jean baudrillard - tierra del fuego. new york

5
Tierra del Fuego - New York Land of disasters, as has been said. Devastated forests seemingly felled by some recent cataclysm. Hulks of wrecked ships. Graveyards of immigrants (why so many Yugoslavs?) and sailors. But there is another disaster here today, the disaster of a completely anachronistic modernity - a chaotic, incoherent cowboy-film mod- ernity: concrete, dust, duty-free, transistors, petrol, computers and the hubbub of useless traffic - as though the silence of the ends of the earth had to be obliterated. All that is inhuman here is sublime in its natural desolation. All that is human is sordid: civilization's wastes. There is some justice in the fact that modern man actually treats himself as a waste product, having previously treated the Indians that way. A higher justice, which balances out the destinies of persecutor and victim. Those closest to these Fuegian Indians (and we know neither their names nor what crime they commit- ted to be wiped out as they were) are the outcasts, the criminals, the inmates of the old Ushuaia jailhouse, whose photos adorn the museum. 24 This one in particular, 24. The Museo Maritimo de Ushuaia is located in the old prison building. 128

Upload: akrobata1

Post on 17-Jul-2016

13 views

Category:

Documents


2 download

DESCRIPTION

Filozofija

TRANSCRIPT

Page 1: Jean Baudrillard - Tierra Del Fuego. New York

T i e r r a del Fuego - New York

L a n d of disasters, as has b e e n said. Devas ta ted forests seeming ly felled by s o m e

r ecen t cataclysm. H u l k s o f w r e c k e d ships. Graveyards o f i m m i g r a n t s (why so m a n y

Yugoslavs?) and sailors. B u t t he r e is a n o t h e r disaster he re today, t h e disaster of a

c o m p l e t e l y anachronis t ic m o d e r n i t y - a chao t ic , i n c o h e r e n t c o w b o y - f i l m m o d ­

ern i ty : conc re t e , dust , duty-f ree , t ransistors, pe t ro l , c o m p u t e r s and t h e h u b b u b o f

useless traffic - as t h o u g h the si lence of t h e ends of t h e ea r th h a d to be obl i te ra ted .

All tha t is i n h u m a n he re is sub l ime in its na tura l desola t ion . All tha t is h u m a n is

sordid: civilization's wastes.

T h e r e is s o m e jus t i ce in t h e fact tha t m o d e r n m a n actually treats h imse l f as a

was te p r o d u c t , hav ing previous ly t rea ted t h e Indians that way. A h i g h e r jus t ice ,

w h i c h balances o u t the destinies o f p e r s e c u t o r a n d v ic t im. T h o s e closest t o these

F u e g i a n Indians (and w e k n o w n e i t h e r t he i r n a m e s n o r w h a t c r i m e t hey c o m m i t ­

t ed to be w i p e d o u t as they were) are t h e outcasts , t he cr iminals , t h e inmates of the

o ld U s h u a i a j a i lhouse , w h o s e p h o t o s a d o r n t h e m u s e u m . 2 4 T h i s o n e i n part icular ,

24. T h e Museo Mar i t imo de Ushuaia is located in the old prison building.

1 2 8

Page 2: Jean Baudrillard - Tierra Del Fuego. New York

0

S C R E E N E D O U T

of w h o m a superb p h o t o remains , t h o u g h we do n o t k n o w his n a m e , his c r i m e , his

u l t ima te des t iny o r t h e date o f his d e a t h - t h e p h o t o o f t h e perfect u n k n o w n p r i s ­

oner . O r t h e p h o t o o f R a d o w i t z s k i , t h e anarchis t w h o b l e w u p t h e B u e n o s Aires

po l i ce ch ie f ( the r e n o w n e d Fa lcon) , b r o k e o u t o f jai l , was r ecap tu red , a t t e m p t e d

suicide, was p a r d o n e d after t w e n t y years and e n d e d his days in exile.

R a n g e d against these cr iminals and Indians , t he Salesian missionaries - chari table

parasites of this i l l -s tarred land, w h i c h t hey evangel ize like t h e l i chen that wraps

itself a r o u n d the forests of no thofagus a n d submerges those trees as they are gobb led

u p by it.

On every side is no th ingness , waste land, sterile ho r i zons , infinite vistas. T h e r e is,

in fact, n e i t h e r n a t u r e n o r cu l tu re h e r e , b u t a savage denial of b o t h - a denial of

landscape in t h e no th ingnes s of the w i n d , t h e soo ty sky, t h e Bah ia Inut i l ; a denial

o f cu l tu re i n t h e no th ingnes s o f t h e t o w n s (but h o w else c o u l d i t have b e e n o n c e

those w h o e n d e d u p i n the i r o w n l a n g u a g e call ing themselves ' t he fore igners ' h a d

b e e n ex t e rmina t ed? ) . T h e geographica l r emo tenes s highl ights t h e contras t b e t w e e n

the t w o w i t h o u t g iv ing any m e a n i n g - even a surrealistic o n e - to the i r b e i n g h u d ­

dled t o g e t h e r like this. W h a t y o u discover he r e i s n o t a new, or ig ina l wor ld , b u t the

relentless m i x of a wi ld , e l emen ta l f o r m a n d an equal ly relentlessly des t ruc t ive g r ip

exe r t ed b y t h e h u m a n race.

