Intergalactic Liquor Sponsorship for $250k Includes: - Your brand’s 30 second spot running at the beginning of all 12 episodes - Your Brand Presents running before the opening titles - Company’s logo included in end credits of each episode and on website - Additional company logos and credits will be added to all special features for the series - Brand’s individually crafted cocktail featured in the middle of each episode - Banner ad featured at the top of the Zompire Vixens from Pluto! home page with link to your site - Your brand’s logo included on all series merchandise, including shirts, posters, DVDs, and lunchboxes - Mention of your brand throughout show’s press promotions and publicity, online and o� - 15 tickets to show premiere parties - Sponsorship of all Zompire Vixens from Pluto! live events, including banners and liquor placement

Solar System Sponsorship for $150k Includes: - Your brand’s 30 second spot running after the end credits of all 12 episodes - Company’s logo included in end credits of each episode and on website - Opportunity for featured product placement in each episode - Side bar ad featured on the Zompire Vixens from Pluto! home page with link to your site - Mention of your brand throughout show’s press promotions and publicity, online and o� - 10 tickets to show premiere parties - Partial sponsorship of all Zompire Vixens from Pluto! live events, including posters and programs

Milky Way Sponsorship for $75k Includes: - Your brand’s 15 second spot running in a quarter page slot on the Zompire Vixens from Pluto! site - Company’s logo included in end credits of each episode and on website - Opportunity for product placement in each episode - Mention of your brand throughout show’s press promotions and publicity - 5 tickets to show premiere parties

Planet Earth Sponsorship for $25k Includes: - Company’s logo included in end credits of each episode and on website - Opportunity for product placement in each episode - Mention of your brand throughout show’s press promotions and publicity

Plutoid Sponsorship for $5k Includes: - Company’s logo included in end credits of each episode and on website

Branded Content – The Final FrontierThe internet is in�nitely expanding to o�er new ways for quality products to reach consumers. Print ads and TV spots have less of a hold on the market as audiences are increasingly bombarded by content on the web. In a more market-savvy world, consumers are well aware of product placement and perhaps even take a somewhat cynical approach to subliminal messaging.

Instead of keeping with more traditional means of promoting your brand, now is the perfect time to strike a new path with branded content. New media is still in its infancy and �guring out its place in the world, which o�ers the opportunity for lower overhead with potentially exponential bene�ts. Branded content is the chance to stamp your brand’s name and sensibility all over a creative endeavor with mass appeal.

Zombies Versus VampiresThe key to a successful webseries is to target a niche market. In addition to winning several awards, perennially successful lesbian high school drama Anyone But Me has reached hundreds of thousands of viewers per episode. Geeky gamer webseries The Guild has been seen by over 71 million viewers on YouTube alone.

Zompire Vixens from Pluto! takes the eternally popular horror fodder of zombies and vampires, mixes in Ed Wood camp and ‘60s Technicolor Sci Fi, shakes gently, and serves this comic cocktail over ice. The series will create an alternate universe akin to a Tim Burton or Robert Rodriguez creation. This is a savory mix for the internet where more and more projects that play it safe are thrown over in favor of the most unique and original content available.

Liquor Brands Meet Zompire VixensThe team for Zompire Vixens from Pluto! are building their careers and seeking a label with similar aspirations. Writer/Director/Producer Jenna Payne has an award-winning grindhouse comedy called Feline Frenzy and is eager to bring her genre mash ups to a larger audience. Tina Cesa Ward, Executive Producer/Writer/Director of Anyone But Me, is excited to take on the role of Consulting Producer for the project.

Aside from awards and vision, we have a plan for building a large audience online. Viral videos often seem to be the result of magic and timing, but there are strategies to implement when seeking attention on the web. First, we have connections with name talent who we feel con�dent we can bring on board in cameos, provided that their day rates and scheduling demands are met. These names also come with a horde of their own fans who are eager to check out their next project.

We also plan on creating video extras to supplement the episodes and reach new viewers. These supplements will get the audience even more excited and more likely to pass on the series to their friends. We will be creating 60 second how to videos, like How to Build Pluto and How to Dress Like a Zompire, by combining time lapse behind-the-scenes footage with funny commentary by cast and crew. Audience participation is key on the internet, so we want to include them in the movie magic. This goes beyond sharing our secrets to building message boards where their voices and opinions can be heard and responded to by the creators.

