l k hickling | portfolio | interior architecture

hicklingL.K.

LAUREN HICKLINGPortfolio 2014

Masters of Interior Architecture | 2015 Graduate (pending) | Bachelor of Architectural Studies, Maj. Interior Architecture | 2013 Graduate | Victoria University of Wellington

ii THE MOST BEAUTIFUL THINGS GENERALLY COME AS A SURPRISE

Peter Zumthor: Atmospheres

iii

Presentation and Design Programs:• AdobeCreativeSuite:confidentinallprogramsfromPhotoshopto InDesignandIllustrator.7years’experience• GoogleSketchUp:confidentwith4years’experience• AutodeskRevit:confidentindesignstageswith3years’experience. Minmaldocumentationexperience.• 3dsMax:Confidentinrenderingwith4years’experience.Minimal modellingexperience

Administration:• ConfidentwithprogramswithintheMicrosoftOfficebundle.• Oneyears’part-timeexperienceasafrontofhouseadminassistant, completingtaskssuchascompilingdocuments,photocopying, filing,andmostday-to-dayrequirementsofworkingwithinan administrationrole.• Moderatetypingspeed.

Communication:• Ihavefantasticcommunicationskills,visualandverbal,perfectedover myfiveyearsatuniversitythroughpresentationsoffinaldesign work.Mytimeonthefarmalsotaughttheimportanceofclear,concise verbalcommunication.• Iamaconfidentwriterachievinghighlyinessayswrittenaspartofmy degree.

Time-management:• Beingarecentgraduateandnowundertakingpost-graduatestudyI amconfidentwithmytimemanagementandabilitytojugglemany thingsatthesametime• Iliketobepunctualandseelatenessasimpolite.

Attitude:• Ihaveagoodattitudetoworkandamwillingtohelpwithanything askedofme.• Ipickupskillseasilywithgoodinitiativeandcommonsense.

Key Skills

• 2013-current,MastersofInteriorArchitectureatVictoria UniversityofWellington,finishingDecember2014,dueto graduateDecember2015• 2010-2013,BachelorsofArchitecturalStudiesMaj.Interior ArchitectureatVictoriaUniversityofWellington,graduated2013.• 2003-2008,SecondaryschoolatWoodfordHouse,HawkesBay. NCEAtoLevel3achievedwithMerit and University Entrance.

Education

Past Employment + Referee’s

Pleasecontactmeforreferee’sdetails:

• 2014:SemesterOne, Tutor for SARC111: Design Research, Victoria UniveristyofWellington.Parttime

• 2009:JanuarytoDecember, Senior School GAP Student, RendcombCollege,Cirencester,UK.Fulltime

• 2008-2014:Head Shepherd, TheFallsStationLtd.Fulltime/ Casual

• CharacterReferee’s:TaneMoletaandMarkSouthcombe,2014 MastersSupervisors,VictoriaUniversityofWellington

LAUREN HICKLINGCurriculum Vitae

Personal Profile and Experience

IamformallytrainedwithaBachelorsofArchitecturalStudiesmajoringinInteriorArchitectureatVictoriaUniversityofWellingtonwhereIamcurrentlyworkingtowardsmyMastersinInteriorArchitecture,duetofinishbetweenDecember2014andFebruary2015.

ThroughmyeducationIhavebecomeproficientintheAdobeSuite,Revitand3dsMax,usingtheseprogramstodesign,renderandpresentdesignsfromretailandhospitalitytolargescalepublicinteriors.ForthethesisyearIamfocusingonthedesignofcontemporaryfinediningspaces,usingnotionsofsurpriseandatmospheretocreatebeautiful,memorablespacereflectiveofthecuisineserved.Ihaveaparticularinterestinmaterialsandhowtheirinherentqualitiescanfuelthedesignandperceptionofspace.Ihaveakeeneyeforgraphicdesign,believingawellpresentedpieceofworkiskeytoitsreception.

