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    JENNIFER MORRISONRESIDENTIAL DESIGNFEBRUARY 2, 2015WEEK 4, ASSIGNMENT 2

    FINISHES, FIXTURES FINALIZING

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    CLIENT PROFILE

    BASIC CLIENT INFORMATION Rob and Brienne Stark are a couple in their early 30s with no children or pets, but hope to someday. Rob is A

    many of the local venues around town. Brienne is Finnish and is a freelance photographer special izin

    combined heritages both influence their love of Scandinavian Modern design aesthetic. Their color preferenc

    tan, blue and green. Their requirements for the home are: small powder room or full bath on second level,entertain at least 10 people at a time, home office, music room with built in shelving for records, 3 bedroo

    custom storage with display case for books and collectibles. Hobbies include: traveling, photography, art and

    listening to music. They love to entertain casually and house guests are frequent. (Briennes family trave

    upscale space; they also want it to be inviting and comfortable. Their favorite moments are having a dinn

    friends with post dinner music and dessert. They both read a lot but do so together and like to listen to mu

    The music room is devoted to creative activities such as making music and rehearsing. They would both pr

    but would like to have one in their bedroom. Brienne likes to cook a lot but she keeps meals fairly low key.

    finishes that are easy to maintain and clean. Brienne has a wealth of cookbooks to accommodate. They ar

    prefer not to make it a priority. House must have lots of light, incorporate natural elements (since they live in

    and bring nature to them) and must feel energetic and uplifting.

    BASIC BUILDING

    INFORMATION/NEIGHBORHOOD

    INFORMATION

    BUILDING LOCATION: 1509 Main Street Pittsburg, PA

    EXTERIOR FAADE FEATURES:

    Coffee shop on 1st floor with residential space above

    CLIENTS FAVORITE THINGS A BOUT NEIGHBORHOOD: Being among artists and other inspiring individuals as well as ve

    SETTING

    : Urban

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    ARCHITECTURAL STYLESECOND EMPIRE

    ABOUT SECOND EMPIRE STYLE

    Second Empire is an architectural style which was most p

    and 1880. It was named for the architectural elements tha

    the era of the Second French Empire. As the Second Empfrom its 17th century Renaissance foundations, it acquired

    earlier European styles, most notably the Baroque often c

    with mansard roofs and low, square based domes. (Went

    Mansard Roof: is a four-sided gambrel-style hip

    roof characterized by two slopes on each of its

    sides with the lower slope, punctured by dormer

    windows, at a steeper angle than the upper.

    Triple Windows with Keystone Arch: windows were gene

    sets of threes with and finished with a keystone arch. A ke

    shaped stone piece at the apex of a masonry vault or arc

    placed during construction and locks all the stones into po

    to bear weight

    Decorative Balusters: Helping to keep the faade ornate, de

    balusters were a common design element

    Materials: Common materials used were brick and stone.

    mansard roof were used to provide contrast with the mas

    Eaves: Often adorned with decorative brackets such as th

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    ADJACENCY MATRIX

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    CONCEPT STATEMENT

    The design of this residential space will be exclusively Scandinavian Modern. This space will be built on the fundamentals of s

    functionality. White and black with be the predominant colors and we will exploit their various shades to create a power

    these as the predominant colors within the space will allow for inclusion of both inexpensive and investment pieces throughcolor will create a calming presence and the timelessness of the pair will ensure design longevity. To relax the bold contrast

    inject tones of tinted neutrals such as: tan, blue and green with gray scattered here and there. These colors are indicativ

    design but are also strong features in Briennes photography. All of these colors will be soft, pale and muted to create a ligh

    Furnishings will incorporate natural components and the focus will be on materials such as white oak and maple left in

    Fabrics such as wool and linen wil l be used for their easy maintenance and longevity . Instead of f il ling the spaces wit

    intentional selection of pieces to complement the furnishings. Items like artwork, books and tokens collected over time w

    balanced. Window treatments will be minimal and sheer to allow for maximum light due to lack of windows on both sides o

    and plumbing fixtures will have a black or chrome finish. The intent of this space is to not appear over designed but to se

    place seamlessly without the intentional help of a professional.

    The neutral atmosphere will allow for moments of quiet reservation or extreme creative brilliance. Heirloom pieces from t

    included in the design. This will create a characterful interior that is reflective of the couples personality. Purchased pieces w

    The space will be effortlessly chic, contemporary and create a warm and serene oasis.

