Architecture 1

Lars Müller Publishers Autumn 2018

ArchitectureDesignPhotographyArtSociety

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October

Design: Camilla Jørgensen & Søren Damstedt, Trefold24 × 30 cm, 9½ × 11¾ in240 pages240 illustrations, hardcoverISBN 978-3-03778-572-0, Englishapprox. EUR 45.– GBP 40.– USD 50.–

This publication examines the recent work of the Chinese architect Wang Shu, Pritzker Prize winner in 2012. At a time when China’s explosive urbanization is making inroads into rural areas and leaving the marks of cheap concrete construction everywhere, Wang Shu and Amateur Archi-tecture Studio are keen to work against this tendency by reusing materials from the buildings that Chinese authorities are systematically tearing down and rebuilding after western models. Wang Shu’s architecture reveals a thoughtful attitude toward both design and implementation, as well as the ability to react fl exibly to the surroundings and history of a particular site.

Wang Shu Amateur Architecture StudioThe Architect’s Studio

Design: Camilla Jørgensen &Søren Damstedt, Trefold24 × 30 cm, 9½ × 11¾ in, 240 pages239 illustrations, hardcover2017, ISBN 978-3-03778-531-7, EnglishEUR 45.– GBP 40.– USD 50.–

Previously published books of the series The Architect’s Studio:

Innovative solutions to overcome social challenges

Alejandro Aravena ELEMENTALThe Architect’s Studio

In collaboration with Louisiana Museum of Modern ArtEdited by Michael Juul HolmText by Alejandro Aravena

The ELEMENTAL studio, headed by artistic director Alejandro Aravena and based in the capital of Chile, Santiago, is untraditionally composed of people with a variety of skills and abilities. Their analytical approach to architecture and urban planning has led them towards original solutions to social challenges, such as the housing shortage in Santiago’s economically disadvantaged neigh-bourhoods. Instead of designing cheap housing, ELEMENTAL builds “half houses” at the same cost and enables buyers to build the other halves themselves. The combination of good design and the engagement of the buyers creates more sustainable housing areas. In the series The Architect’s Studio the Louisiana Museum of Modern Art presents an exhibition on the ELEMENTAL studio, curated by Mette Marie Kallehauge and Kjeld Kjeldsen. The richly illustrated publication will portray ELEMENTAL’s working methods and work philosophy, as well as showing examples of their most important projects.

Aravena was awarded the prestigious Pritzker Prize in 2016 andwas the director of the Venice Architecture Biennale with the support of the ELEMENTAL group

A richly illustrated book on ELEMENTAL, their methods, and philosophy

Accompanying an exhibition of the same name at Louisiana Museum of Modern Art, Denmark, opening on October 11, 2018

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Design: Pentagram19.5 × 26.5 cm, 7¾× 10¾ inapprox. 352 pagesapprox. 340 illustrations, paperbackISBN 978-3-03778-580-5, Englishapprox. EUR 35.– GBP 30.– USD 40.–

A genealogy of self-reliant environments

Lydia Kallipoliti

The Architecture of Closed WorldsOr, What is the Power of Shit?

In collaboration with Storefront for Art and Architecture

What do outer space capsules, submarines, and offi ce buildings have in common? Each is con-ceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy. Contemporary discussions about global warming, recycling, and sustainability have emerged as direct conceptual constructs related to the study and analysis of closed systems. From the space program to countercultural architectural groups experimenting with autonomous living, this publication documents a discipli-nary transformation and the rise of a new environmental consensus in the form of a synthetic naturalism. It presents an archive of 39 historical living prototypes from 1928 to the present that put forth an unexplored genealogy of closed resource regeneration systems. Prototypes are presented through unique discursive narratives with historical images, and each includes new analysis in the form of a feedback drawing that problematizes the language of environmental representation by illustrating loss, derailment, and the production of new substances and atmospheres.

LYDIA KALLIPOLITI is an architect, engineer, and scholar with a PhD from Princeton University and a SMArchS from MIT. She is an Assistant Professor and the Co-Director of the Master of Science Program at Rensselaer Polytechnic Institute, as well as the principal of ANAcycle thinktank in Brooklyn, New York.

Closed systems identify and secure the cycling of materials necessary for the sustenance of life

A counter history to optimize circular economies in material conversions—by looking at shit, among other things

Ecological UrbanismThis revised edition features over 40 new projects

Mohsen Mostafavi, Gareth Doherty (Eds.)

Design: Integral Lars Müller16.5 × 24 cm, 6 ½ × 9 ½ in, 656 pages1600 illustrations, hardcover2016, ISBN 978-3-03778-467-9, EnglishEUR 50.– GBP 37.– USD 50.–

Embodied Energy and DesignMaking Architecture between Metrics and Narratives

David Benjamin (Ed.)

Design: Integral Lars Müller21 × 29.7 cm, 8¼ × 11¾ in, 232 pages217 illustrations, hardcover2017, ISBN 978-3-03778-525-6, EnglishEUR 35.– GBP 32.– USD 39.–

Previously published books on related topics:

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Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ inapprox. 200 pagesapprox. 100 illustrations, paperbackISBN 978-3-03778-566-9, Englishapprox. EUR 30.– GBP 27.– USD 35.–

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Oliver A. I. Botar

Sensing the Future:Moholy-Nagy, Media and the ArtsDesign: Integral Lars Müller21 × 29.7 cm, 8¼ × 11¾ in, 192 pages415 illustrations, hardcover2014, ISBN 978-3-03778-433-4, English2014, ISBN 978-3-03778-434-1, GermanEUR 35.– GBP 28.– USD 39.–

László Moholy-Nagy

TelehorThe International Review New Vision

21 × 29.7 cm, 8¼ × 11¾ in, 138 pages69 illustrations, spiral binding (reprint)21 × 29.7 cm, 8¼ × 11¾ in, 80 pages34 illustrations paperback (commentary)2013, ISBN 978-3-03778-253-8, English / German / French / Czech / Spanish / Mandarin / Russian / HungarianEUR 40.– GBP 35.– USD 45.–

Previously published books on related topics:

Testimony of a legendary cruise

Chris Blencowe and Judith Levine

Moholy’s EditCIAM 1933: The Avant-Garde at Sea

The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary Architects’ Congress can be interpreted, like his provocative photoplastiks, as a “message in a bottle” thrown into the sea that “might take decades for someone to fi nd and read.” Capturing the incom parable Greek light, it presents a compelling glimpse of the four days and nights in August 1933 when the elite of the European architectural and artistic avant-garde—in Greece for the 4th Inter-national Congress of Modern Architecture (CIAM)—took to the Aegean in a barely-seaworthy “nut shell” that would bring them close to the brink of disaster. The “motley crew” included Le Corbusier, Fernand Léger, Amédée Ozenfant, Sigfried Giedion, Cor van Eesteren, and Otto Neurath. Crucial to the success of the surreal odyssey were members of the Greek avant-garde. Drawing on previously unpublished material—Moholy’s poetically ironic letter to his wife Sibyl, Ghika’s candid Memoirs of Le Corbusier, and forensic examination of the architect’s sketchbooks—the authors reconstruct the epiphanies, debates, and, inevitably, estrangements at this critical moment in European history.

