'nJam~n. Br!. 8524. BASS, car.-&:t f>4l3, BASS.-M1ttcr. lunb. 9SM, BASS, PIANIST. Ma1nstr<'-'l'n

Modern Jazl.. Gigs, read t>u~k.­Rf'~ ~3.

BASS, rr:i,d bu-<:11:.-Ptr 80'3 UA&&+VOGALl&T. CXCCLLC:NT. or

Tr:o tn·;11!ab!t. W idtl)" opentJ\CC'd. - '.\fa\. $398

8ASS.- \\ii1. 2$46. BASS. \'0Ulll,::. rtad bU!ilt, car.­

H:lm, &l44. CELLO BASS CLARINET f Sax.-

H;nn. 95i2. COLOURED P IANIST / Vocalbt. -

0<>1 7898, CONCA BONCOE:S.-Cha. 5855, DRUMMER. ~b'.ft. ear.-RPn. 2616. DRUMMER. abJ(' swl. 555-8.

s.,~"'R~~-~~fa. cC{<te. mid, at~ rr,, ORUMMIR, expnle-ncc:d. frft,

tran.-.pOrt.-Batftt;d 40G7. DRUMMER. f'X llt-r!e-ncc-d, S '0 ..

tC';1d_ car. The- Lot!-Flf'J,-1'!,tt·. She 4631.

,·o~!'M:~l~incc- «':f:tence-d, &Olllt DRUMMER. ('Xfi)('tltl'lCCd, t,rnn~oort

Pal. 121S

l9~h~ut~a~::;,t_,::;~n/ui:~!{~.J3:t 3"'4 92f7~UM~ER. loun1it ·a!ct. CM, - To,.

DRUMMER. 1ounac worll:.-Rd. 302(1,

YO~:J:~ M:i:r~,. n:::~,':R .. t 1;x: .. ~~i~~'rd

all work_ A:l.\' lH'OJ)O.<.tt\6'0$ N>ni-ld· cr~.-Amh. 7690 aHn 6 p.m,

ORUMMCR. -Silt. J1'11, DRUMMER. tranq,on-IAr. Ml94. DRUMMER. t.rat'l!-.pOft.-SYONEY

P AYN£. TEO, 3'1S8. DRUMMIER .' YOCALIST, ,eml•PTO

lo'.ltU:1• or eh1h r.1tn 14◄0 DRUMMER. 11.'ll-h l\\':\H•

ab;(', l)!)fh1 or d, Rolld.

l>.lo"ritlM:l~'.n:.~ ~1:.e-·◄1◄~ . DRUMS. ftXl)f' uan:i'l)Ort.-

B,~~\~A~.53t i TRI O, Quarl-et. - Sta. 3536.

PIANO.-Dunt:\J\ 0210. PIANO VOCALS. - 03.VC '\farHn,

A~rAJflt ablt.-l'l'O. 4642 PIANIST. Al-t'lll:t.b1t un\ll JJh• ◄lh

and: Aui.tu,., 10lh onwuds. Rt 1tU!ar 1t.'0tk orc•ferrl'd.-OH 761'1.

PIANIST. BRILUAHT PROFCS• $10NAL SOLOlST Voc3:~. reud, busk ,lllYlh!n«. Amo!:ftc-r. ltbr:u:,,·, trallf>­port. un!fo.rm. can or0\'ldc ,:rooo.­Cbli'{',\'1C'li: 489$.

PIANIST, UCC'lll'nt bU!.ltet.-$•:. 5191,

PIANIST. ('Xttlltnt. - Primrote 2956

PIANIST. odd datN.-Pl'ltr Kln,:. E:d,ntl 1503 ldtwUmt). ,

PIANIST or TRIO.-A:n. 2103. PIANIST.--stv. 1008 PIANIST t$htarmc. TMUm, O:lrntr

J.tYhSH -Or-r 3841. ROCK DRUMMER. younr. V('f'-9•

tll~. :C.hOW kit. r('ClJl!'f~ tour or I'll· UXN11t-Mt$. Own tranfiPOrt.. - CO!. 501'1.

TENOR CLAR,-2:rn!t $ta?!«', FU\. $3'13.

TENOR FIDOLE. 11:oOd otrtrs on!v -Lab ◄4◄0

TENOR ' VIOLIN. tXPtr1tnctd.-Brl. 1447.

