jukka tiensuu: false memories
DESCRIPTION
2222-2221-0300-str, 17 min.TRANSCRIPT
False Memories I - III
Morphoses for Orchestra
Jukka Tiensuu 2008
Jukka Tiensuu:
False Memories Morphoses for Orchestra
Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, bass clarinet, 2 bassoons, 2 horns in F, 2 trumpets in C, 2 trombones, tuba 3 percussions: 1. timpani (5 timpani needed). Seated far left (seen from the conductor) 2. crotales (played with two contrabass bows), tom-toms, large bass drum, large tam-tam. Seated far left (seen from the conductor). 3. vibraphone (played with two contrabass bows), tom-toms, large bass drum. Seated far right (seen from the conductor) strings
Performance note The movements may be performed in any order or separately. Setup: Trumpet 2, timpani and percussion 2 as far left as conceivable (seen from the conductor), trumpet 1 and percussion 3 equally far right. It
is suggested that the trumpets play standing and campani in aria. Notation: Accidentals apply till the end of the bar. However, they are occasionally repeated to facilitate sight-reading. x z A quarter-tone higher/lower than the written note. Also apply till the end of the bar, though occasionally repeated. Ornaments: All trills tr and ornaments are semitonal. Trills are always played till the end of the note (i.e. as long as it is tied to a note of the
same pitch). Mordent starts on the main note (as usual).
Slow, wide vibrato. Up and down ca. 2 times a second (sounds like a slowed-down opera recording).
Appoggiaturas are played before the beat.
All tremoli are measured.
The glissandi are played contiously during the indicated time (not portamento), but expression through change of speed is encouraged. A small note-head at the end of the glissando-sign only shows the approximate ending pitch, it is not articulated. Likewise, normal notes in the middle of glissando are for orientation only, they are not to be re-attacked.
Strings slide (glissando), wind players bend, the pitch a maximum amount of minor third up and down (wind players: use combination of fingering and embouchures to create as continuous a slide as possible).
_ tenuto, play note to the full (written) length. . All staccati are short regardless of the duration of the written note. Staccatissimo - as short as possible with the indicated dynamics.
o al niente, let the sound completely die away.
l.v. Let vibrate.
II. Nostalgy: perc. 2 and 3. will both need two (contrabass) bows for this movement. Let ring throughtout. The dynamics between the two and with the other
instruments should be carefully balanced. Strings: in bars 1-20 and 45-50 the violins, in bars 42-49 the violas, should play with a slight temporal distance. Each player (or stand) starting
and ending each note a fraction of a second later than the player/stand before. The distance between the first and the last stand should be roughly 1 - 1½ seconds.
III. Trauma: tr < > Trill always accelerando simultaneously with crescendo, then rallentando with diminuendo to make the effect more
"menacing".
fl11
= 104-112 Feroce Jukka Tiensuu 2008Morphoses for orchestraFalse Memories I: Review
3 3 3 3 3 3
3 3
3
fl23 3 3 3 3 3
3 3
3
ob13 3 3 3 3 3 3 3 3
ob23 3 3 3 3 3 3 3 3
cl1
3
3 3 3 3 3 3 3 3
cl23 3 3 3 3 3 3 3 3
bcl3 3 3 3 3 3 3 3
3
bn13 3 3 3 3 3 3 3
3
bn23 3 3 3 3 3 3 3
3
hn13 3 3 3 3 3 3 3
3
hn23 3 3 3 3 3 3 3
3
tpt1
tpt2
tn1
tn2
tba3 3 3 3 3 3 3 3 3
p.1Timp.
33 3
3 33 3
3 3
p.2
G. C.3
33
3 3
p.3G. C.
3 3 3
v13 3 3 3 3 3 3
3
3
v23 3 3 3 3 3 3
3
3
va3 3 3 3 3 3 3 3 3
vc3 3 3 3 3 3 3 3 3
cb3 3 3 3 3 3 3 3 3
2fl1
6
3 3 3 3
fl23 3 3 3
ob1
33 3 3
ob23
3 3 3
cl13 3 3 3
cl23
3 3 3
bcl3 3 3 3
bn13 3 3 3
bn23 3 3 3
hn13 3
hn23 3
tpt1
tpt2
tn1
tn2
tba
p.1
3 3
p.2
3 3
p.3
v13 3 3 3
v23 3 3 3
va3 3 3 3
vc3 3 3 3
cb3 3 3 3
3fl1
11
3 3
fl23 3
ob1
3
ob2
3
cl13 3
cl23 3
bcl
3 3
bn1
3
bn2
3
hn1
3 3
hn2
3 3
tpt1
3
tpt23 3
tn1
3
tn2
3
tba
3
p.1
3 3
p.2
3 3
p.3
3
v13 3
v2
3 3
va
3
vc3
cb3
4fl1
16
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1
unis.
