john ellis: providing context: how television used to be made

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PROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE JOHN ELLIS ADAPT PROJECT ROYAL HOLLOWAY UNIVERSITY OF LONDON

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Page 1: John Ellis: Providing Context: How Television Used to Be Made

PROVIDING CONTEXT:HOW TELEVISION USED TO BE MADE

JOHN ELLISADAPT PROJECT

ROYAL HOLLOWAY UNIVERSITY OF LONDON

Page 2: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

When we look at archival TV, do we know how it was made?Physical holdings give us clues

Digital holdings do not

Why does this matter?

Page 3: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

Old television looks weird and strangenot only because of “the materiality of film”

but because of the materiality of the production process

Why is the footage so restricted? Why are shots framed that way?Why are interviews shot in such a static and formal way?

Why is the cutting rate so slow? …

Page 4: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

Archival TV has to be contextualised…If it is to come alive

If it is to be usedIf it is to be used as raw data

To contextualise, we need information about how it was made.

Ideally, this information should be in an audiovisual formas well as written metadata form

Page 5: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

The ADAPT research project, funded by European Research Council, is creating resources to help archives to provide this information.

www.adapttvhistory.org.uk

Our ‘simulations’ reunite retired technicians with the old technologies they used every day to make ‘ordinary TV’

They recreate how they used to work

We film the process, capturing as much as we can

Page 6: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

ADAPT FOOTAGE CAN SHOW (1): Technicians explaining their equipment

e.g. Brian Tufano compares 16mm cameras

(2 mins)

Page 7: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

ADAPT FOOTAGE CAN SHOW (2):Technicians showing how they worked

e.g. Retired BBC film crew show how they shot a 16mm interview in the 1970s

https://www.youtube.com/watch?v=C7ik39EY1cg

5mins

Page 8: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

ADAPT FOOTAGE CAN SHOW (3):Technicians explaining what they did, combined with footage

(4 mins)

Page 9: John Ellis: Providing Context: How Television Used to Be Made

HANDS ON HISTORY CONFERENCEhttps://handson2016.wordpress.com/

Page 10: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

QUESTIONS1. Will this be useful to you?

2. How would you like it edited?3. Would you like to have access to the rushes with a Creative

Commons licence?4. What other typical equipment should we film?

(our next is an outside broadcast truck from late 1960s)

Page 11: John Ellis: Providing Context: How Television Used to Be Made

CONTENT IN MOTION: CONTEXT FOR CURATIONPROVIDING CONTEXT: HOW TELEVISION USED TO BE MADE

THANK YOU

www.adapttvhistory.org.uk