In2009IspentayearinEnglandworkingasaGapStudentatRendcombCollege,Cirencester.AspartofthisroleIspentalargeamountofmytimeinadministrationworkingundertheHeadmastersPA,BursarsSecretaryandwithinadministrationitselfwhereIlearnttheinsandoutsofofficelifeandtheimportanceofwellcommunicated,organisedworkethics.WithinthisroleIcompletedanythingaskedofmesuchasphotocopying,filing,beingonfrontdesk,compilingdocumentsandtypingupsmallpiecesofwriting.

Asaprevioussummerandholidayjob,IhavetravelledhometoGisbornetoworkonthefamilysheepandcattlefarmasHead-Shepherd.Thistypeofphysicalworkhastaughtperseverance,commitmentandtheimportanceofbeingateamplayertocompleteajobproperlyandsafely,qualitieswhichhavestuckwithmethroughoutmyuniversitycareer.

Information: +64276965605|[email protected],Newtown,WELLINGTON24 years old | NZ CitizenFull portfolio at: issuu.com/laurenhickling

http://issuu.com/laurenhickling

iv

Lauren HicklingINTA412

City Gallery, Civic Square,Wellington

South Facade Elevation1:200 @ A3

1

A401

INTHEEAVESI ESCAPEWellington City Gallery asMediaLibrary

ANINTERIOROFMEMORY+ SURPRISEContemporaryFineDininginNewZealand

TECHNICALDRAWINGWellington City Gallery asMediaLibrary

Paper: INTA412Description: Interior Architecture Design ResearchLecturer: DanielBrownYear: Semester2,2013

Paper: SARC591Description: Thesis-ResearchthroughDesignSupervisors: TaneMoleta+MarkSouthcombeYear: Feb2014-Feb2015

Paper: INTA421Description: IntegratedTechnologiesLecturer: ChristinaMackayYear: Semester2,2013

THEMENUselected Undergraduate + Postgraduate work

2010-2014

++ ZERO (0): ++ ONE (1): ++ TWO (2):

v

Section1:1

30mm 30mm105mm

Cowdroy Heavy Duty Triumph TT820 Aluminium Track@ 1100mm long

Cowdroy Heavy Duty TriumphTT831 Wheel Assembly withTop Fix Bracket

M6 Hex bolt, Stainless Steel Class 8.8,metric thread with M6 Class 8, metricthread Stainless Steel nuts.

14mm 14mm

35mm

22mm

45mm

25mm

66mm +/- 7mm

42mm

44mm

490mm

75x50x5mm Right AngledMild Steel @ 490mm long.Powdercoated in white afterweld fabrication.

M10 Stainless Steel Wingnut

50x3mm Plate StainlessSteel @ 490mm long

M10 Mild Steel threadedrod @ 40mm long,factory welded toangled steel on North face,grinded �ush with angle.

Interchangeable Screen.Projected material widths range from 3-9mm.Max weight 150kg2440mm high @ 490mm wide

40mm

35mm

South Elevation1:11

2

A102

2

Date:

19th October 2012

Sheet Number:

A102

Drawings:

1 South Elevation2 Section

Scale: 1:1

Well Groomed Fox Retail StoreInterchangable, Movable Screen Details

Lauren Hickling300209898

TWOHALVESMAKEAHOLENationalPavilionfortheFederalRepublicofGermany

OFTHEHIDDEN SIDEHotelRefitfortheJohnChambersBuilding

ANAFFAIRWITHAWELLGROOMEDFOXRetail Design using Brand IdentityforWell-Groomed-Fox

TECHNICALDRAWINGMoveableWallDetailing

Paper: INTA411Description: Interior Architecture DesignLecturer: DanielleAbreueLimaYear: Semester1,2013

Paper: INTA312Description: Interior Architecture Design IntegrationLecturer: DrMaibrittPedersenZariYear: Semester2,2012

Paper: INTA321Description: InteriorFit-OutTechnologiesLecturer: ChristinaMackayYear: Semester2,2012

Paper: INTA311Description: Interior Architecture DesignLecturer: JohnDaishYear: Semester1,2012

++ THREE (3): ++ FOUR (4): ++ FIVE (5): ++ SIX (6):

001

++ ZERO (0):

ANINTERIOROFMEMORY+SURPRISESARC591_ResearchthroughDesign

Fullyear,2014FineDiningAtmosphereExploration

002

Surprise, as in to astonish or amaze, is the tool;memorable experience is the purpose;

and beautiful interior atmosphere is the product.

