issue 13 sampler

30
WWW.BAROQUEHORSEMAGAZINE.COM 1.

Upload: hrcs

Post on 18-Mar-2016

241 views

Category:

Documents


1 download

DESCRIPTION

www.baroquehorse.com.au

TRANSCRIPT

Page 1: Issue 13 sampler

www.baroquehorsemagazine.com 1.

ISSUE 13 NOV/DEC 2013

Classical v’s Modern Dressage by Barrie Stratton| Endanged and Rare horse breeds - The Sorraia and Przewalski’s Horse.$9.95NZD £6.95

$8.95 AUD €7.95

Beauty, Strength Power&Beauty, Strength Power

Page 2: Issue 13 sampler

2. www.baroquehorsemagazine.com

AKA QualityPO Box 202

Belmont, Vic 3216AUSTRALIAwww.akaquality.com.au

[email protected]

Page 3: Issue 13 sampler

www.baroquehorsemagazine.com 3.

AKA QualityPO Box 202

Belmont, Vic 3216AUSTRALIAwww.akaquality.com.au

[email protected]

Page 4: Issue 13 sampler

4. www.baroquehorsemagazine.com

COLLEEN BROOKLegendary Showjumper

Proudly brought to you by International Horsemans Institute

ROB LAWSONReining Champion

TONY LANDERHorse-Human Relationship Specialist

JOSE MENDEZClassical Dressage Master

FOUR OF AUSTRALIA’SPREMIER HORSEMEN

IN ONE PLACE FOR TWO FULL DAYS

Sydney International Equestrian Centre

22 & 23 March 2014TICKETS NOW AVAILABLE VIA TICKETEK

Seats are Limited

FREE

FREE

FREE

DVD* DVD* DVD*

(value

d at $

25.00

)

(value

d at $

25.00

)

(value

d at $

25.00

)

when y

ou pu

rchas

e you

r tick

ets

when y

ou pu

rchas

e you

r tick

ets

when y

ou pu

rchas

e you

r tick

ets

from ou

r Boo

th 31

5 at E

quita

na Syd

ney

from ou

r Boo

th 31

5 at E

quita

na Syd

ney

from ou

r Boo

th 31

5 at E

quita

na Syd

ney

from ou

r Boo

th 31

5 at E

quita

na Syd

ney

from ou

r Boo

th 31

5 at E

quita

na Syd

ney

from ou

r Boo

th 31

5 at E

quita

na Syd

ney

SPECIAL OFFER* Purchase your tickets at our Booth 315 at Equitana Sydneyand receive a FREE copy of the IHI Getting Started DVD valued at $25.00

Horsemans Rendezvous_General A4_Full Page.indd 1 9/11/2013 1:06:21 PM

Page 5: Issue 13 sampler

www.baroquehorsemagazine.com 5.

www.facebook.com/Dexelim

Page 6: Issue 13 sampler

6. www.baroquehorsemagazine.com

Our front cover is a shoot I did with the lovely Kat, modelling some of the

Ariat clothing range. Also in this edition we look at fashion and the riders clothing. We hope you enjoy it as we often we focus on our four legged friends and forget that many riders out there that love to dress up too! I enjoyed putting on my photographer’s cap again and will bring more fashion wear in future issues.

I am often asked by many what is classical dressage? So I thought that it was about time that we put some information together for you to explain what it is all about. I asked contributor Barrie Stratton if he was interested in

doing up this article. Barrie so generously jumped at it as he said he has over 20+ years of research on this subject. For those who want to know more of what it is all about, I highly recommend this fascinating read complied by Barrie. I also want to thank Barrie for the absolute hours and hours he has put into writing this article. I hope you all enjoy this read as much as I did.

Recently I had the pleasure to attend a Liberty Clinic with Martín Contreras. It was a fantastic experience and I invited Martín to talk to the readers of BH on what it is really about. I know that this sort of horsemanship can be classed as a little more

hippy, however it’s really a fantastic way to learn and bond with your horse. It’s amazing to see that trust develop, and the horse want to work and play with you. The best part about this is that you don’t have to stop riding the sport you want to ride - it won’t change what you can do with your horse, but it will change how your horse will respond to you. It will change what they’ll be able to communicate with you and visa versa.

With the festive season upon us we would like to wish you all a very happy and safe holidays. We’ll be back in 2014!

