impressionist and modern

5 - 7 Dover St., London W1S 4LD

30 Cork St., London W1S 3NG

T +44 (0)20 7287 7750

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IMPRESSIONIST AND MODERN

10 JANUARY - 23 FEBRUARY 2013

5 - 7 DOVER ST. LONDON W1S 4LD

Federico Zandomeneghi (1841-1917)

The Bouquet

pastel on paper

35.5 x 44 cm

signed 'Fzandomeneghi' (lower left)

Provenance

François Depeaux (probably purchased from Galerie Durand-Ruel, Paris circa 1895)

Sale: Paris, Galerie Georges Petit, Vente Depeaux, 31 May & 1 June 1906, lot 89

François Depeaux (re-purchased at the above sale)

Private Collection, Europe (by descent from above)

Literature

Marc-Henri Tellier, Francois Depeaux (1853-1920), Le Charbonnier et les Impressionistes, 2010, p.237 (illustrated)

Pierre Bonnard (1867-1947)

Vase de Fleurs

circa 1914

oil on canvas

46.4 x 33.3 cm

signed 'Bonnard' (upper left)

Provenance

The Independent Gallery [Percy Moore Turner], London, probably until 1951

The Lefevre Gallery (Alex. Reid & Lefevre), London

The Hon. Mrs Audrey Evelyn Pleydell-Bouverie, London, from 1954 until 1968

Anonymous sale, Sotheby's, London, 3 July 1968, lot 15

Arthur & Kathryn Murray, New York & Honolulu, by whom acquired at the above sale

Private Collection, USA, by whom acquired in the 1970s, until circa 2003

Berry-Hill Galleries, Inc., New York

Private collection, New York

Jill Newhouse Gallery, New York

Private Collection, New York

Exhibited

London, The Lefevre Gallery, The School of Paris, July 1951, no. 2

London, Tate Gallery, The Pleydell-Bouverie Collection of Impressionist

and Other Paintings, January - April 1954, no. 2

Literature

J. & H. Dauberville, Bonnard, Catalogue raisonné de l'oeuvre peint, vol. IV, 1940-1947

et Supplément 1887-1939, Paris, 1968, no. 2053, p. 345 (illustrated p. 346)

Raoul Dufy (1877-1953)

La Cité, Vue du Quai de l’Hôtel de Ville

1904

oil on canvas

46 x 55 cm

signed ‘RDufy’ (lower right); inscribed on the stretcher: ‘Dufy / la Cité, vue / du

quai de / l’hôtel de ville / (37) / 4. R. Cointreau’

Provenance

Collection Monsieur Cointreau, Paris

Galerie Mouradian – Vallotton, Paris

Private Collection, Paris

Exhibited

Musée Carnavalet, Paris vu par les maîtres de Corot à Utrillo, March - May 1961, n° 28

Literature

Maurice Lafaille, Raoul Dufy, Catalogue raisonné de l’œuvre peint, Genève 1972, Vol I,

n° 82, p. 77, illustrated

Gustave Loiseau (1865-1935)

Place de l' Etoile

1931

oil on canvas

54 x 81.3 cm

Provenance

Durand-Ruel, Paris

Duveen-Graham, New York

Moritz Goodman, New York

Private Collection (acquired from the above in 1955 and sold: Sotheby's, New York, May 18, 1990, lot 379)

Private Collection, New York (acquired at the above sale)

Private Collection, London (acquired in 2007)

This work will be included in the forthcoming catalogue raisonné being prepared by Didier Imbert.

