lehman brother's collection part ii

Works from theLehman BrothersCollection: Part II02/12/10

02/127/10

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www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

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Auction:Friday February 12th at 11am

Exhibition:Wednesday February 10th &Thursday February 11th10am–6pm

Inquiries:paintingsAimee Pflieger DolbyTel: [email protected]

printsLibia Elena MendezTel: [email protected]

topographical, historical &decorative printsDavid BloomTel: [email protected]

Joe HuenkeTel: [email protected]

Bidding:

bids department

Natalie DiFeliciantonio

Tel: 267.414.1208

Fax 215.599.2240

[email protected]

Catalogue $20

Inside Front Cover: Lot 19 (detail)

Inside Back Cover: Lot 370 (detail)

Works from the Lehman BrothersCollection: Part II 02/12/10

Samuel T Freeman & Co.1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

Fax: 215.563.8236

www.freemansauction.com

126 Garrett Street

Charlottesville, VA 22902

Telephone: 434.296.4096

Fax: 434.296.4011

www.freemanssouth.com

Printing by Brilliant Studio

Exton, Pennsylvania

Color images of every lot are

available from February 1st at

www.freemansauction.com

All lots to be sold not subject to a reserve

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free≤an’sworks from the lehman brothers collection: part ii

02/12/10

Important Informationfor Buyers

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $20,000 of the hammer price of each lot, 20% on theportion from $20,001 through $500,000, and 12% on the portion of thehammer price exceeding $500,000.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before lots will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed within5 days. Purchases not so removed may be turned over to a licensedwarehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.

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Topographical,Historical &

Decorative Prints


Exhibitions:

Thursday, June 10th and

Friday, June 11th

(10am to 6pm)

Saturday, June 12th

(12 Noon to 5pm)

Detail of:FERN ISABEL COPPEDGE

(american 1883-1951)“THE HILL ROAD”

Signed ‘Fern I Coppedge’ bottomright, signed and inscribed with

title in pencil verso, oil on canvas30 x 30 in. (76.2 x 76.2cm)

$70,000-100,000

Further consignments are invited

Inquiries:

alasdair nichol

direct tel: 267.414.1211

[email protected]

david weiss

direct tel: 267.414.1214

[email protected]

libia elena mendez

direct tel: 267.414.1210

[email protected]

Fine American & European Paintings & Sculpture06/13/10


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1 09-1680/8101 piece.Hand-Colored Lithohgraph. Stannard & Rae, Litho.after Clarke, S. “Ipswich from The Union.” London,n.d. [ca. 1860]. 16 1/8 x 23 1/8 inches (355 x508mm) - sheet size; 14 x 20 inches (410 x587mm) - image & text. Light to moderate matburn, mounted to bd.$200-300

2 09-1680/8162 pieces.Hand-Colored Steel Engravings: Smillie, Jas. D.“Upper Ausable Lake (Adirondacks).” New York,1869. Approx. 14 x 10 inches (355 x 254mm).* Hinshelwood, Robert. “Natural Bridge, Virginia.”New York, 1869. Approx. 14 x 10 inches (355 x254mm). Both clean & bright.$100-150

3 09-1680/7321 piece.Hand-Colored Engraving. Bennett, William James.“Baltimore from Federal Hill.” New York: H.I.Megarey, [1831]. 19 1/4 x 25 7/8 inches (488 x657mm) - trimmed within plate mark; 16 1/4 x 24inches (412 x 609mm) - image size. Slightly toned,edges darkened.Deak 378, presumed 2nd state with J. & G. Nealeimprint.$500-800

4 09-1680/8271 piece.Hand-Colored Engraving. Mottram, C after Hill,J.W. “Boston.” Boston: B.F. Smith, 1857. 28 1/4 x41 3/4 inches (718 x 1060mm), margins. Mountedto bd., occasional creasing in margins. Clean &attractive.$600-900

5 09-1680/7341 piece.Tinted Lithograph. (Whitefield & Smith,publisher.) Whitefield, E., after. “View of Boston in1848 from East Boston.” Boston, 1848. 24 1/2 x45 1/2 inches (622 x 1155mm) - sheet size;22 1/2 x 44 inches (570 x 1115mm) - image & text.Lightly toned, 1 expertly repaired tear extending 2inches into top of image, mounted at edges, minorwear & discoloration to edges. Image clean &attractive.Norton 37$400-600

6 09-1680/5432 pieces.New York City - Map & Bird’s-Eye View: (Map.)“New York & Brooklyn.” New York: S. AugustusMitchell, 1877. Hand-colored lithograph, 21 1/2 x14 1/4 inches (545 x 360mm). * (Bird’s-Eye View.)Currier & Ives. “City of New York.” 20th-Centurycolor reproduction. 15 1/2 x 19 3/4 inches (393 x500mm). Both clean.$80-120


7 09-1680/8172 pieces.Hand-Colored Engravings: “A View on The HudsonRiver.” * “Yachting - Rounding The Stake Boat.” NewYork, 1869. Appleton’s Journal Art Supplements,both after A.R. Ward. Both approx. 10 x 28 inches(254 x 710mm). Minor creasing. Clean.$80-120

8 09-1680/8041 piece.Hand-Colored Aquatint Etching. Bennett, WilliamJames. “Troy Taken from The West Bank of TheHudson, In Front of The United States Arsenal.”New York, H.I. Megarey, 1838. 21 3/4 x 28 1/2inches (552 x 724mm) - sheet size; 15 1/2 x 25 1/4inches (393 x 641mm) - image size. Moderate matburn, image clean & attractive.Deak 479, 2nd state$800-1,200

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9 09-1680/7411 piece.Hand-Colored Aquatint Etching. Hill, John afterWall, William Guy. “Hudson.” New York: H.I.Megarey, [1825-26]. [Plate #5, Hudson RiverPortfolio.] 17 1/2 x 24 1/4 inches (445 x 615mm);image size 14 x 21 inches (356 x 533mm). Lighttoning outside image, generally clean & attractive.$800-1,200

10 09-1680/8001 piece.Hand-Colored Aquatint Etching. Hill, John afterWall, William Guy. “View Near Sandy Hill.” NewYork: H.I. Megarey, [1825-26]. [Plate #7, HudsonRiver Portfolio.] 18 1/2 x 26 inches (470 x660mm); image size 14 x 21 inches (356 x533mm). With text leaf at back of frame.$800-1,200

11 09-1680/8011 piece.Hand-Colored Aquatint Etching. Hill, John afterWall, William Guy. “New York, From Governor’sIsland.” New York: H.I. Megarey, [1825-26]. [Plate#20, Hudson River Portfolio.] 18 1/2 x 26 inches(470 x 660mm); image size 14 x 21 inches (356 x533mm). Very slightly toned, occasional minorspotting, but clean & attractive. With text leaf atback of frame.$1,200-1,800

12 09-1680/8021 piece.Hand-Colored Aquatint Etching. Hill, John afterWall, William Guy. “View Near Fishkill.” New York:H.I. Megarey, [1825-26]. [Plate #18, Hudson RiverPortfolio.] 18 1/2 x 26 inches (470 x 660mm);image size 14 x 21 inches (356 x 533mm).Generally clean & bright. With text leaf at back offrame.$800-1,200


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13 09-1680/7461 piece.Hand-Colored Aquatint Etching. Hill, John afterWall, William Guy. “Hadley’s Falls.” New York: H.I.Megarey, [1825-26]. [Plate #5, Hudson RiverPortfolio.] 18 1/2 x 26 inches (470 x 660mm);image size 14 x 21 inches (356 x 533mm). Slightlytoned, small close tear below image.$800-1,200

14 09-1680/8031 piece.Hand-Colored Aquatint Etching. Hill, John afterWall, William Guy. “Fort Edward.” New York: H.I.Megarey, [1825-26]. [Plate #10, Hudson RiverPortfolio.] 17 7/8 x 21 inches (454 x 632mm);image size 14 x 21 inches (356 x 533mm). Slightlytoned, small close tear below image. 2 smallrepaired close tears below image. Clean &attractive.$800-1,200

15 09-1680/8341 piece.Hand-Colored Engraving. Bennett, W(illiam)J(ames). “West Point from Phillipstown.” New York:Lewis P. Clover, 1831. 19 3/4 x 25 3/8 inches(500 x 644mm). Some toning to edges, a fewsmall repairs to verso of upper margin. Image clean& attractive.Deak 375$1,000-1,500

16 09-1680/8301 piece.Hand-Colored Lithograph. Endicott, G. & W. afterHill, John W. “Rockland Lake - Cutting Ice. Viewfrom The North East.” N.p., n.d. [ca. 1860s].18 3/4 x 23 7/8 inches (476 x 606mm) - sheetsize; 13 1/4 x 18 1/4 inches (336 x 463mm) - image& text. Minor toning to edges. Image bright, clean& attractive.$500-800

17 09-1680/8321 piece.Hand-Colored Lithograph. Endicott & Co. afterHill, John W. “New York Ice Company - Cutting Iceat Athens.” (New York), 1847. 18 7/8 x 26 inches(479 x 660mm) - sheet size. A few expertlyrepaired small tears in margins, edges very slightlydiscolored. Image bright, clean & attractive.$800-1,200

18 09-1680/871 piece.Tinted Lithograph. Currier, N.; Ives, J.M.,publisher. “New York and Brooklyn.” New York,1877. Drawn on stone by Parsons & Atwater. 28 x40 3/4 inches (711 x 1035mm) - sheet size.Mounted to bd. Light to moderate mat burn &toning, trimmed? Bird’s-eye viewGale 4820 (presumed)$1,000-1,500


19 09-1680/8381 piece.Color Lithograph. Currier, N.; Ives, J.M., publisher.“The Great East River Suspension Bridge.” NewYork, 1877. 28 3/4 x 39 1/4 inches (730 x 995mm)- sheet size; 23 x 33 inches (584 x 838mm) -image & text. Slightly toned, linen-backed. Imageclean & attractive.Gale 2817$2,000-3,000

20 09-1680/7351 piece.Hand-Colored Lithograph. Currier, N., publisher. Sweet, Moses; Davis, Alexander J after. “Ravenswood,Long Island near Hallett’s Cove.” New York, [1836]. 54 5/8 x 19 3/4 inches (1387 x 500mm). Edgesdarkened, vertical crease at center. Image clean & attractive.Gale 5497$400-600

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21 09-1680/8371 piece.Hand-Colored Lithograph. Currier, N., publisher.“City of New York.” New York, 1856. 24 1/8 x30 5/8 inches (612 x 779mm) - sheet size; 22 1/4x28 1/4 inches (565 x 717mm) - image & text.Lightly to moderately toned, minor creasing & alittle dust soiling outside of image. Image generallyclean & attractive.Gale 1217$1,500-2,500

22 09-1680/8201 piece.Chromolithograph. Melrose, Andrew. “A View ofThe Battery and The Statue of Liberty Beyond.”[Raphael Tuck], [ca. 1890]. 21 3/4 x 35 5/8 inches(552 x 905mm). Minor edge wear. Clean &attractive.$250-400

23 09-1680/8191 piece.Hand-Colored Aquatint Etching. Sebron,Hyppolyte Victor Valentine. New York. Winter SceneIn Broadway. New York: M. Knoedler, 1857. 27 1/2 x37 1/4 inches (698 x 946mm), margins. Mountedat edges, very minor mat burn, but bright, clean &attractive.$1,200-1,800


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24 09-1680/8181 piece.Color Lithograph. Bachmann, John. “View of NewYork.” (New York), 1877. 23 x 32 1/4 inches (584 x826mm) - sheet size; 20 x 29 1/2 inches (508 x750mm) - text & image. Very slightly toned, edgesdarkened. Image clean & attractive.$800-1,200