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    INITIAL COLOR PALETTE

    ACHROMATIC COLOR SCHEME

    : This is a color scheme in which the colors lack strong chromatic content. Colors are said to be: u

    near neutral. Pure achromatic colors include black, white and all grays; near neutrals include browns, tans, pastels and darker colors. N

    hue or lightness. I have chosen to include colors that include tan, various shades of gray, various shades of green and creamy wh

    color palettes are traditionally light and simple.

    IMAGE TO THE RIGHT: 10 Lessons You Can Learn From Scandinavian Design Freshsome,Web. 2015 http://freshome.com/2014/09/15/10-design-lessons-you-can-learn-from-scandinavian

    *Please note: items below are not final selections but simply ways to showcase the color palette in a more tangible form

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    COLOR PALETTE REVISED

    Since black and white have long been known to combine well with almost any other colors; I decided to use the contrast

    palette. Black decreases the apparent saturation or brightness of colors paired with it and white shows off all hues to equal e

    palette even further I would focus primarily on various hues and saturations of tan and creamy white with perhaps the occasio

    All colors will be pale and will lack saturation. The end result will follow the inspiration of the above picture rather than the one

    slide.

    IMAGE TO THE RIGHT: 10 Lessons You Can Learn From Scandinavian Design Freshsome, Web. 2015 http://freshome.com/2014/09/15/10-design-lessons-you-can-learn-from-scan

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    BUBBLE DIAGRAMS: OPTION #1

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    BUBBLE DIAGRAMS: OPTION #2

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    FINISH BOARD FOR LIVING ROOM

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    FINISH BOARD FOR MASTER BEDROOM

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    FINISH BOARD FOR DINING ROOM

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    JUSTIFICATION OF FABRICS/FURNISHINGS

    The furnishings and fabrics chosen for the Stark household centered on the idea of easy sophistication with a warm, welcom

    key. Since the couple loves to entertain friends and family, the plan was to have plenty of seating in the open floor plan 1st floo

    of visitors. While the dining room table only seats 6, 2 additional chairs can be placed on either end to easily accommodate 8

    originally wanted 10 as a minimum, space constraints limited the size table to be purchased. To make up for this, we splurged

    room with two couches that are 8 long. The coffee table allows for plenty of space to rest food and drink while entertaining g

    and dining room both have furnishings that embrace clean lines, minimal design features, neutral colors and focus on incorpo

    The rugs are meant to be the pops of color, livening up the space with soft blues, green and varying shades of tan. The mastare meant to have juxtaposing styles and textures. The refined chair, comfortable enough to be your favorite reading chair bu

    focal point, contrasts nicely with the other furnishings in the room. The minimalist bed frame, dresser and side tables are me

    being over worn. The vibrant rug, filled with blue and white tones, alongside the bright white drapery, brings the room to life. S

    Modern design centers around a stark black, white and tan aesthetic-I wanted those colors to be the obvious features. Howev

    soften the space wherever possible and bring down some of the edge often associated with this type of interior. The pops o

    brilliantly to the neutral tones keeping the interior lively yet calming.

    All fabrics chosen for the furnishings, including the bed linens, are sustainably sourced and aggressively tested for optimal per

    resistance is at a minimum of 80,000 rubs with a maximum of 100 ,000 rubs (using the Martindale Method) ensuring that chairs

    enjoyed with little worry. All fabrics have performed well in pilling tests, have excellent colorfastness to light, pass all flammab

    GreenGold Certified. The focus fabrics in this residence are wool and linen for the following reasons: they are a renewable reso

    comfortable because of their ability to absorb/give off humidity, both are biodegradable, naturally soil resistant and linen/wooare easy to clean/maintain and require professional cleaning sparingly. All fabrics are warrantied for at least 5 years.

    All fabrics and furnishings were chosen to incorporate natural materials and interesting textures. The idea for each room was

    a variety of senses are awakened by each space. While the eyes are drawn to various pieces in each room; they also have a

    While minimalism is the center point of design, allowing each space to feel inviting was the priority. Contrasting shapes, open

    in the main space but allows for light to filter through, soft wool and linen, muted tones and clean lines all bring harmony to t

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    STUDY MODEL ANALYSIS

    I really struggled with this model. Foam board is a difficult material to work with and in hindsight I probably should have chose

    Having a sharp blade seems rather crucial and although mine were brand new-they did not perform well. This made items li

    and not as clean as I would have liked them. I opted to create the entire first floor and I did this because it was important to m

    this open floor plan. Since the living, dining and kitchen areas are in such close proximity; they have a close knit spatial relation

    considered. The kitchen is large and I wanted to see how it affected the choice and placement of furnishings. Personally I thin

    absolutely absurd in an apartment like this, especially with so little dining space but I cant modify that for obvious reasons.

