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"Lucia" to Open Season of Grand Opera in Brooklyn

For the first of the season's subscription performances of grand opera at the Brooklyn Academy p£ Music, General Mana­ger Gitilio Gatti-Casazza, of the Metropolitan Opera Company, has selected Donizetti's "Lucia di Lammernioor." This will be given, with Marion Talley in the leading role, on Tuesday even­ing, Nov. 2.

Miss Ta l l ey u p o n t h i s o c c a s i o n of c o u r s e ) ; < ' h a i p e n t i e r ' s " L o u i s e , ' m a k e s h e r first B r o o k l y n a p p e a r a n c e . ( D e b u s s y ' s " P e l l e a s . e t Mel isanth . ' . " She will Vie s u p p o r t e d by a c a s t in

e l u d i n g M m c . figener a n d M e s s r s .

Gigll, rmh i sc , P inza , a n d P a l t i n i e r i , j W a g n e r ' s

w i t h G i u s e p p e B a m b o s c h e k c o n d u c t - I ' War, '

ing. D a t e s for t h e f o l l o w i n g M e t r o p o l i ­

t a n p e r f o r m a n c e s in B r o o k l y n a r e N o v e m b e r 2T: D e c e m b e r 7, 81, 28; J a n u a r y 11, -'O; F e b r u a r y 8, 22; M a r c h o a n d ID.

In a n n o u n c i n g h i s p r o s p e c t u s for t h e 1K6-J027 M a s o n M r . G a t t i - C a s a s z a d i r e c t s a t t e n t i o n t o t h e n o v e l t i e s which a r e to be g i v e n In M a n h a t t a n , a s well a s . a v e r y I m p o s i n g l i s t o£ r e v i v a l s in a d d i t i o n t o r e g u l a r r e p e r ­to i re . B r o o k l y n s u b s c r i b e r s h a v e no t for s e v e r a l s e a s o n s b e e n se rved w i t h a s t e r e o t y p e d s e l e c t i o n of o f fe r ings a n d tin- a d v e n t of t h e p r e s e n t s e a ­son, w i t h " L u c i a dl I . n m r n p r m o o r " a s a n o p e n i n g bi l l , s e e m s to i n d i c a t e tlie c o n t i n u a t i o n of t h i s pol icy . I f g r a n d o p e r a in B r o o k l y n is t o h a v e i m p o r t a n c e a r t i s t i c a l l y a n d e d u c a ­t iona l ly it Is h i g h t i m e for t h e Met -

efiofre T h e fo l lowing w o r k s f rom (he sea

son ' s Manhat t . - rn r e p e r t o i r e w o u l d be a p p r e c i a t e d hy m a n y B r o o k l y n s u b ­s c r i b e r s : P u c c i n i ' s " T u r a n d b t , " M o u -t emezz t ' s " L ' A m o r e de i T r e R e , " Roi to ' s " M e f i s t o f e l e " ( w i t h C h a l i a p i n ,

!

M a s s e n e t ' s " M a n o n , " M e y e r b e e r ' s " L ' A f r i e a i n c . " M o z a r t ' s "Coal F a i t T u t t e . " S t r a v i n s k y ' s • ' P e t r u s h k a , "

" G o t t e r d a n i m e r u n s ' ' o r W o l f - F e r r a r i ' s - " I G i o -

ielli della. M a d o n n a . " F r o m t h i s l i s t cou ld be d r a w n s ix o p e r a s , a t l e a s t , for B r o o k l y n p r e s e n t a t i o n t h a t w o u l d e n k i n d l e t h e f r e sh i n t e r e s t a n d e n ­t h u s i a s m of o p e r a p a t r o n s .

New York College of Music Commences 48th Season

T h e N e w Y o r k C o l l e g e of MUM<-l i a s j u s t c o m m e n c e d i t s f o r t y - e i g h t h s e a s o n w i t h t h e g r e a t e s t e n r o l l m e n t of s t u d e n t * i n t h e h i s t o r y of t h e c o l l e g e a n d a f e w a d d i t i o n s in t h e f a c u l t y . E x a m i n a t i o n s for . a d m i s ­s i o n t o t h e o r c h e s t r a , a n d c h a m b e r m u s i c c l a s s e s , wi l l c o n t i n u e u p t o N o v . IS .