CHRIS BLENCOWE graduated from the AA in 1966 and JUDITH LEVINE graduated from Manchester University in 1961. They collaborated on schools competitions in Ticino with Livio Vacchini and Luigi Snozzi, subsequently working together in a practice which combines architecture, art, and photography, and teaching in Canada, Europe, and the UK.

A close study of a four-day cruise to the Aegean islands by the European architectural and artistic avant-garde in 1933

Provides exclusive insights into the event and its signifi cant impact by means of historical documents

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Max Bill’s View of ThingsDie gute Form: An Exhibition 1949

Lars Müller in collaboration with the Museum für Gestaltung Zürich (Eds.)

Design: Integral Lars Müller21 × 29.7 cm, 8¼ × 11¾ in, 160 pages106 illustrations, hardcover2014, ISBN 978-3-03778-372-6, English2014, ISBN 978-3-03778-339-9, GermanEUR 39.– GBP 30.– USD 45.–

SQM: The Quantifi ed HomeAn exploration of the evolving identity of the home, from utopian experiment to factory of data

Space Caviar (Joseph Grima, Andrea Bagnato, Tamar Shafrir) (Ed.)

Design: Folder17 × 24 cm, 6¾ × 9½ in, 304 pages140 illustrations, paperback2014, ISBN 978-3-03778-453-2, EnglishEUR 35.– GBP 28.– USD 35.–

Previously published books on related topics:

September

Design: Sigfried Giedion / Integral Lars Müller12.5 × 19 cm, 5 × 7½ in100 pages, 86 illustrations, hardcover (reprint), with commentary (approx. 64 pages) in transparent slipcaseISBN 978-3-03778-568-3, English ISBN 978-3-03778-581-2, German approx. EUR 35.– GBP 30.– USD 40.–

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A manifesto of a modernist housing ideology

Sigfried Giedion Befreites Wohnen (Liberated Dwelling) Edited by Reto Geiser

Sigfried Giedion’s small but vocal manifesto Befreites Wohnen (1929) is an early manifestation of modernist housing ideology and as such is key to the broader understanding of the ambitions of the International Congresses of Modern Architecture (CIAM) and the debate on the industrialization of construction processes and its impact on public housing at the beginning of the twentieth century. An important step in Giedion’s rise as one of the foremost propagators of modern architecture, this manifesto is based on the argumentative power of visual comparisons, and is the only book the art historian both authored and designed.

Along a facsimile edition in German, Giedion’s Befreites Wohnen is presented here for the fi rst time in English translation (by Reto Geiser and Rachel Julia Engler). It is completed with annotations and a scholarly essay that anchors the work in the context of its time and suggests the book’s relevance for contemporary architectural discourse.

RETO GEISER is an architect and scholar of modern architecture with a focus on the intersections between architecture, pedagogy, and media. He is the Gus Wortham Assistant Professor at the Rice University School of Architecture where he teaches history, theory, and design.

Facsimile edition with English translation and commentary

A visual journey through modern housing at the beginning of the twentieth century

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6Architecture

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July

Design: Integral Lars Müller23 × 24 cm, 9 × 9½ in384 pages600 illustrations, hardcoverISBN 978-3-03778-573-7, Englishapprox. EUR 30.– GBP 27.– USD 35.–

A key work of architectural theory and the analysis of form

Peter Eisenman

The Formal Basis of Modern ArchitectureIn The Formal Basis of Modern Architecture the internationally acclaimed US-American architect Peter Eisenman—world-famous for his Holocaust Memorial in Berlin (2005)—confronts historicism with theory and the analysis of form, whose distinguishing features he regards as the foundation of architectural composition. The architect illustrates his observations with numerous, extremely precise hand drawings.

Eisenman wrote The Formal Basis of Modern Architecture, his dissertation, in 1963 at the University of Cambridge. The dissertation was fi rst published as a facsimile edition by Lars Müller Publishers in 2006. The original content of the publication is now available again—the book is reprinted in a smaller format.

“I knew what I wanted to write,” Eisenman says of the dissertation. “An analytic work that related what I had learned to see, from Palladio to Terragni, from Raphael to Guido Reni, into some theoretical construct that would bear on modern architecture, but from the point of view of a certain autonomy of form.” Hence the title of his research.

PETER EISENMAN is an internationally recognized architect and educator whose award-winning large-scale housing and urban design projects, innovative facilities for educational institutions, and series of inventive private houses attest to a career of excellence in design.

An analytic work based on the autonomy of form illustrated with precise hand drawings

Reprint of Eisenman’s dissertation, 1963, fi rst published in 2006

The idea of providing a memorial to the victims of the Holocaust dates from 1989. Since then plans have been made, designs sketched, and heat-ed discussions conducted. The memorial was handed over to the public in May 2005. 2700 concrete blocks fl ow unassertively over the enormous fi eld and invite visitors to immerse themselves in them. The monument cannot be interpreted in any one specifi c way, it is not suitable for acts of state, and does not follow the rules of ceremonial, which is what makes it so spectacular. Essays by Hanno Rauterberg and Peter Eisenman make it possible to refl ect about the building more deeply.

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Peter EisenmanHolocaust Memorial BerlinPhotographs: Héléne Binet and Lukas Wassmann

Design: Integral Lars Müller24 × 30 cm, 8¼ × 11 in, 120 pages65 illustrations, hardcover2005, ISBN 978-3-03778-056-5, English2005, ISBN 978-3-03778-059-6, GermanEUR 23.– GBP 20.– USD 30.–

Previously published books by Peter Eisenman:

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7Photography

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Design: Laure Giletti18 × 26.5 cm, 7 × 10½ inapprox. 384 pagesapprox. 2700 illustrations, paperbackISBN 978-3-03778-575-1, Englishapprox. EUR 40.– GBP 35.– USD 45.–

Chronicle and analysis of an interactive exhibition

Armin Linke and Peter Hanappe

Phenotypes/Limited FormsIn collaboration with ZKM and Sony Computer Science LaboratoriesTexts by Estelle Blaschke, Wilfried Kühn, Vittorio Loreto, Doreen Mende, Peter Weibel

This book is an extension of the interactive installation Phenotypes/Limited Forms. The installation encourages visitors to pick their favorite subjects out of a total of several hundreds of displayed photographs, rearrange them, name their sequences, and print them in the form of a fanfold. The publication analyzes the 30 000 sequences selected by the public. A detailed demonstration of the applied algorithms helps us to understand the connection between the photographs, the number of times they were chosen by an individual visitor, and how the visitors named their personal selection of images. The book traces the creative processes and the interaction of the visitors with the material of the installation as a work of art highly dependent on the involvement of the audience. Essays by curators and art historians discuss the subject on a theoretical level while examining the aspects of participation and emancipation as well as the question of the autonomy of images.

