il ritorno di ulise

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Il ritorno d'Ulisse in patriaFrom Wikipedia, the free encyclopedia

Il ritorno d'Ulisse in patria

Operaby Claudio Monteverdi

Head of Odysseus(Ulisse), from the Sperlonga sculptures

Librettist Giacomo Badoaro

Language Italian

Based on Homer'sOdyssey

Premiere 1!"#1$% &arnialseasoneatro Santi Gioanni e aolo,*enice

Il ritorno d'Ulisse in patria(SV325, The Return of Ulysses to his Homeland) is an operaconsisting of a prologue and five acts (later revised to three), set y !laudio "onteverditoa lirettoy #iacomo $adoaro% &he opera 'as first performed at the &eatro Santi #iovanni eaoloin Veniceduring the *3+*-. carnival season% &he story, taken from the second halfof /omer0sOdyssey,1n tells ho' constancy and virtue are ultimately re'arded, treachery anddeception overcome% fter his long 4ourney home from the &ro4an Warslisse, king of6thaca,finally returns to his kingdom 'here he finds that a trio of villainous suitors are importuning hisfaithful 7ueen, enelope%With the assistance of the gods, his son &elemacoand a staunch friend8umete, lissevan7uishes the suitors and recovers his kingdom%

Il ritornois the first of three full9length 'orks 'hich "onteverdi 'rote for the urgeoning Venetianopera industry during the last five years of his life% fter its initial successful run in Venice the
https://commons.wikimedia.org/wiki/Commons:European_Science_Photo_Competition_2015https://en.wikipedia.org/wiki/Operahttps://en.wikipedia.org/wiki/Claudio_Monteverdihttps://en.wikipedia.org/wiki/Odysseushttps://en.wikipedia.org/wiki/Odysseushttps://en.wikipedia.org/wiki/Sperlonga_sculptureshttps://en.wikipedia.org/wiki/Giacomo_Badoarohttps://en.wikipedia.org/wiki/Homerhttps://en.wikipedia.org/wiki/Odysseyhttps://en.wikipedia.org/wiki/Odysseyhttps://en.wikipedia.org/wiki/Carnivalhttps://en.wikipedia.org/wiki/Teatro_Santi_Giovanni_e_Paolohttps://en.wikipedia.org/wiki/Teatro_Santi_Giovanni_e_Paolohttps://en.wikipedia.org/wiki/Venicehttps://en.wikipedia.org/wiki/Stattkus-Verzeichnishttps://en.wikipedia.org/wiki/Claudio_Monteverdihttps://en.wikipedia.org/wiki/Librettohttps://en.wikipedia.org/wiki/Librettohttps://en.wikipedia.org/wiki/Giacomo_Badoarohttps://en.wikipedia.org/wiki/Teatro_Santi_Giovanni_e_Paolohttps://en.wikipedia.org/wiki/Teatro_Santi_Giovanni_e_Paolohttps://en.wikipedia.org/wiki/Venicehttps://en.wikipedia.org/wiki/Venicehttps://en.wikipedia.org/wiki/Homerhttps://en.wikipedia.org/wiki/Homerhttps://en.wikipedia.org/wiki/Odysseyhttps://en.wikipedia.org/wiki/Odysseyhttps://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-1https://en.wikipedia.org/wiki/Trojan_Warhttps://en.wikipedia.org/wiki/Ithacahttps://en.wikipedia.org/wiki/Ithacahttps://en.wikipedia.org/wiki/Ithacahttps://en.wikipedia.org/wiki/Penelopehttps://en.wikipedia.org/wiki/Penelopehttps://en.wikipedia.org/wiki/Telemachushttps://en.wikipedia.org/wiki/Odysseushttps://en.wikipedia.org/wiki/Operahttps://en.wikipedia.org/wiki/Claudio_Monteverdihttps://en.wikipedia.org/wiki/Odysseushttps://en.wikipedia.org/wiki/Sperlonga_sculptureshttps://en.wikipedia.org/wiki/Giacomo_Badoarohttps://en.wikipedia.org/wiki/Homerhttps://en.wikipedia.org/wiki/Odysseyhttps://en.wikipedia.org/wiki/Carnivalhttps://en.wikipedia.org/wiki/Teatro_Santi_Giovanni_e_Paolohttps://en.wikipedia.org/wiki/Venicehttps://en.wikipedia.org/wiki/Stattkus-Verzeichnishttps://en.wikipedia.org/wiki/Claudio_Monteverdihttps://en.wikipedia.org/wiki/Librettohttps://en.wikipedia.org/wiki/Giacomo_Badoarohttps://en.wikipedia.org/wiki/Teatro_Santi_Giovanni_e_Paolohttps://en.wikipedia.org/wiki/Teatro_Santi_Giovanni_e_Paolohttps://en.wikipedia.org/wiki/Venicehttps://en.wikipedia.org/wiki/Homerhttps://en.wikipedia.org/wiki/Odysseyhttps://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-1https://en.wikipedia.org/wiki/Trojan_Warhttps://en.wikipedia.org/wiki/Ithacahttps://en.wikipedia.org/wiki/Penelopehttps://en.wikipedia.org/wiki/Telemachushttps://en.wikipedia.org/wiki/Odysseushttps://commons.wikimedia.org/wiki/Commons:European_Science_Photo_Competition_2015


