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Online Learning Exchange Interactive Music powered by Silver Burdett published with Alfred Music Publishing Co., Inc. Copyright © Pearson Education, Inc., or its affiliates. All Rights Reserved.

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Publisher: Pearson Title: interactive MUSIC powered by Silver Burdett with Alfred Grades: PK-8

Interactive Music powered by Silver Burdett incorporates the rich tradition and history

of a company that has served the music education profession for more than 130 years. Because

this experience has been merged with applications of the most recent theory and research on

music teaching and learning, teachers may safely rely on the curriculum, instructional models,

and methods that comprise the program. The strong, empirical base of Interactive Music

powered by Silver Burdett is strengthened by the large number of authors and academics who

are themselves researchers in music teaching and learning. Many of them have specialized in and

contributed to significant areas of music scholarship such as curriculum design, perception,

acquisition of music skills, and repertoire for music learning. Authors for Orff Process, Listening

Maps, Child Voice, Adolescent Voice, technology, and other specific areas have helped to shape

the program.

Interactive Music powered by Silver Burdett was designed, researched, and tested to

incorporate the fundamentals of music education. Criteria used in developing all features of the

program represent a merger of traditions with recent research on music learning and practical

application. Each member of the carefully selected team of program authors has professional

recognition for expertise as a teacher and researcher. In addition, leaders from specialized

methodologies and interests served as authors for distinctive lesson sequences, instrumental

arrangements, and unique features.


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Interactive Music powered by Silver Burdett reflects the strengths of its authors, the

findings from recognized research studies, and the advice of special panels of teachers in the

field who identified specific needs and also a strong desire for creative approaches to link music

instruction with other curriculum areas. These authors include:

Dr. Lynn Brinckmeyer is Professor of Music and Director of Choral Music Education at

Texas State University in San Marcos. She is Co-founder and Artistic Director of the Hill

Country Youth Chorus for singers from ages 7-16. This program serves boys and girls from

diverse cultural and economic backgrounds. Dr. Brinckmeyer is also in demand as a clinician

and all-state conductor for children’s choirs and middle school choirs. In addition to her

university activities, Dr. Brinckmeyer served as President of the National Association for Music

Education, formerly MENC, as chair of the Council of Past National Presidents, and as the

General Music Curriculum Chair for the Washington Music Educators Association.

Amy Burns is a PK-5 General and Instrument Music Educator, Chorus Director, and

Performing Arts Manager at Far Hills Country Day School in Far Hills, New Jersey. During the

summers, she is an adjunct music education/music technology professor at universities including

Central Connecticut State University, William Paterson University, and Montclair State

University. Amy has served as President of TI:ME, the organization for Technology in Music

Education, and remains an active participant and contributor. She has been a member of TI:ME’s

Board of Directors and was the recipient of their first TI:ME Teacher of the Year award in 2005

for her contributions of integrating technology into the elementary music classroom. She has

authored many articles for journals and newsletters.


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Dr. Patricia Shehan Campbell is an internationally recognized teacher and scholar in

the fields of music education and ethnomusicology. At the University of Washington, she

teaches courses in both areas. She began her professional work in K-8 music, and maintains her

interests through research and curricular projects in schools in addition to teaching. Her

specialized studies in Dalcroze and world music pedagogy have allowed her rich experiences in

songs and dances from many lands. Professional recognition of Dr. Campbell’s leadership role in

both music education and ethnomusicology is shown by her positions as a member of the board

of Smithsonian Folkways and as an officer in the International Society for Music Education, the

Society for Ethnomusicology, and The College Music Society. Her specialized study of

children’s music and dances established her as a leading author, co-author, and editor of

professional journal articles, collections, and textbooks.

Dr. Audrey Cardany is Assistant Professor of Music at the University of Rhode Island,

in Kingston, teaching undergraduate and graduate courses in music education and directing the

University Chorus. Dr. Cardany is also the Director of Community Music and Education for the

Chorus of Westerly, in Westerly, Rhode Island where she teaches musicianship to singers of all

ages. She began her teaching career in vocal and PK-8 general music and has continued the

emphasis with specializations for pre-school music and with certifications for both Orff-

Schülwerk and Kodály pedagogies. The Maryland State Department of Education selected Dr.

Cardany to present her research on technology and learning at the state’s Early Childhood Care

and Research Forum. As a regular presenter for Kodály certification courses, she assists with

teacher training courses and conducts the choral ensemble. She has authored research in peer-

reviewed music education journals.


