issue 8 mar apr 2019 inside - avl times · 2019-03-21 · venue and prides itself on its co2...

ISSUE 8 MAR - APR 2019

INSIDE

Clear-Com For Hong Kong’s Xiqu Centre ATK Audiotek Deploys JBL At Super Bowl Spant Celebrates 50 years with Yamaha Consoles

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d&b Feel The Love With Bring Me The Horizon

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ATK Audiotek has selected JBL Professional’s VTX A12 and A8 line array speakers to deliver premium live sound reinforcement for upcoming primetime events, including the Super Bowl Halftime Show, the Grammy Music Awards Ceremony and the Screen Actors Guild Award Show. ATK Audiotek specializes in providing audio systems for live television shows and major events like The Voice, Jimmy Kimmy Live!, the Super Bowl, the Grammy Awards and more. They also have a thriving integration business, and install audio systems for some of the world’s leading tech and retail companies. In order to raise the bar from previous successful Super Bowl and Grammy Awards shows, ATK plans to deliver premium audio quality at these upcoming major events with

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ATK is currently installing and fine-tuning every aspect of the sound systems to be used at Mercedes-Benz Stadium for the Super Bowl, one of the most ubiquitous entertainment events in the world. The VTX A12’s ease of deployment plays a huge role in enabling the ATK team to quickly deploy the speakers on and off the field for the highly anticipated Halftime Show featuring Maroon 5, Big Boi and Travis Scott.

In addition to the Super Bowl Halftime Show, ATK Audiotek will also rely exclusively on VTX A12 speakers to provide premium full-range sound reinforcement for the Grammy Awards on February 10 at the Staples Center. ATK also supplied a VTX A8-based sound reinforcement system for the Screen Actors Guild Awards, which took place on January 29 at the intimate Shrine Auditorium.

industry-leading JBL VTX Series A12 and A8 line array speakers. “The VTX A12 is the best speaker JBL has ever made, and it plays a significant role in our current inventory,” said Michael MacDonald, President, ATK Audiotek. “Two of the most important aspects of a speaker’s performance are coverage and a flat response. The A12 is consistently excellent both of these areas. We’ve added 192 A12 speakers to our inventory since the 2018 Grammy Awards, and they’ve been warmly welcomed by our engineers and technical staff.”

PROJECTS

ATK Audiotek deploys JBL Professional at Super Bowl, Grammy Awards & SAG Awards

JBL VTX A8

‘t Spant was built in 1969 and was established as the first theatre in Bussum, a small town 30km from Amsterdam. It was refurbished and renamed simply Spant in the 2000s, before being bought by its managing director Paul Haighton and financial director Bert Dijkstra. It is unusual amongst theatres in the Netherlands as being a solely commercially-operated venue and prides itself on its CO2 neutral footprint. Spant has two theatres, the 780-seat Podium 1 and 275-seat Podium 2. It hosts around 100 theatre performances and 200 conferences and other events each year. These include many well-known Dutch productions and corporate events for local, national and international businesses. Most productions use Spant’s own technical inventory. For many years, the sound in Podium 1 was mixed on a Yamaha M7CL digital mixing console and on an 01V96 in Podium 2. Both were always very reliable so, when upgrading the audio system was planned for the end of 2018, Spant technical manager Marcel Scheewe and head of sound Jan-Willem van Vorst had no hesitation in choosing Yamaha again. Marcel, Jan and sound engineer Frans Grollé looked at a number of

Spant celebrates 50 years with Yamaha QL consoles


www.yamahaproaudio.com

Dutch Yamaha dealer Sales-All supplied and helped to install the Yamaha equipment and Dante cabling through the building to the centrally-located switches, which makes it very easy to connect the desired console(s) and I/O at any location throughout the building. “We were also very impressed with the Dan Dugan auto mixer, which makes mixing live speech very easy at congress events,” adds Jan-Willem. “As we host so many different events, having three desks from the same series makes it a very flexible system, allowing us to quickly and easily set up the sound for any situation.”

options, choosing a system of two Yamaha QL5s and a QL1, two Rio1608-D2 and one Rio3224-D2 I/O units and two SWP1-16MMF switches. The consoles and I/O units are used interchangeably throughout the Spant complex on a fully redundant Dante network. This provides the flexibility for the mixing system in any space to be as simple or as complex as each event demands. “Choosing the QL series was easy, because the previous Yamaha consoles were so reliable and the workflow of all Yamaha mixers is familiar to sound engineers worldwide, meaning our own staff and visiting engineers would be equally at home on them,” says Jan-Willem.

PROJECTS

For its new live performing arts theatre at the Xiqu Centre the Hong Kong West Kowloon Cultural District has selected Clear-Com® for communications between the stage manager, lighting staff and audio staff. The system was sold by Clear-Com’s Hong Kong partner BDI Technology Ltd. “In live theatre, you never get a second chance,” said West Kowloon representative. “Clear-Com is our best choice for our

Hong Kong’s Xiqu Centre uses Clear-Com for accurate communications


www.clearcom.com

The item that impressed them the most was the E-IPA IP interface card. “With this newly released card, we can install an IP transceiver at any time and in any location within a network-accessible area. The quality is so much better compared to what we’ve had in the past,” he added. In addition to the main theatre for the Chinese Opera, the Clear-Com system is also being used in the venue’s “freespace” and Lyrics Centre, making the most out of the Cultural District’s investment. “What we get using Clear-Com is simple — excellent performance and superior technical support,” West Kowloon Representative concludes.

new theatre’s intercom system, delivering reliability, a high performance-to-cost ratio and an integrated platform.” The Hong Kong West Kowloon Cultural District installed a Clear-Com Eclipse HX-Median intercom matrix, a 64-port E-IPA IP interface card, an E-DANTE64 64-channel Dante interface card, and a 12-channel HelixNet digital main station with support for up to 72 beltpacks and headsets.

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Clear-Com Eclipse HX-Median

Show da Virada is Brazil’s greatest end-of-year event, and Event Audio Systems, directed by Kleiton Carlos, was contracted to design and supply a sound system that could rise to the technical challenge that a show of this magnitude implies. With the help of Fernando Nanao, DAS Audio Technical Manager for Latin America –on-site to provide support during the four-day system set up and five-and-a-half hour show– the team curated a sound system using DAS Audio’s proprietary software and an extensive amount of gear from the manufacturer’s product catalog. The setup designed by Event Audio Systems included a combination of 40 AERO-40A powered and 24 AERO-20A high-performance line arrays, flown in clusters for the main PA. These systems include the manufacturer’s proprietary DASaim™ software to optimize the complex acoustic interaction between loudspeakers and

The greatest Brazilian event with DAS Audio


www.dasaudio.com

in the back row. The results were magnificent, with the DAS Audio systems and DASaim™ software managing to maintain a constant 110dbA of pressure across the entire 15,000 m² venue. Both the event organizers and the sound technicians had nothing but positive feedback when asked about the sound for the show, underscoring the quality and definition of the DAS Audio professional sound systems and highlighting the efficiency of the manufacturer’s DASaim™ optimization tool.

enhance the listening experience for the audience. The result is even frequency response and uniform coverage throughout the entire audience area, crucial for a production like the Show da Virada. An army of DAS Audio sound systems ensured perfect sound for every seat in the house, from down-in-the-front fans to the audience

PROJECTS

• 10 EVENT-210A • 16 UX-221A • 6 UX-218A • 24 AERO-50 • 5 ROAD-12A • 5 EVENT-M210A • 3 DSP-2060A

Aero 20A

Bring Me The Horizon kicked off their First Love World Tour with performances in Germany, before ending the European leg in the UK with two gigs at London’s Alexandra Palace. Miles Hillyard from SSE Audio Group oversaw the implementation of the KSL and GSL Systems for the tour, specifying it to complement SSE Audio’s d&b GSL package. “We rigged the KSL as side hangs, to complement the larger GSL main hangs. The cardioid characteristics of the KSL and GSL were most notable, and the modern drivers make the System sound really transparent.”

d&b KSL System defines Bring Me The Horizon’s first love


www.dbaudio.com

the d&b signature quality in the HF and the lows and low mid-range are fuller and more defined. We were also impressed with the new SL-SUB, the output and quality of them is something else.” During the central Europe dates, venues varied from flat floors to arenas to theatres of different sizes and shapes. “The relatively lightweight nature of the GSL and KSL cabinets means we could always fly the appropriate number, not just enough, whether it was in one, two or three-point configurations,” Murphy explains. “We also used the KSL as a small ground stack in situations where flying points weren’t available, or where a full side hang was Jack Murphy was system technician for the tour: “It was our first time using both the GSL and KSL Systems and the cardioid nature of the cabinets was instantly noticeable. Rear rejection levels and ‘cleanliness’ on stage were noted by the band, monitor engineer Jared Daly and FOH engineer Oliver Hutchinson. We all agreed that the System maintains the d&b signature quality in the HF and the lows and low mid-range are fuller and more defined. We were also impressed with the new SL-SUB, the output and quality of them is something else.”

The set up consisted of 24 GSL8s and 4 GSL12s for the main hang, 12 V12s used as front fills, 20 KSL8s and 4 KSL12s as side fills, with 13 SL-SUBs. The system was powered by 48 d&b D80 amplifiers. Jack Murphy was system technician for the tour: “It was our first time using both the GSL and KSL Systems and the cardioid nature of the cabinets was instantly noticeable. Rear rejection levels and ‘cleanliness’ on stage were noted by the band, monitor engineer Jared Daly and FOH engineer Oliver Hutchinson. We all agreed that the System maintains

PROJECTS

d&b KSL12 loudspeaker

Martin Audio is set to host its fourth series of Open Days at its High Wycombe HQ. Building on the success of a concept that was born in September 2017, these will take place on March 19, 20 and 21, 2019. The company will once again welcome partners and customers from around the world for a series of demonstrations and presentations on its latest audio offerings including many new products to be showcased for the very first time. The full line up of Wavefront Precision line arrays including the brand new WPL will be showcased, while the subwoofers will be headed by the new cardioid SXC118 and SXH218. In addition, there will be point source BlacklineX and XD Series with VIA amplifiers and DX4.0 controller, the self-powered point source CDD-LIVE and a selection of LE and XE stage monitors. 3D immersive Sound Adventures in partnership with Astro Spatial Audio, will again demonstrate the wide stereo imaging that so captivated attendees at the last Open Day in September 2018. Stated Martin Audio Managing Director, Dom Harter, “Coming off a high at ISE 2019 earlier this month, this will provide a further opportunity for

WPL headlines Martin Audio Open Days


Tours of the factory and refreshments will also be provided.

rental companies, sound engineers, system integrators and installation specialists to increase their understanding of our systems, in a relaxed, unrestricted listening environment. “We are in the midst of the most prolific development programme in the company’s history, and it is vitally important that we keep both our loyal and potential new customers abreast of the technological advances and unique selling points represented in our rapidly expanding portfolio.”

PROJECTS

Registration is now open (https://martin-audio.com/events/uk-open-day-march-2019) The sessions are as follow: March 19: 10.00am-1.00pm. 2.00pm-5.00pm March 20: 10.00am-1.00pm. 2.00pm-5.00pm March 21: 11.00am-2.00pm For more information: www.martin-audio.com

The Korean K-Pop phenomenon celebrates itself every year at the Golden Disc Awards, staged in Seoul. Audio production provider for seven years, Way Audio has found the means to tame the huge space that is the Gocheok Sky Dome, using a large modular PA system, the STM Series from NEXO. Designed to evoke the shape and movement dynamic of a baseball, the Sky Dome’s structure presents huge acoustic challenges for sound reinforcement. However, local production rental house Way Audio has serviced many large concert events at Gocheok, with Yun Cheol Lee tailoring his system designs to perform perfectly in the huge stadium. “The reverberation time and reflections created inside the venue, with its high roof, causes problems for audio

Seoul celebrate K-Pop with NEXO STM series


www.nexo-sa.com

being sent to the OB van for JTBC’s live broadcast. “The STM system is very versatile and multi-purpose,” confirmed James Lee, “it is ideal for rock ‘n’ roll as well as K-pop, and Way Audio is always busy with it, getting many enquiries from the K-Pop world as well as other entertainment companies.”

rental companies,” explains James Lee, MD of AWorks, distributor of NEXO equipment in South Korea. NEXO’s modular line array is a key component of Way Audio’s success, running over a Dante network and highly controllable thanks to the NeMo software suite. Set up with a main PA comprising 15 sets of M46 main and B112 bass modules, with M28 downfills, the system also used the smaller M28 cabinets as 4-point delays, and as frontfills. All stage monitoring was provided by NEXO PS15 cabinets. All channel signals were mixed at FOH by Joon Ho Kang, Way Audio’s general manager, before

PROJECTS

NEXT-proaudio LA212X array elements powers the Wuhan JinMu Carnival


www.next-proaudio.com

Wuhan JinMu Carnival at Wuhan Expo Park, featured a fantastic lineup including some of the top Chinese Hip-hop artists and saw local audio distributor Real Music Acoustics tasked with supplying over 80 NEXT-proaudio loudspeakers for this momentous event. “JinMu Carnival employs Next-Proaudio’s flagship Product, the LA212X, dual 12" line array element, which not only sounds natural and smooth, but also get precise power control and directivity, easily manages to cover the show with around ten thousand people audience, bringing energy to the show. The 18 Las418 Subwoofers each side, perfectly handle the low end, filling the show with dynamic and powerful low frequency”, said Real Music owner Zhen ‘Richie’ Wang. This NEXT-proaudio systems included arrays of 15 LA212X three-way enclosures per-side for main reinforcement and 9 LA212X cabinets were deployed as both out fills. For low-end, 36 NEXT LAs418 subwoofers per-side were ground stacked, eighteen cabinets on each side.