Thisdesignresearchstartedwithaninterestinkineticarchitecture,withpiecesthatcouldengageandsurprisetoformunique,memorableexperience.Itsoonbecame

apparentthatinterestwasnotwiththekineticitselfbuttheexperienceitcreated.ThisexperienceandsurprisecanalsobeseeninPeterZumthor’satmospheric,ephemeralspaceswhichprovokethesenses,surprisetheinhabitantandbecomememorablefortheirsheerbeauty.Withanaimtounderstandandrecreatetheseatmospheresthede-signresearchlooksatthecontemporaryfinedininginterior,aspacewherebeautyandexceptionalatmosphereareexpected,andmemorableexperienceisvaluedforitsability

tohelpbringthecustomerbacktimeandtimeagain.

003

PLATESight | Touch | Sound

AfteranalysisusingZumthor’snineprinciplesofatmospheretheimpactofsensoryinteractionasreceptionofatmospherefuelleddesign.Thedesignengagessight

throughtheapplicationofacentralhole,soundthroughahollowshellwheresoundresonatesandtouchthroughahiddentextureappliedtotheundersideoftheplate,creatingamultifaceteddesigncapableofgeneratingsurpriseandcreatingmemory

004

TABLE+CHAIRSuggested Placement

First Course Second Course �ird Course Fourth Course

Macaron + French 75 Duck + Riddichio Venison + Watercress Valrhona TexturesSemi Formal Formal Formal Relaxed Formal / Lounge

Stool or leanerAn element to pearch on

High set, harder outer materials, so� interior

materials

Dining ChairNormal Height

Little Recline. Elements of crunch and a hard exterior. So� interior

elements.


More recline, more comfortable materials, leathery in nature with

fresh details

Dining chair / lounger mixLower set, comforting but not high recline lounger. Smooth and spongy all over, elements of cold

smoothness.

750x750mm850x800mmWidthx400mm 500x650mm

Little individual space needed. Most likely a large

or long shared space

Large table to accommodate dinner plate, cutlery, two glasses and a butter plate

Standard size table for only dinner plate,

cutlery and two glasses

Smaller table for dessert plate, cutlery and two

glasses.





materials



elements.



fresh details


smoothness.








glasses.





materials



elements.



fresh details


smoothness.








glasses.

BAR

ENTR

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ALL

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mac

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goat

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pass

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ruit

sorb

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xtur

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1.2.

3.4.

5.

Firstthetablesurface,plustheactorswhichtakepartintheritualofdining,areanalysedusedZumthorsnineprinciplesofatmosphere.Thiscreatesasuggestedplacementdesign,asmalldipsuggestedwheretheplatewillsit.Inaseconddesignphase

thetableandchairareconsideredasapairthatalsoplayapartinaserieswhichrespondtothecourseserved.UsingGastronomic

Analogy,materialchoicesaremadeaccordingtothemealsexperientialqualities.

venison + watercress

005

S1

LevelOne(Bar,Dining)+OneA(Bathrooms+Offices)SectionthroughDining1,2+3,andtheKitchen

FINEDININGFIT-OUTIl Casino | 168 Tory St, Wellington, NZ

Takingthemultilevel,groundfloorofIlCasino,thedesigninvestigationstartedwithmassingstudiesaroundhowprocessionaldiningtomatchadegustationcouldfitandfunction,thenhowitcouldtakeadvantageofZumthor’satmosphericprinciplesinfullscale.Thedesignalsolookedtotakeadvantageofthedoubleheight

spacesincomparisontothelowerceilingsaroundthemezzanine.

006

BARENTRY // HALL HALL // PALATE CLEANSER

DINING ONE DINING TWO DINING THREE DINING FOUR

macaron + goats cheese passionfruit sorbet valrhona texturesduck breast

+ radicchiovenison

+ watercresscomte

+ black garlic

1. 2. 3. 4. 5.