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Dr. Shelly Cooper serves as Music Education Area Coordinator and teaches

undergraduate and graduate music education courses in the School of Music at the University of

Arizona. She is a recipient of the University of Arizona’s “1885 Society Distinguished Scholar

Award.” Dr. Cooper is known for her work in early childhood education and the Kodály method.

She teaches Kodály Certification Courses at Arizona State University and the University of New

Mexico. Through her research and outreach activities, she is actively involved with preschool

and elementary-age students. Her primary teaching and research interests include music

acquisition in children, children as composers, and historical aspects of music education. In

addition, Dr. Cooper is the editor of General Music Today, Book/Media Review Editor for the

Journal of Historical Research in Music Education, and serves as Director of the Desert Skies

Symposium on Research in Music Education. She has numerous articles published in music

education journals and was a contributing author to The New Grove Dictionary of American

Music II.

Anne Fennell is the Creative Arts Chair and Instrumental and Music Composition

Teacher at Mission Vista High School in Vista, CA. She holds a Bachelor’s in Music Education,

a Masters In Leadership Studies, Orff-Schulwerk certification for levels I, II, and III and has

additional training and certifications in world music studies, Character Education, Gifted and

Talented Education, and Cross-Cultural Language and Academic Development. Her experiences

includes 29 years of teaching K-8 integrated arts and music, leading performance ensembles in

civic and professional organizations and national conferences, and teaching three steel drum

ensembles and three levels of music composition, grades 9-12. In the fall of 2015, Anne was a

keynote speaker at the first China Conference for Music Education in Shanghai, addressing the


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Whole Musician, followed by workshops in music composition. She was a Sub-Committee

Music Writing Team member for the National Core Arts Music Standards and is a 2016-2018

member of the NAfME General Music Education Council and a member and 2016-2018 Chair

Elect for the NAfME IN-ovations Council.

Sanna Longden is widely recognized as a leading world dance clinician, multicultural

movement educator, and presenter for local, state, and regional professional development

workshops and sessions. She is a featured presenter at conferences across the United States and

abroad, as well as serving as a resident artist in North American Schools. In 2012, she received

the National Folk Organization’s Preserving Our Heritage Award for her significant and lasting

contributions to the field of folk arts, and was also honored by the Illinois Alliance for Arts

Education with its Service Recognition Award for Dance Artist. Ms. Longden is a longtime

member of professional movement and ethnic dance organizations. She maintains membership in

the American Orff-Schulwerk Association and is often a featured presenter at AOSA sponsored

events, as well as for Kodály and physical education conferences. Sanna’s interest in and

experience with world cultures has led to her focus and emphasis on cultural backgrounds for

folk dances and ethnic music games, the relationship of traditional music accompaniments, and

the development of age-appropriate teaching styles and procedures.

Dr. Rochelle Mann has a record of outstanding service to the music education profession

and is recognized for her artistry in flute performance. She was named a Featured Scholar at Fort

Lewis College where she served as Chair of the Music Department and Dean of Arts,

Humanities, and Social Sciences. Dr. Mann holds the title Professor Emerita of Music and

continues to be a strong advocate for quality music education at all levels. She is a specialist in


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the Kodály concept, and has taught Kodály Certification courses at Arizona State, Portland State,

and Texas Tech Universities. A former teacher on the Navajo reservation, she frequently

includes Native American music and traditions in her presentations at workshops and

conferences. Dr. Mann recently retired from her position as Artistic Director of the Durango,

Colorado Children’s Chorale—one of the featured choirs at a recent OAKE convention. She

continues to serve as a clinician and guest conductor of children’s honor choirs throughout the

country. Her publications include arrangements and compositions for children’s voices as well as

professional journal articles that promote innovative teaching techniques.

Dr. Nan L. McDonald is Professor of Music and Coordinator of Music Education at San

Diego State University School of Music and Dance. With over 25 years of K-8 music teaching

and professional arts performance for children, Dr. McDonald coordinates the SDSU Music

Education Fellowship (MEF). She also works with music and arts specialists and K-8 classroom

teachers in inner city classrooms. Dr. McDonald was twice elected State Executive Vice

President for the California Music Educators Association and was further honored by CMEA as

University Music Educator of the Year. San Diego State University recognized her contributions

with the Distinguished Faculty “Monty Award.” She twice received an Outstanding Faculty

Award from the School of Music and Dance and was one of five awardees campus-wide of the

2011 SDSU President’s Leadership Fund for Faculty Excellence for her body of work. Dr.

McDonald is an active researcher/writer. Her most recent solo publication is Handbook for K-8

Arts Integration: Purposeful Planning Across the Curriculum (2010, Pearson Allyn & Bacon).