ARMIN LINKE was born in 1966 and lives in Berlin. As a photographer and fi lmmaker he analyzes the formation, the “Gestaltung” of our natural, technological, and urban environment, perceived as a diverse space of continuous interaction. PETER HANAPPE studied electronic engineering at the University of Ghent, Belgium. As a researcher at Sony Computer Science Laboratory in Paris he worked on new modes of content creation and distribution that involve the participation of (online) communities.

How Linke’s photography is perceived by viewers, and its meaning transformed through algorithms

Accompagnying Linke’s installation in the exhibition Open Codes—Living in Digital Worlds at ZKM Karslruhe (20.10.2018–6.1.2019)

8Photography

October

Design: Beat Streuli and Integral Lars Müller20 × 28 cm, 8¼ × 11 inapprox. 480 pagesapprox. 200 illustrations, paperbackISBN 978-3-03778-576-8, Englishapprox. EUR 35.– GBP 30.– USD 40.–

Of cities and humanity—a photographic itinerary

Beat Streuli The Fabric of RealityWith his new artist’s book The Fabric of Reality, Beat Streuli for the fi rst time lays a trail leading through his oeuvre. Following Public Works (JRP Ringier, 2012), which delivered an overview of Streuli’s installations from 1996–2011, the artist now links projects, photographs, and video stills from the past seven years with early black-and-white works. Arranged in close succession and with frequent superimposition, the works create a visual rhythm that conveys an impression of an oeuvre marked by sober conceptual observation verging on documentary status. Essays on the themes of urbanism and sociology, as well as on media theory and the theory of perception, embed Streuli’s work in a discursive context.

BEAT STREULI, born in Switzerland in 1957, attended the Schools of Design in Basel and Zurich and the Hochschule der Kü nste in Berlin. Streuli is interested in the inhabitants of cities but also in the cities themselves as an urban and architectural concept and he has recently often worked outside the global metropoles, in suburbs and smaller cities. Streuli develops large installations for public space by integrating new technologies and produces works where still and moving pictures, billboards and immaterial images are combined.

The result of juxtaposing Streuli’s recent work with his early black-and-white photography

Documenting the artist’s journey around the globe and his cross-disciplinary way of working

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Ahmed Mater

Desert of PharanUnoffi cial Histories behind the Mass Expansion of Mecca

Design: Integral Lars Müller20 × 26.4 cm, 7¾ × 10¼ in, 632 pages 623 illustrations, paperback2016, ISBN 978-3-03778-485-3, EnglishEUR 60.– GBP 45.– USD 60.–

Andri Pol

Inside CERNEuropean Organization for Nuclear Research

Design: Andri Pol and Integral Lars Müller20 × 27.5 cm, 7¾ × 10¾ in, 432 pages295 illustrations, paperback 2014, ISBN 978-3-03778-275-0, English2014, ISBN 978-3-03778-262-0, GermanEUR 50.– GBP 40.– USD 55.–

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Kuala Lumpur, 2014Zurich-Albisrieden, 2015 New York City, 1993

Chiasso, 2014 Milan-Cinisello, 2011Tangier, 2013

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September

Design: Teun van der Heijden 12 × 15.3 cm, 4¾ × 6 inapprox. 2200 pages1078 illustrations, hardcoverISBN 978-3-03778-574-4, Englishapprox. EUR 30.– GBP 27.– USD 35.–

Capturing the fading memory of the Holocaust in 1078 polaroid images

Anton KustersOne Thousand and Seventy-Eight Blue SkiesPhotographer Anston Kusters’ project consists of 1078 individual peel-apart polaroid images of blue skies. At every known position of former Nazi concentration camps, over the course of fi ve years, a photograph was taken. Every polaroid image was then permanently tagged with the particular camp’s last known GPS coordinates and the—often estimated—number of victims.

The photographs are an exploration of an already fading memory, confronting us with the issues of how we see and how we choose to remember. They continue examining the limits of representation of trauma and the Holocaust. The project addresses the ambivalence between the severity of historical incidents and the poetic idea of refl ecting on one of the most complex subjects in history.

Essays discussing the various forms of meaning inherent in this work accompany the photographs.

ANTON KUSTERS, born in Belgium in 1974, focuses on investigating ways of seeing, through visual representation and interpretation, the limits of memory and remembrance, and the signifi cance of viewer placement and subject-position.

An artist’s book of how we see and how we choose to remember

Tracking down the location of every former Nazi concentration camp, this artwork is a reminder of how close freedom and imprisonment are

Bildunterschrift<Keine Daten von Verknüpfung>

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Neue Grafi kNew Graphic DesignGraphisme actuel, 1958 –1965Facsimile edition of all 18 issues published, with commentary, Lars Müller (Ed.)

Design: Integral Lars Müller25 × 28 cm, 9 ¾ × 11 in, 1184 pages (reprints), 44 pages (commentary)18 paperback volumes in a slipcase2014, ISBN 978-3-03778-411-2, English /German / FrenchEUR 250.– GBP 200.– USD 300.–

100 Years of Swiss Graphic DesignMuseum für Gestaltung Zürich, Christian Brändle, Karin Gimmi, Barbara Junod, Christina Reble, Bettina Richter (Eds.)

Design: NORM21.6 × 32.4 cm, 8 ½ × 12 ¾ in, 352 pages943 illustrations, hardcover2014, ISBN 978-3-03778-399-3, English2014, ISBN 978-3-03778-352-8, GermanEUR 55.– GBP 45.– USD 60.–

Previously published books on related topics:

August

Design: Karl Gerstner19.5 × 25 cm, 7¾ × 9¾ in120 pagesapprox. 200 illustrations, hardcoverISBN 978-3-03778-578-2, Englishapprox. EUR 35.– GBP 30.– USD 40.–

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A must-have for all design enthusiasts

Karl Gerstner

Designing ProgrammesProgramme as Typeface, Typography, Picture, Method

Karl Gerstner’s work is a milestone in the history of design. Designing Programmes is one of his most important works: in four essays, the author provides a basic introduction to his design method-ology and suggests a model for design in the early days of the computer era. The book is especially topical and exciting in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture, and art, it inspires the reader to seize on the material, develop it further, and integrate it into his or her own work.

Designing Programmes was fi rst published in 1964; in 2007 Lars Müller Publishers launched a re-designed version. This year’s release of Designing Programmes corresponds with the original edition of the book, designed by Karl Gerstner.

