it don't mean a thing' - 10 jazz standards for trumpet

5/14/2018 'It Don't Mean A Thing' - 10 Jazz Standards for Trumpet - slidepdf.com

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C O N T E N T S

P a g e

H o w to u s e t h is b o o k 5

A b r ie f g u id e t o th e s o n g s 6

B L U E S I N T H E N I G H T 8

B y J oh n n y M e rc e r a n d H a ro ld A r le n

E M B R A C E A B L E Y O U 1 0

B y G e o r g e a nd I ra G e r s h w i n

I T D O N 'T M E A N A T H I N G ( I F I T A I N ' T G O T T H A T S W IN G ) 1 2

B y I r v in g M i ll s a n d D u k e E l l i n g to n

M Y F U N N Y V A L E N T I N E 1 4

B y R ic ha rd R o dg e r s a n d L o r e n z H a rt

L O V E I S H E R E T O S T A Y 1 6

B y G e o rg e a n d I r a G e rs hw in

S U M M E R T I M E 18

B y G e o r g e G e r s h w in , I r a G e r s hw in , D u B o s e a n d D o r o t h y H e y w a r d

B y G e o r g e a n d I r a G e r sh w in

S O M E O N E T O W A T C H O V E R M E 2 0

I ' V E G O T Y O U U N D E R M Y S K I NB y C o le P o r t e r

2 2

H O W H I G H T H E M O O N 2 6

B y N a n cy H a m il t o n a nd M o rg a n L ew is

I G E T A K I C K O U T O F Y O U 2 8

B y C o le P o r t e r



8

C D T R A C K ~ B L U E S I N T H E N I G H T

~

Medium swing, bluesy J = 72

W o r d s b y J o h n ny M

M u s i c b y H a r o ld

My Ma-ma done tol' me L when I was in knee-pants, my Ma-ma done tor me.L.

4 C7 p 7 C#7 B~13, 3 3

J 7 )! I j J J j J J . }j J 3 j j j'-" - - - - - '-" '----'

'Son, a wo-man 'll sweet talk,_ and give ya the big eye,_

A7(~9}

7 ~

but when that sweet talk - in' done.Lc; a wo -man's a two - face,_s

10,'t1 E

G7(~9)

3

~ 4 j 4 j J

C7

IrEy§4g I;.3EJ

wor ~ri - some thing who'll leave ya t' sing the blues _ in the night.'

[ I D

13 C6 F 7 C~

,F " ~ [ r F I ' ' C ° P [ F FI I p C o C 7~

.. J JNow the rain's fall -

' ,hear the train call - in', whoo - ee, (mIn, a

16 C6 3 P # 7 ( # 1 1 ) p7 Alm G7(#5 ),iJ J __"

I ' ) F " P f I r € E '' [ TJr° 7 r F ~ FMa -ma done tor me.l L Hear that lone - some whis - tie slow in

' ,cross the tres -

19 C6 3 G7

t~

£ J Jr=-. .-.

---k ~ I~§ - - . . E• rE ; C C I -- J~ LJ F 0 / ~! 7

s"Jwhoo - ee, (my Ma-ma done to]' me,)_ A whoo -ee-duh -whoo - ee,_

22,AP9' ' & 1 rG7C #9 ) 3

[J~ 4 j J j j3

click - e - ty clack's a e - cho - in' back the blues _ In the night-

e 1939 HinIs lie.. l r : . a .

Itire'~ ~ '-reI:..it !..-.• I ! I ! S



10

W TR A C K ~ E M B R A C E A B L E Y O U

~M u sic a nd L y r ic

G e o r g e G e rs hw in a n d I r a G e rsBossa j = 66

A6 Cdim? Bm E7 F~7

& l I i j # ¢1 t i f

j J I )J

J 1 lJ

J j' " J~

J J I j .