MEALTOMATERIALGastronomic Analogy

UsingGastronomicAnalogyandpartsofasevencoursedegustationfromClooney,Auckland,eachcoursewasanalysedtofindthecharacteristicsofthemealorpartsofthemealwhichcouldthenbetranslatedintoasetofmaterialsappliedtooneofthespaces.

007

JESSIESTFACADEglimpses of the table as you walk past

008

ENTRYglimpses of whats to come through a long hall

009BAR

Macaron + Rosebud

010

++ SECOND COURSEDuck Breast, Radicchio + Red Fruits

Duck Breast ------------------------------------------------------------------------------------------------------

Celeriac - -----------------------------------------------

Freeze-dried Raspberries----------------------------s--------------s-s-----------------------------s-

Radicchio - ---------------------------------------------------------------------------

DININGONEDuck Breast + Radicchio

011DININGTWO

Venison + Watercress

++ THIRD COURSEVenison + Watercress

Watercress - fresh, so, slight crunch

Sauces - Smooth, thick - brass details

Plate - black cold, slightly rough, backdrop to the meal - Carrara marble

Nuts - Hard, crunchy - porcelian plate

Veal/Venison - so, squishy - lambs leather seats

Wholemeal Cruton - hard crunch, dry - oiled American Black Walnut

012

++ FOURTH COURSEValrhona Chocolate textures, Fennel sorbet + Cherries

Macerated Cherries -

Fennel Sorbet - Chocolate Textures:

- Sponge - - - - Moose -

� ��

Freeze dried Red Fruit - -

DININGTHREEValhrona Chocolate Textures

013

++ FIFTH COURSEComte + Black Garlic

Comte------------------------------------------------------------------------------

Black Garlic ---------------------------------------------------

Rye Ciabatta -------------------------------------------------------------------------

DININGFOURComte + Black Garlic

014

Surprise,toastonishoramaze,isthetool;

memorableexperienceisthepurpose;

andbeautifulinterioratmosphereistheproduct.

Thisdesignleadresearchstartedwithaninterestinkineticarchitecture,withpiecesthatcouldengage

andsurprisetoformunique,memorableexperience.Itsoonbecameapparenttheinterestwasnot

withthekineticitselfbuttheexperienceitcreated.Thisexperienceandsurprisecanalsobeseenin

PeterZumthor’satmospheric,ephemeralspaceswhichprovokethesenses,surprisetheinhabitantand

becomememorablefortheirsheerbeauty.Withanaimtounderstandandrecreatetheseatmospheres

thedesignresearchlooksatthecontemporaryfinedininginterior,aspacewherebeautyandexceptional

atmosphereareexpected,andmemorableexperienceisvaluedforitsabilitytohelpbringthecustomer

backtimeandtimeagain.

Whatisatmosphere?Howisitgenerated?Isittactile,ephemeral,material?Lookingtotheorists

interestedinatmospherewecouldstartwithJulieannaPrestonandherintroductiontoAD’sJune2008

issue Interior Atmospheres.HerePrestonstrugglestodefineatmosphere,insteadchoosingtousemistas

itsphysicaltraceelement;“Itsslipperyephemeralbodyrefusestobecaptured,andyetitspervasiveness

suggestsitiseverywherebutnowhere”.InsteadPrestonchoosestorefertoMarkWigley’sessay“The

ArchitectureofAtmosphere”andPeterZumthor’sshortbookAtmospheres.IfwelooktoWigley’swork

firstwewouldfindadescriptionofatmosphereassensuousemissionsoflight,smellandheatseeping

outofthethinnestmaterialobject,theinhabitantenvelopedbyatmosphere.YetWigley’stheoryof

atmosphereassessesitasasingular,asathinsurfaceofmaterialsurroundingatmospherelikeaballoon.

TolookatZumthormovesbeyondthesurfaceandtothearchitecturalelementsaswhole.Tounderstand

theapplicationofZumthor’snineprinciplesofatmospherethedesignleadresearchstartswithasmall

scaleplate,applyingZumthor’sprinciplestoanalysethendesignasoupplate.Throughtheanalysis,

Zumthor’sinterestinsensoryinteractionasreceptionofatmospherebecameclear,thusthedesignwas

supplementedbyresearchandapplicationoftheoryaroundthesenses,inparticularsight,touchand

sound in relation to food design.