E d i t o r s N o t E

CO

NT

EN

TS

ISS

uE

1

3

NO

v/

dE

C

20

13

10. Dressage A comparison of Modern and Classical by Barrie Stratton

22. Trainers’ Directory

24. Hot Topics - Backing horses

26. KFPS Friesian Week

30. Riders Wear

38. Baroque Pinto

44. The Peruvian Paso

48. Przewalski’s Horse

54. “Nico”

58. Jenny Rolfe - Let the horse become our teacher

63. Horses of Interest

64. Yeguada Las Arenas

68. Manolo Mendez - Pirouette Pt 2

74. The Sorraia Horse 82. The Power of Liberty with Martin Contreras

88. Wimer 461 Sport

93. Horse Care

w h a t ’ s i n s i d e

Danielle SkermanEditor in Chief

On the Cover: “Centauro” and Katrin Haddon. Katrin is dressed by Ariat Australia (www.justcountry.com.au) Photo by Danielle Skerman

Page 7: Issue 13 sampler

www.baroquehorsemagazine.com 7.

07

Editor in Chief

In photo: Ruby Goodsell and “Serio”

Page 8: Issue 13 sampler

8. www.baroquehorsemagazine.com

Payment: Credit Card Please send me a pay pal invoice

Cardholder no:

Cardholder name:

Expiry date: Total due:

Signature:

and SAVE!6 issues (1 year) for only $39.95*

Please tick the appropriate boxes and fill out the payment details below

Name:

Phone:

Address:

Postcode/Zip:

Email Address:

EnquiriEs To: [email protected]

ph+61 419 363 635

PosT suBsCriPTion To: Baroque Horse Magazine

Po Box 18002, Clifford Gardens, Toowoomba, qLD Australia 4350

Go onLinE AT www.BAroquEHorsE.CoM.Au/Buy-MAGzinE

CCV______

©Baroque Horse Magazine AU. 2011 All Rigths Reserved. No part of this publication, editorial or advertisement, may be reproduced without the

written consent of the publisher. The content of the advertisements within this publication is the responsibility of the advertiser. Although due care is taken in

the preparation and publication for all advertising material, the publisher cannot be held responsible for any errors or for any consequential effects. Opinions

and statements made by others in submitted text may not be the same as those held by either the publisher or the editor.

EDITORIALEditor-In-Chief

Danielle [email protected]

Editing:Mel Hughes/ Michaela Wake

ART & PRODUCTIONDesign & Production Manager:

Danielle Skerman

Designers: Eric Lopez, Shane Cunningham, Cristian Prutescu

ADMIN & MARKETING Patty Taylor

[email protected]

ADvERTIsING [email protected]

+61 419 363 [email protected]

+61 404 843 636

FoR subscRIPTIoN ENquIRIEs:[email protected]

GENERAl ENquIRIEs:[email protected]

PhoToGRAPhERs:Cátia Castro, Danielle Skerman, Nadeen Davis, Cally

Matherly, Joan Sankey

coNTRIbuToRs:Nadeen Davis, Cátia Castro, Danielle Skerman, Patty

Taylor, Gigha Steinman, Jose Luis Duarte, Tabitha Jones, Elizabeth Schmehl, Michaela Wake, Caroline

Larrouilh, Manolo Mendez, Jenny Rolfe, Barrie Stratton, Joan Sankey.

PublIshER: Baroque Horse PTY LTD

ACN: 159 279 848PO Box 18002

Clifford Gardens, Toowoomba QLD, Australia 4350

*Australian residence only. Shelf price of $53.70

For international subscriptions prices please contact us for view the web link below

SUBSCRIBE TODAY

Page 9: Issue 13 sampler

www.baroquehorsemagazine.com 9.

Page 10: Issue 13 sampler

10. www.baroquehorsemagazine.com

DressageA Comparison of Modern and Classical

By BARRIe STRATTOn - nATIOnAL ‘A’ LeveL DReSSAGe juDGe-InTeRnATIOnAL TRAIneR AnD COACH

This article looks at the differences between today’s 21st century competitive dressage and the art of classical dressage, which evolved from the beginning of the

Renaissance period to the early 20th century.

The history of modern competitive dressage

In 1914 the German Committee for equestrian Games proposed to the International Congress for the Olympic Games that a memorised test be introduced, with

movements to be included in a particular order, in a given manner, and within a specific space of time. This was to replace an old freestyle test which included specified movements, but without a time limitation. The proposal was submitted by Germany’s Inspector General of Cavalry, von der Marwitz, and Secretary General Gustav Rau. The purpose of the new test was to indicate that the horse was well-schooled and suitable as a campaign mount, rather than one suited to the haute e’cole, or high school style of riding, which included airs above the ground such as courbette or capriole.