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opera 'as performed in $olognaefore returning to Venice for the *-.- season% &hereafter,e:cept for a possile performance at the 6mperial courtin Viennalate in the ;th century, there'ere no further revivals until the 2.th century% &he music ecame kno'n in modern timesthrough the +th9century discovery of an incomplete manuscript score'hich in many respects isinconsistent 'ith the surviving versions of the liretto% fter its pulication in +22 the score0sauthenticity 'as 'idely 7uestioned, and performances of the opera remained rare during the

ne:t 3. years% $y the +5.s the 'ork 'as generally accepted as "onteverdi0s, and after revivalsin Vienna and #lyndeournein the early +;.s it ecame increasingly popular% 6t has since eenperformed in opera houses all over the 'orld, and has een recorded many times%

&ogether 'ith "onteverdi0s other Venetian stage 'orks, Il ritornois classified as one of the firstmodern operas% 6ts music, 'hile sho'ing the influence of earlier 'orks, also demonstrates"onteverdi0s development as a composer of opera, through his use of fashionale forms suchas arioso, duet and ensemlealongside the older9stylerecitative% $y using a variety of musicalstyles, "onteverdi is ale to e:press the feelings and emotions of a great range of characters,divine and human, through their music% Il ritornohas een descried as an


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? >ecording history

+ 8ditions

. >eferences

8:ternal links

Historical context1edit

&he composer c% *-.

"onteverdi 'as an estalished court composer in the service of @uke VincenAo#onAagain "antua'hen he 'rote his first operas,L'OrfeoandL'Arianna, in the years *.*.?%1fter falling out 'ith VincenAo0s successor,@uke Francesco #onAaga, "onteverdi moved toVenice in *3 and ecame director of music at St "ark0s $asilica, a position he held for the restof his life%12longside his steady output of madrigalsand church music, "onteverdi continued tocompose 'orks for the stage, though not actual operas% /e 'rote several allets and, for theVenice carnival of *2-25, Il combattimento di Tancredi e Clorinda(


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carnival, 'asL'incoronaione di #oppea(


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his adaptations of the te:ts presented to him% 13>inger reinforces this, 'riting that


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possi0ly &ostantino 2anelli3456

enelopeWife to Ulisse me..o/soprano

ct 17 I, 8

ct 47 *, *II,8I, 8IIct !7 III, I*,*, I8, 8

he role 9as initially sung, in*enice and Bologna, 0y Giuliaaolelli3456

:ricleaPenelope's nurse me..o/sopranoct 17 Ict !7 *III, 8

2elanto attendant to Penelope sopranoct 17 II, 8ct 47 I*ct !7 III

:urimaco a servant to Penelope'ssuitors

tenorct 17 IIct 47 I*, *III

;ettuno(;eptune)sea-god 0assct 17 *, *Ict !7 *II

he role 9as pro0a0ly sung, in*enice and Bologna, 0y theimpresariorancesco 2anelli3456

Gioe(


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:umete a shepherd tenor

ct 17 8I, 8II,8IIIct 47 II, *II,8, 8IIct !7 I*, *, I8

Iro a parasite tenorct 17 8IIct 47 8IIct !7 I

elemaco(elemachus)son ofUlisse

tenorct 47 I, II, III,8Ict !7 *, I8, 8

ntinoo(ntinous)suitor toPenelope

0assct 47 *, *III,8II

isandro(eisandros)suitor toPenelope

tenorct 47 *, *III,8II

nfinomo(mphinomus)suitorto Penelope

altoorcountertenor

ct 47 *, *III,8II

Giunone(aymond=eppard0s +; edition,12?and from /ugh Ward9erkins0s interpretation issued 'ith SergioVartolo0s 2..* recording for $rilliant !lassics%12+Footnotes provide the original 6talian%