Henri Martin (1860-1943)

Matin à la Bastide-du-Vert

oil on canvas

64.4 x 85.3 cm

faintly signed 'H. Martin' (lower right)

Provenance

Private Collection, France

The authenticity of this work has been confirmed by Cyrille Martin

Camille Pissarro (1830-1903)

Juin, Temps Pluvieux, Eragny

1898

oil on canvas

66.7 x 82.7 cm

signed and dated 'C. Pissarro 98' (lower right)

Provenance

R. and C. Gérard Frères, Paris (circa 1930); sale, Crédit municipal, Paris, 20 March 1933

Otto Zieseniss, Paris (by 1934)

Louise Zieseniss, Paris (by descent from the above, 1938)

Private collection, Paris (by descent from the above, until 1962)

Wildenstein & Co., Ltd., London (acquired from the above)

Clive Runnells, Chicago (acquired from the above)

Bequest from the above to the Art Institute of Chicago, 1963

Exhibited

Paris, Musée de l'Orangerie, Centenaire de la naissance de Camille Pissarro, February-March 1930, no. 95

New York, Wildenstein & Co., Inc., Olympia's Progeny, October-November 1965, no. 71

Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June-August 1980, no. 26

Tokyo, Isetan Museum of Art; Fukuoka Art Museum and Kyoto Municipal Museum of Art, Rétrospective Camille Pissarro, March-July 1984, no. 59

Tokyo, The Seibu Museum of Art and Fukuoka Art Museum, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 1985-April

1986, no. 58

Nagaoka, Niigata Prefectural Museum and Nagoya, Aichi Prefectural Museum of Art, Masterpieces of Modern Art from the Art Institute of Chicago, June-

September 1994, no. 18

Literature

F. Neugass, "Camille Pissarro" in Deutsche Kunst und Dekoration, December 1930, p. 161 (illustrated)

L.R. Pissarro and L. Venturi, Camille Pissarro, son art-son oeuvre, Paris, 1939, vol. I, p. 228, no. 1055 (illustrated, vol. II, pl. 212)

C. Kunstler, Pissarro, villes et campagnes, Lausanne, 1967, p. 49 (illustrated in colour, pl. 23)

C. Lloyd, "Camille Pissarro: Towards a Reassessment" in Art International, 1985, p. 65 (illustrated)

R. Brettell, French Impressionists, New York, 1987, pp. 112 and 118 (illustrated in colour, p. 115)

J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, p. 759, no. 1214 (illustrated in colour)

Louis Hayet (1864-1940)

Bord de L'Oise à l'aube, Pontoise

1888

oil on canvas

52 x 71.5 cm

signed and dated 'L. Hayet. 88' (lower right)

Provenance

Private Collection

Exhibited

Pontoise, Musée Tavet, Louis Hayet, oeuvres néo-impressionnistes de 1885 à 1895, 1991

Literature

Guy Dulon & Christophe Duvivier, Louis Hayet: peintre et théoricien du

néo-impressionnisme, Pontoise, 1991, illustrated in colour (p. 139)

Blanche Hoschede-Monet (1865-1947)

Le Pont Japonais à Giverny

oil on canvas

81 x 54 cm

signed 'Blanche Hoschede' (lower left)

Provenance



Maison en Normandie, Hiver

1931

oil on canvas

65 x 54 cm

Provenance

Durand-Ruel, Paris (photographic archives no.19918)


Private Collection, U.S.

Exhibited

Paris, Didier Imbert Fine Art, Gustave Loiseau, November 1985 - January 1986, no.38

This work will be included in the forthcoming catalogue raisonné being prepared by

Didier Imbert.

Maxime Maufra (1863-1918)

Morning in the Oasis of Alkantra

1913

oil on canvas

74 x 92 cm

signed and dated ‘Maufra 1913’ (lower right)

Provenance

Durand Ruel. Stock no. 10369.

David Findlay Galleries, New York

Private Collection, Palm Beach

This work will be featured in the catalogue raisonne of Maufra’s works,

currently being prepared by Caroline Durand-Ruel Godfroy

Emile Othon Friesz (1879-1949)

Automne à Honfleur, la Côte de Grace

circa 1906 - 07

oil on canvas

65.4 x 81.2 cm

signed 'Othon Friesz' (lower left)

Provenance

Galerie Charpentier, Paris (by 1950)

Galerie Daniel Malingue, Paris

Private collection, U.S.