The rules of modern dressage were formulated by a committee in the early 1930s. (The committee members included General Decarpentry, an ecuyer from the Cadre noir in Saumur, best known today for his book Academic equitation. He was later President of the FeI Dressage Committee.) The intention was to prepare for the first internationally recognised dressage competitions for the 1932 Olympic Games. Prior to this period, the French and Germanic schools tended to ignore each other, but to the credit of the FeI, they were brought together and given the opportunity to challenge each other from time to time in its competitions.

The masters of the Germanic school tended to apply direct forces of opposition to a horse’s resistance. They required unconditional surrender of the horse, rather than seeking their general cooperation towards perfection of the common task. Although the Germanic horses were a little constrained, their impression of submission was superior to that of the French, whose riders appeared to avoid difficulties, rather than solving them. However, the competitors themselves soon took advantage of the opportunity for mutual observation. Without rejecting what was working well in their own method, they adopted some of the ways of their neighbours which had proven successful. As the years progressed, the differences became less pronounced, until by the 1960’s,

there was no difference between either French or Germanic equitation being displayed in the dressage competition arena.

A definition of modern competitive dressage:

A fully trained competitive dressage horse of today performs movements in a timed and structured test, which includes piaffe, passage, half pass at trot and canter, canter pirouettes, extensions

in trot, canter and walk, tempi changes and rein back.

Included in the 2013 FeI dressage rules, Article 401 gives the following description of modern dressage.

“The object of dressage is the development of the horse into a happy athlete through harmonious education. As a result, it makes the horse calm, supple, loose and flexible, but also confident, attentive and keen, thus achieving perfect understanding with the rider.”

The above definition represents the rewording in 2010 of a previous definition. The former definition had a similar message, but it stated that FeI dressage should be based upon the ‘Classical Principles’.

‘The Training Scale’

In addition to the modern definition of competitive dressage, trainers, coaches and judges are directed to use the 6 elements of the Training Scale to train, coach and judge dressage horses at all levels. That scale

requires the horse to display qualities of rhythm, suppleness, accepting the contact of reins and other aids given by the rider, impulsion in trot and canter, straightness and collection.

Modern dressage tests

These tests range from a fundamental level of schooling in the Preliminary test. The purpose of this test is to confirm that the horse’s muscles are supple and loose, and that it moves freely forward in a clear and steady rhythm, accepting contact with the bit. These qualities are required to be maintained and enhanced, as the horse progresses with its schooling through the higher levels of ever increasing degree of difficulty.

novice level requires the horse to progress with the added qualities of developing an improved thrust from the hindquarters, together with

Page 11: Issue 13 sampler

www.baroquehorsemagazine.com 11.

dressag

e

a degree of balance and throughness. The quality of throughness indicates that the horse is supple and has a swinging back. This is called a ‘back mover’, as compared to an incorrectly trained horse which may display extravagant action, but has a stiff back. That horse is termed a ‘leg mover’, and is usually uncomfortable for the rider to sit trot on.

novice level introduces leg yield. This exercise develops suppleness and responsiveness to the aids. The tests that follow from novice level adhere to a well-

structured system of preparing the horses for movements which are progressively of higher degrees of difficulty.

elementary, Medium and Advanced level tests follow. During these levels, collection is introduced, with the horse being required to carry proportionately more weight on the hindquarters, and so less on the forehand. At elementary level collection and the shoulder-in exercise is introduced. The FeI rules state that the shoulder-in is the best means of making a horse supple, loose and unconstrained

Photo © Catia Castro

Page 12: Issue 13 sampler

22. www.baroquehorsemagazine.com

Trainers’ DirecTory

Kate Fenner+ 61 (0)458 298 338 [email protected] www.kandooequine.com.au

• foundation courses • working equitation• clinics

Shahron Ameer315 Fisher Road, Drouin West 3818www.dressage.au.com

Dressage australia Pty ltd

Classical Dressage Training

"Dressage with soul" ©(Meditation, One-Pointedness, Position, Confidence, Ease &

Harmony)

Classical training and long reining through to high school, Medieval skill at arms and

working equitation.