KARL GERSTNER (1930–2017, Basel, CH) studied design at the Allgemeine Gewerbeschule in Basel under Emil Ruder. He set up his own studio in 1949. In 1963 Gerstner partnered with Markus Kutter, a copywriter and editor, to found the agency Gerstner + Kutter, which then turned into GGK with the addition of architect Paul Gredinger and became one of the most successful advertising agencies in Switzerland. Gerstner has had a signifi cant infl uence on typography as well as on the history and development of graphic design.

Facsimile edition corresponding to the original design of the book fi rst published in 1964

A practical introduction to the design methodology of Karl Gerstner

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11Design

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October

Design: Kenya Hara13.5 × 19.5 cm, 5¼ × 7¾ inapprox. 216 pages, hardcoverISBN 978-3-03778-579-9, Englishapprox. EUR 25.– GBP 20.– USD 30.–

White is more than a color—White is a philosophy

Kenya Hara

100 Whites White not only plays an important role in Japanese culture in general but also in the work of designer Kenya Hara. In 100 Whites, Hara gives one hundred specifi c examples of white—such as snow, Iceland, rice, and wax. On the basis of these examples he discusses the importance of white in design—not only as a color but as a philosophy.

Hara describes how he experiments with the different whites he mentions, what they mean in the process of his work, and how they infl uence design today. 100 Whites is the extension of his previously published book White. The new publication explores the essence of white, which Hara sees as symbolizing simplicity and subtlety.

KENYA HARA, born in 1958, is a Japanese graphic designer and professor at the Musashino Art University. Since 2002 he has been the art director for MUJI. He is interested in the circumstances and conditions of design, and not the “things.” His interests have become crystallized through various international exhibitions and he has been awarded many prizes, including the Japanese Cultural Design Award.

Highlighting the universal importance of the color white in culture

An extension to the previously published bestseller White

Kenya Hara

Ex-formation

Design: Kenya Hara11.8 × 16 cm, 4¾ × 6¼ in, 480 pages, 500 illus., paperback, 2015 ISBN 978-3-03778-466-2, EEUR 30.– GBP 22.– USD 35.–

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Kenya Hara

White

Design: Kenya Hara13.5 × 19.5 cm, 5¼ × 7¾ in, 80 pages, hardcover, 2009 ISBN 978-3-03778-183-8, E ISBN 978-3-03778-182-1, G EUR 25.– GBP 20.– USD 30.–

Previously published books by Kenya Hara:

Kenya Hara

Designing Design

Design: Kenya Hara16.5 × 24 cm, 6 ½ × 9 ½ in, 472 pages389 illus., paperback, 2014ISBN 978-3-03778-450-1, E EUR 45.– GBP 35.– USD 55.–

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Global DesignInternational Perspectives and Individual Concepts

Angeli Sachs, Museum für Gestaltung Zürich (Ed.)

Design: Integral Lars Müller16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages 350 illustrations, paperback2010, ISBN 978-3-03778-210-1, English2010, ISBN 978-3-03778-154-8, GermanEUR 17.– GBP 17.– USD 25.–

Previously published books on related topics:

October

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ inapprox. 192 pagesapprox. 150 illustrations, paperbackISBN 978-3-03778-570-6, EnglishISBN 978-3-03778-571-3, Germanapprox. EUR 25.– GBP 20.– USD 30.–

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How design shapes social systems

Social DesignParticipation and Empowerment

Edited by Angeli Sachs, Museum für Gestaltung Zürich Texts by Claudia Banz, Michael Krohn, Angeli Sachs

Social design is design for society and with society. As social innovation and on the basis of dialogue and participation, social design strives for a new networking of the individual, civil society, government, and the economy. Social design is thus a response to a global growth economy and its consequences for humans and the environment: The means of production and resources are becoming scarcer, setting off discussions about the need to redesign social systems and living and working environments.

Architects and designers have always played a vital role in shaping this social culture. Social Design thus presents a long-overdue survey of current international positions of interdisciplinary breadth, ranging from new infrastructures to the re-conquest of cities by their inhabitants.

Some twenty-seven projects in the areas of cityscape and countryside, housing, education and work, production, migration, networks, and the environment are framed by three research studies that trace the historical roots and foundations of social design and look at today’s theoretical discourse as well as future trends.

Design — a problem solver to create social change by driving innovation forward

27 projects and their impact— from urban development to the future of education

Assemble, Granby Winter Garden

Cucula, Refugees Company for Crafts and Design Müller Sigrist, Wohn- und Gewerbesiedlung Kalkbreite

Organization for Permanent Modernity, SOMA, Mixed-Use Market

Kéré Architecture, Lycée Schorge Secondary School

GRAFT, Solarkiosk

This volume surveys the ways in which our globalized world has manifest-ed itself in design since 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. Alongside the shipping container, an indis-pensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents globalization in relationship to regionalism as well as to worldwide trends.

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September

Design: Irma Boom16.5 × 24 cm, 6½ × 9½ inapprox. 308 pagesapprox. 400 illustrations, paperbackISBN 978-3-03778-569-0, Englishapprox. EUR 30.– GBP 27.– USD 35.–

ThonikWhy We Design

With texts by Gert Staal, Aaron Betsky, Adrian Shaughnessy, and Thonik

Design: Thonik17 × 24 cm, 6¾ × 9½ in, approx. 320 pagesapprox. 200 illustrations, paperbackISBN 978-3-03778-556-0, EnglishEUR 35.– GBP 30.– USD 40.–

atelier oïHow Life Unfolds

Design: Kommak – Matthieu Visentin21 × 26 cm, 8 ¼ × 10 ¼ in, 384 pages511 illustrations, paperbackISBN 978-3-03778-565-2, EnglishEUR 39.– GBP 35.– USD 45.–

Previously published books on design studios:

Pioneers of Change, Governors Island, New York, 2009

Open House, Levittown, 2011

Department of Design, Cape Town World Design Capital, 2014

She has revolutionized design

Aaron Betsky

Renny RamakersRethinking Design—Curator of ChangeRenny Ramakers is realizing projects that combine virtual technologies and social media with the craft of design to develop new social relations. For more than three decades, the Dutch art historian, critic, and curator has been changing the nature and purpose of design. As co-founder of the Droog Design collective, she has championed the notion of furniture and industrial design as a rethinking of today’s world. When Droog fi rst exhibited at the Milan furniture fair in 1993, its assemblies of found materials and witty forms instantly changed the landscape of design. Since then, Ramakers has worked with makers and creators to move beyond slick objects and towards critical projects that open our eyes to our multifaceted realities while offering easy access and great joy to users.

Author Aaron Betsky describes the ways Renny Ramakers has emphasized the mix of high and low cultures, the reuse of images, the importance of wit, the necessity of user participation, the elegance of the undressed object, and the possibility of design acting as a catalyst to create social change. This volume will survey the work Ramakers has done since 1980 as the author of countless articles and books on design, as the promotor of Droog, as project director and curator, and as thinker.