,I

..._.Em -brace me, my sweet em - brace a - ble you._

5 Bm Bm 7d•5) E7 Ao/9 E9su s A%

& ~ # # I~,

J t C d .r r r I , r r r 7 7 J 1 ,Em - brace me, you ir - re - place a - ble you._

9 P~m P#m7 /E D#m7(P5) G #7 C #m C#maj7 C #m7 F#9

4 1 1 D ~ F j J J I F j J J I p 0 / 7 )1 J J 2 2 f j . J

Just one look at you my heart grew tip sy in me;_

EjB E#dim7 F#m7 B9 E13 Bm7 E713

& 1 1 # # J J j J Ij j r I r I P 0 / j' ~J J IJ

,I

- - - -ou and you a - lone bring out the gyp s y in me._

O O J

17 A6 1 1 i f Cdim? Bm E7 P#7

& 1 1 # # l J J J I , J : J J I)

7 7 } J IJ f

- - - -ove al l the man - y charms a - bout you;_

21 Bm Bm7 (P5) E7 A% E9SU S A%

& 1 1 # # I P~

J 4 E d .r F r II r F r 7 7 J 1 l

a - bove all want my arms a - bout you._

Dma j ? G#m7(P5) C#7 F#m P#m(maj7 l25 p

& 1 1 # # I F r F I r F r F I t m J J J JDon't be a naugh - ty ba - by, come to pa - pa, come to

F #m 7 B9 jD# A fE Bm7(! '5) E7(1 :>9 ) A%

28 = = = = 'IRf f

& 1 1 # # n r - " 18 v

•J L A* r r F 0 / 0 / ~) I - t -

pa -pa do ' :\ly sweet em - brace a. - ble you.

o1!l1"":~ , c a . _ _ . . 1 M . . . ~ Ca. UiJ l U S A

"a" .,,!.lL~ • .s



12

C D T RA CK m I T D O N 'T M E A N A T H I N G ( I F I T A I N ' T G O T T H A T S W I N G )

Fast swing J = 116

J DRUMS 3

~ ¢ I I I -

7 Am7

~ 'Tain't got that swing, _

11 C6 E7 (#S)

~-U F P r p I F I- doo wah, doo wah, doo wah.

15 Am7 Am6

~ F r r J I ' __

got to do IS sing,

19 C6 G7 C6)

~U r ~ r ~ I r 'doo wah, doo wah, doo wah.

23 F 6

~I t

hot;

W o r d s b y I rv in g M

M u s i c b y D u k e E l lin g

~f Am Am(maj7 )

* F I IJ J

r I F

j

rIt don't mean a thing if it

doo wah, _ doo wah, doo wah, doo wah, doo wa

Am Amlmaj" )

t•

Ij J

r I F rJ

IIt don't mean a thing, all you

D7 G7

I S;:-=.,

I cCCJ r p r p rdoo wah,_ doo wah, doo wah, doo wah, doo wa

O O _ ]

Gm7 C7

r I I r r p r p l r r p r 'It makes no djff - 'renee if__ it's sweet or

Am7 D7 G7

I )*

r I r ~ p f ' I f r p r I 0just give that rhy-thm ev - 'ry thing you got.

[928 E7 Am Am (ma j7 ) Am7 Am6

~

- I F I I J ~ r I r J F l i T p r ~1 ; 1 )

It don't mean a thing if it ain't got that swing, _

33 D7 G7 C6

~ : c C O r ID r D r u r r t : : : r r ~ r ~ I r i - I Idoo wah, _ doo wah. doo wah, doo wah, doo w ah, _ doo wah. doo wah. doo wah.

( ) 1 9 3 2 E M Mills IIIsic l ie.. l I S A . .

E ll . .. N i t s & & c u .. 1 . . II I II I I I. .: : 2 1 1 l 1 l' i ' . . .. .. .. . z : : . . . . . . 1W::sIwt C & . . . . U S A f " I I I D

.r.6MHiS!:fc;! '" ~ III =me-·1lIsc ...l[



14

C DT R JlC K ~ M Y F U N N Y V A L E N T I N E

~

Slow/Medium tempo ~ = 88Dm

Dmlmaj']

i2J I J . )jMy fun - ny . V al - en - tine,

j

W o r d s b y L o re n z

M u s i c b y R ic h a rd R o d

Ij J J I J .sweet com - ic V al - en - tine,

I~ i1Jyou made me smile

Dmlmaj')

I J . J~JYour looks are laugh - a - ble,

13 B Pmaj1 Am?

& ~ J Wyet

17 O O J Fma j?

$ - F '

Gm?

with my heart. _

Dm7 Dm6

tz J I J~

J; J J 1

un pho - to - graph - a - ble,

B Pm6 Cll C13(P9)

q p I~. . . . . . . . - : -

1 'r tm 1

Jof art. Is YOUl·you're my

I F 'fay

F

'rite work

Gm 7 C7 F

J J I r -Is your mouthig -

21 Fmaj?

& . r : '

J~J Jure less than

I JGreek?