T h e N e w Y o r k C o l l e g e of M U F " w a s f o u n d e d b y H e r m a n A l e x a n d e r ,

t i s t s l i k e F a d a r e w s k t , J o s e f H o f m a n n , M a r c e l l a S e m b r i c h , M l s c h a E l m a n i tnd mrfny o t h e r s p e r f o r m e d fo r t h o p u p i l s in o r d e r t o s t i m u l a t e p r o g r e s s . S i n c e i t s f o u n d i n g t h e c o l l e g e h a s g r o w n w i t h a f u n d a m e n t a l s o l i d i t y In m u s i c a l a r t , a n d n o w H a n s Le t z , o n e of t h e f o r e m o s t m u s i c i a n s in t h o j c o u n t r y , f o r m a n y y e a r s m e m b n -of t h e f a m o u s K n e i s e l Q u a r t e t a n d f i r s t VioUuis , t of t h e Le t ; ; Q u a r t o ' , Is a t t h e h e a d of t h e v io l in d e p a r t ­m e n t .

T h e p i a n o d e p a r t m e n t Is u n d e r t h e d i r e c t i o n of A u g u s t F r a e m c k e

D r . C o r n e l i u s R y b n e r h a s r o c e n t l v t a k e n - t h e p l a c e of >'.nlvln G o l d m a r k a s h e a d of t h e t h e o r y a n d c o m p o s i ­t i o n d e p a r t m e n t . T h e v o c a l d e p a r t ­m e n t Is u n d e r t h e d i r e c t i o n cf C a : l Hefn , W i l l i a m E b a n n d i r e c t s t h j v i o l o n c e l l o d e p a r t m e n t a n d W i l b u r L u y s t e r i s t h e d i r e c t o r of t h e s i g h t -s i n g i n g d e p a r t m e n t .

T h e s p l e n d i d f a c u l t y r e p r e s e n t s t h e H i g h Y s t a n d a r d of the. c o l l e g e . w h i c h w a s i n c o r p o r a t e d u n d e r t h e l a w s of t h e S t a t e of N e w Y o r k in 1878, e m p o w e r e d t o c o n f e r d i p l o m a s a n d d e g r e e * , etucb a s B a c h e l o r of M u s i c a n d D o c t o r of M u s i c .

"Modern " Music B y F E L I X D E Y O .

M u s i c C r i t i c of T h e B r o o k l y n S t a n d a r d V n l o n .

"A' w r o t e t h e l a t e * J a m e s M A j * of p o w e r a n d d a n g e r o u s a m b i t i o n G i b b o n s H u n e k e r of R i c h a r d S t r a i n s , w h e n t h e M u n i c h c o m p o s e r w a s f i r s t l igh t ing* t h e m u s i c a l h e a v e n s .

" H i s a m b i t i o n s a r e d a n g e r o u s b e c a u s e h e a t t e m p t s t o l ead m u s i c i n t o a f o u r t h s p a t i a l d i m e n s i o n : b e c a u s e , e m u l a t i v e of t h e n i h i l i s t i c a n d

| t r a n s c e n d e n t a l p h i l o s o p h y of N i e t z s c h e , h e j u g g l e s w i t h t o n e s a s if t h e y I w e r e m e t a p h y s i c a l s y m b o l s . "

T h i s w a s w r i t t e n a q u a r t e r c e n t u r y a g o . N o w a d a y s , of c o u r s e , S t r a u s s | t h e a p p a r i t i o n , t h e s h o o t i n g s t a r , t h e m e t e o r e x t r a o r d i n a r y , t h e " . d a n g e r o u s I m a n , " I ? l i s t e n e d t o w i t h t h e s a m e d e g r e e of u n d e r s t a n d i n g a s a r e " P a p a " I H a y d n , B e e t h o v e n , M o z a r t a n d o t h e r s of . r e m o t e c l a s s i c i s m . H i s m u s i c

t o - d a y h o l d s n o m y s t e r i e s e v e n f o r t h e y o u n g e s t of l i s t e n e r s , let a l o n e t h e o l d s t e r s . I t s s e n s a t i o n a l f e a t u r e s , o r i g i n a l l y s t a r t l i n g , n o w m e e t n o c o m m e n t

Piano Pupils and the

Practice Clavier B y M A R G U E R I T E C. K A I S E R .