As a leading national authority in literacy-based Arts Integration within K-8 curriculum, music

classroom discipline and management, integrated arts and music across the K-8 curriculum, Dr.


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McDonald is an active presenter at professional development workshops for teachers and

administrators across the country.

Dr. Martina Miranda is involved in teacher preparation courses for undergraduate and

graduate students, including general music methods, inclusive music classroom approaches, and

student teaching supervision. She also works with current music teachers seeking professional

development through graduate coursework related to teacher reflection and examination of

pedagogical practice. Dr. Miranda has established national recognition as a general music and

early childhood specialist. Her research addresses developmentally appropriate teaching and

learning practices for general music classrooms. In an application of that research, she

collaborates with local music teachers to create student practicum experiences that promote

understanding children’s individual musical understanding and expression. In addition to

national conference and workshop presentations, Dr. Miranda continues to present on the district

and state levels. She draws on a blend of expertise from 16 years of PK-6 general music

teaching, Orff and Kodály training, and special project work in area schools to inform

suggestions for classroom practice. Areas of focus include musical exploration, creative

movement, imaginative play and story-based listening experiences.

Dr. Sandra Stauffer teaches both undergraduate and graduate courses for present and

future music teachers. She serves as Coordinator of Graduate Studies in Music Education at

Arizona State University and is also the administrator of their summer Kodály and Orff

certification programs. The university named her its first Evelyn Smith Professor of Music and

one of its Outstanding Graduate Mentors. Dr. Stauffer is a recognized professional leader for

general music at the elementary and middle school levels. As a university faculty member, she


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continues her active involvement with K–8 students both as a volunteer and through her

research. Dr. Stauffer extended the focus of her recent research on student creativity in music to

different ways of including acoustic sounds and technology programs to improvise and compose

in classrooms and ensembles. She has received grants from major commercial and professional

organizations for special studies and projects and has a lengthy list of publications based on her

work. In addition to Dr. Stauffer’s involvement as an internationally respected music education

clinician and as a consultant for professional development workshops and curriculum projects,

she is a featured presenter at local, state, and national conferences. She has authored journal

articles on creativity, music listening, assessment, and music teacher preparation.

Phyllis Thomas has taught elementary music for twenty-four years, the last fifteen of

which have been at Bridlewood Elementary School, part of the Lewisville (Texas) Independent

School District. She has served as a lead teacher for the elementary music program with special

responsibilities on the Advocacy, Curriculum, and Assessment committees and for the Grade 5

LISD Honor Choir. She has completed three levels of Kodály training and one level of Orff

training. In addition to her selection as “Teacher of the Year” for her campus for the 1999-2000

school year, she has received honors from the district. She is a 2010 recipient of the Lewisville

Foundation Award and was designated as a “Model Technology Classroom” Teacher (2008), and

a SMART Exemplary Educator (2010-present). Mrs. Thomas is a frequent presenter for

technology and SMART Board sessions at district, state, and regional workshops and

conferences across the country. She has been a featured clinician for the Elementary Division at

Arkansas ACDA convention, the Texas Music Educators Association (TMEA), the regional and


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state Texas Computer Education Association (TCEA) conferences, and the national TI:ME

convention.

Charlie Tighe is the music specialist at Murdock Elementary School in Cobb County,

Georgia. Charlie is an active choral director and clinician and has conducted both adult and

children’s choruses throughout the Southeast. A National Board Certified Teacher, his children’s

chorus was featured twice at the Georgia Music Educators Association State Convention and at

the national convention of the American Orff Schulwerk Association. He is active in Orff

Schulwerk throughout the United States, and has presented workshops to parents, classroom

teachers, principals, and fellow music teachers. He is the course director and Level I Instructor

for the Dekalb County Orff Course. For eight years, he was adjunct faculty at New Jersey City

University, where he taught Orff Levels, movement, and recorder. Charlie has extensive

experience in teaching choral and general music in elementary and secondary schools. He has

written several works for choirs and has organized and conducted choral festivals throughout the

Southeast. Charlie has served as the District Elementary Chair for the Georgia Music Educators

Association and served on the board of the Atlanta Chapter of the American Orff Schulwerk

Association.