RENNY RAMAKERS (born 1946, based in Amsterdam, NL) is co-founder and creative director of Amsterdam-based design company Droog, a curator, and a lecturer. Educated as an art historian Ramakers has long been interested in making history by stretching the borders of design thinking.

Eye-opening design projects emerge by mixing high and low cultures and combining virtual technologies and traditional craft

A richly illustrated portrait of the Dutch pioneer and Droog Design’s co-founder and her work

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14Art

July

Design: Integral Lars Müller25 × 28 cm, 9¾ × 11 in248 pages236 illustrations, hardcoverISBN 978-3-03778-567-6English /German /Japaneseapprox. EUR 58.– GBP 48.– USD 70.–

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Lars Müller

Josef Müller-BrockmannPioneer of Swiss Graphic Design

Design: Integral Lars Müller264 pages, 396 illustrations, paperback2015, ISBN 978-3-03778-468-6, English16.5 × 24 cm, 6½ × 9½ inEUR 39.– GBP 29.– USD 39.–2001, ISBN 978-3-907078-59-4, German19 × 27 cm, 7½ × 10¾ inEUR 29.– GBP 19.– CAD 29.–

Previously published books on related topics:

This illustrated essay traces the history of Shizuko Yoshikawa’s late husband – one of the leading exponents of “Swiss Graphic Design” in the 1950s and 1960s. His posters are world-famous for their ability to convey information with great visual tension and an extreme economy of means. He created a body of work in which timeless principles of visual communication are inscribed. In addition to the posters, this publi-cation presents examples of logotypes, appearances, and exhibitions as well as numerous lesser known works in chronological order.

m488 kosmische gewebe—atmendes feld 1, 1997

m685 my silk road—51, 2005

m789 lebenspuls 25, 2012–2013

Poster designs by Shizuko Yoshikawa

z659 a roma–23, 1999Shizuko Yoshikawa in her studio

First monograph on the Swiss-Japanese artist

Shizuko YoshikawaEdited by Lars MüllerTexts by Gabrielle Schaad and Midori Yoshimoto

Shizuko Yoshikawa (born 1934 in Japan, based in Switzerland) was one of the fi rst and few Japanese students at the Ulm Hochschule für Gestaltung, known as the postwar “Bauhaus.” She later married the renowned designer Josef Müller-Brockmann (1914–1996), a pioneer of Swiss Graphic Design, and moved to Switzerland, where she became an artist and a member of the second generation of concrete art. Amongst the very few women belonging to this art movement, she takes a special position due to her Japanese origins and education. Her work combines the rational concepts of European modern art with the poetry and ease of the intuitional Japanese Zen tradition.

This fi rst monograph on Shizuko Yoshikawa’s work contains a major essay by art historian Gabrielle Schaad and a contribution by Midori Yoshimoto, highlighting the life of the artist and interpreting her oeuvre in the Japanese context. Inspired by this publication, an exhibition will take place in Tokyo and Zurich in 2018.

The concrete artist combines European modern art with the Japanese Zen tradition

Richly illustrated with Yoshikawa’s artwork and documenting her elaborate use of color

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Kazuo ShinoharaOn the Threshold of Space-MakingSeng Kuan (Ed.)Co-edited by Christian Kerez

Design: Integral Lars Müller25 × 20.7 cm, 9¾ × 8¼ in, approx. 200 pagesapprox. 150 illustrations, hardcoverISBN 978-3-03778-533-1, Englishapprox. EUR 45.– GBP 37.– USD 50.–

October

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Diaspora of the Middle Eastand North AfricaRashid and Ahmed Bin Shabib (Eds.)

Design: Moylin Yuan 16.5 × 24 cm, 6½ × 9½ inapprox. 320 pagesapprox. 250 illustrations, paperbackISBN 978-3-03778-544-7, EnglishEUR 35.– GBP 30.– USD 40.–

September

Philippe Rahm architectes

Architectural ClimatesDesign: NORM16.5 × 24 cm, 6½ × 9½ inapprox. 256 pagesapprox. 100 illustrations, hardcoverISBN 978-3-03778-555-3, Englishapprox. EUR 30.– GBP 27.– USD 35.–

October

Beatriz Colomina

X-Ray ArchitectureDesign: Integral Lars Müllerapprox. 16.5 × 24 cm, 6½ × 9½ inapprox. 200 pagesapprox. 155 illustrations, hardcoverISBN 978-3-03778-443-3, Englishapprox. EUR 35.– GBP 30.– USD 40.–

October

Steven Holl Architects

Library, a Social CondenserHunter’s Point Community Library

Dimitra Tsachrelia (Ed.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ inapprox. 300 pagesapprox. 200 illustrations, paperbackISBN 978-3-03778-552-2, Englishapprox. EUR 30.– GBP 27.– USD 35.–

May 2019

Mark Wasiuta

Information Fall-Out: Buckminster Fuller’s World GameDesign: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ inapprox. 240 pagesapprox. 150 illustrations, paperbackISBN 978-3-03778-553-9, Englishapprox. EUR 30.– GBP 27.– USD 35.–

October

Previously announced

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Nearing completion, New York’s Hunters Point Community Library is situated along the banks of the East River in Long Island City. The result of a seven-year effort, the library will bring community- devoted space to the increasingly privatized Long Island City waterfront.

Library, a Social Condenser traces the history of the library’s development and the uncompromising fi ght to keep the realized structure true to its original conception—that of a social catalyst in the midst of dense, high-rise structures. Through the collective commentary of individuals involved in or infl uenced by the project, the book provides insight into an individual and collective fi ght for the common good. At the same time it demonstrates for multiple audiences what can be accomplished when excellence in design and the commitment and persistence of government offi cials and community leaders combine to protect and enhance public space.

Initially proposed for the US Pavilion at Expo 67 in Montreal, Buckminster Fuller’s World Game was played for the fi rst time in 1969 in New York. Across its different manifestations it remained focused on the goals of overcoming energy scarcity and altering conventional territorial politics through the redistribution of world resources. This anti-war game was intended to discover the right conditions for perpetual ecological peace. Mirroring Cold War command and control infrastructures, proposals for World Game centres described a vast computerized network that could process, map, and visualize environmental information drawn from, among other sources, Russian and American spy satellites—making the World Game more topical then ever.

This book assembles and analyzes documents related to various instanc-es of the World Game conceived, proposed, and played from 1969 to 1982. It examines the World Game as a system for environmental informa-tion and as a process of resource administration.