IN s p i t e of t h e l u r e of t h e r a d i o , t h e

r e p r c J u c l n g m a c h i n e , c o n c e r t s

a n d r e c i t a l s , f o lk s a r e s t i f l i n t e r ­

e s t e d in p e r f o r m i n g t h e m s e l v e s .

T h e r e Is n o j o y l i k e t h a t of s e l f - e x ­

p r e s s i o n . I n n o w a y h a s t h e t e a c h ­

i n g " p r o f e s s i o n l o s t I t s h o l d ; r a t h e r

" I h a s i t s i n f l u e n c e g r o w n m o r e v a l u e d .

A l w a y s e n t e r t a i n i n g , a m u s i n g a n d " e n j o y a b l e , t h e S t r a u s s s c o r e s ( M e t h o d s of t e a c h i n g , h o w e v e r , h a v e

Brooklyn Institute Schedule The Brooklyn Institute of Arts and Sciences has arranged

a music schedule of great breadth and variety of appeal for the current season. Every branch of music is represented by one or more of its leading exponents.

t u r e s , w i l l b e g i v e n a f t e r t h e h o l i ­d a y s . T h e o r g a n i s t s l n c l u d o I t .

e n j o y s e c u r i t y of t r a d i t i o n . c h a n g e d r a d i c a l l y . T h e a d v a n c e -

A r t i s e v e r s e n s i t i v e t o c h a n g e , arfd j u s t n o w , In m u s i c , t h e c h a n g e is b e i n g w r o u g h t by s u c h p e r s o n a l i t i e s a s A r n o l d S c h o e n b e r g , A l f r e d o ( ' ase l . ' a , B e l a B a r t o k , . D a r i u s M l l h a u d , ^.eo O r n s t e i n , A r t h u r H o n e g g e r , I g o r i ^ - s P r a y e r S t r a v i n s k y , F r a n c e s c o M a l i p i e r o , E g o n W e l l e s z , H e n r y C o w e l l , • A r t h u r j V v C r e a m I . o u r i e . C a r l R u g g l e s , " J u l i a n C a r r i l l o , E d g a r V a r e s e , A l o i s H a b a , G e o r g e i t h o u s a n d s of p u p i l s "^ A A n t h e i l . T h e s e . * n d a d o z e n o r m o r e e q u a l l y , a r e t h e R i c h a r d S t r a u s s e s j t j ~ n t 0 j t i l e p r e s e n t m u s

f now-, t h e t r o u b l e - m a k e r s of t o - d a y , a c o n s t e l l a t i o n of c r e a t i v e m u s l o i a n s w h o s e w o r k s se t a f i r e t h e e a r s a n d s e n s e s of t h o s e w h o s t o p t o l i s t e n . I n a d e c a d e o r S Q — a t m o s t — t h e i r m u s i c , t o o , w i l l h a v e l o s t l u s t r e , h a v e l e c o m e " o l d - f a s h i o n e d , " a n d o u t of s t e p w i t h t h e t i m e s . D a n g e r o u s

m e n ' t o - d a y — ^ h a r m l e s s t o - m o r r o w - — H i e h i s t o r y of c o m p o s e r s e v e r . I n t h e e s s a y a b o v e q u o t e d f r o m , H u n e k e r f u r t h e r w r i t e s of W a g n e r

p r e a c h i n g in h i s m u s i c a l d r e a m s ; T s c h a i k o w s k y p a s s i o n a t e l y d e c l a i m i n g of t h e c u l r u i n a t i v e w o e s of m a n k i n d i n a c c e n t s p a t h e t i c a l l y d r a m a t i c ;