PROJECTS

In Australia, Gravity Media’s Gearhouse Broadcast Pty Limited (Gearhouse) and Triple Eight Race Engineering Australia Pty Ltd (Triple Eight) have entered into a four-year service partnership for communications systems, with Clear-Com®’s FreeSpeak II digital wireless intercom system providing communications between car controllers and their support staff. Both Gearhouse and Clear-Com are the Official Communications Partner to Triple Eight Race Engineering, competing as the Red Bull Holden Racing

Gearhouse Broadcast chooses Clear-Com Freespeak II wireless intercom for Triple Eight


www.clearcom.com

This includes an Eclipse-HX based system with nine 12 key panels and with 15 FreeSpeak II belt packs roaming between four FreeSpeak II transceivers. Gearhouse will also supply other communications equipment, including custom designed high noise headsets (modified for FreeSpeak II), equipment racks and solid-state recorders. “The communications systems that we’ve put together for Triple Eight, based on FreeSpeak II and the Eclipse HX Delta assures the teams that their intercom system is something they won’t have to worry about,” said Mitchell Lockyer-Lane, Business Development Manager for Gearhouse Australia.

Team in their pursuit of Supercars Championship success. “It was very clear to us that using FreeSpeak II is the best possible solution for the Supercars Championship,” said Triple Eight Team Manager Mark Dutton. “The tunability of the system to suit and support our needs is truly next level, no other system in the past has come close to the functions, features, and clarity of the system. FreeSpeak II is a high-performance system which has allowed to

communicate in high pressure situations in a way we only dreamed of in the past.” As part of the agreement, Gearhouse will supply, service and install Clear-Com solutions for Triple Eight.

PROJECTS

The Rainforest World Music Festival in Kuching, Malaysia, has been attracting large audiences from all around Southeast Asia and beyond. The main performances hit the two stages erected by Kuching-based rental company Projection House which has deployed the d&b V-Series at the festival. “Let’s say one band is performing on the Jungle Stage,” Kevin Phua at Projection House explains, “so this is when we’ll get everything ready for the next band on the Tree Stage before the turnaround. Each band performance is estimated at forty five minutes, so that’s the time we have to line things up and keep the music flowing.” Both stages used twelve elements of the V8 3-way, passive line array loudspeaker, supported by four V12s; one stage had twelve V-SUBs and the other used eight J-SUBS – flyable

V-Series tames festival deep in the rainforest


Technical Director of the festival Niall Macaulay is very clear in his mission. “My job as a sound engineer is about bringing happiness to people,” he says. “d&b provides the main PA for the two stages addressing an arena of around 7,000-8,000 people, and we use the V-Series for the tops and subs except for one stage which has J-Series subs. I find that d&b’s product range has a consistent sound across the range, and the flexibility to be able to mix and match products from throughout the catalogue and still achieve an even result.” Projection House first bought a V System in 2015, adding another the following year specifically to cater for the Rainforest Festival. “I believe we were the first company in Borneo to invest in d&b,”

adds Phua, “and we’re still the only company using d&b in Sarawak. The organizers of the Rainforest Festival are very happy with the quality of the d&b V System; it really is ideally suited for this event, so we’re glad we made the right choice by investing in ‘V’ for the rainforest. We also look forward to developing our understanding of the System further in partnership with the d&b Asia-Pacific team in Singapore.”

cardioid subwoofers from the J-Series. “The weather is unpredictable, and the site is completely surrounded by rainforest. But d&b’s rigging solutions and the excellent work from our technical teams do help, especially, the V-Series cabinets are not that heavy to handle.”

PROJECTS

www.dbaudio.com d&b V12

Drake and Migos, toured North America on a massive tour with a massive production, and neither Drake nor Migos rose to the top of the game by disappointing their fans. To ensure that the sonic experience was of the same calibre, the tour featured a substantial 360-degree audio system comprised of over 250 cabinets from Adamson Systems Engineering’s E-Series and S-Series, all sourced through Cleveland, Ohio’s Eighth Day Sound. “The high-end is very natural, crisp, and clean, and you really can’t ask for a better low end. It sounds big, it sounds powerful, but it doesn’t hurt, and that’s always the goal – a big, clean sound that’s not just there to blow people away with everything in the red,” says Drake’s FOH engineer, Demetrius Moore Moore consulted with Adamson’s Director of R&D, Benoit Cabot, and Product Manager and Senior Applications Engineer, Brian Fraser, plus Eighth Day

Drake & Migos deliver a 360-degree audio experience with Adamson


as the S10 save for a narrower dispersion of 80 x 10 degrees instead of 110 x 10; and four 270-degree hangs featuring 15 E15s atop four S10s. Only 10 Adamson IS7p point-source front fills were required for any given date thanks to

the arrays’ extensive coverage. Because the stage is comprised entirely of video panels, the system needed to be as unobtrusive. That informed the decision to fly the E119 subs in eight hangs of nine cabinets. Fischer is also getting good mileage out of the company’s Blueprint AV system design and simulation software. “I think Blueprint is much easier to use than other programs I’ve had in the past when it comes to analyzing the room and fine-tuning the system deployment.”

system tech Chris Fischer to develop an initial system design. The configuration featured: four main hangs of 18 E15 three-way, true line source enclosures firing behind the goal ends of the arena floor; four side hangs of 12 S10 two-way, full range cabinets below four S10ns, which boast the same specs

PROJECTS

www.adamsonsystems.com

Adamson IS7p on front fill Photo © Theo Skudra

Photo © Theo Skudra

Hotel Indigo – 1 Leicester Square, is one of the British capital’s most exclusive destinations. Offering unbeatable views over the city from its top floor bar, the hotel can also boast of an equally impressive K-array audio system, supplied and installed by leading systems integrator AT&C Professional Systems Ltd. The décor created acoustic challenges for AT&C Project Manager Ian Dunn, as he worked to deliver the “adaptable and extremely discreet” high-end audio system requested by the hotel’s owner, Criterion. Working with the exclusive UK distributor for K-array, 2B Heard, AT&C developed a solution to cover three distinct zones. The private dining area consists of two Tornado KT2W mounted opposite one another with a Rumble KU210 subwoofer discreetly

AT&C Professional Systems chooses discreet K-array solution for Hotel Indigo


www.2b-heard.com www.k-array.com

is handled by a Thunder KMT12P subwoofer, housed unobtrusively within the stainless-steel bar itself. Dunn is quick to praise the now completed system and his experience of working with 2B Heard. “We worked with Sam and Dave from 2B Heard from the beginning of the project, with the initial design, and also on previous projects,” he says. “They work tirelessly and are always on the phone when I have a query or problem. We have some other projects coming up in the future that are also using K-array through 2B Heard – they are a great solution.”

positioned beneath one of the sofas to “give a lovely warm sound”. The restaurant hides two Rumble KU210 subs, again tucked away beneath seating, while a further six Tornado KT2Cs are installed out-of-view within the ceiling to provide seamless coverage. “The fact the Tornados are in the ceiling creates an even but unobtrusive sound, which is ideal for this area,” says Dunn. “In fact, very few people realise the speakers are there.” The central bar area houses a higher power system, at the heart of which are two Kobra KK52 compact line array columns. Both have been custom-painted in a specially ordered RAL shade of white, and are suspended from the ceiling by custom brackets. Another pair of Tornado KT2Cs provide coverage near the entrance, while low-end extension within the bar area

PROJECTS

Back in 2001, leading theatre sound design and rental company Orbital was one of the first to invest in Yamaha’s groundbreaking PM1D digital mixing console, building up a large inventory that powered major musicals across the globe. With the firmware of the RIVAGE PM10 system recently updated to include Theatre Mode, the company has again invested in Yamaha, with an initial two PM10 systems put straight to work on the festive pantomime season. “For the market we work in, it’s incredibly important that you should be able to turn the console on, know it’s going to work and be able to completely trust it every day,” says Olly Steel, Orbital’s head of sound design. “We used PM1D and other Yamaha digital consoles for many years and, recently, had been looking at a new system to support our design projects. However, while the reliability and many other features were in place in the early firmware versions of RIVAGE PM10, it wasn’t quite there with the theatre facilities that we needed. Now that has all changed, and in brilliant ways.” “It made a lot of sense to invest in RIVAGE PM10 at this time of year,” says Olly. “Because of the volume of work over the panto season,

Yamaha RIVAGE PM10 theatre upgrade prompts orbital investment


heard for a while. We’re using the systems with the D2 R-series I/O units and I’ve been super impressed with them.” While Olly is very happy with all the features of RIVAGE PM10, he again comes back to what is, ultimately, the most important thing for any major sound production - reliability.

large format consoles are in extremely high demand. So it made sense to put the PM10s straight to work. They are planned to go straight on to upcoming theatre musical productions once the panto season is finished.” “On the sound side, the plug ins are great and the audio quality is something I’ve not

PROJECTS


Ben Clark with the PM10

Capital Sound completed one of their more unusual mini-tours when they provided sound reinforcement, including Martin Audio’s MLA, for three shows by Japanese ‘android diva’ Hatsune Miku. Since the London date was the densely populated Kensington Olympia, a hugely noise sensitive site, it was obvious that only MLA would offer the level of containment necessary while reaching the considerable levels required by the Japanese production. In addition to Olympia, Capital supported the tour at La Seine Musicale, Paris, and Cologne’s Lanxess Arena. The main PA comprised 11 MLA elements and an MLD Downfill each side, with 12 MLX subs along the front. Side hangs consisted of 8 MLA Compact per side and 4 DD12s perched on the subs provided front fills, while 2 Martin Audio XD12s on stands were used for talkback. At Olympia, where no side hangs were

Capital Sounds and MLA tour Europe with android diva Hatsune Miku


www.martin-audio.com

Lanxess Arena also proved a triumph for MLA. “With 12 boxes that seemed a push,” admits Turnbull. “So we flew the PA a lot higher, used a couple of house fills for delays and drove the DD12s harder than we would normally. This solution worked well, and we got the consistency we’d been hoping for at every seat.” Other Capital Sound techs on the tour were David Preston and Oliver Fallon.

necessary, the MLA Compacts were redeployed as delays. The tour provided a real test for system tech, Turnbull — particularly at Olympia. “Vanguardia had done the acoustic measurements and were expecting levels of 92dB(A), but we managed to squeeze 98dB(A), with a lot to spare, which was more than anticipated.” He triggered the ‘Hard Avoid’® feature in the dedicated DISPLAY software to good effect. “I used it on the glass wall at the end of the hall, both for delay and main hangs and on the stage as well, because there were projectors located there and we had to keep the vibration to a minimum.”

PROJECTS

Photo © Crypton Future Media, INC. www.piapro.net / © SEGA Graphics by SEGA / MARZA ANIMATION PLANET INC.

Photo © Crypton Future Media, INC. www.piapro.net / © SEGA Graphics by SEGA / MARZA ANIMATION PLANET INC.

Sweden’s professional ice hockey team, Luleå HF, is enjoying new excitement at its home games, following the implementation of an impressive €4 million audio-visual experience at the Coop Norrbotten Arena. A key part of this state-of-the-art package, installed by the Bright Group Sweden AB, is a high SPL NEXO GEO line array system. “It has been a huge success,” says Bright Group Sweden’s Director of Installation John Wettersten. “The sound was one of the most appreciated parts of the projec. Over a five-month period, Bright’s audio installation specialist Drew Black worked closely with NEXO’s Carole Marsaud to perfect the system design, from initial modelling on NEXO’s proprietary NS-1 software suite, to final installation. “The main system uses 12 hangs, each with 4x GEO S12 cabinets,” says Black. “These have been placed in the roof at varying heights around the rink, so we didn’t compromise sight lines, and throw to about 22 metres at the furthest point. Also in the Loop are four clusters of 4x RS18 18” subwoofers, which run in cardioid mode. These are hung in the centre to achieve the most even coverage.” Bright created custom-made flying frames and rigging which enabled the engineers to pan and tilt the arrays

Bright AV flies NEXO GEO S above the ice


www.brightgroup.com www.nexo-sa.com

NXAMP4x1Mk2 to drive a PS10 in the VIP bar, as well as a group of five compact NEXO ID24s in the restaurant. “The biggest challenge was to get audio clarity over and above the noise made by 6,300 excited hockey fans!” says Black. “The NEXO GEO S12 box performs superbly.”

easily and accurately, so that they could be firmly fixed into the correct position. For every two arrays, a NXAMP4x2Mk2 was used, all of which were located on an old camera platform high under the ceiling. One rack of NXAMPs runs all the main arrays, and the two extra hangs of GEO S12 for ice fill: the second rack houses four NXAMP4x4 amps running the subs, and a new

PROJECTS

The moment Garth Brooks made his appearance in front of 84,000 fans at the sold-out, first ever concert at Notre Dame stadium, there was no doubt something historic was in the air – that and a whole lot of cold rain, wind and even a little snow! Dan Heins, FOH engineer for

Clair Bros powers Garth Brooks concert in Notre Dame Stadium


www.clairbrothers.com

The Notre Dame concert used a total of 96 i218 array cabinets and 48 i212 cabinets in the main array hangs, all eight hangs with identical equipment. The layout for the stadium effectively utilized two different array hang configurations depending on whether the array was facing the sideline or the end zone. Josh Sadd, sound designer for the tour, said, “The Notre Dame stadium, while obviously great for football, has a bright future for concerts. The rake of the seating is very amphitheater-like which is acoustically very musical sounding – a great feature!”

Garth since 1989, described it, “By four o’clock in the afternoon, just hours before the show, we still didn’t know if the concert would go on. We ended up doing soundcheck with the PA on the ground! The wind finally let up, so we were able to raise the speakers. Part of

the show’s magic was the star-shaped stage with a 360-degree rotating centerstage – a theater-in-the-round concept where Garth moves freestyle around the periphery playing to each side of the stadium.

PROJECTS

Main PA System: 32x Clair Bros. i218-LT 64x Clair Bros. i218-M 48x Clair Bros. i212-M 20x Clair Bros. CS218-M All powered with CB-Lab.gruppen PLM20K FOH Engineer - Dan Heins Sound Designer - Josh Sadd System Engineer - Rob Rankin Crew Chief - Pat O’Neill Monitor Engineer - Martin “Tike” Santos Monitor System Engineer – Kevin “Kap” Kapler

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An IP-based Lawo mc²96 console has been installed in Bregenz, Austria, to support sound reinforcement and directional listening systems for a sold-out run of “Carmen” at the annual summer Bregenz Festival. Sound designer Alwin Bösch and sound engineer Gernot Gögele shifted from the Lawo mc²66 production console to a Lawo mc²96 grand production console. Despite the differences between the two consoles, many settings of the mc²66 could be directly transferred to the mc²96.