Thismethodology,analyseusingZumthor’snineprinciplesofatmospheretounderstandthescale,

identifyholeswherealternativetheorycouldsupplementthedesignphase,theniterativedesignto

resolvethescale,isusedthroughoutfourscalesofdesigninvestigation;theplate,thetablesurfaceandits

actors,thetableandchair,andfine-diningrestaurantdesign.

Withinthelargerscaleinvestigationsoftableandchair,andrestaurantdesign,Zumthor’sprinciple

‘MaterialCompatibility’providedaholeinthetheorywheretheprincipleitselfwasnotstrongenough

toinspirematerialselection.TosupplementZumthor,GastronomicAnalogyisusedtoprovidematerial

inspirationbasedaroundapieceofcuisineservedinfinediningrestaurantClooney,Auckland.From

thedegustation,eachcourseisanalysedintermsofitcomponentsandthesensoryexperienceof

enjoyingthatcourse.Thesesensuousqualitiesareusedtoidentifymaterialswithsimilarqualitieswhich

areappliedtoaspaceorscale.AtthispointZumthor’s‘MaterialCompatibility’canbereintroducedto

balanceandplacethechosenmaterialswithinthespace.Itisimportanttounderstandthatthecourseis

usedtoinfluencethespacesatmosphereandwouldnotnecessarilybeconsumedinthatspace,ratherit

isadesigntoolusedtosupportZumthor’sprinciplesofatmosphere.

ANINTERIOROFMEMORYANDSURPRISE: an understanding of atmosphere in a fine dining experience

015

++ ONE (1):

INTHEEAVESIESCAPEINTA412_DanielBrown

SemesterTwo2013Wellington City Gallery

asMediaLibrary

016

“From within the safety of the house, I can venture to its edges, its perimeters, and, undetected, experiment with facing my fears of the dark, of the adults, of a large noisy

world. In the eaves I escape, I huddle, I frighten myself, I cry and whisper and laugh and plot. In this hollow between the self I know and see and the one I do not know and cannot

see yet, but sense I test my own limits and learn my own secrets. In these hollow walls dwells the unknown, the in-between, the impossible, the unseen. Exploring them, I am

hero and master of the unknown; I stare fear in the face and survive.” Inside Fear: Secret Places and Hidden Spaces in Dwellings,

Anne Troutman

018

Previously the Wellington Central Library

Wellington City Gallery:Civic Square, Wellington

This elegant stripped Classical building, erected in 1939, was the result of a collaboration be-tween the celebrated Auckland partnership of Gummer and Ford, and New Plymouth architects Messenger Taylor and Wolfe, after a competition was held to decide a winning design. Between 1990 and 1992 a new Central Library was built on Victoria Street and the old library successfully adapted for use as the City Gallery.Wellington’s Old Shoreline Heritage Trail

027 TECHNICALDRAWINGINTA421_ChristinaMackay

SemesterTwo2013Wellington City Gallery

asMediaLibrary

Lauren HicklingINTA412

City Gallery, Civic Square,Wellington

South Facade Elevation1:200 @ A3

1

A401

++ TWO (2):

Drawing #:

Drawing:

Job:

Revision #:

Job#:

A001A

Wellington City Gallery:Library Refit 2013

002

Date:

Revisions:

09/10/2013

Scale: 1:200 @ A3

Exterior Elevation:South Face/Civic Square

Civic Square,Wellington6011

Lauren HicklingDesigns.INTA412 Assignment 2VS 2.01

1:200 @ A3

Exterior Elevation: South Face/Civic Square-

P1

1:10 @ A3

Reception Counter Section One-

S1

1:20 @ A3

Reception Counter Front Elevation-

E1

1:10 @ A3

Reception Counter Section Two-

S2

S1

A005 A005 A006 A006

S2 S3 S4

Drawing #:

Drawing:

Job:

Revision #:

Job#:

A005A


002

Date:

Revisions:

09/10/2013

Scale: As Specified @ A3

Existing Reception DeskStudio Pacific Fit-out



Provide rebate in u/s laminated beam for electrical conduit connection from existing counter. Conduit to be totally concealed

