Sale 392 | Friday, 4th October & Saturday, 5th October 2013 |Affordable, Stylish & Unique

Buyer’s GuideEverything you need to know

Sale 392

PaintingsFriday, 4th October, 2013 at 11am

Furniture & Works of ArtSaturday, 5th October, 2013 at 10am

at 33 Broughton Place, Edinburgh EH1 3RR

Viewing TimesSaturday, 28th September & Sunday 29th September

10am - 4pm both daysMonday, 30th September to Friday, 3rd October 10am - 5pm

Friday Furniture/Works of Art onlySaturday, 5th October from 9am

© Lyon and Turnbull Ltd.2013. All rights reserved. Nopart of this publication maybe reproduced, stored in aretrieval system ortransmitted by any form or byany means without the priorwritten permission of Lyonand Turnbull Ltd.

Viewing

In personTo view all of the lots in thissale please note the publicviewing times listed above. Allviewable at 33 BroughtonPlace, Edinburgh.

OnlineAll lots are available to viewonline and each image can beenlarged for closerinspection. If you requireadditional images or wouldlike a report on the conditionof your lot(s) please contactus atinfo@lyonandturnbull.com

EstimatesAll lots carry an estimatedprice band, listed in thecatalogue, which indicatesour opinion of value. The finalprice may be higher or lowerthan this band depending ondemand. If there is a reserveon the lot then it cannot besold below that price.Reserves do not exceed thelower estimated price andmay be lower.

Bidding

There are four easy ways tobid at this sale, and all bidsare (of course) confidential:

By absentee bidIf you are unable to attend theauction we can bid on yourbehalf. Simply complete anabsentee bid form and eitherhand it to amember of staffor fax to 0131 557 8668, nolater than 1 hour before thesale. Please note that ourbid departmentmay contactyou for further details.

The amount you enter on theform should be yourmaximum limit. We will bidup to that limit for you, andremember you may end uppaying less than your limit,depending on other biddingon the day.

In person at the saleSimply register at receptiontoday, or when you arrive atthe saleroom. You may needto provide identification. Onceyou have registered you willbe handed a numberedpaddle to use in thesaleroom. When the biddingbegins on your lot raise yourpaddle to bid. When thebidding stops the auctioneerwill bring down the gavel andread out your number if youhave won the lot.

By telephoneIf you would like to bid bytelephone, our clerk will callyou from the saleroom on thesale day, just before your lot(s)come up, and bid on yourbehalf live at the sale. You canregister to bid on thetelephone at reception today,or contact us no later than1 hour before the sale on0131 5578844 or viainfo@lyonandturnbull.com

Please note that for telephonebidding it is assumed thebidder will be prepared to paywithin the estimate or higher.This service is available onlots with an estimate of £300and over, entirely at ourdiscretion and at thebidder’s risk.

Online atlyonandturnbull.comMany clients prefer biddinglive online at our auctions. It’seasy to register with us onlineand you can watch the sale asit happens and place bids atyour computer. These liveauctions are run by Artfact onour website, and they willcharge you an additional 3%plus VAT for this service.

You can register to bid at anytime before the sale; howeverwe suggest you allow plenty oftime to register to secure yourbids.

Payment

You can pay by a number ofmethods - cash, credit ordebit card or bank transfer.You will be charged thehammer price plus a buyer’spremium of 25% up to£25,000 and 20% thereafter(premium subject to VAT). Ifthere is a dagger (†),asterisk (*) or section mark(§) next to your lot numberin the catalogue, your lot willbe subject to VAT or Droit deSuite charges on thehammer price in addition toour standard buyer’scharges. See our StandardTerms & Conditions on theinside back cover for furtherdetails.

If you are not able to come inand see us to pay by credit ordebit card please use ourOnline Payment service. Youwill find a link to this servicein any email invoice we sendyou or you can visit thepayments section of ourwebsite.

Please note that if you arepaying by credit card weaccept Mastercard and Visaonly and there will be a 2%surcharge.

For further informationon buying at Lyon &Turnbull please see ourStandard Terms &Conditions of Sale andCollecting Your Purchases

Enquiries

Theo Burrell

theo.burrell@lyonandturnbull.comCharlotte Riordan

charlotte.riordan@lyonandturnbull.com

Welcome to our autumn Interiors sale! This month we bring you another range of privatecollections, spanning eclectic Scottish homes to an elegant French chateau.

Opening on page 8 we begin with a collection of fine Australian art amassed by the well-knownscholar and academic Professor Doeker-Mach, and his late wife, Alice Tay. Previously housed intheir chateau in the South of France, the collection of contemporary pieces features several of themost significant names in Australian art of the last fifty years, including William Rose, StanislausRapotec and Andrew Sibley.

Our collections then move slightly closer to home, as we feature pieces from the Edinburgh-baseddealer, the late Anna Fersch (page 51), as well as a range of furniture, pictures and works of artfrom Blacket Place in Edinburgh, belonging to one of Britain’s leading jazz singers, Todd Gordon(page 18).

We also delved into the world of upholstery and up-cycling this month, when we asked owner of TheOriginal Chair Company, Kate MacKenzie all about her job and what it takes to rework originalantique pieces. Turn to page 40 to find out more!

We’re doing things a little differently this time around too,as we feature a two day Interiors sale. Dates for your diaryare: the Paintings section of the sale Friday 4th Octoberstarting at 11am; and the Furniture, Rugs and Works ofArt on Saturday 5th October starting at 10am.

We look forward to seeing you then!

Welcome to

If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absenteebid with one of our staff members – ring us for details on 0131 557 8844.

Theodora BurrellHead of Interiors

Charlotte RiordanPicture Specialist

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Anna Fersch was a well-known antiquesdealer from Edinburgh, who during hertime in the trade built up an impressivecollection of ceramics, furniture and worksof art. In particular she purchased andsold wrought iron, which was arguablysomething in her blood, being the daughterand grand-daughter of blacksmiths. ThisOctober we are fortunate enough to benefitfrom her good eye and passion for theantique, as we sell a range of pieces fromher home in Edinburgh.

Page 51

A Private Collection of European &Australian Fine Art

Our fourth Interiors sale features an impressive collection ofpaintings and sculpture from the scholar Professor Doeker-Machand his late wife, Alice Tay. As academics in the fields of law andjurisprudence, both travelled extensively across the world, and inparticular acquired fine art during their time in Australia. Thismonth we are fortunate enough to be auctioning a range of theircontemporary Australian pieces, as well as paintings and sculpturesby the artists Gunther Christmann and Lothar Fischer.

Page 8

Highlights from the Sale

This month we’re privileged to be selling items from of one of Britain’sleading jazz singers, Todd Gordon. Todd’s eclectic collection, from hishome in Blacket Place, Edinburgh, includes a range of antiquefurniture, paintings and works of art. Notable pieces include a 17thcentury oak trestle table, a Scottish longcase clock and a pair ofChristopher Fratin candlesticks.

See Part 1: Paintings in our sale on Friday 4th October from 11am,and Part II: Furniture and Works of Art being auctioned onSaturday 5th October from 10am.

Page 18

The Collectionof a Jazz Singer:Todd Gordon

The Collection of the late Anna Fersh

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Oak trestle table

Pieces of antique oak have always interested me, they have a lovely honest wear and patina that only 300 yearsof use can bring to furniture of this colour, and this table is no exception. It has an interesting yet simple

design and construction, enhanced by the detail of the carved frieze and theturned block legs. The age of the trestle table is also something whichfascinates me, when you consider the history and connection furniture likethis has with its previous owners, and all the hundreds of years ofconversation and celebration it has borne witness to!

St George and Queen Margaret of Denmark

Although the sale has a varied collection of modern and traditional paintings,the obvious connection between history and art is perhaps best shown in this19th century copy of a 15th century original. Queen Margaret was held to be abeautiful, gentle and intelligent royal, being the consort to King James III ofScotland. The image of 'St George and Queen Margaret of Denmark' also haswider Scottish significance too: the image had an important place within theTrinity chapel, and the original is on display in the Scottish National Gallery.The original features as one of several panels, which were commissioned byEdward Bonkil, Provost of the Collegiate Chapel of the Holy Trinity inEdinburgh. This is therefore a scarce opportunity to own a very interestingand attractive item, with a good story to tell!

This month our Silver specialist, Colin Fraser, picks his favourite piecesfrom our Interiors sale.

Specialist’s Choice

Clocks

It has often been said that the beating of a clock is the heart of the home. My firstchoice, therefore, is not one particular item in the sale, but a nod to the various clockswhich we have for auction this month, ranging from impressive longcases to morediminutive mantel clocks. Although longcase clocks have become less popular andfashionable over recent years, they actually represent very good value for money.Examples range from around £300 to £3,000 in this sale, they offer the chance to own atrue and classic antique item, which is both functional and decorative. If you haven'tquite got the space for one though, then this can equally be said of a mantel or bracketclock too – so there really is something for every home here!

Lot

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Lot 168

Lot 370

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1† FE149/5WILLIAM MCTAGGART R.S.W.,R.S.A. (SCOTTISH 1835-1910)WAITING FOR THE RETURNINGBOATSSigned and dated 1880,watercolour38cm x 56cm (15in x 22in)Provenance:The drawing was given by the artistto the Dundee Art Society and wonin the Art Union by Mr AlexanderBanks, DundeeLiterature:James Caw, William McTaggart1908, p.249

£800-1,200

2 FG360/1THOMAS HOPE MCKAY(SCOTTISH fl. 1900-1930)CROSSING THE OLD STONEBRIDGESigned, oil on canvas35cm x 54cm (13.75in x 21.25in)£500-700

3 FD777/1KATE WYLIE(SCOTTISH 1877-1941)ANEMONESSigned, oil on canvasboard24.5cm x 19.5cm (9.75in x 7.75in)£400-600

9 FG237/319TH CENTURY COPY AFTERHUGO VAN DER GOESST GEORGE AND QUEENMARGARET OF DENMARKOil on panel28cm x 12.5cm (11in x 5in)Note:This is likely to be a 19th centurycopy after the last panel in theTrinity Altarpiece, painted for thenow demolished Trinity Chapel,Edinburgh by Hugo van der Goes inthe 15th century. The original is inthe collection of the NationalGalleries of Scotland.

£400-600

10 FF39/2117TH CENTURY COPY AFTERAN OLD MASTERMADONNA AND ST FRANCISOF ASSISIOil on canvas119cm x 85cm (46.75in x 33.5in)£600-800

7 FG242/2W. TIMMS(BRITISH 19TH CENTURY)THE ROYAL MAIL STEAMPACKET “MAJESTIC”Oil on canvas62cm x 90cm (24.5in x 35.5in)Note:This painting depicts the Royal Mailsteam packet ‘Majestic’ with H. M.King George IV on board in the Clydeoff the Duke of Argyll’s stables,Gourock. The majestic was launchedfrom Mssrs Scotts Yard at Greenockon April 19th 1821 and pliedbetween Liverpool, Douglas andPort Patrick.

£2,500-3,500

8 FG242/119TH CENTURY PROVINCIALSCHOOLLEITH HARBOUROil on canvas59cm x 89cm (23.25in x 35in)£1,500-2,500

4 FC839/1EDMOND CONSTANT MATHON(FRENCH 1825-1891)VOYAGE EN BÂTEAU,BEAUMONT-SUR-OISESigned, and inscribed verso, oilon panel40cm x 79cm (15.75in x 31in)£400-600

5 FG194/1JACOB HENDRIK PIERNEEF(SOUTH AFRICAN 1886-1957)AFRICAN LANDSCAPEInitialled in plate, signed anddated 1923 to margin in pencil,woodcut12cm x 16cm (4.75in x 6.25in)£500-700

6 FG27/1ERROL STEPHEN BOYLEY(SOUTH AFRICAN 1918-2007)VIEW FROM NEWLANDSSigned, oil on board35.5cm x 51cm (14in x 20in)£600-800

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DAY 1Friday, 4th October, 2013 at 11am

Paintings, Watercolours & PrintsLots 1-164

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11 FC496/1SCHOOL OF CHARLES-ÉMILEJACQUE (BELGIAN 1813-1894)CHICKENS IN A FARM YARDSigned, oil on panel10cm x 15cm (4in x 6in)and a companion, a pair (2)£600-900

12 FG456/1AFTER DOMENICO ZAMPIERI,CALLED IL DOMENICHINOA PERSIAN SYBILSigned S. Mazzolini and dated18?1, inscribed ‘SALVE CASTASYON PERMU. LTAQUE PASSAPUELLA SYBILLA SAMIA’ , oilon canvas120cm x 98cm (47.25in x 38.5in)£500-800

13 FG232/3ARTHUR GEORGE MILLS(SCOTTISH 19TH CENTURY)WHITE HOUSE, OLDBUCKHAVEN, FIFEInscribed with title verso, oil onpanel17cm x 12cm (6.75in x 4.75in)and another by the same hand‘Gannochy Bridge, River Esk,North Angus’ (2)£300-500

21 FG243/319TH CENTURY AFTERALBRECHT DURER(GERMAN 1471-1528)MELENCHOLIAAnd three further etchings:‘Knight, Death and the Devil’,‘The Prodigal Son’ and ‘TheBraided Horse’ by PaulusPotter, all cut to margins23.5cm x 18cm (9.25in x 7in)£600-800

22§ FF40/5WILLIAM MILLER FRAZERP.S.S.A., R.S.A.(SCOTTISH 1864-1961)DUCK POND, EAST LOTHIANOil on canvas44cm x 59cm (17.25in x 23.25in)£500-700

17 FB66/15JAMES WEBB(BRITISH 1825-1895)Signed and dated 1878,inscribed verso, oil on canvas35.5cm x 61cm (14in x 24in)£1,000-1,500

18 FF457/1WILLIAM WYLLIE(BRITISH 1851-1931)UNLOADING THE CATCH ATTHE PIERSigned in pencil to margin,etching22cm x 42cm (8.5in x 16.5in)£400-600

19§ FF449/2JAMES MCBEY(SCOTTISH 1883-1959)VENICE - 20TH OCTOBER 1925Signed and inscribed with titlein plate, signed in margin andnumbered XVII, etching41.5cm x 24.5cm (16.25in x 9.75in)and a postcard whichaccompanies the lot (2)£500-700

14 FG227/1PETER GRAHAM R.A., H.R.S.A.(SCOTTISH 1836-1921)WHERE SEA BIRDS HAUNTSigned and dated 1896,inscribed ‘The Lizard Point andthe ??? Rocks - November’back board verso, watercolourand bodycolour49cm x 90cm (19.25in x 35.5in)£300-500

15 FG215/1EDWIN SHERWOOD CALVERTR.S.W. (SCOTTISH 1844-1898)RETURNING HOMESigned with initials, oil on board20cm x 27.5cm (8in x 10.75in)£400-600

16 FG375/7BENJAMIN WILLIAM LEADER(BRITISH 1831-1923)AT THE CLOSE OF DAY,LIPHOOK, HANTS.Signed and dated 1897, oil oncanvas39cm x 60cm (15.5in x 23.5in)£2,000-3,000

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23 FE475/3WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACT LANDSCAPE IISigned and dated 4.3.96, pen,ink and watercolour17.5cm x 26.5cm (7in x 10.5in)£300-500

24 FE475/2WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACT LANDSCAPESigned and dated 29.2.96, penand ink and watercolour17.5cm x 26.5cm (7in x 10.5in)£300-500

25 FE475/1WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACT COMPOSITION ISigned and dated 15.3.96, penand ink and watercolour17.5cm x 26cm (6.75in x 10.25in)£300-500

26 FE475/4WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACT 20820Signed and no., pen, ink andwatercolour63.5cm x 39.5cm (25in x 15.5in)£500-700

27 FE475/5WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACT COMPOSITION 1380Signed and numbered, pen, inkand watercolour59cm x 45cm (23.25in x 17.75in)£500-700

28 FE475/6WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACTSigned and dated ‘82, pen, inkand watercolour36cm x 51cm (14in x 20in)£400-600

29 FE475/7WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACT COMPOSITION12280Signed and numbered, pen, inkand watercolour63cm x 39cm (24.75in x 15.5in)£500-700

30 FE475/8WILLIAM ROSE(AUSTRALIAN 1929-1997)ABSTRACT LANDSCAPESigned, oil on canvas46cm x 81cm (18in x 32in)£800-1,200

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A Private Collection of European& Australian Fine Art

Professor Doeker-Mach is a well-known scholar andacademic who has worked in several countries includingAustralia, India, the United States, Canada and throughoutEurope. He is the author and editor and co-editor (withAlice Tay) of twenty books and the author of more than onehundred articles on comparative constitutional andinternational law (especially treaty law), legal systems andhuman rights. In addition he was a scholar on the subjectsof regionalism and federalism, as well as legal systems inAsia Pacific and the rule of law in Asia.

Alice Tay was the University of Sydney’s Challis Professor ofJurisprudence for twenty-six years and was committed tolaw as an instrument of justice and protector of democracy.Tay taught the first Australian university course on thesubject and published widely on it. Justice andjurisprudence – the philosophy of law - was her intellectualpassion.The following lots were collected by both Professor Doeker-Mach and Alice Tay over the last thirty years during theirmany posts and extensive travel throughout the world.

The French home of Professor Doeker-Mach and the lateAlice Tay.

WILLIAM ROSE

William Rose, a native Australian, was a member of theVictoria Street Group of Sydney abstract expressionists.Rose was more comfortable with the title ‘constructivist’,however, which better suited the geometric, detailed andtightly controlled formal approach which typified his work.Throughout the early 1960s, Rose’s work was representedin significant national exhibitions, including AntipodeanVision, Tate Gallery, London. William Rose’s work is widelyrepresented across major Australian art galleries includingNational Gallery Australia, Art Gallery of New South Wales,Art Gallery of South Australia, Art Gallery of WesternAustralia, National Gallery of Victoria, Queensland ArtGallery, Museums and Art Galleries of the NorthernTerritory, Queen Victoria Art Gallery and Museum andTasmanian Museum and Art Gallery.

31 FE475/9STANISLAUS RAPOTEC(AUSTRALIAN 1913-1997)TENSION NO. 30Signed and dated ‘57, signedand inscribed verso, oil onboard110cm x 85cm (43.25in x 33.5in)£1,500-2,500

32 FE475/10STANISLAUS RAPOTEC(AUSTRALIAN 1913-1997)AUSTRALIAN LANDSCAPESigned and indistinctly dated,oil on board52cm x 76cm (20.5in x 30in)£700-900

33 FE475/11STANISLAUS RAPOTEC(AUSTRALIAN 1913-1997)STILL LIFE OF BLUE FLOWERSSigned twice, oil on board135cm x 104cm (53.25in x 41in)£2,000-3,000

39 FE475/17SIR SIDNEY NOLAN(AUSTRALIAN 1917-1992)NO. 14: GLENROWANSigned, numbered 53/60,screenprint, unframed47cm x 64cm (18.5in x 25.25in)£500-700

37 FE475/15SIR SIDNEY NOLAN(AUSTRALIAN 1917-1992)NO.11: MRS REARDON ATGLENROWANSigned, numbered 39/60,screenprint, unframed48cm x 65cm (19in x 25.25in)£500-700

38 FE475/16SIR SIDNEY NOLAN(AUSTRALIAN 1917-1992)NO.8: THE PURSUITSigned, numbered 44/60,screenprint, unframed47cm x 64cm (18.5in x 25.25in)£500-700

34 FE475/12STANISLAUS RAPOTEC(AUSTRALIAN 1913-1997)EASTER CRUCIFIXIONSigned, oil on board76cm x 54.5cm (30in x 21.5in)£700-900

35 FE475/13STANISLAUS RAPOTEC(AUSTRALIAN 1913-1997)COMPOSITION IN BROWNSigned, oil on panel34cm x 27cm (13.5in x 10.5in)£500-700

36 FE475/14STANISLAUS RAPOTEC(AUSTRALIAN 1913-1997)BROWN STILL LIFESigned, oil on board135cm x 104cm (53.25in x 41in)£2,000-3,000

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STANISLAV RAPOTEC

Stanislav Rapotec is highly regarded among collectors andinstitutions alike in his adopted home of Australia. Broughtup in the newly formed Yugoslavia, Rapotec led a politicallyactive life; establishing links between the Resistance andthe Royal Yugoslav government-in-exile in Jerusalem andCairo upon the collapse of the Yugoslavian army. Hediscovered a love of Australia after a visit in 1955 and wouldlater settle there and begin to paint. When asked about hiswork as an artist he once commented: "In order to createyou must have had experience. You must have quite a fewdramas; you must have suffered; when you have balancedon the razor's edge between life and death, only then areyou capable of true creation. To become an artist you musthave a life rich in experience, a strong desire to expressyourself, a will strong enough to carry out this desire andon top of all that - talent." His work is featured in manyimportant Australian collections, including the NationalGallery of Australia, Art Gallery of New South Wales, ArtGallery of South Australia, Art Gallery of Western Australiaand Queensland Art Gallery.

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SIR SIDNEY NOLAN

Sidney Nolan is one of the best known and most significantartists Australia has produced. The Ned Kelly series ofpaintings and prints are among his most famous anddistinctive works. As well as telling the story of Australia’snotorious outlaw, Nolan explores the universal themes ofinjustice, love and betrayal. His unique depiction of theAustralian landscape is iconic. The Kelly saga of prints isheld in several national and international collectionsincluding the Tate Gallery, London..

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40§ FE475/18GUNTER CHRISTMANN(GERMAN/AUSTRALIANb. 1936)PULLING YIDAKISigned with initials and dated‘89, signed and dated verso, oilon canvas76cm x 61cm (30in x 24in)£1,500-2,500

41§ FE475/19GUNTER CHRISTMANN(GERMAN/AUSTRALIANb. 1936)COMPOSITIONMIxed media21.5cm x 12cm (8.5in x 4.75in)and another by the same hand(2)£300-500

42§ FE475/20GUNTER CHRISTMANN(GERMAN/AUSTRALIANb. 1936)FREE LOVEMixed media on board112cm x 24cm (4.75in x 9.5in)£300-500

43§ FE475/21GUNTER CHRISTMANN(GERMAN/AUSTRALIANb. 1936)NITE MISSIONSigned, inscribed and dated ‘01,acrylic on canvas, unframed25cm x 23cm (9.75in x 9in)£300-500

44§ FE475/22GUNTER CHRISTMANN(GERMAN/AUSTRALIANb. 1936)YIDAKI WITH DRUMSigned with initials and dated‘89, signed, inscribed and dated1989 verso, oil on canvas76cm x 61cm (30in x 24in)£1,500-2,500

45 FE475/23BENJAMIN LANDARA(AUSTRALIAN 1921-1985)MOUNT RAZORBACK NEARSTANDLEY CHASMSigned, watercolour15cm x 24cm (6in x 9.5in)and a companion, a pair ‘MountSonder’ (2)£300-500

46§ FE475/25LOTHAR FISCHER(GERMAN 1933-2004)FIGURE ON HORSEBACKSigned and dated ‘91, inscribed‘EA’, bronze13.5cm x 19cm (5.25in x 7.5in)£800-1,200

47§ FE475/26LOTHAR FISCHER(GERMAN 1933-2004)MAN ASTRIDE A HORSESigned, clay26cm x 40cm (10.25in x 15.75in)comprised of two components (2)£800-1,200

48§ FE475/27LOTHAR FISCHER(GERMAN 1933-2004)WARRIOR OF HORSEBACKSigned and dated ‘54, bronze23cmx 34cm (9in x 13.5in)£2,000-3,000

49§ FE475/28LOTHAR FISCHER(GERMAN 1933-2004)HORSE AND RIDER STUDYSigned, inscribed with title anddated 17.5.95, pen and ink28cm x 28cm (11in x 11in)£300-500

50§ FE475/29FRED THIELER(GERMAN 1916-1999)AFTER PAUL VALERYInscribed, mixed media51cm x 68cm (20in x 26.75in)£1,000-1,500

51 FE475/31TERRY BATT(AUSTRALIAN b. 1949)UNTITLEDOil on canvas153cm x 153cm (60in x 60in)£1,000-1,500

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ANDREW SIBLEY

A popular artist with a highly idiosyncratic style, AndrewSibley was originally born in Kent in the UK, arriving inAustralia in 1948 where he went on to establish hisreputation over a career which spanned five decades. Anaccomplished printmaker, Sibley’s work is figurative, playfuland good-humored. It explores human relationships.