Available for lessons and clinics throughout Australia (located in Tasmania)

Mobile 0418524196Email [email protected]

Barrie Stratton• International Dressage

Coach and Trainer

• National ‘A’ Level Dressage Judge

• Classical / Competetive students and horses at all levels

Author of the 3Cs of Dressage….’Calm Confident and Connected’

M: 0400 639 909 P: +61 8 8370 9809e: [email protected] W: www.academyofdressage.com.au

Classical Equitation Tweed Valley

Dianne baxTer

working Equitation Australasia Accredited Trainer

A Centre for Classical Riding and Working Equitation

[email protected]/dianne.baxter.5

(02) 6679 2238 707 Limpinwood Road,

Limpinwood, nSW

jayne HowleyPure Classical Dressage

School horses available - Breeding quality Sport Morgans - Located in Adelaide Hills.

CRYSTANBY

Michele Meijer0432821348

[email protected]

Michele Meijer Qualified Senior Instructor Horse Safety Australia and Trainer

working Equitation Australasia.

Dedicated to the teachings of Nuno Oliveira

0413 014 [email protected]

Woodend

Jane and Nuno Oliveira

Harmonious Horse

armonious Horse BC-1.indd 1 23/6/12 3:48:11 PM

insTruCTion harmonioushorsemanship.com.au

SPECIALISING IN CREATING HARMONY FOR HORSE & RIDER THROUGH LIGHTNESS & BALANCE

Page 13: Issue 13 sampler

www.baroquehorsemagazine.com 23.

Trainers’ DirecTory

JoDy HarTsTone

‘THe fun way To Train

seriously’

• Classical Dressage Trainer and FEI level Competitor

• Clinics available throughout Australia and Internationally .

• Teaching the best of the French Riding Culture, and philosophies of Philippe Karl.

Classical Dressage Australia

Tony lanDer

inTernaTional Horsemans insTiTuTe

www.internationalhorsemansinstitute.com.au1300 664 269 | +61 417 688 644 | [email protected]

Australia contact Danielle 0404843636

[email protected]

Amanda evins0438 085 066 or +61 8 8388 8397

www.goncalocarvalho.com

www.winmallee.com.au

Lessons in Australia& world wide

Learn and Experience the Art of

‘Classical Riding’

winmalleeCLASSICAL RIDInG

Presentsrebecca DesmonD

www.classicaldressageaustralia.com p: 043 558 2636 | e: [email protected]

• People and HorseTraining

• DvD's,

• Courses

• Personal Coaching

• Dressage horses for sale• Dressage coaching (available for clinics)• Dressage training for horses and riders (limited spaces available)

brent eastwell

hartstoneequestrian

Hartstone Equestrian LtdRaglan, New Zealand

www.HartstoneEquestrian.com

He will steal your heart...Ali BabaPuro Sangue Lusitano16.2hh Bay Stallion

Temperament * Versatility * Power * Versatility * Collection * Versatility Height, presence and paces. Intelligence and courage.

Ali Baba is sired by one of Portugal's best breeding stallions - the Grand

Prix trained Hostil. His dam lines are famed in the bullfighting ring.

A Lusitano is a horse like no other.

• TRAInInG• COACHInG• MenTORInG

176 Badgerys Lookout RoadTallong NSW Australia 2579

Tel. +61 2 4841 0069E. [email protected]

José MendezNCAS Level II Dressage CoachEFA NCAS Coach Assessor

Mobile. 0412 597 316

ndez BCard07 v8.indd 1 4/7/07 9:10:11 AM

176 Badgerys Lookout RoadTallong nsw Australia 2579

Tel. +61 2 4841 [email protected]

José MendeznCAs Level ii Dressage CoachEFA nCAs Coach AssessorMobile. 0412 597 316

Art of Classical DressageA. Appreciation S. Sincere K. Kindness

Makara Park Morgans

www.makaraparkmorgans.com

Matt & Beccara [email protected]

working equiTaTion ausTralia

Located in victoria0427 375 302 | 03 5360 8369

Page 14: Issue 13 sampler

30. www.baroquehorsemagazine.com

Above and top right: Model: Katrin Haddon with “Centauro”. Above: Katrin is wearing clothing supplied by Ariat Australia www.justcountry.com.au

Page 15: Issue 13 sampler

www.baroquehorsemagazine.com 31.

riDers

Wear

Model: Ruby Goodsell with “Serio” wearing stock by equisstyle Stock www.equistylestocks.com.au Ruby also wears Pinstripe underbust victorian corset $190 with Pinstripe Double-breasted Tail Coat, $170 by Gallery Serpentine www.galleryserpentine.com

ALL PHOTOS By DAnIeLLe SKeRMAn

High fashion in riders gear can go back for centuries. If we look back to the 17th century in France, we can see a devantiere skirt was worn that had a split up the back to enable astride riding. Fast-forward to the 19th century, and a devantiere was used to describe the whole costume or any part of the riding gear ; be it the riding coat, the skirt, or the apron. Many of these outfits are still worn today either for fun or in costume competition.

nowadays the riders gear depends on whether you are competing, and then it is more like a uniform that must be worn according to regulations of the specific discipline. This has been held for many, many decades and it is unlikely to change. Whether you are competing or just riding for pleasure, there is a plethora of clothing outlets for you to be able to complete your whole look.... horse and rider image combined!!