100x100 continuous MS angle to line with existing.Allow for bolt connection to 60x5mm MS cleat behind

50mmx10mm thick SS footwelded to 15 threaded SS rod

100x100 continuous MS angle withnut welded for threaded rodthickness and �nish to matchexisting

Laminated Tawa plank 30mmthick �xed to MS TFCrebate as required for cleat and glass end closers

10mm toughened glass end panelset into 10x10 groove in Tawa plankand alum. head channel with gasket �xings

M10 nut welded to 100x100 MSangle support with 40 MS tubewelded over nut

100x100 MS angle �xingcleat to match beam sizewith holes for M10 �xingshammer paint �nish.

Exposed conduit to back face oflaminated beam

10mm thick toughened glass top withground and polished edges and holes for 10mm threaded planar �xings Granite top, polished �nish to sides

and top with rough back bottom.Allow drilling of holes for rod support

15 threaded rod intopre-drilled holes in granite

100x50MS channelsupports with weldednuts for threaded rod

100x100 MS angle support

10mm thick toughened glasswith SS planar �xingsback to angle. Edges for glassto be ground and polished

40 MS tube welded to100x100 angle over weldednuts for threaded rod �xings�nish as for angles

Drawing #:

Drawing:

Job:

Revision #:

Job#:

A011A


002

Date:

Revisions:

09/10/2013

Scale: 1:200 @ A3

1:200 @ A3

Proposed Floor Plan:Ground Floor

Proposed Floor Plan: Ground Floor



A012P1

-P1

Key:

Existing partition wallsPrecast concrete shells

Timber construction, gib board lined walls

Existing columns

Exterior Walls: Reinforced Conrete

RR001

West Library East Library

RR002 RR003 RR004

FFL000

RR005

RR006

RR007

RR008 RR009

RR010

RR011

RR012

RR013

BR001 BR002 BR003 BR004 BR005

N

A031D1

FFL500 FFL500 FFL500FFL500

Drawing #:

Drawing:

Job:

Revision #:

Job#:

A012A


002

Date:

Revisions:

09/10/2013

Scale: 1:50 @ A3

Enlarged Setcut Plan: Reading Rooms



1:50 @ A3

Enlarged Setcut Plan: Reading RoomsA011

P1

3030Key:

Precast concrete shells

Timber construction, gib board lined walls

Existing columns

Exterior Walls; Reinforced Conrete

RR001 RR002 RR003

500645 645 700700 1030200 200

75 75 75 75 75 75

N

A020E1

A021E2

A021E1

FFL500FFL500FFL500

Drawing #:

Drawing:

Job:

Revision #:

Job#:

A030A


002

Date:

Revisions:

09/10/2013


Partition Details: ReadingRoom Inner Walls



1:10 @ A3A030D2

1:50 @ A3A020D1

1:10 @ A3

Reading Room Inner Shell: Wall to Floor JointA030

D3

Key:

Resene Ceiling Paint in Merino

Resene Contractor in Merino applied to ‘roof’ face also

Resene Contractor in Merino applied to under side of �oor also

Resene Contractor in Merino applied to Plasterboard

13mm Plasterboard

60x140mm Radiata Pine ceiling joists80x40mm Radiata Pine top plate

80x40mm Radiata Pine bottom plate

60x140mm Radiata Pine �oor joists

Plasterboard 13mm

Fleltex Carpet, Merito II, 100% wool, Slate Black

Fleltex Carpet, Merito II, 100% wool, Slate Black

Strucutral Plywood Lining, 3ply x 7mm



Precast Reinforced Concrete


Precast Reinforced Concrete Spacer

Precast Reinforced Concrete Spacer


Radiata Pine timber structure

Reading Room Inner Shell: Wall to Ceiling Joint

Reading Room Inner and Outer Shell Elevation

Timber Construction“Inner” Shell

Revolving Concrete Door

Precast Conrete“Outer” Shell

A030D2

A030D3

Drawing #:

Drawing:

Job:

Revision #:

Job#:

A060A


002

Date:

Revisions:

09/10/2013


Joinery Fitting: ReadingRoom Rotating Door



1:20 @ A3

Reading Room Rotating Door: Front ElevationA020

D21:2 @ A3

Reading Room Rotating Door: Pivot Joint SectionA060

D4

1:2 @ A3

Reading Room Rotating Door: Pivot Joint PlanA060

D3

A060D3

Precast concrete shells. 700x140mm

Precast concrete steps.

