intro to visual communication - colour theory colour spectrum colour wheel primary colours secondary...

41
Intro to Visual Communication - Colour Theory Colour Spectrum Colour Wheel Primary Colours Secondary Colours Complementary Colours Analogous Colours Split Complementary Colours Tints, Shades and Tones Simultaneous Contrast Successive Contrast Subtractive Colour Printing Primary Colours Additive Colour Colour Matters Colour, Contrast & Dimension Web Links Colour Theory Colour Test Colour Test Answers

Upload: chloe-ruddick

Post on 14-Dec-2015

253 views

Category:

Documents


5 download

TRANSCRIPT

Intro to Visual Communication - Colour Theory

• Colour Spectrum• Colour Wheel• Primary Colours• Secondary Colours• Complementary Colours• Analogous Colours• Split Complementary Colours• Tints, Shades and Tones• Simultaneous Contrast• Successive Contrast• Subtractive Colour• Printing Primary Colours• Additive Colour

Colour Matters Colour, Contrast & Dimension

Web Links

Colour Theory

Colour Test

Colour Test Answers

Colour

colour spectrum

The concept of additive colour theory was developed around 1690 by Sir Isaac Newton who discovered that white sunlight passing through a prism split into different wavelengths of light - the colours of the spectrum.

Main Menu

Colour Wheel

Hue

pure colour

Main Menu

primary colours Next

primary colours

primarycolours can be found

equally spaced onthe twelve partcolour wheel

Main Menu

secondary colours

each secondarycolour is a mixture of two primary colours

Main Menu

complementary colours

Complementarycolours can be found

opposite each other onthe twelve partcolour wheel

Next

complementary colours

complementary coloursprovide maximum

visual contrastof hue

Next

complementary colours

The sum of any twoprimary colours makesthe complement of the

remaining primary

Main Menu

analogous colours

colours which areclose to each other on

the colour wheel

Next

analogous colours

colours harmoniseeasily and are

pleasing to the eye

Next

analogous colours

they can include tones,tints and shades

Main Menu

split complementary colours

this complementaryvariation introducesslight variations of

the contrastingcolour

Next

split complementary colours

using adjacentcolours to theopposite hue

Next

split complementary colours

the effectis vibrant and exciting

but less harsh thantwo straight

complementary colours

Main Menu

Tints

Colour + white

hue

Hue +white

Hue +more white

Next

shades

Colour + black

hue

Hue +black

Hue +more black

Next

tones

colour + greyhue

Next

hue

70% tint

50% tint

30% tint

+light grey

+dark grey

Main Menu

simultaneous contrast

of tone

the same grey, shown as a central square, gives

the illusion of being lighter set against a dark tone

and darker when set against a light tone

Next

simultaneous contrast

the same effect occurs when the same grey

is set against colours of different value

Next

simultaneous contrast

of colour

The same grey is shown against a different background colour

Next

look at the central spot

after a few seconds the same grey has the illusionof appearing different in colour - taking on a complementary hue of its background colour

Next

simultaneous contrast

of colour

The same yellow is shown against a different background colour

Next

look at the central spot

after a few seconds the same yellow has the illusionof appearing different in colour - it appears more intense set against a contrasting hue

Main Menu

successive contrast

look at the central spot and try to remain fixed on it until the screen changes

Next

successive contrast

the complementary colour appears as an afterillusion as your eyes adjusted to the loss of colour

Next

successive contrast

try the illusion againwhat colour will appear?

Next

purple / mauve

Main Menu

subtractive colour

i.e. using colour pigments

primary colours

red

yellow blue

Next

subtractive colour

secondary colours

two pigment primaries mixed together create a secondary colour

purpleorange

green

Next

subtractive colour

secondary coloursWhen mixing paint it is often proves difficult to mix an intense

colour hue using the traditional primaries. Some colours appear dull.

purpleorange

green

Next

subtractive colour

secondary colours

purpleorange

green

Red and yellow, mixed, create a good orange in this example,

but purple and green appear dull

Main Menu

printing primary colours

yellow

magenta

cyan

Next

to reproduce the widest range of colours printersuse four process colours - magenta, yellow and cyan + black

yellow

magenta

cyan

+ black

Next

printing primariesprinting primaries mixed together create good secondary colours

Next

theoretically, all are mixed to create black but in practice this is impossible to achieve

Next

thus black is printed as an additional colour to provide definition and depth

Main Menu

additive primary colours Next

additive colour

i.e. using light

when all light primaries are mixedwe see white

Main Menu