52 FE475/51ANDREW SIBLEY(AUSTRALIAN b. 1933)PICNIC IN NOVEMBERSigned, inscribed and dated ‘88,screenprint71cm x 59cm (28in x 23.5in)£400-600

53 FE475/52ANDREW SIBLEY(AUSTRALIAN b. 1933)THE JOURNEY (MAD LONERSSERIES)Signed, inscribed and dated ‘87,screenprint74cm x 55cm (29.25in x 21.5in)£400-600

54 FE475/53ANDREW SIBLEY(AUSTRALIAN b. 1933)WORKING DRAWING - MOTHERAND CHILD (URBAN)Signed, inscribed and dated ‘90,screenprint72cm x 48cm (28.25in x 19in)£400-600

55 FE475/54ANDREW SIBLEY(AUSTRALIAN b. 1933)AUSTRALIAN WINDOWSigned, inscribed and dated ‘84,screenprint70cm x 44.5cm (27.5in x 17.5in)£300-500

56 FE475/55ANDREW SIBLEY(AUSTRALIAN b. 1933)WELCOME TO THE BEACHSigned, inscribed and dated ‘88,screenprint67cm x 51cm (26.5in x 20in)£300-500

57§ FA452/4SIR WILLIAM RUSSELL FLINTR.A., R.W.S., R.S.W., R.O.I., R.E.(SCOTTISH 1880-1969)STRIDING NUDESigned, pastel41cm x 28cm (16in x 11in)£700-900

58 FG445/4JAMES G. H. SPINDLER(BRITISH 1862-1916)AMONGST THE RHUBARBSigned and dated ‘90, oil oncanvas45cm x 30cm (17.75in x 11.75in)£400-600

59 FG399/2SIR GEORGE PIRIE P.R.S.A.,H.R.S.W.(SCOTTISH 1866-1940)ANGLING IN THE HIGHLANDSInscribed with artist’s name and‘Spearon Bridge, Perthshire’label verso, oil on canvas59cm x 89cm (23.25in x 35in)£800-1,200

66 FG325/15JAMES LAWTON WINGATEP.R.S.A. (SCOTTISH 1846-1924)THE MUSSELL GATHERERSSigned and indistincly dated(‘99?), oil on canvas50cm x 74cm (19.5in x 29in)£300-500

67 FF149/1LÉON AUGUSTIN LHERMITTE(FRENCH 1844-1925)AT THE END OF THE DAYSigned, pastel50cm x 41cm (19.75in x 16in)£4,000-6,000

68 FG325/14JESSIE ALGIE(SCOTTISH 1859-1927)STILL LIFE OF PINK FLOWERSOil on canvas40cm x 44cm (15.75in x 17.25in)Note:Painting bears a back label ‘TheHope Paterson Collection, 7thMarCH 1912’

£400-600

63 FG375/119TH/20TH CENTURYFLORENTINE SCHOOLTHE PONTE VECCHIO,FLORENCEOil on canvas64cm x 98cm (25in x 38.5in)£1,000-1,500

64§ FG349/1WILLY SLUIJTER(DUTCH 1873-1949)DUTCH GIRLSigned and inscribed ‘To DeMillar with best wishes for1923’, watercolour13cm x 11cm (5in x 4.25in)£500-700

65 FG343/1WILLIAM HENRY WILLIAMSON(BRITISH 1820-1883)FISHING ON THE RIVERSigned, oil on canvas44cm x 65cm (17.25in x 25.5in)£400-600

60 FG378/3ARTHUR QUIGLEY(BRITISH fl. EARLY 1900s)GLENASHDALE, ARRANSigned and dated ‘30, signedand inscribed with title labelverso, watercolour24cm x 31.5cm (9.5in x 12.5in)£300-500

61 FG399/1FLORA MACDONALD REID(SCOTTISH fl. 1879-1938)PEACEFUL EVENTIDESigned and dated 1932(?),Signed and inscribed with titlelabel verso, oil on canvas36cm x 25.5cm (14in x 10in)£200-300

62 FG375/518TH CENTURY DUTCHSCHOOLVILLAGE PURSUITSOil on panel23cm x 33cm (9in x 13in)£600-800

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Other Properties

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74 FF401/4WILLIAM BLAKE(BRITISH 1757-1827)GROUP OF 3 ETCHINGS ONINDIAN PAPER -ILLUSTRATIONS FROM THEBOOK OF JOB‘The Morning Stars SangTogether’, 1874 ed.; ‘I Am Young& Ye Are Very Old’, 1825 ed.;‘Then a Spirit Passed Before MyFace’, 1825 ed.; and a booklet ofBlake’s full illustrations of theBook of Job, published 1912 byGowans and Gray Ltd(all unframed)£800-1,200

75 FG132/1MID 19TH CENTURY BRITISHSCHOOLBUST PORTRAIT OF A LADYWEARING AN AQUAMARINENECKLACEOil on canvas74cm x 61cm (29in x 24in)£400-600

76 FG360/2ROBERT WEIR ALLEN(SCOTTISH 1852-1942)THE WATERMILLSigned, watercolour35cm x 51cm (13.75in x 20in)£300-500

77§ FG19/1CHRISTINE MCARTHUR R.S.W.,R.G.I. (CONTEMPORARYSCOTTISH)TULIPS IN AN ORIENTALTEAPOTSigned, pastel45cm x 48cm (17.75in x 19in)£400-600

78 FG361/320TH CENTURY BRITISHSCHOOLPORTRAIT OF A LADY IN ARIDING JACKETIndistinctly signed and dated1925, pastel53cm x 41.5cm (20.75in x 16.25in)£700-900

69 FF401/11MISCELLANEOUSGROUP OF 3 ETCHINGSRonau Willem Woiceske,‘Afternoon Shadows’, signedand inscribed with title in pencilto margin, edition of 50; J. M.W. Turner, ‘Solway Moss’;Francisco de Goya, ‘LindaMaestra’, signed in plate(all unframed)£700-900

70 FF401/10AUGUSTE LEPERE(FRENCH 1849-1919)GROUP OF 3 ETCHINGS‘La Chausniere a Rousseau’,signed and numbered 16/35 inpencil to margin; ‘La MaisonInondee’, signed in pencil tomargin; ‘Le Nid’, signed inpencil tommargin andnumbered 12/35(all unframed)£500-700

71 FF401/9FRENCH INTERESTGROUP OF 8 ETCHINGSAlphonse Legros, ‘Le Lavoir’,signed in pencil to margin, ‘LePetit Hangar’, signed in pencilto margin, ‘Pres du Moulin’,signed in pencil to margin;Maxime Lalanne, ‘Aux Environsde Paris’, signed in plate,‘Bordeaux’, signed andinscribed in plate; A. Bernard,’Le Bi a Villerville’, 1884, Signedin pencil to margin; Felix Buhot,‘La Falaise - Baie de SaintMalo’, Signed and inscribed inplate, stamped; CharlesJacque, ‘L’Orage’, signed inplate(all unframed)£500-700

72 FF401/8MISCELLANEOUSGROUP OF 11 ETCHINGS,AQUATINTS & ENGRAVINGSH. Haig, ‘Grayhurst,Haslemere’, signed andinscribed in pencil to margin; J.H. Robinson, ‘River Landscape’,signed and inscribed in pencilto margin; Indistinctly signed,‘George Fox Refusing the Oath’,Signed in pencil to margin;Ernest Arthur Lumsden,‘Benares no.1’, signed in pencilto margin; William Hogarth,‘The Shrimp Girl’, engraving,‘On Sleeping in Church’,engraving, ‘Whoever Makes aDesign...’, engraving; JohnTaylor Arms, ‘Rio Dei SantiApostoli’, signed, inscribed anddated 1930 in pencil to margin,‘Sunlight on Stone’, signed,inscribed and dated 1921 inpencil to margin, ‘FromKnoedler’s Window MCMXXXV’,signed and dated 1936 in pencilto margin; Kerr Eby, ‘Day’s End,Driftwat’, signed and inscribedwith title in pencil to margin(all unframed)£400-600

73 FF401/5SEYMOUR HADEN(BRITISH 1818-1910)GROUP OF 5 ETCHINGS‘Egham’, signed in pencil tomargin; ‘Mytton Hall’, signed inpencil to margin; ‘On the Test’,unsigned; 2 x ‘KensingtonGardens’, one of which is signedin pencil to margin(all unframed)£700-900

12

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79§ FG211/1JENNY MATTHEWS(BRITISH b. 1964)FLOWER STALLSigned and dated 1990, pen, inkand watercolour36.5cm x 43cm (14.25in x 17in)£400-600

80 FG172/1HASSAN MASSOUDY(IRANIAN b. 1944)CALLIGRAPHY COMPOSITIONWatercolour on paper, signed inpencil and dated 1994, framed34cm high, 48.2cm wide£300-500

81§ FG147/2ALAN M. HUNT(BRITISH b. 1947)HOOPOE AGAINST ASTONEWALLSigned, acrylic on paper41.5cm x 33cm (16.25in x 13in)£300-500

82 FG140/1NICHOLAS KALMIKOFF(RUSSIAN 1873-1955)TEMPLE BUILDINGSSigned, oil on board40cm x 50cm (15.75in x 19.75in)£800-1,200

90§ FE500/27GRAHAM SUTHERLAND O.M.,R.A (BRITISH 1903-1980)INSECT FORMSigned and dated ‘79, ink andwash29cm x 43cm (11.5in x 17in)Exhibited:Marlborough GalleryLiterature:Apollinaire, Le Bestiare ou CortègeD’Orpheé 1979

£400-600

91§ FE50/196PAT DOUTHWAITE(SCOTTISH 1939-2002)SUNSETChalk on paper81.5cm x 66cm (32in x 26in)£300-500

92§ FB791/41JOHN BELLANY H.R.S.A., R.A.,C.B.E. (SCOTTISH 1942-2013)ROADSigned, watercolour54cm x 75cm (21.25in x 29.5in)£400-600

87§ FF167/5MARY DUNCAN(BRITISH 1885-1964)VINEYARD, FRANCESigned, oil on canvas44cm x 54cm (17.25in x 21.25in)£600-800

88§ FE736/4NAEL HANNA(SCOTTISH/IRAQI b. 1959)AUTUMN FIELDS ANGUSSigned, oil on canvas44cm x 66cm (17.25in x 26in)£600-800

89§ FG491/3PERPETUA POPE(SCOTTISH b. 1916-2013)VIEW OF EIGG FROM THEMAINLANDSigned and dated 1953, oil onboard29cm x 39cm (11.5in x 15.25in)£400-600

83§ FF90/8MARY ARMOUR R.S.A., R.S.W.(SCOTTISH 1902-2000)SUMMER IN THE FIRTHSigned and indistinctly dated,oil on board26.5cm x 39cm (10.5in x 15.25in)Note:Copy of original artist’s label versowhich reads ‘Mr first seascapesubject, painted at Sannox, Arranfrom the famous ‘Rocking Stone’.The distant hills are on the mainlandwith the tail end of Bute.’

£500-700

85 FF170/2ARCHIBALD KAY R.S.A., R.S.W.(SCOTTISH 1860-1935)PASSING BARGESSigned, oil on canvas30cm x 39.5cm (11.75in x 15.5in)£600-800

86§ FF167/6JEFF MACDONALD(SCOTTISH CONTEMPORARY)WINTER IN ARGYLLSHIRESigned, acrylic on paper41cm x 58cm (16in x 23in)£200-300

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98§ FF213/1SIR DAVID YOUNG CAMERONR.A., R.S.A., R.W.S., R.S.W.(SCOTTISH 1865-1945)INTERIOR OF NOTRE DAMEC.1907, pencil and watercolouron buff paper33cm x 20cm (13in x 8in)Provenance:Previously in the collection of theartist Kate Cameron

£400-600

99 FF193/2GEORGE SMITH R.S.A.(SCOTTISH 1870-1934)HORSE AND CART LOADEDWITH LOGSSigned, oil on board20cm x 39cm (11.75in x 15.25in)£400-600

100 FF193/1GEORGE SMITH R.S.A.(SCOTTISH 1870-1934)COWS GRAZING IN A MEADOWSigned, oil on board29cm x 39cm (11.5in x 15.25in)£400-600

101§ FF165/3WILLIAM N. GUTHRIE(20TH CENTURY SCOTTISH)LARGS BAYSigned, oil on vellum24cm x 37cm (9.5in x 14.5in)£400-600

102 FF129/1JAMES DOCHERTY A.R.S.A.(SCOTTISH 1829-1878)PATH THROUGH THE BEECHWOODSigned, oil on board28cm x 44cm (11in x 17.25in)£500-700

103 FE499/75SIR WILLIAM FETTESDOUGLAS R.S.A(SCOTTISH 1822-1891)ON THE RIVERBANKSigned with a monogram andindistinctly dated, watercolour17cm x 36cm (6.75in x 14in)£300-500

104 FE489/1DUNCAN CAMERON(SCOTTISH 1837-1916)CORNSTOOKSOil on canvas51cm x 81.5cm (20in x 32in)£600-900

93 FG370/3DAVID ROBERTS R.A., H.R.S.A.(SCOTTISH 1796-1864)CONVENT OF ST CATHERINEWITH MOUNT HOREB,FEBRUARY 19TH 1839Signed,inscribed and dated inplate, published by F. G. Moonin 1844, colour lithograph52cm x 36cm (20.5in x 14.25in)and another by the same hand‘Karnack’ (2)£400-600

94 FG370/1DAVID ROBERTS R.A.(SCOTTISH 1796-1864)VIGNETTESigned twice and dated ‘Dec25th 1843’, pencil, ink and wash25cm x 19cm (9.75in x 7.5in)Exhibited:The Fine Art Society, 1990Provenance:Originally from the collection of theartist’s daughter then via descent

£700-900

95 FG452/6WILLIAM WYLLIE(BRITISH 1851-1931)LINERS AND TUGS IN A BUSYSHIPPING CHANNELSigned in pencil to margin,etching22cm x 52cm (8.5in x 20.5in)and 3 others by the same handand a further etching byLangmaid (5)£600-800

96 FF213/2THOMAS MILES RICHARDSONTHE YOUNGER(SCOTTISH 1813-1890)TOR POOL, RIVER LOCHY WITHBEN NEVIS IN THEBACKGROUNDSigned and dated 1884,watercolour and bodycolour33cm x 63cm (13in x 24.75in)£1,200-1,500

97 FG103/119TH CENTURY SCOTTISHPROVINCIAL SCHOOLABERDEENOil on canvas32cm x 56cm (11.5in x 22in)£800-1,200

14

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112107

105 FE396/61RICHARD WHITFORD(BRITISH d. 1890)STUDY OF A HORSE INLANDSCAPESigned and dated 1860, oil oncanvas51cm x 61cm (20in x 24in)£400-600

106 FG370/4T. TEMPLE(BRITISH fl. 1870-90S)CHESTNUT HORSESigned and dated 1871, oil oncanvas62cm x 74cm (24.5in x 29in)£500-700

107 FC606/31WILLIAM WATT MILNE(SCOTTISH fl. 1888-1915)PUNT ON A RIVER BANKSigned, oil on board31cm x 38cm (12in x 15in)£600-900

115§ FG461/1BERNARD BUFFET(FRENCH 1928-1999)LE PONT DE PARISSigned and dated ‘68 in plate,lithograph45cm x 57cm (17.75in x 22.5in)£700-900

116§ FG243/7DELPHIN ENJOLRAS(FRENCH 1857-1945)STUDY OF A NUDE WOMAN BYFIRELIGHTSigned, pastel on cream paper53cm x 37cm (21in x 14.5in)£800-1,200

117§ FG445/5LILLIAN NEILSEN(SCOTTISH 1938-1998)BOAT TOSSED ON A STORMYSEASigned with monogram, oil onfragment of board10cm x 32cm (4in x 12.5in)Exhibited:St Andrews Fine Art, June 1988

£300-500

112 EZ623/2WILLIAM ALFRED GIBSON(SCOTTISH 1866-1931)A MOORLAND PATHSigned, pencil, watercolour andbodycolour17cm x 24.5cm (6.75in x 9.75in)£250-400

113§ FG215/2SIR WILLIAM MACTAGGARTP.R.S.A., R.S.W.(SCOTTISH 1903-1981)LOW TIDE IN THE HARBOURSigned and dated ‘22, oil onboard24cm x 29cm (9.5in x 11.5in)£500-700

114§ FG491/5JONATHAN SAINSBURY(BRITISH CONTEMPORARY)GROUSE IN WINTER PLUMAGESigned and dated ‘92, oil onboard44cm x 59cm (17.25in x 23.25in)£500-700

108 FB74/2JOHN MACWHIRTER R.A.,R.S.W., R.E., R.I.(SCOTTISH 1839-1911)SAILING BOATS ON AHIGHLAND LOCHSigned, watercolour andbodycolour24cm x 33.5cm (9.5in x 13.25in)£400-600

109 FB74/1THOMAS MILES RICHARDSONTHE YOUNGER(BRITISH 1813-1890)ABOVE LOCH TAYSigned with initials, signed andinscribed with title to old labelverso, watercolour and pencilheightened with bodycolour31cm x 63.5cm (12.25in x 25in)£1,000-1,500

110 FB66/14FOLLOWER OF JAMES WEBB(BRITISH 1825-1895)FIGURES CROSSING A BRIDGEOil on canvas31cm x 56cm (12in x 22in)£300-500

15

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113 115

124§ FG361/4ARTHUR WARDLE(BRITISH 1864-1949)TIGER SKETCHWith sketch of a leopard verso,signed and inscribed sketchverso, pastel on paper25cm x 36.5cm (9.75in x 14.25in)£600-800

125§ FG361/1WILLIAM DRUMMOND BONEA.R.S.A, R.S.W.(SCOTTISH 1907-1979)STILL LIFE OF FLOWERS IN ACREAM JUGSigned and indistinctly dated,oil on board60cm x 49cm (23.5in x 19.25in)£600-800

126§ FF430/1CHRISTINE MCARTHUR(SCOTTISH b. 1953)STILL LIFE WITH LILIESSigned, oil on canvas74cm x 90cm (29in x 35.5in)£1,000-1,500

127 FG325/12ATTRIBUTED TO LORENZOCASANOVA RUIZ(SPANISH 1844-1900)THE ART COLLECTOROil on board28cm x 18cm (11in x 7in)£400-600

128§ FG325/11LOUIS MASRIERA(SPANISH 20TH CENTURY)A GYPSYSigned, oil on canvasboard32cm x 23cm (12.5in x 9in)£400-600

129 FG325/10JULES-ALEXANDRE GRÜN(FRENCH 1868-1935)BUSTLING STREET SCENE ATNIGHTSigned, oil on canvas54cm x 45cm (21.25in x 17.75in)£300-500

130§ FG289/3ALEXANDER GRAHAM MUNROR.S.W. (SCOTTISH 1903-1985)BOATS IN A HARBOURCharcoal12cm x 15cm (4.75in x 6in)£150-250

118§ FG361/5FRANCISCO RODRIGUEZSANCHEZ CLEMENTE(SPANISH 1893-1968)THE FLAMENCO DANCERSigned, oil on board40cm x 32cm (15.75in x 12.5in)Exhibited:By Enrique Reyna at the UnitedStates World Trade Fair, 1960

£1,000-1,500

119§ FG391/1ANNA MILLER(BRITISH CONTEMPORARY)WE THREESigned verso, oil on canvas43cm x 57cm (17in x 22.5in)£300-500

120 FG384/1LOUIS WILLIAM WAIN(BRITISH 1860-1939)RECLINING CATSketch of a cat’s head verso,conte24cm x 34cm (9.5in x 13.25in)Exhibited:‘Louis Wain’, 5th-21st July 1989,Chris Beetles Gallery, London

£400-600

121§ FG380/2IAIN MACNAB P.R.O.I., R.E.(SCOTTISH 1890-1967)LE GOUTERSigned and inscribed with titleand numbered 38/40 in pencilto margin, woodcut13cm x 23.5cm (5in x 9.25in)£500-700

122§ FG380/1IAIN MACNAB P.R.O.I., R.E.(SCOTTISH 1890-1967)LE SPORTING BARSigned and inscribed with titleand numbered 21/40 in pencilto margin, woodcut11cm x 15.5cm (4.25in x 6in)£500-700

123§ FG375/3FLORENCE ST JOHN CADELL(SCOTTISH 1877-1966)EILEAN DONAN CASTLESigned, oil on board40cm x 33cm (15.75in x 13in)£300-500

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136126

131§ FG491/6NANCY BURTON R.S.W.(SCOTTISH 1891-1972)STUDY OF A PAPILLON DOGSigned, watercolour24cm x 29cm (9.5in x 11.5in)£300-500

132 FG491/819TH CENTURY BRITISHSCHOOLFATLIPS CASTLE RUINS, MINTOCRAGS, ROXBURGHSHIREDated 1837 label verso,watercolour36cm x 49.5cm (14in x 19.5in)£300-500

133§ FG497/1WILLIAM MCGREGOR(BRITISH 19TH/20TH CENTURY)ROAD TO LOCH ALSHSigned, oil on canvas44cm x 82cm (17.25in x 32.25in)£700-900

134§ FG497/2WILLIAM MCGREGOR(BRITISH 19TH/20TH CENTURY)FISHERMEN ON LOCH DUICHSigned, oil on canvas44cm x 60cm (17.25in x 23.5in)£700-900

141 FG269/10HENRI LEOPOLD MASSONC.G.P., C.S.G.A., C.S.P.WC.,F.C.A., O.S.A., Q.MG., R.C.A.(CANADIAN 1907-1996)AUTUMNSigned, oil on canvas31cm x 41cm (12in x 16in)£800-1,200

142 FF452/1JONATHAN ARMIGEL WADE(BRITISH b. 1960)REVISIONSigned, oil on board38cm x 60cm (15in x 23.5in)£500-700

143§ FG267/1HAMISH LAWRIE(SCOTTISH 1919-1987)MORNING, GLENFINNAN , 1973Signed, oil on board79cm x 120cm (31in x 47.25in)£400-600

144 FG244/8CAMPBELL SMITH(AMERICAN CONTEMPORARY)FLORAL STILL LIFEPastel on paper19cm x 14cm (7.5in x 5.5in)£200-300

138 FG545/1ROBERT HOPE R.S.A.(SCOTTISH 1869-1936)EDINBURGH FROMCRAIGLOCKHARTSigned, signed and inscribedboard verso, watercolour27.5cm x 36.5cm (10.75in x 14.25in)£600-800

139 FG575/120TH CENTURY BRITISHSCHOOLPORTRAIT OF A WOMANWEARING A HEADSCARFOil on canvas57cm x 55cm (22.5in x 21.5in)£700-900

140 LT2012/2FOLLOWER OF JOHN COLLIERMATERNAL CARESBears signature, oil on canvas36cm x 51cm (14in x 20in)£800-1,200

135§ FG497/3WILLIAM MCGREGOR(BRITISH 19TH/20TH CENTURY)LOCH GARVESigned, oil on canvas45cm x 59cm (17.75in x 23.25in)£600-800

136 FG51/2ROBERT GEMMELL HUTCHISONR.B.A., R.O.I., R.S.A., R.S.W.(SCOTTISH 1860-1935)SEAGULLS OFF A CLIFF-FACESigned and inscribed‘Musselburgh’, watercolour35.5cm x 41cmb (14in x 16in)£600-800

137 FG51/5ROBERT MCGOWN COVENTRYA.R.S.A., R.S.W.(SCOTTISH 1855-1941)A WOODLAND CLEARINGSigned and dated 1902, oil onpanel35.5cm x 25.5cm (14in x 10in)and another by the same hand‘In the Trossachs’(2)£600-800

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148§ FG464/24WILLIAM DRUMMOND BONE(1907-1979)ARRAN FROM AYRSHIRESigned and dated ‘70, oil onboard58cm x 90cm (22.75in x 35.5in)£300-500

149§ FG464/29ADAM NIEMCZYC (b 1914)PORTRET MODELKISigned, inscribed and dated1963 verso, oil on board60cm x 29.5cm (23.5in x 11.5in)£200-300

150’No lot

151§ FG464/41ALEXANDER GRAHAM MUNRO(b. 1955)SPANISH TOWNOil on board56cm x 57cm (22in x 22.5in)£300-500

145§ FG464/3GIANCARLO ISOLA(ITALIAN 1927)PAESAGGIO ROMANOSigned and dated indistinctly,oil on canvas78cm x 98cm (30.75in x 38.5in)£400-600

146§ FG464/8PERPETUA POPE(SCOTTISH 1916-2013)COTTAGES IN SKYESigned, oil on board42cm x 48.5cm (16.5in x 19in)£400-600

147§ FG464/19JENNIFER MCRAE (b. 1959)HEAD OF A BOYSigned with initials and dated‘92, oil on board22.5cm x 20cm (8.75in x 8in)Provenance:The Scottish Gallery, Edinburgh,April 1st 2000

£400-600

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The Collection of a JazzSinger: Todd Gordon - Part 1

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145 157

152§ FG464/57PAT DOUTHWAITE(SCOTTISH 1939-2002)WOMAN WITH BIG HAIRPastel59cm x 40cm (23.25in x 15.75in)£500-700

153§ FG464/62AIAN HUGHES(SCOTTISH b. 1958)WHITE DISEASESigned and dated ‘87, colouredprint31 x 25.5cm (12in x 10in)Provenance:The Printmaker’s Workshop, June1992

£100-150

154§ FG464/68PETER HOWSON(SCOTTISH b. 1958)NUDE IN TENEMENTBUILDINGSSigned to mount, dated ‘88 tolabel, oil on paper22cm x 16cm (8.75in x 6.25in)£300-500

162 FG464/101AUSTRALIAN ABORIGINAL DOTPAINTINGOil on canvas, possibly by TwoBob Tjungarrayi or PaddyCarroll Tjungarrayi103 x 50.5cm approx.Provenance:Sotheby’s ‘Interior Decorator’ sale,Lot 367, December 2nd 2003

£400-600

163 FG464/103R. B. KITAJ(AMERICAN 1932-2007)PRISONNIERS SOVIETIQUES(1941)Signed and dated 1964 in pencilto margin, artist’s proof, colourscreenprint54 x 87.5cm approx.£800-1,200

164 FG464/115ALICE MARY BURTON(BRITISH 1893–1968)PORTRAIT OF A CHILDSigned and dated 1957, oil oncanvas34cm x 24.5cm (13.25in x 9.5in)£400-600

END OF DAY ONE

158§ FG464/85MARJ BOND(SCOTTISH b. 1939)AYAH BAHGWANSigned and dated ‘89, acrylicand gesso on board,56cm x 56cm (22in x 22in)£300-500

159§ FG464/87PETER HOWSON(SCOTTISH b. 1958)THE LAST PRAYERSigned and dated ‘89, artist’sproof32cm x 24.5cm (12.5in x 9.5in)£150-250

160 FG464/88FRAMED INDIANWATERCOLOURdepicting a princely beardedman in a green foliate costume18cm x 12cm (7in x 4.75in)£200-300

161§ FG464/102CLARE MACKIE(SCOTTISH CONTEMPORARY)MATTHEW THE MODELSigned and dated ‘89 in pencil,ink and pstel on paper40cm x 25.5cm (15.75in x 10in)£200-300

155§ FG464/69STEPHEN CONROY(SCOTTISH b. 1964)IMPRESSIONISTSigned and titled to margin inpencil, artist’s proof, etching29cm x 22.5cm (11.5in x 9in)£500-700

156§ FG464/80SARAH MCLAREN(SCOTTISH CONTEMPORARY)STILL LIFEMixed media63cm x 63.5cm (24.75in x 25in)£400-600

157§ FG464/82ALFRED WOLMARK(BRITISH 1877-1961)‘ROBED FIGURES IN THESTREET’Signed and dated ‘27, inscribedlabel verso ‘Ferens Art Gallery,Alfred Wolmark Exhibition,March 22nd-April 13th 1975’,lent by the Fine Art Society, oilon canvas62cm x 75cm (24.5in x 29.5in)£500-800

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20

Buying at Auction:Everything you wanted to

know but were afraid to ask!