The recent Skudefestivalen -one of Norway’s largest coastal culture festivals - marked the first European outing for EM Acoustics’ new HALO-A large-format line array system, where it made

Lawo supports immersive sound for “Carmen”


www.emacoustics.co.uk

per channel strip allowing them to change audio settings while remaining in the sweet spot near the open window of the control room.

support from EM Acoustics’ Norwegian distributor, Norstage. Livepro’s system engineer, Geir Larsen, has become the first adopter of HALO-A in Europe, and for good reason. “This is a huge improvement over the sound systems we’ve used in previous years,” he said. “I’m really impressed with the way it sounds, even in a tent which is not the friendliest environment for a concert.” Larsen elected to deploy left and right ground stacks of four HALO-A two-way line array elements supported by three MSE-218 subwoofers each side, powered by four DQ20 advanced system amplifiers.

Peripherals remained unchanged, so there was no need to repatch the Bregenz directional listening system (64 inputs to 128 outputs, 800+ loudspeakers) that supports an immersive experience for the audience. The new mc²96 console gives a convenient double-layer function, with two vertically arranged faders

a big impression on visiting sound engineers for the festival’s main stage performances. The HALO-A line array was supplied by Haugesund-based AV rental specialists, Livepro, with

PROJECTS

HALO-A crowns Skudefestivalen

www.lawo.com

On Justin Timberlake’s Man Of The Woods world tour, his two live sound engineers, Andy Meyer and Paul Klimson, rely on DiGiCo consoles supplied by Clair Global, the touring sound reinforcement provider. “The SD7 offers an input count, flexibility, and sonic clarity that is unsurpassed by other platforms,” opens Andy Meyer, whose DiGiCo SD7 console is receiving 200 input paths at FOH, with 138 outputs. “I’ve got snapshots for changes that I want to make, and I fire it all off of time code. I used to do it manually, and I have foot switches to do it, just in case.” The snapshots are starting points, Meyer explains, as throughout the performance he's making slight adjustments: “I don’t EQ the system, I let the system be the system, and I fix it in snapshots. If there’s a frequency bugging you, you find out what it is, and then you put a snapshot in to clean it up - you learn those things over time, so frequency-wise, I’m pretty set; it’s level-wise that I’m doing the work in real-time.” Meyer likes to be hands-on with Timberlake's vocal: “you can't just leave that up,” he insists. “That's because everyone is everywhere, so I have to make changes around that. Every once in a

Clair Global sends SD7 console pair out on worldwide Man of the Woods tour


www.DiGiCo.biz

he insists. “The surface layout, flexibility of programming with the macros, and having the ability to see many channels at once keeps all the important things under my fingers without having to page around to find things.”

while, you have that magic show that’s perfect, and you just laugh and go through the motions, but it’s pretty much always an adjustment situation.” Monitor engineer, Paul Klimson says the SD7 was a no-brainer for this show. “The SD7 is the only console to use when you’re talking big channel counts,”

PROJECTS

FOH engineer Andy Meyer mixing on a

DiGiCo SD7 console

DiGiCo SD7 desk at Man of the Woods’ FOH mix position

The Feeling celebrated the 12th anniversary of their debut album with their ‘Twelve Stops and Home’ tour - supported by an Allen & Heath dLive digital mixing system. Supplied by SSE Audio, one of the largest rental stockists of Allen & Heath products in the UK, the full set-up includes an S7000 surface on FOH, accompanied by a DM64 MixRack on stage. Both FOH and monitors are mixed from the S7000 with the dLive’s 128 input processing channels enabling duplicates of input signals to be made for discrete FOH - MON processing. Additionally, the

Unknown Mortal Orchestra, have set out on a world tour with veteran FOH engineer, Dave McDonald, and an Allen & Heath dLive system. The band’s set-up includes

dLive joins The Feeling anniversary tour


www.allen-heath.com

and for what I needed out front,” comments FOH engineer, Jon Lewis.

interview run by Muzyka i Technologia magazine; “I like the ability to work at 96kHz sampling and thanks to this, I have a much wider signal spectrum and greater depth in the mix. dLive also enables extremely intuitive work, almost like an analogue desk.” He continues, “dLive includes a variety of plug-ins, from those emulating old studio equipment, up to the latest virtual blocks. The DEEP processing I use for the mix really feels like the original units I used on records in the studio, not only do they sound great, they look great!”

MixRack is fitted with a Dante card for multi-track recording. “The 128 processing channels and 64 buses were perfect for duplicating channels for monitors and band members who needed further processing in their IEM’s. I never had to compromise on anything, giving the band what they needed on stage

a dLive S Class system, usually comprising an S5000 or S7000 surface and DM MixRack, with a Dante card for live recording. Dave McDonald, comments in an

PROJECTS

Unknown Mortal Orchestra join forces with Dave McDonald and dLive

www.allen-heath.com

dLive with Dave McDonald (FOH, Krakow Live Festival, Poland)

Photo © Lukasz Kornafel

Pearl Jam’s Emerald City, Seattle concerts served as the kickoff for a three-city tour in Washington-Grizzly Stadium in Missoula, Wrigley Field in Chicago, and Boston’s Fenway Park. Rat Sound Systems, the band’s touring reinforcement provider, carried a full complement of L-Acoustics systems for the shows. Greg Nelson has been the man in the FOH mixing chair for Pearl Jam since 2004, when the band toured with its first V-DOSC system. In 2010, the band transitioned over to a K1 rig for the first time, which it has been using for tours ever since. “K1 has a very pleasant, warm sound — even flat with no EQ

Pearl Jam comes home with Rat Sound’s K1


www.ratsound.com www.l-acoustics.com

Low-end punch was delivered by dual hangs of eight KS28 subs in cardioid mode, flown adjacent to the two main arrays, and bolstered by 40 ground-stacked KS28 arranged in ten cardioid stacks of four. Front-fill was achieved by double- and triple-stacked Kara enclosures positioned atop ground-stacked subs, plus four ARCS II in a horizontal array under each main K1 hang. Stage sidefills were comprised of left and right hangs of four K2, while audience delays consisted of four arrays of 12 K2.

modifications,” says Nelson, who mixed the shows on a DiGiCo SD5 console equipped with new 32-bit input cards. “I might make a few minor tweaks here and there, but the system makes it very comfortable for me to get the mix I want. L-Acoustics’ LA Network Manager software is part of that. It’s a well laid-out and easy-to-use tool that allows me to put the same sonic characteristics up in the nosebleed seats as we’re getting at front-of-house and down front.” The standard show setup for the US outdoor stadium shows featured left and right main arrays of 16 K1 with six K2 down-fills flanked by two identical outfill arrays.

PROJECTS

The system configuration for the band’s brief ballpark tour

comprised four arrays of 16 K1 with six K2 downs,

plus 56 KS28 subs

Pope Francis kicked off Baltic tour, which included Lithuania, Latvia and Estonia, with a Holy Mass in Sàntakos Park in Kaunas, Lithuania. The event

The 52nd Annual Country Music Association Awards ceremony was held at Nashville and everyone who heard the show’s music performances and awards introductions by those artists and others listened to them through a pair of DiGiCo SD-Range consoles: an SD7 helmed by Blackhawk Audio President Rick Shimer at FOH for the event’s music performances, and an SD5, which mixed the evening’s production audio, piloted by ATK Audiotek Principal Pat Baltzell. The house audio was played through a JBL PA using a combination of VerTec 4889 and VTX V20 enclosures. Baltzell notes that the DiGiCo SD5 console,

DiGiCo SD12 system delivers flawlessly for Pope Francis mass


www.DiGiCo.biz / www.atkaudiotek.com / www.blackhawkaudio.com

SD-Racks, a D2-Rack and an SD-Mini Rack, which were deployed for their sound quality and their ability to connect to all six racks in fully redundant mode. NGR owner Valdemaras Karpuška was Sound Director for the event, with Tomas Ždanovičius manning the FOH position and producing all the sound system designs. The DiGiCo system included a DMI-MADI-B and DMI-MADI-C card installed in each of SD12s.

close to maxing out the SD7 console at FOH. He notes that in addition to the production audio for the show, his SD5 console was also the fail-safe hub for the entire production.

attracted over 100,000 faithful to the park where local rental company, NGR Service, provided an

extensive sound system, deploying two SD12s for the live mix, as well as the broadcast and press feeds. They used the two DiGiCo SD12s along with two

with 253 input channels and up to 124 aux and subgroup busses, might have seemed like overkill for the handful of microphones used for the awards presentations, versus the order of magnitude larger number of inputs that came

PROJECTS

DiGiCo keep the CMA Awards covered

www.DiGiCo.biz

Almost every word and note performed at the inaugural All Together Now (ATN) festival was heard through a d&b audiotechnik system supplied by Dublin’s Session Hire, who were charged with handling the audio and visual requirements at the event. Session Hire sales director, and Eddie’s son, Adam Ashe Browne explains, “Every stage featured a d&b system, from compact T-Series and Y-Series in smaller venues to the flagship GSL system in the main arena, where we had to deliver coverage 50m wide and 100m deep.” “They were all excited to use the system,” recalls Will Fitzpatrick, system tech throughout ATN, “and everyone left very happy.

d&b SL-Series delivers as All Together Now festival comes to life


www.dbaudio.com

of its highlights, particularly when delivering multiple acts over a festival weekend. “The GSL arrived from Wigwam via Session Hire and we had it from truck to flown incredibly quickly. “The workflow is a huge plus for me,” he nods, “d&b’s ArrayCalc simulation and R1 Remote control software is fantastic to use and the ArrayProcessing (AP) algorithms work so well that it really simplified the process of delivering even, consistent coverage throughout the arena. Having your various AP slots, where you can redirect power exactly where you need it, gives amazing control over the system.”

Even at high SPLs the SL-Series never seems under pressure, never loses stability or clarity. And everyone was stunned by the cardioid pattern of the system and how well controlled it is, even in the low frequencies. There’s a fantastic punch and focus to the sound as a result.” Fitzpatrick is quick to point to the workflow of the SL-Series system as another

PROJECTS

Adam Ashe Browne, Sales Director, Session Hire and Will Fitzpatrick, System Tech

HljóðX deployed HARMAN Professional Solutions audio systems at Iceland's Secret Solstice music festival, including a JBL VTX line array system, Crown amplifiers, Soundcraft digital mixing consoles and Martin lighting fixtures. “The event environment is fast-paced, and being able to set up and connect the sound system in a very short time and get started quickly with great-sounding JBL presets is important for us,” said Ingolfur Arnarsson, CEO of HljóðX.

Story Event Engineering deployed multiple HARMAN Professional Solutions audio systems at Emporium Festival, including JBL VTX A12 tour sound solutions. “This year alone we used more than 400 JBL speakers and 200 Crown amps. Nine independent systems at a festival of this size can be a lot to keep up with, so it’s

HljóðX powers Secret Solstice music festival in Reykjavík


www.harman.com

day. The indoor club venue was all set up with VTX A12 for the opportunity to drive the music full force by demand.

V20 speakers (out fill coverage), VTX S28 and G28 subwoofers. VRX932LA1 speakers and VRX918S subwoofers were for on-stage monitoring for DJs and performers. The VRX932LA1 also served reliably as downstage front fills for the audience members in the front rows. Crown I-Tech 12000HD, 5000HD and 4x3500HD amplifiers powered all speaker systems at the festival. To ensure mixing control, the main stages were equipped with Soundcraft Vi2000 consoles with Realtime Rack, while the other stages received Soundcraft Vi1 consoles.

HljóðX equipped the outdoor stages with JBL VTX V25-II loudspeakers and S28 suspended subwoofers, Crown I-Tech 12000HD and 4x3500HD amplifiers, and BSS OMNIDRIVE HD signal processing. Soundcraft digital mixing consoles integrated seamlessly with the system, which made it easy for sound engineers to adapt to different sets throughout the

important to have reliability and consistency among all the gear,” said Paul Lehmann, System Engineer at Story Event Engineering. For the two main stages, Story Event Engineering selected VTX A12 line arrays. They also supplied VTX V25-II line array systems for the remaining seven stages, with

PROJECTS

Story Event Engineering deploys VTX A12 and V25-II line arrays at Emporium Festival

www.harman.com

Céline Dion’s tour across the Asia Pacific kicked off in Tokyo and Macao, and moved on to Jakarta, Taipei, Manila, Bangkok and Australia, before concluding in Auckland, New Zealand. The logistical feat of picking up each system locally, which was dependent on equipment availability, was accomplished seamlessly by audio provider, Solotech, achieving consistent sound across the venues thanks to L-Acoustics’ K1 and K2, and its international network of suppliers. Fourteen suppliers, including Hibino, Winly, Forscink, Mata Elang, Jack Sound and Norwest, were employed over the two-month tour.

L-Acoustics delivers perfect sound across Asia Pacific for Céline Dion


www.l-acoustics.com

subs positioned in front of the stage. Delay subs were four stacks of three SB28. Desjardins declares that he is happy with the uniformity of the systems from country to country and with the support he has received. He reports that Denis Savage, FOH mixer, was pleased with the end result as well.

Much of the venue information was supplied by Alvin Koh, L-Acoustics

Head of Application for Asia. Desjardins and Jon Trudeau were able to model each system in L-Acoustics’ Soundvision software ahead of time, addressing the challenges specific to each venue. The domed Tokyo Arena required the tour’s largest system which comprised two hangs of 16 K1 with four K2 and a centre hang of four K2; two hangs of 20 K2 for side fill; two hangs of delays of 16 K2 each and two of 14 K2. A dozen Kara provided front fill, and two ARCS Wide were positioned left and right on the stage lip for outfill. Low frequency was handled by 12 K1-SB, flown behind the K1 hangs, and 40 SB28 floor

PROJECTS

Manila: Two hangs of four K2 for delay, six Kara positioned along the stage lip as front fill, with a further two for side fill, four stacks of four SB28 floor subs.