Prologue1edit

&he spirit of human frailty (=0umana fragilitH) is mocked in turn y the gods of &ime (&empo),Fortune (Fortuna) and =ove (more)% "an, they claim, is su4ect to their 'himsC


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Act 11edit

lisse lies on the shore, as the Faeci ship is turned to stone y BeptuneD an illustration of ho' this dramatic

effect could e realised in the opera house%

6n the palace at 6thaca, enelope mourns the long asence of lyssesC


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isandro, nfinomo), and re4ects each in turn despite their efforts to enliven the court 'ith singingand dancingC


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$ologna performance 'as the 'ork0s premiEre is not supported y suse7uent research% 1?&heopera0s revival in Venice only one season after its premiEre 'as very unusual, almost uni7ue inthe ;th century, and testifies to the opera0s popular success>inger calls it oert /aasin +22%13;ulication 'as follo'edy the first modern performance of the opera, in an edition y Vincent d06ndy, in aris on * "ay+25%13?For the ne:t half9century performances remained rare% &he $$!introduced the opera to

$ritish listeners 'ith a radio roadcast on * Lanuary +2?, again using the d06ndy edition%13?

&he6talian composer =uigi @allapiccolaprepared his o'n edition, 'hich 'as performed in Florencein+-2, and 8rnst Mrenek0s version 'as sho'n in Wuppertal, #ermany, in +5+%1313?&he first$ritish staging 'as a performance at St% ancras &o'n /all, =ondon, on * "arch +*5, given'ith the 8nglish !hamer Grchestra conducted y Frederick "arshall% 13+1-.

&he opera entered a 'ider repertory in the early +;.s, 'ith performances in Vienna (+;)and#lyndeourne(+;2)%13?&he Vienna performance used a ne' edition prepared yBikolaus/arnoncourt, 'hose suse7uent partnership 'ith the French opera director Lean9ierreonnelleled to the staging of the opera in many 8uropean cities% onnelle0s +;? presentation in8dinurgh 'as later descried as


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2..* Welsh Bational Gperaproduction y @avid lden, designed y 6an "cBeil, featured neonsigns, stuffed cats, aBeptunein flippers and a 'et suit,"inervain the form of the aviatri:melia8arhart, and Lupiter as a small9time hustler, an interpretation defended y the critic nna icard inger as


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monologue 'ith a 'ail of distress that stretches across eight ars of music%15*enelope eginsher lament 'ith a reiteration of 8 flats that, according to >inger, ingersuggests, no other composer ar Verdi could have achieved%15;

>osand divides the music of Il ritornointo


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!7 SceneII

2elanto, :urimaco

>uri e penosi son gliamorosi fieri desir(itter and hard arethe lovers' crueltorments)

!7 SceneIII

2aritime scene, music missing fromscore

!7 SceneI*

2usic onlyhe sleeping Ulisse is placed ashore 0ythe aeci

!7 Scene* ;ettuno, Gioe

Super0o @ l'huom("an is proud)

In some editions this scene 0egins 9ith a&horus of Sirens, using other music=346

!7 Scene*I

&horus of aeci,;ettuno

In Auesto 0asso mondo(In this base %orld)

!7 Scene*II

Ulisse

>ormo ancora o sondesto((m I still asleep$ oram I a%a)e?)

!7 Scene*III

2inera, Ulisse&ara e lieta gioentC(Dear *oyful time ofyouth)

!7 SceneI8

2inera, Ulisse

u d'retusa a fonteintanto anne(+o thou mean%hile tothe fountain of

(rethusa)

ct 1 in the fie/act li0retto ends here

!7 Scene8

enelope, 2elanto

>onata un giorno, odei, contento a' desirmiei(+rant me one day$ yegods$ content to all my

%ishes)

!7 Scene8I

:umete &ome, oh come mal sisala un regio amante(O ho% badly does a
https://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-86https://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-86https://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-86


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loving )ing save

himself)

!7 Scene8II

Iro, :umete

astor d'armenti puDprati e 0oschi lodar(( )eeper of cattle canpraise meado%s and%oods)

!7 Scene8III

:umete, Ulisse

Ulisse generoso? uno0ile intrapresaE,oble Ulysses& ouundertoo) noble deeds)

:nd of ct 1 (score)

Act "

"7 Scene I elemaco, 2inera

+ieto cammino, dolceiaggio(.appy *ourney$ s%eetvoyage)

"7 SceneII

:umete, Ulisse,elemaco

Oh gran figlio d'Ulisse?