Dr. Maribeth Yoder-White has taught choral and general music education in Pre-K

through university settings at public and private institutions. She has a distinguished record as a

choral clinician and has conducted state and regional elementary, middle, and high school honors

choruses throughout the country. The North Carolina American Choral Directors Association

awarded Yoder-White the Lara Hoggard Award for distinguished service in choral music in

North Carolina. An active educational consultant, Yoder-White presents professional


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development for teachers through workshops, demonstration lessons, and arts-integrated

curriculum design. Dr. Yoder-White is a recognized Orff- Schulwerk specialist who teaches

Orff-Schulwerk teacher education courses and presents professional development sessions for

school districts and at state, regional, national, and international conferences. Dr. Yoder-White

has served in leadership with many professional organizations including serving as President of

the Southern Division of the National Association for Music Education, President of the North

Carolina Music Educators Association, and President of the North Carolina American Choral

Directors Association.

Below is some of the published research including research by Interactive Music

powered by Silver Burdett authors that has influenced the development of the program.

Brinckmeyer, L. (2014) Taking the Lead: Recognizing and Cultivating Leadership Skills in the Elementary Music Classroom,” Southwestern Musician 83 (November 2014). Brinckmeyer, L. Contributing author, (2006). The Choral Director’s Cookbook: Insights and Inspired Recipes for Beginners and Experts, Meredith Music Publications, Galesville, MD. Brinckmeyer, L. (2015). Wander the World with Warm-ups! Shawnee Press, Milwaukee, WI. Brinckmeyer, L. (2016). Advocate for Music: A Guide to User-Friendly Strategies. Under contract with Oxford University Press. New York, NY. January, 2016. Campbell, Patricia Shehan [Pat Campbell]. (2009). Songs By and For Children. Smithsonian Folkways electronic magazine. Cover article. http://www.folkways.si.edu Campbell, Patricia Shehan and Trevor Wiggins, editors. (2013). The Oxford Handbook on Music in Children’s Lives. New York: Oxford University Press. Campbell, Patricia Shehan, Amy Beegle, and Claire Connell. (2007) Adolescents’ Expressed Meanings of Music In and Out of School. Journal of Research in Music Education. Campbell, Patricia Shehan, Creative Arts, Education, and Culture in Global Perspective. (2014). In Samuel Leong and Bo Wah Leung, editors. Arts and Education in Greater China. Amsterdam: Springer Press.


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Campbell, Patricia Shehan. (2012). Music Education and Diversity. In James A. Banks, editor, Encyclopedia of Diversity in Education. Thousand Oaks, CA: Sage Publishing Inc. Campbell, Patricia Shehan. (2015). Children at musical play. In Philip Bohlman and Victoria Levine, editors, Festschrift in Honor of Bruno Nettl. Urbana IL: University of Illinois Press. Campbell, Patricia Shehan. (2015). World music pedagogy: Where music meets culture in classroom practice. In Carlos Abril and Brent Gault, editors, Approaches to Teaching Music: Methods, Issues and Viewpoints. New York: Oxford University Press. Campbell, Patricia Shehan. (2007). Sounds like children’s culture: Musical meaning in children’s lives. In Encyclopedia of Arts Education. Liora Bresler, Ed. Netherlands: Springer. Campbell, Patricia Shehan. (2008). Tunes and Grooves: Music in the Making. Englewood Cliffs, NJ: Prentice-Hall. Campbell, Patricia Shehan. (2009). Improvisation and the Educational Process. In Musical Improvisation: Art, Education, and Society. Gabe Solis and Bruno Nettl, co-editors. University of Illinois Press. Campbell, Patricia Shehan. (2010) Music Alive! in the Yakima Valley. International Journal of Community Music 3:2. Campbell, Patricia Shehan. (2010). Music and Its Meaning in the Lives of Children at Home and in Family Life. Invited chapter for Cultural Psychology of Music, Margarett Barrett, editor. Oxford University Press. Campbell, Patricia Shehan. (2013). Children, Teachers, and Ethnomusicologists: Traditions and Transformation of Music in School. In Barbara Alge, editor, Beyond Borders: Welt-Musik-Padagogik. Rostock, FDR. Campbell, Patricia Shehan. (2013). Songs to grow on: Children’s musical Practices. In Mitchel Strumpf and Imani Sanga, editors, Ethnomusicology and Education. Dar es Salaam: U.S. Embassy Printing. Campbell, Patricia Shehan. (2015). I Can Play It. London: Barrons. Cardany, Audrey. (2011). Listening walks and singing maps. General Music Today, 24(3), 34-38. Cardany, Audrey. (2011). From poetry to music: Northern lullaby. General Music Today, 24(2), 37-41. Cardany, Audrey. (2010). Screen media and young children: Who benefits? General Music Today, 24(1), 50-55. Cardany, Audrey. (2010). Assessment and accountability in music education in Rhode Island. The RIMER: Rhode Island Music Educators Review, 53(2),14-17. Clements, Ann, and Patricia Shehan Campbell. (2006) Youth Music, Then and Now, for K-12 Classrooms. 13.