25 09-1680/8221 piece.Hand-Colored Lithograph. Bornet, John after.“Panorama of The Harbor of New York, StatenIsland and The Narrows.” New York: Nagel &Weingartner, 1854. 28 7/8 x 40 1/2 inches (733 x1028mm) - sheet size. Mounted to bd., trimmed atbottom edge. Moderate toning & mat burn,occasional minor abrasions, image generally clean& attractive, a few close creases in image.$2,500-4,000

26 09-1680/8231 piece.Engraving. Seymour, Samuel after Birch, William.“The City of New York in The State of New YorkNorth America.” Springfield Near Bristol,Pennsylvania, Jan. 1, 1803 [but ca. 1820]. 21 1/4 x25 5/8 inches (540 x 650mm), narrow margins.Minor edge wear, a few small close tears inmargins. Clean & bright.Deak 245, 3rd state with imprint of William H.Morgan.$800-1,200

27 09-1680/8261 piece.Hand-Colored Engraving. Mottram, C after Hill,J.W. “New York.” New York: F. & G.W. Smith, 1855.34 x 54 1/4 inches (863 x 1375mm) - sheet size,trimmed just within platemark. Slightly toned,edges slightly worn & discolored. Image clean &attractive.$1,200-1,800

28 09-1680/8311 piece.Hand-Colored Lithograph. Endicott & Co.,lithographer. “South Interior View of The New YorkPost Office.” New York, (1845). 18 1/4 x 23 1/4inches (463 x 590mm) - sheet size; 15 x 18 1/2inches (380 x 470mm) - image & text. Mounted toboard along edges. Generally clean & attractive.See Deak 530$300-500

29 09-1680/8111 piece.Engraving. American Art Union, publisher. Jones,Alfred after Woodville, R.C. “Mexican News.” NewYork, 1853. 22 x 24 3/4 inches (558 x 628mm),wide (full?) margins. Slightly toned, but clean &attractive.$500-800


30 09-1680/7501 piece.Hand-Colored Engraving. Sartain, John afterBingham, Geo. C. “The County Election.” New York,1854. 25 1/2 x 32 inches (647 x 812mm), widemargins; 22 3/8 x 29 5/8 inches (568 x 752mm) -image size. Very slightly toned, mat burn affectingedges only. Image clean & attractive.$1,500-2,500

31 09-1680/8091 piece.Hand-Colored Lithograph. Bingham, Geo. C.“Canvassing for a Vote.” New York: M. Knoedler,1853. 18 5/8 x 21 5/8 inches (473 x 550mm) -sheet size; 16 x 18 1/2 inches (406 x 470mm) -image & text. Minor darkening to edges. Generallyclean & attractive.$600-900

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32 09-1680/8071 piece.Engraving. Tanner, Benjamin, after Barrelett, JohnJ. “America Guided by Wisdom: An AllegoricalRepresentation of The United States, denoting TheirIndependence and Prosperity.” Philadelphia, 1820.17 3/4 x 23 1/2 inches (450 x 597mm), wide(full?) margins. Linen-backed, light to occasionallymoderate foxing. Providence Atheneum ink stampbelow image.$300-500

33 09-1680/8081 piece.Tinted Lithograph. Sarony & Major, lithographer.“Distribution of The American Art-Union Prizes, atThe Tabernacle - Broadway, New York; 24th Dec.1847.” New York: John P. Ridner, 1848. 22 1/2 x27 5/8 inches (570 x 700mm) - sheet size; 17 x20 1/2 inches (430 x 520mm) - image & text.Expertly washed.$250-400

34 09-1680/8281 piece.Hand-Colored Lithograph. Mount, W(illiam)S(idney). “The Power of Music.” New York, 1848.21 3/4 x 23 3/4 inches (552 x 603mm) - sheetsize; 14 1/2 x 18 1/2 inches (368 x 470mm) -image. Lightly to moderately toned, a few smallchips to edges, a few small tears at bottom margin.Image bright & attractive.$400-700

35 09-1680/8291 piece.Hand-Colored Lithograph. Mount, W(illiam)S(idney). “Coming to The Point.” New York: W.Schaus, 1854. 23 7/8 x 27 inches (606 x 685mm) -sheet size; 19 x 22 1/2 inches (482 x 570mm) -image. Slightly toned, light mat burn.$300-500


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36 09-1680/8241 piece.Hand-Colored Engraving. Murray, Draper, Fairman& Co., engravers after Sully & Kearney. “The Battleof Lake Eire, Fought Sept. 10, 1813 - First View.”Philadelphia: Wm. Smith, [ca. 1815]. 22 1/2 x21 3/4 inches (570 x 805mm) - sheet size.Mounted on heavy modern paper sheet. Moderatetoning & mat burn, some dust soiling outside ofimage.$400-600

37 09-1680/8051 piece.Engraving. Tanner, Benjamin, after Birch, Thomas.“United States and Macedonian.” Philadelphia,1814. 21 x 27 3/8 inches (533 x 695mm) - sheetsize. A few repaired close tears mostly outside ofimage - 1 just touching upper portion of image.Clean & attractive.See Deak 284$300-500

38 09-1680/8331 piece.Hand-Colored Lithograph. Endicott, & Co.,lithographer. Batchelder, J.B. “Review of The Mass.Volunteer Militia, at Concord, Sept. 9th, 1859.” NewYork, 1860. 29 7/8 x 45 5/8 inches (760 x1150mm). Light to moderate toning, minor edgewear, a few abrasions in image. Some dust soilingto verso.$600-900

39 09-1680/8251 piece.Hand-Colored Lithograph. Botticher, Otto after.“National Guard, 7th Reg. N.Y.S.M. at Camp Worth(Kingston, July 1855).” New York, 1856. 30 3/4 x37 7/8 inches (780 x 962mm) - sheet size. Lighttoning to image, light to moderate toning outside ofimage, some edge wear.$600-900

40 09-1680/8126 pieces.Chromolithographs. Cozzens, Frederic S. [SailingScenes]: “Second International Race, The Finish offStaten Island.” 1884. * “By Sou’ West Split.” 1884.* “Around The Cape Marblehead.” 1884. * “RobbinsReef, Sunset.” 1884. * “The Early Racers.” 1884.* “Stern Chase and a Long One.” 1884. All 14 1/2 x20 5/8 inches (368 x 523mm). All clean & bright.$800-1,200

41 09-1680/8351 piece.Hand-Colored Lithograph. Currier, N., publisher.Palmer, F.F., after. “Cutter Yacht ‘Maria’, Modelledby R.E. Stevens...” New York, 1852. 20 1/2 x 26 1/4inches (520 x 668mm) - sheet size; 19 x 23 7/8inches (482 x 606mm) - image & text. Lightlytoned, edges slightly darkened. Image clean, bright& attractive.Gale 1466$500-800


42 09-1680/8061 piece.Color Lithograph. “American Hunting Scenes.” N.p.,n.d. [ca, 1870]. 24 1/4 x 28 1/2 inches (615 x724mm) - sheet size; 18 x 22 1/8 inches (457 x562mm) - image & text. Clean & attractive.$300-500

43 09-1680/8401 piece.Hand-Colored Lithograph. Currier, N.; Ives, J.M.,publisher. Tait, A.F., after. “American Field Sports.‘Retrieving’.” New York, 1857. 20 1/8 x 26 5/8inches (510 x 676mm) - text & image; 21 1/2 x28 3/4 inches (546 x 730mm) - sheet size. Light tomoderate toning, a few small abrasions outside ofimage. Image clean & attractive.Gale 0164$1,000-1,500

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44 09-1680/8422 pieces.Hand-Colored Lithographs. Currier, N.; Ives, J.M.,pub.: Cameron, J after. “American Jockey ClubRaces: Jerome Park. Tom Bowling Winning...October 4th, 1873.” New York, 1873. 18 3/4 x 26inches (476 x 660mm) - text & image. Occasionalyminor dampstaining, image generally bright &clean. Gale 0188. * “The Celebrated Mare FloraTemple, ‘The Queen of The Turf’.” New York, 1853.20 1/8 x 26 1/2 inches (511 x 673mm) - text &image. Image generally clean & attractive. Gale0982. Both examined out of frames but not out ofheavy mats.$400-600

45 09-1680/8361 piece.Hand-Colored Lithograph. Currier, N., publisher.Tait, A.F. “Wild Duck Shooting. A good day’s sport.”New York, 1854. 23 7/8 x 29 5/8 inches (606 x755mm) - sheet size; 20 x 25 5/8 inches (508 x650mm) - image & text. Light to moderate toning(heaviest along edges). Image clean & attractive.Gale 7212$800-1,200

46 09-1680/8411 piece.Hand-Colored Lithograph. Currier, N.; Ives, J.M.,publisher. “The Life of A Fireman: The Race - ‘Jumpher, boys, jump her!’.” New York, 1854. 21 3/4 x29 3/4 inches (522 x 755mm) - sheet size; 18 1/2 x26 1/8 inches (470 x 663mm) - text & image.Slightly toned, mounted & darkened along edges.Image clean & attractive.Gale 3787$600-900

47 09-1680/8391 piece.Hand-Colored Lithograph. Currier, N.; Ives, J.M.,publisher. Palmer, F.P., after. “American Prize Fruit.”New York, 1862. 23 1/2 x 30 3/4 inches (596 x780mm) - sheet size; 20 1/2 x 27 5/8 inches(520 x 700mm) - text & image. Very slightly toned.Image clean & attractive.Gale 0197$400-700


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48 09-1680/8131 piece.Chromolithograph. Haskill & Allen, pub. “AmericanPrize Fruit. No. 1.” Boston, 1872. 21 5/8 x 27 3/4inches (550 x 705mm) - sheet size; 19 x 24 3/4inches (482 x 628mm) - image & text. Light tomoderate toning, mat burn affecting edges ofmargins. Image clean & attractive.$250-400

49 09-1680/8212 pieces.(Bird Prints.) Hand-Colored Lithographs. Wolf, J.;Keulemans, J.G., et al.: “Euplocomus Swinhoei.”* “Ceriarnis Satyra.” [Ca. 1875.] Both approx. 18 x23 inches (457 x 584mm). Moderate mat burn &toning, but images attractive & well-colored.$200-300

50 09-1680/84313 pieces.Audubon, John James: “Great Blue Heron.”* “Harlequin Duck.” * “Golden-Winged Warbler.”* “Downy Woodpecker.” * “American Magpie.”* “Zenaidia Dove.” * “Brant Goose.” * “Snow Goose.”* “Night hawk.” * “Stanley Hawk.” * “Black-BilledCuckoo.” * “Long Billed Curlew.” * “FloridaComorant.” (The Birds of America.) Amsterdam,1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2inches (673 x 1003mm). All clean & bright.$600-900

51 09-1680/84413 pieces.Audubon, John James: “The Great White Heron.”* “Tropic Bird.” * “Bullock’s Oriole; Baltimore Oriole.”* “Virginia Partridge.” * “Summer or Wood Duck.”* “Barn Owl.” * “Trumpeter Swan.” * “Iceland or JerFalcon.” * “Great Cinereous Owl.” * “Winter Hawk.”* “Wood Ibis.” * “White Crowned Pigeon.” * “Red-Shouldered Hawk.” (The Birds of America.)Amsterdam, 1971-1972. 1/250. All color prints,26 1/2 x 39 1/2 inches (673 x 1003mm). All clean& bright.$600-900

52 09-1680/84513 pieces.Audubon, John James: “Snowy Owl.” * “ColumbiaJay.” * “Violet Green Cormorant; Townsend’sComorant.” * “Blue Crane or Heron.” * “White-Winged Silvery Gull.” * “Raven.” * “LouisianaHeron.” * “Red Phalarope.” * Velvet Duck.”* “Horned Grebe.” * “Red-Throated Diver.” * “ArcticYager.” * “Sora or Rail.” (The Birds of America.)Amsterdam, 1971-1972. 1/250. All color prints,26 1/2 x 39 1/2 inches (673 x 1003mm). All clean& bright.$600-900