F pur er che tu torniO great son of Ulysses$

is it true you havecome bac)?)

"7 SceneIII

elemaco, Ulisse

&he eggio, ohim@,che miro(What do I see$ alas$%hat do I behold?)

ct 4 in the fie/act li0retto ends here

"7 SceneI*

2elanto, :urimaco

:urimaco? +a donnainsomma haun cor disasso(/urymachus$ in shortthe lady has a heart ofstone)

"7 Scene*

ntinoo, isandro,nfinomo, enelope

Sono l'altre reginecoronate di seri e tud'amanti

(Other 0ueens arecro%ned by servants$


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you by lovers)

"7 Scene

*I

Ballet of the 2oors, music missing

from score

"7 Scene*II

:umete, enelope

pportator d'altrenoelle engo?(I come as bearer ofgreat tidings&)

"7 Scene*III

ntinoo, nfinomo,isandro, :urimaco

&ompagni, udiste(1riends$ did youhear?)

"7 SceneI8

Ulisse, 2inera

erir non puD chi tienper scorta il cielo(.e %ho has heaven asan escort cannotperish)

"7 Scene

8 :umete, Ulisse

Io idi, o pelegrin, de'roci amanti

(I sa%$ O %anderer$ theamorous suitors)

ct ! in the fie/act li0retto ends here=

In Hen.e's t9o/act ersion ct 1 endshere

"7 Scene8I

elemaco, enelope

>el mio lungo iaggioi torti errori gi- inarrari(2he tortuous %ays ofmy long *ourney I have

already recounted)

"7 Scene8II

ntinoo, :umete, Iro,Ulisse, elemaco,enelope, nfinomo,isandro

Sempre illano :umete((l%ays a lout$/umete!!!)

ct $ in the fie/act li0retto ends here

Act #

#7 Scene IIro O dolor, o martir che

l'alma attrista(O grief$ O torment


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that saddens the soul)

#7 SceneII

Scene not set to music 0ecause

2onteerdi considered it toomelancholy=36he souls of the deadsuitors are seen entering hell=

#7 SceneIII

2elanto, enelope: Auai nuoi rumori,((nd %hat strangeuproars)

#7 SceneI*

:umete, enelope

or.a d'occulto affettoraddolcisce il tuo petto(2he po%er of a hiddenaffection may calm

your breast)

#7 Scene*

elemaco, enelope

F saggio :umete, @saggio?(/umaeus is truly%ise&)

#7 Scene*I

2inera, Giunone

iamma e l'ira, o grandea, foco @ lo sdegno?((nger is the flame$ Ogreat goddess$ hatred

is the fire)

#7 Scene*II

Giunone, Gioe,;ettuno, 2inera,Heaenly &horus,&horus of Sirens

Gran Gioe, alma de'dei,(+reat 3ove$ soul ofthe gods)

#7 Scene*III

:riclea:riclea, che uoi far(/urycleia$ %hat %illyou do?)

#7 SceneI8

enelope, :umete,elemaco

Ogni nostra ragion senporta il ento((ll your reason isborne a%ay by the

%ind)
https://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-R200-79https://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-R200-79https://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-R200-79https://en.wikipedia.org/wiki/Il_ritorno_d'Ulisse_in_patria#cite_note-R200-79


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#7 Scene8

Ulisse, enelope,:riclea

O delle mie fatichemeta dolce e soae(O s%eet$ gentleending of my troubles)

$nd of opera

Recording history1edit&urther informationIl ritorno d'Ulisse in patria discography

&he first recording of the opera 'as issued in +*- y Vo:, a version 'hich incorporatedsustantial cuts%12.&he first complete recording 'as that of Bikolaus /arnoncourtand!oncentus"usicus Wienin +;%1*3>aymond =eppard0s +;2 #lyndeourne version 'as recorded in aconcert performance in the >oyal lert /allD the follo'ing year the same #lyndeourne cast