Page 16: Issue 13 sampler

62. www.baroquehorsemagazine.com

HOT PrOducTsGReAT CHRISTMAS GIFT IDeAS!!

Malem Glass Art >>www.malemglassarT.com

Pemberley Equestrian Jewellery>>www.PemberleryequesTrianJewellery.com.au

Equestrian homes>>www.equesTrianHomes.com.au

Gidgee-Eyes >>giDgee-eyes.com

The Dancing horse>>www.DancingHorse.com.au

Reiterm>>www.reiTerm.com

Page 17: Issue 13 sampler

www.baroquehorsemagazine.com 63.

we have all sung along with the Christmas carol

“Good King wenceslas”, but did you know that he actually existed? He lived from 907 to 929 or 935 (935 is favoured by historians): a well-educated, devout Christian and extremely modest and unassuming man.

During his lifetime he was first a Duke of Bohemia and overthrew his pagan and cruel mother, to became prince in 924. He was revered by the people as the “righteous king,” due to his generosity to the poor, infirmed, orphaned, widowed, and those in unfortunate circumstances. He did not discern between rich or poor and even took a personal vow of poverty.

After his murder by a group of nobles, including his pagan brother Boleslav, he was posthumously elevated to King and Sainthood. The nobles had invited him to a feast and then cruelly murdered him on the steps of the church. Almost immediately after his death, the people mourned and martyred him. He is now the patron saint of the Czech Republic.

visitors to Prague will see a beautiful statue in his honour in Wenceslas Square. Situated in new Town area, the statue depicts him sitting proudly on his horse. Interestingly, this part of this area was formerly known as the “Horse Market” due to it being used as a horse market during the Middle Ages. It was the largest square and heart of new Town. At the southern end of the market was the Horse Gate, which was one of several gates in the walls that surrounded new Town. The area was renamed Saint Wenceslas Square in 1848, when it was decided that it needed a more “noble” name.

In 1894 a competition was held to create a statue in honour of St Wenceslas to replace the original one in vyšehrad in Prague. The winner was the Czech sculptor josef Myslbek. He commenced his work in 1887 and over twenty years later, his bronze statue was finally unveiled in 1912. St. Wenceslas is surrounded by four saints: St. Ludmilla (his grandmother who raised him), St. Agnes, St. Procopius and St. Adalbert.

Myslbek took great pains to accomplish the details of his work. From the treasures of St. Wenceslas (which are on display in Prague Castle), he faithfully recreated his headpiece, sword and hauberk (chain mail tunic). In order to authentically show the muscles of the horse as they appear in movement, he would go to the riding hall and have the horses pass over the top of him. It is believed that the horse was modelled on a seven-year-old stallion named Ardo who belonged to the army. A statue, “Stallion Ardo,” also by Myslbek, is exhibited in Košice, Slovakia.

A legend of St. Wenceslas says he will command a huge sleeping army of knights. When the Czech Republic is in danger or close to ruin, the equestrian statue of St. Wenceslas will come to life and awaken the knights from their slumber deep within Blaník (a mountain in the Czech Republic). He will lead them across the Charles Bridge (the historic bridge of Prague), at which point his horse will stumble over a stone and the legendary sword of Bruncvík will be revealed. Claiming the sword, King Wenceslas and his army will defeat the enemies of the Czech people and the country will return to peace and prosperity.

So remember his story the next time you sing along with the carol.

Tell us what breed you believe the horse to be at………………… a

Horses of Interest

WENCESLAS SQUARE (PRAGUE)

b y J o a n S a n k e y

63

HOT PrOducTsGReAT CHRISTMAS GIFT IDeAS!!

Page 18: Issue 13 sampler

74. www.baroquehorsemagazine.com

sorraia: the Oldest Ancestral Breed of Horses on the Iberia Peninsula.The Sorraia breed is considered a “primitive” horse and most likely the most ancient

ancestor of the current living baroque horse breeds of the Iberian Peninsula (Portugal and Spain). With about 200 individuals, it is considered a rare breed in endanger of extintion.BHM went to one of the few Sorraia units, this one belonging to and protected by the

Portuguese government, placed in the Alter Real Stud Farm, in Alter do Chão—Portugal.