53 09-1680/84613 pieces.Audubon, John James: “Hooping Crane.” * “AzureWarbler.” * “Black-Throated Bunting.” * “Black-Throated Green Warbler.” * “Bonapartian Gull.”* “Bonaparte’s Flycatcher.” * “Cardinal Grosbeak.”* “Cat Bird.” * “Chestnut-Backed Titmous.”* “Chestnut Colored Finch.” * “Chestnut SidedWarbler.” * “Evening Grosbeak.” (The Birds ofAmerica.) Amsterdam, 1971-1972. 1/250. All colorprints, 26 1/2 x 39 1/2 inches (673 x 1003mm). Allclean & bright.$600-900


56 09-1680/85271 pieces.Audubon, John James: “American Flamingo.”* “Lessern Tern.” * “Long-Eared Owl.” * “PipingPlover.” * “Red-Headed Woodpecker.” * “Salt WaterMarsh Hen.” * “Semipalmated Snipe.” * “SnowBunting.” * “Townsend’s Sandpiper.” * “LittleSandpiper.” * “Band-Tailed Pigeon.” * “Herring Gull.”* “American Redstart.” “Black Tern.” * “BrownCreeper or California Nuthatch.” * “Brown Titlark.”* “Brown-Headed Nuthatch.” * “Cedar Bird.”* “Cow-Pen Bird.” * “Thick-Tailed Flycatcher.”* “Kildeer Plover.” * “Kittiwake Gull.” * “Little TyrantFlycatcher.” * “MacGillivray’s Finch.” * “March Tern.”* “Pewit Flycatcher.” * “Praire Starling.” * “Red-Cockaded Woodpecker.” * “Red-Eyed Vireo.”* “Rough-Legged Falcon.” * “Rusty Grackle.”* “Thick-Billed Murre.” * “Vigor’s Warbler.”* “Winter Wren or Rock Wren.” * “Yellow Red-PollWarbler.” “Yellow-Winged Sparrow.” * “Large-Bellied Puffin.” * “Bank Swallow.” * “Brown Pelican.”* “Pine Creeping Warbler.” * “Lazuli Finch.” * “LePetit Caporal.” * “Ruff-Necked Hummingbird.”* Purple Martin.” * “Connecticut Warbler.” * “TurtleDove.” * “Belted Kingfisher.” * “Song Sparrow.”* “Baltimore Oriole.” * “Black Warrior.” * “Boat-Tailed Grackle.” * “Summer Red Bird.” * “LouisianaWater Thrush.” * “Townsend’s Warbler.” * “ScarletIbis.” * “Ivory Billed Woodpecker.” * “Audubon’sWarbler.” * “Bohemian Chatterer.” * “Blue-WingedTeal.” * “Arctic Tern.” * “Blue Bird.” * “Worm EatingWarbler.” * “Ruddy Duck.” * “American Widgeon.”* “Purple Gallinule.” * “King Duck.” * “White FrontedGoose.” * “Tyrant Flycatcher.” * “Cayenne Tern.”(The Birds of America.) Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches(673 x 1003mm). All clean & bright.$800-1,200

54 09-1680/84713 pieces.Audubon, John James: “Great Horned Owl.” * “Fox-Colored Sparrow.” * “Golden-Winged Woodpecker.”* “Great Crested Flycatcher.” * “Green Black-CaptFlycatcher.” * “Kentucky Warbler.” * “Little TawneyThrush.” * “Mangrove Cuckoo.” * “Nutall’s Starling.”* “Painted Finch.” * “Pine Grosbeak.” * “PrairieWarbler.” * “Prothonotary Warbler.” (The Birds ofAmerica.) Amsterdam, 1971-1972. 1/250. All colorprints, 26 1/2 x 39 1/2 inches (673 x 1003mm). Allclean & bright.$600-900

55 09-1680/84813 pieces.Audubon, John James: “Brown Pelican. “ * “PurpleFinch.” * “Republican or Cliff Swallow.” * “Rose-Breasted Grosbeak.” * “Sea-Side Finch.” * “Selby’sFlycatcher.” * “Shore Lark.” * “White-BreastedBlack-Capped Nuthatch.” * “White-CrownedSparrow.” * “White-Throated Sparrow.” * “Wilson’sPhalarope.” * “Wilson’s Plover.” * “Yellow-BilledCuckoo.” (The Birds of America.) Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches(673 x 1003mm). All clean & bright.$600-900

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57 09-1680/85013 pieces.Audubon, John James: “White-Headed Eagle.”* Smew or White Nun.” * “Pin Tailed Duck.” * “HairyWoodpecker.” * “Great Crested Grebe.” * “Goshawkor Stanley Hawk.” * “ Brasillian Caracara Eagle.”* “Night Heron.” * “Booby Gannet.” * “Gannet.”* “Black-Bellied Darter.” * “Broad-Winged Hawk.”* “Meadow Lark.” (The Birds of America.)Amsterdam, 1971-1972. 1/250. All color prints,26 1/2 x 39 1/2 inches (673 x 1003mm). All clean& bright.$600-900

58 09-1680/85113 pieces.Audubon, John James: “Passenger Pigeon.”* “American Goldfinch.” * “Little Owl.” * “LittleScreech Owl.” * “Rathbone Warbler.” * “Tengmaim’sOwl.” * “Labrador Falcon.” * “Blue-Headed Pigeon.”* “Barred Owl.” * “Bartram Sandpiper.” * “BlackSkimmer.” * “Columbian Water Ouzel.” * “LaplandLongspur.” (The Birds of America.) Amsterdam,1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2inches (673 x 1003mm). All clean & bright.$600-900


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59 09-1680/84913 pieces.Audubon, John James: “Canada Goose.” * “LeastBittern.” * “Yellow-Breasted Chat.” * “Virginia Rail.”* “Rice Bunting.” * “Gadwell Duck.” * “AmericanGreen-Winged Teal.” * “Shoveller Duck.” * “TuftedDuck.” * “Common Cormorant.” * “Willow Grouse.”* “Common American Swan.” * “Cock of ThePlains.” (The Birds of America.) Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches(673 x 1003mm). All clean & bright.$600-900

60 09-1680/81410 pieces.Hand-Colored Wood-Engravings - Harper’s &other Illustrated Weeklies, most ca. 1880s - NewYork City Views & C: “Walk in Riverside Park.” * “InCentral Park, New York - Feeding The Swans.”* “Broad Street during The Panic.” * “The Gold Panicin Wall Street.” * “Evening on The Battery.”* “Chatam Street, New York.” * “GrandDemonstration of The Democrats in New York City,Oct. 5, 1868.” * “The New York and BrooklynSuspension Bridge. The Approach on The New YorkSide.” * “A March Day.” * “The New York ProduceExchange Building.”All approx. 9 x 12 (or 12 x 9) inches (228 x304mm). All with modern color. All clean & bright.$200-300

61 09-1680/8159 pieces.Hand-Colored Wood-Engravings - Harper’s &other Illustrated Weeklies, most ca. 1850s-1880s- New York City Views & C: “Marine View, NewYork Harbor.” (1857). * “The Drive in The CentralPark,... Sept. 1860.” * “Approaching Centennial...Inauguration George Washington.” * “New York -The Completion [of the Brooklyn Bridge].” * “TheHerald Square of The Future.” Half-tone. * “TheMetropolitan Museum...” * “The Coast DefenseQuestion.” * “Evacuation Day.” * “Reception of TheJapanese in New York.”All approx. 15 x 20 1/2 (or 20 1/2 x 15) inches(380 x 520mm). All with modern color. All clean &bright.$250-400

62 09-1680/5985 pieces.Hand-Colored Botanical Engravings: [Thornton,Robert J.] “Group of Carnations”; “Tulips.” [Templeof Flora, London, 1812, 4to ed.]. Approx. 12 x 8inches (305 x 203mm). * Smith, E.D., after. Tulips.[London], [1827]. 8 plates, approx. 8 x 5 inches(203 x 127mm). * Tulips. 18th-Century, 14 x 8 1/2inches (356 x 216mm). Modern color. All clean.Smith tulips framed in group of 5 & group of 3.$200-300

63 09-1680/29710 pieces.20th-Century Prints & Mechanical Reproductionsof 19th-Century Prints - Maritime, Sporting &American Architectural & City Views. 24 x 30inches (610 x 760mm); 15 x 33 inches (380 x840mm) & smaller. All clean.$100-200


Exhibitions:

Thursday, May 13th and

Friday, May 14th

(10am to 5pm)

Saturday, May 15th

(12 Noon to 5pm)

Modern & Contemporary Works of Art 05/16/10

ALEXANDER CALDER(american 1898-1976)“AZUL, AMARILLO, BLANCO SOBRE ROJO”Sheet metal, brass, wire and paintExecuted in 19557 1/2 x 7 3/4 x 6 1/2 in. (19.1 x 19.7 x 16.5cm)provenance:The Artist.Private Collection, Caracas , Venezuela .Krasner Gallery, New York , New York .Private Collection, New York .Private Collection, Philadelphia .exhibited:Museo de Bellas Artes, Caracas , Venezuela , “ExposiciónCalder,” September 11-25, 1955, cat. no. 40.Fundación Eugenio Mendoza, Caracas , Venezuela ,“Calder en Venezuela ,” July 6- August 3, 1969, cat. no.40, illus. p. 40.This sculpture has been authenticated by the Calder

Foundation

$100,000-150,000


Inquiries:

alasdair nichol

direct tel: 267.414.1211

[email protected]

david weiss

direct tel: 267.414.1214

[email protected]

anne h. henry

direct tel: 267.414.1226

[email protected]

aimee pflieger dolby

direct tel: 267.414.1221

[email protected]


Modern &Contemporary

Paintings


Exhibitions:

Wednesday, June 16th to

Friday, June 18th

Pop Culture 06/19/10

Detail of:CHARLES PETERSON

KURT COBAINOriginal black and white

photograph, signed11 x 14 in.