i B r a h m s l e i s u r e l y b r e a s t i n g t h e b i l l o w s o f t h i s m a e l s t r o m , s p e a k i n g i n c e n t l y r e t u r n e d f r o m a t l i r e G | g o l d e n t o n e s t h o d o c t r i n e of a r t f o r a r t ' s s a k e ; R i c h a r d S t r a u s s s e e k i n g m o n t h s t r i p a b r o a d . W h e n a s k e d w i t h f u r i o u s a n d r h y t h m i c g e s t u r e s t o d i v e r t f r o m i t s p r o p e r c h a n n e l t h e

a b o u t j a z z in E u r o p e Ehe r e p l i e d : a r t h e a d o r e s . • . . ... , . . • f i " W h o m a y d a r e t o p r e d i c t w h e r e a l l t h i s wil l e n d ? * a s k e j l t h e c r i t i c .

i s " ° t o u n ( J - o t j • T o a d d t o t h e g e n e r a l l * « i l d e r m e n t , t h e A m e r i c a n c o m p o s e r s p r i n g s t o c o u r s e , in c e r t a i n c e n t r e s , b u t m u s t l t h e fo ld fu l l y e q u i p p e d , s a y i n g t h e s a y i n g s of o t h e r m e n , b u t w i t h a

Jazz Not Popular Abroad Reports Mrs. Brines

Mrs . J o h n F r a n c i s B r i d e s , t e a c h e r

cf s i n g i n g a t A p o l l o S t u d i o s , h a s r e -

m e n t of t h e g e n e r a l p u b l i c ' s d i s -c r i m i n a t l v e m u s i c a l t a s t e h a s a l r e a d y e n d e d t h o s e d a y s w h e n " T h e M a l d -

a n d " F i f t h N o c t u r n e " g o a l fo r t h o u s a n d s u p o n

A l s o , i n t h e p r e s e n t m u s i c a l a w a k ­

e n i n g , h a v e p a s s e d t h e s l i p s h o d m e t h o d s b y w h i c h e v e n t h o s e p i e c e s w e r e i m p a r t e d .

T o - d a y m a n y b e s t t e a c h e r s d o n o t a l l o w p u p i l s t o p r o d u c e t o n e s a t t h e p i a n o u n t i l t h e y h a v e l e a r n e d t h e v a l u e of r e l a x a t i o n , t h e l a w s g o v ­e r n i n g b o d y a n d h a n d p o s i t i o n , a n d u n t i l t h e y h a v e d o n e v a r i o u s p u r e

T h e B o s t o n S y m p h o n y O r c h e s t r a , I S e r g e K o u s s e v l t s k y , c o n d u c t o r , w i l l ; g i v e f ive F r i d a y e v e n i n g c o n c e r t s ,

N o v . 26, J a n . 7, F e b . 4 . M a r c h 11 a j i d A p r i l 8 .

T h e N e w Y o r k S y m p h o n y O r c h e s ­t r a , W a l t e r D a m r o s c h , c o n d u c t o r , w i t h O t t o K l e m p e r e r c o n d u c t i n g t h e F e b . 19 c o n c e r t , o p e n s I t s s e r i e s of s i x S a t u r d a y m a t i n e e c o n c e r t s o n N o v . 20 w i t h a n a l l - W a g n e r p r o ­g r a m m e , a s s i s t e d b y E l s a A l s e n , d r a m a t i c s o p r a n o ; R u d o l f L a u b e n -t h a l , t e n o r , a n d , F r e d e r i c k P a t t o n , '.>ass. A C h r i s t m a s p r o g r a m m e w i l l b e g i v e n D e c . 18. E f r e m Z i m b a l i s t , v i o l i n i s t , w i l l b e t h o s o l o i s t J a n . 15 , a n d A l e x a n d e r B r a i l o w s k y , p i a n i s t of r e c e n t f a m e , o n F e b . 10. T h e M a r m e i n s w i l l g i v e d r a m a d a n c e s w i t h t h e o r c h e s t r a o n M a r c h 5, a n d J o h n C h a r l e s T h o m a s , b a r i t o n e , w i l l b e t h e a s s i s t i n g a r t i s t a t t h e c l o s i n g c o n c e r t o n M a r c h 2 6 .