J I Jto speak,

Dm(ma j1 )

I J . J 1 j

J 1 Jo pen it

don't

Stay,

BPmaj133 1 I ! f

& . jEach

: J u J-..._/

change a hair

Em?(P5)

~

r F I rlit tle Val

Am? D7(P9 ) Gm?

J J I Jd a y is \hl

for me,

Cm? F7(P9)

J Jare you

I Jnot

Gm7 C 7 F Gm7 C?

J 1 J J I J J Ja

lit- tI e weak? When you

BPmaj7 Em 7(l>S) A?(P9)

mp

I 0 lu n j

smart? But

Dm6

tz J J~

JJ 1

if you care for me.

Dm Cm? p7(P9 )

I0

l r *stay

F Em7(p5) A7("9 )

I Ijday .

o1!B J ~ , C & . K... I l S A

• C 7 Ir.fr '-:I :.lit ~ ...

p ren - tine,

en - tine's



M us ic an d l)'rics

G e o rg e G e r s h w in a n d I r a G e r s h~ ~Ioderate swing

A9 Am7

L O V E I S H E R E T O S T A Y

Freely " = 100RHYlliM .-y' t i SECTION III

1 1 f f (E7 )

I I t J 2It's ve - ry clear

It)

D 7 G C 7

}J J I 0is here to stay;ur love

12 Bm7 E7 Al3 Am7jD D 7 F9(~11 ) E 9 A7

' t i l J j r 10 It} }J J I 0 I f r r~ I

not for a year but ev - er and a day. The ra - d i -

E7 Am7 D 7 Gmaj? C F~m7 (P5 ) B7

,,-....... ~

f 2 F I J j~ ~" P I[JF g~r r =--

and the te -Ie - phone and the mov - ies that we know may just bea

Em A7 Am7jD

tJi l ' JfIp

J j I I~ I(I

0 /

<c:>fan - cies, and in time may go.

21

' t i j Jpass - ing

dear,

Am7 D 7 G

ItiJ ) J J I0our love is here to stay;

Am7 D 7 F9(~1 l ) E 9

I t iJ ) J J I 0go - ing a long, long way.e're

33D 7 E7 Am7 D 7

' UE j

rD

F P IEJ F ~ c -Rock - ies may crum - ble, Gib - ral e tar may tum - ble,

36 C C~d im7 GjD E7 Am? D 9

' t i , J,,---.._

r I l r F r I I T Jclay, but our love is here to

© 1 9 3 8 ( r en e w e d ) C h a p p e ll & G o , U S A

W a rn e r / C h a p p e l l M u sic l t d , L on do n W 6 B B S

D 7 (E7 )

1 I ! fjI f J 2

But, oh my

Bm7 E7

I t J j fto - geth - er

A7

I t r F~D

In time the

F9 E 7

~

# 1 2 97 ,f

f rthey're on - ly made of

G 6 Bm? E 7

I 0 1 2 t. . . . . . :

stay.



1 8

G D T R A C I ( ~ S U M M E R T I M E

(from P org y a nd B es s® )

Mu sic an d L yrics b y G e o rg e G e rs

Up-tempo swing .l = 132 Du Bose and Do ro th y H eyward and Ira G er

P#7 (#5 ) Bm 6 F#7 jC# Bm 6 F#7 jC# Bm 6 F #7 /C # Bm 6 P #7 jC #

- J _ , I j . f .---~ ~@ I t # i F r I I c- I F er E1 r I r J I J # r r

Sum - mer - time _ and the liv - in' is s y . _a Fish are

5 Em7 G Em7fB Bdim? P#jA# C#7 F #7 C9(#11)

' t i #~

a rFn.

I J C J F I; : : : = - -

If pI)0 /

jump-in'_ and the cot - ton is high. Oh, yo

9 Bm6 p#7jC# Bm6 P#7 jC# Bm6 F#7 jC# Bm E7

, ~.-.. _ . . - - . .

p r p I T I * r r r, .

F I J~ * JrDad- dy's rich_ and your Ma -rna's good look in'. So

13 D jA Bm6 E7 All

, t i f t j f1~

r r I p F ' Fhush lit - tle ba - by don ' t i you

[ ID

17 Bm6

p#7jC# Bm6

P # F !

