IMAGISM

• Originated in 1912

• Representatives- Ezra Pound, Amy Lowell etc.

• What?- Name given to a movt. in poetry aiming at clarity of expression through the use of precise visual images.

• In revolt of Romantic excess.

The Imagists advise:

• 1. Direct treatment of the ‘thing’, whether subjective or objective.

• 2. To use absolutely no word that did not contribute to the presentation.

• 3. As regarding rhythm: to compose in sequence of the musical phrase, not in sequence of the metronome.

Pound characterises an image as

• It is the presentation of such a 'complex' instantaneously which gives the sense of sudden liberation; that sense of freedom from time limits and space limits; that sense of sudden growth, which we experience in the greatest works of art.

• It is better to present one Image in a lifetime than to produce voluminous works. . .

• Use no superfluous word, no adjective which does not reveal something.

• Don't mix an abstraction with the concrete. It comes from the writer's not realizing that the natural object is always the adequatesymbol.

• Go in fear of abstractions. Do not retell in mediocre verse what has already been done in good prose. It should be hard & definite.

• Don't be descriptive.

In a Station of the Metro

The apparition of these faces in the crowd; 

Petals on a wet, black bough.

-Ezra Pound, 1913

Pablo Picasso:

• Girl with Mandolin

• Paris, late spring1910

• Cubism:

Ideogrammic