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Cooper, S. (2006). “The Fossils” and “The Swan.” In Miranda, M. and Persellin, D. (eds.), A Carnival of the Animals: A Show, Listen, and Tell. Reston, VA: MENC. Cooper, S. (January 2010). “Lighting Up the Brain with Songs and Stories.” General Music Today, 23 (2), 24-30. Cooper, S. (Winter 2012). “Bringing Ring Around the Rosy into the Living Room.” Perspectives: Journal of the Early Childhood Music & Movement Association, 7 (1), 5-8. Cooper, S. & Cardany, A. (2011) “The Importance of Parents in Early Childhood Music Program Evaluation.” In Taggart, C. & Burton, S. (eds.) Learning from Young Children: Research in Early Childhood Music. Lanham, MD: Rowman & Littlefield. pp. 95-112. Cooper, S. C. (2010). Invited contributing author (2010). In Runfola, M. & Rutkowski, J. (Eds.) TIPS: The Child Voice. (Rev. ed.). Lanham, MD: Rowman & Littlefield. Cooper, S., & Cardany, A. (October 2008). “Making Connections During Early Childhood: Promoting Music Making in the Home.” General Music Today, 22 (1), 4-12. Cooper, S., & Dunbar, L. (expected publication 2016). “The Magic of Manipulatives in the General Music Classroom.” Kodály Envoy. Cooper, S., Carlow, R. & Hoffman, J. (Spring 2015) “Minding the Tragic Gap: Conversations of Invisibility in Early Childhood Music Education.” The Mountain Lake Reader: Conversations on the Study and Practice of Music Teaching, 6, 84-93. Cooper, S., & Humphreys, J.T. (In Press). “Relationships between Pitch-Matching and Grade Level, Gender, Ethnicity, and Classroom Teachers’ Use of Music in Grades K-3.” Southern Music Education Journal Dunbar, L. & Cooper, S. (2015). “Balancing Convenience and Ethics in Higher Education: Refining and Reconfiguring the Music Classroom Technology Culture.” In S. A. O’Neill (Series Ed. & Vol. Ed.), Research to Practice: Vol. 6. Music and Media Infused Lives: Music Education in a Digital Age, pp. 225-238. Waterloo, ON: Canadian Music Educator’s Association. Fisher, D., McDonald, N. L., and Frey, Nancy (2012). “Creating Classrooms that Perform: Integration of Literacy and the Arts” within The Handbook of Effective Literacy Instruction. Edited by Nell Duke & Barbara Taylor. New York: Guilford. Gonzales, C. I., Brinckmeyer, L. & Beckman, A. A. (2012). “A Pilot Study: The Effect of Singing and Non-Singing Instructional Strategies on Harmonic Listening Skills,” Reports of Research in Music Education, Texas Music Educators Association, Austin, TX.