Over 200 L-Acoustics cabinets were deployed for the 40,000-plus capacity, domed Tokyo Arena, which was the tour’s largest system

Photo © Yoshika Horita

Taipei Arena: K1 / K2 for the main and side hangs, with KS28 subs and 115XT across the front and at side of the stage. (140 plus cabinets)

When Stereophonics are on the road, Harm Schopman is looking after frontman, Kelly Jones, and co. from side stage, using his trusted DiGiCo console, supplied by rental company Capital Sound. “On Stereophonics, I originally looked after [FOH engineer] Dave Roden as the systems tech, mostly on the arena tours,” Harm explains. “It's only in the last few years that I have taken on the role of monitor engineer for them.” A DiGiCo user since the days of the D5 Live, but the SD10 is now his board of choice for

Saxon are on the road again, touring Thunderbolt, and Jacky Lehmann, the band’s trusted Front of House engineer has chosen to use a combination of DiGiCo’s SD12 and S21, purchased from DiGiCo’s German distributor, United Brands, ensuring the band’s classic sound benefits from the

DiGiCo in control on Stereophonics tour


www.DiGiCo.biz

Harm also uses the Snapshot functionality within the SD10.

to 2017 and for 2018 his SD12, which he also had set up in his van as a mobile recording studio, to record all the bands performing on the Louder Stage at the Wacken Open Air. He also uses the SD12 and the internal DiGiCo UB MADI for recording Saxon’s own shows, as well as for other bands. “All the DiGiCo consoles I have used since 2011 have performed exceptionally well,” Jacky concludes. “The service I’ve received has been great and if I’ve ever needed any help, Holger Schröder from United Brands has always been available for me.”

Stereophonics, which he is running at 48kHz with the SD Racks being shared between FOH and monitors. “I love the clarity I can achieve for the IEM mixes using the SD10,” he says. “I’ve used these consoles quite a bit over the years; the interface works perfectly for me and speed of operation is always a priority when working monitors.”

most up to date audio technology. For the current tour, he deploys the SD12 with a D2-Rack, which he purchased himself, and an S21 and D-Rack for smaller shows and corporate events.

The small SD11i and D-Rack was Jacky’s main console for the festival season 2016, which took in Wacken Open Air, Graspop and Download in the UK and France. It was then that he updated his setup with Waves. Jacky has used his SD9 from 2011 to 2014, the SD8-24 from 2015

PROJECTS

DiGiCo storms round Europe on Saxon’s Thunderbolt Tour

www.DiGiCo.biz

The 0760 Plus nightclub in Zhongshan city is one of the biggest clubs in the area. The music is of course at the heart of it all and in order to guarantee the best possible sound quality, APG was selected to supply the entire audio setup. Hong Libo, one of the club’s founders, picks up the story of how the audio installation unfolded: “When we renovated 0760 club in 2016, we selected integrator TR Audio to take care of the AV installation. We were very impressed by their service on that project, so they were an obvious contender when we were seeking to fit 0760 Plus. TR Audio’s general manager, Huang Zhao, brings a decade of nightclub experience to the table, so whilst TR Audio is a relatively new company, we knew they had exactly the right know-how. I also experienced great service and aftercare from owner Ben Huang, who was very hands-on with the project.” Discussing why the company wanted to work with the

APG’s Uniline speaker range powers exclusive 0760 Plus club


www.apg.audio

15 APG DX15s cover the VIP area spanning the first and second floors. Four APG DMS48 processors, five APG SA20:2 and 10 APG SA30:2 power amplifiers drive the entire system.

brand, Huang remarks: “APG speakers deliver a sound that is true and natural, and indeed the performance across its whole spectrum of products is very good. In my opinion, its products are as good as any first-tier speaker brand in the world.” APG’s Uniline speaker range was selected for the main PA situated to the left and right of the stage 3.3m off the ground. Six APG UL210 cabinets, four APG UL210D cabinets and four APG UL115B bass cabinets are divided between the two arrays. To add further low-frequency response, Ben specified nine APG TB218S and 10 APG SB118 subwoofers, positioned across the dancefloor.

PROJECTS

www.allen-heath.com

Allen & Heath’s dLive system has provided support for the popular Swedish TV game show, Så Ska det Låta. A DM64 MixRack and S7000

Hozier has just hit European shores to continue his run of successful sold-out shows in support of his “Nina Cried Power” EP, with FOH engineer Steve Pattison behind an Allen & Heath dLive mixing system. Supplied by Adlib, the set-up includes a dLive S7000 surface fitted with both Waves and Dante cards for virtual soundcheck and live multitrack recording. Additionally, a dLive DM64 MixRack fitted with a superMADI card is placed at FOH, which is used to feed broadcast multitrack during festival shows. “dLive was chosen primarily for its sound quality but also for its reliability and flexibility. Pretty much anything you’ll

Allen & Heath supports Så Ska det Låta


www.allen-heath.com

the musicians in the studio orchestra. Peter Fredriksson, monitor engineer for the show, comments, “The flexible workflow dLive provides makes my job smooth and easy, particularly with the recall filter function as this type of show has so many different needs for sound; one song could be classical, the next hard rock, then pop and going into soft ballads! Plus, dLive has such a high sound quality, it’s great - you always know what you’re getting with dLive!”

recordings and there are so many great sounding reverb pre-sets with dLive that get you right where you need to be instantly.”

Surface forms the backbone of the system, with the demanding monitoring requirements of the presenters, contestants and musicians all handled by dLive’s configurable 64 bus architecture

and flexible routing options. The set-up also includes four DX168 expanders, which provide remote inputs and outputs to IEM systems for

ever need is on there and the FX and processing are ever expanding with each firmware release,” comments Pattison. “FX and reverb feature heavily on Hozier’s

PROJECTS

Adlib supplies dLive for sold-out Hozier Tour

Peter Fredriksson with dLive

Being a quality-driven Christian church, natural sound clarity and balanced sound coverage for preaching, orchestra, choir, as well as for praise and worship band are of utmost importance. For achieving these goals, GECKO® C.R.I.S.T.A.L.® Audiophile professional audio systems were adopted for the Taiwan Chiayi Lutheran Church's newly built sanctuary. “When our building architect first told us about Mr. Daniel Foo of GECKO Music Group, I thought GECKO® would just be another brand. However, all my perceptions were proven wrong after meeting with Daniel and hearing and

GECKO® C.R.I.S.T.A.L.® Audiophile enriches worship at Chiayi Lutheran Church


www.geckomusic.net

SEEKER SSC 2840 snake cable systems, AYERS ROCK DI's, SATELLITE SCM 1820S active condenser microphones, PASSION MP 830S dynamic microphones, PASSION 6000 series wireless microphones with hybrid technologies, and a 36-channel EXODUS ODYSSEY MXR 3604L mixing console.

testing the GECKO® C.R.I.S.T.A.L.® Audiophile professional audio systems for ourselves – once we tested GECKO SR 606R speakers against our high-end 18” speakers, another time we auditioned and tested GECKO® system installed in a venue with fairly bad acoustic condition in Taipei. Both times we were blown away by the superb clarity, balanced coverage, high-efficiency, wide applications, and the ease of use delivered by GECKO® C.R.I.S.T.A.L.® Audiophile professional audio system. The church main sanctuary is equipped with 2 REVELATION SR 615RF loudspeakers (FOH), 2 REVELATION SR 606R loudspeakers (stage-fill), 2 REVELATION SR 612RF floor monitor, GENESIS ELEGANCE AGE 600H and AGE 900H multi-stage power amplifiers, one GALILEE CLASSIC PSC 8330 power sequencer, TRUTH cables, OLYMPIAN interconnects,

PROJECTS

Mahajak Development Co. has deployed a HARMAN Professional Solutions AV system at Bank of Thailand’s Learning Center library and museum. For large events in the banquet hall and library, are JBL VT4888 and AC599 loudspeakers with SRX812P and ASB7128 subwoofers.

Studio Care recently installed a complete HARMAN Professional Solutions audio system in the Shaheed Baba Deep Singh Auditorium at Guru Nanak College. The main audio system includes four JBL AM7315/95 loudspeakers and two ASB7128 subwoofers, as well as four AC18/26 loudspeakers for side fills and six EON612 self-powered loudspeakers for stage monitors. The loudspeakers are powered with two Crown DCi 4l1250N power amplifiers, the subwoofers

Mahajak installs HARMAN Professional AV solutions in Bank of Thailand


www.harman.com

To enable seamless AV control, Mahajak outfitted the facility with a network of integrated AMX systems. DVX-2250HD presentation switchers and DGX digital media switchers form the core of the system, connected by DX-TX-DWP transmitters and DX-RX receivers. MSD-701 touch panels and the TPControl iPad app provide staff, presenters and guests with tactile interfaces for controlling various interactive features.

The library’s presentation rooms use JBL AC195 speakers and Control 16C/T ceiling units. The museum’s smaller exhibits utilize JBL LSR305 studio monitors and E55BT wireless headphones. Control 28-1 loudspeakers and SB-150 wireless subwoofers provide background music in the entrance hall. The system is powered by Crown I-Tech HD and DCi Series amplifiers while Soundcraft Si Impact mixers allow adjustments. Audio is routed through a network of BSS BLU-100 signal processors.

are powered by a Crown DCi 4l2400N power amplifier, and the side fills are powered by a DCi 2l600N power amplifier. Audio is mixed on a Soundcraft Si Impact 32-channel digital mixing console, and AKG microphones provide exceptional clarity and intelligibility for cultural programs, lectures, demonstrations and other presentations.

PROJECTS

Studio Care delivers a superior audio experience at Guru Nanak College

www.harman.com

Norwegian singer-songwriter Sigrid has completed her biggest UK tour – with the last show taking place at the O2 Academy in Brixton, London – supported by an Allen & Heath dLive system. The tour utilises a multi-surface set-up comprising a dLive C3500 on FOH (supplied through BCS Audio) and a dLive C1500 on Monitors (purchased through Benum Norway). A DM32 MixRack fitted with a gigaACE module is located on stage and controls both FOH and MON duties, with the configuration providing 64 channels to both FOH and MON engineers with discrete processing. Additionally, a DX168 expander is used to increase the analogue I/O count onstage. “We originally chose the C1500 surface due to its fly-in possibilities and the fact it carries the same powerful engine that the larger surfaces use. The multiband compression and dynamic

Sigrid takes UK by storm


www.allen-heath.com

such as Dante and gigaACE – for the multi-surface solution.” Sigrid continues to reach new heights, with multiple sold-out shows and regular major festival appearances. Earlier this year Sigrid was announced as the BBC’s Sound of 2018. Next year will also see her perform alongside acclaimed artists including George Ezra and Maroon 5.

Halsvik continues, “The ease of dLive is great and I love the opportunities for system expansion. Having the possibility to add analogue inputs easily via the DX ports has proven very valuable too and is one of the main reasons we purchased our dLive C1500! Also, being able to use just one MixRack and still have a full Mon-split is essential for us and then being able to just add a split to a second rack and a mixer without any problem, is incredible!”

EQ´s are also great features! We then acquired the DM32 MixRack because of its I/O slots and easy use with both Dante and digital splits,” comments Jan Thomas Halsvik, FOH engineer. “For Sigrid’s shows, we usually just bring our C1500 and DM32, however for this run we needed an extra C3500 surface due to the size of the tour and I wanted more control at FOH on less layers.” Monitor engineer, Sigri Hovde adds, “The thing I like the most about the dLive (apart from the obvious sound quality) is the flexibility and seamlessness of adding different racks, modules or option cards –

PROJECTS

Monitor Engineer Sigri Hovde with dLive C1500

Jan ThomasHalsvik at FOH

www.l-acoustics.com

South Korea hosted the Pentaport Rock Festival, held in the city’s Pentaport Park. It is one of the country’s biggest live music events and the L-Acoustics K1 and K2 system, supplied by local rental company Seoul Sound, delivered consistency of SPL and tonal balance across every inch of the main KB Kookmin Starshop Stage’s extensive field. The two main arrays for the KB Kookmin Starshop Stage each comprised 12 K1 underhung with four K2. Additional fill for the side audience was from four arrays of four of Seoul

The Church of St. Francis Xavier in Malacca has benefited from improved speech intelligibility, enhanced worship experience, and expanded

K1 and K2 takes on Pentaport Rock Festival


www.geckomusic.net

advanced C.R.I.S.T.A.L.® WaveGuide and C.R.I.S.T.A.L.® Audiophile technology, while a pair of REVELATION SR 606R loudspeakers were further installed for outdoor sound application, especially during Feast Day celebration.