C h a m b e r m u s i c w i l l b e a f e a t u r e Of t h e M u s i c D e p a r t m e n t ' s w o r k t h i s w i n t e r a n d will h a v e i t s a p p e a l t o

t h e l o v e r s of s t r i n g e d i n s t r u m e n t s .

H u n t i n g t o n W o o d m a n , C h a r l e s H . D o e r s a m , R o l l a n d F . M a i t l a n d a n d C a r l G . S c h m i d t .

C o n c e r t s a t t h e J a m a i c a ' B r a n c h of t h e I n s t i t u t e will b e g i v e n d u r i n g t h e s e a s o n a s in t h e p a s t .

Rath Studios Specialize In Piano Instruction

T h e C a r l R a t l f S t u d i o s , 405 N i n t h s t r e e t , e s t a b l i s h e d in 1903, ' s p e c i a l i z e s In a s y s t e m a t i c g r a d e d c q u r s e o f p i a n o i n s t r u c t i o n . M r . R a t h , g r a d u ­a t e of t h e R o y a l C o n s e r v a t o r y a t L e i p z i g , h a s h a d u n l i m i t e d t e a c h i n g e x p e r i e n c e h e r e a n d in E u r o p e . H e s t u d i e d w i t h R e i n e k e a m o n g m a n y t e a c h e r s . A u g u s t e G l a h e - R a t b , s p e ­c i a l i s t a l o n g p e d a g o g i c a l l i n e s , p r e ­p a r e s p u p i l s in t h e f u n d a m e n t a l s of m u s i c .

•

s e a r c h e d

: . ' •n ihers of fh» f acu l ty - t ' n d e r C , second d i r e c t o r . A l e x a n d e r L a m b e r t L e o p o l d G o d o w s k y , o n e of t h e g r e a t e s t p i a n i s t s of t h e d a y , w a s a n in s t r u c t o r . I t w a s t h e f i r s t C o l l e t of Mus ic in N e w Y o r k C i t y , a n d a r

Charles O. Banks, F. A. G. O;

r > r g » n i r t o f S t , Lukft 'S P . E C h u r c h . C l i n t o n a v e m •ptrttOTT s t r e e t , w t s o r e s u m e s f r e e monthl- ,* re< if*l *i N o v e n b f f .

" a r in

• • • * • ' • • v - • ' ! • • • • • • • • • • • • a i a • i n,

fo r a m e a n s of e s c a p e f r o m t h i s

• m u s i c ' w h i c h a p p e a l s t o t h e fee t

a n d n o t t o t h e h e a d . ' '

M r s . B r i n e : , ' g r e a t i n t e r e s t l ies In t h e s t u d y of s i ng ing , f o r Its e n r i c h ­m e n t of l i fe f o r t h e a m a t e u r o r t h e a v e r a g e yoHHEH p a r i a n , ' Sfc-3 s a y * ; "A'»»w>«TB«'ttt- C(jnfe*f#d • u p o n « » gwem "Swly si f tSs t tJ ig p l e M i i r e , -whlifl the- m a k i n g of m u s t * t h a t is1 mtsgmf, feeing * c r e a t i v e e f f o r t , g{v«s a, l a s t ­i n g sa ' t ' s f ac t fo r i . T h e r e m i g h t w e l l be m o v e m e n t ' b u c k t o t h e h o m e ' w h e r e s i n g e r s s h o u l d g a t h e r t o m o k e vof-al f l i a m l i e r m u s i c a n d t h e r e b y f i n d t h e k e e n e s t joy . F e w •studies o f f e r s u c h v a r i e d b e n e f i t s . Mus i c s h o u l d i.e. H * w i d e l y s t u d i e d ma t h e t h r e e K'r, a n d n o t h e t h o u g h t of a* a l u x u r > ,"