v2
va
vc
cb
5fl1
21
6 6 6
fl26 3 6 3 6 3
ob1
ob2
cl16 3 6
3
6 3
cl2
5 3 5 3 5 3
bcl3
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v16
3
6 63
v26 3 6
36 3
va5
3
5
3
5
3
vc
cb
6fl1
24
fl2
ob1
ob2
cl1
cl2
bcl3 3
bn13 3
bn2
33
hn1
3 3
hn2
3 3
tpt1
tpt2
tn1
33
tn2
33
tba
33
p.1
3
3
p.2
3
p.3
3
v1
v2
va
vc
33
cb
33
7fl1
28
6
6
fl26
3
ob1
ob2
cl15
5
cl25
5
bcl
bn1
bn2
hn1
5
hn25
tpt15
tpt2
5
tn1
tn2
tba
p.1
p.2
p.3
v15 5
v25
5
va
5
vc
cb
8fl1
32
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1
(spiccato) (non spicc.)
v2
va
vc
cb
9fl1
37
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
(sempre)
tpt2
(sempre)
tn1
tn2
tba
p.1
p.2
p.3
v1
v2
va
vc
cb
10fl1
42
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
(sempre)
tpt2
(sempre)
tn1
tn2
tba
p.1
p.2
p.3
v1
(cedez a tempo)
v2
va
vc
cb
11fl1
47
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1
v2
va
vc
cb
12fl1
54
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1
v2
va
vc
cb
13fl1
59
6
fl26 3
ob1
ob2
cl16 3
cl2
5 3
bcl
cresc. p. a p.
bn1cresc. p. a p.
bn2
cresc. p. a p.
hn1
cresc. p. a p.
hn2
cresc. p. a p.
tpt1
tpt2
tn1
tn2
tba
poco cresc.
p.1
p.2
p.3
v16
3
v26 3
va5
3
vcpizz.
cresc. p. a p.
cbpizz.
cresc. p. a p.
14
fl169
cresc. p. a p.
fl2
cresc. p. a p.
ob1
cresc. p. a p.
ob2
cresc. p. a p.
cl1cresc. p. a p.
cl2
cresc. p. a p.
bcl63
bcl
cresc. p. a p.
bn1
bn1cresc. p. a p.
bn2
bn2cresc. p. a p.
hn1
hn2
tn1
tn2
tba
vc
cb
15fl1
75
6
6
fl26
3
ob15
5
ob25
5
cl1
cl2
bcl
bn1
bn2
hn1
5
hn25
tpt15
tpt2
5
tn1
tn2
tba
p.1
poco
p.2
p.3
v1pizz. + +
3
3
v2pizz. + + +
3
va
pizz.+ + +
vcpizz. + + +
3
cbpizz.
16fl1
78
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1+ + + +
3
3
3
v2+ + + + + +
33
3
va
+ + + + + + +
3 3
vc+ +
3
cb
17fl1
81
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1+ + arco3
3
3
v2+ + + + arco
33
va+ + + + +
3
vc+ +
3
cb
18fl1
84
marcato
fl188
fl2
marcato
fl2
cl1
marcato
cl1
cl2
marcato
cl2
bn1
marcato
bn2
tpt1
marcato
tpt1
tpt2
marcato
tpt2
tn1
marcato
tn2
marcato
v1
marcato
v1
v2
marcato
v2
vc
vc
arco
marcato
19
fl196
ob192
marcato
ob1
ob2
marcato
ob2
cl2
bcl
marcato
bcl
bn1
bn1
bn2
marcato
bn2
tpt1
tpt2con sord.
tn1
tn1
tn2
tn2
v1
v2
vc
vc
20fl1
100
33
3 3
fl2
ob1
ob2
cl1
35
5
cl2
bcl
bn1
bn2
hn1
(sempre)
hn2
(sempre)
tpt1
6
6
tpt23
3
3 3
tn1(sempre)
tn2
(sempre)
tba
p.1
p.2
p.3
v13 5
55 div.
v2div.
va3 3 3 3
div.
3
vcdiv.
cbarco
21
fl1110
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
v1105
(cedez a tempo)
v1
marcato
unis.
3
v2
v2unis.
marcato 3
va
unis.
marcato
va
vcunis.
marcato cresc.
( )
vc3
cb
marcato cresc.
( )
cb3
22fl1
113
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn13
tn2
3
tba
p.1
p.2
p.3
v13
5
v2
3
5
va
vc3
5
cb3
23fl1
117
3 3 3 3 3 3 3 3
rall.