TROM&ON C , ·J,,.,,.dl,u-okt UC:, TROMBONE. rtad and busk. Tun~

p.ort. C."\n alio :<UOPI}' four-olect ror c:ub6. tt.c.-Phone. f'la. 0665. irtn 6 n.m.

TROMBONE, rtad,t>utk. - Pad. 6821.

TROM80NC, 5 1)., ttansoort.-Bnon ◄086.

TRUMPET, busk, rf'ad.-U:v. 5-6$4 . TRUM PET. rod, bw.k. own trans­

l>Ol'' -llOU, 2◄09 Vl8AAPHONE fACCOADION , with

Drumml"r.-Mart:n P;nnc-. Tt-d, 37.sS •

VOCALISTS "· ,., =" EXPERIENCED VOCALIST. um\­

oro. no•· ,acant.-Can. 3◄40,

ENGLAND'S LARGEST GUITAR and

ECHO CHAMBER CENTRE

CID and hta, lht new Truvoict Echo Ch.amb.ef ModeJs. Othef makes ,nai'ab&e • fintsdt fi11it•n • • •r•'ltdl•, ind.di,,. Clt•t At•ios • • o,,...

Udy Mod,/,.

COMPLETE RANGE HOFMER, GIBSON. fl/Tll!AMA.

ORMSTON-BURNS.

AMPLIFIERS by TRUVOICE, GIBSON. & VOX

LARGE SELE<1ION 5UnAR STIINGS GIISON, HOJNO, -U.

IKE ISAACS, RO-TOP. l•sy T•r"" ..d P•rt lxc,h,,,,c,

LIW DAVIS ...ODIICU LTD 134 CHAR .. G CIOH ID .• LONOON, w.c.2. rrM e.so2 1 MIN. Tott•ntiam Ct, Rd, Ul\dttground

OP£N AIL DllY $ATVIIDAY

LEN WOOD MUSICALS 100 SHFTESIURY AVENl:IE, W.T

H.P. Of COUIISE IDPINI Sat.) GER 3814

HARMONY "U.S.A."

GUITARS AMPLIFIERS - ICIIOI

Af.to-GIBSOH • UNITH • OTWIN • IURNS ffNTON Wflll• HOfNfR • WfSTMINSTIR

AC0USTIC-fUC1RIC~SPAMISH U,000 WORTH TO CHOOSI RtOM

CARL TON D RIJM ti IT ]llt,s,,-at(!d C M(lfOitUi'I P,-t>t!.

:.~~~Ji!t:·1~! ~~~~:i £ 7 5 "VISCOUNT"VIBES l'g;::t,~:

" DOC "

HUNT

* JET SERVICE ON ALL MAKES

OF DRUMS AND EQUIPMENT THE DOC'S EASY TERMS

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Tour walk-out by Andrews Sisters

THE Andrews Sisters on Saturday "walked out" on t hei r British tour. And the follow•

Ing day t hey packed thei r bags and returned

JOE HENDERSON SIGNS FOR EMI

Johnnie Ray due l ohonte Ray arr!\te.-s hl Lendor.

on J une 26 ror a tour-week .~a­eo• at the Talk of tbE- Town.

He will nl"'() play shows ror A'IV.

'COOL' JAZZ STARS

to the States. The Sisters had played only

a week-at SOuthampLOn--of a scl1edu1ed tour or two weeks' variety and 25 concert dates w1t.h the Ken Mackintosh Orehe-stra.

Says Mac.k1n to!Jh"e a eent, David Rabin:·· Ken ls .£5,000 out. or pocket bC«tuse or thh1.

• Bad throat ' A~~~~-;s 1 ~':te:;ovt:1\1 t.lh~nt~~ their ob!lgntions. If not. we wm t.'\kC 1.he nec~at;r 8~el>6-"

comments the SJsten;' Euro-

~;~!~)·ar:~~Af.t~ · ~~~thaJ'~rl~ cancl"!led M L."lV(>rne developed a bad throat comp!a1nt.

•· Tiley tried 1.0 urn,• on as a duo. bu:. the act was not the &-1.\me and bu31ness wo\Jld hMe dropped. I cannot comment on money ma uers 1n regard to the Ken Mack;ntosh Orchestra. I 41.m .st.Ul wntttna: i.o hear rrom th: gi rls." -----SUMMER 'HOLIDAY' The Ertc Oanoway Orche.str:'.l.

opens a 14-week summer season at, Butnn·s Pwllhel1 tomorrow (S~turday}.

