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ITALIAN ARCHITECTURE

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Page 1: ITALIAN ARCHITECTURE

ITALIAN ARCHITECTURE

Page 2: ITALIAN ARCHITECTURE
Page 3: ITALIAN ARCHITECTURE

THE LEANING TOWER

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The Basilica di Santa Maria Del Fiore (English: Basilica of Saint Mary of the Flower) is the main church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic façade by Emilio De Fabris.

The cathedral complex, located in Piazza Del Duomo, includes the Baptistery and Giotto's Campanile. The three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major attraction to tourists visiting the region of Tuscany. The basilica is one of Italy's largest churches, and until development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed.

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CASA G

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THE ECO HOUSE

This striking modern structure cuts a profile every bit as sleek as it is streamlined for efficiency. It is composed of four single family units joined by a flowing fusion of glass and “smog-eating” photo-catalytic concrete, creating a series of separate yet structurally connected spaces. Italian architects Iosa Ghini Associati designed the residence to integrate seamlessly into its sweeping Mediterranean landscape, and its airy day-lit interiors benefit from a slick set of green features including adjustable solar panels, rainwater recycling, and a heat storage system.

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The Fountain of Neptune is a fountain in Florence, Italy, situated on the Piazza Della Signoria (Signoria square), in front of the Palazzo Vecchio.

This work by Bartolommeo Ammannati (1563–1565) and some assistants, such as Giambologna, was commissioned on the occasion of the wedding of Francesco I de' Medici with grand duchess Johanna of Austria in 1565. The assignment had first been given to Baccio Bandinelli, who designed the model but he died before he could start working on the block of Apuan marble.

The Neptune figure, whose face resembles that of Cosimo I de' Medici, was meant to be an allusion to the dominion of the Florentines over the sea.

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-VERONICA KAPOOR