6
6
fl23 3 3 3 3 3 3 3 6
3
ob13 3 3 3 3 3 3 3
ob23 3 3 3 3 3 3 3
cl13 3 3 3 3 3 3 3 5
5
cl2
3 3 3 3 3 3 3 3 5
5
bcl3 3 3 3 3 3 3 3
bn13 3 3 3 3 3 3 3
bn23 3 3 3 3 3 3 3
hn1
3
3 3 3 3 3 3 35
hn23 3 3 3 3 3 3 3 5
tpt1
3 3 3 3 3 3 3 3 5
tpt2
3 3 3 3 3 3 3 35
tn1
3 33 3 3 3 3 3
tn2
3 3 3 3 3 3 3 3
tba3 3 3 3 3 3 3 3
p.13
33
33
3
p.23 3 3 3 3 3
p.33 3 3 3 3 3
["huh"](short exhale)
v1
3 3 3 3 3 3 3 3
rall.
5 5
v2
3 3 3 3 3 3 3 3 55
va
3 3 33
33
33
5
vc
3 3 3 3 3 3 3 3
cb
3 3 3 3 3 3 3 3
p.21 Crotales bowed
~ 40 Languido moltoJukka Tiensuu 2008
Morphoses for orchestraFalse Memories II: Nostalgy
(upbow sempre)
on repeat)(
2 sempre simile, col arco e l.v.
p.28 10
sempre)(<
p.3Motor ON (slow)
Vibraphone bowed(upbow sempre) play on repeat only sempre simile, col arco e l.v.
p.3
v11 volta con sord.a
poco portamento
v1
v2con sord. poco portamento
v2
vcpizz. l.v.
cb+vc play on repeat only
on repeat)(
vc
3
3 3 3
cbpizz. l.v.
on repeat)(
(vibr.)(simile)
cb
3
2
fl120
espressivo
3
fl2
espressivo3
3
tpt1
espressivo
tpt2con sord.
p.214
p.2
p.3
p.3
v1
v1
dolce
ord.
3
3
3
v2
v2
suave3 6 3
vacon sord.
calmo3 3 3
vc
cb
3
3fl1
27
fl2 z z
ob1
ob2 z z
cl1
cl2
bn1
bn2
tpt1
tpt2
p.2
sempre l.v.(come prima)
p.3sempre l.v.
(come prima)
v1div.
zs.v.
z 1.+2. soli
espressivo
ord.(slow vibr.)
v2senza sord.
div. s.v. 1.+2. soliord.
espressivo
(slow vibr.)
vasenza sord. s.v.
vc
cb
4fl1
38
fl2
ob1
ob2
cl1
cl2
tpt1con sord.
tpt2
p.2
(l.v.)
p.246
p.3
v1
Tutti
v1div.
v2
Tutti
v2div.
vacon sord.ord.
va
div.
vcpizz. l.v.
piu
cb
pizz. l.v.
fl11
~84-96 Eccitante Jukka Tiensuu 2008Morphoses for orchestraFalse Memories III: Trauma
3 3 3
fl19 3
3
3
3
fl23 3
fl23
3
cl1
cl1
cl2
cl2
p.1Timp.
p.1
p.2
G.C.Tam-tam
p.2
soft sticks sempre Tam-tam(slow) l.v.
p.3G.C.
p.3
soft sticks sempre
v1con sord. legatissimo
v1senza sord.
3
v2con sord. legatissimo
v2
va
vacon sord.
3
3
3
2fl1
14 3 3 3
fl120
3 3
fl23
3 3 3
fl2
cl1
cl13 3 3
cl2
cl2
p.1
p.1
p.2Tam-tam l.v.
p.2
p.3
p.3
v13 3
v1ord.
v2senza sord.
v2ord.
va
va
3fl1
25
fl2
ob1 ( )
vibr.
ob2 ( )
slow wide vibr.
cl13 6 3
3
cl23
bcl
bn1( ) ( )
slow wide vibr.
bn2 ( )
slow wide vibr.
hn1
hn2
tpt1
tpt2
tn1
con sord.
tn2
tba
p.1
p.2G.C. 3
p.33
v1( )
( )
slow wide vibr.
v2( )
( )
slow wide vibr.
vasenza sord.
vcpizz. 3
cbpizz.
4fl1
28
fl2
ob1
ob2
cl1
cl2
bcl3 3 3 3
bn1
3 3
bn23 3
hn16 3 3
hn23 3
tpt1
tpt2
tn1senza sord. this bar on repeat only
tn2this bar on repeat only
tba3 3
p.1
p.23
p.33
v1div. unis.
v2div. unis.
vadiv. unis.
3
vc
arco div.3
3
cbarco div.
3
5fl1
31
fl2
ob1
ob2
cl15
cl25
bcl5
bn13
bn2
3
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1( )
p.2
Tam-tam
p.3
v1
3
v23
va
vcunis.
3
cbunis.
6fl1
38
56
fl2
5 6
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1senza sord.
tn2
tba
p.1
p.2
p.3
v1div.
v2div.
va3 div.
vc
div.
cb
div.