The bnnd hM ('mother Usrht fJg~iun~g_,~~~~s~n 1JtJ~e 2x_ou

A SCORE OF SOLOS FOR

AL TO SAX TRUMPET CLARINET TENOR SAX GUITAR

Con1• ;n;ng ,-WHO'S SORRY NOW • MARGIE • DINAH • AVALON CHICAGO • SHEIK • BY THE LIGHT OF THE SILVERY MOON

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samsons 149 OXFORD STRE ET, LONDON, W.1

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r-----~---~,...,,-7 J'ohnnie moves into vision

'RUSSIA REALLY DIGS JAZZ' GERY SCOTT, the

London singer who took Russian concert audiences by storm during a 10-week tour of the country, re­turned to Britain this week.

And she had plenty or news about Russia and ils musical tastes:. The Russians. says Oery:

• DON'T Wllnt to know a bout rock-·n·-roH-· lt has a very bad rcputatlon."

• LIK£ Brl-.lsh s!n;ers such ns Lont)le Donegln:

we' co~~P,~.TJ!'lw•.Wtfn~ :g Rw,,i;1n:

CALLING THE NORTH!

D 0 l ti".':. 1~:u!~ ~~• s~::/~! know that your Jau Clut, Calendar now contains a special Nor~hern Section to make it easier tor you to find out Just who's playing where and when In your locallly. See It on Page 13.

SAYS GERY SCOTT

Nelson Riddle here next week Pamous Amertcan Am Ne~son

Rlddle-U\e rnnn who put.$ the b1g beat behln<l Prank Slnntra'.s

I hlt. dlse&,-arri\'85 i n Brltaln on June 10.

During a st.1ls- of t wo monthf3 he wm play a serlcs or concerts wlUl ~ $J)CClO.llY MSemb1cd all­~tar Brltl$h Orche!J;tra, et!IJ t.Q 'be fixed.

I The \tenues nnd Une--up or the orche-.!itra are currently being set by w1111run .. vtc1,0r Prod\let:ous.

rcecrnrnend r.o the Rul'ifi.hm Oo\'ernment w ht ch BrlUsh sinecrs would be suttable ror tours over there.

Gen• returned to LOndon \\•1th her husband. Jgo Fischttr. who 15 her p lanlst-Arra.ns:cr.

{Sec also poge

Reg Wale 4 sign for Conway shows

The Reg Wn.te Quar;et. wm

~~:ia~~ hfs1~rtwc~ka'sB8:~ serleR which st.Arts on July 28. B~ -\.J vt~~i:s~lnf~~9R hlte~1~: ~~.-7s~\nJ,~-~r J?Sm:: ctE!!.tt' wlnis:e ~~~~\j!fd.No~~1n~

1t>e~~~~:-: Next Week:

JUNE LP SUPPLEMENT

Jazzshows to open I= = RENO' S-"""""":I Provincial clubs

British All-Stars for Oslo club

'DYE, BYE' SINGERS Patt1 Brook. Joe Brown, J im.my

J u~tl<'e. The Vlscount.s, and the Brook Brot-htn. ar~ to btar on a r~~.('~psi~.~:~1:_i:!)Dl the 3bOW,

MELODY MAKER Vol. 36 No. 1 433

EDITORIAL OFFICES 4 , A•na Shoat , W .C.2 Tcle.,.o,ie : i EMole Bar 2488

Elllltor : PAT IRAND A0VERTIS!MENT OFFICES

96, Long A cre, W.C.2 Telcohon.c: TEMDle Bar 2468

Ad. Mono9or JOHN A. O'IRl(N ProYIJ1cbl News (ditor:JERRY DAWS OH

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A £10,000 STRADIVARIUS

SaH ££££'s, Cash or Interest free H.P. only at

scco'!~ ~~~•.~~~~A,."t PAID RENO'S • MAN(HESJER-Prlnud and pu.b)l.lbcd in Ot. BrJi.tn by O.oii.ut., .P1.1;w; l,il'D .. Looa: Acre, London. w.c 2 PO:.la&e on ~lDfJlt COl)IN: lnJand 2Jd., Abr0o.d Ud •• Ciao~