'as recorded in a full stage performance% =eppard0s third #lyndeourne version 'as issued in+?., 'hen the orchestration 'ith strings and rass dre' critical comment from @enis rnoldinhis $ramophonerevie'C


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/ans Werner /enAe (SalAurg, +?5) 1*?

lan !urtis (=ondon, 2..2)13

References1edit

%otes

% &ump up '


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+% &ump up 'Cos4 l'arco ferisce. Alle morti, alle stragi, alle ruine.(2%P66)

2.% &ump up 'O dolor, O martir, che l'alma attrista.(3%6)

2% &ump up 'Relatore importuno, consolator noci"o.(3%6V)

22% &ump up '1ella cosa ta"olta 3 un bel tacer(3%V666)

23% &ump up '%ospirato mio sole. Rinno"ata mia luce.(3%P)

2-% &ump up '&ranslations ased on #eoffrey @unn and /ugh Ward9erkins

Citations

% &ump up '!arter (2..2), pp% 2

2% &ump up 'Beef, p% 32-

3% &ump up 'Carter, Tim567789- Macy, Laura 5ed-9, ed-:Monte"erdi,Claudio ;enice:-Oinger, pp% -.-

3% QLump up toCabcdefghiRosand, !llen 567789- Macy, Laura 5ed-9,ed-:Ritorno d'Ulisse in patria:- O


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+% &ump up '>inger, p% -2

2.% QLump up toCab:Monte"erdi Il ritorno d'Ulisse in patria ?complete:-The $ramophone 5Haymar)et9 p- =77- %eptember=@8=- Retrie"ed = &ebruary 67=7-(registration r7uired)

2% &ump up '>osand and Varolo, pp% 223

22% QLump up toCab>osand and Vartolo, p% 2-

23% &ump up '>osand and Vartolo, p% 25

2-% &ump up '>osand and Vartolo, p% 2.

25% QLump up toCabCheB, $eoffrey 567789- Macy, Laura 5ed-9,ed-:Monte"erdi, Claudio >or)s from the ;enetian years:-Oosand (2..;), pp% 555?

3-% &ump up '>inger, p% 2;

35% &ump up '!arter (2..2), p% ?-

3*% &ump up 'Sadie (2..-), pp% -*, ;3

3;% &ump up '!arter (2..2), p% 23;

3?% QLump up toCabcdefMennedy, p% ;32

3+% &ump up ':Concert programmes Cyril !land collection:- Arts andHumanities Research Council- Retrie"ed =6 &ebruary67=7-

-.% &ump up 'Warrack R West, p% *.3
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5?% &ump up 'Rosand, !llen 5=@@9- :Monte"erdi's Il ritorno d'Ulisseand the poBer of :music::- Cambridge Opera ournal5CambridgeCambridge Uni"ersity #ress9 75F9 pp- =8@?
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5+% QLump up toCab&enlon, Ian 5March =@@F9-:Monte"erdi Il ritornod'Ulisse in patria:-$ramophone 5London Haymar)et9 p- =7=-Retrie"ed =@ &ebruary 67=7-(registration re7uired)

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*% &ump up '>oinson, p% ;.

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*3% &ump up ':Monte"erdi Il ritorno d'Ulisse in patria ?complete:-$ramophone 5London Haymar)et9 p- =77- &ebruary=@86- Retrie"ed =@ &ebruary 67=7-(registration re7uired)

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**% &ump up '&reemanDAttBood, onathan 5April 677F9- :Monte"erdiIl ritorno d'Ulisse in patria:- $ramophone 5London Haymar)et9 p-@- Retrie"ed =@ &ebruary 67=7-(registration re7uired)

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Sources

1eat, anet !- in 5eds9 Arnold, (enis and &ortune, Eigel 5=@K9- TheMonte"erdi Companion- London &aber and &aber-

Carter, Tim 567769- Monte"erdi's Musical Theatre- EeB Ha"en JaleUni"ersity #ress- I%1E7DF77D7@K8KDF-

(unn, $eoffrey 5translator9 5=@869- Il ritorno d'Ulisse in #atria Italianand !nglish libretto- London &aber Music Ltd-

ennedy, Michael5677K9- O


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%adie, %tanley 5ed-9 5677G9- The Illustrated !ncyclopedia of Opera-London &lame Tree #ublishing- I%1E=DGG=D76KDF-

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