Exhibited

Paris, Galerie Charpentier, 1950

Paris, Musée National d'Arte Moderne, Le Fauvisme, 1951

Metz, Evolution de la peinture en France de 1905 à 1914, 1958

Literature

O. Aittouarès and R. Martin, Emile Othon Friesz, L'oeuvre peint, Paris, 1995, vol. I, p. 119, no. 248

(illustrated in colour, p. 111)

Claude Jeancolas, L’Art Fauve, Paris, 2006, p.75 (illustrated)

Emile Othon Friesz (1879-1949)

Le Balcon sur le Port

1929

oil on canvas

92 x 73 cm

signed and dated 'E Othon Friesz 1929' (lower right)

titled, signed with initials and dated 'Le balcon sur le port 29 EOF' (on verso)

Provenance

Private Collection, South of France

Private Collection, Paris

This work will be included in the forthcoming second volume of the Emile Othon

Friesz catalogue raisonné currently being prepared by Odile Aittouarès

Jacques Lipchitz (1891-1973)

The Harpists

bronze with green patina

height: 54 cm

with the artist’s thumbprint, signed and numbered ‘Jlipchitz 4/7’ (on the top of the base)

Provenance

Private Collection, NY (acquired by the family of the owner circa 1960)

Literature

A.G. Wilkinson, The Sculptures of Jacques Lipchitz, A Catalogue Raisonné, The Paris Years 1910-1940,

London 1996, p. 222, no. 254 (another cast illustrated, p.89)

Theo van Rysselberghe (1862-1926)

Pivoines

1910

oil on canvas

66 x 66 cm

signed with the monogram (lower right)

Provenance

Paul Nocard, Neuilly-sur-Seine

Anonymous sale, Christie's, London, 4 July 1980, lot 456

Anonymous sale, Christie's, London, 6 December 1983, lot 332

New Art Centre, London, by whom acquired at the above sale

Private Collection, London (Acquired from the above in February 1984)

Literature

R. Feltkamp, Théo van Rysselberghe, 1862-1926, Brussels, 2003, no. 1910-028 (illustrated p. 390).

Theo van Rysselberghe (1862-1926)

Tulipes

1910

oil on canvas

66 x 66 cm

signed with the monogram (possibly added at a later date by another hand; lower right)

Provenance

Paul Nocard, Neuilly-sur-Seine

Anonymous sale, Christie's, London, 4 July 1980, lot 457

Anonymous sale, Christie's, London, 6 December 1983, lot 333

New Art Centre, London, by whom acquired at the above sale

Acquired from the above by the present owner in February 1984

This painting will be included in the forthcoming Van Rysselberghe catalogue raisonné

prepared by Pascal de Sadeleer and Olivier Bertrand.

Armand Guillaumin (1841-1927)

Barrage de Genetin

circa 1900

oil on canvas

60 x 81.3 cm

signed 'Guillaumin' (lower right)

Provenance

Durand-Ruel, Paris

C. Michael Paul, Palm Beach

Perls Gallery, New York

Montgomery Gallery. San Francisco

Private collection, Beverly Hills

Stephen Silagy, New York

Dominique Fabiani, Paris

Private Collection, London

This work will be included in the forthcoming second volume of the Guillaumin Catalogue Raisonné

being prepared by the Comité Guillaumin with Dominique Fabiani, Stéphanie Chardeau Botteri &

Jacques de la Béraudière

Auguste Rodin (1840-1917)

Etude pour Polypheme

cast in 1987

bronze with dark brown patina

height: 50.5 cm

signed and numbered 'A Rodin no 8' (lower right)

stamped 'E Goddard Fond. C by Musee Rodin 1987' (on the reverse)

Joseph Csaky (1888-1971)

L’Etudiante

conceived in 1928

bronze with green patina

167 x 45 x 46.3 cm

cast at a later date in an edition of 8 and 2 Artist Proofs

signed 'CSAKY' (on left of pillar), numbered and

with foundry mark 'A/C 3/8 BLANCHET FONDEUR' (on rear of the

base)