    After completing this model, the furniture plan that I worshiped seemed rather impractical to me. With the two chairs in the

    with no real rhyme or reason, there is a fair amount of space wasted. The coffee table and the sofa in front of the window co

    After moving some things around, it appeared as though my other furniture layout where the sofas face one another on opp

    is actually quite strong. The plant, while placed there with good intention, makes getting to the stairs a little tricky. I placed a s

    walk through each circulation pattern and found that the plant was the most obtrusive piece in the design. Go figure. I may c

    chairs in the living room.

    The actual size of all the furniture seems to work really well. Everything seems proportional to one another as well as the stru

    concerned about the size of the sofas but they work well within the space. They respect the very linear orientation of the 1st f

    living room to fall flat. Having the dining room table working opposite of the natural direction of the 1st floor helps to break up t

    furnishings to scale was really important for this model because it allowed me to literally walk through the space and unders

    relates to one another. In a flat environment such as CAD (well the arrangement we are currently working in) it is easy to marelative to a 3-D environment. Seeing these furnishings pop up in scale has allowed me to figure out ways to advance my de

    gaps in future assignments.

    The dominant forms unfortunately have nothing to do with my furniture selections. The kitchen looks huge compared to eve

    for the kitchen, I would consider the dining room table to actually be the dominant feature. The height and width as well as th

    cause it to stand on its own in the space. The subdominant forms are the two living room chairs and the coffee table.

    This model has made me critical of my furniture layout and has caused me to think certain items need revisiting. Prior to adv

    accessories, I want to really make sure I nail this so that everything feels very organic and respectful of the structure itself. In t

    the minimalist approach is respected here. Pieces selected were all necessary. There isnt anything placed within the environ

    space. I think there is just enough to fill the rooms without feeling as if they are overdone.

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    STUDY MODEL

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    STUDY MODEL

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    MILLWORK THUMBNAIL SKETCHES

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    RENDERED MILLWORK & ELEVATION

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    JUSTIFICATION OF FIXTURES/FINISHES

    Each light fixture chosen either has a very linear quality and is modern in design or is very traditional with classic lines. The line

    chosen as a way to keep the design minimal and to allow for light to pass through them easily. The dining room pendant an

    were chosen not only for their design but also the fact that they dont obstruct v isibility within the space. Since natural light is

    keep the space as open as possible. The classic lights with traditional lines were chosen to soften places like the music room

    finishes are all either polished nickel or chrome (with the exception of the floor lamp which is natural and has a black shade). T

    and bright atmosphere. Each fixtures relationship to the space was also considered. I t was important that each item be func

    decorative. The LED recessed cans are meant to provide functional light in areas throughout the home while lights such as thmeant for accent. In the event of a dinner party, the dining room pendant could stand alone and warm the table with light fo

    master bedroom on either side of the bed will allow for comfortable reading in bed.

    The color for the main portion of the house, Alabaster White, is meant to create a warm environment and project a hint of co

    photography will be the features in most rooms, it was important that the clients had a blank canvas in which to work with.

    overly distracting or pull attention away from the beautifully illuminated art/photography. This color also melds nicely with all

    advances the black/white concept that this design was built from. The master bedroom has art that features a lot of blues a

    bright color that will enhance these pieces was selected. The drop ceiling at the kitchen island will pull down some of the indu

    space and allow the kitchen to stand on its own a bit. It was intentional not to do a ceiling treatment because the space wou

    and busy feeling. The framed drop ceiling will be finished with drywall and painted the same color as the walls around it.

    Flooring materials were all chosen with sustainability in mind. The Quartersawn white oak is harvested carefully and with reg

    growing cycle. The sawmill in which the product is purchased is FSC Certified and strictly adheres to all forest management p

    itself brings a direct link to nature into the home. It will allow Rob and Brienne to feel as though they experience a natural com

    the product itself physically feels good beneath your feet. A clear stain will prevent the woods natural beauty from being obs

    product longevity. The tiles are all made of at least 50% recycled content and were all hand painted without the use of chemi

    manufacturing. They are all rated for heavy wear which means the Rob and Brienne can focus on enjoying their home rathe

    managing it.