PHOTOS AnD ARTICLe By CáTIA CASTRO

Page 19: Issue 13 sampler

www.baroquehorsemagazine.com 75.

The Lusitano and the PRE are distantly descended from the Sorraia

origin

The name of this equine breed comes from its discovery by Dr. Ruy d’Andrade in the region of Coruche—Portugal, in the valley of the River Sorraia.

The animals of this breed are commonly called Sorraias. It is admitted that in the past they have been known as “Zebros.” In Spain they correspond to “Marismeños” for having existed in the marshes of the River Guadalquivir.

PaleoliTHic PerioD

This primitive breed was one of the original horse breeds of the southern Iberian Peninsula. The Lusitano and the PRe are distantly descended from the Sorraia,

as well equine breeds in South America (particularly the Argentine and Brazilian Creole) are descendants of animals from the Guadalquivir valley. The Sorraia breed also gave rise

to the Mustang in north America, although evident, can be explained by the impact that the Iberian horses, in general, had in the horses existing in that continent.

Animals matching to the morphological type which currently corresponds to Sorraia—convex profile and zebra type—are often represented in the cave paintings of horses that appear on the walls of “cueva La Pileta” in Granada, Spain These paintings are from 30,000 to 20,000 years BC—in the Paleolithic period, demonstrating the ancestral characteristics of this breed.

The Portuguese biologist Maria do Mar Oom, horse expert and professor at the Faculty of Sciences of the university of Lisbon, says “We were able to prove that the DnA of this horse is associated with primitive breeds. Sorraia is the current representative of this version.”

Maria do Mar Oom studied not only the genetic variation of the current Sorraia breed but also their origin. “The

75

PHOTOS AnD ARTICLe By CáTIA CASTRO

Page 20: Issue 13 sampler

82. www.baroquehorsemagazine.com

the

P OweroF

Liberty

Martín Contreras with “Centauro”

Liberty horse training: it is a language and a series of behaviours that you can learn in order to communicate with your horses, shape their character, and develop their desire to learn, all the while deepening the bond between you. eventually, you develop a magnetic

connection with your horse, which enables you to teach them movements at liberty, both at your side and away from you.

Article/Interview by Danielle Skerman

WITH MARTíN CoNTReRAS

WWW.HORSeTRAInInGATLIBeRTy.COM

Page 21: Issue 13 sampler

www.baroquehorsemagazine.com 83.

Liberty is one of those things that has fascinated me for some time. I’ve watched in awe youtube clips of Frédéric Pignon with his numerous horses following after him on a beach with

such an incredible and inspiring connection that felt there had to be some sort of an invisible rope on them. It seems so special; however, at the same time can feeling it was something that an everyday person wouldn’t be able to do. It is actually very possible with some time and dedication.

When you think of Liberty work

it is very easy to get carried away with the thought of, “Oh yes, it’s lovely...but I’m not a tree-hugger type person.” Well believe it or not, you don’t have to be an extremist to benefit from what Liberty work can do for you and your horse. In fact you can still maintain your normal work and training with your horse, and by adding some Liberty work you might just find you and your horse can develop a better understanding of each other. you can still do competitive dressage, working equitation, pleasure riding or whatever it is that you do. you can do both—and you might just find that the Liberty training might help

your other riding and confidence in working together tenfold!

Recently I attended a weekend clinic with Martín Contreras from Colombia. He practices and trains in the Carolyn Resnick Waterhole Rituals.

The smell of horses brings Martín Contreras back to his earliest memories. They go back to the days where he would

improvise songs about a horse and his exploits around the countryside. yet he did not dare ride a horse at more than a trot until he was eleven. This fear stemmed from several “ugly, though physically harmless” falls that

You might just find that the Liberty training might help your other riding and confidence in working together tenfold

Martín Contreras and Carolyn Resnick

Martín Saying hello to “Centauro” as one of the Waterhole Rituals.

Page 22: Issue 13 sampler

92. www.baroquehorsemagazine.com

Page 23: Issue 13 sampler

www.baroquehorsemagazine.com 93.

Caring for your horse’s health is important to ensure its welfare and to keep your costs down. But where do

we begin? As any veterinarian will tell you this list is endless, however it important to know what to do and where to go when you have a problem. A vet is not needed in all cases and a simple practice of keeping a well supplied first-aid kit will always be a wise move.