Most importantly, our sponsor brand is an integral part of every episode. The shows are written to encourage the media savvy of the audience. The series creates a brand platform that melds the old showcases of the ‘50s and ‘60s with the prod-uct placement awareness and subtle irony of the Millenials. The episodes have written in a special cocktail created for the episode with the brand. Each episode will boldly stop the plot to plug the brand as part of the joke, and the recipe will be shared online with recipes and tasting notes, which not only furthers the liquor brand but also incorporates back into the social media elements of the marketing campaign. Most of all, the over-the-top approach to incorporating the brand will endear consumers to the brand for both its humor and its honesty.

Contact Jenna Payne jenna_payne@ymail.com www.jennapayne.com

The PitchFor a fraction of the cost of traditional television spots, the team at Zompire Vixens from Pluto! will deliver 12 �ve minute episodes in addition to several behind the scenes and how to videos to ramp up interest in the show. The series will run with one episode a week for a period of three months along with companion special features.

For full sponsorship of the series, each episode will feature a slate with Your Brand presents before the titles in addition to each episode’s featured beverage. The website will also feature a home page, top banner for the brand that will connect directly to the brand’s website. Additionally, webseries are quite successful with merchandizing. Zompire Vixens from Pluto! plans on o�ering vintage-style posters, t-shirts, lunchboxes, DVDs, and other items. The series would love to include our sponsor’s logo on all merchandise sold.

We will be hiring a dedicated and proven social media professional to ensure that the show achieves the success and exposure required to properly deliver on a branded content campaign. Building a campaign that reaches viral proportions for a brand and a webseries does not happen overnight and is almost never the result of pure chance. We want to be proactive in promoting the show and reaching the broadest audience possible by bringing on a new media marketer with a stunning track record. This professional will be thinking outside of the box and creating multiple fan participation events, both online and o�, to bring the largest audience share to your brand and the series.

The cast and crew are more than eager to make themselves available for additional promotion, like guesting on podcasts, blogs, and shilling on various social media sites. Writer/Director/Producer Jenna Payne particularly has some zany ideas for marketing, ranging from Rocky Horror-style audience participation screenings to possible entry in San Diego’s Mecca of Geekdom: Comic-Con.

The aim is to place the show on Blip or My Damn Channel, both of which target tens of millions of young consumers, along with YouTube, and embed the series on its own website. Additional potential distribution platforms include posts on Wired, Videogum, and other websites posting the quirkiest in online content. The social media campaign will include Facebook, Twitter, and Pinterest and will reach out to bloggers and podcasters. Zompire Vixens from Pluto! has already been written up by a few blogs and featured on the Terror Troop podcast.

The show’s appeal crosses demographics, but Zompire Vixens from Pluto! already heavily attracts the 25-34 male demo-graphic on YouTube. Our viewers are cinema savvy, middle income, and trendy.

The CostThe series is budgeted modestly for the scope of production and amount of marketing planned to make the show a success. Intergalactic Sponsorship at $250,000 will cover the bulk of production for Zompire Vixens from Pluto! and the promotions to broadcast the show into the galaxy. A line budget is available upon request.

The cost is incredibly low, especially considering the overhead in buying commercial time for television, radio, and even the web. The entire series will be available online for free until the Zompires �gure out how to destroy the world wide web. We’re not even sure if the Zompires are working on that yet.

Other than providing product and creating social media additions, like cocktail recipes, the brand will not need to be responsible for the success of the show, but the team for Zompire Vixens from Pluto! is happy to hear and incorporate all concerns, questions, and suggestions.

Additional SponsorshipsZompire Vixens from Pluto! welcomes other non-competitive brands to approach us for additional product placement, website advertising, and commercial spots. The show can accomodate a great variety of products and services, and we would love to explore these options. Please contact Zompire Vixens from Pluto! to �nd out how best to attach your brand to what promises to be one of the biggest webseries of 2012.

Fighting Bloodsucking Mutants from Outer Space Takes Team Work...Meet the Gang.