' * Dr I T " I P ( II'

, .0 / E JJ

morn - in's you're goin' to rise_

Bm 7 C #m 7(p5) P # 7 ( # 5 J

l o C = - I ? *F r rL.___3____:_j

cry. One of these

Bm6

P#7jC# Bm6

r I r t:_lJ*

f Fup sing in', then you'l

Em7jB Bdim" F#jA# C #7

I $ E 2 . ? E J r i o ? :

25 Bm6 P#7 jC# Bm 6 P#7 jC# Bm6

, ~ »j j - r ..-..._

I J E , . E l l ' r I FJ

morn-in' __ there's noth - in,

harmcan

29 D/A Bm7 s-. All Bm 6

& # f t J~ F r I ~ r ' I T I 0

Dad - d y and Mam - my stand In bv;

spread your wings L and you'll take to the sky : _ But 'til th

Jyou _ with

o1935l-.aIl521 s . e e GasillilIIIIsit.. nG e r s I II I i I ~ iIIIl 0. B o s e Aad.D IIuU Iy ~ ~ r.t.USA. c : 7~!.1t~.~



2 0

C D T R A C K ~ S O M E O N E T O W A T C H O V E R M E

~

Moderately J = 116

M u s ic a n d ly r ic s

G e o r g e G e rs hw in a n d I r a G e rs

F f F13 BD6 BD dim7

' ~ 2F

J

r

~I~ r V

rJ

(FJ

'-'There's a some - bo - dy I'm long - ing to see.

FjA a#dim7

I v

rD

FI hope that he

F N(~5) BDmaj7 C 74 C7jG F~dim7 Gm7 D7jA BD6 Bm7d ,5) C7sus C7, ~ F P I , f 7 F T r I F,

Jr J 1

turns out to be some - one who'll watch 0- ver- - - - - - - - - - - -e. _

9 F F13 B~6 BDdim7 FjA G#dim 7 C7jG F#d im7

, . I~~

r~

I V r p r I v r D F I D r pc : E J r..__/

I'm a lit - tle lamb who's lost in the wood. I know Icould al - ways be good

13 Gm7 D7jA BP6 Bm7(P5) C 7sus C7 F F7 BP C 9 F F7

, . , - - - - - - . . . . . . .

I F J J Jr r r~~

J 1 I I) I f r1...___-

to one who'll watch o - ver me._ A I - though he

1 7 [ I D B~ FjA E 7

, .~ ~ ,-..,

~F F r r I r I T r I r I T r I r I T r I r r rmay not be the man some girls think of as hand - some, to my heart, he

22 A7 D D 7 09 C 7 ~ F F13

, . r r # r I ItS I _ A j I I, ~) r

~

J c : E j

- - - - - - -~

car - ries the key. Won't you tell him, please, to

26 Bf,6 BDdim 7 FjA G~dim7 C7jG F#d im7

, . P F P r - I p r D I T I v F p rput on some speed, fol - low my lead. Oh, how need

29 Om7 D7/A B[,6 Bm7(f,5) C''sus

, . f= : . . . . . . . . .

r I F jr J l

some - one to watch o - ver

J~ Ime. __

C 1926 ~ ~ 'C o . __ ..... ..., MIsE Co. l .Bt. l ISA

• c: '''IJitL..-.m



2 2

C O T R A C K ~ I ' V E G O T Y O U U N D E R M Y S K I N

W o r d s a n d M u s ic b y C o le P

F 6

L A , FI

Frna j1 F 6

l

4 t A JI

so wen. Bu

Dma j ? D6

[ & ]

Medium J = 96mpC7 GIn7

'~ r I I r

C13 Fma j? Am7

. . . . - -

I r f 5 F

,

I I)I T

J1

'tyou un - d er my skin.'ve got

5 Gm7 C13 Fma j? Am7, ~ =- I E -=-- l

: J .,

4 e JI T I T a F J 'l I J 1

got you, deep in the heart of me,

9 Gm7 C 7 Fma j? Am7

, ~. . . . - -

I r J tJ J 1 I a . j I JE1 r )

- - - -eep in my heart, you're real _·ly a part of me.