$800-1,200


Inquiries:

simeon lipman

direct tel: 267.414.1213

[email protected]

kati gegenheimer

direct tel: 267.414.1212

[email protected]


64 09-1882/25AMERICAN SCHOOL(late 19th century)HUDSON RIVER SCHOOL LANDSCAPEOil on canvas24 x 28 in. (60.9 x 71.1cm)$300-500

65 09-1680/191GEORGE J. TRIBE(american 19th/20th century)LANDSCAPE WITH SHEEPSigned and dated ‘George T.Tribe 1907’ bottom left,watercolor on papersight: 13 x 19 in. (33 x 48.2cm)provenance:Bunnell Frame Shop, Boston, Massachusetts.$300-500

66 09-1680/28ALICE STONE(american 1876 - 1926)THE SUN DIALSigned ‘Alice Stone’ bottom right, oil on canvas18 x 26 in. (45.7 x 66cm)provenance:Vose Galleries, Boston, Massachusetts.$400-600

67 09-1680/773J. ARNOLD(american b. 1890)SEA CLOUDSigned ‘By J. ARNOLD’ bottom right, titled bottomleft, watercolor and ink on papersight: 15 x 25 in. (38.1 x 63.5cm)$200-300

68 09-1680/404MIKLOS SUBA(american 1880-1944)“CONEY ISLAND FACTORY, NO. 11”Dated ‘4 July 1929’ and titled bottom right, sepiaand graphite on papersight: 15 1/2 x 12 in. (39.3 x 30.4cm)provenance:Weyhe Gallery, Mount Desert, Maine.$800-1,200

69 09-1680/405MIKLOS SUBA(american 1880-1944)WATERFRONT, BROOKLYNSigned and dated ‘MIKLOS SUBA / Aug. 1932 /Bklyn / (illeg),’ charcoal on papersight: 14 1/2 x 10 3/4 in. (36.8 x 27.2cm)$800-1,200

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70 09-1680/335two linocutsLEO JOHNMEISSNER(american 1895-1977)“WHAT ARE YOU DOING TONIGHT,GENEVIEVE?”Pencil signed, titled and numbered 3/30 in themargin.image: 9 1/2 x 7 in. (24.1 x 17.7cm)and“BARBER SHOP”Numbered in pencil 16/30 in the margin.image: 7 x 11 1/2 in. (17.8 x 29.2cm)$400-600

71 09-1680/294LEO JOHNMEISSNER(american 1895-1977)“SHINE”1928, pencil signed 18/30 in the margin. Linocut.image: 11 5/8 x 8 3/8 in. (29.5 x 21.4cm)$150-250

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72 09-1680/230HUGO GELLERT(american 1892-1985)“USELESS”1935, pencil signed in the margin, from the editionof 50. Lithograph.image: 15 x 13 in. (38.1 x 33cm)provenance:Mary Ryan Gallery, New York, New York.$300-500

73 09-1680/363two color etchingsROBERT KASIMIR(austrian 1914-2002)“WASHINGTON SQUARE PARK”Pencil signed in the margin.image: 16 x 11 1/2 in. (39.3 x 29.2cm)andLUIGI KASIMIR(austrian 1881-1962))“THE NEW YORK PUBLIC LIBRARY”Pencil signed in the margin.image: 17 1/2 x 12 in. (44.5 x 30.5cm)$500-800

74 09-1680/774PERLE FINE(american 1905-1988)UNTITLEDSigned and dated ‘Perle Fine ‘41’ bottom left,gouache on paper22 x 28 in. (55.9 x 71.1cm)$2,500-4,000

75 09-1680/552SAMUEL HALPERT(american 1884-1930)INTERIORSigned and dated ‘S HALPERT - 13’ bottom right,watercolor on papersight: 24 x 16 1/2 in. (60.9 x 41.9cm)provenance:Martin Diamond Fine Arts, New York, New York.$1,200-1,800


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76 09-1680/553SAMUEL HALPERT(american 1884-1930)GERANIUMSigned and dated ‘S. Halpert - 28’ bottom right,watercolor on papersight: 22 1/2 x 17 in. (57.2 x 43.2cm)$700-900

77 09-1882/12WALTER FRANCIS BROWN(american 1853-1929)HAULING THE NETSSigned ‘WALTER F. BROWN’ lower right, oil oncanvas24 3/4 x 16 1/2 in. (62.9 x 41.9cm)$500-800

78 09-1882/15AMERICAN SCHOOL(early 20th century)SAILBOAT NEAR CHANNEL MARKEROil on canvas16 1/4 x 20 1/4in. (41.2 x 51.4cm)$500-800

79 09-1680/145EADWEARDMUYBRIDGE(british/american 1830-1904)“ANIMAL LOCOMOTION”plate 163 from ‘animal locomotion, an electro-photographic investigation of consecutivephases of animal movements’1887, plate 163, copyrighted; University ofPennsylvania, Philadelphia, Pennsylvania, publisher.Collotype.image: 9 x 13 in. (22.9 x 33cm)$600-1,000

80 09-1680/42three color woodcutsANTONIO FRASCONI(argentine b. 1919)“FULTON FISH MARKET III”1952, pencil signed, dated, titled and inscribed A/P in themargin.image: 23 1/2 x 11 3/4 in. (59.8 x 29.8cm)“THE STORM IS COMING”1950, pencil signed, dated, titled and numbered ed. 9/10in the margin.image: 21 3/4 x 15 1/2 in. (55.3 x 39.3cm)“TUSCANY”1966, pencil signed, dated, titled and numbered 14/17 inthe margin.image: 22 x 33 3/4 in. (55.9 x 85.7cm)$1,500-2,500


81 09-1680/761ARTHUR FILLON(french 1900-1974)LE QUAI DU LOUVRESigned ‘fillon’ bottom left, oil on canvas19 3/4 x 24 in. (50.2 x 60.9cm)$1,000-1,500

82 09-1882/6JEAN MAXIME RELANGE(french b. 1938)SEASCAPE WITH SAILBOATSSigned ‘Relange’ bottom right, oil on canvas19 3/4 x 19 3/4 in. (50.2 x 50.2cm)$500-800

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83 09-1680/618VIERA KRAICOVA(czechoslovakian b. 1920)TENSIONInitialed and dated ‘VK68’ bottom right, oil oncanvas25 3/4 x 31 1/2 in. (65.4 x 80cm)provenance:Arias and Vanda Gallery, New York, New York.$400-600

84 09-1680/509ROBERT ANDREW PARKER(american b. 1927)“GROUSE SHOOTING #6”Signed and dated ‘Robert Andrew Parker 8.I.67’bottom left in ink, titled bottom center in ink,watercolor on paper24 x 36 in. (60.9 x 91.4cm)provenance:Terry Dintenfass, Inc., New York, New York.$300-500

85 09-1680/508two works on paperROBERT ANDREW PARKER(american b. 1927)AIRPLANESSigned and dated ‘Rbt Andrew Parker 27.III.67’upper right, watercolor and ink on paper18 1/2 x 24 in. (47 x 60.9cm) andMAP ISigned and dated ‘Robert Andrew Parker 19.VII.64’bottom left, watercolor, ink and graphite on paper22 x 30 in. (55.8 x 76.2cm)provenance:Terry Dintenfass, Inc., New York, New York.$300-500

86 09-1680/410* MOSS(american 20th century)UNTITLEDSigned and dated ‘61 Moss’ bottom left, oil onmasonite36 x 40 in. (101.6 x 91.4cm)$300-500


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87 09-1680/426NORMAN IVES(american 1923-1978)BBR-2Signed, titled and dated ‘NORMAN IVES BBR-2,1965’ verso, inscribed ‘For Eleanor’ in pencil on thesupport, painted wood relief mounted to masoniterelief: 15 x 15 in. (38.1 x 38.1cm)$300-500

88 09-1680/202three color screenprintsGORDON HOUSE(british 1932-2004)“CONTINUED H”from 40 cm series1969, pencil signed, dated, titled and numbered36/70 in the margin.“CONTINUED I”from 40 cm series1969, pencil signed, dated, titled and numbered65/70 in the margin.“CONTINUED J”from 40 cm series1969, pencil signed, dated, titled and numbered59/70 in the margin.image: 15 3/4 x 15 3/4 in. (40 x 40cm) (each)sheet: 30 1/2 x 22 1/4 in. (77.4 x 56.5cm) (each)$300-500

89 09-1680/422NATVAR BHAVSAR(indian b. 1934)“IN DARK MEASURE”1967, pencil signed, dated and numbered 12/20 inthe margin. Color screenprint.image: 27 x 25 3/8 in. (68.6 x 64.4cm)$200-300

90 09-1680/627WILLIAM DOLE(american 1917-1983)“ABECEDERIUM”1975, pencil signed, dated and inscribed ARCHIVEPROOF in the margin. Screenprint with embossingand hand coloring.image: 16 x 21 in. (40.7 x 53.3cm)$200-300

91 09-1680/609two color screenprintsTONY JANNETTI(american b. 1947)“THE SECOND EMERGENCE-TOKPA-THE PERFECT PATTERN OF LIFE”1971, pencil signed, dated, titled and numbered 25/35 in the margin.image: 17 1/2 x 23 3/4 in. (44.4 x 60.6cm)and“THE THIRD EMERGENCE-KUSBERZA THE PERFECT PATTERN OF LIFE”1971, pencil signed, dated, titled and numbered 32/35 in the margin.image: 17 x 25 3/8 in. (43.2 x 64.4cm)provenance:Brooke Alexander Editions, New York, New York.$200-300


92 09-1680/535ROBERT RAHWAY ZAKANITCH(american b. 1935)“DRAGONSEED”1978, pencil signed, dated, titled and numbered83/100 in the margin. Color lithograph.image: 13 3/4 x 14 1/2 in. (34.9 x 36.8cm)provenance:Robert Miller Gallery, New York, New York.$300-500

93 09-1680/427NORMAN IVES(american 1923-1978)“I.B.”1972, pencil signed, dated, titled and numbered38/50 in the margin. Color screenprint.image: 20 1/8 x 17 1/8 in. (51.2 x 43.3cm)$150-200

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94 09-1680/76BRUCE PORTER(american, 20th-21st century)BULGEOil on canvasExecuted in 197938 x 50 in. (96.5 x 127cm)$500-800

95 09-1680/156ELAINE LUSTIG COHEN(american b. 1927)UNTITLEDSigned and dated ‘Elaine Lustig Cohen 1979’ underimage bottom right, gouache and graphite on paper30 x 22 1/2 in. (76.2 x 57.1cm)provenance:Barbara Gladstone Gallery, New York, New York.$200-300

96 09-1680/60BERNARD CHAET(american b. 1924)CYCLAMENSigned and dated ‘ChAET / 78’ bottom right,watercolor and graphiteimage: 21 1/2 x 29 in. (54.6 x 73.7cm)$400-600

97 09-1680/61BERNARD CHAET(american b. 1924)SUNSPOTSOil on canvasExecuted in 198342 x 58 in. (106.7 x 147.3cm)provenance:Marliyn Pearl Gallery, New York, New York.$800-1,200


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98 09-1680/62BERNARD CHAET(american b. 1924)SPREADING LIGHTOil on canvasExecuted in 198639 1/4 x 57 in. (99.7 x 144.8cm)$500-700

99 09-1680/58two watercolors with graphiteBERNARD CHAET(american b. 1924)CATHEDRAL ROCKS #1Signed and dated ‘ChAET / 77’ bottom left22 1/2 x 30 1/2 in. (57.2 x 77.5cm)andUNTITLED LANDSCAPE #22Signed and dated ‘ChAET / 78’ bottom right22 1/4 x 30 1/4 in. (56.5 x 76.8cm)provenance:Marilyn Pearl Gallery, New York, New York.$200-300

100 09-1680/586STUART NIELSEN(american 20th century)UNTITLEDCrayon, oil and pastel on paperExecuted in 197741 1/2 x 29 1/4 in. (105.4 x 74.3cm)$400-600

101 09-1680/587STUART NIELSEN(american 20th century)UNTITLEDCrayon, oil and pastel on paperExecuted in 197741 1/2 x 29 1/2 in. (105.4 x 74.9cm)$300-500

102 09-1680/219HARVEY QUAYTMAN(american 1937-2002)UNTITLEDSigned and dated ‘Harvey Quaytman 76’ bottomright, mixed media39 3/4 x 25 1/4 in. (101 x 64.1cm)provenance:David McKee Gallery, New York, New York.$700-1,000

103 09-1680/194two color screenprints on sandpaperGEORGES NOËL(french b. 1924)“UNTITLED #1”and“UNTITLED #2”1976, each from the edition of 100; Pace Editions,Inc., publisher.image: 27 x 27 in. (68.1 x 68.1cm) (each)provenance:Pace Prints, New York, New York.$200-300


104 09-1680/445three color screenprints on handmade paperPHILIP MULLEN(american b. .1942)“SUSAN’S HOTEL GHOST”1977, pencil signed, titled and numbered ED.9. inthe margin.image: 20 1/2 x 30 in. (52 x 76.3cm)sheet: 22 1/2 x 31 1/4 in. (57.2 x 79.4cm)and“CALIFORNIA REGAL”1977, pencil signed, titled and numbered 27/37 inthe margin.image: 21 1/2 x 16 in. (34.6 x 40.7cm)sheet: 25 1/2 x 19 1/2 in. (64.8 x 49.4cm)and“CALIFORNIA BLUE”1977, pencil signed titled and numbered 1/31 in themargin.image: 21 1/4 x 16 1/4 in. (51.4 x 41.2cm)sheet: 24 x 18 1/2 in. (60.9 x 47cm)$400-600

