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INDIE SCENE MMUSICMAG.COM JULY/AUGUST 2012 ISSUE JULY/AUGUST 2012 M MUSIC & MUSICIANS MAGAZINE GUANTANAMO BAYWATCH Chest Crawl guantanamobaywatch.com Surf rock didn’t need Quentin Tarantino to make it sound badass. Long before Pulp Fiction, the genre’s best instrumentals paddled into pretty dark water, suggesting after-hours intrigue down at the shrimp shack. On its second album, the Portland trio Guantanamo Baywatch offers a particularly trashy take on this venerable ’60s sound, ripping trebly Ventures guitar runs with violent garage vigor. On tunes like “Barbacoa” and the title track, the trio hangs 10 amid B-movie sea monsters and tatted-up, gum-smacking mermaids. The demented malt-shop ballads “Sad Over You,” “Diana” and “Frizzella,” meanwhile, find sometime singer Jason Powell behind the mic, making like Dion possessed by demons. Dig the depravity, daddio. ‘The Portland trio Guantanamo Baywatch offers a particularly trashy take on this venerable ’60s sound, ripping trebly Ventures guitar runs with violent garage vigor. Dig the depravity, daddio.’

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  • INDIE SCENE

    MMUSICMAG.COMJULY/AUGUST 2012 ISSUE

    JULY/AUGUST 2012 M MUSIC & MUSICIANS MAGAZINE

    GUANTANAMO BAYWATCHChest Crawl

    guantanamobaywatch.com

    Surf rock didn’t need Quentin Tarantino to make it sound badass. Long

    before Pulp Fiction, the genre’s best instrumentals paddled into pretty dark

    water, suggesting after-hours intrigue down at the shrimp shack. On its

    second album, the Portland trio Guantanamo Baywatch offers a particularly

    trashy take on this venerable ’60s sound, ripping trebly Ventures guitar runs

    with violent garage vigor. On tunes like “Barbacoa” and the title track, the

    trio hangs 10 amid B-movie sea monsters and tatted-up, gum-smacking

    mermaids. The demented malt-shop ballads “Sad Over You,” “Diana”

    and “Frizzella,” meanwhile, find sometime singer Jason Powell behind the

    mic, making like Dion possessed by demons. Dig the depravity, daddio.

    ‘The Portland trio Guantanamo Baywatch offers

    a particularly trashy take on this venerable ’60s

    sound, ripping trebly Ventures guitar runs with

    violent garage vigor. Dig the depravity, daddio.’