16Backlist Architecture

Power/ArchitectureJorge Carvalho, Ricardo Carvalho, and Pedro Bandeira (Eds.)In collaboration with Casa da Arquitectura

Design: Studio Dobra17 × 24 cm, 6¾ × 9½ in, 260 pages581 illustrations, paperback2017, ISBN 978-3-03778-546-1, EnglishEUR 29.– GBP 26.– USD 35.–

Portman’s America& Other Speculations

Mohsen Mostafavi (Ed.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in356 pages, 396 illustrations, paperback2017, ISBN 978-3-03778-532-4, EnglishEUR 35.– GBP 28.– USD 35.–

Mark C. Fishman

LABBuilding a Home for Scientists

Design: Integral Lars Müller17 × 24 cm, 6¾ × 9½ in, 364 pages244 illustrations, hardcover2017, ISBN 978-3-03778-497-6, EnglishEUR 45.– GBP 35.– USD 49.–

Florian Idenburg, Jing Liu, Ilias Papageorgiou

Solid Objectives:Order, Edge, Aura

Design: Geoff Han17 × 23 cm, 6¾ × 9 in, 484 pages365 illustrations, paperback 2017, ISBN 978-3-03778-501-0, EnglishEUR 40.– GBP 35.– USD 40.–

Emilio AmbaszEmerging NaturePrecursor of Architecture and Design

Design: Integral Lars Müller21 × 29.7 cm, 8¼ × 11¾ in, 312 pages160 illustrations, paperback2017, ISBN 978-3-03778-526-3, EnglishEUR 35.– GBP 32.– USD 39.–

What Is a Museum Now? Snøhetta and the San Francisco Museum of Modern Art

Design: Snøhetta with Integral Lars Müller22 × 28 cm, 8¾ × 11 in, 288 pages315 illustrations, hardcover 2017, ISBN 978-3-03778-507-2, EnglishEUR 45.– GBP 40.– USD 49.–

Positions on EmancipationArchitecture between Aesthetics and Politics

Florian Hertweck (Ed.)

Design: Thomas Mayfried14 × 20 cm, 5 ½ × 8 in, 264 pages48 illustrations, paperback 2017, ISBN 978-3-03778-551-5, EnglishEUR 25.– GBP 22.– USD 28.–

Future Cities LaboratoryIndicia 01

Design: Studio Joost Grootens17 × 24 cm, 6¾ × 9½ in, 240 pages115 illustrations, paperback2017, ISBN 978-3-03778-545-4, EnglishEUR 30.– GBP 25.– USD 30.–

Distribution in East and Southeast Asia by NUS Press

Make New HistoryChicago Architecture Biennial 2017

Mark Lee, Sharon Johnston, Sarah Hearne, Letizia Carzoli (Eds.)

Design: Zak Group20 × 27 cm, 7¾ × 10½ in, 344 pages300 illustrations, paperback2017, ISBN 978-3-03778-535-5, EnglishEUR 40.– GBP 35.– USD 45.–

Landscape of FaithInterventions along the Mexican Pilgrimage Route

Tatiana Bilbao Estudio (Ed.)Photographs by Iwan Baan

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 320 pages202 illustration, paperback2017, ISBN 978-3-03778-499-0, Engl./SpanishEUR 30.– GBP 25.– USD 35.–

Roberto Burle Marx LecturesLandscape as Art and Urbanism

Gareth Doherty (Ed.)

Design: Integral Lars Müller15 × 20 cm, 6 × 7¾ in, 288 pages73 illustrations, paperback 2018, ISBN 978-3-03778-379-5, EnglishEUR 30.– GBP 25.– USD 30.–

Ethics of the Urban The City and the Spaces of the Political

Mohsen Mostafavi (Ed.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 332 pages138 illustrations, paperback 2017, ISBN 978-3-03778-381-8, English EUR 35.– GBP 30.– USD 35.–

Marcel BreuerBuilding Global Institutions

Barry Bergdoll and Jonathan Massey (Eds.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 368 pages345 illustrations, paperback 2018, ISBN 978-3-03778-519-5, EnglishEUR 35.– GBP 29.– USD 40.–

Mark Wigley

Cutting Matta-Clark The Anarchitecture Project

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 528 pages813 illustrations, paperback2018, ISBN 978-3-03778-427-3, EnglishEUR 35.– GBP 28.– USD 39.–

17Backlist Architecture

André Tavares

The Anatomy of the Architectural Book

Design: Drop / João Faria16.5 × 24 cm, 6 ½ × 9 ½ in, 384 pages346 illustrations, hardcover2016, ISBN 978-3-03778-473-0, EnglishEUR 40.– GBP 29.– USD 49.–

Kenneth Frampton

A Genealogy of Modern Architecture

Ashley Simone (Ed.)

Design: Integral Lars Müller24 × 17.3 cm, 9 ½ × 6 ¾ in, 304 pages692 illustrations, hardcover2016, ISBN 978-3-03778-369-6, EnglishEUR 40.– GBP 29.– USD 40.–

Operating Manual for Spaceship EarthJamie Snyder (Ed.)

Design: Integral Lars MüllerReprint, Original 1969 12 × 19 cm, 4¾ × 7½ in, 152 pages7 illustrations in black and whitepaperback 2017, ISBN 978-3-03778-126-5, EnglishEUR 15.– GBP 15.– USD 20.–

Giulia Foscari

Elements of Venice

With a foreword written by Rem Koolhaas

Design: Giulia Foscari and Integral Lars Müller12 × 16.7 cm, 4 ¾ × 6 ½ in, 696 pages1200 illustrations, paperback2014, ISBN 978-3-03778-429-7, EnglishEUR 29.– GBP 24.– USD 36.–

Adolf Loos

Das Andere (The Other)Beatriz Colomina with Kimberli Meyer (Eds.)

Reprint21 × 24 cm, 8 ¼ × 9 ½ in, 2 × 16 pages (facsimiles of magazine) with commentary (48 pages) in transparent slipcase2016, ISBN 978-3-03778-481-5, English/Ger.EUR 35.– GBP 25.– USD 38.–

Kiyonori KikutakeBetween Land and Sea

Ken Tadashi Oshima (Ed.)

Design: Integral Lars Müller25 × 20.7 cm, 9 ¾ × 8 ¼ in, 216 pages209 illustrations, hardcover 2016, ISBN 978-3-03778-432-7, EnglishEUR 45.– GBP 37.– USD 50.–

Leonardo Finotti

A Collection of Latin American Modern Architecture

Design: Integral Lars Müller30 × 24 cm, 11¾ × 9½ in, 160 pages103 illustrations, hardcover 2016, ISBN 978-3-03778-503-4, EnglishEUR 40.– GBP 30.– USD 45.–

Louisa Hutton and Matthias Sauerbruch

Sauerbruch HuttonArchive 2

Design: Heimann und Schwantes24 × 30 cm, 9½ × 11¾ in, 424 pages1216 illustrations, hardcover2016, ISBN 978-3-03778-389-4English/GermanEUR 60.– GBP 43.– USD 66.–

The Building

José Aragüez (Ed.)