Micro Metals Brass Plate, 1260x150x12.5mm. Inset into Precast Concrete panel

Micro Metals Brass Rod, Alloy360, 28.58mm.

Micro Metals Brass Rod, Alloy360, 28.58mm. Centred

Micro Metals Brass Rod, Alloy360, 28.58mm. Sits within 31.8mm tube.

Precast reinforced concrete sheet, 2300x1020x150mm.

Micro Metals Brass Plate, 1260x150x12.5mm. Inset into Precast Concrete Panel

Micro Metals Brass Plate, 1260x150x12.5mm.

Farrel Bearing Stainless Steel Bearings, 18mm.

Farrel Bearing Stainless Steel Bearings, 18mm, sit in channel.

Farrel Bearing Stainless Steel Bearings, 18mm.

Micro Metals Brass Tube,76x4mm, cut to 15mm. Centred and welded to Brass Plate.

Micro Metals Brass Tube, 31.8x1mm, cut to 15mm. Centred and welded to brass plate.


Micro Metals Brass Tube, 31.8x1mm, cut to 15mm. Welded to brass plate.

Micro Metals Brass Tube, 31.8x1mm, cut to 15mm. Centred and welded to the brass plate.


Key:

High Tensile Stainless Steel


A060D1

A060D4

A060D4

1:20 @ A3

Reading Room Rotating Door: PlanA060

D1

035 TWOHALVESMAKEAHOLEINTA411_DanielleAbreueLima

SemesterOne2013NationalPavilionfortheFederal

RepublicofGermany

++ THREE (3):

036

“we should be more conscious that we are talking about the remaining effects of Germany’s division, not the consequences of its reunification”

038

The EastGerman Democratic Republic

AftertheBerlinWallwasbuiltonthe13thofAugust,1969,peoplefromthecommunistEastweresoontrappedwithintheregime,oftentryingandfailingtobreakouttotheWestorotherpartsofEurope.PeopleseenassuspicioustotheGovernmentwerewatchedbythe‘Stasi’,thesecretpolice,withpeoplelivingunder

constantoppression.Althoughchangewasfastcomparedtoothercommunistcountries,itwasslowincomparisontotheconsumerdrivenWestGermanyfuelledbytheallies.

039

The WestFederal Republic of Germany

WestGermanywasacountryofquickchangeanddevelopmentfuelledbythealliesduringtheColdWar.DuringitsseparationfromtheEasttheWestunderwenta‘Wirtschaftswunder”,an“economicmiracle”inwhichinflationhalted,thevaluesofinternationaltradedoubledandhugeeconomicupturnoccurredwith

helpfromtheallies,Americainparticular.Alongwiththispeoplewerealsofreetoexpressthemselvesastheywished,with‘punk’filteringinfromLondon.

040

ReunifiedYet Divided

1989sawthefalloftheBerlinwallafter40yearsofseparationunderopposinggoverningstructuresandculturesthatdevelopedthroughthis.Germansagreedtoreunificationwithopenarmshopingitwould

solvetheirproblemstocreateahappierlife.Itsoonbecameapparentthatthiswasonlyahoneymoonphaseandproblemssuchasunemployment,risingprices,aloomingrecessionandEastGermansbeingtreatedassecondratecitizenscauseddivisionsbetweentheEastandWest.Theseaversionstooneanotherstilldivide

thecountrymentallywithoverhalfofthepopulationfeelingthecountryisn’tunited.

041 ANAFFAIRWITHAWELLGROOMEDFOXINTA312_DrMaibrittPedersenZari

SemesterTwo2012Retail Design using Brand Identity for

Well-Groomed-Fox

++ FOUR (4):

042

“I am the mysterious act. You watch me but do not interact with me. You think you know me, how I work, why I draw attention to myself. I mislead you, but only so you

want to explore me more. I suggest what is to come but only in a twisted truth.”

