introduction to roman drama

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Introduction to Roman Drama

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Introduction to Roman Drama. Finding a Common Language About Sexuality: Developing Discourses Across Disciplines Sponsored by The Interdisciplinary Research Group for the Study of Sexuality and Gender Wednesday, November 30 12-2pm UU W325 . From Horace’s Letter to Augustus. - PowerPoint PPT Presentation

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Page 1: Introduction to Roman Drama

Introduction toRoman Drama

Page 2: Introduction to Roman Drama

Finding a Common Language About Sexuality: Developing Discourses Across

DisciplinesSponsored by

The Interdisciplinary Research Groupfor the Study of Sexuality and Gender

Wednesday, November 30 12-2pm

UU W325

Page 3: Introduction to Roman Drama

3Introduction to Roman Tragedy

From Horace’s Letter to Augustus

“Greece, now captive, took captive its wild conqueror, and introduced the arts to rural

Latium.” (p. 276)Graecia capta ferum uictorem cepit et artes

intulit agresti Latio. (Epistles 2.156–7)

mos maiorum“way of the ancestors”

22-Nov

Page 4: Introduction to Roman Drama

4Introduction to Roman Tragedy

Agenda

• Frogs on Tragedy• Guide to an Ideal Type?

• City and Empire• The Briefest of Surveys of the Roman World

• Roman Theater, Roman Drama• Continuities, Developments

• Choice Quotes• Issues of Genre

• Discussion…• But Is It Tragedy?

22-Nov

Page 5: Introduction to Roman Drama

Frogs on Tragedy

Guide to an Ideal Type?

Page 6: Introduction to Roman Drama

6Introduction to Roman Tragedy

Frogs on Tragedy

• Style, language, situations (153 ff.)• Aeschylean elevation• Euripidean ordinariness

• “Skill and good counsel” (education)• Euripidean sophistic• Aeschylean values

• Aeschylus’ oil bottle joke (189 ff.)• Weighing of the lines (pp. 209 ff.)• “One I consider a master, the other I enjoy” (Dio, p. 217)• Policy advice (219 ff.)

22-Nov

Page 7: Introduction to Roman Drama

7Introduction to Roman Tragedy

Discussion: Valid Criteria?• should it be elevated in

style?• not the style but content

• but style can help – can make it relatable

• education thing• a moral

• aeschylean value teaching• aeschyl – symbolic

emotional realism/a revealing kind play of concept

• eur realism tragic?• what really happens

• political decision making• no• no – but…

• e.g. eum and its political-judicial focus

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Page 8: Introduction to Roman Drama

City and Empire

The Briefest of Surveys of the Roman World

Page 9: Introduction to Roman Drama

Forum Romanum (reconstruction)

Page 10: Introduction to Roman Drama

Ancient Italy Roman Empire

AugustusCapitoline Wolf

Page 11: Introduction to Roman Drama

753-510 BCE Regal period

Ruled by kings.

510-27 BCE Republic

Mixed constitution: oligarchic, quasi-democratic.

27 BCE-293 CE Principate (Early Empire)

De facto monarchy (imperātor, Caesar, princeps)

Timeline

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Page 12: Introduction to Roman Drama

Roman Theater, Roman Drama

Continuities, Developments

Page 13: Introduction to Roman Drama

Theater at Sabratha,N. Africa, 200s CE

Satyr Play Rehearsal,Pompeii, ca. 50 CE

Page 14: Introduction to Roman Drama

14Introduction to Roman Tragedy

Roman Drama: Fabula. . .Comedy• Palliata

• himation – i.e., Greek – comedy

• Togata• “toga” – i.e., Italian comedy

• Trabeata• upper-class comedy

• Mimus• popular farce

Tragedy

• Crepidata• “buskin” – i.e., Greek

tragedy

• Praetexta• “fringed toga” – i.e.,

Roman history play

• Pantomime• narrative dance with

chorus accompanimentca. 240 BCE-early 100s CE

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Page 15: Introduction to Roman Drama

Choice Quotes

Issues of Genre

Page 16: Introduction to Roman Drama

16Introduction to Roman Tragedy

Crepidata…

• “Again Thyestes comes, / At Atreus to grabble, now again / Approaches me to rouse me from my calm. / More moil for me! A bigger bane to brew, / That I may crush and crunch his grievous soul!”(maior mihi moles, maius miscendumst malum. Atreus, in Accius’ Atreus frr. 163-166)

• Oderint dum metuant. “Let them hate, so long as they fear”(Atreus, in Accius’ Atreus fr. 168)

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Page 17: Introduction to Roman Drama

17Introduction to Roman Tragedy

Praetexta…

• “Back to his native land, happy in life never dying”(Naevius Clastidium, performed 195 BCE?)

• “It was thus most favorably foretold that the Roman state would be supreme”(Seer to Tarquin, Accius Brutus fr. 38)

• “Tullius (Servius Tullius, early Roman king), who for the citizens had made freedom firm”(Accius Brutus fr. 40)

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Page 18: Introduction to Roman Drama

Discussion…

But Is It Tragedy?

Page 19: Introduction to Roman Drama

“The content of Roman tragedy is not ‘tragic.’ ”

Brill’s on Roman Tragedy

Page 20: Introduction to Roman Drama

20Introduction to Roman Tragedy

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22-Nov