13 G m?, ~Jgot

Cll Fmaj7

J2_J) }l ) I~ I;~un _ der

~my skin. _ou _

17 G m7

, ~ F r l e

Fmaj7

¢ 7 7 f ) 5 I (t :

not to give in.ried 50 _

C7 Fdim

fl'l

I t a .ne - ver will go

Dd i r n

21

, , , " r r E r r r I ~ Fl___s__J l___3__

said to my - self, 'This af - fair

Em A7

25 ,-3---, ,-3---,

& ~ IJ J J J J J I!J J

D7(P9)

I

FI've

D7 ( [ >9 )

t j

So

D7C#5)

t JI've

D7 ( P 9 )

l F

# J } # J 1 I~j. ~)_ _ tJ t ~dar-ling, I know so well, I'vhy should I tr y to re - sist when,

29 G m? Cll, ~ t: I Jgot vou

Fma j? F 6

) J J ) I~ I; I J'---'"

un - der m\" s~ I 'd

I)1936 ~ ~ .. IIIDIItlIIISit c.,. U SA___ ' ~ lli.u . . . . as



: : ' .J . .: ' 9 H O W H I G H T H E M O O N

Mediumlbright J = 100

W o r d s b y N a n c y H a m i lt

M u s i c b y M o r g a n L e

RHYTHM

, # SECTION

# # G ! I

3Amaj?

JF I I r

?'"

r r j Jr Fmu sic, how faint theome -where there's

7 Am7 D 7 Gma j? Gm

, ~ ~ # g o I, J q WJ I j ~. j J

J q j ~ I ~ o- - - - -

tune! Some -where there's Hea Yen , how high the moon!

12 C 7 Fmaj? Bm 7 (PS) E7 Am7 Bm7(! ,5 ) E 7

& # # # l j q J g J I J J J J Ij # ] = 1 1 J I! l, l"" P r · ttJ J

There is no moon a - bove when love is far_ a-way too, 'nl.L, it com

Bm 7 E13 C #m 7 C13 BmI l Bm7 jE E7 (1 ) 9 )

I: r r r I F r F F I F j J J

that you love me as love you. Some -where there'srue

Am7

Ifj J J I ~l()

it's where you are.

Gm

jJJ g J J I ~ ohow near, how fa r !

D 7

I:J

g j J

Some -where there's

C 7

I: J llJ q JThe dark - est

Bm7 E 1 3

Il F F rUn - til you

mu sic, _

Hea ven, _

29 Fmaj' Bm7 (~5 ) E 7 Amaj?

& ~ ~ #J J J J I J ~&D J I"night would shine if you would come., to me soon.

33 C~m7 C13 BmU Bm7 jE E7(~9) A

& ~ ~ #F F• •

I F JI J I. ,I

. ,

will, how still my heart, how high the moon.

© 1 9 40 C h ap p e ll & C o I n c, U S A

W a rn er / G h a p p e l l M u sic L td , L on do n W 6 8 B S



28

C O T R AC K ~ I G E T A K I C K O U T O F Y O U

~

Medium swing J = 172

Gm7 C7

& ' 1

mf 3

tJ J J I J

J~

get no kick from

5Gm7 C7

3

4 - t J J J I] J j~

W o rd s a n d M u s ic b y C o le P o r t e r

Fmaj7

I ( , ' - = = -

cham - pagne. _

F Am? D7(iI9)

j IJ J

at all. So

Am7(P5) D7

I) , Jthat

Mere a I - co - ho I does - n 't

tell

3

Jshould it

C13

?'"

1 1 jrkick out

be

I rthrill me

Fmaj'

Jwhye

13 Gm7

& · Uget a

r Gm7

& qC7

J I j

a kick

.------3----,

jJ J~

Some get from

Om7 C721

& . I J J J I J<s:>

I'm sure that if

...-----3---,

J ; J

took

7- Gm7 C#m 7_)

& . ~ r e F I~ q r ~r3 3

bore me ter ri fi e - 'Iy

29 Gm7 C7

, . J j J J J ?'"

I' J Jr rget a bck OIQ[ of

OI!Ba..sIlt..U~~"T1' __ ~

true, _

F

J In I J -

of

~you? _

Fmaj7

I l l s ; :

co caine, _

I~ ~t.:._

-3

ev - en one

F

I I t

- - -too.

D7

I T ~ F3

sniff that would

Am7 D7

C d t JYet

F

-~'OlL _

it don't mean a thing' - 10 jazz standards for trumpet

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