Award-winning �lmmaker Jenna Payne is building up momentum for an indie �lm coup with a line of projects as diverse as they are similar. Fun �lms-to-be build on healthy doses of camp, vamp, and current events to create alternate universes that are surprisingly familiar. Hailing from southern suburbia, Jenna saved up her summer lemonade stand money to move to New York City in the fall of 2003. Jenna waited tables, typed up prose, and spun records in some of the city’s darker dens before realizing that she knew no one in publishing and had seen more �lms than eaten hot meals!

Quickly diving into writing, directing, and producing, Jenna shot her �rst short �lm Feline Frenzy in February 2010. This dark comedy/grindhouse thriller toured �lm festivals and won a Skullie Award at the 2010 Royal Flush Festival. Jenna also shot a sizzle reel in New York for Grauman’s Last Hero, a comedy/noir thriller about the character impersonators in front of Mann’s Chinese Theatre, to demonstrate the potential of this feature.

Jenna has worked on many �lm sets in roles ranging from Wardrobe to Producer and is developing a feature-length slasher set against the backdrop of the collapse of the American auto industry. Jenna recently wrapped as producer on the lush and visual �lm The Art of Dreaming about a young woman’s battle against her subconscious. Jenna Payne is now chief headhunter for the Technicolor exploitation webseries for branded content called Zompire Vixens from Pluto! All of her projects can be seen online at www.jennapayne.com

Jenna PayneWriter / Director / Producer

Zompire Vixens from Pluto! aims to �ll a niche spot in the hearts of those left a little icy by Twilight but jonesing for the next Evil Dead mixed with Shaun of the Dead and a heavy dose of early Star Trek mashed up with Forbidden Planet. The series is irreverently campy, deliciously funny, and bordering on absurd.

Foxy zombie/vampire hybrids attack Brooklyn in retaliation for the declassi�ca-tion of Pluto as a planet, which renders them ineligible for intergalactic aid. Three denizens of Pluto are sent on a mission to Brooklyn to request that Dr. Von Tron reverse his decision to declassify Pluto. These Zompires are ravenous for real human brainstems, though, and easily sidetracked from their assignment by the multitude of easy prey. They take a bored barkeep named Oscar hostage at their �rst massacre and move on, half in search of the doctor and half seeking their next meal.

Dr. Von Tron’s star pupil, Olivia, intercepts a distress call from an Intergalactic Consortium base sounding the alarm for a Zompire attack. Olivia, astronomically brilliant but romantically clueless, quickly alerts her lovelorn neighbor Chase and the ragtag group of young Brook-lynites watching a sci � marathon at her apartment to the danger posed by these extraterrestrial vixens. Our heroes gear up and prepare

to do battle with the hottest, baddest, silliest villains ever seen.

The spark for Zompire Vixens from Pluto! comes from a desire to do a playful send up of classic horror and sci � B-pictures with a lot of laughs. The crew will be shooting in widescreen format as a nod to the old Cinema-Scope productions. Art and special e�ects will be comprised of some miniature work to create a spaceship and the surface of Pluto. One major green screen e�ect will be the Zompires landing on the Brooklyn Bridge, but the goal with this shot is more to capture the feel of an old school process shot than to do slick CGI work. A teaser is on the series’ YouTube channel demonstrating this e�ect. Sets and props will often enough stick to art school stand bys, like foam core and Christmas lights. The art depart-ment hopes to follow more closely in the footsteps of paper mache planets on Star Trek than computerized gala productions like Battlestar Galactica.

Tina Cesa Ward is a producer, writer, and director for the screen and web and also directs for the stage. Her stage work earned her the Jean

Dalrymple Award for Best Director in 2002. Her short �lm In Their Absence has screened in over a dozen festivals around the world and was awarded �ve times

both domestically and abroad and was named one of the best short �lms of the decade by Festival de Cortos MíraLes in 2011. Two other short works have each brought home

festival awards.

Tina is the Executive Producer/Writer/Director of the most watched, most awarded scripted drama on the web, Anyone But Me, for which Tina won the �rst ever Writers Guild Award for Original New Media. As the show’s Executive Producer, Tina has amassed a dozen honors and nominations. She has been nominated several times for her directing, including a Streamy Award and IAWTV nomination. In 2010, Tina directed the successful branded web series Bestsellers.