Sounds ‘faithful’ V-DOSC, whilst 12 Kara were distributed in pairs across the stage lip to cover the front rows. With the low-end frequencies catered for by KS28 and SB28 subwoofers - 16 of each were evenly distributed across the front of the stage in cardioid mode - the system provided everything that Yescom was looking for. On stage, 14 X15HiQ provided foldback proving, reports Hyung Man, that they can handle the most demanding of tasks.

multimedia options with the recent installation of GECKO® sound system anchored by REVELATION SR 606R 6.5” loudspeakers with the revolutionary C.R.I.S.T.A.L.® technology. The system was personally designed by Daniel Foo, founder of GECKO Music Group, to adapt to the sanctuary's existing acoustics without the aid of any form of acoustic treatment. A total of ten units of REVELATION SR 606R loudspeakers were precisely installed based on detailed calculation to compensate the high reverberation time (RT) in the sanctuary via the

PROJECTS

C.R.I.S.T.A.L.® Clear Intelligibility for Church of St. Francis Xavier

Ryman Auditorium in Nashville, Tennessee is one of the most prestigious music venues in the world. In partnership with Opry Entertainment Group, JBL, and Yamaha, AV integration firm Clair Solutions recently completed a significant overhaul of the Ryman’s sound reinforcement system. “We installed the previous sound reinforcement system over a dozen years ago,” said Dan Heins, regional vice president at Clair Solutions. JBL’s new VTX Series A12 System was the top choice, but the Ryman engineers wanted to hear the system in-place before fully committing. Clair Solutions developed an EASE model and optimized a design with JBL engineers Raul Gonzalez and Nicholas Mourn. JBL provided an entire demo system that Clair Solutions put in place on temporary lifts. “It was a real proof-of-concept,” Heins said. “We learned a lot from the demo and decided to go from eight

Clair Solutions updates sound reinforcement in Ryman Auditorium


www.clairsolutions.com

exciting as the main floor. Crown i-Tech series amplifiers with onboard DSP condition and power the system. For the consoles, two Yamaha RIVAGE PM7 digital audio consoles were the preferred selection of the Ryman team based on their experience using the Yamaha PM10 console at the Opry House. “Based on our experiences with the PM10, we were confident with our decision to add the dual PM7 consoles, without a formal demo, due in part to Yamaha console familiarity and reliability,” states Jeff Hatfield, director of technical services for Opry Entertainment Group.

boxes a side to ten. Although the main system didn’t change much from its original design, we learned from the demo that the under-balcony system needed a complete re-think. Given the particulars of the space, we ultimately went with a miniature line array with sub support” The installed system consists of (10) JBL VTX-A12 three-way line array elements and (8) JBL VTX-S28 subwoofers in a center hang. Two (2) JBL CSX-F35s provide side fill, and (10) JBL VT4886 line array elements provide front fill. A total of (36) JBL VT4886s paired with (8) JBL VT4883 subwoofers make listening to a concert under the balcony every bit as

PROJECTS

Stage

Under Balcony

www.solidstatelogic.com

Intocable’s latest Highway tour has taken them all over the US, and the band's tools

Michel Van Achter, the founder and owner of Belgian record label Homerecords, is so impressed by the quality of Prism Sound’s audio conversion that he has made a significant investment in the company’s products. Based in Liège, Homerecords has two studios – one for recording and the other for mixing and mastering. The recording studio is now equipped with three Prism Sound Atlas audio interfaces providing 24 mix preamps and 24 channels of AD/DA conversion, while the mixing and mastering room has three Prism Sound Titan audio interfaces, providing 24 analogue outputs. Van Achter has also specified Prism Sound’s MDIO-HDX

Intocable trusts in SSL


www.prismsound.com

Ramon Quintero has engineered with both, previously as Monitor Engineer, and now as Front of House Engineer. "When I started with the L300 on Monitors, the band immediately noticed a huge change in the mix and in the 'room image',” He says. “There is a great separation between the instruments, and there’s a much warmer, more analogue sound than the console we were using before."

a company that Michel Van Achter has worked with on many occasions and rates highly because they provide excellent technical and after sales support. Joystick also supplied the PMC IB1S monitors in Homerecords’ recording studio and active PMC twotwo8 monitors, which were installed earlier this year in the mixing and mastering studio.

of choice at both Front of House and Monitors are SSL L300 consoles, and Jose

cards for each unit so that they all interface seamlessly with the Pro Tools® systems he is running in both studios. He adds that while the quality of Prism Sound AD/DA conversion came as no surprise, he was blown away by the mic preamps on both Titan and Atlas. Homerecords’ Prism Sound units were supplied by distributor Joystick Audio,

PROJECTS

Michel Van Achter invests in Prism Sound Conversion for his studios

Michel Van Achter

Wolves and RTC Leige THX

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http://www.bigboxmedia.it/

http://musicaymercado.org/

https://caeditorial.com/category/avl-times/

Prolight + Sound Guangzhou 2019 (PLSG) has set a new record of1,353 exhibitors who flocked to the annual event, along with 81,154 professional visitors (7% up) from the professional lighting, audio, event management, stage design, system integration and AV technology industry chain. Much to the delight of participants, many key pro audio brands could be found across all of the halls this year, including Adamson, AKG, APG, Audinate, Audio-technica, Beta Three, Beyma, Bosch, Bose, Celestion, D.A.S., d&b audiotechnik, dbTechnologies, EM Acoustics, Faitalpro, Fane, FBT, Fidek, Funktion-one, HARMAN International, Klotz, Konig & Meyer, Meyer Sound, Mipro, Montarbo, NEXO, QSC, RCF, SAE,


SE Audiotechnik, Sennheiser, Shure, Soundking, ST Audio, Taiden, TOA, Top Plot, TW Audio, Vue Audiotechnik, Yamaha, and more.

EXHIBITION

Prolight + Sound Guangzhou 2019 concludes with record high participant figures

The success of the fair and its increased global brand representation were clearly reflected on the show floor. The event served as an opportunity for brands to showcase their latest innovations to the region for the first time in 2019, many of which have been specifically catered to the Chinese market. The show’s display areas were presented with the ‘Media Systems and Solutions’ and ‘Communication and Conference’ halls under the show’s Audio Brand Name halls receiving high praise.


EXHIBITION

In terms of the PLSG fringe programme this year, both attendees and speakers emphasised how each event offered valuable information exchange, networking and educational and training opportunities which added an extra dimension to the show’s offerings. Digital audio networks in particular were heavily discussed, including through a sold out panel discussion on AVIT and how artificial intelligence (AI) solutions can influence the market, as well as the


returning Dante Certification courses. Elsewhere, one of the most popular concurrent activities was the series of four Outdoor Line Arrays, which welcomed 41 international and domestic brands and a double-string display, which was ever-busy thanks to the favourable weather conditions.

EXHIBITION


EXHIBITION

Prism Sound appoints cma

audio as its new distributor

Prism Sound has appointed cma audio GmbH as its new distributor in Germany, Austria and Switzerland, with responsibility for the company’s full range of professional audio products including its Award winning audio interfaces such as the multichannel ADA-8XR, Atlas, Titan and Lyra. Christof Mallmann, CEO of cma audio, says: “Prism Sound’s products fit perfectly into our existing portfolio and are the ideal complement for our PCIe Audio Systems from MARIAN and Dante Audio-Over-IP Products from FERROFISH. Prism Sound converters are also an obvious partner for the superior monitoring delivered by PMC’s product range.”

Voice-Acoustic distributor YNC Solution opens demo room

in South Korea


Following a successful market launch, YNC Solution decided to set up its own demo room for Voice-Acoustic audio products. From now on prospective customers can easily assure themselves of the sound quality and detailed solutions of the German premium brand after making an appointment. The demonstration room is located only a few kilometers from the center of the capital Seoul.

In the end of 2016, YNC Solution became the exclusive South Korean distributor of the german loudspeaker manufacturer Voice-Acoustic. Various successful installation projects have been realized during this time. For example, the sound reinforcement system of the government and conference rooms of the President of the Republic of South Korea and its Parliament as well as various auditoriums and churches. The products were also presented at the Korean exhibition Kosound + Stagetech.

BUSINESS

www.prismsound.com www.Voice-Acoustic.de / www.YNCsolution.co.kr

Christof Mallmann of cma audio

Markus Sinsel appointed as the company’s new Sales Director. Sinsel joins

Allen & Heath from its Germany, Spain and Great Britain distributor, Audio-Technica Europe, where he held the role of Allen & Heath Brand Manager.

Brian McGovern appointed as Commercial Audio Business Development for North America. Working out of Allen & Heath’s US

headquarters, McGovern has an extensive install and commercial audio background, having held positions at Yamaha and Roland Professional, designing and implementing audio systems.

Allen & Heath appointments BUSINESS


www.allen-heath.com

Allen & Heath appoints Sonos Libra exclusive

distributor in Thailand

Allen & Heath has appointed Sonos Libra as its exclusive distributor in Thailand. Markus Sinsel, Sales Director at Allen & Heath, says: “We are very pleased to be working with the Sonos Libra team in Thailand. They are a young, dynamic company who have rapidly built an impressive standing in the region. We are looking forward to continuing to work together to further strengthen the brand”. Alfonso Martín, Sonos Libra’s CEO, added: “Allen & Heath was a ‘must-have’ brand for us in Thailand. We know how much Thai customers like Allen & Heath products, particularly in compact digital and touring formats and we’re extremely excited to be able to bring the full range to the market.”

Val Gilbert appointed as Technical Marketing Manager. Based near London,

Gilbert will be supporting Allen & Heath’s international distributor network, optimising the levels of education and training support they’re able to offer. Gilbert has spent the last six years as the global Engineering Support Manager at Nexo.

Martijn Verkerk appointed as Installation Product Manager. Based in Europe, and tasked with

ensuring Allen & Heath’s installation products meet the rapidly evolving needs of the market.

www.allen-heath.com

www.allen-heath.com

Adamson appoints Marc Bertrand as CEO

Adamson Systems Engineering has announced the appointment of Marc Bertrand as its Chief Executive Officer (CEO). Bertrand will lead Adamson’s global operations from its headquarters in Port Perry, Ontario, as company Founder

Brock Adamson assumes the role of Chairman. In his new role, Bertrand plans to continue building the Adamson brand in the vital North American market while maintaining its presence in Europe and its growing APAC market position. www.adamsonsystems.com

MPG forges ahead with L-Acoustics

Metalworks Production Group (MPG), a live production house has added K2 to its well-stocked arsenal. “We started with approximately 50 V-DOSC and 100 dV-DOSC right out of the gate,” says Metalworks Owner Gil Moore, who is better known as the drummer and co-lead singer for the Canadian rock band Triumph. MPG’s inventory of L-Acoustics is extensive. “We have 120 Kara, 32 K2, and we've just added several LA12X-equipped LA-RAK II amplified controller racks and 16 KS28 subs, which will join our 42 SB28 subs,” says MPG General Manager Mike Primeau. “We also have 20 Kiva II and eight SB18 subs, plus a dozen ARCS Wides and a dozen X15 wedges. Among other things, we still have 11 dV-DOSC and 23 V-DOSC, which are great as festival delays paired with K2 for the mains. With newer systems like K2, you just feel like the sound is closer to you and even more intimate.”

Reyn Audio receives authorization from Powersoft


cooperation will enable Reyn Audio to focus on design and production of company's growing loudspeaker range.

Reyn Audio took the opportunity during the Prolight + Sound Guangzhou exhibition in China, to hold the official Powersoft Authorization Ceremony. Powersoft is a world leading Italian audio manufacturer and this new

BUSINESS

www.reynaudio.com www.powersoft-audio.com www.l-acoustics.com

Sennheiser has opened its new office within the heart of Singapore’s newly assembled Mediapolis area. Located at Infinite Studios, the over 1,100 square meters space includes a product showcase featuring AMBEO, a creative barbershop concept. “We are thrilled to celebrate our 26th year in Singapore with the opening of our new office,” said Daniel Sennheiser, CEO of Sennheiser Electronic GmbH & Co. “Owing to our strong presence in Singapore and Southeast Asia, our new regional headquarters will ensure that processes are digitised, streamlined and strategised across the 19 markets in neighbouring countries.” “The Singapore team has expanded exponentially over the years, and we are excited to be part of this milestone,” said Martin Low, Managing Director, Sennheiser Electronic Asia.

Sennheiser prepares for next phase of growth with new Southeast Asia HQ

PROAUDIO INTERNATIONAL

www.sennheiser.com

Keeping its employees in mind, Sennheiser has built its office around a new style of working, instead of the conventional seats or open-concept workstations. With its Activity Based Working office, it features 20 rooms that encourage team discussions, collaborations, work focus and product experiences. The main meeting rooms and discussion areas also come fully equipped with none other than Sennheiser’s very own speakers – the TeamConnect Ceiling which features beam forming technology that automatically focuses on the speaker’s voice, regardless of position; and the award winning TeamConnect Wireless, the first portable wireless conference speakers for online meetings.

“Since the inauguration of the first Sennheiser office in 1992, we have grown to almost a hundred employees, and continue to push the boundaries of what defines audio excellence. Centred on innovation and R&D at the core of our business, we will continue to stay true to sound and set new standards for our products as we move into the future of audio.”

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HARMAN Professional has announced its new distributor partnership with Ertekin Elektronik in Turkey. The distribution agreement covers the JBL Professional, AMX, Martin, Soundcraft, AKG, Crown,

Clear-Com® has appointed Rachel Archibald as its new

Director of Marketing

Clear-Com® has appointed Rachel Archibald as its new Director of Marketing, demonstrating the company’s continued investment in global marketing to support ongoing growth. Archibald also was instrumental in the develop-ment of the thought leadership conference TIDE for AVIXA, the producer of InfoComm; the conference explores the strategic impact of audiovisual technology and how creative implementations of AV can help solve today’s busi-

ness challenges. “Clear-Com is as committed as ever to growing its global business and developing more innovative communication solutions that help our customers stay connected,” said Bob Boster, President, Clear-Com. www.clearcom.com


www.harman.com

d&b audiotechnik strengthens

its sales organization in

Asia Pacific d&b audiotechnik has appointed Amos Jen to the newly created position of Vice President of Sales, Asia Pacific. A highly profiled leader from the pro-audio industry for regional sales management, Jen has joined the d&b team in Singapore on December 1, 2018, and reports to APAC Territory Manager Mike Case. The announcement of Jen’s arrival joins a series of corporate announcements about the purposeful growth of the business in Asia-Pacific, including the establishment of a d&b subsidiary in Greater China. “The Asia-Pacific region is of huge importance to d&b. I am looking forward to working closely with our partner network to deliver solutions into projects where exceptional sound quality is the priority,” says Jen.

dbx, BSS, Lexicon, and Studer brands, providing a 360-degree solution to customers requiring audio, video, lighting and control solutions. “ “With our

expertise and the brands that HARMAN Professional Solutions offer we will be able to offer a complete solution,” said Yurder Ertekin of Ertekin Elektronik.

BUSINESS

Ertekin Elektronik is the new HARMAN distributor in Turkey

www.dbaudio.com

With physical offices strategically located in Milwaukee, Wisconsin, Phoenix, Arizona and Denver, Colorado, Clearwing is one of the industry’s preeminent production companies. In order to increase their production capabilities for a wide range of clients and events, Clearwing recently updated their sound reinforcement inventory with new JBL VTX A12 and A8 line array systems, including S28 subwoofers and Crown VRack amplifiers.