In this issue we bring to you a range of products you will find useful from your horse diet and supplements, hoof ’s cracking, wounds and different methods of circulation therapy. Let’s not forget the hair product too as this is all important when we want our horse to look the best!

In each issue we will bring to you the products that maybe new or you just needed to be reminded about.

‘ask not what your horse can do for you – ask what you can do for your horse’

HorSE

Before After

· Aids in the Treatment of wounds,scratches,wire cuts & other horse disorders

· Bandaging is not necessary but recommended.

· Minimizes scarring and promotes healing in the treatment of cuts and wounds.

· Helps protect from gross contamination and invasive dirt from entering the wound.

Uniquely formulated to aid the prevention and elimination of PROUD-FLESH

TRADE ENQUIRIESAIRR - Phone: 0358210922

ANIMAL SUPPLIESPhone: 02 8868 8600

AVAILABLE FROM MOSTPRODUCE STORES,

SADDLERIES & VETERINARIANS www.proud-aid.com.au

PROUD-AID PROUDFLESH WOUNDCARE TREATMENT FOR HORSES

Page 24: Issue 13 sampler

94. www.baroquehorsemagazine.com

VeRTICAL CRACKING

(ALSO KNOWN AS SAND CRACKS)

There are cracks that run in a vertical line from the base of the hoof and usually follow the direction of the keratin tubules. These vertical cracks most often occur in the area of the toe. (cover the distance between the centre front around to each quarter side point)

POSSIBLe CAuSeSImbalance in the hoof conformation, often flaresBrittleness causing the cell bonds to breakdownPoor nutritionFungal Infections and excess moisturevery dry, scaly hoovesWounds, scars, genetics TReATMenT - Firstly seek professional advice from your farrier/trimmer, in relation to possible causes or other underlying issues. Secondly use a good quality hoof oil once a day for a week, then 3-4 times a week there after to provide the hoof with nutrients to feed the damaged cells and help them repair. This will encourage healthy hoof growth and in time with correct trimming or shoeing the cracks will grow down and out, not up towards the coronet band where permanent damage may result. You can fill any large cracks with a hoofstik, this will create a breathable barrier protecting the cracks from environmental debris entering.

We recommend our Crack Repair ‘SPeCIAL’ Pack that includes:Hoofstik 40g & Crack Repair 250ml (also available for purchase in larger sizes)Our packs comes with full instructions of how to use the products.

Find out more at nrgteam.com.auNEWS

fFollow us onAll nrg products available from your local horse shop

It has to be PROPLAITS . . . for an all round professional finishSo simple to PLAIT with

PROPLAITS

1. Spray on maine, divide hair into plaits.

2. Quick spray on each plait3. Now plait into baubles, sew or

band.4. Final spray and the jobs done

PROPLAITS . . .My friend when plaiting

Saving time and keeping plaits tightHolding hair in place, whether sewing or banding

Proplaits_1/2_Ad.indd 1 8/08/13 12:35 PM

Hoofstik - 40gmsSpecifically formulated to be used on a damaged hoof.Use for;• Filling minor to severe chips or cracks• White line and thrush treatment• Providing a barrier on the hoof wall,

frog, sole and heel• Cosmetic application Colour: Neutral and Black

CraCk repair - 250mlDesigned to nourish deep within the keratin cells of the hoof. Reduces the potential for stressing and cracking to appear in the outer wall layer. Ideal for treating vertical cracking, sand/ minor cracking or dry brittle hooves.

Use this promotional Code – CRS13 to receive a further discount.Order online at www.donnybrookhoof.com.au

speCial priCe$22.95

CraCk repair speCial

Offer available Nov/Dec only.

Photo of “Dexelim” pure Lusitano Stallion

Page 25: Issue 13 sampler

www.baroquehorsemagazine.com 95.

[email protected]

main-tail-feather.com

Successful hair growth is achieved easily in a healthy horse feed the necessary building blocks for rapid hair metabolism.

Hair growth is further supported by being kept clean, maintaining natural oils and being richly conditioned to protect the hair from breakage.

in a Bucket

The feather shots are of Lord Callum of the Owlish Fortress and they are taken 'some months' apart.

Jasper Van Gelder has grown his mane from 100cm to 105cm after using his first

3kg bucket of chair in a bucket feed supplement

[email protected]

mane-tail-feather.com

Page 26: Issue 13 sampler

96. www.baroquehorsemagazine.com

Canterflex ad

The use of new Zealand green lipped mussel powder for the treatment and prevention of arthritis has become very

popular in recent years, but does it work?