105 09-1680/232two color screenprintsILYA BOLOTOWSKY(russian/american 1907-1981)RED, BLUE DIAMOND1973, pencil signed and numbered XIV/XXV in themargin.image: 24 x 24 in. (60.9 x 60.9cm)sheet: 26 x 36 in. (66 x 91.4cm)andRED OVAL1975, pencil signed and numbered 11/125 in themargin.image: 27 3/4 x 17 in. (70.5 x 43.2cm)sheet: 34 1/4 x 25 1/2 in. (87 x 54.8cm)$400-600

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106 09-1680/242three color screenprintsJACK YOUNGERMAN(american b. 1926)“THE PARIS REVIEW”1966, pencil signed, dated and numbered 85/150 inthe margin.image: 39 x 27 in. (99.1 x 68.6cm)sheet: 45 x 32 1/4 in. (114.3 x 81.9cm)and“UNTITLED 1973”1973, pencil signed, dated and numbered 22/50 inthe margin.image: 37 x 24 1/2 in. (99 x 62.2cm)and“CHANGES #1, 1970”1970, pencil signed, dated and numbered 32/175 inthe margin.image: 35 x 25 7/8 in. (88.9 x 65.5cm)$300-500

107 09-1680/186GARY BOWER(american b. 1940)DOUBLE SQUARE #2Initialed ‘GB’ bottom right, watercolor and graphiteon paperExecuted in 197022 x 30 in. (55.9 x 76.2cm)provenance:O.K. Harris, New York, New York.$400-600


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108 09-1680/14ALAN SHIELDS(american 1944-2005)BIG DEALWatercolor and acrylic on handmade paperattached to wire armatureExecuted in 197823 1/4 x 23 1/4 in. (59.1 x 59.1cm)provenance:Paula Cooper Gallery, New York, New York.$500-800

109 09-1680/15ALAN SHIELDS(american 1944-2005)UNTITLEDPencil signed and numbered 20/40 in the margin.Handmade paper collage with screenprint.overall: 35 3/4 x 27 3/8 in. (90.8 x 69.5cm)$200-300

110 09-1680/187three color aquatintsGARY STEPHAN(american b. 1942)“IF-THEN B”1974, pencil signed, dated titled and numbered42/50 in the margin.image: 21 3/8 x 21 3/4 in. (54.3 x 55.3cm)sheet: 25 x 28 3/4 in. (63.5 x 73cm)“IF-THEN D”1974, pencil signed, dated, titled and numbered42/50 in the margin.image: 19 3/4 x 25 in. (50.2 x 63.5cm)sheet: 24 1/2 x 28 1/2 in. (62.2 x 724cm)“IF-THEN F”1974, pencil singed, dated, titled and numbered42/50 in the margin.image: 22 1/4 x 25 3/4 in. (56.5 x 65.3cm)sheet: 25 x 29 in. (63.5 x 73.7cm)provenance:Brooke Alexander Editions, New York, New York.$600-800

111 09-1680/469RICHARD ANUSZKIEWICZ(american b. 1930)“SEQUENTIAL: PLATE VII”1972, pencil signed, dated, titled and numbered172/200 in the margin; Sanmore Editions,publisher. Color screenprint.image: 25 1/4 x 19 in. (64.2 x 48.3cm)$150-200

112 09-1680/495RICHARD LINDNER(german/american 1901-1978)UNTITLED (COUPLE)Pencil signed, indistinctly inscribed and numbered115/125. Color lithograph.image: 21 1/4 x 15 3/4 in. (54 x 40cm)$300-500


113 09-1680/516ROBERT INDIANA(american b. 1928)“THE NEUBERGER ART”1975, pencil signed, titled, copyrighted andnumbered 23/50 in the margin. Color screenprint.image: 23 3/4 x 24 in. (60.3 x 61cm)sheet: 34 x 30 in. (83.4 x 76.2cm)provenance:Editions Denise René, Paris, France.$300-500

114 09-1680/766two color lithographsHANLYN DAVIES(american 20th century)“BLACK JAMOVE”1975.image: 26 x 19 1/2 in. (66.1 x 49.5cm)and“JAMOVE”1975, pencil signed, dated, titled and numbered51/25 in the margin.image: 18 x 24 in. (45.7 x 61cm)sheet: 19 3/4 x 26 in. (50.2 x 66.1cm)$500-800

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115 09-1680/208HANLYN DAVIES(american 20th century)“BROWN/BANDS”1975, pencil signed, dated, titled and numbered15/70 in the margin. Color lithograph.image: 22 x 17 in. (55.9 x 43.2cm)sheet: 26 x 19 in. (66.1 x 48.3cm)$300-500

116 09-1680/216HARRY NADLER(american 1930 -1990)LABRYRINTH FORWALTER BENJAMINInitialed and dated ‘H.N.’78’ bottom right corner, oilon canvas60 x 60 in. (152.4 x 152.4cm)provenance:Gruenebaum Gallery, New York, New York.$500-700

117 09-1680/66two color screenprintsBILL RAWN(american 20th century)“THREE MOVES I”1971, pencil signed and numbered 10/16 in themargin.“THREE MOVES II”1971, pencil signed and numbered 9/16 in themargin.image: 17 1/2 x 17 1/2 in. (44.5 x 44.5cm) (each)provenance:Susan Caldwell & Co., New York, New York.$300-500

118 09-1680/608TOM WUDL(american b. 1948)TWO TRIANGULAR SPIRALSAcrylic on perforated rice paperExecuted in 197426 x 18 1/2 in. (66 x 47cm)provenance:John C. Stoller & Co., Minneapolis, Minnesota.$400-600


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119 09-1680/229two color screenprintsHUGH KEPETS(american b. 1946)“SIXTH AVENUE”1976, pencil signed, dated, titled and inscribedartist’s proof in the margin.image: 36 x 29 3/4 in. (91.4 x 75.6cm) (each)and“EIGTH AVENUE”1976, pencil signed, dated, titled and numbered25/85 in the margin.$400-600

120 09-1680/45two color serigraphsASTRID FITZGERALD(swiss b. 1938)“ZEN”from ‘circle series of five serigraphs’1972, pencil signed, dated and numbered 28/65 inthe margin.image: 11 x 25 in. (27.8 x 63.5cm)sheet: 26 x 32 in. (66 x 81.3cm)“BREAKAWAY”from ‘circle series of five serigraphs’1972, pencil signed, dated and numbered 49/70 inthe margin.image: 13 x 17 in. (33 x 43.2cm)sheet: 26 x 32 in. (66 x 81.3cm)$100-200

121 09-1680/239JACK BEAL(american b. 1931)“POND LILIES”1971, pencil signed and numbered 90/120 in themargin. Color lithograph.image: 27 x 19 in. (68.6 x 48.3cm)provenance:Brooke Alexander Editions, New York, New York.$200-300

122 09-1680/111two pastelsG. DANIEL MASSAD(american b. 1946)STUDIO #4Pastel on paperExecuted in 1982sight: 15 3/4 x 14 1/4 in. (40. x 36.2cm) and“STUDIO #5”Pastel on paperExecuted in 1982sight: 15 3/4 x 14 1/4 in. (40. x 36.2cm)provenance:Tatistcheff and Co., New York, New York.$1,000-1,500

123 09-1680/110G. DANIEL MASSAD(american b. 1946)SHELVESSigned and dated ‘Massad 1982’ bottom right,pastel on paper17 3/4 x 23 3/4 in. (45 x 60.3cm)provenance:Tatistcheff and Co., New York, New York.$500-800

124 09-1680/337LILIANA PORTER(argentine b. 1941)THE RESEMBLANCESigned and dated ‘Liliana Porter 79’ bottom right,acrylic, charcoal and paper collage on paper22 1/2 x 30 in. (57.2 x 76.2cm)$1,000-1,500


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125 09-1680/284JOE GOODE(american b. 1937)UNTITLED1972, pencil signed and inscribed Artist proof; apartfrom the numbered edition of 75; Cirrus Editions,New York, New York. Color lithograph andscreenprint triptych.overall: 23 3/4 x 126 in. (62.2 x 320cm)provenance:Brooke Alexander Editions, New York, New York.$600-800

126 09-1680/131DEE SHAPIRO(american b. 1936)UNTITLEDWatercolor and ink on paperExecuted in 197810 x 59 1/2 in. (25.4 x 151.1cm)provenance:Gladstone/Villani Gallery, New York, New York.$800-1,200

127 09-1680/132DENISE GREEN(american b. 1946)TRANSOil and wax stick on canvasExecuted in 197828 x 84 1/2 in. (71.1 x 214.6cm)provenance:Max Protetch Gallery, New York, New York.$400-600

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127

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128 09-1680/133DENISE GREEN(american b. 1946)PLANCHETTESOil and wax on canvasExecuted in28 1/2 x 30 1/4 in. (72.3 x 76.8cm)Unframedprovenance:Max Protetch Gallery, New York, New York.$400-600

129 09-1680/262JANET STAYTON(american b. 1939)“FIVE CUPS - YELLOW”Signed, titled and dated ‘Five Cups / Yellow Stayton/ ITALY-USA WORKSHEET 1977-78-3’ bottom leftin pencil, mixed media on paper27 1/2 x 39 1/2 in. (69.9 x 100.3cm)$250-400

130 09-1680/29ALLAN D’ARCANGELO(american 1930-1998)“14TH NEW YORK FILM FESTIVAL”1976, pencil signed, dated and numbered 112/144.Color screenprint.image: 37 1/2 x 56 in. (95.2 x 142.3cm)sheet: 40 x 58 3/8 in. (101.6 x 149.4cm)$300-500

131 09-1680/101two handmade dyed and bleached paper collagesCLINTON HILL(american b. 1922)“FLASH FLOOD”and“SUMMER UP”Each signed and dated ‘C Hill 75’ bottom left andtitled bottom centereach: 22 1/2 x 18 in. (57.2 x 45.7cm)$300-500

132 09-1680/124DAVID SCHIRM(american b. 1945)IMMINENT RAIN KNOW ANXIETYAcrylic and mixed media collageExecuted in 197647 1/2 x 62 1/2 in. (120.7 x 158.8cm)$800-1,200

133 09-1680/72BRUCE BOICE(american b. 1941)MANUALOil on canvas64 3/4 x 75 in. (164.5 x 191cm)provenance:Sonnabend Gallery, New York, New York.$700-900


134 09-1680/74BRUCE BOICE(american b. 1941)UNTITLEDPencil and oil on paperExecuted in 1982sight: 27 3/4 x 19 3/4 in. (70.5 x 50.2cm)provenance:John Weber Gallery, New York, New York.$400-600

135 09-1680/73BRUCE BOICE(american b. 1941)UNTITLEDPencil and oil on papersight: 20 x 27 1/2 in. (50.8 x 69.9cm)provenance:John Weber Gallery, New York, New York.$400-600

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136 09-1680/120DAVID JOSHUA GOLDOTE(american 20th century)WATER, GARDEN1977. Color monoprint diptych.overall: 42 1/2 x 56 in. (108 x 142.2cm) (each)$200-300

137 09-1680/171ERNEST TROVA(american 1927-2009)“FOUR FOOT FALLING MAN”1973, pencil signed, dated and numbered 94-150 inthe margin. Color screenprint.image: 64 x 32 1/2 in. (162.6 x 82.5cm)sheet: 70 x 37 1/2 in. (177.8 x 95.3cm)$400-600

138 09-1680/170ERNEST TROVA(american 1927-2009)“FALLING MANMANSCAPES #1”1969, pencil signed, dated and numbered 14-175 inthe margin. Color screenprint.image: 22 1/2 x 22 1/2 in. (57.1 x 57.1cm)provenance:Pace Prints, New York, New York.$400-600