Buying at auction can be exciting and rewarding,but to the uninitiated, the whole process can be atbest nerve-wracking, if not downright terrifying!

We're on a mission to demystify the art andauction worlds - we're going to answer allyour questions and show you how thewhole process works during our ‘Doors Open’viewing days.

So why not join us for a bit of a chat and a detailedexplanation of the auction process andterminology?

Running on Saturday 28th and Sunday 29thfrom 2pm.

OCTOBER

22 The Lingholm Collection

23 Fine Antiques

NOVEMBER

06 Decorative Arts & Design

27 Select Jewellery

28 The Winter Paintings Salefeaturing the Collection of Dr. Renate Davis

DECEMBER

11 Fine Asian Works of Art

JANUARY 2014

15 Rare Books, Maps & Manuscripts

22 Jewellery & Silver

25 Interiors

Forthcoming Events

Sales Calendar

165 FG464/2PURPLE IRIDESCENT GLASSSPILL VASEmoulded with thistles, set in abronzed tripod base decoratedwith dragonflies36cm high£200-300

166 FG464/1WALNUT COLLECTOR’SCABINETCIRCA 1830the moulded rectangular topabove ten narrow drawers,raised on a plinth base72cm high, 40cm wide£800-1,200

171 FG464/15WILLIAM IV ROSEWOOD ANDGILT OVERMANTEL MIRRORwith half columns painted withscroll work and deer110cm wide approx£200-300

172 FG464/6PAIR OF BRONZE THREEBRANCH CANDELABRA, BYCHRISTOPHE FRATIN,1840-1860each with sconces modelledwith monkeys blowing horns,the column cast with gamebirds above the circular plinthscast with vines (2)56cm high£1,800-2,200

173 FG464/9GEORGE III MAHOGANY FOLDOVER CARD TABLECIRCA 1760the rectangular hinged baizelined top with a flower carvedborder above the scrolled apronand single drawer, on squaresection chamfered legs71.5cm high, 92cm wide£800-1,200

169 FG464/11FRIESIAN CHIP CARVEDFOLDING TRIPTYCH FRAMELATE 19TH CENTURYenclosing an Eastern Europeanbrass and blue enamelled iconicon 5 x 5cm; frame 26.5cm high£200-300

170 FG464/12COLLECTION OF TABLE LAMPSall with shades, comprising: amodern Chinese rust groundexample; a turned wooden lampbase; an obelisk form tablelamp; and a Chinese ochreglazed ceramic base (4)£200-300

167 FG464/7SET OF FOUR DANISHLEATHER CHAIRS, BY ACTONAwith maker’s labels toundersides (4)90cm high approx.£150-250

168 FG464/5OAK TRESTLE TABLELATE 17TH CENTURYthe narrow plank top aboveblock legs united withstretchers78cm high, 222cm wide, 64cm deep£2,500-4,000

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DAY 2Saturday, 5th October, 2013 at 1am

Furniture, Rugs & Works of ArtLots 165-668

The Collection of a JazzSinger: Todd Gordon - Part 2

168

176 175

192180 & 181

180 FG464/20BEECH FRAMED THREE-SEATER SOFAupholstered by ‘Mulberry &Co.’, with an arched back andthree loose cushions, on turnedlegs and brass castors, 227cmwide; together with FIVE‘MULBERRY & WILLIAMYEOWARD’ CUSHIONS, ofvarious size and design (6)£800-1,200

181 FG464/20ABEECH FRAMED THREE-SEATER SOFAupholstered by ‘Mulberry &Co.’, with an arched back andthree loose cushions, on turnedlegs and brass castors, 227cmwide; together with FIVE‘MULBERRY & WILLIAMYEOWARD’ CUSHIONS, ofvarious size and design (6)£800-1,200

182 FG464/17GOURD FORM POTTERY VASE,BY ROGER GUERINEARLY 20TH CENTURYwith a streak glaze, inscribed tothe base22cm high£100-150

183 FG464/17AGLAZED POTTERY VASE, BYPETER HAYESthe bulbous tapering bodysimulating wood, signed ‘PeterHayes ‘88’21cm highProvenance:The Scottish Gallery, Edinburgh,March 7th 1998

£80-100

184 FG464/30BURR WALNUT DINING CHAIREARLY 18TH CENTURYwith a shaped top rail and vasesplat, over a serpentine drop-inseat, on cabriole legs ending inball and claw feet, withalterations109cm high£300-500

185 FG464/34OCTAGONAL MIDDLE EASTERNOCCASIONAL TABLEinlaid with decorative geometricpatterns and borders, the legswith shaped mirab (the topsurface A/F)61cm high, 48cm wide£100-200

174 FG464/10POKER WORK COFFERLATE 19TH CENTURYof domed, rectangular shape,with a central shield inscribed‘Mc.K’20cm wide£200-300

175 FG464/18CARVED WOOD SNUFF MULLin the form of a turtle, theunderside with a hinged lid11cm wide£200-300

176 FG464/13CONTEMPORARY GLASSBOWL, POSSIBLY BY SAMHERMANof shallow circular form, with ashaped rim to one side, the pinkglass graduating to jade green,on a stand49cm wideProvenance:Coleridge Gallery, Edinburgh, circa1984

£200-300

177 FG464/25VICTORIAN ROSEWOODCHIFFONIERwith a carved scroll back abovea single drawer and twopanelled doors, flanked bycanted columns109cm wide£400-600

178 FG464/46PAIR OF CARVED BLACKFOREST BIRD FIGURE GROUPS19TH CENTURYmodelled as game birds andfowl, with vine and barleydecoration to each base,converted to lamps (2)30cm high approx.£300-500

179 FG464/49EBONISED COLUMNJARDINIERE STAND19TH CENTURYwith incised gilt decoration,surmounted by a later circulargranite top101cm high£300-400

22

186 FG464/40VICTORIAN MAHOGANYUPHOLSTERED CENTRE STOOLwith waisted sides and a hingedseat, raised on squat bun feet44.5cm high, 47cm wide£300-500

187 FG464/31EARLY GEORGE III MAHOGANYSNAP TOP TABLEof even colour, with a ringturned column, on a tripod base70cm high, 78cm diameter£800-1,200

188 FG464/37CHINESE CLOISONNÉ VASE19TH CENTURYof transitional shape with brassmounts, depicting foliate motifs,converted to a lamp42cm high£300-500

189 FG464/44REGENCY ROSEWOOD FOLDOVER GAMES TABLEthe baize-lined D-shaped topwith a beaded border, raised ona plain column and shapedbase with bun feet73.5cm high, 91cm wide£200-300

196 FG464/48CHINESE BRONZE JARDINIÈREdepicting fish in relief, with twinelephant mask handles21cm high£200-300

197 FG464/23TRELLIS DECORATED GLASSJUGwith a cylindrical neck above abulbous body, with orange andblue decoration28.5cm high£80-120

198 FG464/89PAINTED PINE FLUTEDJARDINIÈREwith a composite carvedcolumn110cm high£200-300

199 FG464/54SMALL GEORGE III MAHOGANYWINE TABLEthe circular top raised on areeded column and a tripodbase49cm high, 34cm diamProvenance:Sotheby’s ‘Furniture and Rug’ saleat Olympia, September 5th 2002

£1,000-1,500

193 FG464/51GEORGE II CUBAN MAHOGANYDINING CHAIRCIRCA 1750with a paper scroll top rail overa pierced splat, with a drop-inseat, raised on carved cabriolelegs with paw feet93cm high£300-400

194 FG464/53VICTORIAN MAHOGANY FOLIOSTANDwith an open platform abovefour open shelves/dividers,flanked by two pairs of turnedcolumns56cm high, 45.5cm wide£300-400

195 FG464/43GEORGE III MAHOGANYRAEBURN CHAIRwith silk upholstery by‘Mulberry & Co’, with leafcarved decoration to each arm,raised on moulded chamferedlegs92cm highProvenance:Lyon & Turnbull, 2001, sale 27, lot357

£1,200-1,800

190 FG464/47GEORGE III MAHOGANY FALL-FRONT BUREAUwith a fitted interior above fourgraduated drawers, raised onbracket feet109cm high, 107cm wide£300-500

191 FG464/33GEORGE III MAHOGANY OPENARMCHAIRthe arched back, seat and cut-away arms with Paisley patternupholstery by ‘Mulberry & Co.’,on square section legs with ‘H’form stretchers, brass andleather castors99cm highProvenance:Lyon & Turnbull, 2001

£1,000-1,500

192 FG464/21PARQUETRY WORK BOX19TH CENTURYthe hinged lid opening to reveala fitted lift-out tray24cm wide£80-120

23

195 187 191

184 199197

206 FG464/72CHINESE CARVED HARDWOODJARDINIÈRE STANDwith a circular pink marble top,raised on four cabriole legs withpierced aprons92cm high£200-300

207 FG464/73CONTINENTAL EMPIRE STYLEMAHOGANY AND BOXWOODSTRUNG PIER GLASSwith applied brass flowerheads, above the rectangularmirror plate103cm high, 42cm wide approx.£200-300

208 FG464/23ASTAFFORDSHIRE FIGURE OF APUG DOGmodelled seated, withpolychrome highlights23.5cm high£100-150

209 FG464/39MINIATURE JAPANESESATSUMA VASEof tapered form, decorated withfan shaped panels above acontinuous frieze of springblossoms, signature tounderside, with a hardwoodbase9.5cm high (excluding base)£300-500

210 FG464/63WALNUT CORNER CABINET18TH CENTURYwith a moulded cornice and aparquetry panelled door93.5cm high£300-500

211 FG464/116ASPREY NOVELTY SILVERKNIFE RESTin the shape of an elongatedrabbit, marked London 1906,8cm long; together with a PAIROF SILVER THISTLE SHAPEDSALTS, marked Birmingham1876, 5cm diam.; and anEMBOSSED SILVER NAPKINRING, marked Sheffield 1896 (4)£150-250

212 FG464/76GEORGE III (AND LATER)CARVED OAK CHESTwith an associated marble topabove two short and three longgraduated drawers87cm high, 91cm wide£200-300

213 FG464/32ASSEMBLED OPAQUE GLASSSCULPTURE, BY CHARLESBRAYof abstract form, raised on arectangular base64.5cm high (excluding base)Provenance:The Coleridge Gallery, Edinburgh,circa 1984

£250-350

214 FG464/79GEORGE III MAHOGANY ANDGILT PIER GLASSthe pediment with a Hoho birdand shaped apron, above therectangular mirror plate93cm high, 49cm wide approx.£300-500

215 FG464/81VICTORIAN ARCHEDMAHOGANY FRAMEDHEADBOARDwith later ‘congo leather’upholstery by ‘Mulberry & Co.’144cm wide£200-300

200 FG464/74GEORGE III MAHOGANY WASHSTANDwith a doubled hinged top overan interior with a mirror, abovetwo drawers and a cupboard,raised on moulded legs90cm high, 40cm wide£150-250

201 FG464/90SELECTION OF CREWELWORKITEMSto include: a crewelwork panel;a matching pair of curtains anda pelmet, lined; and a tailoredvalance (for a single bed) andcushion (qty)£200-300

202 FG464/100NATIVE AMERICAN PAINTEDWOOD TOTEM POLEcarved with animals and masksin high relief69cm high£80-120

203 FG464/26BURR WOOD PAPERWEIGHT19TH CENTURYof oval, naturalistic form,weighted16cm wide£200-300

204 FG464/75IMPRESSIVE ROSEWOODWHEEL BAROMETER19TH CENTURYthe case profusely decoratedwith mother-of-pearl, copperand white metal motifs, with amain silvered dial above thethermometer gage116cm high£400-600

205 FG464/71GEORGE III MAHOGANYFRAMED OPEN ARMCHAIRwith bar back, drop-in seat andmoulded tapered legs85cm high£300-400

24

203 220

226

216 FG464/83PLAIN OAK COFFER17TH CENTURYwith an iron lock plate and cut-away ends57cm high, 90.5cm wide£400-600

217 FG464/84WILLIAM IV UPHOLSTEREDMAHOGANY FRAMEDARMCHAIRwith a button back, and raisedon brass castors£300-500

218 FG464/61GEORGE III MAHOGANY LONGCASE CLOCK, BY JOHNHAMILTON, GLASGOWwith a blind fretwork, swanneck pediment over the archedsilvered dial with a moon plate,flanked by spiral flutedcolumns, above the panelleddoor with an inlaid star motifand raised base, with an eight-day movement striking on asingle bell236cm high£2,000-3,000

224 FG464/91MAHOGANY PANEL DOORBEDSIDE CABINETon a plinth, 47cm wide;together with a VICTORIANMAHOGANY BALLOON BACKDINING CHAIR (2)£200-300

225 FG464/92MAHOGANY FRAMEDARMCHAIRLATE VICTORIANwith striped upholstery84.5cm high£100-200

226 FG464/36ART NOUVEAU JARDINIÈREof ovoid form with four frilledlug handles, with flambé glazedecoration, stamped ‘JeromeMassier’36cm diam.£300-500

221 FG464/77CHINESE BRONZE CENSOR19TH CENTURYin the form of a Fo dog with aball23cm wide£300-500

222 FG464/94CHINESE BRONZED BUDDHAHEADof typical form, with elongatedears, raised on a modernwooden stand26cm high£300-500

223 FG464/86STAINED PINE AND IRONBOUND KOREAN CHESTthe fall-front opening to revealthree drawers72.5cm high, 98cm wide£300-500

219 FG464/67LATE VICTORIAN EBONY,EBONISED AND IVORYCREDENZA, BY HOWARD &SONS, LONDONthe shaped top with quadrantends above dentilled triglyphfrieze and pair of glazed doorsenclosing shelves, flanked byopen mirror backed shelves, onplinth and flattened bun feet,bearing maker’s label102cm high, 145cm wideProvenance:Lyon & Turnbull, 2000, sale 8, lot676.

£500-800

220 FG464/65CHINESE CAMPHOR COFFERcarved with dragons in relief tothe hinged lid, above foliatedecoration33cm high, 80cm wide£200-300

25

209 213 204

208222

233 FG464/118VICTORIAN IRON AND BRASSHEADBOARDof typical open form, with ahorizontal brass top railsurmounted by ball finials,above the vertical moulded ironsupports148 x 107cm£80-120

234§ FG464/78STONEWARE FIGURE, BY KENRYANCIRCA 1990modelled as a bull’s head,raised on a tapered plinth75cm high (overall)Provenance:The Scottish Gallery, Edinburgh,June 1990

£300-500

235 FG464/97REGENCY OVER PAINTEDWROUGHT IRON BENCHthe open back above a slattedseat and scroll arms, oncabriole legs78.5cm high, 183cm wide approx.£800-1,200

236 FG464/114PATINATED SHIP IRONGARDEN SCULPTUREof abstract form, the openhands supported by columnssimulating arms130cm high, 58cm wide£150-250

237 FG464/117PAIR OF ANTIQUE CHIMNEYPOTSeach of octagonal form, with anogee shaped neck and base,72cm high; together with aCAST IRON GUTTER HEAD (3)£150-250

227 FG464/93VICTORIAN MAHOGANYKNEEHOLE DESKwith three frieze drawers abovetwo panel doors78cm high, 110cm wide£200-300

228 FG464/95CHINESE MILLEFIORI TWINHANDLED PORCELAIN VASEthe ovoid body with grotesquerouge-de-fer and gilt maskhandles, with all over gilt andpolychrome decoration,converted to a lamp27cm high£200-300

229 FG464/98FOUR JAPANESE WOODBLOCKPRINTSeach signed, depicting variousscenes of geisha girls, ingiltwood frames (4)26.5 x 19.5cm approx.£150-250

230 FG464/99PAIR OF JAPANESE BRONZEDVASESeach of bottle form, decoratedwith dragons in high relief, withmarks to underside, on ahardwood base, converted tolamps (2)37cm high (excluding fittings)£200-300

231 FG464/96VICTORIAN MAHOGANY PIERGLASSwith a reverse breakfrontpediment above the halfcolumns flanking therectangular mirror plate78cm high, 57cm wide£150-250

232 FG464/64LARGE CRANBERRY GLASSVASEof bottle shape, decorated withprunts55cm high£200-300

26

235

234 228 232

238 FF687/5IRONWORK TREE SEATof sectional circular form126cm wide, 88cm high, 44cm deep£500-700

239 FC789/5CHINESE HONGMU KANGTABLEQING DYNASTY, 19THCENTURYthe cleated rectangular top andshaped frieze on scroll carvedlegs75cm wide, 25cm high, 40cm deep£200-300

240 FG293/1REGENCY MAHOGANY ANDROSEWOOD FOLD OVER CARDTABLEthe rounded rectangular topabove a shaped support, raisedon out swept ebony strung legsand brass lion paw feet andcasters90cm wide, 75cm high, 44cm deep£200-300

246 FF066/1SET OF SIX VICTORIANMAHOGANY BALLOON BACKDINING CHAIRSthe shaped back and horizontalsplat above a serpentine seat,raised on turned fluted legs48cm wide, 91cm high, 46cm deep£250-350

247 FF153/25OAK REFECTORY TABLEMODERNthe rectangular plank top withcleated ends raised onchamfered straight legs joinedby an H-stretcher198cm long, 76cm high, 92cm deepProvenance:Selected contents of Lorton Park,Cumbria

£500-800

248 FG330/19PAIR OF LOUIS XVI STYLEMAHOGANY FRAMED LEATHERBERGERESthe arched back and downswept arms above a cushionedseat, raised on moulded squarelegs (2)67cm wide, 89cm high, 52cm deep£300-500

244 FF96/1PAIR OF VENETIAN MIRRORS20TH CENTURYthe oval bevelled mirror platewithin an engraved mirroredframe (2)64cm wide, 80cm high£300-500

245 FB67/1IMPRESSIVE JAPANESECARVED HARDWOOD ANDMARBLE INSET SETTEE20TH CENTURYthe pierced triple arch highback carved in high relief withdragons, phoenixes, clouds, fulions and a group of nudemeiren, and centred by acartouche carved with clouds,waves, pavilions and a dragonwith a central white marblemedallion, over a shapedserpentine seat flanked byscrolling arms carved withfurther nude meiren resting onwaves, above a pierced seat railand carved short cabriole legs200cm wide, 140cm high, 61cm deep£2,000-3,000

241 FG294/4VICTORIAN MAHOGANY CHESTthe rectangular top above fourgraduated drawers, raised on aplinth base119cm wide, 111cm high, 56cm deep£200-300

242 FG330/25VICTORIAN MAHOGANY FOURDOOR BREAKFRONTWARDROBEthe moulded cornice abovepanel doors enclosing shelves,flanked on either side byhanging space, raised on aplinth base244cm wide, 212cm high, 76cm deep£600-800

243 FF72/66SET OF SIX QUEEN ANNESTYLE WALNUT DININGCHAIRSthe shaped top rail and verticalvase shaped splat, above a dropin pad seat, raised on mouldedcabriole legs, united bystretchers51cm wide, 105cm high, 41cm deepProvenance:The Estate of Dr. Renate Davis,Deceased

£800-1,200

27

Other Properties

238 245

243242

254 FF175/28MAHOGANY AND INLAIDCORNER WASHSTANDthe arched back above threetiers, with a central drawerflanked by dummy drawers,raised on outswept square legs,united by an under tier52cm wide, 111cm high, 34cm deep£150-180

255 FF179/18EDWARDIAN MAHOGANYCHEVAL MIRRORthe oval mirror plate within anebony and boxwood strungframe, flanked by reededsupports, above a shaped base,raised on sabre legs and brasscastors70cm wide, 174cm high, 61cm deep£300-400

256 FF65/2HOWARD STYLE SOFAupholstered in heavy flat weavematerial, the double archedback above loose cushions,raised on turned legs and brasscasters176cm wide, 70cm high, 72cm deep£300-500

257 FF687/9EDWARDIAN TWEED WINGBACK ARMCHAIRupholstered in jackets, thecushioned back and out sweptarms above a cushioned seat,raised on bun feet146cm wide, 62cm high, 81cm deep£700-900

258 FG299/2TWO SECTIONAL BARRISTERSBOOKCASESeach with five graduated glazedsections, raised on a plinthbase89cm wide, 176cm high, 29cm deep£400-600

259 FG306/2FRENCH FRUIT WOODDRESSER BASE19TH CENTURYthe rectangular top above threepanel doors, raised on bracketfeet217cm wide, 93cm high, 60cm deep£500-800

249 FG330/21NEAR PAIR OF GEORGE IISTYLE SERVING TABLESthe serpentine gadrooned topabove two frieze drawers,raised on square tapering legsand paw feet (2)130cm wide, 93cm high, 64cm deep£1,000-1,500

250 FG249/5GEORGE III MAHOGANYBOWFRONT CHESTthe shaped top above two shortand three graduated longdrawers, raised on bracket feet107cm wide, 97cm high, 58cm deep£300-500

251 FG396/1UPHOLSTERED HOWARD &SON CHAIR20TH CENTURYthe cushioned back and deepseat, raised on turned legs andbrass casters, bearing makersstamp97cm wide, 83cm high, 60cm deep£150-180

252 FG437/6GLASGOW SCHOOLFUMED OAK HIGH BACKCHAIR, CIRCA 1900the serpentine top rail aboveslatted back and drop in seat,raised on square tapering legslinked by stretchers£200-300

253 FF164/11MAHOGANY LONGCASE CLOCK19TH CENTURYthe drumhead hood enclosing acircular white painted dialinscribed ‘George Stoddart,Edinburgh’, with Roman ndArabic numerals, subsidiaryseconds and date dial, with aneight day movement striking ona bell, the trunk of plain designwith box inlay, all raised onbracket feet198cm high£400-700

28

249 250

259256

260 FG306/3VICTORIAN MAHOGANY TWINPEDESTAL DESKthe moulded rectangular topwith an inset tooled writingsurface above a central drawer,flanked on either side by fourgraduated drawers, raised onplinth bases138cm wide, 77cm high, 60cm deep£200-300

261 FG308/1EIGHT DAY LONG CASE CLOCK,BY JOHN TODD GLASGOWthe painted arched dial withsubsidiary second and datedials, within a hood with amoulded cornice and fluteduprights, over a rectangulardoor, flanked by turnedpilasters, raised on bracket feet53cm wide, 227cm, 24cm deep£800-1,200

267 FF156/2GEORGIAN STYLE FAUXLEATHER FOOTSTOOLMODERNthe square buttoned top, raisedon squat fluted legs and brasscaps and ceramic casters104cm wide, 40cm high£200-300

268 FC789/6CHINESE STAINED SOFTWOODHANGING CORNER CABINETLATE QING DYNASTYof bow front outline with fourglazed panel doors enclosingshelves31cm wide, 119cm high, 20cm deep£150-250

269 FE684/8REGENCY PAINTEDEGYPTIANESQUE MIRRORthe shaped bevelled mirrorplate within an invertedbreakfront frame, flanked byfluted columns, surmounted bysphinxes76cm wide, 99cm high£400-600

265 FF687/8CHROME AND MAHOGANYANGLE POISE STANDARDLAMPMODERNraised on a tripod base, wiredfor electricity173cm high, 60cm wide (at widestpoint)£300-400

266 FF155/1SET OF EIGHT MAHOGANYDINING CHAIRS BASED ONTHE CHIPPENDALE PLATEDIRECTORYEARLY 20TH CENTURYthe shaped carved top railabove a pierced vertical splat,over a celtic tooled leather dropin pad seat, raised on carvedcabriole legs and ball and clawfeet62cm wide, 103cm high, 43cm deep£800-1,200