A recent clinical trial conducted by Massey university in new Zealand came up with the strongest evidence yet that this mollusc from the oceans around new Zealand really has something really special. The clinical trial was a double blind placebo controlled trial, which is the best design for any trial and considered the gold standard in clinical tests.

The trial was conducted on 20 placebo and 19 treatment horses, all horses had some degree of lameness in the fetlock joint. Lameness was measured; of the placebo horses 3 improved, 11 were unchanged and 6 got worse, of the treatment group 12 improved, 7 were unchanged and none got worse. Researchers found this result significant proof that new Zealand Green Lipped mussel powder helps improve

lameness.Australian international dressage

rider Heath Ryan uses new Zealand green lipped mussel powder on his champion dressage stallion Regardez Moi. “Regardez Moi is now 18 years old and we know he won’t go forever but he is going well now, he’s still beating these flash imported horses. We give him Canterflex and he is going great. I even take it myself and it definitely helps!” Heath explains.

Copabella visage is another champion in his own right, a star on the show jumping stage he was injured while jumping in europe. He was off for 2 years due to the injury but is now back jumping World Cups. Rider Brooke Campbell says “visage improved almost immediately we started him on green lipped mussel powder. We are really happy with his progress, so much so that we are now sponsored by Canterflex.”

Then if it works when do I start my horse on it? veterinarian; Dr Darren Gibbins sheds some light on that question. “We believe that the omega 3 and 6 fatty acids in

Are New Zealand’s Green-Lipped Mussels the Answer?

JoinT HealTH:

new Zealand green lipped mussels are what give it anti-inflammatory properties. The unique phospholipids have significant anti-inflammatory activity. Green lipped mussels also contain chondroitin that is a building block of cartilage. Arthritis that is the cause of most joint pain and lameness as horse’s age is caused by micro-fractures in cartilage over years. These become inflamed and repair imperfectly with bone; this bone slowly grows into the joint and causing arthritis and pain. By reducing inflammation around these micro-fractures and providing the chondroitin for the cartilage to repair better the micro-fracture should heal better and in theory cause less arthritis as years go by. There is also evidence to suggest that new Zealand green lipped mussel powder can help reduce the formation of OCD lesions

in yearlings. So, some horses should start green lipped mussel powder at weaning. I believe that if an adult horse is in work it will most likely have a longer competition career if it is given green lipped mussel powder from an early age.

Page 27: Issue 13 sampler

www.baroquehorsemagazine.com 97.

G&S Horserug Pty Ltd 465 Hume Hwy Craigieburn VIC 3064 | Australian Distributor for Horseware Ireland | [email protected] www.horserug.com.au (03) 9832 0800

Page 28: Issue 13 sampler

98. www.baroquehorsemagazine.com

$880 LFG

Pure Iberian Stallion P/SP 003 Chapelhouse CENTAURO.

Dk bay/brown black, 16.2hhDOB: 19.01.07

Sire: Irreal (imp Portugal& competed at Grand Prix Dressage)

Dam: La Querencia Pamperita.Dam: La Querencia Pamperita.

facebook.com/ChapelhouseCentauro

DANIELLE PH [email protected]

Page 29: Issue 13 sampler

www.baroquehorsemagazine.com 99.

$880 LFG

Pure Iberian Stallion P/SP 003 Chapelhouse CENTAURO.

Dk bay/brown black, 16.2hhDOB: 19.01.07

Sire: Irreal (imp Portugal& competed at Grand Prix Dressage)

Dam: La Querencia Pamperita.Dam: La Querencia Pamperita.

facebook.com/ChapelhouseCentauro

DANIELLE PH [email protected]

Page 30: Issue 13 sampler

100. www.baroquehorsemagazine.com

Born 09/23/06 • Buckskin • EVA / CEM Negative Stud Fee $1,500 LFG

( O t h e l l o d o R e t i r o x M a r i c o t a d a s V i d e i r a s )

Bred by Murillo Ferro Sao Paolo,Brazil

Selwood ParkGareth A. Selwood

Owned by Gareth A. Selwood • 840 Lake Rd • Youngstown, NY 14174 [email protected] • 262-325-0283 • chateaustallion.com

design by

standing at:

Photos by Christina Hyke and Classical Equine Photography

Offered for Sale

www.ChateauStallion.Com

Enchantingto all that h

e meets..

do PassargadaChateaubriant

$60,000 uSDSee more info anD Show reSultS online

Selwood_Park-1pc.indd 1 6/6/13 1:32 PM