I p o r t a n c e b y t h e m o s t c o n s e r v a t i v e t h e j v a r i o u s e l o q u e n c e a n d a t e e n m c a t a d d r e s s t h a t Is p u z z l i n g to t h e c r i t i c a l | t e a c h e r s b e c a u s e of t h e a b s e n c e of

l a r a e a a i e c . , . W l m L c a i M d s » . o L m u s i c a l t a s t e w i l l b e . » « ' - f t ' j f j i ; " ^ ^ M ^ M - - *—-t n n r t t n i — - " " " • M t M s - j

p u p i l e n t i r e l y c o n c e n t r a t e u p o n t h e m o v e -

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T h e P r a c t i c e C l a v i e r , a s i l e n t t e a c h i n g a n d p r a c t i c e p i a n o w i t h cl lok-; i n s t e a d of m u s i c a l t o n e s , » c t s sis t h e i n t e r m e d i a t o r b e t w e e n t h e l a b i a a n d t h e p i a n o . O n t h i s i n s t r u ­m e n t t e c h n i c a l l a w s c a n b e e x ­p l a i n e d ~ rfhd " dcfhoTTsrrnted w i t h s c i e n t i f i c c s % c t ; t a d e . B y t h e u s e o f m i l d elicit;* O H I'.nUn i s s t t i n t t l a t t d I n s t e a d o f t h e i m a g i n a t i o n .

" N o t w h a t y o u p l a y b u t h o w y o u p l a y i t , " t e a c h e r s s h o u l d I n s i s t . R a t h e r a s i m p l e p i e c e e x q u i s i t e l y d o n e t h a n a m a s t e r p i e c e m a n g l e d . '

g y m n a s t i c a n d t a b l e e x e r c i s e s t o ' T h e N e w Y o r k S y m p h o n i c S e x t e t . s t r e n g t h e n t h o p l a y i n g m e m b e r s . ! v l f r e ( I jy ieger l in , f i r s t v i o l i n ; H e n r y | T h e so i l m u s t b e p r e p a r e d b e f o r e B u r c k | s e c o n d v i o l i n ; F r a n z L i s t - I t h e s s e d i s p l a n t e d . T a b i c e x e r c i s e s i n a n n , "cel lo; F r e d e r i c k B e v e n s e e , 1 a r e c o n s i d e r e d of p a r a m o u n t H » - i a o t t b i e . b a s S ; E r n e s t W a g n e r , f l u t e : '

A w h o l e f a m i l y of c a p r i c e s n o w r u n s a t l a r g e . R e a l i s m i s m . e x p r e s s i o n i s m h a v e m a d e w a y f o r " f u t u r i s m . " " u l t r a - m o d e r n i s m , " " p o l y t o n a l i s m . " " a t o n a l i s m . " w i t h o t h e r " i s m s " c o n s t a n t l y i n f o m e n t a t i o n . C a c o p h o n y , h i s t e r r o r s fu l l t i l t , w i e l d s t h e s c e p t r e . F o r c e n t u r i e s t h i s m a n y - f a c e d m o n s t e r h a s s t r i v e n t o d o m i n a t e t h e k i n g d o m of t o n e ; t o - d a y lie is c r o w n e d , a n d f o u n d t o b e l e s s h o r r i b l e t h a n w a s f e a r e d .

O n e c a n n o t l i s t e n t o a l l t h e n e w m u s i c o f t o - d a y w i t h o u t b e i n g g o a d e d t o a r e v i s a l at o n e ' s a e s t h e t i c b e l i e f s .

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B u t t h e m e r e l y o r i g i n a l i s n o t a l w a y s b e a u t i f u l . If, b y s h a t t e r i n g t h e i r t e c h n i c a l b o n d s , t h e s e m e n t»i»n, s o d o i n g , e v o k e t h o s e o t h e r c o m ­p o n e n t f e a t u r e s , w h a t e v e r t h e y m a y h e . t h a t c o m p r i s e b e a u t y , t h e y w i l t n o t o n l y s a v e m u s i c f r o m b e c o m i n g t h a t h o r r e n d o u s s c i e n c e t o w a r d w h i c h it is c e r t a i n l y b e i n g berff, b u t m a y In a d d i t i o n b r i n g t o t h e s o u l of t h e l i s t e n e r s e n s a t i o n s n e v e r b e f o r e e d u c e d b y c o m b i n a t i o n of s o u n d s .

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