139 09-1680/315KAREL APPEL(dutch 1921-2006)UNTITLED (TWO FIGURES)Pencil signed, dated and numbered 48/75 in themargin. Color lithograph.image: 19 3/4 x 24 in. (50.2 x 60.9cm)$500-800


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140 09-1680/167ERICA STOLLER(american 20th century)“RODIE”Acrylic on canvas in two partsExecuted in 1975each: 18 1/4 x 54 1/4 in. (46.2 x 137.8cm)$600-1,000

141 09-1680/360LOWELL NESBITT(american 1933-1993)“IRIS”1978, pencil signed, dated, inscribed AP andnumbered 18/30 in the margin. Color screenprint.image: 23 1/2 x 23 1/2 in. (59.7 x 59.7cm)provenance:The artist.$150-200

142 09-1680/769ROBERT NATKIN(american b. 1930)FIELD MOUSE1969, pencil signed in the margin. Color lithograph.image: 29 1/2 x 22 3/4 in.$300-500

143 09-1680/770ROBERT NATKIN(american b. 1930)UNTITLED1976, pencil signed and numbered 25/50. Colorlithograph.image: 29 3/4 x 72 1/4 in. (75.6 x 183.5cm)$300-500


144 09-1680/523ROBERT NATKIN(american b. 1930)“BERN SERIES”1980, pencil signed, dated and numbered 7/31;Redvale Press, publisher. Color lithograph.overall: 42 x 29 5/8 in. (106.7 x 75.2cm)$300-500

145 09-1680/125DAVID SHAPIRO(american b. 1944)UNTITLEDSigned and dated ‘David Shapiro 77’ bottom centerin pencil, watercolor, graphite, pastel and acrylicsight: 27 x 21 1/2 in (68.6 x54.6cm)$400-600

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146 09-1680/126DAVID SHAPIRO(american b. 1944)“CHAPTER & VERSE”1978, pencil signed, dated, titled, copyrighted andnumbered 27/65 in the margin. Color lithograph.image: 25 1/2 x 20 in. (64.8 x 50.7cm)$200-300

147 09-1680/127DAVID SHAPIRO(american b. 1944)“PLEASURES OF THE ROAD”1982, pencil signed, dated, titled and numbered18/24 in the margin. Screenprint and graphite.sheet: 20 1/2 x 44 1/4 in. (52.1 x 112.4cm)$400-600

148 09-1680/154EDWARD YOUKILIS(american 20th century)THE GREAT VALEROSigned and dated ‘Youkilis 78’ bottom right, acrylicon paper30 x 22 in. (76.2 x 55.9cm)provenance:Acquavella Galleries, New York, New York.$400-600

149 09-1680/155EDWARD YOUKILIS(american 20th century)THE NEW ST. GEORGESigned and dated “Youkilis Oct. 1978” bottom left,acrylic on paper30 x 22 in. (76.2 x 55.9cm)provenance:Alexander F. Milliken Gallery, New York, New York.$400-600


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150 09-1680/123DAVID ROTH(american b. 1942)“RANDOM COLORS OVER RANDOM COLORS I”1977, pencil signed, dated and numbered 2/50 inthe margin. Color screenprint.image: 35 7/8 x 35 3/4 in. (91.1 x 90.8cm)sheet: 36 3/4 x 36 1/2 in. (93.3 x 92.7cm)$150-200

151 09-1680/431PAT STEIR(american b. 1938)“WISH #3 TRANSFORMATION”1974, pencil signed, dated, titled and numbered2/50. Color lithograph.image: 31 1/4 x 32 1/4 in. (79.4 x 81.9cm)provenance:Kathryn Markel Gallery, New York, New York.$400-600

152 09-1680/340LOIS LANE(american b. 1948)UNTITLED #23Watercolor on paperExecuted in 197722 x 17 1/8 in. (55.9 x 43.5cm)$600-800

153 09-1680/341LOREN MADSEN(american b. 1943)“INVERTED PYRAMID”Signed and dated ‘Loren Madsen 1977’ bottom rightand titled bottom left, ink on paperimage: 12 x 16 in. (30.5 x 40.6cm)provenance:David McKee Gallery, New York, New York.$500-800

154 09-1680/395MICHAEL MAZUR(american b. 1935)“IRIS 1”1978, pencil signed, dated, titled and copyrighted inthe margin. Monotype.image: 23 1/4 x 35 1/2 in. (59.1 x 35 1/2cm)$600-800

155 09-1680/394MICHAEL MAZUR(american b. 1935)“N.Y. MEMORY”1972, pencil signed, dated, titled and numbered8/20. Etching.image: 23 3/4 x 17 3/4 in. (60.3 x 45cm)provenance:Pace Prints, New York, New York.$300-500


160 09-1680/209HANS HOKANSON(american b. 1925)“DECOY”1976, pencil signed, dated and numbered 2/15 inthe margin. Color woodcut.image: 21 1/4 x 34 3/4 in. (54 x 88.3cm)$80-120

156 09-1680/424NEIL WELLIVER(american 1929-2005)“TROUT II”1974, second state, pencil signed and nubmered3/30 in the margin. Etching and aquatint.image: 15 3/4 x 17 3/4 in. (40 x 45.1cm)provenance:Brooke Alexander Editions, New York, New York.$500-800

157 09-1680/108CYNTHIA GALLAGHERUNTITLED (GREEN)Oil pastel on paper37 x 35 in. (94 x 88.9 m)provenance:The artist.$200-300

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158 09-1680/138DON NICE(american b. 1932)“OWL”1972, pencil signed, titled and numbered 12/30 inthe margin. Color etching and aquatint.image: 27 1/4 x 21 1/2 in. (69.2 x 54.5cm)$100-200

159 09-1680/140DON NICE(american b. 1932)“FESTIVAL PREDELLA”1988, pencil signed, dated titled and numbered19/72 in the margin. Color screenprint.sheet: 33 x 45 3/4 in. (83.8 x 116.2cm)$200-300

161 09-1680/328three color pochoirsLARRY ZOX(american 1936-2006)UNTITLED (YELLOW) andUNTITLED (GRAY) andUNTITLED (RED)1978, each pencil signed and numbered 5/11 in themargin.image: 21 x 14 in. (53.3 x 35.6cm) (each)sheet: 29 x 22 in. (73.7 x 55.8cm) (each)provenance:Barbara Gladstone Gallery, New York, New York.$700-900


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162 09-1680/329two color pochoirsLARRY ZOX(american 1936-2006)“BONAC II”1981, pencil signed and numbered 115/160 in themargin.image: 37 x 17 1/2 in. (94 x 44.4cm)andUNTITLEDPencil signed and numbered 14/19 in the margin.image: 23 3/4 x 31 3/4 in. (60.3 x 80.6cm)$200-300

163 09-1680/326four color pochoirsLARRY ZOX(american 1936-2006)UNTITLED, STATE II (YELLOW)1976, pencil signed and numbered 16/20 in themargin.andUNTITLED, STATE II (SALMON)1976, pencil signed and numbered 8/20 in themargin.andUNTITLED, STATE II (BROWN)1976, pencil signed and numbered 10/20 in themargin.andUNTITLED, STATE II (BLUE)1976, pencil signed and numbered 20/20 in themargin.image: 17 1/2 x 18 in. (44.4 x 45.7cm) (each)provenance:Brooke Alexander Editions, New York, New York.$800-1,200

164 09-1680/201GORDON HART(american b. 1940)GOLD/BLUE STUDYCasein and gold leaf on paperExecuted in 1980image: 40 x 29 in. (101.6 x 73.7cm)$400-600

165 09-1680/370MARK SCHLESINGER(american b. 1949)“JEWEL”Signed, dated and titled ‘1978-79 / MarkSchlesinger / “JEWEL” ‘ verso, oil on canvas71 x 68 in. (180.3 x 172.7cm)$400-600

166 09-1680/295JOHN MOORE(american b. 1941)UNTITLEDSigned and dated ‘Moore 1974’ bottom right,watercolor on paper22 1/4 x 30 1/4 in. (56.5 x 76.8cm)provenance:Fischbach Gallery, New York, New York.$600-1,000


167 09-1680/147ED BAYNARD(american b. 1940)ARRANGEMENT/HIROSHIGESigned and dated ‘Ed Baynard 1979’ bottom right,watercolor on paper60 x 40 in. (152.4 x 101.7cm)provenance:Alexander F. Milliken Gallery, New York, New York.$400-600

168 09-1680/177FRANCES KUEHN(american b. 1943)UNTITLEDSigned and dated ‘Francis Kuehn 1977’ bottom left,watercolor and graphite on paper15 x 22 1/4 in. (38.1 x 56.5cm)$200-300

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169 09-1680/109DANIEL BRUSTLEIN(french/american 1904-1996)“RUE DE SEVRES”Signed ‘BRUSTLEIN’ bottom right, oil on canvasExecuted in 197739 1/2 x 39 1/2 in. (100.3 x 100.3cm)provenance:M. Sachs Gallery, New York, New York.$250-400

170 09-1680/594SUSAN HALL(american b. 1943)“THE HOMECOMING”1978, pencil signed, dated, titled and numberedXVII AP in the margin. Color etching and aquatint.image: 27 3/4 x 21 1/2 in. (70.5 x 54.6cm)provenance:Hal Bromm Gallery, New York, New York.$300-500

171 09-1680/399MICHELE BOLL(american 20th century)ROOFTOPS ACROSS THE STREETSigned ‘M. Go*****man-Boll ‘79’ bottom right,pastel on paper20 7/8 x 28 3/4 in. (53 x 73cm)provenance:Impressions Gallery, Boston, Massachusetts.$400-600

172 09-1680/368MABEL DUCASSE(american 1895-1976)MEMORIESPastel on papersight: 17 x 15 3/8 in. (43.2 x 39.1cm)$200-300


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173 09-1680/406MILET ANDREJEVIC(american 1925 -1989)TOWARDS BETHESDA FOUNTAINSigned “Milet Andrejevic/1978” verso, egg oiltempera on canvas38 x 50 in. (96.5 x 127cm)provenance:Robert Schoelkopf Gallery, New York, New York.$500-800

174 09-1680/532ROBERT WILBERT(american b. 1929)COMPOTE WITH FRUIT ON GREYSigned and dated ‘Wilbert 78’ upper center, oil oncanvas20 x 22 in. (50.8 x 55.9cm)provenance:Donald Morris Gallery, Birmingham, Minnesota.$700-900

175 09-1680/496RICHARD LYTLE(american b. 1935)JACQUE’S GIFTSigned and dated ‘Lytle 77’ bottom right corner,watercolor and graphite on paper30 x 23 in. (76.2 x 58.4cm)provenance:Marilyn Pearl Gallery, New York, New York.$150-250

176 09-1680/421NATALIE BIESER(american b. 1948)UNTITLED #39Signed and dated ‘Natalie Bieser 1979’ bottomright, watercolor on paper21 1/2 x 29 3/4 in. (54.6 x 75.6cm)$300-500

177 09-1680/299JOHN WILLENBECHER(american b. 1936)“THE TABLE (59)”Signed and dated ‘John Willenbecher 1976’ bottomleft, titled bottom left, acrylic and paper collage onpaper13 1/2 x 17 1/4 in. (34.3 x 43.8cm)provenance:Richard Gray Gallery, New York, New York.$300-500

178 09-1680/576STEPHEN NEIL LORBER(american b. 1943)CHINESE BASKETS1977, pencil signed, dated and numbered 9/30 inthe margin. Etching, aquatint and engraving.image: 15 1/2 x 19 3/4 in. (39.3 x 50.2cm)sheet: 22 x 30 in. (50.8 x 76.2cm)provenance:A.M. Sachs Gallery, New York, New York.$300-500