Clearwing Productions boosts audio inventory with JBL VTX A-Series line arrays

www.harman.com

Jamie Earle, Director of Engineering, Clearwing Productions.

“The VTX A12 sounds good and it's got finesse, but the big thing for us is the versatility of the box,” said

BUSINESS

DiGiCo S21 for Swaziland’s Ten Concepts

African distributor, DWR Distribution. For a young company, only established by Thabani Ngcamphalala in 2016, Ten Concepts has enjoyed tremendous growth

in a short period. The DiGiCo S21 was the perfect solution, combining technology and high quality, at an affordable price. “When I saw the DiGiCo S21 on the internet I was sold,” said Thabani. “I love the touchscreen and being able to move files from one screen to the other without a problem. It’s so user friendly.” Thabani will be using the console for corporate events and

shows, and is particularly looking forward to making use of the DiGiCo platform for live events.

Ten Concepts, a Swaziland based hire company for audio, visual and lighting equipment, have invested in a DiGiCo S21 with D2 rack, purchased from South

www.digico.biz


The very first Waves Training to ever be hosted in South Africa was presented by Eran Ben Zur in conjunction with DWR Distribution in Johannesburg and Cape Town in February 2019. While any audio engineer would be proud to include the names of famous artists they had mixed on their resume, Eran Ben Zur, a live product specialist at Waves, sees things differently. “I really believe it’s all about the people and my best time, having being on the road for twenty-seven years, was right here in South Arica,” he said. Waves is the world’s leading developer of audio plugins and signal processors for the professional and consumer electronics audio markets. Heard on hit records, major motion pictures, and popular video games worldwide, Waves’ cutting-edge www.dwrdistribution.co.za

Donald Stuart named

Managing Director

Electrosonic EMEA

Electrosonic Group is pleased to announce that Donald Stuart has been named the company’s Managing Director EMEA reporting to CEO Jon Hancock. He will be based in London. “We’re delighted to welcome Donald to Electrosonic’s global leadership team,” says Hancock. “Donald brings a wealth of experience across the services industry to his new pivotal role for Electrosonic Group. The leadership skills and expertise across innovation and service transformation, which he has displayed throughout a distinguished career, made him the ideal choice to write the next chapter of Electrosonic EMEA.”

software and hardware processors are used in every aspect of audio production, from tracking to mixing to mastering, broadcast, live sound, and more. The Waves training hosted at DWR Distribution covered topics including Waves Live, Sound Grid Network, V9 vs V10, Multi Rack and integration with 3rd party consoles manufactures, Plugins, eMotion LV1, Tips & Tricks and a Q&A session.

BUSINESS

www.electrosonic.com


Waves Training with Eran Ben Zur in South Africa

Eran Ben Zur


www.nexo-sa.com

NEXO appoints Joe White as

Business Development Manager for

S.E. Asia, India and Oceania

NEXO is pleased to announce the appointment of Joe White to its international sales team. He will be taking up the role of Business Development Manager with responsibility for NEXO’s activities in South-East Asia, India and Oceania. Joe is a familiar face to NEXO customers, having spent four years with the company as Global Marketing Manager. Since 2011, he has been running his own business in Indonesia, but, in his words, “I really miss the audio industry and all the co-workers and colleagues in NEXO’s international orbit.” Reporting to Sales Director Denis Baudier, Joe White will be responsible for managing NEXO’s distribution network in the far East.

BUSINESS

Lawo establishes UK subsidiary Raising its commitment to the UK marketplace and acknowledging growing demand for its IP-based video, audio, control and networking technologies, German broadcast manufacturer Lawo has opened a sub-sidiary in the UK and strengthened its Sales & Support Team with new appointments. Pre-Sales & Systems Engineer Kadhim Boyd, Solution Architect James Walker and Sales Managers Olivier Hough and Devin Work-man will bring a new quality of customer relationship to the UK. www.lawo.com

Yamaha Music Europe to distribute Yamaha Unified Communications products

Following Yamaha’s acquisition of secure wireless microphone specialist Revolabs, in 2018 the company was rebranded Yamaha Unified Communications, Inc. In a new agreement announced on 29th January 2019, its products will be distributed in the

European region by Yamaha Music Europe. “The way people are meeting has fundamentally changed and they want easy, quick and agile ways of connecting. High quality audio and security are vital, but the environment of a video/audio conference is only as good as the worst equipment in it,” says Phil Stanley, Sales Director EMEA at Yamaha Unified Communications. “Distributing Yamaha Unified Communica-tions products from Yamaha Music Europe will bring consid-erable benefits to end users,” adds Nils-Peter Keller, Senior Director Pro Audio & AV Group, Yamaha Music Europe GmbH.


Free PRX Connect App Updates PRX800 Firmware To Provide Users Better First Time Experience, Plus New Tuning Options HARMAN Professional Solutions, the global leader in audio, video, lighting and control systems, announced JBL Professional’s free update to the PRX800 series of powered portable loudspeakers designed to help customers have a better out-of-box experience with the PRX800 by presetting the most commonly used sound settings. What’s New in the PRX800 V2 Firmware Update The PRX800 V2 firmware update adds a new default tuning preset with enhanced low frequencies on the


www.jblpro.com/prx800

TECHNOLOGY

PRX815 and PRX812 models. If customers desire, they can also choose a preset with neutral EQ settings. In addition, on all PRX800-series loudspeakers, except for subwoofers, the line level input sensitivity has been adjusted to provide a greater range of gain control. Customers can also revert input sensitivity back to the previous default setting. “Through extensive customer research, we’ve learned that the two most common changes that customers make to JBL PRX800 settings are to boost the bass EQ and to turn up the input gain,” said Craig Lambrecht, Director Solutions and Marketing, HARMAN Professional Solutions. “PRX800 are already the loudest portable PA solutions

in their class. With the new V2 update, customers will immediately notice a warmer and fuller tone that shows off the full-range capabilities of the PRX800 without needing to adjust the EQ or touch the gain knob, and they will be particularly impressed when playing bass-heavy music like pop, hip hop or EDM.” Availability The V2 firmware update is easily installed on PRX800 series speakers via the latest versions of the PRX Connect App for Android and iOS, now available through Google Play and Apple App Store respectively. In addition, beginning this month, HARMAN will begin shipping JBL PRX800-series loudspeakers with the new V2 Firmware pre-installed.

JBL Professional issues PRX800 V2 firmware

Allen & Heath unveils a host of new Dante enabled products, including unique portable and wall-mount I/O solutions for installation, and two new Dante option cards. All of Allen & Heath’s latest Dante releases are AES67 compatible and Dante Domain Manager ready. The DT168 provides 16 mic preamps and 8 line outputs in a convenient stage box form factor. Ideal for portable applications thanks to its rubber bumpers and handle, DT168 can be deployed on stage or used as a drop-in expander. The DT164-W provides 16 mic preamps and 4 line outputs in a versatile wall-mount design for permanent installation. The reversible mounting frame allows for in-wall or on-wall mounting. The unit also fits in a standard 12x12” NEMA box or equivalent, or mounted in a floor pocket for stage use.


www.allen-heath.com

d&b Revit files support for

Building Information

Modelling With the increasing importance of Building Information Modelling (BIM) and the widespread adoption of Revit software, d&b audiotechnik has made available Revit files that allow consultants, architects and system integrators to include d&b loudspeakers in a Revit based BIM process at any stage of a project. d&b Revit files provide photo-realistic detailed 3D data for each loudspeaker, including texture, non-branded renderings to support a neutral tender process, and the option to visualize Special color versions. Where applicable, loudspeakers can be pitched, rotated and panned according to the specified installation. A line array workflow similar to ArrayCalc, supports up to twenty four loudspeakers.

The IEC mains power inlet can be replaced with a gland module and screw terminals for fixed installation, and a DC 12V backup supply is also provided.

Both DT168 and DT164-W offer Allen & Heath’s acclaimed preamps, complete with 96kHz converters for best-in-class sound quality over Dante, plus Primary and Secondary ports for daisy-chain or redundancy through secure EtherCon connectors. Both new products are compatible with Allen & Heath’s DM and CDM MixRack / MainFrames, and with SQ series mixers. Also new are two ‘super’ Dante cards for the Allen & Heath flagship dLive system, offering 64x64 and 128x128 channels respectively of 96kHz Dante audio (switchable to 48kHz). A first at this price point, these powerful options respond to user demand for a high channel count, high sample rate Dante solution in recording, virtual soundcheck and digital split applications.

TECHNOLOGY

Allen & Heath debuts Dante installation I/O and cards

www.allen-heath.com/dante/

Download d&b Revit files from

www.dbaudio.com/revit

JBL VerTec line array

inducted into TECnology

Hall of Fame HARMAN Professional Solutions, the global leader in audio, video, lighting and control systems, today announced the JBL Professional VerTec line array system has been inducted into the TECnology Hall of Fame at the 2019

NAMM show. VerTec was selected by a panel of more than 50 recognized audio experts, including authors, educators, engineers and other professionals for its groundbreaking acoustic technologies, lightweight yet powerful design and innovative rigging system. Unveiled in 2000, the VerTec line array system introduced numerous innovative audio technologies that were designed to exceed the array physics of other commercially available systems on the market at that time.

DiGiCo launches DMI-AMM options and KLANG Integration


www.harman.com

TECHNOLOGY

DiGiCo is delighted to announce the expansion of the DMI-AMM (Automatic Mic Mixing) card onto DMI enabled SD-Range consoles, the A3232 DMI for S-Series and the initial steps of the planned integration of KLANG: Technologies immersive in-ear mixing into the SD-Range. The DMI-AMM allows up to 64 channels of automatic mic mixing on both DiGiCo’s flagship SD7 Quantum and the SD12 console. Designed in direct response to requests from the corporate market, the DMI-AMM will benefit any production where complex vocal mic setups are in use. Insertable on any input channel, be it local or rack I/O, the DMI-AMM is designed to assist engineers with multiple spoken voices. It is seamlessly incorporated into the console’s user interface, allowing a continuous workflow that does not hinder the operation of the console.

In both the SD7 Quantum and SD12 consoles, the DMI-AMM offers 64 channels of processing which can be used in any console input channel. There are two independent AMMs implemented by the DMI-AMM, known as AMM-A and AMM-B, with channels assigned to either A or B or neither. This means that two separate events can run simultaneously on the same console without one interfering with the other. The A3232 DMI card from the 4REA Range is now incorporated into the S-Series consoles. This I/O expansion allows for the 4REA4 I/O to be directly connected to the S-Series, widening the I/O possibilities. As part of this upgrade a newly launched S21-Stage48 and S31-Stage48 system are being offered with 48 Mic inputs from stage via three 168 Stage racks.

www.digico.biz

The Adam Hall Group announces that the unique premium-class MAUI® P900 column PA system from LD Systems is now available. The combination of state-of-the-art audio technology and unmistakable design was created in collaboration with the design agency Studio F. A. Porsche and has already won numerous awards, including the German Design Award, the IF Award and the Red Dot Award 2018. The LD Systems MAUI® P900 is the perfect choice for exclusive live events and installation applications requiring exceptional sound quality and excellent sound dispersion. Its stylish appearance and outstanding clarity also make the MAUI® P900 a high-end home theatre system which is both an optical and an aural delight. For elegant integration, the MAUI® P900 is available in Cocoon white, Platinum Grey or Graphite Black.

LD Systems award-winning MAUI P900 is now available


www.allen-heath.com

Peavey Commercial

Audio develops Digitool driver

for Neets TanGo AV control

system Peavey Commercial Audio has partnered with Neets to announce the availability of a TanGo driver for PCA’s Digitool family of digital audio processing units for loudspeaker management, matrix mixing, room combining and more. The driver is currently available for the Digitool MX16 and Digitool Live devices, both of which are 8x8-channel units. The Neets TanGo driver developed by PCA offers an IP-based command set including input and output channel level and mute control, level and mute functionality for all audio matrix points, and the ability to trigger internal preset loads.

The MAUI® P900 uses SonicGuide® technology in conjunction with LD Systems’ patented WaveAhead® tweeter arrangement to create a coherent wavefront. The system’s wide 140° horizontal and closely focussed vertical dispersion provide consistent and long-ranging sound coverage. The LD Systems DynX® 24-bit signal processing delivers detailed, distortion-free and dynamic reproduction, even at high volume levels. In addition, aptX™ and AAC coding provide high-resolution Bluetooth® streaming with full audio bandwidth and a range of 70 metres. TrueWireless Stereo™ technology enables wireless stereo playback using two systems placed up to 40 metres apart. The three-section MAUI® P900 column system is made of high-strength aluminium with a multi-layered elastic front cover. Specially developed multipin connectors facilitate cable-free assembly in a matter of seconds. A minimalist connection panel provides system and subwoofer volume controls, two XLR sockets for stereo input and two XLR outputs for connecting two systems in a stereo configuration.

TECHNOLOGY

www.ld-systems.com/MAUIP900 www.peaveycommercial

audio.com

Yamaha's RIVAGE PM series digital mixing systems are receiving another significant upgrade with RIVAGE PM V3.0. This firmware update adds a number of refinements, including the new DaNSe dynamic noise suppressor plug-in, Mix to Input routing and other workflow improvements. Designed to improve speech clarity for theatrical and broadcast applications, DaNSe is an innovative new algorithm which learns the noise characteristics of a source and then automatically removes the noise without altering the sound of the intended voice or instrument. It effectively deals with noise picked up from air conditioning, moving lights and video screens. It will also help with unwanted bleed from cymbals into a live vocal mic, from traffic noise picked up by an outside broadcast and many other situations.



TECHNOLOGY

Mix to Input routing allows more flexible signal flows for sound engineers. For example, a monitor engineer can create a subgroup for drum compression, then route it back to an input and forward it to several IEM mixes. Alternatively, so-called ‘Stem’ mixes can be created for different orchestral instruments and choir mics, before sending them to effects and dynamics processors and creating a final mix. New features of RIVAGE PM V3.0 include port names, where every I/O device, port and module card can be given a name which is visible on the console surface,

following the input patching.