Design: Luke Bulman—Offi ce17 × 24 cm, 6¾ × 9½ in, 416 pages244 illustrations, hardcover2016, ISBN 978-3-03778-498-3, EnglishEUR 45.– GBP 35.– USD 49.–

Climates: Architecture and the Planetary Imaginary

James Graham (Ed.)

Design: Neil Donnelly, Sean Yendrys16.5 × 24 cm, 6½ × 9½ in, 384 pages246 illustrations, paperback2016, ISBN 978-3-03778-494-5, EnglishEUR 35.– GBP 28.– USD 39.–

Experimental Preservation

Jorge Otero-Pailos, Erik Fenstad Langdalen, Thordis Arrhenius (Eds.)

Design: Intergral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 192 pages130 illustrations, paperback2016, ISBN 978-3-03778-492-1, EnglishEUR 30.– GBP 25.– USD 35.–

Tabula PlenaForms of Urban Preservation

Bryony Roberts (Ed.)

Design: Still Room16.5 × 23 cm, 6½ × 9 in, 256 pages149 illustrations, paperback 2016, ISBN 978-3-03778-491-4, EnglishEUR 40.– GBP 30.– USD 45.–

Richard PlunzCity RiffsUrbanism, Ecology, Place

Design: Integral Lars Müller15 × 24 cm, 6 × 9½ in160 pages, 30 illustrations, paperback2017, ISBN 978-3-03778-500-3, EnglishEUR 25.– GBP 20.– USD 29.–

Offi ceUS Manual

Eva Franch i Gilabert, Ana Miljački, Carlos Mínguez Carrasco, Jacob Reidel, Ashley Schafer (Eds.)

Design: Pentagram16 × 24 cm, 6 ¼ × 9 ½ in, 288 pages461 illustrations, paperback2017, ISBN 978-3-03778-439-6, EnglishEUR 20.– GBP 17.– USD 25.–

David Adjaye

David AdjayeConstructed Narratives

Peter Allison (Ed.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 320 pages361 illustrations, paperback 2017, ISBN 978-3-03778-517-1, EnglishEUR 45.– GBP 35.– USD 49.–

Architecture and PluralityAga Khan Award for Architecture 2016

Mohsen Mostafavi (Ed.)

Design: Integral Lars Müller16 × 24 cm, 6 ¼ × 9 ½ in, 344 pages215 illustrations, paperback2016, ISBN 978-3-03778-523-2, EnglishEUR 30.– GBP 25.– USD 35.–

18Backlist Design

Jasper Morrison

The Hard Life

Design: Jasper Morrison and Integral Lars Müller22 × 30 cm, 8½ × 11¾ in, 208 pages188 illustrations, hardcover 2017, ISBN 978-3-03778-514-0, EnglishEUR 45.– GBP 35.– USD 49.–

Jasper Morrison

A Book of Things

Design: Jasper Morrison and Integral Lars Müller20 × 27 cm, 7¾ × 10½ in, 312 pages375 illustrations, hardcover2015, ISBN 978-3-03778-463-1, EnglishEUR 59.– GBP 43.– USD 59.–

Naoto Fukasawa, Jasper Morrison

Super NormalSensations of the Ordinary

Design: Lars Müller14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages264 illustrations, paperback2007, ISBN 978-3-03778-106-7, EnglishEUR 25.– GBP 22.– USD 25.–

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Massimo Vignelli

The Vignelli Canon

Design: Massimo Vignelli14.8 × 21 cm, 5 ¾ × 8 ¼ in, 112 pages142 illustrations, paperback2015, ISBN 978-3-03778-225-5, EnglishEUR 20.– GBP 15.– USD/CAD 20.–2012, ISBN 978-3-03778-268-2, GermanEUR 14.– GBP 20.– USD/CAD 35.–

Takahiro Kurashima

Poemotion 1

Design: Takahiro Kurashima, Junji Hata17 × 23 cm, 6¾ × 9 in, 64 pages30 illustrations, hardcover with moiré fi lm2013, ISBN 978-3-03778-407-5, EnglishEUR 20.– GBP 15.– USD 25.–

Takahiro Kurashima

Poemotion 2

Design: Takahiro Kurashima17 × 23 cm, 6¾ × 9 in, 64 pages30 illustrations, hardcover with moiré fi lm2013, ISBN 978-3-03778-351-1, EnglishEUR 20.– GBP 15.– USD 25.–

Takahiro Kurashima

Poemotion 3

Design: Takahiro Kurashima17 × 23 cm, 6¾ × 9 in, 64 pages30 illustrations, hardcover with moiré fi lm2016, ISBN 978-3-03778-513-3English/JapaneseEUR 20.– GBP 15.– USD 25.–

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Dafi Kühne

True PrintReto Caduff (Ed.)

Design: Dafi Kühne24 × 30 cm, 9½ × 11¾ in, 152 pages182 illustrations, hardcover 2017, ISBN 978-3-03778-509-6, English2017, ISBN 978-3-03778-508-9, GermanEUR 45.– GBP 35.– USD 49.–

IDEA No. 333

Ruder TypographyRuder PhilosophyHelmut Schmid (Ed.)

Design: Helmut Schmid and Nicole Schmid23 × 30 cm, 9 × 11¾ in, 226 pages310 illustrations, hardcover2017, ISBN 978-3-03778-541-6English/JapaneseEUR 50.– GBP 40.– USD 55.–

30 Years of Swiss Typographic Discourse in the Typografi sche MonatsblätterTM RSI SGM 1960–90

Design: Louise Paradis21.5 × 31.5 cm, 8½ × 12½ in276 pages, 472 illustrations, hardcoverISBN 978-3-03778-538-6, EnglishEUR 50.– GBP 40.– USD 55.–

Theo Deutinger

Handbook of Tyranny

Design: Theo Deutinger21 × 29.7 cm, 8¼ × 11¾ in, 160 pages987 illustrations, hardcover2017, ISBN 978-3-03778-534-8, EnglishEUR 30.– GBP 25.– USD 30.–

Beatriz Colomina and Mark Wigley

Are We Human?Notes on an Archaeology of Design

Design: Okay Karadayılar11 × 18 cm, 4¼ × 7 in, 288 pages181 illustrations, paperback2016, ISBN 978-3-03778-511-9, EnglishEUR 19.– GBP 15.– USD 20.–

Carolien Niebling

The Sausage of the FutureECAL /Ecole cantonale d’art de Lausanne (Ed.)