Provenance

Private Collection, London

Sale Me Loudmer, Paris, November 23, 1991, lot 22

Private Collection, Paris (Acquired at the above sale)

Literature

A. Barré-Despond, UAM Union of modern artists, Paris, 1986, p. 144

(another cast illustrated)

Félix Marcilhac, Joseph Csaky, catalogue raisonné des Sculptures,

Les Éditions de l’Amateur, Paris, 2007, 1928-FM.130/c, p.344 (another

cast illustrated)

Michel Auguste Collé

(1872-1949)

Nancy, Vue de la Cathédrale, Saint Eprve (automne)

1906

oil on canvas

77 x 52 cm

signed 'A M Colle' and dated '1906' (lower right)

Provenance

Corbin Family, France

Michel Auguste Collé

(1872-1949)

Nancy, Vue de la Cathédrale, Saint Eprve (bleu)

1907

oil on canvas

77 x 52 cm

signed 'A M Colle' and dated '07' (lower right)

Provenance

Corbin Family, France


Le Village de Triel

1900

oil on canvas

60.6 x 73 cm

signed and dated 'G Loiseau 1900' (lower right)

Provenance

Durand-Ruel, Paris (acquired in 1936)

Hirschl & Adler Galleries, Inc., New York (acquired from the above in 1970)

Sale: Christie's, New York, May 13, 1993, lot 145

The Estate of Finbar Kenny (acquired at the above sale)

This work will be included in the forthcoming catalogue raisonné being prepared by Didier Imbert.

Sir George Clausen (1852-1944)

A Corner of the Garden

oil on canvas

61 x 50.8 cm

signed 'G CLAUSEN' (lower right)

Provenance

The Artist's Studio Sale (+); Christie's, London, 19 October 1945, lot 160.

Anonymous sale; Christie's, South Kensington, 30 June 2005, lot 86.

Court Gallery, Somerset

Private collection, UK (purchased from the above)

Exhibited

London, Royal Academy, 1937, no. 44.

Literature

Royal Academy, illustrated, 1937. p. 94.

Béla Kádár (1877-1955)

Study of Lovers

circa 1940-1950

gouache on paper

77.5 x 55.5 cm

signed 'Kádár/Béla' (lower right)

Provenance

Paul K. Kovesdy collection, New York.


Couple I

circa 1910

watercolour on paper

28 x 22.5 cm

signed 'KADAR BELA' (lower left)

Provenance

Direct from the artist

Max (Sandor) Hevesi, Vienna

Collection of Sir Jack Baer


Couple III

circa 1910


20 x 29 cm

signed 'KADAR BELA' (upper left)

Provenance





Couple III

circa 1910


22 x 22.5 cm

Provenance





Townscape

circa 1910


29.5 x 23 cm

Provenance




Jean Souverbie (1891-1981)

Deux Femmes Drapées

circa 1929

oil on canvas

91.7cm x 65 cm

signed 'Souverbie' (lower left)

Provenance

Galerie Vavin-Raspail, Paris

Purchased from the above circa 1929

Thence by descent

Sale: Sotheby's London, Impressionist and Modern Art and Ceramics, 24 March 1999, lot 60

Private Collection, Monaco

Andre Dunoyer de Segonzac (1884-1974)

Le Golf de Saint Tropez

circa 1935

oil on canvas

50 x 109 cm

signed ‘A. Dunoyer de Segonzac’ (lower right)

Provenance

Collection Sam Salz, New York

Galerie Charpentier, Paris

Dr Fritz Nathan and Dr Peter Nathan, Zurich

Sale: Christie's New York, Febuary 25, 1992, lot 65

The Estate of Finbar Kenny

Exhibited

Paris, Galerie Carpentier, 50 ans de peinture, 1960, no. 55

The authenticity of this painting has been confirmed by D. De Varine (number 108 in

their archives)

5 - 7 Dover St., London W1S 4LD

30 Cork St., London W1S 3NG

T +44 (0)20 7287 7750

F +44 (0)20 7287 7751

[email protected]

www.alonzakaim.com

impressionist and modern

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