T h e p h a n t a s m o f the ends o f t h e ea r th . You t h i n k y o u have left t h e w o r l d

b e h i n d a n d cut t h e umbi l ica l cord . N o t a b i t o f it. T h e o t h e r w o r l d i s already the re

wel l before y o u are, w i t h its 'real t i m e ' — in this unreal , t imeless land. You can

receive a fax of an art icle that appea red in Paris o n l y this m o r n i n g . T h e r e is, t h e n ,

no e n d o f t h e w o r l d . Or e v e r y w h e r e i s a t t h e ends o f the ea r th . W h e r e v e r we are,

we are, a t t h e same t ime , a t t he e x t r e m e o u t e r reaches . O n e b e c o m e s , oneself, an

e x t r e m e p h e n o m e n o n - b e y o n d one 's o w n end . N o w , t h e p h a n t a s m o f t h e ends o f

t h e ea r th is a p h a n t a s m of t h e t e r r i t o r y h a v i n g s o m e e x t r e m e furthest p o i n t — t h e

129

Page 3: Jean Baudrillard - Tierra Del Fuego. New York

S C R E E N E D O U T

s y m b o l of a possible e n d and of the o u t e r reaches of t h o u g h t . I t is a fantasy of

verifying that , despi te w h a t they say, the ear th is n o t a sphere and does n o t have that

h o p e - s a p p i n g curva tu re .

T h e Alaka luf d id n o t k n o w they w e r e a t t h e ends o f t h e ea r th . T h e y w e r e

w h e r e t hey w e r e a n d n o w h e r e else — s o m e t h i n g we shall neve r be . F o r t h e sailors,

adven tu re r s and miss ionar ies , i t wasn ' t t h e e n d e i ther : t hey d iscovered a w o r l d

ent i re ly un l ike the i r o w n , b u t o n e against w h i c h they c o u l d pi t themselves , a n e w

frontier. We arr ive he re today w i t h on ly an imag ina ry n o t i o n o f t h e ends o f t h e

ea r th (to w h i c h space travel l o n g since p u t an e n d ) . A n d w h i l e t h e Fueg ians w e r e

neve r p a r t e d f rom the i r fires ( they ca r r i ed t h e m e v e r y w h e r e , even on the i r boats in

t h e f o r m of b u r n i n g embers ) , we take pains to ca r ry o u r artificial coldness w i t h us

e v e r y w h e r e - even i n t o glacial la t i tudes .

After T i e r r a del Fuego , N e w York. After the ends o f the ea r th , t h e cen t re o f t h e

ea r th . A d o u b l e ex t remi ty : t h e p o i n t w h e r e the cu rva tu re o f t h e ea r th c o m e s to an

end; t h e place w h e r e h u m a n t e c h n o l o g y and verticali ty have g o n e as far as they can

go . B u t each gives t h e impress ion o f b e i n g o n a n o t h e r p lane t . T h e archaeologica l

stillness o f t i m e on T i e r r a del F u e g o , its d e p t h . A n d he re in N e w York its superf i ­

cial acce le ra t ion . T h e t w o are equal ly t imeless . A n d if, d o w n in t h e S o u t h e r n

hemisphe re , t he sun lies to t h e n o r t h a t n o o n (wh ich always seems so marve l lous to

a W e s t e r n e r ) , i t seems jus t as s t range tha t t h e same sun rises a n d sets on N e w York,

w h o s e astral t h e m e seems so indifferent to any o t h e r orb i t b u t its o w n .

W h e n y o u are a t t h e tip o f M a n h a t t a n , by Ba t t e ry Park a n d t h e Sta ten Island

ferry, y o u m i g h t t h i n k you w e r e a t t h e furthest p o i n t o f T i e r r a del F u e g o , on t h e

banks o f t h e Beagle C h a n n e l . On a N e w York m o r n i n g , y o u have the same impre s ­

s ion of p r i m o r d i a l energy , of a p r i m a l scene , as a t a d a w n i n g of t h e w o r l d .

E v e r y w h e r e else, t h e ene rgy e x p e n d e d gives an impress ion o f w e a r a n d fatigue, o f

b e i n g c o n s u m e d by t h e activity. H e r e , by contras t , i t regenera tes in hyperact ivi ty.

130

Page 4: Jean Baudrillard - Tierra Del Fuego. New York

S C R E E N E D O U T

O n l y na tura l energ ies give this impress ion of inexhaust ibi l i ty . H e r e i t i s t h e artifi­

cial energy, t h e h i g h vol tage, w h i c h gives N e w York this qual i ty of a p e r p e t u a l

an t i cyc lone .