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    REARPORCH

    DW

    UP

    DN

    UP

    DN

    REF.

    C.H.11'-0"

    C.H.10'-0"

    MUSICROOM

    KITCHEN

    DININGSPACE

    GUESTROOM#1

    GUESTROOM#2

    GUESTBATH

    FULLBATH

    HOMOFF

    Replace 2structuralcolumns w/ 9.5"wide steel beam,sized bystructuralengineer. Beamto be paintedblack.

    RETAILSPACE

    UP

    W

    D

    LAUNDRY &STORAGE

    MASTERBATHROOM

    A5

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    ROODEC

    REARPORCH

    DW

    UP

    DN

    UP

    DN

    REF.

    C.H.11'-0"

    C.H.10'-0"

    MUSICROOM

    KITCHEN

    DININGSPACE

    GUESTROOM#1

    GUESTROOM#2

    GUEST

    BATH

    FULLBATH

    HOMEOFFICE

    Replace 2structuralcolumns w/ 9.5"wide steel beam,sized bystructuralengineer. Beamto be paintedblack.

    F4

    F5

    R3

    RETAILSPACE

    UP

    W

    D

    LAUNDRY &STORAGE

    3440

    MASTERBATHROOM

    F7

    P1

    P2

    F1R1

    F2

    F3

    W2

    A5

    FURNITURE SCHEDULETAG ROOM DESCRIPTION MANUFACTURER MODEL FINISH/COLOR QUANTITY

    R1 Living Room Kumba White Area Rug Bradford Rug Gallery 15040893 White/Brown 1

    F1 Living Room Arden Sofa Jonathan Adler 23219 Helsinki Oatmeal 2

    F2 Living Room Antoccino Round Coffee Table RH Modern 61191403 Black 1

    DR1 Living Room Opaque Belgian Linen Drapery Restoration Hardware 6118532 White 6

    P1 Living Room Kravet Contract Fabric on DownPillows

    Kravet Contract33005

    Suto Bayside6

    P2 Living Room Kravet Contract Fabric on DownPillows

    Kravet Contract33094

    Glenoaks Reflection6

    F3 Living Room Palm Springs Loung e Chair Dot & Bo 526898 Ivory with Teak Frame 2

    F4 Dining Room Cover Chair Muuto 854785 Solid Beech Wood, Black 6

    F5 Dining Room Adaptable/TAF Architects Table Muuto 526897 Oak Frame, White Steel 1

    R3 Dining Room Arlo Area Rug Angela Adams 25896-07 Arlo 1

    F6 Master Bedroom Machinto Closed Nightstands RH Modern 184756-01 Grey Oak 2

    F7 Master Bedroom Amsterdam Lounge Chair Jonathan Adler 21188 Grey Felt 1

    F8 Master Bedroom Machinto Platform Bed RH Modern 258145-01 Grey Oak 1

    F9 Master Bedroom Machinto 6 Drawer Low Wide Dresser RH Modern 258145-03 Grey Oak 1

    R4 Master Bedroom Tangier Azure Area Rug Bradford Rug Gallery 118745 Azure 1

    B1 Master Bedroom Stonewashed Linen Sheets RH Modern 25788-2 Pacific 10

    D2 Master Bedroom Opaque Belgian Linen Drapery Restoration Hardware 6118531 White 6

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    ROOFDECK

    REARPORCH

    DW

    UP

    DN

    UP

    DN

    REF.

    C.H.11'-0"

    C.H.10'-0"

    MUSICROOM

    KITCHEN

    DININGSPACE

    GUESTROOM#1

    GUESTROOM#2

    GUESTBATH

    FULLBATH

    HOMEOFFICE

    Replace 2structuralcolumns w/ 9.5"wide steel beam,sized bystructuralengineer. Beamto be paintedblack.

    RETAILSPACE

    UP

    W

    D

    LAUNDRY &STORAGE

    34

    40

    MASTERBATHROOM

    R

    R

    R

    R

    R

    R

    R R

    R

    R

    R R

    R

    RR

    R

    R

    R R

    R

    R R

    A5

    L1

    L1

    L1

    L1

    L1

    L1

    L1

    L1

    L1 L1

    L1

    L1

    L1

    L1

    L1

    L1L1

    L1

    L1

    L1

    L1

    L1L2

    L3

    L4

    L5

    L5

    L5

    L7

    L6

    ELECTRICAL FIXTURE SCHEDULETAG ROOM DESCRIPTION MANUFACTURER MODEL FINISH/COLOR QUANTITY

    L1 All Recessed Light Locations 4" Recessed LED Light Nora Lighting NLCBC-451 White 27