In the fall of 2011, Tina debuted the critically acclaimed Good People in Love, a dramatic mini series for the web that she wrote, produced and directed. Tina has also made several appearances as a speaker and panelist at conferences, �lm festivals, and colleges for her work on the web. www.TinaCesaWard.com

Tina Cesa WardConsulting Producer

Che Broadnax cut his teeth shooting and editing documentary and educational content for the award-winning PhotoSynthesis Productions before moving to Brooklyn to pursue his dream of shoot-ing narrative feature �lms. Since landing in the city, he has spent the past four years shooting projects and working in camera departments on critically acclaimed �lms such as The Exploding Girl and Silver Tongues and shorts, including The Strange Ones and Bunny. Recently, Che served as Director of Photography on the 40 minute �lm The Art of Dreaming and the short Postures.

As an emerging voice in the independent �lm world, he cites cinematographers Eric Lin and Harris Savides as in�uences and mentors. When not messing with lenses for the �lms of his colleagues, he is busy animating the epic sci � hip hop music video for his song Baddest Black Man In Outta Space. Che not-so-secretly loves old school sci � and looks forward to overseeing some of the campy special

e�ects send ups that will be tackled for Zompire Vixens from Pluto! His work can be seen here: www.baddestblackmaninouttaspace.com

Che BroadnaxDirector of Photograpy

Michele Mulkey has been a Special E�ects Make Up Artist and Prop Maker for over 12 years, working in both Los Angeles and New York City. Starting her career in Los Angeles, Michele honed her skills working both in house and on set for many Special E�ects shops including Keith Vanderlaan’s Captive Audience, Crisis FX, Film Illusions, Alterian, Inc., Global E�ects, and Unit 7. Now the owner of Michele Mulkey FX Studio and based near New York City, Michele continues to work as a Special E�ects Make Up Artist and Prop Maker in �lm, television and theatre.

Throughout her career, Michele’s skill and talent as both a makeup artist and custom prop maker have been used to create various looks for many celebrities, including Thora Birch, Christine Lahti, Denzel Washington, Brittany Snow, David Rasche, Eddie Kaye Thomas, Michael Urie, Vin Diesel, Karl Urban, Colm Feore, Alan Cumming, Jamie Kennedy, Ben Stein, Jason Patric, Jennifer Tilly, Tobias Siegal, Jimmy Heck, Cosondra Sjostrom, Branca Ferrazo, Bolt Birch, Pat Morita, Hunter Tylo, Robin Riker, Karalyn West, Rick Cramer, Christopher Atkins, Seth Perterson, Richard Brooks and Dennis Haskins.

Michele’s credits have a combined total of over 33 feature �lms and television shows, including Petunia, The Last Samurai, The Chronicals of Riddick, Venom, Constantine, Son of the Mask, Sin City, Disney’s The Haunted Mansion, The Alamo, Seed of Chucky, The Passion of the Christ, Blood Junkies, Charmed, C.S.I. Miami, Joss Whedon’s Fire�y, Without A Trace, Black. White., The Bold and the Beautiful, Law and Order: Criminal Intent, and the O�-Broadway production of Beast. More of her work can seen here: www.michelemulkeyfx.com

Michele MulkeySpecial FX / HMU

Monsters, outer space, a crazy scientist, and certainly the sexy Zompires lured Horatio Han into orchestrating the production design for Zompire Vixens from Pluto!

The ridiculous but endearing characters and absurd situations allow Horatio to really explore the crazy ideas in order to visualize the story. Horatio built the prototype Zompire

computer with foam core, duct tape, Christmas lights, and a clock face in 48 hours.

Horatio Han is a sophisticated Trekky and industrial designer with strategic thinking who believes in creat-ing a better relationship between the user, the manufacturer, and the society. Horatio is Pratt Institute-trained and has done industrial design for Mercedes-Benz and L’Oreal, as well as concept design for the video game EVE Online.