This includes Dante device names and also all I/O ports in the TWINLANe fibre ring. When a RIVAGE PM10 can host over 2,000 mic pre-amps and even more outputs via dual TWINLANe rings and a Dante network, port names will make patching operations much easier. An attenuator has also been added to the EQ section, allowing finer tuning of levels to compensate for EQ gain adjustments. This attenuator is also included in Theatre Mode, allowing the level to be adjusted and saved in the ‘Actor Library’, just in case a new actor is significantly louder or quieter than a previous actor playing the same role. There are around 20 further improvements and shortcuts. Highlights of these include ‘Banks’ for Global Paste shortcuts; Meter Bridge view for Custom Fader Layers and DCA Assign presets in Theatre Mode. Insert Effect editing is also included in the updated RIVAGE PM StageMix iPad app.

Yamaha RIVAGE PM V3.0 firmware upgrade

The new DAS Audio app creates and manages groups of VANTEC and ALTEA 700 systems. The capabilities of this new DASlink GM application allows to group systems according to their model or physical location, which facilitates and speeds up the setup providing efficient control over the event or installation. The main functionality of DASlink GM is to create groups of systems with different configurations where not only can the group parameters be modified individually but also the control of the gain of the cabinets within a group. By simply tapping on the screen, DASlink GM accesses the parameters of the systems grouped by "zones",

DASlink Group Manager, the new app by DAS Audio


www.allen-heath.com

Powersoft debuts Mover

Powersoft will use this year’s ISE as the first chance to demonstrate its ground-breaking new product, Mover - a small yet incredibly powerful linear transducer that can be used in audio applications and, more excitingly, as a linear motor / shaker. Mover is based on Powersoft’s patented moving magnet linear motor technology. Mover is available in two versions; Direct Drive and Inertial Drive. Adaptable to various purposes, including 4D cinemas, theme parks, or venues with vibrating acoustic floors - as well as applications that go beyond entertainment - Mover lets audiences feel the sound through haptic perception by vibrating the surrounding environment, which the human body picks up and, through bone conduction, translating the vibrations into perceivable frequencies.

so the user can adjust them quickly and effortlessly while checking and monitoring the signal that reaches the systems in real time. Yet another advantage of DASlink GM is its graphical content. It offers an attractive interface and ease-of-use, consequently accessing the systems is faster and more intuitive than using a conventional physical control. For example, from the home screen the user can access the MUTE and SOLO functions of each group without even entering the parameters window. Among many other handy functionalities, DASlink GM can also assist to identify the cabinets being adjusted thanks to a blinking function. The cabinet logo emits a blinking light which allows identifying and locating the cabinets within an array system, this way, the cabinets can be rearranged in the app as they are physically in the array.

Available on Apple Store and Google Play.

TECHNOLOGY

www.dasaudio.com www.powersoft-audio.com

Yamaha presents an exciting glimpse of the future - the integration of video subsystem control for the first time, which will be available this summer. The seamless integration of audio and video equipment is becoming increasingly important in the commercial installation market, with simple control a priority. Controlling both elements from a single device is already possible, but typically requires specialized programming and dedicated equipment. Thanks to a collaboration between Yamaha and video equipment manufacturer IDK Corporation, the preview will show how ProVisionaire Touch (for iPad) and ProVisionaire Control (Windows PC) will be able to control IDK’s MSD

Yamaha previews future of video control in collaboration with IDK



Soundcraft Ui24R

3.0 Firmware Update

HARMAN Professional Solutions, the global leader in audio, video, lighting and control systems, has debuted a significant free update to the Soundcraft Ui24R surfaceless mixer and multitrack digital recorder. Top functionality added by the Ui24R 3.0 Firmware Update: Cascading enables users

to connect two Ui24R via Ethernet to double their mixing capability by enabling a new 32x32 bi-directional audio bus between consoles.

Cue Recall enables the saving and fast recall of mix settings.

UDP view to send UDP commands over Ethernet to lighting controllers.

Lexicon Reverb PreDelay Big Desktop Expanded Touch Screen

Support

series video switchers via the intuitive, GUI-based control environment made possible by ProVisionaire. With functions being constantly added, ProVisionaire is already well-established in the audio industry, already

supporting Yamaha digital mixers, DSP, amplifiers, NEXO products, Yamaha’s MusicCast wireless music solution and Disklavier reproducing pianos. “These control apps are a popular solution for many different venues, from restaurants and retail to large spaces like churches and theatres. We recognized that, increasingly, the market has needed a straightforward control solution for both audio and video,” says Yoshi Tsugawa, General Manager, Yamaha Pro Audio Division. “IDK manufactures high quality, reliable video technology and, with this collaboration, we have been able to develop the ProVisionaire series to add video control.”

TECHNOLOGY

The free Soundcraft Ui24R 3.0 Firmware Update

and Addendum Manual can be found at

soundcraft.com/ui24r

IS7px

Adamson Systems Engineering is formally introducing the CS7p point source enclosure – the first entry in a new generation of loudspeaker technology. Beginning with the CS7p, the new CS-Series will be the world’s first family of mobile loudspeakers to feature onboard Class-D amplification, DSP, and Milan-ready (AVB) network endpoints.

The IS10n is a two-way, full-range line array cabinet with two ND10-LM low-mid drivers (2 x 16W) and an NH4TA2 1.5” exit compression driver (8W). The critically-optimized wavefront with a nominal dispersion pattern of 80° x 10° (H x V). The waveguide’s efficiency allows for increased vertical dispersion without sacrificing high-frequency presence in the far field. Patent-pending Controlled Summation Technology further PRO AUDIO INTERNATIONAL

The design of the waveguide ensures equal tonal balance when moving outside of the intended coverage pattern, delivering natural sound with no diffraction or lobing.

The CS-Series builds atop the proven foundation of the tour-grade S-Series and install-focused IS-Series. The CS7p employs Milan-ready redundant AVB technology with the ability to daisy-chain networked audio between multiple sources in addition to an analog XLR input and output.

eliminates low-mid lobing normally associated with 2-way line source systems. The IS7px is a passive two-way, full-range point source cabinet containing two ND7-LM16 low-mid drivers and an NH3-8 1.4” exit compression driver with a passive crossover, resulting in a nominal impedance of 6 Ω. The prolate spheroidal waveguide produces a nominal dispersion pattern of 70° x 40° (H x V), rotatable by 90° increments.

NEW PRODUCTS

www.adamsonsystems.com

IS10n

Adamson IS10n / IS7px

Adamson CS7p Intelligent Point Source Enclosure

With the legendary The great sound quality and easy operation of the wireless TG systems is simply impressive. Always looking for possibilities to improve the best, beyerdynamic upgrades the TG 500 line by employing high-quality metal for the handheld microphones’ housings. CONQUERING THE STAGE: TG 500 series models are designed for advanced musicians and audio engineers with regular live gigs and a correspondingly high demand for channels and transmitters. From lapel microphones and headsets for presenters and actors to instrument cables for electric guitars and handheld transmitters for vocals or speeches, the TG 500 family covers a huge number of different applications. YOUR IRONMAN, YOUR STAGE: The handheld transmitters receive an upgrade: As of now, the microphones’ shafts are not made from plastic, but from


The TG catalogue also encompasses solutions for electric guitars and basses. A number of receiver and antenna configurations allows for maximum flexibility and perfect system optimisation. FREEDOM FOR LARGE AND SMALL STAGES: With wireless system TG 500, “freedom” goes beyond just meaning “free from wires”. It is about the freedom to perform anywhere in the world, bring your own system and operate it without licensing fees. It is about the freedom to play for up to ten hours nonstop without having to change or recharge batteries. It is also about being able to expand the system to best suit your needs – with up to 72 simultaneous channels.

solid metal, resulting in a particularly satisfying touch for the users. The new housings are also even more durable and impervious to the perils of stage and tour action. The sonic qualities of both TG 500H-D and TG 500H-C remain unaltered – the acclaimed sound is here to stay. All handheld TG 500 users benefit from the new metal shafts, regardless of their choice between the dynamic or condenser capsule. PERFECT COMPANION FOR YOUR PERFORMANCE The TG 500 product family ranges from lapel microphones or headsets for conferences, presentations and panel debates to specialised instrument microphones for accordions or brass instruments.

NEW PRODUCTS

beyerdynamic TG 500 Now for Metal Fans

www.beyerdynamic.de

The CRMSC-SRHV/120 reference surround is a 2-way passive-filtered full range loudspeaker, designed to meet all requirements of current and future high-resolution surround sound formats. The new AKG CBL Series Boundary Layer Microphones are available in two coverage patterns to support a variety of meeting space sizes and shapes. The microphones support conference rooms, education spaces, and a variety of professional use cases that


range, offering the most realistic sound reproduction possible. The CRMSC-SRHV/120 system consists of one RBN202 pro-ribbon driver for HF and a vented 6.5” mid-bass for LF reproduction. The HF section has a 500 W peak power input, enabling a 1:16 dynamic range with up to 90% less distortion from 1 kHz to beyond 20 kHz. Due to the “compression-less” principle of the pro-ribbon transducer, the system has a linear response at any SPL. Key Features: Multiple form factors –

choose from dual or triple element to meet the requirements of any installation

Low profile – minimally disrupts the table surface

Screw terminals – greatly simplify the installation

Touch I/O – change talk and mute state simply by touching the mic

LED ring indicators – provide clear visual cues for indicating current talk and mute state

RF interference suppression – avoid interference from mobile phones and laptops

Featuring the multiple-patented Alcons pro-ribbon driver transducer technology, the CRMSC-SRHV/120 surround combines an exceptional clarity and intelligibility with an unusually high dynamic

can benefit from great sounding conference audio capture in large and medium sized rooms and over the web.

NEW PRODUCTS

Alcons CRMSC-SRHV/120 2-way Passive-filtered Full Range Loudspeaker

AKG CBL Series Boundary Layer Microphones

www.akg.com / www.harman.com

www.crms.info / www.alconsaudio.com

Integrating seamlessly as part of a d&b system, the DS20 Audio network bridge interfaces between Milan networks and AES3 digital audio signals, while also providing distribution of Ethernet control data. Metadata including Milan channel labels and cabling information is sent via the Simplifying the general

operation of a d&b system, the 7” panel PC grants any user one-touch control of predefined functions – power, mute, level, grouping and recall of up to nine AmpPresets. All control functions in R90 work independently of the d&b R1 Remote control software, eliminating the possibility of accidentally altering any of the carefully balanced system settings. Setup and configuration of R90 project settings can be accomplished quickly and


the DS20 provides four digital AES3 input channels for applications such as a break in from a front of house console. The DS20 incorporates a fully AVB enabled integrated 5-port switch, offering a primary and redundant network. This provides extended connectivity for a laptop to control the d&b amplifiers using the R1 Remote control software via the OCA (Open Control Architecture) protocol.

extension of the d&b System reality and designed to work in complete harmony with d&b amplifiers and provides a complete installation package consisting of impeccable sound quality and ease of use.

AES3 channel stream to the four channel d&b amplifiers. Positioned in front of the amplifiers within the signal chain, this 1 RU device is equally suited to mobile and installation environments. As well as providing an interface from the Milan audio network to the digital inputs of the d&b amplifiers via Ethernet, which everyday activities can

easily, after be managed without a technician present. Running AES70/OCA, the R90 Touchscreen remote control can be easily integrated into any d&b system (using up to fifteen amplifiers) without the need for additional programming. The hardware consists of a 7" touch screen (800 x 480 pixel) Industrial PC (IPC) device. It incorporates a 1GHz ARM Cortex-A8 processor and provides a steel housing with aluminum front. R90 is part of the d&b workflow, an

NEW PRODUCTS

d&b audiotechnik DS20 Audio Network Bridge

www.dbaudio.com

d&b R90 Touchscreen Remote Control

The new Clear-Com® V-Series Iris Panels, which provide Eclipse HX users with low latency Audio-over-IP (AoIP) using AES67, are now shipping. The V-Series Iris panel can monitor and send communications over three concurrent AES67-compliant uncompressed audio IP streams, enabling systems to deliver high quality, uncompressed audio from intercom user to user with significantly reduced latency. When connected to Clear-Com’s new high-density E-IPA card, which is natively AES67 compliant, users can deploy up to 64 Iris panels per card.

The new U300 series UHF wireless system from LD Systems provides comprehensive system


fully implement its AES67 connectivity, real time control and color tallies; it also has I.V. Core IP and 4-wire connections for backward compatibility with Eclipse frames running EHX 10.0 or earlier. Thanks to one-touch infrared synchronization and intuitive user guidance, the U300 series Diversity UHF wireless systems are ready for immediate use. Depending on the charge level of the AA batteries used, over ten hours operating time is possible. The microphones are compatible with the U500 series capsules and can be tuned flexibly in vocal and voice applications. The U300 systems provide twelve channels and are available in various frequency ranges so that they can be used around the world.

The Iris panel also offers fully user-configurable color OLED displays, providing the user label, tally and port information. EHX Supervisor Mode real time control allows label updates and monitoring on the fly. The V-series Iris panel is optimized for use with EHX 11.0 software to solutions based on reliable and easy-to-operate wireless

technology. U300 Wireless Systems offer solutions

with headsets, lavalier or clip

microphones, a version for electric guitars and basses, and sets with handheld

microphones. The series is complemented by the U300 Wireless In-Ear Monitoring (IEM) Systems.

NEW PRODUCTS

Clear-Com® V-Series Iris Panels

www.ld-systems.com / www.adamhall.com

www.clearcom.com

LD Systems U300 Series

The RS16000 Touring Rack from dBTechnologies is operable within the UHF spectrum between 470-870 MHz. The digital, 24-bit, true diversity wireless microphone system offers up to 400 MHz of tuning bandwidth across six channels. A total of 16,000 frequencies are available to users, which can be selected in manual mode within 25 kHz increments to meet the needs of virtually any application in countries around the globe. Housed in a rugged road case, the RS16000 system includes six RS16000R receivers, a model AS6W antenna splitter with 9V phantom power, its own active cooling system, an RPS10 power supply, and a HUB800 network hub, which facilitates use of dB PRO AUDIO INTERNATIONAL

Its low latency (1.8 ms maximum) complements the digital, compander-free circuitry to insure sonic clarity across the entire working spectrum. As a safeguard, a 48-bit random encryption key enables discreet operation that can’t be decrypted even with another RS16000 device. Engineered to be a truly comprehensive management app, Wireless Manager can be used to accomplish myriad tasks ranging from country-specific frequency selection, spectrum analysis, and automatic frequency scan to calculating intermodulation, making gain adjustments, and much more.