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Hamann, D. & Cooper, S. (2015). Becoming a Music Teacher: Student to Practitioner. New York, NY: Oxford University Press. Higgins, Lee, and Patricia Campbell Shehan. (2010). Free to Be Musical: Group Improvisation in Music. Rowman/Littlefield. Howard, Karen, James B. Morford, and Patricia Shehan Campbell. (2014). Get-in-the-Groove Music: Rhythmicking with Young Children. International Journal of Community Music. 6:3. Lew, Jackie Chooi-Theng, and Patricia Shehan Campbell. (2006). Selamat Malaysia: Malay, Chinese, and Tamil Indian Children’s Song and Lore. Miami, FL: Alfred Publishing Liao, Mei-Ling, and Patricia Shehan Campbell. (2015). Teaching children’s songs: A Taiwan-U.S. comparison of approaches by kindergarten teachers. Music Education Research 17:3, 1-17. Liao, Mei-Ling, and Patricia Shehan Campbell. An analysis of song-leading by kindergarten teachers in Taiwan and the USA. (2014). Music Education Research 16:2, 144-161. Lum, Chee Hoo, and Patricia Shehan Campbell. (2007). The Sonic Surrounds of an Elementary School. Journal of Research in Music Education. McDonald, N. L. and Fisher, D. (2006). Teaching Literacy Through the Arts: A Guidebook for Teachers. New York: Guilford Publications. McDonald, N. L. and Smigel, E. (2010). “Piecing Together the Twentieth Century: An Interdisciplinary Unit on Principles of Collage in Modern Music, Art, and Poetry (Grades 4-8).” General Music Today, XX(X) 1-7, Online Format © March, 2010. McDonald, N. L., (2010). “Classroom Management Close-Up.” KMEA Journal, Fall 2010, 25-32. McDonald, N. L., (2010). Handbook for K-8 Arts Integration: Purposeful Planning across the Curriculum. Boston: Pearson Allyn & Bacon. McDonald, N. L., (2008). “Standards in the Arts and Arts within Literacy Instruction.” Within The Handbook of Research on Teaching Literacy Through the Communicative, Performing, and Visual Arts” Volume II: Sponsored by the International Reading Association. Edited by Flood, Brice-Heath, and Lapp. Mahwah, NJ: Lawrence Erlbaum. Miranda, M. (2012). You’re in or you’re out: Impact of preconceptions on social development in the Kindergarten general music classroom. In M.S. Barrett & S.L. Stauffer (Eds.), Narrative Soundings: An Anthology of Narrative Inquiry in Music Education (Vol. 2), Springer, New York, NY. (pp. 99-114). Miranda, M. (2009). Developmentally appropriate practice: Historic roots and evolving paradigms. In L.K. Thompson & M.R. Campbell (Eds.), Research Perspectives: Thought and Practice in Music Education (Vol. 2), Information Age Publishing, Charlotte, NC. (pp. 7-35).


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Miranda, M. (2011). My name is Maria: Supporting English language learners in the Kindergarten general music classroom. General Music Today, 24:17‐22. Miranda, M., Robbins, J., & Stauffer, S. (2007). Seeing and hearing music teaching and learning: Transforming classroom observations through ethnography and portraiture. Research Studies in Music Education, 28, 3-21. Schippers, Huib and Patricia Shehan Campbell. (2013). Cultural diversity: Beyond ‘Songs from every land’. Invited chapter for Oxford Handbook of Music Education, Gary McPherson and Graham Welch, editors. Smigel, E. and McDonald, N. L. (2012). “Lessons That Bear Repeating and Repeating That Bears Lessons: An Interdisciplinary Unit on Principles of Minimalism in Modern Music, Art, and Poetry (Grades 4-8).” General Music Today, 26 (1), 5-10. Watts, Sarah, and Patricia Shehan Campbell, (2008). The Contributions of Ruth Crawford Seeger to Music Education. Journal of Research in Music Education. Whiteman, Peter, and Patricia Shehan Campbell. (2012). Picture It! Young Children Conceptualizing Music. Invited chapter for Asian-Pacific Research on Young Children and the Arts, Chee Hoo Lum and Peter Whiteman, editors. Zdzinski, S., Cooper, S., Gumm, A. Orzolek, D., Yap, C.C., Rinnert, N., Dell, C., & Keith, T. (June 2015). “Musical Home Environment, Family Background, and Parenting Style on Success in School Music and in School Contributions to Music Education, 40, 71-90.

In addition to the research cited above, Pearson conducted a number of market research studies

throughout the development of Interactive Music powered by Silver Burdett including studies

to explore trends in music education. During sessions held across the country, music teachers had

the opportunity to review features of the program and provide feedback to a non-employee,

moderator. The data collected were carefully considered during the development of the program.

Finally, music teachers were asked to complete song surveys to ensure the song

selections in Interactive Music powered by Silver Burdett are developmentally appropriate

and appealing to students. These surveys also included basic information about how teachers

choose songs for their classroom.


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Interactive Music powered by Silver Burdett is a research-based program that reflects

pedagogical theory and practice in music education as evidenced by a review of the literature.

The authorship team used this research-base as they created Interactive Music powered by

Silver Burdett.

interactive music powered by silver burdett with...

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