Angela Harner has been making humans more delicious and slaving over Zompire out�ts for 10 light years now in Chicago and New York. Her work has been seen at The Theatre School at DePaul (BFA). She has worked as a Fordham University Assistant Designer and Costume Shop Manager 2006 - 2009, and she is currently �nishing up her MFA in Design for Theater & Film at NYU’s Tisch School of the Arts. Angela’s work in �lm & theater includes Gem: A Truly Outrageous Parody which won best Costume Design in the Fringe Festival 2008 with some of the most hilarious ladies of comedy: Upright Citizens Brigade's Glennis McMurry and Eliza Skinner. www.angelaharnerdesigns.com

Horatio HanProduction Designer

Bob Denatale is a �lmmaker, editor, writer, composer, and performer. He has been a writer for Marvel Comics, lead singer in the punk art band Kill the Messenger, and for many years director of the Butoh company Flesh & Blood Mystery Theater. He is an alumnus of The Edit Center, New York's premier school for �lm and video editing and has edited numerous short experimental and narrative �lms. Bob has a soft spot for sci � and fantasy and is eager to start slicing and dicing Zompire Vixens from Pluto! His work can be seen on www.bobdenatale.com

Angela HarnerCostume Designer

Bob DeNataleEditor

Marion Elaine is extremely pleased and proud to be a part of this project and terribly excited to stake some Zompires through the ears. Her other recent works

include productions of Reasons To Be Pretty, All In The Timing, and Cloud Tectonics. Her �lm credits include the music video Wolves directed by Sophia Peer and Campus

Movie Fest Winner What Would You Do For Love? directed by Amaryllis Ruiz. She also has show-cased new material at the National Arts Club in a reading of Blackjack. She began performing at the

Summer Stars Camp for the Performing Arts, a camp specializing in exposing inner city youth to the worlds of music, dance, and theatre, backed by such artists as Britney Spears and 50 Cent.

About Olivia: An aspiring astronomer studying under Dr. Von Tron, Olivia intercepts a message from the Intergalactic Consortium and realizes the Zompires are on the march. She quickly plans a human o�ensive against the Zompires. Horror and hilarity ensue.

Tyler Cook became fascinated with acting at a young age when his sister moved to Hollywood and played small roles on shows like Family Matters and Picket Fences. After school, Tyler moved to Los Angeles, studied with Howard Fine, and took courses at the LA Film Academy. Tyler left Hollywood for New York a few years ago and dove into an on set education of �lmmaking, but he knew it was time to get back to acting after having a small role with Emily Watson and Paul Giamatti in Cold Souls. Tyler writes his own scripts and studied intensely with Broadway playwright David Epstein as a personal coach. Tyler has kept busy with short, feature, and commercial shoots, as well as the occasional stage role. His dedication to acting recently landed him in London where he was able to study at Shakespeare's Globe Theatre and work privately with the wonderful acting coach Gabrielle Jourdan. Tyler has also played in A Day in the Life, Last Night, Don’t Do It, Dead Man’s Boat, MANswers, and Man Land.

About Chase: Chase is Olivia's smitten neighbor. Can he step into the role of leading man and slay an army of hot Zompires?

Sophia Remolde is a multimedia artist creating and performing work on stages and screens in New York City and beyond. She is currently touring Europe and Asia in The Wind-Up Bird Chronicle, an interdisciplinary theatrical production based on the international best-selling novel by one of Japan’s most celebrated writers, Haruki Murakami. She has appeared in the �lms Christmas Day and Queens Bound by award-winning director Steve Rahaman and is scheduled to appear in the indie-hit web series The Louise Log by Anne Flournoy.

Sophia is the Associate Director of Puppet Junction Productions and is touring their creation The Dalí Project to museums and theaters around the country as well as building puppets for theater, �lm, and television companies such as TheaterworksUSA and The Colbert Report. www.sophiaremolde.com

About Elmyra: Elmyra is the commanding o�cer of the Zompire team charged with bringing restitution to Pluto by way of Brooklyn. She’s cold as ice and comes with a bit of a Napoleon complex.

Marion ElaineOlivia

Tyler CookChase

Sophia RemoldeElmyra

Nylda Mark has performed on O� Broadway and O� O� Broadway stages in New York as well as in regional theatres in Los Angeles, California and Boise, Idaho. Her �lm credits include starring roles in independent features such as Vitale's and Lee and in an Optimum Cable commercial. Nylda was intro-duced to the world of sci � thrillers through supporting roles in Blood Junkies and The Art of Dreaming. She is an alumna of the University of California, Irvine and Western Michigan University. She is also a member of Actor's Equity.