Technology’s proprietary Wireless Manager software via a front - panel USB port. An Ethernet port is also provided in the back -panel for building and managing multiple systems, each of which can virtually support more than 60 transmitters simultaneously. Beyond the broadband antenna included with each system, optional accessories include windproof omnidirectional and directional antennas, both of which are active with adjustable gain (+12, +6, 0, -6 dBm), and outfitted with an LED indicator that warns users when RF saturation exceeds safe levels. With an operating range of nearly 300 feet in absence of interference, the RS16000 Touring Rack is FCC, RED, and IC compliant.

NEW PRODUCTS

dBTechnologies RS16000 Touring Rack

www.dbtechnologies.com

Sold separately, handheld and bodypack transmit-ters are available for use with the system. Inter-changeable capsules are included with the handheld transmitter along with a Shure adapter, while the bodypack is has a Shure compatible four-pole Mini-XLR connector.

The GEO M12 shares the same aesthetic design and sonic signature as the other line array in the GEOM family, while offering an unprecedented level of flexibility in all size applications. The GEO M12 is 370mm x 700mm x 446mm and weighs 34 kg. Using latest-generation Neodymium The MSUB18 is only 525mm x 701mm x 704mm (20.6” x 27.6” x 27.7”) and weighs 55 kg. A stack of 2 x MSUB18 is the same height as 3 x GEO M12, and this ratio is recommended for most applications. Using a new very high efficiency hybrid band pass sub design, the NEXO MSUB18 features a new long excursion 18 inch Neodymium driver coupled with a new quadratic-shaped


GEO M12 is available with two vertical dispersions: 10° for the GEO M1210 20° for the GEO M1220 GE0 M12 main features Powerful line array

element that can be stacked or flown, with or without its companion sub the MSUB18.

Integrated rigging hardware with no loose part and AutoRigTM feature.

Available in Touring or Installation versions, with custom RAL colour options.

Incorporates latest NEXO patented technology from the flagship STM series.

Comprehensive range of versatile, multifunction accessories for deploying the GEO M12 in a wide variety of applications.

drivers, arrays of up to 12 boxes can be used in most venues, indoor or outdoor. From speakers to waveguide, GEO M12 is packed with important NEXO technical innovations. The HF uses our patented Hyperbolic Reflective Wavesource (HRWTM) technology while the LF benefits from the patented Phase Directivity Device (PDDTM). low frequency port expansion, limiting the port compression to a very low level. The result is a particularly articulate low end with a very high output level for its size. NEXO’s acclaimed simulation software NS-1 takes care of precise simulation of any MSUB18 configurations to predict audience coverage and rejection at the back.

NEW PRODUCTS

NEXO GEO M12

www.nexo-sa.com

NEXO MSUB18

The new L550 features a total of 288 processing paths, 36 Matrix outputs and 48 VCAs, assignable to any of the 36 + 2 faders on the control surface. L350 features a total of 216 processing paths, 36 Matrix outputs and 36 VCAs in a compact 24 + 2 fader frame. Both consoles can be augmented with USB Remote Fader Tiles or be connected to remotely from another console, a laptop running SOLSA remote control software or tablet running the TaCo control app for a truly flexible and expandable work surface. The L350 and L550 replace the L300 and L500 Plus in the current SSL Live console range and are showfile compatible with all other SSL Live consoles.

SSL is expanding the SSL Network I/O range of Dante interfaces with the introduction of the SB16.12 PRO AUDIO INTERNATIONAL

Upgrade kits are also wish to

wish to upgrade their consoles to the latest specification to benefit from the processing power increase and keep their console up to date. 16 SuperAnalogue™ mic/ line inputs with gain compensated digital split outputs, 8 line outputs, 4 AES inputs with SRC and 4 AES outputs. SB 16.12 has dual Dante network interfaces, providing a redundant pair of ruggedised etherCON ports for the main I/O and a redundant pair of SFP ports for the compensated split outputs. The SB 16.12 allows for greater flexibility of I/O options when deploying I/O in a distributed system.

All existing SSL MADI and

Network I/O Dante stageboxes can be deployed with any combination of SSL Live consoles. Upgrade kits are also available to existing L300 and L500 owners who

Stagebox. Based on the same specifications and design as the llarger SB32.24, the new SB16.12 features

NEW PRODUCTS

SSL L350 & L550 Ruggedised X-Light Consoles

www.solidstatelogic.com

SSL SB16.12 Stagebox

L-Acoustics X4i is a powerful yet superbly unobtrusive and highly weatherized coaxial loudspeaker for installation applications. In a convenient Yamaha’s multi-award winning VXC and VXS loudspeaker range is being expanded with the VXC2F 2.5” full-range, low profile ceiling speaker and VXC8S 8” bandpass ceiling subwoofer. Featuring a newly-developed 2.5” driver, the VXC2F is the shallowest model in the VXC series, with a depth of just 76mm. It delivers exceptional performance, with a conical coverage angle of 160º, sensitivity of 86dB SPL, a frequency response (-10dB) of 67Hz - 20kHz and power rating (PGM) of 30w. Developed from Yamaha’s


arts centers or houses of worship, matching the sonic signature of main L-Acoustics systems such as ARCS and Kiva. X4i can be hidden in walls, stair risers, stage lips, pit rails, under balconies or any other tight spot with ease. The robust, weather-resistant X4i boasts an IP55 rating and becomes watertight with a rear sealing plate, allowing integration in challenging climatic or outdoor environments. music playback, its band-pass type structure, with a frequency response of 44Hz - 280Hz, sensitivity of 88db SPL.

enclosure weighing less than a kilo, X4i, the smallest loudspeaker the company has ever manufactured, measures only 3.9 inches deep, yet still offers the L-Acoustics world-class sonic signature. Perfectly dimensioned for

ease of integration into conventional construction materials, X4i is ideally suited to fill applications in performing highly successful VXC8 full-range ceiling speaker, the VXC8S is the first ceiling subwoofer in the VXC range. Designed for background

NEW PRODUCTS

L-Acoustics X4i Ultra-compact Coaxial Enclosure

www.l-acoustics.com


Yamaha VXC2F / VXC8S

Designed for distributed sound applications that require high performance from visually-discreet, ultra-compact enclosures, the ADORN series also provides a seamless sonic transition within a multi-zoned complex using larger Martin Audio systems such as CDD or BlacklineX. Featuring a 4” and 5.5” driver, the two-way ADORN 40 and ADORN 55 respectively are available in black or white as standard and can be readily painted to match any interior décor and architectural environment.

The T Series consists of both 2- and 4-channel models available in 3,000 W and 6,000 W versions supporting channel powers from 750 W to 3,000 W in a single rack


Their ‘T’-designated options are fitted with an internal high-quality 70V/100V multi-tap line transformer with a switch to select the output level. T Series also includes AES3 and Dante™ by Audinate® inputs, which are optimised for daisy-chained distribution of 2-channel audio to multiple amplifiers with no need for external switches or splitters. Each model features group controllable advanced EQ to let users equalize multiple amplifiers in a chain, as well as a robust preset library with FIR processing. The T Series offers remote control and advanced signal processing abilities via Powersoft's ArmoníaPlus System Manager as well as onboard DSP. The T Series also lets users configure presets.

The loudspeakers have a nominal impedance of 16 ohms, enabling four or more speakers to be driven in parallel by one amplifier channel, thereby maximising efficiency.

unit. All models can deliver the same high peak voltage and can drive single 8/16 ohm cabinets at full SPL, making the T Series a cost-effective solution.

NEW PRODUCTS

Martin Audio ADORN Series High Performance Ultra-compact Enclosures

www.powersoft-audio.com

www.martin-audio.com

Powersoft T Series

The SWP1 series network switches and the new SWP2 series switches add dual 10G uplink ports with opticalCON connectors and the band-width needed to provide stable Dante networking at 96kHz, even over long distances. Available in both multi (SWP2-10MMF) and single (SWP2-10SMF) mode Mackie announces their new flagship DRM Professional Powered Loudspeakers. Available in the 1600W 12” DRM212, 1600W 15” DRM215, 2300W 15” 3-Way DRM315, 2000W 12” DRM12A Array, and 2000W 18” DRM18S Subwoofer – all models are available in passive boxes. DRM powered series deliver class-leading power up to 2300W via ultra-efficient Class-D amplifiers with next-gen system protection. At the heart of every DRM Series loudspeaker, is Mackie’s Advanced ImpulseTM DSP module. Universal power supplies feature Power Factor Correction technology for peak performance.


without the expertise in network technology and operation needed when using standard intelligent switches. SWP2 switches also allow the relevant settings for stable Dante network operation (QoS, EEE, IGMP Snooping and others) to be optimized via a single DIP switch. The SWP2 series switches include three built-in VLAN presets that can be quickly selected via DIP switch for efficient network utilization (it is advisable to provide separate VLAN subdivisions for smart devices running control applications such as StageMix and audio data when both will be connected via the same Dante network).

models, two optical fiber cables can be connected and link aggregation activated to provide trunk line redundancy via spanning tree (MSTP) protocol. A simple ‘Optimize for Dante’ switch setting makes them easy to set up for stable Dante network operation,

NEW PRODUCTS

Yamaha SWP1 & SWP2 L2 Network Switches

www.mackie.com/drm


Mackie DRM Series

The new ZoneMix from ARX Systems is a multi-channel Mic/Line Zone Mixer that has been designed to cope with the variety of audio sources found on multimedia devices today. This unique product is both intuitive and user friendly and features Wireless audio, USB and MiniJack inputs, 2 Mic/Line inputs, stereo line input, and Zone 1 and 2 Stereo Master level controls.

Palmer presents the STUDIMON5, an active 5”


The Mic input can be switched to be a Line input as required and the Stereo Line Input 3/4 has a rear panel input trim control, as well as front panel output level controls. There are also Zone 1 and 2 Stereo Master level controls and the Zone 1 and 2 Stereo Master Output XLR connectors can be switched to Mono if required (using rear panel switches). Like the other new releases, STUDIMON5 characterizes the new Palmer brand language and, thanks to their elegant wooden side panels, the studio monitors can not only be used in the studio, but also flexibly integrated into other professional audio environments. On the rear, the studio monitors feature a bass reflex port, jack and XLR inputs as well as a volume control.

Packed with inputs, outputs and control features in a compact 1RU unit, the ZoneMix offers a Wireless audio receiver, a USB connector and MiniJack inputs - each with their own individual level controls. Each Microphone channel on the ZoneMix has a Balanced Low Noise Mic input plus individual Gain and Level controls.

studio monitor in a highly compact bass reflex design.

NEW PRODUCTS

ARX ZoneMix

Palmer STUDIMON5 Active Studio Monitors

www.arx.com.au

www.palmer-germany.com / www.adamhall.com

PK Sound, the company that revolutionised three-dimensional wavefront technology, introduces its new Trinity 10 - the first mid-size, three-dimensionally controlled sound system of its kind. Combining the ultimate in sonic flexibility as well as cost / space efficiency, the Trinity 10 features the identical voicing as the full-size Trinity module. Like the larger version, the Trinity 10 is configured remotely, providing advanced users with a completely new set of tools and unparalleled

The all-new Intelli-Power 10 from Apex features dual DSP internal processing and high-end, studio-grade analogue circuit designs for premium sonic performance. Intelli-Power 10 combines a powerful 4 x 2500W amplifier with Apex’s renowned Intelli-Series DSP to set new standards in powered system management and loudspeaker processing design. Fully plug-and-play with integrated Dante audio networking capability plus


Trinity 10 is powered by a 3000 W Class D amplifier to maximise headroom while maintaining crystal clear audio and providing exceptional output. be either analogue, AES/EBU or Dante, enabling a mix of audio formats to be used simultaneously. Internal three-way Ethernet switches enable the device to interface easily into any existing or bespoke Ethernet network. Both automatic IP (DHCP) and static IP configuration is provided as standard for straightforward plug-and-play connectivity. A fully redundant Dante module enables easy integration into a Dante IP audio network. In terms of synchronization and redundancy, the IP-10 provides a three-tiered redundancy approach which ensure that if any one of the four sync sources (Dante, AES A/B, AES C/D and Internal) is lost, the device will automatically revert to a different source ensuring no loss in audio.

control over the vertical and horizontal polar directivity of the entire array, while bringing world class sound field control to mid-size class line arrays. In addition,

fast and intuitive remote configuration, monitoring and control via Apex’s much-vaunted Intelli-Ware software. Intelli-Power 10 offers a range of features to easily integrate and optimize any system, starting with the DSP – like the rest of the Intelli-Series, IP-10 provides all the system management tools necessary for comprehensive system alignment and EQ through to provision of IIR and custom FIR-based crossovers. I/Os can be selected (in pairs) to

NEW PRODUCTS

PK Sound Trinity 10 Robotic Line Array

www.apex-audio.eu

www.pksound.ca

Apex Intelli-Power 10

Prolight + Sound April 2-5 2019 Frankfurt, Germany www.pls.messefrankfurt.com Music Inside Rimini May 5-7 2019 Rimini, Italy www.en.musicinsiderimini.it GET Show May 8-11 2019 Guangzhou, China www.getshow.com.cn Pro AVL Indonesia July 18-20 2019 Jakarta, Indonesia www.avl-indonesia.com Mediatech July 2019 Johannesburg, South Africa www.mediatech.co.za PLASA September 15-17 2019 London, United Kingdom www.plasashow.com Prolight + Sound Shanghai October 10-13 2019 Shanghai, China www.prolight-sound-shanghai.hk.messefrankfurt.com/shanghai/en.html

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issue 8 mar apr 2019 inside - avl times · 2019-03-21 · venue and prides itself on its co2...

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