262 FE359/30GEORGE III STYLE MAHOGANYCELLARET19TH CENTURYCove moulded rectangularhinged top opening to reveal amahogany lined interior, raisedon acanthus moulded cabriolelegs and ball and claw feet.58cm wide, 68cm high, 37cm deep£200-300

263 FG440/1MAHOGANY HIGHCHAIRthe fixed seat with shaped railsand a fold down tray, above thesplayed legs united bystretchers and raised on wheels95.5cm high£100-200

264 FG311/1MAHOGANY OVAL GATE LEGTABLEthe moulded top above a plainfrieze, raised on turned legsand pad feet123cm wide, 70cm high, 45cm deep£250-350

29

253 265 261

257

275 FG373/31CARVED CHINESE HARDWOODCHAIRthe shaped seat and backraised on two open legs, carvedall over with peonies androckwork99cm high£100-200

276 FF164/6MAHOGANY REGULATOR LONGCASE CLOCK19TH CENTURYthe hood with a pointedpediment enclosing the circularsilvered dial with sweep secondhand, subsidiary minute andhour dials, inscribed ‘WilliamGray, Mid Calder’ andnumbered/dated ‘1855’, thetrunk with a glazed door,canted corners, a plain base,and raised on a plinth203cm high£1,000-1,500

277 FF175/32WHYTOCK AND REID COCKPENARMCHAIRthe interlinked back aboveshaped arms, over a cushionedseat, raised turned legs unitedby stretchers59cm wide, 90cm high, 48cm deep£300-500

278 FF175/16FRENCH WALNUT OPEN ARMCHAIRthe moulded cushioned backand out swept arms above acushioned serpentine seat,raised on cabriole legs54cm wide, 90cm high, 44cm deep£150-250

279 FE157/23EARLY GEORGE III MAHOGANYCORNER CUPBOARDMID 18TH CENTURYthe reeded and mouldedcornice above a pair of panelcupboard doors with beadmoulding, opening to a greenpainted and shelved interior110cm wide, 210cm high, 70cm deep£500-800

270 FE396/22GEORGE III MAHOGANYBUREAU18TH CENTURYthe slant front opening to afitted interior with a baize linedwriting surface, over fourgraduated drawers, raised onshaped bracket feet94cm wide, 97cm high, 52cm deepProvenance:Private collection, Aberdeenshire

£300-500

271 FF687/10WHITE UPHOLSTEREDBEDROOM CHAIR, BYHOWARD & SONSthe arched button back above aloose cushioned seat, raised onturned legs and ceramiccasters64cm wide, 72cm high, 53cm deep£500-600

272 FG231/4PAINTED DOOCOT20TH CENTURYthe steeply raked shingled roofabove six pigeon holes63cm wide, 74cm high, 28cm deep£200-250

273 FG249/1GEORGIAN STYLE MAHOGANYINVERTED BREAKFRONTBOOKCASE CABINET19TH CENTURYthe moulded cornice aboveastragal glazed doors,enclosing shelves, overassociated base with paneldoors, raised on a plinth base129cm wide, 225cm high, 44cm deep£250-350

274 FG373/30CHINESE BRASS TOPPEDTABLEthe decorative circular top witha lobed rim, above a fold-awayhardwood frame60.5cm high£150-250

30

270 284

281280

280 FE396/5VICTORIAN WALNUT ANDINLAY DESK19TH CENTURYthe shaped oval top with a redleather insert writing surfaceand ebonised wells for pensand inkwells, outlined in lineand foliate inlay, above a friezedrawer, raised on carved trestlesupports joined by a turnedstretcher and raised on cabriolelegs ending in scroll toes withcastors102cm wide, 72cm high, 50cm deepProvenance:Private collection, Aberdeenshire

£200-300

281 FG468/1PAIR OF EMPIRE STYLEMAHOGANY AND GILTARMCHAIRSthe serpentine cushioned backand out scrolling arms, above acushioned seat, raised onturned reeded legs121cm wide, 113cm high, 55cm deep£800-1,200

288 FB57/5STAINED WOOD AND BRASSBOUND COAL BUCKETof tapering form, with threebrass bands (A/F)38cm high£200-300

289 FG440/7PORCELAIN FIGURAL DISHLATE 19TH CENTURYthe elongated shaped oval dishsupported by four standing puttiand raised on three giltdecorated feet, the exteriormoulded with polychromeflowers in high relief, theinterior painted with a floralspray, with printed andimpressed marks to base44cm wide£150-250

290 FE371/9PAIR OF GILT BRONZE WALLSCONCES20TH CENTURYeach with five outscrolling armsmounted on a reeded columnbracket, all below a flaming urnfinial (2)52cm high£200-300

285 FG249/4ART NOUVEAU BRASSSTANDARD LAMPthe adjustable upright abovescrolling supports and foliatemoulded feet50cm wide, 156cm high£200-300

286 FG249/6GEORGIAN MAHOGANY EIGHTDAY LONGCASE CLOCKthe painted arched dial withsubsidiary date aperture andsecond dial, within a hood witha broken swan neck pediment,above fluted pilasters, raised ona plinth base47cm wide, 218cm high, 25cm deep£300-500

287 FG311/2BAMBOO STOOL IN BRIGHTONPAVILION STYLEthe square cushioned top abovea fretwork frieze, raised on legsunited by stretchers£180-220

282 FG559/2SYRIAN OCTAGONAL BONEAND MOTHER OF PEARLINLAID LOW TABLEthe top and sides inlaid withsymmetrical designs andpierced decoration42cm wide, 50cm high£300-500

283 FG559/3SYRIAN MOTHER OF PEARLINLAID WORK TABLEthe hinged top opening to reveala lined interior, above a shapedfrieze and legs44cm wide, 54cm high£300-500

284 FG249/2GEORGE III MAHOGANY ANDINLAID DEMI LUNE FOLD OVERCARD TABLEthe cross banded top above aninlaid frieze, raised on squaretapering legs and spade feet91cm wide, 74cm high, 46cm deep£200-300

31

277 273 276

271272

296 FG427/5COLLECTION OF GLASS ICEPLATEScomprising: a near set of 12opaline glass examples, 18cmdiam.; a set of four plain glassplates, 15.5cm diam.; and twocut glass examples, 16cm diam.(18)£150-250

297 FG427/4GROUP OF GREEN GLASSDUMP PAPERWEIGHTSof various ovoid size,comprising three with internalflowers, and two with bubbles(5)tallest 12.5cm high approx.£150-250

298 FB72/21BSET OF SEVEN GILT METALWALL LIGHTSeach with a moulded supportand two outscrolling arms, withcut glass swags and droplets,six surmounted by a scrolledcolumn, one without, 23cmwide; and a SET OF THREE GILTMETAL WALL LIGHTS, modelledwith birds, 24cm high (10)£250-350

299 FC190/21CARVED AND GESSOPOLYCHROME FIGURE OF‘AUTUMN’19TH CENTURYmodelled as a standing drapedmaiden with grapes in her hairand holding aloft a pinecone, ona square plinth base139cm high£200-300

300 FF175/14CAULDON PART PORCELAINDINNER SERVICEeach piece decorated with agreek key border and gilthighlights, with maker’s marks,comprising of: five graduatedashets; a large tureen andcover; two oval tureens andcovers; a smaller oval tureen,cover and stand; a furtherstand; 17 dinner plates; 14 soupplates; eight luncheon plates;18 dessert plates; six sideplates and 12 crescent shapeddishes; together with aQUANTITY OF ASSOCIATEDDINNER WARES, variouslymarked (qty)£250-400

291 FE652/39COLLECTION OF WORLDSTAMPScomprising of various covers, ina bound album, including someloose pages£150-250

292 FG325/3SPELTER FIGURE, AFTERAUGUSTE MOREAU‘AMOUR DÉSARMÉ’modelled as a seated nymph orVenus destroying Cupid’sarrows with fire, with aninscribed plaque and signed tothe reverse, all raised on amarble-like base63.5cm high overall£400-600

293 FG325/4PAIR OF BRONZE FIGURES,SIGNED BOYESEARLY 20TH CENTURYeach raised on a marble base,the first modelled as a mancarrying a water jug, signed‘S.BOYES 1910’, the seconddepicting a mother and child,signed ‘Sidney Boyes 1910’ (2)tallest 23cm high overall£400-600

294 FB66/21MEISSEN GROUP OF FIGURESBY AN APPLE TREE20TH CENTURYmodelled as a courting coupleby an apple tree, the gallantholding a pocket watch, theseated lady with a basket offlowers at her feet, a girl withapples beside them, bluecrossed swords marks, incised‘D94’, press No. ‘119.’26.5cm high£300-500

295 FB66/22MEISSEN FIGURE GROUP OFAPPLE PICKERS20TH CENTURYmodelled as a boy perched in atree picking apples with twoother boys at the tree’s baseand a woman catching apples inmaterial beside them, on anaturalistic grassy mound base,blue crossed swords mark,incised No. ‘1998’29cm high£300-500

32

297 305

314310

301 FG348/1FRAMED SILKWORK PANEL,BY MARIA ROBINSON, 1813of rectangular form, depicting aflower spray within decorativefoliate borders above theinscription ‘Maria Robinson’swork, 1813.’, in a glazedgiltwood frame44 x 40.5cm£300-400

302 FG370/2BLACK LACQUERED ANDMOTHER-OF-PEARL INLAIDINK WELLof rectangular form, with astamp box, two glass and silverplated ink wells, and a pen tray,raised on four flattened feet28cm wide£150-250

303 FC337/3COLLECTION OF PHARMACYBOTTLES AND JARSvariously marked ‘TrademarkY G Co.’, comprising of: avariety of coloured and clearglass bottles, some with labelsand stoppers; and a smallgroup of ceramic jars, withlabels and some with covers(qty)£200-300

304 FF175/54GROUP OF AIR AND OPAQUETWIST STEM GLASSEScomprising of: an air twist stemglass with a fluted bowl, 18cmhigh; a red and white doubletwist stem example, with anetched fluted bowl, 15.5cmhigh; an opaque double twiststem glass, also with an etchedfluted bowl, 16.5cm high; and alarge red, blue and white doubletwist stem example, the conicalbowl etched ‘1937 ER VIII’ (4)£200-300

314 FF168/41COLLECTION OF ENGLISHPORCELAIN TEA AND COFFEEWARESall variously decorated in thechinoiserie taste or imaripalette, with maker’s marks,comprising of: two Derby coffeecans; a miniature Derby bottlevase; a Barr, Flight and Barrtea cup and saucer; and afurther coffee can (6)£100-150

315 FG427/15WHITE GLAZED CERAMICFOOTBATHof typical form, with twinhandles, the body moulded withhorizontal bands42cm wide (at widest point)£150-250

316 FB72/21NEAR SET OF CUT GLASSWALL APPLIQUESeach of similar design with cutglass drip trays and decorativedroplets, comprising of: twowith three outscrolling arms,supported by scrolled columnsand cut glass swags; three withtwo outscolling arms andscrolled columns; two cut glasswall appliques, and a collectionof other sconces and droplets(qty)£400-600

317 FF687/2STAINED WOOD AND BRASSBANDED BUCKETof typical from with a leatherbound bale handle and a metalliner, decorated with the RoyalCoat of Arms between threebrass bands31cm high£200-300

309 FF179/64NEAR PAIR OF GEORGE IIIMAHOGANY KNIFE BOXESeach with a serpentine frontand banding, one with a voidinterior, the other fitted forcutlery (2)tallest 36cm high£250-450

310 FF179/107BRONZE FIGURE OF A LYNX,SIGNED SOMERVILLEdark brown patina, modelled asa recumbent lynx with prey on anaturalistic ground, indistinctlysigned ‘*. W. Somerville, 1913’24.5cm wide£400-600

311 FF72/27GEORGE III STYLE WALNUT &PARCEL GILT WALL MIRRORthe shaped mirror plate withina gilt slip and fretwork frame,surmounted by a ho ho bird72cm wide, 68cm highProvenance:The Estate of Dr. Renate Davis,Deceased

£200-300

312 FG221/1PAIR OF GERMAN U-BOATBINOCULARS, BY CARL ZEISSCIRCA 1930S/40Sof typical form, with rubber lenscovers, marked ‘7 x 50, 56494,blc’overall 19cm high£500-700

313 FG427/13SUNDERLAND PINK LUSTREMUGof typical from, decorated withan inscription by Charles Lambknown as ‘A Birthday Thought’to one side, and a masted shipto the other, on a pink mottledlustre ground12cm high£200-300

305 FG427/12SEVRES STYLE COVERED CUPAND SAUCEReach piece decorated with apolychrome, blue and giltborder, the cup with a handpainted scene depicting lovers,with maker’s marks (2)overall 12cm high£200-300

306 FD555/5FRENCH GILT METALRELIQUARY FIGURE19TH CENTURYgilt patina, modelled as akneeling angel holding acushion and supporting acircular bevelled glass locket ina hinged clasp19cm high£150-250

307 FF168/59PAINTED AND GILDED METALCHANDELIER AND WALLLIGHTSOF RECENT MANUFACTUREeach modelled with wheatsheaves, the chandelier withfive out scrolling arms, the walllights with two out scrollingarms each, with shades, wiredfor electricity (3)chandelier 52cm high; wall lights42cm high£400-600

308 FF178/10BOXED MOTHER OF PEARLAND ABALONE CASED ICONthe ornate glazed case with adecorative pediment, enclosingcarved figures depicting thenativity, with a fold-out standand a fitted box38.5cm high£500-700

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294 303 306

336

326 FB72/21ASET OF SEVEN MIRROR BACKWALL LIGHTSeach of tapered form, with a giltmetal frame hung with glassprisms, wired for electricity (7)20.5cm high, 24cm wide approx£200-300

327 LT2013/31PAIR OF PAINTED POST BOXESinscribed ‘POST OFFICELETTER BOX VR,’ thedetachable cover inscribed‘ANSWERED’ and‘UNANSWERED, raised onmoulded plinth bases, thepainted surface refreshed (2)37cm high£400-600

328 FG436/1VICTORIAN PAPIER MACHEREEL BOX, BY CLARK & CO.,PAISLEYof rectangular form, the hingedlid depicting a sepia view of‘The silver strand - LochKatrine’, above maker’sinscription ‘ Clark & Co.,Anchor Mills, Paisley’, the voidinterior fitted with a mirror33.5cm wide£150-250

328A FF193/3SMALL SWISS CARVEDSOFTWOOD CABINET19TH CENTURYcarved with game birds in highrelief above two long drawersand two hinged doors, openingto reveal three further longdrawers46cm high approx.£200-300

329 FE396/64FRENCH BRASS CLOISONNEENAMEL REPEATINGCARRIAGE CLOCKLATE 19TH / EARLY 20THCENTURYthe four glass case with stylisedfoliate enamels in a blueground and corinthian cornercolumns flanking a whiteenamel Roman numeral dialand subsidiary dial, the doublefusee movement striking on abell10cm wide, 16cm high, 9cm deepProvenance:Private collection, Aberdeenshire

£150-250

330 FF167/4LARGE VICTORIAN ARMORIALPART DINNER SERVICEeach piece with a gilt bordersurrounding a crest and theinscription ‘Labore et Virtute’(possibly for Pigott), somebearing marks, including theVictorian lozenge mark, aretailer’s stamp, and ‘a6243’,comprising of: nine graduatedashets; a vegetable tureen,cover and stand; two tureensand covers; two sauce tureens,covers and stands; a souptureen (cover lacking); 36dinner plates; 13 soup plates;and 23 luncheon plates (qty)£250-350

331 FF168/3AWORCESTER OR CAUGHLEYBLUE AND WHITE MOULDEDCABBAGE LEAF JUGof typical form, with a maskspout and scroll handle,decorated with the ‘Pine Cone’pattern above a gilded rim, bluecrescent mark to underside24cm high£150-250

318 FF687/6LARGE COMPOSITE FIGUREGROUPmodelled as two amorous putti,on an oblong base64cm wide, 51cm high, 41cm deep£500-700

319 FG330/22PAIR OF LOUIS XVI STYLE GILTBRONZE WALL LIGHTSeach with three outscollingarms draped with flower swags,support by a column modelledas a quiver with arrows, marksto reverse, wired for electricity(2)56cm high£300-500

320 FG374/1BRONZE FIGURE GROUP,SIGNED ‘FALKRIK’with brown and golden patina,modelled as a greyhoundsplaying with a ball on an ovalshaped base16cm high, 22.5cm wide approx.£150-250

321 FG381/1LARGE CARVED OAK BRACKETCLOCKCIRCA 1900Sthe case with a broken swanneck pediment, above thereeded columns flanking asilvered dial with Romannumerals and a gilt dial platewith three subsidary dials, themovement striking on a belland a gong59.5cm high£400-600

322 FG395/3PARIAN BUST OF APOLLOraised on a socle base andinscribed ‘Art Union of London,1881’, ‘C. Delpech REDI’,‘Published February 1 1861’, ona black painted wallbracket/shelf34cm high£150-250

323 FD754/8ENGLISH PORCELAIN PARTTEA AND COFFEE SERVICE19TH CENTURYdecorated with floral garlandswith blue bands and gilt details,marked on the underside withiron red pattern number 2733,comprising of: a teapot, coveredsugar bowl, cream jug, wastebowl, eight coffee cups, twelveteacups, twelve saucers and aside plate (qty)27cm wide, 21cm high£150-250

324 FE363/5ROYAL WORCESTER FOOTEDBOWLDATE CODE FOR 1899the ovoid body depicting panelwith exotic birds on a blue andgilt ground, above the knoppedstem and circular foot, alldecorated with green and gilthighlights, maker’s marks18cm high£200-300

325 FF168/55LOWESTOFT POLYCHROMETEAPOTof typical ovoid form, decoratedto the body and cover withflower springs and sprays inreserves15cm high£150-250

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318 325

332 FF175/13LARGE PART SET OF CUTDRINKING GLASSES ANDBOWLSeach piece with a strawberrycut bowl above a decorativeborder, comprising of: 11bowls; 10 tumblers; and fivesets of variously sized liqueurglasses; together with a SET OFFIVE WINE GLASSES; a SET OFTHREE CUT BOWLS; and TWOTUMBLERS (qty)£200-300

333 FF175/13ASET OF THREE CUT GLASSDECANTERS AND STOPPERSeach of bottle shape, withstrawberry cut decoration,33.5cm high; together with aSET OF FOUR CUT GLASSESCANDLE STICKS, each with adecorative strawberry cutknopped stem, with aremovable sconce, 25cm high(7)£250-350

339 FG152/3WILLIAM IV MAHOGANY TEAPOY19TH CENTURYthe sarcophagus form caddy topwith a hinged lid opening to aninterior fitted with four coveredtea wells and a pair of cut glassfooted waste bowls, raised on ahexagonal tapered column andquatreform base raised onscroll feet with castors39cm wide, 83cm high, 33cm deep£150-250

340 FG152/4EARLY VICTORIAN SATINWOODWORK TABLE BY J.ASPINWALL, LONDONMID 19TH CENTURYthe foliate carved three quartergallery over a plain frieze with agreen silk covered work basketflanked by end drawers, raisedon trestle supports joined by aturned stretcher legsterminating on C-scrollbrackets and turned cup feetwith brass castors, the drawerstamped ‘J. Aspinwall 70Grosvenor St’61cm wide, 78cm high, 44cm deep£250-350

337 FF177/32CASED SEXTANT, SIGNEDJANET TAYLOR & CO, LONDON19TH CENTURYof typical form, the scaleinscribed ‘Janet Taylor &Co.,104 Minories, London’, withtwo sighting tubes, the casewith various paper labels28cm wideNote:Janet Taylor was an Englishastronomer and writer. She took outseveral patents for improvements tonavigational instruments and ran aseries of lectures on navigation andastronomy. She was one of the onlywoman working in her chosen fieldin the 19th century, her patronessbeing Queen Charlotte, widow ofGeorge III.

£300-400

338No lot

334 FF175/7MAHOGANY AND BRASSBOUND BUCKETof tapering form, with five brassbands, a brass liner, and a balehandle34cm high£150-200

335 FF175/53GILDED AND PAINTEDWOODEN BOXof shaped rectangular form,decorated with reservesdepicting flowers, the hinged lidopening to reveal a silk linedinterior, all raised on four squatfeet14 x 44 x 30cm£120-180

336 FF687/12AUSTRIAN ANTLER MOUNTEDSTICK STANDmodelled with sets of curvedantlers above the carved woodcolumn, and raised by a circularstand fitted with a ceramic tray93cm high approx.£600-800

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322 331 329

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346 FF55/1CHARLES II OAK DRESSER17TH CENTURY AND LATERthe later superstructure with amoulded cornice over shelvesflanked by panel mouldedcupboard doors and opencompartments; the lower partwith a moulded edge over threepanel moulded drawers, raisedon turned baluster and blocklegs176cm wide, 222cm high, 44cm deep£400-600

347 FF65/1HOWARD STYLE TWO SEATERFLORAL SOFAthe shaped cushioned back andarms above loose cushionedseats, over a serpentine frieze,raised on turned legs andceramic casters156cm wide, 83cm high, 70cm deep£300-500

348 FG152/7GERMAN BURR WALNUT SOFATABLE19TH CENTURYthe oval top with drop ends anda beaded edge, over a singlelong frieze drawer with dropfinials at the corners, raised onflattened vasiform trestlesupports on scrolled feet andjoined by a spiral turnedstretcher, stamped with a serialnumber and ‘Mainz’179cm wide (open), 73cm high,94cm deep£500-700

349 FG196/3LARGE VICTORIANTERRACOTTA COVERED URNAND PEDESTAL19TH CENTURYthe leaf and vine moulded coverwith a pinecone finial above abaluster body with opposingvine handles and applied withanthemion and fruiting vinegarlands, on a leaf mouldedsocle foot, raised on a squarepedestal base217cm high£800-1,200

341 FG373/13INDIAN HEXAGONAL TABLEthe top surface inlaid withscrolling brass leaves, abovethe carved sides of similardesign56cm high, 52.5cm wide£200-300

342 FG373/14CHINESE HARDWOOD LOWKANG TABLEthe rectangular top above ashaped apron and square setlegs28cm high, 76.5cm wide£200-300

343 FE366/16LEATHER WINGBACK ARMCHAIRthe shaped back and outscrolled arms above a loosecushioned seat, raised onmoulded square legs, united bystretchers80cm wide, 111cm high, 50cm deep£300-500

344 FE500/13WILLIAM IV MAHOGANY SOFAupholstered in Andy Warholinspired fabric with repeatingLiza Minnelli print, the carvedtop rail above a cushioned backand arms and a loosecushioned seat, raised onturned fluted legs and brasscaps and casters, 214cm high,90cm high, 58cm deep;together with a COLOUREDPLATE, depicting a similar sofadesign, signed ‘J. Taylor Del, 16Bedford Court Gardens’, framedand glazed, 13.5 x 20.5cm (2)Provenance:The Collection of the late TerryBrodie-Smith

£400-600

345 FF687/11WICKER HAMPERof typical form with metalcatches and handles to eitherside90cm wide, 57cm high, 53cm deep£200-300

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345 354

363 356 358

350 FG322/3SET OF SEVEN CHIPPENDALESTYLE MAHOGANY DININGCHAIRSthe shaped top rail above apierced vertical splat, over astuff over seat, raised oncabriole legs and pad feet54cm wide, 96cm high, 42cm deep£350-450

351 FG325/2GEORGIAN STYLE MAHOGANYAND INLAID PEMBROKETABLEthe canted rectangular topabove a frieze drawer to eitherside, raised on square taperinglegs95cm wide, 76cm high, 51cm deep£250-350

352 FE367/1GEORGIAN STYLE MAHOGANYBOWFRONT SIDEBOARDthe shaped top above a friezedrawer over inlaid cupboarddoors, raised on squaretapering legs and spade feet122cm wide, 85cm high, 61cm deep£300-400

353 FE396/2REGENCY MAHOGANY WORKTABLE19TH CENTURYthe rectangular hinged top withcanted corners opening to afitted interior and sliding goldsilk lined work bag, raised onlyre supports with a turnedstretcher40cm wide, 72cm high, 34cm deepProvenance:Private collection, Aberdeenshire

£120-180

364 FE396/25SET OF TWELVE MAHOGANYCHIPPENDALE STYLE DININGCHAIRS20TH CENTURYcomprising of: a pair ofarmchairs and ten side chairs,with foliate carved crest railsover a carved and piercedinterlaced splat with foliatecarved C scrolls, above a dropin padded seat and foliatecarved seat rail, raised onacanthus carved cabriole legsending in claw and ball feet (12)59cm wide, 98cm high, 44cm deep£700-900

365 FG373/34CHINESE MARBLE TOPPEDSTANDthe circular set top above anornately carved apron andcabriole legs, united by asquare set stretcher68.5cm high£200-300

366 FG373/37CHINESE HARDWOOD MARBLETOPPED TABLEthe moulded rectangular topabove a foliate carved frieze,over an under tier, raised onsquare legs and ball and clawfeet60cm wide, 80cm high, 43cm deep£300-400

367 FG549/1MAHOGANY LINEN PRESSthe moulded cornice abovepanel doors enclosing slides,over two graduated longdrawers, raised on bracket feet134cm wide, 198cm high, 58cm deep£500-700

359 FG231/1GEORGIAN MAHOGANYCHILD’S CHAIRthe caned moulded arched backand down swept arms above aserpentine seat and turned legsunited by cross stretchers,raised on a base40cm wide, 99cm high, 33cm deep£200-300