FEST.ll'AL OF JAZZ ii.ND POP ~

111····················································································································· .. ·······················•········•························ ................................ : ....................... : ........ .... jjj

m ra

Ill Ill

ill Melody M aher Festival of ill

I -I

Ill BLACKPOOL lune 2-4, 1961 Ill

~ ~ "'*****************************************"'

Ill ~!~~~~::; M:::: PAT BRAND, Ill

m Ill WELL, it's all happening ! Pop and Trad and Mod-

with a bit of diving thrown in among the jiving. And all adding up to the biggest and most varied Jazz Weekend we could devise for you. Because, while we agree that jazz music should be taken seriously some of the time, we don't believe that it should be taken seriously all the time. Basically, jazz is for fun. Musicians enjoy playing it, jazz fans enjoy hearing it. And what better place than Blackpool in which to enjoy it ? So the only request we make to the thousands who have flocked to this Festival is- HA VE FUN !

This Festival of Jazz and Pop is sponsored by the 'Melody Maker,' and promoted by McKiernan

Impresarios Ltd., Suite. 1, 593 Wi lbraham Road, Manchester 21 (Telephone : Chorlton 6226-8).

::: ..... ··: .. : :: : : : : : : : : :: : : : : : : ::::::::: ::::::::::::::: :::: :: : : : : ::: : : : : : : : :: : : ::::::::: ::::::::::: :::::::: :::::::: ::::::::: :: : : : : : : ::::: :: : : :::::: :::::::::::::::: :::: :: : :: : : : : : : : : : ::::: :: : :: :: : : ::: :: : : : : : : : :::::::::::: :: : : ::::::::::: :::: ::: ::: ::: l~~

****************************** {'( * {'( * {'( * {'( SUNDAY, JUNE 4 * {'( * {'( OPERA HOUSE * {'( * {'(

* {'(

* {'(

PDP SIDI * {'( * {'( * {'( * {'( * {'( * {'( * {'( * {'( featuring * {'( * ,,..,, \ {'( * {'( DENNY PIERCY * CRAIG DOUGLAS {'( BOB MILLER AND THE MILLERMEN * {'( * {'(

MIKE SHAUN * {'( * {'( BOB MILLER AND THE MILLERMEN * {'(

* {'( DAVID LANE * {'( CHERRY WAINER * {'( * {'( * {'( Interval * {'( * {'( * {'( BOB MILLER AND THE MILLERMEN * {'(

EDEN KANE * {'( * {'( THE SAINTS * {'( * {'( CRAIG DOUGLAS * {'( * {'( * {'( ADAM FAITH * {'( * {'( * {'( * CHERRY WAINER

{'( * {'(>;->;->;->;->;->;->;->;->;->;->;->;->;->;->;->;->;->;-,;.,;..,;.,;.,;.>;-i;;.'}>;->;-,:.

EDEN KANE MIKE SHAUN BOB MILLER DAVID LANE

For the best In .Jazz . buy the Melody Maker Pop People take the Melodi, Maller

AL RADCLIFFE (The S,intsl

KEN COLYER

ALEX WELSH

FRIDAY, JUNE 2

WINTER GARDENS BALLROOM

Mlsslulppl Riverboat J11zz/J11ntl ••II ... introduced by #l•II GEORGE MELLY Playing from 8 p.m. until 2 a.m.:

The Saints Vintage Jazz Band

Cy Laurie Band Kenny Ball's Jazzmen

Mr. Acker Bilk's Paramount Jazz Band

Alex Welsh and his Banrf

Cabaret •.. George Melly

Clyde Valley Stompers Ken Colyer's Jazzmen Kenny Ball's Jazzmen

Mr. Acker Silk's Paramount Jazz Band

i00QUEE}l0 0F00JAZZ00i g The Beauty Queen of Jazz will be crowned g g during 1ttis e'o'Cning. She will be chosen from g □ six finalists, and prcsenled with a silver a g trophy, £10 in cash bnd a boule of champagne. g a The con1es1 has been organised by Blackl)OOI a g Jau: Club g □aa□accc□□□□□a□oa□□acaoocu:ioo□aa

CAMPBELL RANNOCHAN (Ste3dlast) IAN MENZIES (Clyde Valley)

GEORGE MELLY

TERRY PITTS (Cy Laurie Band)

KEN SIMS 1vntaae)

l'or the be■t ln Jau. bay the Melody Maker MR. ACKER BILK