P r i m a l scene , p r i m i t i v e soc ie ty - p e r h a p s . B u t w h e n y o u g o d i rec t ly f rom

Pa tagon ia t o B r o a d w a y and T i m e s Square , y o u c a n n o t b u t b e terr i f ied b y t h e p r o ­

liferation of t h e h u m a n race. You feel l ike Ishi, t h e last Ind ian , w r e n c h e d by t h e

an th ropo log i s t f rom t h e so l i tude o f his race and h u r l e d in to t h e c rowds of San

Francisco. In his b e w i l d e r m e n t a t t h e n u m b e r o f s imul taneous ly p resen t h u m a n

be ings (he h a d neve r before seen m o r e t h a n th i r ty o r forty toge the r ) , t h e on ly

exp lana t ion he c o u l d find was tha t all t h e dead w e r e p resen t a longside t h e l iving,

since i t was u n t h i n k a b l e tha t the gods c o u l d w a t c h over so m a n y existences a t once .

Ten dead p e o p l e for every l iving o n e seems a g o o d p r o p o r t i o n . As in t h e p r i m a l

forest o f T i e r r a del F u e g o for example , w h e r e t he re i s o n e l iv ing t ree to every t e n

dead ones . H e n c e t h e conc lu s ion that , i n t h e t h r o n g i n g met ropol i ses , n i n e o u t o f

t en h u m a n be ings are l iving dead, are zombie s . T h e i r physical appea rance i s d e c e p ­

tive, for t h e so-ca l led h u m a n be ings w h o no l o n g e r have any physical con t ac t

o t h e r t h a n t h r o u g h c rowds and n o h u m a n rela t ions o t h e r t h a n t h r o u g h c o m m u n i ­

cat ions are t ru ly v i r tua l corpses or ghosts . O n l y a few h u n d r e d or a few t h o u s a n d

pe rhaps m a i n t a i n a secret b o n d , t h e on ly l iv ing symbol i c cha in in this i m m e n s e ,

incapac i ta ted h u m a n g e n o m e .

T h e mi l l ions o f p e o p l e i n t h e streets s e e m to have n o t h i n g t o do b u t be a t t h e

cen t re of t h e w o r l d a n d h e a d off in all d i rec t ions , in a dispersal as spectacular as i t

i s useless. N o t h i n g else to do b u t m a k e N e w York exist in its useless, e ccen t r i c

f o rm. A city of t h e u t m o s t urgency, a o n c e - a n d - f o r - a l l city w i t h no t o m o r r o w -

ve ry far r e m o v e d f rom any d e m o c r a t i c f o r m o f r epresen ta t ion . I n N e w York t h e

p e o p l e represen t on ly themselves , n o t t h e rest o f society. T h e ci ty represents on ly

itself, n o t t h e rest of A m e r i c a . T h i s is w h a t gives it its global i m p o r t a n c e . It is a

131

Page 5: Jean Baudrillard - Tierra Del Fuego. New York

S C R E E N E D O U T

de tec to r , a sensor of prest ige; its c h a r m is to have t r ans fo rmed n o t on ly t h e rest of

the U n i t e d States, b u t the rest o f the w o r l d in to an i m m e n s e p rov ince (wh ich in no

way detracts f rom t h e c h a r m o f t h e provinces) .

T h e r e i s no social b o n d here , no conviviality, no col lect ive sent imental i ty , no

responsibi l i ty towards past or future. Y o u d o n ' t r e p r o d u c e in N e w York . I t isn't a

ci ty m a d e for r e p r o d u c i n g . Yet e v e r y t h i n g h a p p e n s here . H e n c e t h e f o r e b o d i n g o f

catas t rophe w h i c h hovers over the w h o l e city - t h o u g h i t is an upbea t sense of fore­

b o d i n g . D o w n in T ie r r a del Fuego , a t t he edges of the ear th , in t h e lonely Antarct ic

wastes, t he r e is a p o i g n a n t sense of na tura l ca tas t rophe, w h i c h reaches back to t i m e

i m m e m o r i a l , and of g e n o c i d e w h i c h dates f rom recen t history. A w o r l d devastated

by w i n d , ice, h u m a n p reda to r s , t he e x h a u s t i o n of earlier ages - a disaster c o n t i n u ­

i n g even now. A curse w h i c h t h e Fueg ians m a i n t a i n e d w i t h the i r o w n gods , w h e n

they h a d any (it is difficult for t h e gods to find a f oo tho ld in a pitiless wor ld , to

e m b o d y e l emen ta l power s w h i c h are themselves pitiless t o o n e a n o t h e r ) .

T h e sense of ca tas t rophe y o u ge t in N e w York i s qu i te different. I t i s t h e sense

of a vital catastrophe, of w h a t can e n d on ly in excess and prodigality. T h e m a x i m u m

i m m i n e n c e o f p resen t t i m e a n d h e n c e t h e exhaus t i on o f any future, o f any future

energy, w h i c h is ga the red i n t o a single instant , an absolute p resen t .

H a v i n g said this, we no d o u b t have a naive v i e w of energy. An en t rop i c view.

W h e r e a s ene rgy — t h e mi l lennia l e n e r g y o f t h e w i n d in Pa tagonia o r t h e e n e r g y o f

human i ty ' s w o r k i n g s - is doubt less inexhaus t ib le .

1 January 1996

132