179 09-1680/577two screenprintsSTEPHEN NEIL LORBER(american b. 1943)STILL LIFE WITH REEDS AND QUIVER1978, pencil signed, dated and numbered 7/80 inthe margin.image: 32 1/2 x 18 in. (82.6 x 45.7cm)provenance:Gladstone-Villani Gallery, New York, New York.andSTILL LIFE WITH TWIGS1980, pencil signed, dated and numbered 28/95 inthe margin.image: 26 x 36 in. (66 x 91.4cm)provenance:Barbara Gladstone Gallery, New York, New York.$200-300

180 09-1680/511ROBERT CONOVER(american 1920-1998)“INTERLOCKING”1970, signed, titled and inscribed A.P. Colorscreenprint.image: (81.3 x 147.3cm)sheet: 9 x 36 1/2 in. (149.8 x 92.7cm)$200-300

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181 09-1680/642YUN JAMES YOHE(american 20th century)NIGHT GARDENWatercolor, acrylic and inkExecuted in 197729 1/2 x 22 in. (74.9 x 55.8cm)provenance:Alexander F. Milliken Gallery, New York, New York.$300-500

183 09-1680/584STEVEN SORMAN(american b. 1948)“LEWIS & CLARK”1978, pencil signed, dated, titled and numbered10/50. Color lithograph and collage.overall: 37 1/4 x 37 1/2 in. (94.6 x 95.3cm)$300-500

184 09-1680/583STEVEN SORMAN(american b. 1948)“THE LETTER TO MATISSE”1978, pencil signed, dated, titled and numbered7/25 in the margin. Color lithograph and collage.overall: 31 1/2 x 27 in. (80 x 69.8cm)provenance:The artist.$300-500

182 09-1680/439PETER FLACCUS(american b. 1947)UNTITLEDOil on paperExecuted in 1976sight: 20 1/4 x 28 in. (51.4 x 71.1cm)provenance:Zabriskie Gallery, New York, New York.$600-800


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185 09-1680/477RICHARD CHIRIANI(american b. 1942)“PILGRIM STATE II”Signed and dated ‘Chiriani 72’ bottom right, acrylic on papermounted to canvas22 x 52 in. (55.9 x 132.1cm)provenance:Tibor de Nagy Gallery, New York, New York.$300-500

186 09-1680/176FRANCES BARTH(american b. 1946)SKOWHEGANOil stick and charcoal on panelExecuted in 197924 x 48 in. (61 x 121.9cm)$300-500

187 09-1680/347FRANCES BARTH(american b. 1946)DRAWING #304Signed ‘Frances Barth 1976’ bottom right in pencil, oil andpastel on paper18 1/4 x 31 1/2 in. (46.3 x 80cm)$150-250

188 09-1680/175FRANCES BARTH(american b. 1946)UNTITLED #312Signed ‘Frances Barth 1977’ bottom right in pencil, oil andpastel on paper16 3/4 x 32 in. (42.6 x 81.3cm)$150-250


189 09-1680/435PAUL MORGENSON(american 20th century)UNTITLEDWatercolor on paperdiameter: 21 1/4 in. (54cm)$400-600

190 09-1680/331LAURENT SARLATTE(american b. 1945)#271Pastel and charcoal on paperExecuted in 197922 1/2 x 30 in. (57.1 x 76.2cm)provenance:John Berggruen Gallery, San Francisco, California.$300-500

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191 09-1680/257JANE COUCH(american 20th century)UNTITLEDWatercolor and oil crayonExecuted in 1978image: 12 x 21 1/2 in. (30.5 x 54.6cm)provenance:Gladstone/Villani Gallery, New York, New York.$400-600

192 09-1680/35ANDREW TAVARELLI(american b. 1942)“PLAN FOR CEDAR CITY”Signed and dated ‘A tavarelli ‘75’ and titled bottomleft, colored pencil, graphite and paper collage onpaper22 x 30 in. (55.9 x 76.2cm)provenance:Fischbach Gallery, New York, New York.$300-500

193 09-1680/271JENNIFER FERRARA(american 20th century)UNTITLEDSigned indistinctly bottom left, pastel and graphiteon paper27 1/2 x 39 1/2 in.(69.8 x 100.3cm)$300-500

194 09-1680/336LEO JOHN MEISSNER(american 1895-1977)GULF COASTWAVELETS - ANNA MARIA,FLORIDASigned ‘Leo MEISSNER’ bottom right, pastel onpapersight: 17 1/4 x 23 1/4 in. (43.8 x 59.1cm)$500-700


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195 09-1680/392two hand colored screenprintsMICHAEL HURSON(american 1941-2007)PALM SPRINGS I1972, pencil signed and numbered 15/15 in themargin.image: 14 1/2 x 11 1/2 in.(36.8 x 29.2cm)sheet: 15 x 17 in. (38.1 x 43.2cm)andPALM SPRINGS IIPencil signed and numbered 14/15 in the margin.image: 14 1/2 x 12 in. (36.9 x 30.5cm)sheet: 15 1/4 x 17 in. (38.7 x 43.2cm)provenance:Paula Cooper, New York, New York.$200-300

196 09-1680/224two oil pastelsHERB JACKSON(american b. 1945)UNTITLED DRAWING P335Signed ‘Herb Jackson’ bottom rightandUNTITLED DRAWING P338Signed ‘Herb Jackson’ bottom lefteach: 30 x 22 in. (76.2 x 55.9cm)$700-1,000

197 09-1680/223two oil pastelsHERB JACKSON(american b. 1945)UNTITLED DRAWING P325andUNTITLED DRAWING P309Each signed ‘Herb Jackson’ bottom right, oil pastelon papereach: 30 x 22 in. (76.2 x 55.8cm)$700-1,000

198 09-1680/459RAY CIARROCCHI(american 20th century)SPRINGWOODS1978, signed. Color monotype.image: 16 3/4 x 26 3/4 in. (42.5 x 67.9cm)provenance:Tibor de Nagy Gallery, New York, New York.$200-300

199 09-1680/588STUART SHEDLETSKY(american 1944-2006)PARABLE OF THE SHIPOil on paperExecuted in 197846 3/4 x 36 in. (118.7 x 91.4cm)$1,200-1,800

200 09-1680/564two gelatin silver printsSCOTT MUTTER(american 1944-2008)“PARQUET FLOOR”1975, pencil signed, dated, copyrighted andnumbered 64 in the margin.image: 8 1/4 x 12 in. (20.9 x 30.5cm)and“414 TRAIN/4 SMALL MEN”1981, pencil signed, dated, copyrighted andnumbered 19 in the margin.image: 9 x 6 3/4 in. (22.8 x 17.2cm)$600-800


201 09-1680/580STEPHEN SHOLINSKY(british 20th century)“FRONTISPIECE”Pencil signed, dated and numbered 75/125. Colorlithograph.image: 19 3/4 x 15 1/2 in. (50.3 x 39.4cm)$250-400

202 09-1680/582STEVE HARTMAN(american 20th century)UNTITLEDMixed media on rice paper25 1/2 x 37 in. (64.8 x 94cm)$300-500

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203 09-1680/540RANDAL RUPERT(american 20th century)FLOWER FLIGHTSigned ‘Randal Rupert’ bottom right, gouache onpaperExecuted in 197819 1/2 x 25 5/8 in. (49.5 x 65.1cm)$300-500

204 09-1680/303JORDAN DAVIES(american b. 1941)UNTITLEDGraphite, watercolor and ink on paperExecuted ca. 197822 1/2 x 30 1/4 in. (57.2 x 76.8cm)provenance:Susan Caldwell Gallery, New York, New York.$200-300

205 09-1680/592SUSAN HALL(american b. 1943)“PORTAGE”Signed, titled, and dated ‘Portage / 1978 / 25 x 30/ Susan Hall’ verso, acrylic on paper mounted tocanvas29 3/4 x 24 3/4 in. (75.5 x 62.8cm)$400-600

206 09-1680/767JAMES JUSZCZYK(american b. 1943)“SIMILAR OPPOSITES #3”Signed, dated and titled ‘SEPT1978.NYC.JUSZCZYK TOP. SIMILAR OPPOSITES#3” on stretcher verso, acrylic on canvas52 x 54 1/4 in. (132.1 x 137.8cm)Unframedprovenance:Rosa Esman Gallery, New York, New York.$400-600


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207 09-1680/79CARA BANA(20th century)UNTITLEDSigned ‘Cara Bana’ bottom right, mixed media onpaper16 1/4 x 16 in. (41.3 x 40.6cm) (image)$200-300

208 09-1680/461three paintingsRONALDO DE JUAN(argentine 1931-1989)UNTITLEDAcrylic on paperExecuted in 1977each: 39 3/4 x 29 3/4 in. (101 x 75.6cm)$1,000-1,500

209 09-1680/460four paintingsRONALDO DE JUAN(argentine 1931-1989)UNTITLEDTwo signed and dated ‘De Juan 77’ bottom right,acrylic on canvasExecuted in 1977each: 39 3/4 x 29 3/4 in (101 x 75.5cm)$1,500-2,500

210 09-1680/365M. ANDREWS(american 20th century)“ELECTRA III”Pencil signed, titled and numbered 15/200 in themargin. Color etching.image: 30 1/2 x 23 1/4 in. (77.5 x 59.1cm)$200-300

211 09-1680/610TONY KING(american b. 1944)“AESOP II G-1”Signed and dated ‘T King Q4-78’ and titled bottomleft under image, watercolor on paperimage: 16 x 16 in. (40.6 x 40.6cm)provenance:OK Harris, New York, New York.$200-300

212 09-1680/628WILLIAM FARES(american b. 1942)UNTITLEDSigned and dated ‘WM. FARES 75’ center underimage, graphite and paper collage on paper31 x 21 1/2 in. (78.7 x 54.6cm)$200-300


214 09-1680/574STEPHEN BUCKLEY(british b. 1944)“SEPTEMBER SUITE”1977, pencil signed, dated and numbered 19/50.Color etching.image: 9 1/2 x 12 in. (24.1 x 30.5cm)sheet: 19 1/2 x 25 1/4 in. (49.5 x 64.2cm)provenance:Barbara Gladstone Gallery, New York, New York.$200-300

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215 09-1680/84two color screenprints with embossingCHARLES HINMAN(american b. 1932)“UNTITLED-PRINT #3”1976, pencil signed, dated and numbered 84/100 inthe margin.provenance:Pace Prints, New York, New York.and“UNTITLED-PRINT #2”1976, pencil signed, dated, and numbered 73/100in the margin.image: 33 3/4 x 30 3/4 in. (85.7 x 78.1cm) (each)sheet: 39 3/4 x 37 in. (101 x 94cm) (each)$300-500

216 09-1680/768UNKNOWN(20th century)RAINBOWAcrylic on canvas60 1/2 x 110 1/4 in. (153.7 x 280cm)Unframed$200-300

217 09-1680/771RICHARD CAMIRE(american 20th century)“TUT’S GAME”Signed, titled and dated ‘Richard Camire/”Tut’sGame” 1986’ verso, acrylic on paper16 x 30 in. (40.6 x 76.2cm)$200-300

213 09-1680/48two works on paperBARTON LIDICE BENES(american b. 1942)BOAT STRIPSigned and dated ‘BartonLidice Benes 1979’ bottomcenter, watercolor and stampon paperExecuted in 197850 x 4 in. (127 x 10.2cm)and“SOUVENIERS”Signed and dated ‘BartonLidice Benes 1983’ and titledbottom left, mixed media inshadowbox frameoverall: 39 3/4 x 28 1/2 in.(cm)$500-700


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218 09-1680/296JOHN MOORE(american b. 1941)DUNBARWatercolorExecuted in 197722 1/2 x 30 1/4 in. (57.2 x 76.8cm)$600-800