360 FG231/3ASH AND YEW WOODWINDSOR CHAIR19TH CENTURYthe hoop back and pierced splatabove a solid seat, raised onturned legs, united by acrinoline stretcher60cm wide, 99cm high, 36cm deep£200-300

361 FG249/7MAHOGANY CHEST19TH CENTURYthe moulded rectangular topabove two short and threegraduated long drawers, raisedon bracket feet108cm wide, 91cm high, 51cm deep£200-300

362 FG254/1MAHOGANY DINING TABLEthe oval top above a plain frieze,raised on turned legs and brasscaps272cm wide, 74cm high, 137cm deep£400-600

363 FG254/2SET OF EIGHT GEORGIANSTYLE MAHOGANY DININGCHAIRS20TH CENTURYthe arched back and piercedvertical splat above a drop inpad seat, raised on squaretapering legs, united bystretchers52cm wide, 96cm high, 40cm deep£500-800

354 FF687/1BLACK LEATHER THREESEATER CHESTERFIELD SOFAthe buttoned back and armsabove a loose cushioned seat,raised on ceramic casters205cm wide, 76cm high, 55cm deep£1,600-2,200

355 FG311/3ORIENTAL FRUITWOOD SIDETABLEthe square moulded top above afrieze drawer, raised on squarelegs, united by stretchers41cm wide, 71cm high£300-350

356 FF193/8GEORGIAN GILT WOODOVERMANTLE MIRRORthe shell and acanthus mouldedpanel above a rectangularmirror plate, flanked bycolumns60cm wide, 98cm high£150-200

357 FF179/57MAHOGANY BOBBIN TURNEDARMCHAIR19TH CENTURYthe loose cushioned back andseat flanked by padded arms,raised on turned legs and brasscaps and castors53cm wide, 103cm high, 59cm deep£200-300

358 FG219/1ART NOUVEAU OPENARMCHAIRthe circular padded back andout scrolled arms over acushioned seat, raised onsquare tapering legs, united bystretchers67cm wide, 123cm high, 43cm deep£200-300

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366 346 343

374371

374 FE396/29REGENCY MAHOGANY, EBONYAND BRASS INLAY SOFATABLEEARLY 19TH CENTURYthe rectangular top with canteddrop down ends inlaid withebony banding and brass starinlay, over one real and onedummy frieze drawer and thesame opposing, with brass lionmask loop handles, raised ontrestle supports joined by aturned stretcher rail and reededscroll legs ending on brasscaps and castors164cm wide (open), 74cm high,63cm deepProvenance:Private collection, Aberdeenshire

£500-700

375 FF687/15MOORISH TABLE INLAID WITHBRASS AND IVORYthe octagonal top above aninlaid frieze, raised on eightlegs, united by stretchers62cm wide, 63cm high£700-900

376 FE366/23FRENCH STYLE ROSEWOODAND BRASS MOUNTEDOCCASIONAL TABLEthe square galleried top abovean under tier, raised on turnedlegs and brass caps46cm wide, 56cm high£300-400

377 FD704/2PAIR OF KASHAN RUGSCENTRAL PERSIA, LATE 19TH /EARLY 20TH CENTURYeach with indigo field with redand light blue cusped medallionsuspending pendants, floralvase spandrels, within indigofloral vine border betweenbands (2)each 220cm x 143cm£500-800

378 FG565/10HERIZ RUNNERNORTHWEST PERSIA,EARLY/MID 20TH CENTURYthe red field with centralcolumn of polychrome lozengemedallions, within browngeometric border betweenbands590cm x 94cm£600-900

368 FF687/3LEATHER AND CANVASCOVERED TRAVELLING TRUNKof typical rectangular form, witha fitted interior and brassmountings, marked to each end‘L. F. B. Denver’101cm wide, 75cm high, 58cm deep£600-800

369 FF687/13BUTTONED OTTOMANthe hinged top opening to reveala lined interior, raised on squatbun feet146cm wide, 62cm high, 81cm deep£400-600

370 FG271/1GEORGIAN OAK EIGHT DAYLONGCASE CLOCK BY GEORGELUMSDEN PITTENWEEMthe painted arched dial withsubsidiary second and datedials, within a hood with abroken swan neck pediment,over turned columns, above anarched door, flanked by turnedpilasters, raised on a plinthbase47cm wide, 207cm high, 23cm deep£600-800

371 FF168/58VICTORIAN ROSEWOODFRAMED CENTRE STOOLthe serpentine cushioned topraised on cabriole legs77cm wide, 46cm high, 57cm deep£400-600

372 FF169/1VICTORIAN MAHOGANYGLAZED DISPLAY CABINETthe moulded cornice abovesliding doors, flanked by bowed,glazed panels, enclosingadjustable shelves, raised on aplinth base154cm wide, 192cm high, 51cm deep£300-400

373 FF171/1MICHAEL OSBORNECANADIAN OAK AND BIRCHVENEERED DRESSER, CIRCA1988with central open shelves abovea moveable cabinet flanked bycolumns of graduated drawers,surmounted by open shelves184cm wide, 189cm high, 42cm deepNote:This dresser was the winner of theCassina Prize in 1988

£500-700

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368 369

379 FG565/9HERIZ RUNNERNORTHWEST PERSIA, LATE20TH CENTURYthe ivory field with centralcolumn of polychromemedallions, within red rosetteand vine border between bands350cm x 110cm£400-600

380 FD704/3PAIR OF TABRIZ RUGSNORTHWEST PERSIA, LATE19TH / EARLY 20TH CENTURYeach with indigo field with ivoryand red arabesques and birdcartouche pattern, within bluepalmette and arabesque vineborder between bands (2)each 200cm x 150cm£300-500

381 FF56/4HAMADAN RUNNERNORTHWEST PERSIA, MODERNthe red field with allover heratipattern, within creamgeometric border betweenbands295cm x 110cm£250-350

382 FG565/6MAHAL CARPETWEST PERSIA, LATE19TH/EARLY 20TH CENTURYthe red field with alloverscrolling foliate pattern and twoivory rosettes, withinpolychrome stylised vine border350cm x 270cm£600-900

383 FG565/7ANATOLIAN CARPETMID 20TH CENTURYthe cream field with alloverdense foliate pattern, withincafe au lait scrolling vine borderbetween bands286cm x 195cm£300-500

384 FE531/4KARABAGH RUNNERSOUTH CAUCASUS, LATE 19TH/ EARLY 20TH CENTURYthe raspberry field with twoindigo, red and blue medallionsflanked by floral vases, greenspandrels, within triple blue,brown and red narrow borders332cm x 114cm£300-500

385 FG205/5SAROUK FEREGHAN RUGNORTHWEST PERSIA, EARLY20TH CENTURYthe red field with light bluemedallion, ivory and redspandrels, within palmette andvine border between bands; anda BELOUCH RUG, the brownfield with four red guls, withinmultiple borders (2)149cm x 104cm; and 152cm x 95cm£150-250

386 FG267/2BAKHTIARI CARPETNORTHWEST PERSIA, MODERNthe abrash red field with largeindigo and faded red medallionsuspending pendants, withinfaded red lozenge borderbetween bands377cm x 300cm£400-600

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372 375

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387 FG307/2SPARTA CARPETCENTRAL ANATOLIA, EARLY20TH CENTURYthe red field with central indigomedallion suspendingpendants, ivory spandrels,within indigo palmette, rosetteand vine border between bands531cm x 356cm£700-1,000

388 FG307/6LARGE KASHAN CARPETCENTRAL PERSIA, MID 20THCENTURYthe eau de nil field with alloverpalmette and scrolling vinepattern, within similar borderbetween bands615cm x 418cm£2,500-3,500

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What can you tell us about your businessand how it works?

My business started as a natural progressionfollowing my own love for antique chairs. I buyantique chairs and sofas and then have themfully restored and refurbished to bring themback to their former primed state. Thankfullythere are many people out there who have thesame love of antique chairs as I do and theyknow that if they come to The Original ChairCompany they are assured of buying a genuinepiece of history.

Part of your business is aboutrefurbishing and reupholstering antiquepieces of furniture, what would you saywere the benefits of doing this?

We sell many Victorian, Edwardian and olderperiod pieces and the wonderful expectation isthat these pieces are traditionally made usingskills honed by exceptionally well trainedcraftsmen. Once restored our customers arebuying a chair/sofa that is equal or better than ahigh-end new build piece but with the addedbonus that they have a unique item, and theyhave saved an antique from heading to landfill.

Is buying at auction a way in which yousource stock, and can clients bring theirown pieces to you for a face-lift?

We do source much of our stock from auction.This is often particularly helpful if we have aclient who is looking for a specific periodchair/sofa. We have developed a relationshipwith many auction houses over the years and

L&T’s Questions & Answerswith Kate MacKenzie, founder of ‘The Original Chair Company’

can usually track down an item which helps ourclients find the perfect chair. We also sourcefrom other avenues and often our clients donatechairs that they are finished with. They no longerhave need of the chair but nor do they want tothrow it in the tip. We are always happy to re-home unwanted antiques...

Clients do also bring in their own pieces for us torestore for them. We have a vast and variedfabric range to choose from and one of the mostenjoyable parts of our job is helping clients pulltheir colours, patterns and textured fabricstogether with trimmings etc. to transform theirfurniture.

For those that haven’t explored thisprocess before, is this a timely and costlymethod of furnishing your home?

There are certainly many pieces of furniture tobe bought for less money, but for anyone whowants a special piece of upholstered furniturewith history, who recognises the benefits of up-cycling and appreciates the value in periodpieces, then this is a great way to obtain aunique item to add to their home.

Time-wise, the process of buying an antiquechair, choosing fabric and having the upholsterywork done can take as little as 2-4 weeks or itmay take a lot longer. Bear in mind whenordering new furniture these days lead times canbe as much as 16 weeks! The most commonreason for time delays when we reupholster isthe wide fabric choice but we, at The OriginalChair Company, love fabrics, we know the fabric

The world of recycling and upcycling is ever increasing in a time whenfashions look to the more organic and people have less money for expensiveand brand new pieces for the home, so this month we spent some timetalking with furniture maker and upholsterer, Kate MacKenzie, founder of‘The Original Chair Company’ for a litte inspiration.

Based in Perth in Scotland Kate works with mainly residential clients, aroundthe UK providing custom made and antique chairs and sofas. As a businessowner Kate is passionate about her work and enjoys working closely withclients offering a high level of personal service. Kate MacKenzie

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books well and are always happy to spend timehelping our clients with their choices. Oftencustomers know exactly what they want; it maybe to match in with an existing colour scheme intheir home. Other times the customers have noidea what they want and are delighted to takeadvice (and lots of fabric inspiring samples)home with them to mull over.

The end result is always the same: exceededexpectations and a delighted client.

You also design and make your ownpieces, what inspires your work?

I have seen so many wonderful, charming,beautiful and elegant pieces of antique furnitureover the years. They are the reason that I love myjob and they are also the inspiration behind mydesigns. It can often be the scale of a deepseated Victorian Armchair, the placement ofbuttons on the arm of Georgian bedroom chairor the curve along the back of a small Edwardiansofa that sets a piece apart and above the rest,and it is the detail combined with comfort thatmakes a successful design.

Tell us about a favourite project that youhave worked on in the past.

We recently worked with a well-known Londonbased international interiors company to puttogether a ‘Victoriania’ inspired brand offurniture. We collected many curvaceous, ornate,and heavily buttoned chairs, sofas and chaise-longues and then set to rebuild them; when theywere then upholstered in floral fabrics with

numerous trimmings the results were trulystunning / sumptuous!

What are your top tips for the home?

There is a saying about only having things thatare practical or things that you love in your home(this may work if we can add ‘on show’ in yourhome).

A home is an incredibly personal space andwhilst I, and everyone else, loves to look atglossy magazines, make-over shows and filmsets for ideas and inspiration, ultimately thechoice of decor should be a very individual one.

Saying that, I think the largest most expensiveitems in the home are generally not disposableand from an anti-landfill side point of view, theseitems could be in the family for generations. Ialso like at least one item in the room to havesome ‘real presence’ about it e.g. a chair! Aneutral colour scheme lends itself to being themost flexible over time. With a variety of texturesused in soft furnishings, wall coverings andflooring, this alone can become an interestingplace to be. If, like me, an entirely neutral roomis just too calm and lacking expression then it isso simple to add pattern and colour and yourown personality into a room with smaller items.For example, rugs, cushions, throws, lamps,pictures and smaller items of furniture such asfootstools and occasional chairs. All these itemsare relatively inexpensive and simple to change.

To visit Kate’s showroom in Perth see websitefor details: www.theoriginalchaircompany.co.uk

Kate MacKenzie

A Victorian Dickson chesterfield sofa upholstered in ‘Kenrik Red’ by Colefax & Fowler.

394 FE475/67CHINESE BLUE AND WHITEBOWLKANGXI, POSSIBLY OF THEPERIODof shallow circular form,decorated with scholars in alandscape setting, 23.5cmdiam; together with a CHINESEYELLOW GLAZED BOWL, offluted form incised withdragons and birds, marks tounderside, 14cm diam; a PAIROF CHINESE ANHUADECORATED BOWLS, alsofluted with similar decoration tothe celadon wells, 19cm diam.;and a similar CHINESECELADON GLAZED BOWL,depicting figures, 18.5cm diam.(5)£150-250

395 FG200/1CHINESE BLUE AND WHITEGINGER JARof typical ovoid form, decoratedwith the prunus and cracked icepattern, with a cylindrical cover,four character mark tounderside but later21.5cm high£200-300

396 FG447/4LARGE CHINESE BLUE ANDWHITE DISHof circular shallow form with ashaped rim, decorated with afish amongst foliage66cm diam. approx.£300-500

397 FG429/2CHINESE BLUE AND WHITEGINGER JAR AND SLEEVEVASEeach decorated with the prunusand cracked ice pattern, withdouble blue ring marks toundersides, the ginger jarraised on a hardwood stand(cover lacking), 27.5cm high;the sleeve vase, 20.5cm high (2)£150-250

398 FC789/3CHINESE BLUE AND WHITEJAR AND COVER19TH CENTURYin the Ming style painted witharchaic script against ascrolling foliate ground20cm wide, 21cm high£150-250

389 FE125/3CHINESE POTTERY STRAWGLAZED EQUESTRIAN FIGURETANG DYNASTYthe rider seated astride a horsewith a short tail and standingfour square35cm high£200-300

390 FE125/2CHINESE GREEN GLAZEDPOTTERY TOMB DISHPROBABLY TANG DYNASTYmodelled as an enclosurecontaining two boars and a goat22cm wide£150-250

391 FG197/1CHINESE BLUE AND WHITEVASEof baluster form with a flutedrim and twin handles,decorated to the front withantiquities41cm high£300-500

392 FF168/5CHINESE BLUE AND WHITEGINGER JARKANGXI STYLEof typical ovoid form, decoratedwith antiquities and foliage inreserves, on a cracked iceground, double blue ring markto underside, cover lacking21cm high£200-300

393 FG213/4COLLECTION OF CHINESEBLUE AND WHITE PORCELAINcomprising of: a sleeve vase,decorated with the prunus andcracked ice pattern, fourcharacter mark, 30cm high; abaluster vase and cover,depicting figures holding alarge vase, 28cm high; and a jarand cover, decorated withdragons, 11cm high (3)

£200-300

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410406

399 FG373/2CHINESE BLUE AND WHITEGARDEN SEAT20TH CENTURYof barrel form, decorated withpanels depicting figuresamongst floral motifs and keypattern borders47cm high£150-250

400 FG373/1PAIR OF CHINESE GREENGLAZED GARDEN SEATS20TH CENTURYeach of hexagonal form, withreeded panels depictingChinese symbols in relief (2)47cm high£150-250

401 FG373/29LARGE CHINESE PORCELAINVASEof baluster form with a flaredneck, depicting warriors on acrackle glaze ground, withmarks to underside61.5cm high£120-180

402 FG276/26CHINESE CANTON FAMILLEROSE VASE19TH CENTURYof baluster form with ascalloped flared mouth,decorated with reservesdepicting figures and birds,against a ground filled withbutterflies and flowers60cm high£250-350

409 FE460/2CHINESE SILK EMBROIDEREDPANELLATE QING DYNASTYthe large panel stitched in finedetail depicting a boy and ascholar in a boat in a riverlandscape, the sky filled with amulti-colour diaper pattern; ina green silk floral motif border;the whole laid down on card116cm wide, 93cm high£200-300

410 FG197/2FRAMED CHINESEWATERCOLOUR PAINTINGof rectangular form, depictingthree fish, 17.5 x 26cm(excluding frame); together witha FRAMED CHINESEEMBROIDERED SLEEVE,depicting insects on a mustardground, within a floral silkborder, 64 x 23.5cm (excludingframe) (2)£200-300

411 FF211/5CHINESE CHANGJUA JIXUE‘CHICKENBLOOD’ SEALEARLY 20TH CENTURYthe knob carved with two kuidragons on a pedestal, signed‘Ling’11.6cm highProvenance:Private collection, LondonNote:The seal is designed so it can alsobe used as a scroll weight when laidon its side

£150-250

412 FG373/7COLLECTION OF CHINESECARVED GILT WOOD FLOWERSof various form, with elongatedstems, in a large glass vase (6)tallest 78cm long approx.£80-120

407 FE7/5DSOUTHEAST ASIAN SILKEMBROIDERED PANELLATE 19TH / EARLY 20THCENTURYthe rectangular cream silkpanel brightly embroidered withtwo scenes of fighting cockerelsand bamboo shoots, the liningstamped PHAM-VAN-KHOAN /Brodeur / HANOI TONKIN,71cm wide, 124cm high;together with a CHINESECANTON SILK EMBROIDEREDSHAWL, EARLY 20TH CENTURY,brightly embroidered withdifferent colouredchrysanthemums on a creamsilk ground, with a wide knottedtassel border, 131cm wide,130cm high excluding trim (2)£200-300

408 FE7/5ACHINESE SILK EMBROIDEREDPANELLATE QING DYNASTY / EARLYREPUBLIC PERIODthe square cream silk panelembroidered with a peacockand wisteria with butterflies,roses and chrysanthemums;together with a CHINESE SILKEMBROIDERED PELMET, thelong rectangular cream silkpanel with a shaped edge,embroidered withchrysanthemum blossoms,pheasants, larks andbutterflies, 223cm long, 22cmhigh (2)123cm wide, 133cm high£200-300

403 FG243/2CHINESE CANTON CABBAGEPATTERN PUNCH BOWLof typical circular form, the welldecorated with a Shou motif,surrounded by butterflies,flowers and cabbage leaves,stamped ‘Made in China’ to theunderside40.5cm diam.£150-250

404 FG574/7CHINESE PORCELAIN FIGUREOF SHOU LAOmodelled in polychrome robeswith a staff and scroll28.5cm high£150-250

405 FG325/6CHINESE PORCELAIN DISHof shallow circular form,decorated in the imari paletteand depicting flowering foliage24.5cm diam.£300-500

406 FG373/39THREE PIECE CHINESE YIXINGPOTTERY TEA SERVICEeach piece mounted with whitemetal motifs on a red ceramicground, with marks tounderside, comprising of: alarge tea pot and metalmounted cover, 10cm high; asmaller tea pot and cover 11cmhigh; and a sugar bowl andcover, 11cm high (3)£100-150

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418 FG373/9TWO CHINESE CARVEDBOXWOOD DIORAMASeach in a glazed frame andraised on a lacquered stand, thefirst of hexagonal formdepicting birds and buildings ina landscape setting, 39.5cmwide; the second of similardesign, with a paper label,23cm wide (2)£100-150

419 FG373/32PAIR OF INLAID WOODENWALL PLAQUESeach of fan shape, inlaid withhardstone figures in alandscape setting, with brasswall mounts (2)33.5cm wide£150-250

420 FG373/38CHINESE CARVED HARDWOODBOOK STANDthe rectangular base with twoornately carved hinged ends40.5cm wide£80-120

421 FG373/24CHINESE MINIATUREHARDWOOD CURIO STANDthe square shaped top abovefour circular legs united bystretchers42cm high£80-120

422 FG373/35CHINESE HARDWOOD ANDBRASS MOUNTED WORK BOXof rectangular form with twincarrying handles and variousbrass mounts, the hinged lidopening to reveal a void interiorwith one compartment24cm high, 54cm wide, 26cm deep£120-180

423 FE730/2CHINESE SILVERED METALFIGURE OF A GODDESSQING DYNASTY, 19THCENTURYthe standing figure wearing aheaddress and long earrings,holding a lotus flower staff, nowmounted on a steppedrectangular white marble basefigure 21cm high; 26cm high overall£150-250

413 FG373/16COLLECTION OF CHINESELACQUERED WAREScomprising of: a pair of bottleshaped vases, decorated withdragons, raised on hardwoodstands, 27.5cm overall; a pair ofstem cups, of ogee formdepicting foliage, marks tounderside, 12cm high ; two ovalshaped trays, marks tounderside, largest 40cm wide;and a wall plaque, with threefold-out shelves, with maker’sstamp to reverse, 56.5cm high(7)£200-300

414 FG139/1PAIR OF CHINESE CARVEDHARDWOOD AND WIRE INLAYFIGURE GROUPSLATE 19TH / EARLY 20THCENTURYeach carved with a figure of alohan and a boy attendantbeneath a tree, with silver wireinlay42cm high£80-120

415 FG447/29PAIR OF CARVED WOODENMALE FU LIONSeach typically modelled with apaw resting on a sphere, raisedon a thick rectangular base (2)45cm high£150-250

416 FD692/1CHINESE CARVED ROOTWOODFIGURE WITH GONGQING DYNASTY, 19THCENTURYmodelled as a standingimmortal holding a gong, raisedon a naturalistic standsurmounted by a crane100cm high£200-300

417 FG373/12PAIR OF CHINESE HARDWOODWALL BRACKETSeach with a rectangularplatform above a decoratedpierced support (2)22cm high approx.£100-150

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429 432

424 FG373/43CHINESE BRONZE BRUSH POTof cylindrical form, decoratedwith Chinese symbols in reliefamongst dragons14.5cm high, 21.5cm diam.£100-150

425 FE749/4CHINESE BRONZE TRIPODCENSERof circular form with two loophandles at the rim, the bodyinscribed with script, raised onthree tapered legs29cm wide, 26cm high£200-300

426 -CHINESE BRONZE CENSORof circular ogee form, with twinmask handles38cm wide£150-250

427 FG373/11CHINESE BRONZE CENSORAND COVERthe pierced cover with a Fu dogfinial, above the ovoid bodydecorated with dragons inrelief, raised on a tripod base,marks to underside41.5cm high£120-180

434 FD754/22SET OF SIX JAPANESE BLUEAND RED TEA BOWLS ANDSAUCERScomprising six thinly pottedcups and saucers, decoratedwith blue and white paintedreserves against an iron redand gilt decorated ground,underglaze blue six charactermarks (12)cup 8.3cm diam, 8cm high; saucer11.5cm diam£100-150

435 FD41/2JAPANESE KUTANI FIGURE OFA GEISHA WITH A KATSUZUMILATE MEIJI / EARLY TAISHOPERIODthe figure wearing a blue robeenamelled with flowers andclouds, on a carved hardwoodstandfigure 32cm high£200-300

431 FG373/23CHINESE LACQUERED STONEFIGURE OF A BUDDHAtypically modelled as a seatedlaughing Buddha clutching aset of prayer beads35cm high approx.£200-300

432 FG373/40BOXED JAPANESE PORCELAINHORS D’OEUVRES SETthe lacquered box of circularform decorated with buildingsin a landscape setting, openingto reveal a fitted interior withseven dishes, each depictingfoliage36.5cm diam.£120-180

433 FG373/10JAPANESE BLUE AND WHITEBOWLof typical form with an evertedband below the rim, decoratedwith a mountainous sceneamongst foliate panels29cm diam.£100-150

428 FG373/17CHINESE PATINATED BRONZELANTERNwith a bell shaped pedimentabove the pierced ovoid bodywith a hinged door, 42cm high;together with a PATINATEDPEWTER GOBLET, depictingbirds in relief, 19cm high (2)£200-300

429 FG373/19CHINESE CLOISONNE BOWLAND ORMOLU STANDthe bowl of lobed ovoid form,decorated with insects andflowers on a red ground, raisedon pierced ormolu stand18cm high overall£100-150

430 FG373/28LARGE PAIR OF CHINESECLOISONNE VASESeach of baluster shape with aflared neck, depictingblossoming prunus on a blueground, stamped to underside(2)51.5cm high£150-250

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430 435428

444 FG272/5COLLECTION OF CARVEDIVORIESto include: a tusk carved with agraduated row of elephants, ona hardwood stand, 31.5cm long;a figure of a long eared Buddha,on a hardwood stand, 16.5cmhigh overall; a puzzle ball andstand (A/F), 16cm high; a carvedbroach and pair of matchingearrings; and a further broach(qty)£150-250

445 FG276/38CARVED IVORY BOXof rectangular form, withpierced decoration depictingroundels of flowers, the hingedlid opening to reveal a voidinterior, raised on four splayedfeet17.5cm wide£150-250

