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25 Apinan Posh;ananda, ,\lodt:r11 Ari /fl J"h.11/,111d III the \·intltnllh 111d 'f u wtu:th CenlllrJt'.f ( i\-tw York Oxtord l'n 1\"ers1q Pres, 11)9"'),

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29 Flores, 'Soual Realism rh1: Turns of a T1:rm ,n rht· Phdippines, · .-\_lim,/1 Jr,11,-,,,1/, Issue , l, Au-tumn \'Vinrer (201 \).

• http: www.afterall.org Journal issue . .1 soc1al-real 1~m-tht-turns-of-a-rerm-1 n-rhe-ph, I ippines < r,-e~ 201c;1t ,n

30 Ch.mrel Mouffe, A_~m,i/1,.<. 'f hmk-111~ the W r,r/J Pol1ti,JII) (New York. Verso. 2111 <), p 91

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17 TART

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156 Art Studies_Ol

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Presentation 1

Chapter2

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Presentation 2

Chapter 2

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Prapon Kum11m

160 Art Studies_Ol

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Presentation 2

Chapter 2

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DAY 2 October 1

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161 Cultural l1Plwllio11 in \sia 196o 1989

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Simon Soon

162 Art Studies_Ol

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Presentation 3

Chapter 2

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DAY 2 October 1

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163 Cultur al l\t-1,..llion in \., ia 1960 1989

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06 Simon Soon, "An Empty Canvas on whtch Many Shadows have Fallen," /'\am1t11'd m Mala)Jian Art- Vol11me 2: Reactions -~'Veu· Cr,tfral Strategm, Nur Hanim Kha1ruddin, Beverly Yong, and T K. Sabapathy eds. (Kuala Lum-pur: RogueArt, 201;), pp. 55-69.

07 Redza Piyadasa,"Modernist and Post-Modernist Developments m Malaysian Art m the Post-Inde-pendence Period," M1,,krntt) m AJtan Art, John Clark, ed. (New South Wales: lJnivermy of Sydney East Asian Studies No. 7 and Wild Peony, 1993), pp. 169-181.

08 Redza Piyadasaed., l,111,ii/ Zam Retro,peam Exh1h11ton 1964-1991, exh. cat. ( Kuala Lumpur· National Art Gallery, 1995).

09 Ooi Kok Chuen," trokes of Wry Humour," Tht Star On/me. 1998~4Fl26A • http: iwww.v1web.freehostmg. netlPamckNg.htm (Y7t:,. 2014\f'JJ)

10 Puri ca Kalaw-Ledesma and Amadis Ma. Guerrero, The Struggle for Philippme Art, (Quezon City· Vera-Reyes, 197•\ ), pp.68-69.

11 .Yi::,,-t 7-7,t• ~>-/::,,;;((! .:O)~

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Inc, 1959).

fig.04

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Presentation 4

Chapter2

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09 Ramon Santos, "So,:iety and Power as MusIC Composinon," unpub-lished essay.

10 Albano, li1Jtt.\ ,07 , 161{

11 Raymundo Albano, "Installations: A Case for Hangings," Ph,t,ppm, Art S11pp/,rm:nt, Vol. 2 No.I (1981), p. \

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Patrick D. Flores

170 Art Studies_Ol

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Presentation 4