About Roxy: Roxy is Elmyra's second in command and lady love on the side. She kills for sport and loves to play games with her prey.

Nylda MarkRoxy

Cast of Characters

Emily Bennett trained at The Royal Academy of Dramatic Art in London starting at age 17. She was fortunate enough to personally meet the

school's head patron Queen Elizabeth herself. Since then, she's appeared on several episodes of Lifetime's Army Wives, has worked with Tony-nominated director

Wilson Milam, and is a playwright and actress for the NY-based Workshop Theatre Company. www.emilyrbennett.com

About Trixie: Trixie is the third Zompire lieutenant tasked with �nding Dr. Von Tron and restoring Pluto to full planetary status. Unlike Elmyra and Roxy, Trixie doesn't enjoy hunting for brainstems and just wants to �nd the good doctor. Unfortunately, she’s even more forgetful than her fellow o�cers.

Mark Byrne has worked in a number of O� Broadway and O� O� Broadway roles as well as �lms. Mark played opposite Paul Giamatti in Only Beauty at The Public Theatre, read Uylesses on Broadway with Stephen Colbert at Symphony Space, played in Howie The Rookie directed by Nancy Malone, received direction from Martin Scorsese for Gangs of New York, and has been a rehearsal partner for William Hurt for years. Mark’s more recent work includes a lead in The Politics of Con�ict and a role in Carl(a). Mark is more than enthusiastic to get on set with some hot vixens, unlike his apathetic character Oscar. www.themarkbyrne.com

About Oscar: As soon as the Zompires land in Brooklyn, they lay waste to a dive bar's clientele and take the exceedingly bored barkeep Oscar hostage. Will he survive the most exciting night of his life?

Emily BennettTrixie

Mark ByrneOscar

Richard Brundage caught the acting bug later than most but immediately landed his �rst stage role in 2000 and his �rst indie �lm role in 2002. Since then, he has appeared in over 40 New York theatre productions and 36 independent �lms, as well as a number of regional theatre and summer-stock productions and a handful of TV roles. He's earned glowing reviews for his stage performances in the lead roles of Falsta� in Henry IV Part 1, Frank in Educating Rita, Michael in Lee Blessing's Two Rooms, De Rougemont in Shipwrecked, Andrew in Sleuth, and Herbie in Gypsy. Richard has also played leading roles in three multi-award-winning feature �lms: Lena Dunham's Creative Non�ction, Gorman Bechard's You Are Alone, and Winn Coslick's Fourhand.

About Dr. Von Tron: The con�icted Dr. Von Tron is the architect of Pluto's misery who continues to grieve over a long lost love.

Richard BrundageDr. Von Tron

Karen Teune is a comedic actress and writer with a slew of indie �lms to her credit. Her most recent project, Pour Me a Drink & Tell Me a Love Story, which she wrote, produced, and played the lead, was an o�cial selection at the LA Shorts Film Festival and won a Certi�cate of Merit at the Williamsburg International Film Festival. She also starred in Jenna Payne's award-winning �lm Feline Frenzy. Karen is actively involved in the Upright Citizen's Brigade and performs regularly around NYC with her improv team the Musky Butlers.

www.oopsydaisypictures.com

About Iris: Iris is Olivia and Rob's unexpected house guest. She mostly wants to prove her undying love for Rob but has trouble competing with late night munchies. Zompires add a whole new dimension to her problems.

Karen TeuneIris

Lanky actor with a range from action star to goofy stoner, Walker Hare is an award-winning comedian who has trained with Kevin Spacey

and Bill Irwin. His �lm work includes Blood Junkies, Paradise East, Dawn of Conviction, The Delivery, the Cannes selection Touch, Echo 49, As The World

Turns, and Guiding Light. Walker most recently starred in a sitcom/action pilot with Payton and Eli Manning entitled Football Cops. www.walkerhare.com

About Rob: Rob is a perennial slacker who just wanted to take the night o� for a sci � marathon. He’s even more clueless about Iris’s intentions than Olivia is about Chase, but he does know how to make bombs with ordinary household items.

Walker HareRob