446 FG429/1COLLECTION OF BURMESEITEMScomprising of: a carved ivoryfigure, in traditional dress witha parasol, 15cm high; a carvedhardwood two fold panel,depicting figures amongstfoliate borders, 94cm high; aturned painted wooden bowl,decorated in red and black,signed, 12.5cm diam. approx.; apair of carved wooden panels,depicting labouring figures,20cm high; and an album, fittedwith various black and whitephotographs (qty)£150-250

447 FG14/34LARGE CARVED WOOD PANELOF VISHNU AND LAKSHMI19TH CENTURYcarved in relief with thestanding figures of Vishnu andLakshmi108cm high, 54cm wide£250-350

448 FF421/3BINDIAN CARVED IVORY FIGUREGROUPLATE 19TH CENTURYmodelled as a cart being pulledby a pair of brahma bulls with adriver and carrying two menand an infant, on a rectangularwood base20cm long, 10cm high£200-300

449 FG373/25AINDIAN INLAID WHITEMARBLE BASINof square form with a centrallobed well surrounded by acarved border inlaid withvarious coloured hardstonesdepicting blossoming foliage76cm squared£300-500

450 FG373/25INDIAN INLAID WHITEMARBLE BASINof square form with a centrallobed well surrounded by acarved border inlaid withvarious coloured hardstonesdepicting blossoming foliage76cm squared£300-500

436 FD364/2LARGE JAPANESE BRONZETRIPOD CENSERLATE MEIJI / EARLY TAISHOof compressed globular formwith relief panels depictingphoenix, a snake entwined witha tortoise, and bats, with twinanimal mask loop handles onthe sides, raised on tripod feet38cm wide, 22cm high£200-300

437 FG373/15SIX JAPANESE LACQUERBOWLS AND STANDSMEIJI PERIODeach of shallow form with a redlacquered body, with a gilt welldepicting various floral andanimal motifs, raised on a blackand gilt lacquered stand, withoriginal cardboard box (6)12cm diam., 6cm high overall£150-250

438 FE568/27JAPANESE IVORY PEN BOXLATE MEIJI PERIODthe cylindrical case dividing intothree compartments16.5cm long£120-180

439 FG249/14SMALL JAPANESE IVORYCASED TANTOthe double edged blade in acarved and gilt metal mountedivory scabbard decorated with ascholar, signedblade 12.5cm long£120-180

440 FF409/11JAPANESE CARVED BONETANTOMEIJI PERIODthe plain blade in a sectionalscabbard and handle carvedwith eight monkeys and adragon carved collar, 39cmlong; together with a LARGEJAPANESE CARVED IVORYOKIMONO, the sectional figureof farmer holding a hoe, singlecharacter signature, 28cm high(2)£200-300

441 FF421/4JAPANESE CARVED IVORY BOXMEIJI PERIODthe rounded rectangular boxwith an inset cover carved witha peacock and oval thumbpiece11cm long, 2cm high, 7.5cm deep£150-250

442 FG157/1JAPANESE SHIBAYAMAPLAQUEMEIJI PERIODthe rectangular panel inlaidwith mother of pearl and ivorydepicting a cockerel andsongbirds amongst floweringshrubs38cm high, 26cm wide£150-250

443 FG271/2COLLECTION OF IVORY ANDWOODEN NETSKIScomprising of seven examples,depicting figures, animals andfruit; together with THREEFIGURES; TWO IVORY BOXES;an IVORY BOOK MARK; and anIVORY LETTER OPENER (qty)£150-250

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451 FE308/1GEORGIAN STYLE MAHOGANYDRUM TABLE20TH CENTURYthe tooled leather inset topabove four drawers and fourdummy drawers, over a turnedsupport, raised on an outsweptquadriform base and brasscaps and casters137cm wide, 76cm high£500-700

452 FE348/20FRENCH OVER PAINTEDSETTEEthe shaped upholstered backand arms above a cushionedseat and shaped apron, raisedon moulded cabriole legs196cm wide, 87cm high, 82cm deep£400-600

453 FF175/46FRENCH BEACH OPEN ARMCHAIRthe carved moulded back andout swept arms above acushioned serpentine seat,raised on moulded cabriolelegs, and another needle pointupholstered side chair (2)59cm wide, 94cm high, 49cm deep£350-450

454 FF175/50PINE AND GESSO FIRESURROUND19TH CENTURYthe moulded top above a gessofrieze, above moulded uprights135cm wide, 130cm high, 17cm deep£150-250

462 FF175/38EDWARDIAN MAHOGANY FOURDOOR BOOKCASEthe moulded cornice aboveastragal glazed doors enclosingadjustable shelves, over inlaiddoors, raised on bracket feet220cm wide, 214cm high, 40cm deep£1,500-2,000

463 FF167/10REGENCY MAHOGANY ANDCALAMANDER CROSSBANDEDBREAKFAST TABLECIRCA 1815the circular tilt top with amoulded edge over a plainfrieze, raised on a turnedbaluster column raised on fourreeded sabre legs ending inbrass caps and castors120cm diam, 73cm high£300-500

460 FE396/24REGENCY ROSEWOOD TRIPODTABLE19TH CENTURYthe oval top over a spiral andlotus carved support raised onreeded S-scroll supportsending on ball feet58.5cm wide, 66cm high, 40.5cmdeepProvenance:Private collection, Aberdeenshire

£150-250

461 FE396/32REGENCY MAHOGANY ANDINLAY BREAKFAST TABLE19TH CENTURYthe rounded rectangular tilt topwith a moulded edge andebonised banded inlay over aturned vasiform column raisedon four reeded scroll legsending in foliate cast caps andcastors135cm wide, 72cm high 99cm deepProvenance:Private collection, Aberdeenshire

£500-700

455 FE588/18MAHOGANY CYLINDER DESKthe sliding top opening to reveala fitted interior, raised onpedestals each with threegraduated drawers and plinthbases137cm wide, 117cm high, 72cm deep£400-600

456 FE588/19GEORGIAN STYLE MAHOGANYD-END DINING TABLEthe shaped top with drop leavesabove a plain frieze, raised oncanted square legs296cm wide, 73cm high, 118cm deep£300-500

457 FG275/10HEAL & SONS OVER PAINTEDFLORAL MILLINERY CABINETthe rectangular top abovecupboard doors enclosing ashelf, over three graduateddrawers, raised on bun feet76cm wide, 139cm high, 47cm deep£250-350

458 FE356/1VICTORIAN WALNUT, INLAYAND JASPERWARE MOUNTEDSIDE CABINETCIRCA 1870the rectangular top with outsetsquare corners over an inlaidfrieze mounted with bluejasperware medallions, above aglazed door opening to a plushlined shelved interior, on aconforming plinth base85cm wide, 101cm high, 37cm deep£400-600

459No lot

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462

469 FG548/1GEORGIAN MAHOGANYSECRETAIRE BOOKCASECABINETthe moulded cornice aboveastragal glazed doors enclosingadjustable shelves, above asecretaire drawer and twopanel doors, lacking feet108cm wide, 215cm high, 57cm deep£600-800

470 FG549/2OAK SETTLEthe padded back above downswept arms and a loosecushioned seat, raised on blockand turned legs, united bystretchers179cm wide, 101cm high, 50cm deep£600-800

471 FG373/26CHINESE HARDWOOD CORNERSTOOLthe square rush set seat abovecabriole legs united by a turnedX form stretcher47.5cm high£300-500

472 FE588/17EDWARDIAN TWO-PIECESUITEcomprising a two seater wingback arm chair, the cushionedback and arms above a loosecushioned seat, raised onturned legs and casters; 161cmwide, 90cm high, 65cm deepand a matching arm chair;87cm wide, 89cm high, 64cmdeep£300-500

473 FG269/44VICTORIAN MAHOGANYBOOKCASE CABINETthe moulded cornice above twoglazed doors enclosingadjustable shelves, over twopanel doors, raised on a plinthbase159cm wide, 238cm high, 49cm deep£400-600

464 FF175/23REGENCY EBONISED ANDBRASS INLAY SETTEECIRCA 1815the low straight back and scrollarms over a loose cushion seat,above a brass inlay seat railwith foliate scroll and rosettegilt metal mounts, raised onsplayed feet anthemion brassinlay and ending on brass hairypaw feet and castors, in yellowand cream striped silkupholstery178cm long, 78cm high, 54cm deep£500-800

465 FG14/78SYRIAN CARVED HARDWOODAND BONE INLAY ARMCHAIRLATE 19TH CENTURYof x-form, the arched back withfoliate relief carving and aninscription in Arabic, inlaid withstar motifs64cm wide, 108cm high, 37cm deep£150-250

466 FG149/1INDIAN FOUR PANEL CARVEDHARDWOOD SCREEN19TH CENTURYeach section with an archedcrest rail with pointed finialsover foliate relief carved panelsdivided by spindles163cm high, 180cm wide£400-600

467 FF175/3MAHOGANY COAL BOXthe peaked octagonal lid andbase with lion mask brasshandles to either side, raised onbrass pad feet47cm wide, 43cm high, 41cm deep£150-180

468 FG559/1QUEEN ANNE WALNUTMIRRORthe shaped mirror plate withina cushioned, shaped frame45cm wide, 114cm high£200-300

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464479

480

474 FG270/1MANNER OF SIR ROBERTLORIMEROAK ARTS & CRAFTS ESTATETABLE, CIRCA 1920the rectangular moulded topwith inset writing surface,raised above a moulded friezeand turned and blocked legswith spirally fluted decoration,terminating in facetted bun feet216cm long, 77cm high, 107cm wide£400-600

475 FF167/9GEORGE II WALNUT BUREAUBOOKCASE18TH CENTURY AND LATERin two parts, the later top with amoulded cornice over a pair ofmirror panel doors opening toshelves and pigeon holes; thelower part with a slant frontopening to an arrangement ofdrawers and pigeon holes,above four graduated longdrawers, raised on bracket feet82cm wide, 198cm high, 52cm deep£300-500

481 FG277/1OAK SNOOKER TABLE/ DININGTABLEthree quarter size with fourleaves, a score board, balls andcues, stamped E G Riley,Acrington255cm wide, 72cm high, 133cm deep£400-600

482 FG322/1MAHOGANY EXTENDINGDINING TABLEthe oval top above a mouldedfrieze, raised on squaretapering legs and brass casters,including a winder and threeleaf extensions356cm wide, extended, 76cm high,120cm deep£500-700

483 FG321/1OAK DRESSER ANDPLATERACKthe moulded cornice above twotiers over a mouldedrectangular top and two friezedrawers, over a shaped apronand a small drawer, raised onturned legs, united bystretchers141cm wide, 181cm high, 43cm deep£800-1,200

479 FG14/1LARGE INDIAN BRASS ANDIRON MOUNTED COFFER18TH 19TH CENTURYthe domed top and sidescovered in embossed andpierced brass panels andstrapwork over a softwoodcarcass, with iron latches,hinges and handles, the interiorwith a hinged compartment andtwo trays, raised on woodwheels149cm wide, 115cm, 83cm deepProvenance:Lorbottle Hall, Whittingham,Northumberland

£600-800

480 FG268/1FRENCH PINE PRESSCUPBOARD19TH CENTURYthe moulded cornice above twopanel doors enclosing shelves,over two drawers and twofurther panel doors, raised on aplinth base134cm wide, 228cm high, 52cm deep£500-700

476 FF72/34GEORGE III SATINWOOD WORKTABLELATE 18TH CENTURYthe canted rectangular topabove a frieze drawer, raised onsquare tapering legs47cm wide, 67cm high, 33cm deepProvenance:The Estate of Dr. Renate Davis,Deceased

£200-300

477 FF687/17MAHOGANY AND BUTTONEDLINEN FOOTSTOOLthe shaped top raised onmoulded legs and ball and clawfeet67cm wide, 45cm high, 56cm deep£700-900

478 FF687/16SMALL MOORISH TABLEINLAID WITH IVORYthe octagonal top above aninlaid frieze, raised on eightlegs united by stretchers62cm wide, 63cm high£700-900

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483

493 FF175/52HERIZ CARPETNORTHWEST PERSIA, LATE19TH/EARLY 20TH CENTURYthe red field with indigo lozengemedallion, ivory spandrels,within indigo palmette, rosetteand vine border between bands327cm x 257cm£200-300

494 FF56/2KAZAK STYLE CARPETMODERNthe red field with three shapedindigo medallions, within redhooked square border betweenbands250cm x 186cm£300-400

495 FF56/3BAKHTIARI CARPETNORTHWEST PERSIA, MODERNthe field with alloverpolychrome foliate rectangularlattice pattern, within creamrosette and angular vine patternbetween bands310cm x 210cm£400-500

496 FG205/4SOUTH CAUCASIAN RUNNERLATE 19TH/EARLY 20THCENTURYthe indigo field with styliseddiagonal floral motifs, withinrust red stylised floral borderbetween bands270cm x 136cm£150-250

497 FG274/2MAHAL CARPETWEST PERSIA, EARLY 20THCENTURYthe red field with alloverstylised foliate pattern, withindark brown palmette borderbetween bands380cm x 286cm£200-300

498 FG292/1USHAK CARPETWEST ANATOLIA, LATE 19THCENTURYthe blue field with columns ofred stylised palmettes andcruciform motifs, within redrosette and diagonal vineborder between bands483cm x 320cm£500-800

484 FF179/28GEORGIAN MAHOGANY SIDECABINETthe rectangular top above apanel door enclosing fivedrawers, above a furtherdrawer, raised on bracket feet47cm wide, 102cm high, 42cm deep£500-700

485 FG559/4VICTORIAN COW HORN HALLSTANDthe square support mountedwith ten horns above arectangular base with lift outdrip tray, raised on square feet64cm wide, 193cm high, 31cm deep£500-700

486 FF175/15GEORGE I STYLE WALNUTSIDE CABINET, BY WHYTOCK &REID, EDINBURGH20TH CENTURYthe moulded shaped top abovefour graduated drawers, flankedby cupboards, raised on bracketfeet125cm wide, 85cm high, 59cm deep£1,200-1,800

487 FE588/21SET OF FOUR WILLIAM IVMAHOGANY SIDE CHAIRSthe shaped tablet back above amoulded horizontal splat over adrop in pad seat, raised onturned legs50cm wide, 93cm high, 44cm deep£200-300

488 FE531/7KAZAK RUGSOUTH CAUCASUS, LATE 19TH/ EARLY 20TH CENTURYthe indigo field with central redoctagon medallion flanked byblue and red stepped crossmedallions, within ivory starborder between skittle bands238cm x 140cm£300-500

489 FF169/2KASHAN SILK PRAYER RUGCENTRAL PERSIA, LATE19TH/EARLY 20TH CENTURYthe camel field with tree of lifepattern, brown spandrels,within brown palmette and vineborder between bands198cm x 134cm£200-300

490 FG319/1KASHAN CARPETCENTRAL PERSIA, LATE 20THCENTURYthe red field with indigo andivory medallion suspendingpendants, similar spandrels,within indigo palmette andarabesque vine border betweenbands380cm x 277cm£200-300

491 FG565/5HERIZ CARPETNORTHWEST PERSIA, EARLY20TH CENTURYthe abrash rust field withcentral indigo and rosemedallion suspendingpendants, ivory, rose and bluespandrels, within indigo rosetteand vine border between bands390cm x 296cm£400-600

492 FG307/8SOUTH CAUCASIAN RUNNERLATE 19TH/EARLY 20THCENTURYthe dark brown field withallover stylised boteh pattern,red spandrels and inner band,within multiple borders420cm x 124cm£300-500

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509 FG300/24CCOLLECTION OF BLUE ANDWHITE TUREENS AND DISHEScomprising of: three bowls, onewith an under plate; fourtureens (all lacking covers); asquare shaped bowl; a footedrectangular dish; a smalltureen and cover, with threeassociated stands; and threefurther shallow dishes,variously shaped (qty)£200-300

510 FG300/24DCOLLECTION OF BLUE ANDWHITE WAREScomprising of: 13 assorteddinner and side plates,variously marked; five ‘RoyalPersian’ plates, of various size,all marked; two pepper pots; asmall twin handled dish; twoboxes and covers; two baby’sbeakers; a small fluted bowl; amounted delft tile; and aChinese export tea caddy (qty)£150-250

511 FG300/27GROUP OF BLUE AND WHITESTRAINER INSERTSof various sizes and patterns,some with maker’s marks (10)largest 37.5cm wide£150-250

499 FG300/6PAIR OF PEARLWARE FIGURESOF ELIJAH AND HIS WIDOWEARLY 19TH CENTURYeach with polychromedecoration, and raised on asquare base (A/F)23cm high£200-300

500 FG300/46GROUP OF STAFFORDSHIREAND FLAT BACK FIGUREScomprising of eight figures, ofvarious designs, including somemodelled with spill vases, and acastle shaped watch stand;together with a POTTERYCHAIR, POSSIBLY SCOTTISHEAST COAST, with polychromedecoration and a paper label,19cm high (9)£300-400

501 FG300/53COLLECTION OF GRADUATEDJUGS, BY ‘ALLERTONS’each decorated in the imaripalette, with a shaped rim andspout above the tapered neckand octagonal body, marked tounderside, largest 16cm high;together with a SMALLCERAMIC JUG, of similardesign, unmarked (10)£100-200

502 FG300/53ACOLLECTION OF IMARIPATTERN CERAMIC WAREScomprising of: four jugs, ofvarious size and shape,variously marked, largest 25cmhigh; a Mason’s tea pot andcover, with marks, 17cm high;and an Ashworth Brother’stureen and cover, with marks,15.5cm high (6)£100-150

506 FG300/11BISQUE FIGURE GROUP,SIGNED HIP. MOREAUmodelled as putti with a basketof flowers, on a naturalisticground, raised on a carvedwooden plinth46.5cm high overall£200-300

507 FG300/24AGROUP OF BLUE AND WHITECERAMICScomprising of: two pairs of kniferests, one set marked ‘Spode’;a pair of miniature scallopshaped dishes; and sevenladles, of various sizes anddecoration (13)£150-250

508 FG300/24BCOLLECTION OF BLUE ANDWHITE DINNER PLATEScomprising of various patternsand makes, some marked tothe underside, including anexample depicting the ‘Death ofa Bear’ pattern, a plate showing‘Tiger Hunted by Wild Dogs’,and a Mintons charger (qty)plates 25.5cm diam. approx; charger38cm diam.£150-250

503 FG300/53BNEAR SET OF THREEGRADUATED GLAZED JUGSeach with a mask mouldedspout and a scroll handle,modelled with polychromeflowers in relief (3)largest 17.5cm high£100-150

504 FG300/54MINTON MAJOLICA CHEESEDISH AND COVERwith all over white glaze,modelled as a beehive coveredwith fruiting blackberrybranches, on a square shapeddish with branch-like feet,marked to the underside36cm high overall£150-250

505 FG300/11ATWO COPELAND BISQUEFIGURES, SIGNED ‘J. DURHAMARA, 1872’each inscribed ‘Vide WaterBabies’, one modelled as‘Master Tom’, the other as ‘MissEllie’, with marks to the reverse(2)tallest 50cm high£200-300

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515 FG300/29ECOLLECTION OF FOURGRADUATED BLUE AND WHITEASHETScomprising of: a Rogers‘Monopteros’ pattern example,with impressed maker’s marks,43cm wide; a Rogers ‘Camel’pattern ashet, impressedmaker’s marks, 42.5cm wide; aDavenport example depicting afisherman, impressed maker’smarks, 37cm wide; and asimilar example depictingfigures before a grand building,printed marks, 37cm wide (4)£200-300

516 FG300/29BCOLLECTION OF THREE BLUEAND WHITE MEAT DISHEScomprising of: a ‘Lancaster’pattern example, with patternname to reverse, 48.5cm wide;a dish with figures in a sceniclandscape, 51.5cm wide; and aan example with figures beforea large ruin, 52.5cm wide (3)£150-250

512 FG300/29ACOLLECTION OF FOURGRADUATED BLUE AND WHITEASHETScomprising of: a Spode ‘TheSow and the Wolf’ patternexample, based on ‘Aesop’sFables’, stamped andimpressed marks to theunderside, 42.5cm wide; andthree further examplesfeaturing horses before ruins,one marked ‘Malmsbury Abbey,Wiltshire’ to the underside (4)£200-300

513 FG300/29CCOLLECTION OF THREE BLUEAND WHITE ASHETScomprising of: an exampledepicting figures before awinding road, 43.5cm wide; a‘Canton Garden’ example, withpattern mark to underside,43cm wide; and an ashetdecorated with a figure andhorse before a bridge, 43.5cmwide (3)£120-180

514 FG300/29DCOLLECTION OF THREEGRADUATED BLUE AND WHITEASHETScomprising of: a J. & M.P. Bell& Co. ‘Palestine’ pattern ashet,with maker’s and pattern markto underside, 43.5cm wide; anexample depicting fishermenand animals before buildings,indistinct impressed mark tounderside, 48.5cm wide; and a‘White Rose’ pattern example,with pattern mark to underside,37cm wide (3)£150-250

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517 FG300/30BLUE AND WHITE WALLBRACKET19TH CENTURYwith a demi lune shapedplatform, 16cm high approx.(A/F); together with a GROUPOF BLUE AND WHITETUREENS AND COVERS, somewith matching patterns, onemarked ‘Rogers’, including afooted comport and a furthercover (tureen lacking) (qty)£150-250

518 FG300/81COPELAND SPODE FOOTBATHAND SLOP PAIL19TH CENTURYeach decorated with the ‘Italian’pattern, with maker’s marks,the moulded footbath, of ovalform with two twin handles,45cm wide approx; and the sloppail, with a wicker bale handle,cover lacking, 26cm high (2)£200-300

524 FG300/43MATCHED SET OF FOURSPINDLE BACK CHAIRSthe moulded top rail aboveturned supports, over a rushseat, raised on turned legsunited by stretchers (4)50cm wide, 99cm high, 42cm deep£300-500

525 FG300/43AOAK TILT TOP TABLEthe circular top above a turnedsupport, raised on a tripod base88cm wide, 73cm high£250-350

526 FG300/25OAK AND MAHOGANY CROSSBANDED CHEST19TH CENTURYthe hinged rectangular topabove four dummy drawers,over three drawers raised onogee bracket feet147cm wide, 90cm high, 55cm deep£400-600

521 FG300/73TWO WALL HANGING CANDLEBOXEScomprising of: an oak example,with a hinged lid, 54.5cm high;and an oak and mahogany box,of tapered form, 43.5cm high;together with an OAK WALLHANGING BOX, 34.5cm wide;and a WOODEN WOOL WINDER,36cm high (4)£150-250

522 FG300/70VICTORIAN CARVED OAKCRADLEthe arched canopy and downswept sides, carved with floraldesigns93cm wide, 56cm high, 39cm deep£100-200

523 FG300/45LANCASHIRE CHILD’S WINGARMCHAIR19TH CENTURYthe shaped top rail and turnedsupports, above turned armsand a reed seat, raised onturned legs, united bystretchers41cm wide, 75cm high, 32cm deep£150-250

519 FG300/103ACOLLECTION OF WROUGHTAND CAST IRON WARESincluding: a swing roastingbracket; various footed candlesticks; a hoop; and furtheritems; together with a WOODENHANDLED SCYTHE; a furtherSCYTHE; and a BRASS ANDLEATHER MOUNTED HORSECOLLAR (qty)£120-180

520 FG300/103COLLECTION OF WROUGHTAND CAST IRON WARESincluding: various irons; trivets;door stops; figures; a kettle; aminiature snap top table; ahorse shoe; goffering ironstands; and other futher items(qty)£200-400

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535 FG300/A2OAK LEDGE BACK DRESSERBASE19TH CENTURYwith five small drawers abovethe cross banded top, overthree drawers and a shapedapron, raised on cabriole legs169cm wide, 85cm high, 49cm deep£600-900

536 FG300/37OAK VERNACULAR KIST18TH CENTURYthe plank top above a plainfrieze and shaped apron, raisedon stile feet95cm wide, 45cm high, 30cm deep£250-350

537 FG300/43BVERNACULAR OAK STOOLthe plank top raised on roughlycarved legs119cm wide, 36cm high, 31cm deep£100-150

538 FG300/44SPINDLE BACK OPEN ARMCHAIR19TH CENTURYthe shaped top rail aboveturned supports and out sweptarms, over a reed seat, raisedon turned legs united bystretchers54cm wide, 95cm high, 38cm deep£200-300

539 FG300/124CAST IRON AND BEECHDINING TABLEthe rectangular top abovefoliate moulded supports unitedby stretchers, raised on bunfeet, 163cm wide, 77cm high,72cm deep; together with a SETOF FOUR WIRE WORK CHAIRS(5)£200-300

540 FG300/B1ORIENTAL CARVEDHARDWOOD CHESTthe moulded top opening toreveal a lined interior, raised onball and claw feet, the wholecarved with battle scenes100cm wide, 59cm high, 50cm deep£300-500

541 FG300/108CAST IRON OUTDOORSTANDING LAMPthe foliate moulded upright,raised on a square foot, withlater lantern45cm wide, 234cm high£400-600

527 FG300/5VICTORIAN WALNUT ANDEBONISED BRASS MOUNTEDDISPLAY CABINETthe moulded rectangular topabove an inlaid frieze and twoglazed doors, raised on turnedlegs107cm wide, 99cm high, 50cm deep£200-300

528 FG300/23GEORGIAN OAK HANGINGPLATE RACKthe moulded cornice above afretwork frieze, over threeshelves flanked by narrowshelves175cm wide, 118cm high, 16cm deep£300-500