    L2 Living Room Lathe Lamp Mater Lighting 9093653 Natural w/ Black Shade 1/2/2016

    L3 Dining Room Belden Linear Pendant Circa Lighting 23219 Polished Nickel 1

    L4 Kitchen Belden Wide Pendant Circa Lighting 23220 Polished Nickel 3

    L5 Multiple Locations Dean 9" Picture Light Circa Lighting 6118532 Polished Nickel TBD

    L6 Master Bedroom Charlton Wall Light Circa Lighting 23318 White/Antiqued Brass 2

    L7 Music Room Anette Library Light Circa Lighting 234156 Polished Nickel 3

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    ROOFDECK

    REARPORCH

    DW

    UP

    DN

    UP

    DN

    REF.

    C.H.11'-0"

    C.H.10'-0"

    MUSICROOM

    KITCHEN

    DININGSPACE

    GUESTROOM#1

    GUESTROOM#2

    GUESTBATH

    FULLBATH

    HOMEOFFICE

    Replace 2structuralcolumns w/ 9.5"wide steel beam,sized bystructuralengineer. Beamto be paintedblack.

    RETAILSPACE

    UP

    W

    D

    LAUNDRY &STORAGE

    3440

    MASTERBATHROOM

    A5

    FL1

    TYPUNLESSOTHERWISENOTED

    FL2

    FL3

    FL3

    W1

    W3

    W3

    W3

    W3

    W3

    W3

    W3

    W2

    W4

    W4

    W4

    W

    W4

    C1

    FINISH SCHEDULETAG ROOM DESCRIPTION MANUFACTURER MODEL FINISH/COLOR QUANTITY

    FL1 TYP. except in bathrooms 5" Quartersawn White Oak Frank Miller N/A Environmax Clear Stain SEE SPEC SHEET

    FL2 Master Bathroom 12"x12" Much Love Tile Cle Tile N/A Blue/White SEE SPEC SHEET

    FL3 2nd Floor Bathrooms 8" Hexagon Tile Mission Tile N/A Electra Gray SEE SPEC SHEET

    W1 Kitchen Backsplash 18"x18" Lithography on Thassos Cle Tile N/A Black/White SEE SPEC SHEET

    W2 Living Room Woods Wallpaper Cole & Sons CS 69 12147 Onyx/White 3 rolls

    W 3 E nt ir e 1 st & 2n d f lo or s w it h e xc ep ti onof bathrooms

    Alabaster White Sherwin Williams7004

    Alabaster White8 Gallons

    W4 Master Bedroom Open Air Sherwin Williams6491

    Open Air2 Gallons

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    A1

    A2

    L7

    11'-0"

    A3

    3'-0"

    A5

    A6

    A4

    A7

    6'-4"

    MILLWORK SCHEDULETAG ROOM DESCRIPTION MANUFACTURER MODEL FINISH/COLOR

    A1 Music Room 34" width, 5

    15" height crown molding

    (painted poplar)

    Kiever Williard KB318 SW 7004, Alabaster W

    A2 Music Room 34" width, 5

    12" baseboard (painted

    poplar)

    Kiever WillardKB226

    SW 7004, Alabaster W

    A3 Music Room Lungaro Pull (6") Restoration Hardware 23219 Chrome

    A4 Music Room Painted Birch Plywood Morrison Millwork N/A SW 7004, Alabaster W

    A5Music Room 3

    4" Birch plywood adjustable shelving

    with 34" birch nosing

    Morrison Millwork N/A Enviromax Clear Sta

    A6 Music Room 1 12" Birch face frameMorrison Millwork N/A Environmax Clear Sta

    A7M us ic R oom S ha ke r St yl e fu ll o ve rl ay door w it h 3"

    rails and Euro style soft close hingesMorrison Millwork N/A Environmax Clear Sta

    L7 Music Room Anette Library Light Circa Lighting 6118532 Polished Nickel

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    WORKS CITED

    1. Second Empire Style History of Buildings, Wentworth, Web. 2015 http://www.wentworthstudio.com/historic-styles/second-empire2. Second Empire Style Wikipedia, Web. 2015 https://en.wikipedia.org/wiki/Second_Empire_architecture3. 10 Lessons You Can Learn From Scandinavian Design Freshsome, Web. 2015 http://freshome.com/2014/09/15/10-design-lessons-you-can-learn-from-scan4. Photographs on left of slides 6 & 7 are the exclusive property of Jennifer MorrisonSPEC SHEET FOR FURNISHINGS