043

the bait: entranceI am the bait; inviting, quirky and attractively unusual.I have odd accents that lead your eye and your body toward me.I give you clues to whats inside but do not fully reveal my intentions.

047 PHYSICALMODEL

049 TECHNICALDRAWINGINTA312_ChristinaMackay

SemesterTwo2012Moveable/Inter-ChangeableWall

Detailing

++ FIVE (5):

Section1:1

30mm 30mm105mm




14mm 14mm

35mm

22mm

45mm

25mm

66mm +/- 7mm

42mm

44mm

490mm






40mm

35mm

South Elevation1:11

2

A102

2

Date:

19th October 2012

Sheet Number:

A102

Drawings:

1 South Elevation2 Section

Scale: 1:1

Well Groomed Fox Retail StoreInterchangable, Movable Screen Details

Lauren Hickling300209898

N

Location of movablescreen wall detailed

Entrance

Central Display Area

Back of House/Studio

2440

mm

490mm


Interchangeable Screen. Max weight 150kg

Outline of furniture lazer cutout of projected material.Adapted as nescessary

Refer to A002: E1. South Elevation & S1. Section, for assembly and componentdetails

1:100 @ A3

Reflected Ceiling Plan-

D1

1:20 @ A3

3D Assembled Axonometric-

D2


Drawing #:Drawing:

Job:Revision #:

Job#:

A001AWell-Groomed-Fox

Retail Store001

Date:

Revisions:

19/10/2012


D1. Reflected Ceiling PlanD2. 3D Assembled Axo

Interchangeable, Movable ScreenDetails:: No Site

30mm 30mm105mm



M6 Hex bolt, Stainless Steel Class 8.8, metric thread with M6 Class 8, metric, thread Stainless Steel nuts

14mm 14mm

35mm

22mm

45mm

25mm

66mm +/- 7mm

42mm

44mm

490mm






40mm

35mm

A102S1

1:1 @ A3

South Elevation-

E11:1 @ A3

Section-

S1


Drawing #:Drawing:

Job:Revision #:

Job#:


Retail Store001

Date:

Revisions:

19/10/2012

Scale: 1:1 @ A3

E1. South Elevation S1. Section

Interchangable, Movable ScreenDetails:: No Site






M10 Mild Steel threadedrod @ 40mm long.Factory welded toangled steel on Northface, grinded �ush.


1:2 @ A3

Exploded Axonometric-

D1


Drawing #:Drawing:

Job:Revision #:

Job#:


Retail Store001

Date:

Revisions:

19/10/2012

Scale: 1:2 @ A3

D1. Exploded Axonometric

Interchangeable, Movable ScreenDetails:: No Site

055 OFTHEHIDDENSIDEINTA311_JohnDaishSemesterOne2012HotelRefitforthe

JohnChambersBuilding

++ SIX (6):

056

The tectonics of the design draws on the placing of the John Chambers Building within its surroundings by using the aesthetic of forcing elements apart to create individual spaces, allowing the space to be fully exploited but never physically

connected. This tectonic idea has led to private spaces being hidden behind layers of pushed and pulled on forms and public spaces to occur in the hollow voids between the fighting forms or the intervention and the existing exterior. These

voids are often pushed into to create viewing platforms that then put the inhabitant on display before they slide back into a private crevice. To create a poly-vocal space the design draws on human curiosity and the need to find what is on the

‘hidden’ side of a form, to define the route through the crevices to the hidden or exposed alike.

059

1.

Level One1. Hotel lobby2. Bar

2.

060

1.

Level One1. Hotel lobby2. Bar

2.

3.

4.

5.

Level Two1. Hotel lobby2. Bar3. Private dining interior4. Secong oor walkway5. Private dining exterior

061

3.

4.5.

Level Two3. Private dining interior4. Secong oor walkway5. Private dining exterior

062

3.

4.5.

Level Two3. Private dining interior4. Secong oor walkway5. Private dining exterior

l k hickling | portfolio | interior architecture

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