Design: Carolien Niebling, Helge Hjorth Bentsen, Olli Hirvonen21 × 28 cm, 8  ¼ × 11 in, 156 pages174 illustrations, paperback2017, ISBN 978-3-03778-548-5, EnglishEUR 28.– GBP 25.– USD 30.–

Poster Collection 30

Self-PromotionBettina Richter, Museum für Gestaltung Zürich (Ed.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 192 pages323 illustrations, paperback2018, ISBN 978-3-03778-558-4English/GermanEUR 25.– GBP 22.– USD 30.–

19Backlist Photography/Art/Society

Lukas Felzmann

Gull JujuPhotographs from the Farallon Islands

Design: Lukas Felzmann and Integral Lars Müller16.7 × 25,4 cm, 6½ × 10 in, 168 pages137 illustrations, hardcover2015, ISBN 978-3-03778-449-5, EnglishEUR 39.– GBP 29.– USD 39.–

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Balthasar Burkhard, Markus Jakob

“Click”, said the camera.

Design: Integral Lars Müller24 × 17 cm, 9  ½ × 6¾ in, 42 pages 22 photographs, ring binder2017, ISBN 978-3-03778-550-8, English 2017, ISBN 978-3-03778-549-2, GermanEUR 20.– GBP 18.– USD 25.–

Annelies Štrba

Noonday

Lars Müller (Ed.)

Design: Integral Lars Müller17.3 × 24 cm, 6¾ × 9½ in, 336 pages295 illustrations, hardcover2015, ISBN 978-3-03778-388-7English/GermanEUR 40.– GBP 30.– USD 45.–

Andreas Seibert

The Colors of Growth China’s Huai River

Design: Integral Lars Müller26 × 19 cm, 10¼ × 7½ in, 272 pages191 illustrations, hardcover2012, ISBN 978-3-03778-295-8, EnglishEUR 35.– GBP 30.– USD 35.–

Allan WexlerAbsurd Thinking Between Art and Design

Ashley Simone (Ed.)

Design: Integral Lars Müller21 × 28 cm, 8¼ × 11 in, 296 pages427 illustrations, hardcover 2017, ISBN 978-3-03778-516-4, EnglishEUR 45.– GBP 39.– USD 50.–

Unfamiliar Familiarities—Outside Views on Switzerland

Peter Pfrunder, Lars Willumeit, Tatyana Franck (Eds.)

Design: Pilar Rojo16.5 × 23 cm, 6½ × 9 in, 312 pages 200 illustrations, 6 booklets in a slipcase2017, ISBN 978-3-03778-510-2English/French/GermanEUR 40.– GBP 37.– USD 45.–

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From Anselm to ZillaThe Peter and Elisabeth Bosshard Collec-tion of the Stiftung Kunst(Zeug)Haus

Design: Integral Lars Müller24 × 30 cm, 9½ × 11¾ in, 320 pages390 illustrations, hardcover2017, ISBN 978-3-03778-547-8, English2017, ISBN 978-3-03778-539-3, GermanEUR 40.– GBP 35.– USD 45.–

Julius von Bismarck, Julian Charrière, Eric Ellingsen

Some Pigeons Are More Equal Than Others

Design: Heimann und Schwantes21 × 24.7 cm, 8 ¼ × 9 ¾ in, 176 pages78 illustrations, hardcover 2015, ISBN 978-3-03778-465-5, EnglishEUR 50.– GBP 37.– USD 50.–

Michael WebbTwo JourneysAshley Simone (Ed.)

Design: Integral Lars Müller21 × 28 cm, 8¼ × 11 in, 206 pages284 illustrations, hardcover2018, ISBN 978-3-03778-554-6, EnglishEUR 45.– GBP 37.– USD 50.–

Protest.The Aesthetics of Resistance

Basil Rogger, Jonas Voegeli and Ruedi Widmer, Museum für Gestaltung Zürich (Eds.)

Design: Meret Fischli, Anna Marchini Camia, Silvan Possa16 × 24 cm, 9¾ × 8¼ in, 448 pages199 illustrations, softcover2018, ISBN 978-3-03778-560-7, English2018, ISBN 978-3-03778-559-1, GermanEUR 25.– GBP 22.– USD 29.–

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The Face of Human Rights Walter Kälin, Judith Wyttenbach, Lars Müller (Eds.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 720 pages500 illustrations2004, ISBN 978-3-03778-017-6, E (hardcover) EUR 45.– GBP 38.– USD 50.– 2008, ISBN 978-3-03778-114-2, G (paperback) EUR 30.– GBP 25.– USD 35.–

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Who Owns the Water ?Lars Müller, Klaus Lanz, Christian Rentsch, René Schwarzenbach (Eds.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 536 pages 301 illustrations, hardcover2006, ISBN 978-3-03778-018-3, English2006, ISBN 978-3-03778-015-2, GermanEUR 45.– GBP 38.– USD 50.–

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For Climate’s Sake!A Visual Reader of Climate Change

René Schwarzenbach, Lars Müller, Christian Rentsch, Klaus Lanz (Eds.)

Design: Integral Lars Müller16.5 × 24 cm, 6½ × 9½ in, 576 pages307 illustrations, hardcover2012, ISBN 978-3-03778-245-3, English 2011, ISBN 978-3-03778-244-6, German EUR 45.– GBP 38.– USD 50.–

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Faith Is.The Quest for Spirituality and Religion

Lukas Niederberger and Lars Müller (Eds.)

Design: Integral Lars Müller16.5 × 24 cm, 6 ½ × 9 ½ in, 396 pages159 illustrations, hardcover2009, ISBN 978-3-03778-144-9, English2009, ISBN 978-3-03778-143-2, GermanEUR 30.– GBP 25.– USD 35.–

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IranBook City Co.No. 765 Shariati St., 16396 66511 TehranP.O. Box: 158757341, TehranPhone +98 21 88 45 50 10Fax +98 (21) 88 45 99 49info@bookcity.co.irwww.bookcity.co.ir

Sub-Saharan AfricaTimuri BooksJoseph Makope200 Colin Ave, Letombo Park, PO AmbyMsasa, Harare, ZimbabwePhone +263 716 098 413joseph@timuribooks.com

South AfricaJacana Media (Pty) Ltd.10 Orange Street, SunnysideAuckland Park2092 JohannesburgPhone +27 (0) 11 628 3200Fax +27 (0)86 697 3001sales@jacana.co.za

Middle East, Israel, Central Asia, North Africa and Eastern Mediterranean Richard WardWard International (Book Export) LtdUnit 3, Ground Floor Taylor’s Yard67 Alderbrook RoadLondon SW12 8AD, UKPhone +44 (0)20 8672 1171richard@wibx.co.uk

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All prices and title details are subject to change without notice. All prices are excluded VAT and do not include any sales taxes.

Lars Müller Publishers Autumn 2018

Distribution

Lars Müller Publishers GmbHPfingstweidstrasse 6CH-8005 Zurich

+41 ( 0 )44 274 37 40sales@lars-muller.chwww.lars-mueller-publishers.com