529 FG300/48OAK COMMODE19TH CENTURYthe moulded hinged top abovefour dummy drawers, raised onbracket feet67cm wide, 76cm high, 50cm deep£200-250

530 FG300/52CROSSBANDED OAK DRESSERAND PLATE RACK18TH/19TH CENTURYthe moulded cornice abovethree open shelves, flanked bycupboard doors, over the basewith a central drawer abovecupboard doors, flanked oneither side by three drawers,raised on ogee bracket feet201cm wide, 200cm high, 54cm deep£800-1,200

531 FG300/87OAK PLATE RACKEARLY 19TH CENTURYthe breakfront moulded corniceabove two shelves and twodrawers, flanked by cupboarddoors (Restorations)157cm wide, 84cm high, 24cm deep£500-700

532 FG300/119GEORGIAN CROSS BANDEDOAK BOWFRONT CORNERCUPBOARDthe moulded cornice abovecupboard doors enclosingshelves, raised on a plinth base72cm wide, 99cm high, 50cm deep£250-350

533 FG300/120THREE PIECE SUITE20TH CENTURYcomprising a sofa, thecushioned back and arms abovea cushioned seat, raised onturned legs; 186cm wide, 64cmhigh, 60cm deep also two wingback arm chairs, the shapedback above out scrolled arms,over a cushioned seat, raisedon square tapering legs; 80cmwide, 97cm high, 63cm deep£100-200

534 FG300/A1OAK HANGING PLATE RACKthe moulded cornice above afretwork frieze, over threeshelves, flanked by narrowshelves189cm wide, 118cm high, 16cm deep£150-250

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542 FE366/8GILT BRASS AND CUT GLASSBASKET CHANDELIERwith a moulded corona andframe, modelled with decorativebows, and hung with swags ofglass prisms70cm high approx£400-600

543 FC641/4PAIR OF RED VELVETCURTAINSwith fixed pencil pleats, lined(probably blackout), withweighted corners (2)width at top 112cm; width at hem244cm; drop 360cm; pleats 14cmlong£100-200

544 FG149/3REGENCY BRASS MOUNTEDBAMBOO LIBRARY BOOK GRAB19TH CENTURYof typical form with an internalmechanism and double prongmetal clasp154cm long£150-250

549 FG275/74ASANDALWOOD AND IVORYCHESSBOARDof typical form, with adecorative inlaid border40.5 x 40.5cm£120-180

550 FG495/5JAPANESE LACQUERED HORNCIGAR CASEof oblong form, decorated witha gilt bird amongst branches,11.5cm long; together with aFRAMED PEN AND INKDRAWING, signed ‘WatsonAdams’, 7 x 9.5cm (2)£150-200

551 FG447/34COLLECTION OF PEWTERALMS DISHEScomprising of: four graduatedexamples with touch marks forLondon three with initials; anda decorative unmarkedexample, with an embossedarmorial (5)largest 43.5cm diam.£200-300

547 FG447/7COLLECTION OF GILTDECORATED GLASS WAREScomprising of: a pair of liqueurglasses and a matchingcomport; a further comportwith Greek key borders; a pairof waisted decanters (stopperslacking); a pair of ewerdecanters with thistle-likedecoration, one with a stopper;a further pair of liqueurglasses; and three dishes, ofvarious design (qty)£120-180

548 FG14/24PAIR OF NEOCLASSICAL GILTBRASS CHENETS19TH CENTURYeach modelled with a femalemask below outswept wings,raised on pierced scrollingsupports and a hoof foot, 51cmhigh; together with a GILTBRASS FENDER, with piercedmoulded design, 78cm long (3)£150-250

545 FE453/1NEAR SET OF ETCHEDDRINKING GLASSES18TH CENTURY AND LATEReach ogee shaped bowldecorated with a Hoho birdamongst blossoming foliage,above the faceted stem andslightly conical foot (3)tallest 15cm high£300-400

546 FE691/4GERMAN STONEWARE‘BARTMANN’ JUGLATE 17TH / EARLY 18THCENTURYof elongated bottle form with amoulded mask of a beardedman to the neck and a loophandle, light gold brown saltglaze, 44cm high; together withanother GERMAN STONEWAREJUG of a similar shape,medium brown salt glaze, 37cmhigh (2)£200-300

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557 FG330/4MILIVOY UZELAC (1897-1950)‘LES JOIES DU SPORT’, 1932group of prints, framed£300-500

558 FG427/1COLLECTION OF GREEN GLASSWAREScomprising of: a near set ofeight drinking glasses, eachwith a prunt decorated stemand ribbed foot, tallest 11cmhigh; and a near set of sixbowls, of simple ovoid form,largest 12.5cm diam. (14)£200-300

559 FF687/7GILT METAL SUN BURSTCEILING LIGHTthe graduated spokessurrounding a convex glassfitting, wired for electricity55cm wide approx.£300-400

560 FG485/1TWO VASART GLASS VASESeach of fluted form, the firstwith purple and orange mottleddecoration, 25.5cm high; thesecond, with a frilled rim, withyellow and orange mottleddecoration, 25cm high (2)£150-250

561 FG494/1GILT BRASS SIX BRANCHCHANDELIERthe moulded and knopped stemsupporting six out-stretchedarms cast with acorns, wiredfor electricity, 53cm highapprox.; together with a SET OFFOUR GILT BRASS WALLLIGHTS, with acanthus leafmoulded decoration to the twooutscrolling branches and thesupporting column, wired forelectricity, 42cm high approx.(5)£300-400

552 FF165/2TWO FRAMED WEDGWOODPLAQUESeach marked ‘Wedgwood’ to thereverse, and in a glazed frame,the first depicting the ‘DancingHours’, after John Flaxman,modelled as a blue jasperwareplaque, showing femalefigures,, 6 x 17cm (excludingframe); the second, depicting‘Blind Man’s Buff’, modelled asa green jasperware plaque,showing children playing, 9 x21.5cm (excluding frame) (2)£600-800

553 FF168/7AMINTONS PORCELAIN PARTDESSERT SERVICEeach piece decorated withinsects and foliage within anornate blue border, withmaker’s marks, some marked‘A7527’, one with retailer’sstamp, comprising of: a centrepiece; a footed comport; fourlow comports; and six plates(12)£300-500

554 FG325/5CERAMIC DISH, POSSIBLYIZNIKof shallow circular form,decorated with flowering foliageon a green ground25cm diam. approx.£300-500

555 FF687/14SIX BRANCH PAINTED METALCHANDELIERthe ornate frame decoratedwith scrolling branches andporcelain flower heads, with sixoutscrolling arms with gildedsconces65cm high approx.£350-450

556 FG505/2FRAMED PLASTER PLAQUE,AFTER BERTEL THORVALDSEN‘KAERLIGHEDENS ALDRE’of rectangular form, with apainted red ground, faintlyinscribed to the front andpossibly marked to the reverse‘P. Ipsen, Kjøbenhaun, AfterBertel Thorvaldsen’17.5 x 45.5cm (excluding frame)£200-300

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562 FG4/15FRENCH BRONZE AND IVORYFIGURE OF A COW19TH CENTURYrealistically modelled with ivoryhorns, dark brown patina;together with a small FRENCHBRONZE AND IVORY FIGUREOF A BULL, with ivory horns,dark brown patina (2)cow 15cm long; bull 11cm long£200-300

563 FF168/36PAIR OF SPODE ‘KAKIEMON’PATTERN PORCELAIN DISHESeach of lobed square form,decorated in the imari palettewith gilt highlights, with adouble blue ring to theunderside and the number ‘282’(2)23cm wide£200-300

564 FG427/3NEAR SET OF FIVE GREENDRINKING GLASSESeach with an ovoid bowl above aknopped stem and flat foot (5)11cm high approx.£150-250

570 FF177/16FRAMED NEEDLEWORKSAMPLER, BY ELIZABETHKOLBE, AGED 8, 1840of rectangular form, with afloral border and motifssurrounding an alphabet andverse inscription32.5 x 27.5cm (excluding frame)£180-250

571 FF177/20FRAMED SPANISHNEEDLEWORK SAMPLER, BYMARIA CARS GARCIA, 1877of square form, depicting afloral border surrounding analphabet inscription and variousanimal motifs49 x 56.5cm (excluding frame)£150-250

572 FG234/2FRAMED NEEDLEWORKSAMPLERof rectangular form, with analphabet inscription above ‘TheLord’s Prayer’, with trees motifssurrounded by a floral border,in a glazed frame42 x 31cm (excluding frame)£300-500

567 FF175/31PAIR OF PARCEL GILTMIRRORSthe oval mirror plate within amoulded frame, surrounded byfloral and foliate swags50cm wide, 101cm high£300-500

568 FF168/44GROUP OF ENGLISHPORCELAIN DINNER WARESall decorated in the imaripalette, comprising of: a pair ofCoalport soup dishes, 21cmdiam.; and a near pair of Derbydinner plates, one with maker’smarks, 25.5 and 25cm diam. (4)£250-350

569 FF175/21PAIR OF BRONZE FIGURES,AFTER ÉMILE LOUIS PICAULTbrown patina, modelled as afisherman and fisherwoman,each signed ‘E. Picault’ andmounted with a plaqueinscribed ‘Pecheur’ and‘Mareyeuse’ (2)tallest 58cm high overall£250-400

565 FF167/3REGENCY MAHOGANY MANTELCLOCK, BY EVILL & SONS,BATHthe arched case with decorativeinlaid motifs above a reededborder, with a signed creamenamelled dial with Romannumerals, the eight daymovement striking on a bell, allraised on four feet42.5cm high£300-400

566 FF167/7LARGE MAHOGANY BANJOBAROMETER, SIGNED ‘JOHNGUGERI’of typical form with boxwoodbanding and a broken swanneck pediment, with ahygrometer, thermometer, andbarometer dial above the signedspirit level plate also inscribed‘Boston Warranted’119cm high approx.£200-300

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578 FF451/1GROUP OF THREE DRINKINGGLASSEScomprising of: a fluted examplewith a thumb moulded bowl anda double opaque twist stem,20cm high; a plain fluted glass,with a folded foot, 19cm high;and a bell shaped example, witha double opaque twist stem,20cm high (3)£200-300

579 FG249/12COLLECTION OF DAVENPORTTUREENS AND ASHETSeach piece decorated with the‘Flying Bird’ pattern, withmaker’s marks: comprising of avegetable tureen and cover,23.5cm high; a further tureenand cover, 18cm high; and threegraduated ashets, largest 34cmwide (5)£200-300

580 FG261/1CORONA WARE PART DINNERSERVICEeach piece depicting the ‘OldWoodstock’ pattern, variouslymarked, comprising of: a largevegetable tureen, cover andstand; two further tureens andcovers; four ashets; a furtherstand; a sauce boat; 12 soupplates; 11 dinner plates; 12dessert plates; and 13 side/luncheon plates (qty)£300-500

581 FG243/9PAIR OF HESSIAN ANDMOHAIR PLUSH CURTAINSeach in the Art Nouveau style,depicting repeating stylisedfoliate motifs, with tassels (2)250 x 125cm approx.£200-300

582 FG249/9VICTORIAN ROSEWOOD ANDBRASS INLAID BOXof typical rectangular form, withtwin handles and a centralplaque inscribed ‘Mary’, thehinged lid opening to reveal avoid leather lined interior17.5 x 35.5 x 24cm£120-180

573 FG249/10TWO FRAMED NEEDLEWORKSAMPLERSthe first, by ‘Hannah Hancock,Aged 12, June 29 1813’, ofsquare form with an alphabetand verse inscriptionsurrounded by animal and plantmotifs, 29.5 x 30.5cm; thesecond, by ‘Mary Wood’, also ofsquare form, with an alphabetand verse inscription, thereverse with a hand writtenpoem, 31.5 x 30cm (2)£150-250

574 FG234/6FRAMED SILK AND METALTHREAD EMBROIDEREDPANELof rectangular form, depictingstylised foliate motifs, 57 x36cm (excluding frame);together with a FRAMEDWOOLWORK PANEL, or archedform, depicting birds amongstbaskets of flowers, with metalthread borders, 39.5cm high,23cm wide (excluding frame) (2)£300-500

575 FG234/4THREE FRAMEDEMBROIDERED SILK PANELSeach depicting flower sprays,comprising of: two similarexamples, 27 x 23.5cm(excluding frames); and asmaller panel, in a rosewoodframe, 21.5 x 19.5cm (excludingframe) (3)£250-350

576No lot

577 FF179/122GEORGE III TORTOISESHELLVENEERED TEA CADDYof casket form with cantedcorners, the hinged lid openingto reveal two liddedcompartments with ivoryveneers and finials17cm wide£300-400

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583 FG394/1DOBSON, MOLLE & COMPANY,EDINBURGHWRECKED AT THE BAR, VOTENO LICENCEcoloured poster, published bythe United No-LicenceCampaign Committee, 226 WestGeorge Street, Glasgow149 x 97cm£500-700

584 FF168/53DERBY HAND PAINTEDPORCELAIN JUGEARLY 19TH CENTURYthe neck with a gilded borderand the initials ‘J.M.’, above theovoid body painted withpolychrome flowers, gilt marksto underside15cm high£200-300

590 FG268/2CARVED MAHOGANY ANDMOTHER OF PEARL INLAIDWALL CLOCKthe decorative octagonal caseenclosing a cream enamelleddial with Roman numerals,above the free hangingpendulum and weights, themovement striking on a bell31cm wide approx.£250-350

591 FG196/1LARGE CASED MODEL OF AMASTED SHIPthe wooden hull fitted withminiature canons, supportingvarious masts and rigging, in aglazed case107cm wide, 103cm high, 49cm deep£300-500

592 FG196/2CASED MODEL OF A CLIPPERSHIPthe painted hull modelled withminiature life boats, below thevarious masts and rigging, on anaturalist style ground, in aglazed case147cm wide, 80cm high, 40cm deep£300-500

588 FG427/10NEAR PAIR OF GLASSDECANTERS AND STOPPERSeach with a cut stopper abovethe flared neck, with a steppedshoulder and a strawberry cutbody, tallest 22cm high approx.;together with aCZECHOSLOVAKIAN CUTGLASS OBELISK, of triangularsection, depicting the EiffelTower, 26cm high (3)£200-300

589 FG250/1PAIR OF FRENCH GILT BRONZECANDLEABRAeach with three outscrollingarms and sconces below afurther sconce, raised on amoulded column and three hooffeet (2)50cm high approx.£200-300

585 FG279/20ROYAL CROWN DERBYMATCHED PART TEA SERVICEeach piece decorated in theimari palette, variously marked,comprising of: a tea pot (coverlacking); a sugar bowl andcover; a milk jug; a slop bowl;11 tea cups; 10 saucers; acoffee cup; and a stand (qty)£150-250

586 FG427/2LARGE COIN GLASS RUMMERthe cut bowl of fluted form,raised on a knopped stemenclosing a coin, with a largeflat foot20cm high£200-300

587 FG427/6MATCHED SET OF THUMB CUTDRINKING GLASSEScomprising of: 10 examples, ofvarying heights and bowl shape,tallest, 15.5cm high; togetherwith TWO THUMB CUT GLASSDECANTERS, one with anassociated stopper, tallest27cm approx. (12)£150-250

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599 FF175/25WHYTOCK AND REID QUEENANNE STYLE ARMCHAIRthe moulded top rail above avertical splat and outsweptarms, over a dropin pad seat,raised on moulded cabriole legsand pad feet71cm wide, 86cm high, 45cm deep£200-300

600 FE588/20SET OF SIX MAHOGANYCHIPPENDALE STYLE CHAIRSthe shaped top rail above apierced vertical splat, over adrop in pad seat, raised onmoulded cabriole legs and balland claw feet54cm wide, 97cm high, 42cm deep£300-500

601 FG373/4CARVED HARDWOOD ANGLOINDIAN CHAIRthe ornate pierced back carvedwith scrolling foliage above theupholstered seat, supported bya carved apron and cabriolelegs88.5cm high£300-500

602 FG274/1LARGE UPHOLSTEREDCHESTERFIELDthe buttoned back and scrollingarms above a cushioned seat,raised on turned legs andceramic casters230cm wide, 74cm high, 60cm deep£500-700

603 FG275/43ROSEWOOD WHATNOTwith four tiers, the lower with afrieze drawer, raised on turnedsupports and brass caps andcasters46cm wide, 125cm high, 40cm deep£300-500

604 FG269/15VICTORIAN BRASS FENDERof serpetine form, foliatemoulded and fretwork with amoulded base163cm wide, 20cm high, 24cm deep£200-300

593 FG275/2MAHOGANY LONGCASE CLOCKBY JAMES STEPHENABERDEENSHIRE19TH CENTURYthe painted arched dial withsubsidiary second and datedials within a hood with abroken swan neck pedimentand turned columns, above anarched door, flanked by turnedpilasters, raised on bracket feet57cm wide, 207cm high, 27cm deep£400-500

594 FG373/5CHINESE MINIATUREHARDWOOD FOLD-OUT CHAIRthe hinged frame supporting awoven rush seat36cm wide, 61cm high, 28cm deep£100-150

595 FG373/6CHINESE LACQUERED LOWTABLEthe square top above a carvedapron and cabriole legs, raisedon a square base, with all overred and black decoration47cm high£80-120

596 FF179/17GEORGIAN STYLE FLAMEMAHOGANY LINEN PRESS19TH CENTURYthe moulded cornice above twopanel doors enclosing slides,over two short and twograduated long drawers, raisedon bracket feet128cm wide, 199cm high, 58cm deep£300-500

597 FF175/5GEORGIAN MAHOGANYCAMPAIGN CELLARETTE19TH CENTURY AND LATERthe rectangular hinged top witha brass plaque inscribed‘Captain Maclachlan, EdinburghMilitia’ above a plain front,raised on square tapering legs39cm wide, 72cm high, 35cm deep£200-300

598 FF175/8AFRICAN COLONIALHARDWOOD BENCHthe slatted back and downsweptarms above a loose cushionedseat, raised on square taperinglegs190cm wide, 93cm high, 50cm deep£150-250

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entering the darker months of the year doesn’thave to all be bad! Check out our range ofautumnal coloured pieces in this month’ssale ready to brighten up your home!

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Autumn hues

610 FF179/15VERNACULAR OAK KIST17TH CENTURYthe hinged rectangular top withan iron hasp above a plain front,raised on stile feet127cm wide, 44cm high, 36cm deep£400-600

611 FG312/1VICTORIAN DAMASK COVEREDSETTEEthe scrolling back and armsabove a stuff over seat, raisedon squat baluster feet, andceramic casters206cm wide, 72cm high, 60cm deep£400-600

612 FG373/18CHINESE ROSEWOOD STOOLthe circular top above a shapedapron and cabriole legs, unitedby stretchers48cm high£200-300

613 FG269/34GEORGIAN MAHOGANY ANDBOXWOOD STRUNGBOWFRONT CHESTthe shaped moulded top overfour graduated long drawers,raised on bracet feet110cm wide, 97cm high, 60cm deep£250-400

614 FG269/35GILT WOOD OVERMANTELMIRRORthe rectangular mirror platewithin a foliate moulded frame,surmounted by a shell andgarland pediment137cm wide, 163cm high£300-400

615 FG322/2GEORGIAN STYLE MAHOGANYBREAK FRONT SIDEBOARDthe shaped boxwood strung topabove two frieze drawers,flanked by bowed cupboarddoors, raised on squaretapering legs and spade feet153cm wide, 93cm high, 62cm deep£200-300

605 FG550/1GEORGIAN MAHOGANY BOWFRONT CHESTthe cross banded top abovethree graduated long drawers,raised on bracket feet91cm wide, 89cm high, 52cm deep£300-500

606 FG373/42CHINESE CARVED HARDWOODFIRE SURROUNDof typical form, ornately carvedwith scrolling dragons andChinese symbols, above theplain surface, raised on twoblock feet118cm high, 134.5cm wide£400-600

607 FG559/5REGENCY GILT OVERMANTLEthe three bevelled, shapedmirror plates within aserpentine frame, surmountedby a shell and fish, foliatepediment156cm wide, 85cm high£300-500

608 FE396/10VICTORIAN WALNUT, INLAYAND GILT METAL MOUNTEDCREDENZA19TH CENTURYthe breakfront demilune topover a central inlaid and giltmetal outlined cupboard door,flanked by glazed bowed doorsopening to shelves, on a plinthbase raised on turned feet152cm wide, 111cm high, 39cm deepProvenance:Private collection, Aberdeenshire

£500-700

609 FE396/11FRENCH PROVINCIAL WALNUTCHESTEARLY 19TH CENTURYthe rectangular moulded topover a bombe case with panelsoutlined with moulding and withbrass loop handles to the sides,raised on turned feet79cm wide, 71cm high, 44cm deepProvenance:Private collection, Aberdeenshire

£120-180

62

608 611

617616

616 FE366/15PAIR OF FRENCH STYLE ARMCHAIRSthe serpentine back and paddedarms above a loose cushionedseat, raised on mouldedcabriole legs74cm wide, 90cm high, 54cm deep£400-600

617 FE396/6GEORGE II MAHOGANYKNEEHOLE DESK18TH CENTURYthe rectangular top with amoulded edge over a longdrawer above an arch drawerand recessed cupboard, flankedby banks of three drawers,raised on shaped bracket feet84cm wide, 74cm high, 50cm deepProvenance:Private collection, Aberdeenshire

£400-600

622 FG373/21SMALL CHINESE MARBLETOPPED STANDthe circular top above anornately carved apron andsplayed legs, united by an Xform stretcher29.5cm high£100-150

623 FF462/1SERPENTINE MAHOGANY SIDEBOARDthe shaped top above aboxwood strung drawer, flankedby a deep drawer and acupboard, raised on squaretapering legs115cm wide, 86cm high, 63cm deep£300-500

624 FG275/38VICTORIAN MAHOGANYREADING TABLEthe gadrooned top with risingscreen, above spiral turnedsupports, raised on trestle feet60cm wide, 77cm high, 28cm deep£350-450

620 FF164/7MAHOGANY LONGCASE CLOCKEarly 19th centurythe swan neck pediment abovea painted dial, with Romannumerals, subsidiary secondsand date dials, painted flowersto the spandrels and arch,inscribed David D**, the trunkdoor with arched top andflanked by quarter reededcolumns, eight day movement,the base with line inlay andraised on plinth base207cm high£500-700

621 FG373/20CHINESE CARVED HARDWOODSTANDthe square top above piercedaprons and shaped legs, unitedby stretchers and a square setbase47cm high£150-250

618 FG373/41SET OF FOUR CHINESEHARDWOOD OCCASIONALTABLESeach with a rectangular shapedsurface, above a moulded apronand stretchers uniting thesquare set legs (4)tallest 66cm high£300-500

619 FG589/2SET EIGHT LADDER BACKCHAIRScomprising two early 19thcentury elm and ash open armchairs, the shaped horizontalsplats flanked by turneduprights, over out swept armsand a woven string seat, raisedon turned legs united bystretchers and six similar 20thcentury side chairs (8)61cm wide, 105cm high, 42cm deep£500-700

63

614 612 624

623613

629 FF175/55WHYTOCK AND REID BURRWALNUT BEDSIDE CABINET20TH CENTURYthe three quarter galleriedrectangular top above a brushslide and shelf, over a drawer,raised on moulded cabriole legs45cm wide, 76cm high, 25cm deep£250-400

630 FG373/22PAIR OF CHINESE HARDWOODSTOOLSeach of open drum shape, witha circular top supported byeight united banded legs44.5cm high£300-400

631 FF477/1OAK BREAKFAST TABLEthe circular moulded top abovea bulbous turned support,raised on a triform base153cm wide, 74cm high£250-350

632 FF70/1VICTORIAN STYLE MAHOGANYEXTENDING DINING TABLEthe oval moulded top above aplain frieze, raised on acanthuscarved legs and ball and clawfeet and brass castors242cm wide, 74cm high, 121cm deep£600-800

633 FF175/56GEORGIAN STYLE WALNUTKNEE HOLE DESKthe cross banded rectangulartop above two frieze drawers,over a shaped drawer andrecessed cupboard, flanked oneither side by three furtherdrawers, raised on bracket feet92cm wide, 76cm high, 54cm deep£500-700

634 FF178/5SET OF SIX TABLET BACKMAHOGANY DINING CHAIRSthe shaped back and mouldeduprights above a stuff over seat,raised on tapering octagonallegs56cm wide, 84cm high, 43cm deep£300-500

625 FE588/16SYRIAN MOTHER OF PEARLINLAID CHAIRthe arched back and verticalsplat, above scrolled arms,raised on an interlinkedsupports and trestle feet48cm wide, 93cm high, 25cm deep£150-250

626 FF72/65EARLY GEORGE III STYLEWALNUT AND CROSSBANDEDTWIN PEDESTAL DININGTABLEthe rounded rectangular topabove turned supports, raisedon cabriole legs183cm wide, 78cm high, 91cm deepProvenance:The Estate of Dr. Renate Davis,Deceased

£700-900

627 FF165/1VICTORIAN MAHOGANY EIGHTDAY LONG CASE CLOCK BYA&W MARSHALL WISHAWthe painted dial with subsidiarysecond and date dials within ahood with moulded top above abowed door, flanked by cantedcorners, raised on bun feet50cm wide, 220cm high, 24cm deep£800-1,200