    5. image 1: Azra Rug Restoration Hardware, Web. 2015 https://www.rhmodern.com/catalog/category/collections.jsp?parentCatId=cat6910008&categoryId=cat66. Image 2: Brown Cloud Kyle Bunting, Web. 2015 https://kylebunting.com/en/colorview/brown_cloud/2534-brown-cloud/4112-cow-hide7. Image 3: Arden Sofa Jonathan Adler, Web. 2015 http://www.jonathanadler.com/furniture/sofas-and-sectionals/arden-sofa/24-8900015.html?dwvar_24-8908. Image 6: Kravet Smart Kravet Contract, Web. 2015 http://search.kravet.com/Kravet-Smart-Black/33005.8-400/CoverInformation.aspx9. Image 7: The Fray Nero Kravet Contract, Web. 2015 http://search.kravet.com/Kravet-Velvet-Black/33094.81-400/CoverInformation.aspx10. Image 8: Palm Springs Lounge Chair in Ivory Dot & Bo, Web. 2015 http://www.dotandbo.com/collections/free-shipping-day-seating/palm-springs-lounge-c11. Image 9: Adaptable Table Muuto, Web. 2015 http://www.muuto.com/furniture/adaptable-77612. Image 10: Cover-Textile Chair Muuto, Web. 2015 http://www.muuto.com/furniture/cover-upholstery13. Image 11: Arlo Angela Adams, Web. 2015 http://angelaadams.com/collections/hand-tufted-hand-woven-hand-knotted/products/arlo?variant=567335936114: Image 12: Tangier Azure Rug Bradford Rug Gallery, Web. 2015 http://www.bradfordsruggallery.com/products/tangier-azure15: Image 13: Stonewashed Belgian Linen Bedding Collection Restoration Hardware, Web. 2015 https://www.restorationhardware.com/catalog/product/produ16. Image 14: Machinto Platform Bed Restoration Hardware, Web. 2015 https://www.rhmodern.com/catalog/product/product.jsp?productId=prod7450348&cate17. Image 15: Machinto 6 Drawer Low Wide Dresser Restoration Hardware, Web. 2015 https://www.rhmodern.com/catalog/product/product.jsp?productId=pro18. Image 16: Machinto Closed nightstand Restoration hardware, Web. 2015 https://www.rhmodern.com/catalog/product/product.jsp?productId=prod745034219. Image 17 Amsterdam Lounge Chair Jonathan Adler, Web. 2015 http://www.jonathanadler.com/new/by-category/new-furniture/amsterdam-lounge-chaSPEC SHEET FOR FINISHES LIGHTING

    20. Image 1: Image by Jennifer Morrison21. Images 2 & 3: Artist Tiles Cle Tiles, Web, 2015 http://www.cletile.com/pwtravelogue-/urban-by-pwtravelogue-shop-now?__hssc=&__hstc=&__hsfp=&hsCtaT

    09163a69e887%7C597bdc22-f5c6-47eb-9341-f5e16fe08a7721. Image 4: Cole & Sons Woods Wallpaper Decorators Plus, Web. 2015 http://www.decoratorsbest.com/p-cole-son-69-12147-woods-onyx-white-wallpaper-8584.aspx?gclid=CJjQ6euYnMgCFVQXHwodHyQKaQ22. Image 5 Software Shermin Williams, Web. 2015 http://www.sherwin-williams.com/homeowners/color/find-and-explore-colors/paint-colors-by-family/SW7074/#/7074/?s=coordinatingColors&p=PS023: Image 7: Cobalt Retrofit Light Nora Lighting, Web. 2015 http://www.noralighting.com/Category.aspx?cid=413124: Image 8: Lathe Lamp Mater, Web. 2015 http://www.architonic.com/pmsht/lathe-lamp-mater/119276125. Image 9 Belden Linear Pendant Circa Lighting, Web. 2015 http://www.circalighting.com/details.aspx?pid=436026. Image 10: Belden Wide Pendant Circa Lighting, Web. 2015 http://www.circalighting.com/details.aspx?pid=435827: Image 11: Dean 10 Picture Light Circa Lighting, Web, 2015 http://www.circalighting.com/details.aspx?pid=165928: Image 12: Charlton wall Light Circa Lighting, Web. 2015 http://www.circalighting.com/details.aspx?pid=4909

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