keiko matsui - michaelreidclay.com.au

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KEIKO MATSUI A SOLO EXHIBITION

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Page 1: KEIKO MATSUI - michaelreidclay.com.au

K E I K O M AT S U IA S O L O E X H I B I T I O N

Page 2: KEIKO MATSUI - michaelreidclay.com.au

“Keiko Matsui works predominantly in porcelain. Her work begins on the potter’s wheel and is

then manipulated, cut and reassembled to evoke a quiet and subtle abstraction. Making and

reinterpreting objects is her focus, and she pays particular attention to the form, proportion

and profile of a vessel, and the interconnectedness beetweeen the interior and exterior.

What Keiko loves most is the mental solace she finds at the potter’s wheel. While she admits

that there are ever-present challenges on the technical side, these can always be solved. The

most difficult aspect is emplying her head and keeping up her work every day.”

Amber Creswell Bell, CLAY, Thames & Hudson, 2016

Page 3: KEIKO MATSUI - michaelreidclay.com.au

Seika Vase, 2021

Porcelain, cobalt, glaze

27.5 x 24 cm

$1,500

Page 4: KEIKO MATSUI - michaelreidclay.com.au

Flow blue bowl , 2020

Porcelain, cobalt, glaze

4.5 x 13 cm

$300

Page 5: KEIKO MATSUI - michaelreidclay.com.au

Seika Vase, 2021

Porcelain, cobalt, glaze

18 x 11 cm

$400

Page 6: KEIKO MATSUI - michaelreidclay.com.au

Flow blue bowl, 2020

Porcelain, cobalt, glaze

6.5 x 17.5 cm

$400

Page 7: KEIKO MATSUI - michaelreidclay.com.au

Seika Flat Spoon#1, 2021

Porcelain, cobalt, glaze

0.5 x 18 cm

$180

Page 8: KEIKO MATSUI - michaelreidclay.com.au

Flow blue bowl, 2020

Porcelain, cobalt, glaze, lacquer, and kintsugi powder

7 x 17.5 cm

$450

Page 9: KEIKO MATSUI - michaelreidclay.com.au

Flow blue bowl, 2020

Porcelain, cobalt, glaze

11 x 20.5 cm

$750

Page 10: KEIKO MATSUI - michaelreidclay.com.au
Page 11: KEIKO MATSUI - michaelreidclay.com.au

Ichirin (a single flower) LOTUS Vase, 2020

Porcelain, cobalt, glaze, lacquer, and kintsugi

powder

25 x 8 cm

$850

Page 12: KEIKO MATSUI - michaelreidclay.com.au

Flow blue bowl , 2020

Porcelain, cobalt, glaze

5.5 x 17 cm

$380

Page 13: KEIKO MATSUI - michaelreidclay.com.au

Ichirin (a single flower) PEONY Vase, 2020

Porcelain, cobalt, glaze, lacquer, and kintsugi

powder

25 x 12 cm

$850

Page 14: KEIKO MATSUI - michaelreidclay.com.au
Page 15: KEIKO MATSUI - michaelreidclay.com.au

Seika Vase, 2021

Porcelain, cobalt, glaze

24 x 15 cm

$950

Page 16: KEIKO MATSUI - michaelreidclay.com.au

Seika Bowl, 2021

Porcelain, cobalt, glaze

6 x 24 cm

$385

Page 17: KEIKO MATSUI - michaelreidclay.com.au

Seika Vase/Jug, 2021

Porcelain, cobalt, glaze

22 x 19 cm

$850

Page 18: KEIKO MATSUI - michaelreidclay.com.au

Seika Jug, 2021

Porcelain, cobalt, glaze

12.5 x 11 cm

$280

Page 19: KEIKO MATSUI - michaelreidclay.com.au

Seika Spoon#2 2021

Porcelain, cobalt, glaze

2 x 22 cm

$220

Page 20: KEIKO MATSUI - michaelreidclay.com.au
Page 21: KEIKO MATSUI - michaelreidclay.com.au

KEIKO MATSUI is a Japanese-born, Melbourne based

ceramicist. She completed a Bachelor of Fine Art

(Honours) degree in 2006 at the National Art School in

Sydney.

Her work begins on the potter’s wheel and is then

distorted, torn and reassembled to evoke a quiet

and subtle abstraction. Making and reinterpreting

objects is Keiko’s focus. She pays particular attention

to the form, proportion and profil of a vessel and the

interconnectedness between the interior and exterior.

Keiko has exhibited widely both nationally and

internationally in both group and solo presentations . Her

recent achievements include North Queensland Ceramics

Award ,Gosford Art Prize , Vitrify Alcorso Ceramic Award,

John Fries Memorial Award, Small Art Object Prize in

Vallauris, France and the Woollahra Small Sculpture Prize.

Page 22: KEIKO MATSUI - michaelreidclay.com.au

Amber Creswell Bell

+61 0414 747 761

[email protected]

michaelreidclay.com.au

Michael Reid CLAY is a gateway for inspiration, insights and the acquisition of important ceramic and pottery art.

Michael Reid CLAY is curated by Amber Creswell Bell, author of Clay Contemporary Ceramic Artisans, Thames & Hudson, 2016.