7fl1
43
fl2
ob1
ob2
cl1
33
cl2
3
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1( )
tn2( )
tba
p.1
p.2
p.3
v1unis.
3 div. 3
v2unis. 3 div. 3
vaunis.
33
vc
3
unis. 3
cb
unis.3
div. unis.3
8fl1
48
fl2
ob1
ob2
cl1
5 6
cl25 3
bcl
bn1
bn2
hn1
3 3
hn2
3 3
tpt1
tpt2
tn1
tn2
tba
3 3
p.1( )
p.2G.C. 3 3
p.33 3
v1
v2unis.
vadiv.
vc
cb
9fl1
51 legatissimo
fl2legatissimo
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1unis.
v2
vaunis.
vc
cb
10fl1
54 on repeat: all players softer (f->mf, etc.) bars 57-68.
fl2
ob1
ob2
cl1legatissimo
cl2legatissimo
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1ord.
on repeat: all players softer (f->mf, etc.) bars 57-68.
v2ord.
va
vc
cb
11fl1
58 3
fl162 3
3
fl165 3 3
fl23
fl23 3
fl23 3
cl13 3
cl13 3
cl13
cl23
cl23 3
cl23 3
v13
v1
33
v13 3
v23
v23 3
v23 3
12fl1
68
legato sempre5
55
fl2
legato sempre5
55
ob1
legato sempre5
5 5
ob2
legato sempre5
5 5
cl1
legato sempre5
5 5
cl2
legato sempre
5 5
5
bcl
bn1
bn2
hn1legato sempre
hn2legato sempre
tpt1legato sempre
tpt2
legato sempre
tn1
tn2
tba
p.1
p.2
Tam-tam l.v.
p.3
v1
div.
v2
div.
va
div. div.
vcdiv. sul D
sul G
cb
div. unis.sul E
13fl1
71
fl2
ob1 ( )
vibr.
ob2 ( )
slow wide vibr.
cl13 3 3 3
3
cl23
bcl
bn1( ) ( )
slow wide vibr.
bn2 ( )
slow wide vibr.
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1unis. 6
66
( )
6
( )
slow wide vibr.
v2
unis.5
6
6
( )
( )
slow wide vibr.
vaunis. 5
6
6 5
senza sord.
vc
unis.5
55
cb
14fl1
74
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
on repeat only
6 6
tpt2
on repeat only
6 6 6
tn1
tn2
tba
p.1
on repeat only 3
p.23 3
p.33
v1
v2
va
vcpizz. 3
cbpizz.
15fl1
77
6 5
5
fl2
5
5
ob1
ob2
cl1
6
55
cl2
55
bcl
bn1
bn2
hn1
hn2
tpt1
6
tpt2
tn1
tn2
tba
p.13
p.23 3 3
p.33 3 3 3 3
v1
1. solo
6
tutti div.div.
v2div. unis.
vadiv. unis. div.
vcarco
div.pizz. arco3 3
cb
arco div. pizz.
16fl1
81
5
5
10
fl25
5
10
ob15
5
5
5
10
ob25
5
5
5
10
cl1
5
5
10
cl2
5
5
10
bcl
bn1
bn2
hn1
hn2
tpt15
55
5
10
tpt2
5
5
10
tn1
tn2
tba
p.13
p.23 3
p.33 3
v1unis.
v2
va
div. unis.
vc
div.unis. pizz. arco
div.unis.
cb
17fl1
84
6
fl2
ob1
6
ob2
cl1
6
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
6 6 6
tpt2
6 6 6
tn1
tn2
tba
p.1
33
p.23 3 3 Tam-tam l.v.
p.33 3
v1
1. solo
6
v2
va
vc
3
cb3
18fl1
87
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba3 3
p.1
p.2
p.3
v1
Tutti
v2
va
vc
33
cb3 3 3 3
19fl1
90 5
fl2
5
ob1
5
ob2
5
cl1
5
cl2
5
bcl
bn1
bn2
hn1legato sempre
hn2legato sempre
tpt1legato sempre
tpt2
tn1
tn2
tba
p.1( )
p.2Tam-tam
p.3
v1
6
66 5
div.
v25
6
6 6
div.
va5
6 65
div. unis.
vc
5
55 5
div. unis.
cb5 5
div. unis.
20fl1
94
legato al fine
5 5
poco rall. al fine
3
fl2
legato al fine
5 5
3
ob1
legato sempre
5 5
ob2
legato sempre
5 5
cl1
legato sempre
5 5
cl2
legato sempre
5 5
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba3
p.1
p.2damp Tam-tam (silence)
p.3
v1
unis.poco rall. al fine p. a p. meno vibr. senza vibr.
v2unis.
p. a p. meno vibr. senza vibr.
va
3
vc
cb3