628 FF167/8PAIR OF REGENCY MAHOGANYAND SATINWOOD SIDECABINETSCIRCA 1815the rounded rectangular brassbound tops with a three quarterpierced brass gallery above apair of frieze drawers with ivoryknobs and a further pair ofglazed doors opening to shelvesand flanked by inlaid balustercolumns, raised on taperedconical legs ending on ball feet(2)126cm wide, 92cm high, 49cm deep£400-600

64

630631

627 633 629

635 FG313/2FRETWORK BRASS FENDER19TH CENTURYof serpentine form, raised onlion paw feet139cm wide, 24cm high, 30 deep£180-220

636 FG209/2LARGE EDWARDIAN OAKBRACKET CLOCK, RETAILEDBY JOHNSTON & CO.,GLASGOWthe carved case with a foliatepediment and three finials,above the reeded columnsflanking a silvered dial withRoman numerals and a gilt dialplate with retailer’s marks andtwo subsidiary dials, themovement striking on a belland five gongs65.5cm high approx.£600-800

637 FE366/19WROUGHT IRON STANDARDLAMPpreviously an oil lamp, thecopper reservoir above anadjustable upright and scrollingsupports, with floral detailing56cm wide, 169cm high£180-220

644 FF168/57COLLECTION OF ENGLISHPORCELAIN TEA AND COFFEEWAREScomprising of: a Spode tea cupand saucer, both marked ‘688’;a matching Derby tea bowl,saucer, sugar bowl and cover,marks; a Newhall coffee can; aDavenport tea cup and saucer,both with marks; a Worcestersaucer, hatched mark; aRockingham tea cup andsaucer, both marked ‘2078’; anda pair of tea cups and saucers,each marked ‘3898’; togetherwith a SPODE PEN TRAY, withmarks (A/F) (qty)£150-250

645 FG4/8AFTER PIERRE JULES MENE(FRENCH, 1810-1879)SETTERbronze, gilt patina19cm long£120-180

642 FF175/12COLLECTION OF FRENCHHAND PAINTED PORCELAINWAREScomprising of: four urnsdecorated with insects, with gilthighlights, maker’s marks,8.5cm high; two pairs of jarsand covers, with flower sprigsand monograms, maker’smarks, tallest 8.5cm high; ahand decorated box and coverwith a gilt metal mount, 9cmdiam.; and two canted boxesand covers, one decorated witha female in a landscape, theother with flower sprays,variously marked, 17cm wide(11)£250-400

643 FG275/47STAINED WOODEN BOWLof typical circular form, with aturned ribbed rim32cm diam.£150-250

638 FF161/88FRENCH CARVED IVORYFIGURE19TH CENTURY, PROBABLYDIEPPEdepicting a gentleman in 17thcentury dress, on a carved woodpedestalfigure 18cm high£150-250

639 FG269/32PAIR OF BRASS FRAMEDMIRRORSthe bevelled oval mirror platewithin a ribbon moulded frame,above sconces35cm wide, 62cm high£150-250

640 FF175/21ANEAR PAIR OFSTAFFORDSHIRE POTTERYCOCKERELSeach typically modelled, withpolychrome and gilt highlights(2)30.5cm high£300-500

641No lot

65

638 639 642

640645

654 FG419/1FRAMED WAX PORTRAITallegedly depicting Mrs Tassie,modelled in profile, in a glazedwooden frame17cm high (excluding frame)£200-300

655 FG491/1PAIR OF GRANITE CURLINGSTONESeach in a wicker case, with twopairs of handles, both setsvariously inscribedstones 26cm diam. approx£200-300

656 FG505/1NEAR PAIR OF TALL BRASSCANDLESTICKSeach with a decorative cast andfaceted stem supporting a lobeddrip tray, above an ogee foot (2)71cm and 66.5cm high£250-400

657 FG447/16COLLECTION OF BLUE ANDWHITE ASHETS AND DISHEScomprising of: four ashets,depicting various patterns,some marked with a patternname, largest 53.5cm wide; anda pair of oval shaped dishes,depicting fishermen, 32cm wide(6)£100-200

658 FG447/30COALPORT FELTSPARPORCELAIN PART TEA ANDCOFFEE SERVICEeach piece decorated withflowers amongst mouldedborders with gilt highlights,some with maker’s marks,comprising of: a teapot andstand; a sugar bowl; a milk jug;six tea cups; four coffee cups;and six saucers (qty)£200-300

646 FG447/19LARGE IRON SHIELDof circular form with a centralpoint, embossed with scenes ofwarriors and horses, with ahanging handle to the reverse54cm diam.£150-250

647 FG447/22CARRON FOUNDRY IRONMORTARof typical tapered form, themoulded body marked ‘Carron’and ‘7’ to the underside27.5cm high£200-300

648 FG249/11PAIR OF CHELSEA STYLEPORCELAIN FIGURESmodelled as a male and femaleplaying an instrument beforebocage, each raised on a rococostyle base, with a gilt anchormark to reverse (2)tallest 22.5cm high£150-250

649 FG440/2GERMAN PORCELAIN FRAMEDMIRRORthe scalloped border mouldedin relief with flowers andapplied cherub, the threecandle scones with twodetachable candelabra arms,mounted on a wooden board47cm high£150-250

650 FF223/1PEN AND INK TARTAN WAREBOUND BIBLEthe front cover depicting amother and child, the reversewith tartan printed covering,‘The English Version of thePolygott Bible; Containing Oldand New Testaments’, SamuelBagster, London16cm high£300-500

651 FG423/4COLLECTION OF MAUCHLINEAND TARTAN WAREScomprising of: seven pieces ofMauchline ware, including aminiature crib, various boxesand a letter opener; sevenTartan ware items, including acopy of ‘The Poetical Works ofSir Walter Scott’, with variousboxes; and a fernware box (15)£200-300

652 FG424/10GROUP OF FERNWARE BOUNDBOOKScomprising of: ‘The PoeticalWorks of William Wordsworth’;‘The Poetical Works of WilliamCowper’; ‘The Poetical Works ofJohn Milton’; ‘The PoeticalWorks of Thomas Moore’ and‘Poems and Songs by RobertBurns’ (5)£120-180

653 FG424/10AGROUP OF MAUCHLINE WAREBOUND BOOKSdepicting various scenes,comprising of: Scott, Walter,‘The Lady of the Lake’, withphotographs; two editions of‘The Poetical Works of SirWalter Scott’; ‘The PoeticalWorks of Robert Burns’; ‘ThePoetical Works and Letters ofRobert Burns’; together with aTREEN BOUND BOOK, Hall,S.C. ed., ‘The Book of Gems:From Poets and Artists of GreatBritain’; and a BRYDEN &SONS CERAMIC PLAQUE,depicting the ‘GrandInternational Building of 1850’,raised on casters, maker’smark, 27cm diam. (7)£200-300

66

652 658

659

659 FG4/18CONTINENTAL BRONZEFIGURE GROUP19TH CENTURYin the Renaissance style, giltand patinated bronze, modelledas Cupid on the back of aprancing horse, on arectangular base12cm wide, 14cm high£150-250

660 FG467/39TORTOISESHELL NEEDLECASEin the form of a miniature knifebox, the hinged lid opening toreveal an ivory veneered interiorwith seven compartments andvarious packets of needles5cm high£100-150

661* FG182/3ASET OF EIGHT WORCESTER‘GILLYFLOWER’ PATTERN SIDEPLATESCIRCA 1760with scalloped borders, bluecrescent mark (8)19.5cm diam£150-250

666 FG440/4PAIR OF GERMAN PORCELAINCANDLEABRALATE 19TH / EARLY 20THCENTURYthe three branch candelabrawith applied flowers in relief,one with a female figure seatedon a double basket at the base,the other similarly modelledwith a male figure, crossedsword marks to base (2)17.5cm high£150-250

667 FG484/1TOLEWARE TRAYof shallow circular form withpierced sides, with a paintedscene depicting figures mooringa boat30cm diam.£150-250

668 FE366/9COLLECTION OF GILT METALCHANDELIERSwith varous moulded gilt metalframes, hung with cut glassdroplets and swags (5)largest 34cm high approx.(excluding fittings)£300-500

END OF SALE

664 FG216/2MAJOLICA JARDINÈREmodelled as an urn with ovalpanels depicting birds, raisedby three winged mermaids on atripod base with hoof feet41.5cm high£250-350

665 FG246/1TWO MAIOLICA CHARGERSthe first, decorated withnumerous cherub, animal andfloral motifs, within an ornateochre border, painted marksand retailer’s label, 46cm diam.;the second, with a central crestsurrounded by mythicalcreatures and grotteschi,stamped ‘10’ and with a paperlabel , 44.5cm diam. (2)£200-300

662 FG440/5THREE GERMAN PORCELAINFIGURESthe first modelled as a femalerecorder player on a stylisedscrollwork base, 13.5cm high;another similarly modelledplaying a stringed instrument,14cm high, both with bluecrossed sword marks andincised numbers to base; afemale figure of a wine seller,11cm high and a spill vasemodelled as a section of barkwith applied conker, underglazemark to base (4)£150-250

663 FG216/1MAJOLICA URN ANDASSOCIATED STANDthe campana urn with twinhandles, modelled with puttiamongst flower garlands, 52cmhigh; the shaped and latticepierced stand with acanthusleaf decoration, 36cm high;together with a MAJOLICAJARDINIÈRE, modelled as a catcarrying a basket, stamped‘Minton’ to the underside, 27cmhigh (3)£250-350

67

660 665 664

661

68

Board of Directors

ChairmanSir Angus Grossart

Vice ChairmanPaul Roberts

Managing DirectorNick Curnow

DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieGavin Strang

Associate DirectorsLee YoungMhairi McFadden

Specialist Departments

Pictures, Watercolours& PrintsNick CurnowCharlotte RiordanEmily Johnston (London)

Furniture, Clocks &Works of ArtDouglas GirtonLee Young

Asian Works of ArtLee Young

Jewellery, Silver,Coins & MedalsTrevor KyleColin FraserRuth Davis

Rugs & CarpetsGavin Strang

Decorative Arts &DesignJohn Mackie

European & AsianCeramicsDouglas GirtonCampbell Armour

Rare Books, Maps &ManuscriptsSimon VickersCathy Marsden

Arms & ArmourJohn Batty (consultant)

InteriorsTheo BurrellCharlotte RiordanDavid Fiddes

Operations ManagerAlex Dove

Finance ManagerMhairi McFadden

AccountsFlo MarshallEileen WelshSarah Laing

AdministrationEdinburghKim AitchisonEleanor Welsh

GlasgowLinda RobinsonJames McNaught

Saleroom StaffSydney DrewDavid RobertsonScott MitchellDavid FiddesValerie Kyle

Press & Public RelationsPhilip Gregory

MarketingMatt McKenzie

PhotographerAndrew McGregor

Administration

London and Southern England

Rachel DoerrMobile: +44 (0)7876 653602rachel.doerr@lyonandturnbull.com

Ian Peter MacDonaldTel: +44 (0)20 7930 9115ianpeter.macdonald@lyonandturnbull.com

Lee YoungMobile: +44 (0)7825 426555lee.young@lyonandturnbull.com

Catriona MacphersonTel: +44 (0)20 7930 9115catriona.macpherson@lyonandturnbull.com

Emily JohnstonMobile: +44 (0)7741 247225emily.johnston@lyonandturnbull.com Business

Development

Lady MiddletonJohn SibbaldJohn ThomsonTessa ThomsonLindsey Michie

www.lyonandturnbull.com

33 Broughton Place, Edinburgh

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Tel +44 (0)131 557 8844

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69

Index to Artists

Glossary of cataloguing termsThe following expressions withtheir accompanying explana-tions are used by Lyon & Turn-bull as standard cataloguingpractice. Our use of these ex-pressions does not take accountof the condition of the lot or theextent of any restoration.

Buyers are recommended to in-spect the property themselves.Written condition reports areusually available on request.

Name(s) or Recognised Des-ignation of an Artist with-out any QualificationIn our opinion a work by theartist

Attributed to...In our opinion probably a workby the artist in whole or in part.

Studio of .../Workshop of ...In our opinion a work executedin the studio or workshop of theartist, possible under his super-vision

Circle of ...In our opinion a work of the pe-riod of the artist and showinghis influence.

Follower of ...In our opinion a work executedin the artist’s style but not nec-essarily by a pupil.

Manner of ...In our opinion a work executedin the artist’s style but of a laterdate

After ...In our opinion a copy (of anydate) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work hasbeen signed/dated/inscribed bythe artist.

BearsSignature ... /Date ... /Inscription ... /In our opinion thesignature/date/inscription ap-pears to be by a hand other thanthat of the artist.

Dimensions are given height be-fore width.

Algie, J., 68Allen, R.W., 76Armour, M., 83

Batt, T., 51Bellany, J., 92Blake, W., 74Bond, M., 158Bone, W.D., 125Bone, W.D., 148Boyley, E.S., 6British School, 75, 78, 132, 139Buffet, B., 115Burton, A.M., 164Burton, N., 131

Cadell, F.St.J., 123Calvert, E.S., 15Cameron, D., 104Christmann, G., 40-44Clemente, F.R.S., 118Collier, J., follower of, 140Conroy, S., 155Coventry, R.M., 137

Docherty, J., 102Douglas, Sir W.F., 103Douthwaite, P., 91, 152Duncan, M., 87Durer, A., after, 21Dutch School, 62

Enjolras, D., 116

Fischer, L., 46-49

Ruiz, L.C., attributed to, 127

Sainsbury, J., 114Scottish School, 97Sibley, A., 52-56Sluijter, W., 64Smith, C., 144Smith, G., 99, 100Spindler, J.G.H., 58Sutherland, G., 90

Temple, T., 106Thieler, F., 50Timms, W., 7

van der Goes, H., after, 9

Wade, J.A., 142Wain, L.W., 120Wardle, A., 124Webb, J., 17Webb, J., follower of, 110Whitford, R., 105Williamson, W.H., 65Wingate, J.L., 66Wolmark, A., 157Wylie, K.,3Wyllie, W., 18, 95

Zampieri, D. (calledIl Donenichino), after, 12-

Masriera, L., 128Masson, H.L., 141Massoudy, H., 80Mathon, E.C., 4Matthews, J., 79McArthur, C., 77, 126McBey, J., 19McGregor, W., 133, 134, 135McKay, T.H., 2McLaren, S., 156McRae, J., 147McTaggart, W., 1, 113Miller, A., 119Mills, A.G., 13Milne, W.W., 107Munro, A.G., 130, 151

Neilsen, L., 117Niemcyzc, A., 149Nolan, Sir S., 37, 38, 39

Pierneef, J.H., 5Pirie, Sir G., 59Pope, P., 146Pope, P., 89Provincial School, 8

Quigley, A., 60

Rapotec, S., 31-36Reid, F.M., 61Richardson, T.M., the Younger,98, 109

Roberts, D., 93, 94Rose, W., 23-30

Flint, Sir W.R., 57Florentine School, 3Frazer, W., 22

Gibson, W.A., 112Graham, P., 14Grün, J-A., 129Guthrie, W.N., 101

Haden, S., 73Hanna, N., 88Hope, R., 138Howson, P., 154, 159Hughes, I., 153Hunt, A.M., 81Hutchison, R.G., 136

Isola, G., 145

Jacque, C-E., 11

Kalmikoff, N., 82Kay, A., 85Kitaj, R.B., 163

Landara, B., 45Lawrie, H., 143Leader, B.W., 16Lepere, A., 70Lhermitte, L.A., 67

Macdonald, J., 86Mackie, C., 11Macnab, I., 121, 122Macwhirter, J., 108

70

How to find Lyon & Turnbull

PP

S

QUEEN ST

PRINCES ST

BROU

GHTON

ST

LEIT

HW

ALK

LEIT

HST

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom

St Andrew Square(bus station)

Collecting your purchasesHow to arrange collection and transport, plus everything else you might want to arrrange to make your newpossessions fit your home perfectly.

Transport & CouriersAlthough we cannot pack or ship items, the following suggested carriers will be able to arrange packing andshipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Lyon & Turnbull saleroom

Storage of sold lots

All bought items will be held free of charge at Lyon & Turn-bull until the Friday following the sale.

Thereafter lots will be removed to store in Edinburgh and acharge incurred.

Administration fee:£20 + VAT

Storage charges per lot per day are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

Restoration

To get your purchases home in perfect condition you maywish to employ the services of a restorer.

Restoration may not be as expensive as you think and Lyon& Turnbull are able to recommend restorers of Pictures,Frames, Ceramics, Furniture and Metalwork; Upholsterersand Framers.

Please call Theo Burrell for details on 0131 557 8844

Local Deliveries

A&S Pert RemovalsTelephone 07876 343520

Thistle RemovalsTel: +44 (0)7836 774712Email: thistleremovals@hotmail.co.uk

Furniture and Larger Items

ConstantineTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail: enquiries@constantinemoving.com

A Van Man TransportTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: office@avmt.co.uk

Further Afield

For Smaller Items and Paintings

Mailboxes Etc.Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: edinburgh@mbescotland.com

Pictures

Fine Art Carriers Gallery Support GroupTel: +44 (0)20 7729 6692Email: info@gallerysupportgroup.com

71

9. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own riskand must note the lay-out of theaccommodation and securityarrangements. Accordingly neitherthe auctioneer nor our employees oragents shall incur liability for death orpersonal injury (except as required bylaw by reason of our negligence) orsimilarly for the safety of the propertyof persons visiting prior to or at a sale.

10. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision tobid for a particular lot and shall beassumed to have carefully inspectedand satisfied themselves as to itscondition we shall if so instructedclearly and in writing execute bids ontheir behalf. Neither the auctioneer orour employees or agents shall beresponsible for any failure to do so.Where two or more commission bids atthe same level are recorded we reservethe right in our absolute discretion toprefer the first bid so made.

11. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneerand to you that the seller is the trueowner of the property consigned or isproperly authorised by the true ownerto consign it for sale and is able totransfer good and marketable title tothe property free from any third partyclaims.

12. AGENCY

The auctioneer normally acts as agentonly and disclaims any responsibilityfor default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots aresold subject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified tothe consignor at the time of the entryof the lot.

14. STANDARD VENDOR FEESAND CHARGES(Subject to VAT)

(1) Commission: 15% of the first £3000and 10% thereafter is charged on theselling price of each lot (subject to aminimum charge of £30). Loss anddamage warranty: 1.5% on value of lotssold. Photography: max £40 mono perlot, max £250 colour. InternetMarketing Service: £10 per lot.

(2) If a vendor wishes to withdraw a lotorganized for sale, a withdrawal fee willapply;

(a) If withdrawn over 28 working daysprior to the sale, this will be charged at10% of the mid estimate along with anyancilliary incurred (such asphotography), all subject to VAT at thecurrent rate.

(b) If withdrawn within 28 working daysof the sale, this will be charged at 20%of the mid estimate along with anyancilliary incurred (such asphotography), all subject to VAT at thecurrent rate.

15. DESCRIPTIONS ANDCONDITION

(1) While we seek to describe lotsaccurately, it may be impractical for usto carry out exhaustive due diligence oneach lot. Prospective buyers are givenample opportunities to view andinspect before any sale and they (andany independent experts on theirbehalf) must satisfy themselves as tothe accuracy of any description appliedto a lot. Prospective buyers also bid onthe understanding that, inevitably,representations or statements by us asto authorship, genuineness, origin,date, age, provenance, condition or

estimated selling price involve mattersof opinion. We undertake that any suchopinion shall be honestly andreasonably held and accept liability foropinions given negligently orfraudulently. Subject to the foregoingneither we the auctioneer or ouremployees or agents or the selleraccept liability for the correctness ofsuch opinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, arehereby excluded. This Condition issubject to the next following Conditionconcerning deliberate forgeries andapplies save as provided for inparagraph 6 “information to buyers”.

(2) Private treaty sales made underthese Conditions are deemed to besales by auction for purposes ofconsumer legislation.

16. FORGERIES

Notwithstanding the precedingCondition, any Lot which proves to be adeliberate forgery (as defined) may bereturned to us by you within 21 days ofthe auction provided it is in the samecondition as when bought, and isaccompanied by particulars identifyingit from the relevant cataloguedescription and a written statement ofdefects. If we are satisfied from theevidence presented that the lot is adeliberate forgery we shall refund themoney paid by you for the lot includingany buyer’s premium provided that (1) ifthe catalogue description reflected theaccepted view of scholars and expertsas at the date of sale or (2) youpersonally are not able to transfer agood and marketable title to us, youshall have no rights under thiscondition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctionsby any person.

18 (1) Any right to compensation forlosses liabilities and expenses incurredin respect of and as a result of anybreach of these Conditions and anyexclusions provided by them shall beavailable to the seller and/or theauctioneer as appropriate.

(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.

19. Any notice to any buyer, seller,bidder or viewer may be given by firstclass mail in which case it shall bedeemed to have been received by theaddressee 48 hours after posting.

20. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must beinterpreted in accordance with anyglossary or guidance notes appearingin the catalogue. These notices andterms will also form part of our termsand conditions of sales.

21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions orof the Terms of Consignment shallaffect the position at the relevant timeonly and in respect of that particularconcession only; in all other respectsthese Conditions shall be construed ashaving full force and effect.

22. Scottish law applies to theinterpretation of these Conditions.

Lyon & Turnbull carries on businesswith bidders, buyers and all thosepresent in the auction room prior to, orin connection, with a sale on thefollowing General Conditions and onsuch other terms, conditions andnotices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) “Auctioneer” means the firm ofLyon & Turnbull or its authorisedauctioneer, as appropriate;

(b) “deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source butwhich is unequivocally described in thecatalogue as being the work of aparticular creator and which, at thedate of the sale, had a value materiallyless than it would have had if it hadbeen in accordance with thedescription;

(c) “hammer price” means the level ofbidding reached (at or above anyreserve) when the auctioneer bringsdown the hammer;

(d) “terms of consignment” means thestipulated terms and rates ofcommission on which Lyon & Turnbullaccepts instructions from sellers ortheir agents;

(e) “total amount due” means thehammer price in respect of the lot soldtogether with any premium, ValueAdded Tax chargeable and anyadditional charges payable by adefaulting buyer under theseConditions;

(f) “sale proceeds” means the netamount due to the seller, being thehammer price of the lot sold lesscommission at the stated rate, ValueAdded Tax chargeable and any otheramounts due to us by the seller inwhatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyeras identified in Condition 2.

(h) The singular includes the pluraland vice versa as appropriate.

2. BIDDING PROCEDURES ANDTHE BUYER

(a) Bidders are required to registertheir particulars before bidding and tosatisfy any security arrangementsbefore entering the auction room toview or bid;

(b) the maker of the highest bidaccepted by the auctioneer conductingthe sale shall be the buyer at thehammer price and any dispute about abid, which must be raised before thenext lot is offered, shall be settled atthe auctioneer’s absolute discretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may bewithdrawn.

(e) Our right to bid on behalf of theseller is expressly reserved up to theamount of any reserve and the right torefuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium atthe rate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer priceis imposed by law on all items affixedwith an asterisk (*) or dagger (†).Value Added Tax is charged at theappropriate rate prevailing by law atthe date of sale and is payable bybuyers of relevant lots.

6. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due incash or in such other way as is agreedby us. We accept cash, bank transfer(details on request), Switch or DebitCards and Visa or MasterCard (pleasenote there is a surcharge of 2% (VATincluded) when using credit cards). Wedo not accept American Express.

(2) any payments by you to us may beapplied by us towards any sums owingfrom you to us on any accountwhatever without regard to anydirections of you or your agent,whether express or implied.

7. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lotspurchased shall not pass to you untilyou have made payment in full to us ofthe total amount due.

(2) You shall at your own risk andexpense take away any lots that youhave purchased and paid for not laterthan four working days following theday of the auction or upon theclearance of any cheque used forpayment after which you shall beresponsible for any removal, storageand other associated charges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being heldat our main saleroom and the potentialstorage charges for lots not collectedby the appropriate time.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TOCOLLECT PURCHASES

(1) If any lot is not paid for in full andtaken away in accordance with theseConditions or if there is any otherbreach of these Conditions, we, asagent for the seller and on their behalf,shall at our absolute discretion andwithout prejudice to any other rights wemay have, be entitled to exercise one ormore of the following rights andremedies:

(a) to proceed against you for damagesfor breach of contract;

(b) to rescind the sale of that lotand/or any other lots sold by us to you;

(c) to resell the lot (by auction orprivate treaty) in which case you shallbe responsible for any resultingdeficiency in the total amount due(after crediting any part payment andadding any resale costs). Any surplusso arising shall belong to the seller;

(d) to remove, store and insure the lotat your expense and, in the case ofstorage, either at our premises orelsewhere;

(e) to charge interest at a rate of 1.5%per month above the current base rateon the total amount due, to the extent itremains unpaid for more than fourworking days after the sale;

(f) to retain that or any other lot sold toyou until you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or toimpose conditions before any such bidsshall be accepted;

(h) to apply any proceeds of sale ofother lots due or in future becomingdue to you towards the settlement ofthe total amount due and to exercise alien (that is a right to retain possessionof) any of your property in ourpossession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the sellerand on their behalf pursue these rightsand remedies only as far as isreasonable to make appropriaterecovery in respect of breach of theseConditions

Standard Terms & Conditions of Sale

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email. info@lyonandturnbull.comwww.lyonandturnbull.com

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274