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- 1. Embodied Intelligence in the Stieglitz Circle Article by Kathleen Pyne Presented by Karen Ralston and Kay Swindell
- 2. Photo Secession, 1906
- 3. Edward Steichen, AlfredStieglitz at 291 , 1915
- 4. Edward Steichen,Self Portrait,1901 Gum Bichromate
- 5. Stieglitz, Steichen, Strand The Metropolitan Museum of Art November 10, 2010April 10, 2011
- http://www.metmuseum.org
- Exhibitions
- Stieglitz, Steichen, Strand
- See the Collection Database
- Gallery View
- 11. Stieglitz: Photo Secession
- Photo-Secession actually means a seceding from the accepted idea of what constitutes a photograph.
- Promote photography as fine art in general and photographic pictorialism in particular.
- 12. Camera Work 1903-1917
- 13. Gertrude Ksebier,Evelyn Nesbit,1932
- 14. Gertrude Ksebier,The Sketch,1899-1902 Platinum Print
- 15. James Whistler,Nocturnes: Blue and Gold Old Battersea Bridge 1872Falling Rocket 1874
- 16. Whistlers Influence on the Photo Secessionists
- Make imagesas if Whistler held a camera
- Mystery
- Musicality
- Soft focus
- Veiling of subject
- 17. Softening Techniques Linked RingGroup in England
- Pinhole photography
- Retouching
- Etching in negative
- Printing through screens
- Printing on rough paper
- Wetting the lens
- 18. Alfred Stieglitz and Clarence White,The Torso,1907 Platinum print
- 19. Alfred Stieglitz,Katherine and Elizabeth Stieglitz,1907-Autochrome
- 20. Edward Steichen,Charlotte Spaulding,ca. 1908 Autochrome
- 21. Edward Steichen,The Pond-Moonlight,1904 Photogravure
- 22. Stieglitz Dethrones Ksebier; Celebrates Brigman
- A reformed feminine emblem
- Embodies the nudes of Matisse, Picasso and Czanne
- Rhythmic, flowing form
- Highly manipulated negatives
- Liberated female body
- 23. Anne Brigman,The Breeze, Dawn1909-10
- 24. Anne Brigman, Platinum Prints The Dying Cedar,1906Via Dolorosa,1911-1912
- 25. SUMMARY
- Stieglitz always investigating the medium
- Always looking for perfection and morphing to achieve his new ideal
- The Stieglitz Circle played a critical role in the interchange between painting and photography during the early years of the twentieth century.
- 26. KAY SWINDELL
- 27. The New Modernism break from Photo Secession
- Freedom from past perimeters, styles, labels
- Removing the veil from human sexuality and supporting in philosophy and art a throwing off of societal roles and gender limitations
- Embracing feelings, ideas, and sensations in all arts and through abstract and cubist art.
- Various sources included Kandinsky, Asian art principles, personal authenticity, music, dance
- 28. Deconstructing the nude
- Stieglitz, writing to Brigman in 1918-9 used the term no fuzzyism
- Earlier nudes were Venus-like; in keeping with late 19 thC masked human sexuality
- With the 1918-19 OK series, Stieglitz concentrated on individual shapes
- Liberated from the past to achieve artistic creativity
- 29. Alfred Stieglitz,Spring Showers, New York,Negative, 1900/01.Photogravure
- 30. Pablo Picasso,Standing Female Nude,1910 Half-tone reproduction
- 31. Alfred Stieglitz,Georgia OKeeffe,1919 Palladium
- 32. Alfred Stieglitz,Georgia OKeeffe,1918 Photograph (gelatin silver print)
- 33. OKeeffes Path to Modernism
- Application of Dows principles ofcomposition
- Japanese prints, Nocturnes of Whistler, childrens art
- Witnessing Marins topsy-turvy Woolworth Bldg. illustrating a moving of me (Marins words) and referring to Brigman photographs, and later, Stieglitzs OKeeffe nudes.
- Isadora Duncan performing a new, free, undulating modern dance style in flowing blues
- Baksts costume designs for Ballet Russe inspired OKeeffe spiral vocabulary in abstracted works from nature as well as her brilliant color combinations.
- 34. Georgia OKeeffe,Untitled (Woman by Window),1907-08
- 35. Georgia OKeeffe,Yellow House,1917
- 36. Abraham Walkowitz,Isadora Duncan,ca. 1910
- 37. Lon Bakst,Design for the Faun from thePrlude Laprs-midi dun faune ,1912
- 38. Georgia OKeeffe,PansyBlack Pansy & Forget-Me-Nots,1926
- 39. Georgia OKeeffe,L.K. White Calla and Roses 1926
- 40. Alfred Stieglitz: In Search of Truth
- Focus:soft and fuzzy or clean and straight
- His modernism: dematerialized vision to embodied sensation
- Never let go of termsspiritandsoul
- 41. THANK YOU!