219 09-1680/593SUSAN HALL(american b. 1943)THE OLDWESTAcrylic and graphite on paper mounted to canvasExecuted in 197832 x 44 in. (81.2 x 111.7cm)provenance:Hamilton Gallery of Contemporary Art, New York,New York.$400-600

220 09-1680/765CONTINENTAL SCHOOL(20th century)BULLSigned indistinctly bottom left, dated 9-67 bottomleft, oil on canvas30 x 48 1/4 in. (76.2 x 121.9cm)$600-800

221 09-1680/758AMERICAN SCHOOL(20th century)SURREALIST BEACH SCENESigned indistinctly bottom right, oil on canvas16 x 20 in. (40.7 x 50.8cm)$300-500

222 09-1680/272JEREMY GILBERT-ROLFE(british b. 1945)“8TH STUDY FOR EASTERN FRONT”Initialed, titled and dated ‘j a-r 8th study for EasternFront, ‘77’ bottom center under image, gouache onpaperimage: 10 1/2 x 22 3/4 in. (26.6 x 57.8cm)provenance:Paula Cooper Gallery, New York, New York.$400-600

223 09-1680/93CHRIS CRISTOFARO(american 20th century)“PO148”Signed, dated and titled ‘Chris Christofaro 77PO148’ bottom right, colored pencil and papercollage on paper22 x 30 in. (55.9 x 76.2cm)provenance:Editions Denise Rene, Paris, France.$150-200


224 09-1680/89CHARLES PRICE(american 20th century)“WHITE 4”Signed and dated ‘chprice77’ and titled bottom left,oil pastel and gold leaf on paper15 1/2 x 24 in. (39.4 x 61cm)$150-250

225 09-1680/500RICHARD SMITH(british b. 1931)“TABLES TURNED #4”Pencil signed and dated. Color monotype.image: 43 1/2 x 29 3/4 in. (100.4 x 75.5cm)$200-300

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226 09-1680/501three color etchingsRICHARD SMITH(british b. 1931)“WILD LIFE”1985, pencil signed, dated and numbered 13/35 inthe margin.image: 23 5/8 x 33 7/8 in. (60 x 86cm)and“FIRST DANCER”1985, pencil signed, dated and numbered 9/35 inthe margin.image: 24 x 16 in. (60.9 x 40.6cm)sheet: 30 x 22 1/2 in. (76.2 x 57.2cm)and“COUP DE THEATRE”1985, pencil signed, dated and numbered 4/15 inthe margin.image: 35 1/2 x 23 3/4 in. (90.3 x 60.4cm)sheet: 39 1/2 x 27 in. (100.3 x 68.6cm)$400-600

227 09-1680/504RICHARD SMITH(british b. 1931)“EVIDENCE III”2007, pencil signed, dated and numbered 1/25 inthe margin. Aquatint.image: 16 1/2 x 16 1/2 in. (41.9 x 41.9cm)sheet: 20 x 20 in. (50.8 x 50.8cm)provenance:Flowers Gallery, New York, New York.$300-500

228 09-1680/562SCOTT DUCE(american b. 1956)IMPARTIAL RESOLUTIONSigned, titled, and dated ‘Scott Duce ‘ImpartialResolution 1986’ versoacrylic on canvas54 x 60 in. (137.2 x 152.4cm)provenance:Phyllis Weil and Company, New York, New York.$400-600


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229 09-1680/561SCOTT DUCE(american b. 1956)AIRPORT LANDSCAPESigned “Duce 84” bottom right, oil on canvas36 x 40 in. (91.4 x 101.6cm)Unframedprovenance:Shippee Gallery, Inc., New York, New York.$400-600

230 09-1680/560SCOTT DUCE(american b. 1956)ULTERIOR METROPOLISSigned and dated ‘DUCE 84’ bottom right, oil oncanvas36 x 42 in. (91.5 x 106.6cm)provenance:Shippee Gallery, New York, New York.$300-500

231 09-1680/454RAFAEL FERRER(puerto rican b. 1933)“PLENILUNIO”1986, pencil signed, titled and numbered 12/20 inthe margin. Color etching.image: 12 1/2 x 23 1/2 in. (31.8 x 59.6cm)provenance:Nancy Hoffman Gallery, New York, New York.$200-300

232 09-1680/597SUSAN SHATTER(american b. 1943)“TERRACE TILT”1980, pencil signed, dated, titled and numbered16/50 in the margin. Color etching and aquatint.image: 13 x 35 in. (33 x 88.8cm)provenance:Fischbach Gallery, New York, New York.$200-300

233 09-1680/433PATRICK WEBB(american b. 1955)CROSSWALK MADONNAOil on canvas36 x 48 in. (91.4 x 121.9cm)$400-600

234 09-1680/3AARON FINK(american b. 1955)THE BLUE SPOONSigned and dated ‘Aaron / Fink / 1984’ verso, oil oncanvas76 1/4 x 108 in. (193.6 x 274.3cm)$700-900


235 09-1680/591SUSAN JANE BELTON(american b. 1951)PARKING LOT ISLANDOil on paperExecuted in 198018 3/4 x 26 1/4 in. (47.6 x 66.6cm) (sight)provenance:Thomas Segal Gallery, Boston, Massachusetts.$300-500

236 09-1680/647MARY SNOWDEN(american 20th century)RED SQUARESigned and dated ‘Mary Snowden ‘85’ bottom right,titled bottom left, watercolor on paper20 3/4 x 29 3/4 in. (52.7 x 75.5cm)$500-800

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237 09-1680/50BEN BERNS(american b. 1936)MORNING, LATE FALLOil on canvasExecuted in 198538 x 52 in. (96.5 x 132.1cm)provenance:David Findlay Jr, Inc., New York, New York.$300-500

238 09-1680/68BILL SULLIVAN(american b. 1942)“PALISADES #4”Signed, titled and dated ‘Palisades #4 1986 BillSullivan’ under image, pastel on paper26 x 40 in. (66 x 101.6cm)$300-400

239 09-1680/481RICHARD CROZIER(american b. 1944)MIMOSA HILLSIDESigned “CROZIER 84” bottom right, oil on canvas36 x 48 in. (91.4 x 121.9cm)provenance:Tatistcheff and Co., New York, New York.exhibited:“Contemporary American Realism Since 1960,”Pennsylvania Academy of Fine Art, Philadelphia,Pennsylvania, 1981.$400-600

240 09-1680/480RICHARD CROZIER(american b. 1944)OUT THE WINDOW #4Signed and dated ‘CROZIER ‘80’ bottom right, oilon canvas28 1/8 x 48 1/4 in. (71.4 x 122.5cm)provenance:Tatistcheff and Co., New York, New York.$300-500


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241 09-1680/479RICHARD CROZIER(american b. 1944)SOUTH CALIFORNIA LANDSCAPESigned and dated ‘CROZIER 79’ bottom right, oil oncanvas30 x 36 in. (76.2 x 91.4cm)provenance:Tatistcheff and Co., New York, New York.$300-500

242 09-1680/478RICHARD CROZIER(american b. 1944)“MOORMANS RIVER”Signed, titled and dated ‘RICHARD CROZIER /1979 - CH’VILLE, VA / “MOORMANS RIVER”’verso, signed and dated ‘CROZIER 79’ bottom right,oil on canvas28 x 30 in. (71.1 x 76.2cm)provenance:Tatistcheff and Co., New York, New York.$400-600

243 09-1680/304JOSEPH DIGIORGIO(american 1931-2000)DELAWARE SERIES NO. 24Oil pastel on paperExecuted in 1986sight: 29 1/2 x 43 1/4 in. (74.9 x 109.8cm)provenance:Ruth Siegel Gallery, New York, New York.$300-500

244 09-1680/305JOSEPH DIGIORGIO(american 1931-2000)DELAWARE SERIES NO. 10Pastel on paperExecuted in 1986sight: 29 x 39 1/2 in (73.7 x 100.3cm)$300-500

245 09-1680/339LINDA PLOTKIN(american b. 1938)“MORNING TABLE”1980, pencil signed, titled and numbered 3/40 inthe margin. Color etching.image: 17 3/4 x 17 3/4 (45.1 x 45.1cm)sheet: 30 x 22 in. (76.2 x 56.5cm)provenance:G.W. Einstein Company, Inc., New York, New York.$100-200

246 09-1680/215HARRIET SHORR(american b. 1939)“KIMONO + KIWI”1986, pencil signed, dated, titled and numbered32/125 in the margin. Color etching.image: 21 1/2 x 29 1/2 in. (54.6 x 74.9cm)provenance:Orion Editions, New York, New York.$300-500


247 09-1680/213HARRIET SHORR(american b. 1939)“BIG BLUE”1980, pencil signed and numbered 17/60 in themargin. Color aquatint.sheet: 29 1/2 x 41 1/2 in. (74.9 x 105.4cm)provenance:Orion Editions, New York, New York.$300-500

248 09-1680/447PHILIP SPEAKES(american 20th century)“NIGHT SKYLINE”Signed, titled, dated ‘Philip Speakes / 1984 / (NightSkyline)’ verso, signed indistinctly bottom right, oilon canvas29 x 36 in. (73.6 x 91.4cm)provenance:Leslie Cecil Gallery, New York, New York.$500-800

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249 09-1680/390MICHAEL ANSELL(american 20th century)SWIMMING POOLSigned and dated ‘Michael Ansell 2/80 ©’ bottomright, watercolor on paperimage: 17 3/4 x 23 3/4 in. (45 x 60.3cm)$500-800

250 09-1680/567SHEILA GARDNER(american, b. 1948)HILLCRESTSigned ‘Gardner’ bottom right, watercolor on paperExecuted 198123 x 30 in. (58.4 x 76.2cm)provenance:Tatistcheff and Co., New York, New York.$400-600

251 09-1680/402MIKLOS POGANY(american b. 1946)DOPO LA TEMPESTAOil, wax, acrylic, gesso, graphite, pastel on canvasExecuted in 198465 x 49 1/4 in. (165.1 x 125.1cm)provenance:Victoria Munroe Gallery, New York, New York.$800-1,200

252 09-1680/403MIKLOS POGANY(american b. 1946)KLARIKA (SONOMA)Mixed media on paper59 1/2 x 40 in. (151.1 x 101.6cm)$600-800


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253 09-1680/401four color etchingsMIKLOS POGANY(hungarian/american b. 1946)“TALPA” (RED)and“TALPA” (BLUE)and“TALPA” (MULTICOLOR)1983, each pencil signed, dated, titled andcopyrighted in the margin. Each etching withwatercolor.and“TALPA” (BLACK ANDWHITE)1983, pencil signed, dated, titled, copyrighted andnumbered 7/10 in the margin.image: 8 x 3 3/4 in. (20.3 x 9.5cm) (each)sheet: 22 x 17 3/4 in. (55.8 x 45.1cm) (each)provenance:Victoria Munroe Fine Art, New York, New York.$800-1,200

254 09-1680/400MIKLOS POGANY(hungarian/american b. 1946)“KLARIKA (SONOMA)”1982, pencil signed, dated, titled and copyrighted inthe margin. Color etching with watercolor.image: 17 3/4 x 11 3/4 in. (45.1 x 29.9cm)$250-400

255 09-1680/393two color monotypesMICHAEL MANZAVRAKOS(greek 1901-1949)“GOING OUT I”and“GOING OUT II”1985, each pencil signed, dated and titled in themargin.image: 22 x 16 in. (55.9 x 40.6cm) (each)provenance:Thomson Gallery, Minneapolis, Minnesota.$300-500

256 09-1680/265two color monotypesJANIS PROVISOR(american b. 1946)UNTITLED (RED)andUNTITLED (BLACK)1985, each pencil signed and dated.image: 23 1/2 x 22 in. (59.7 x 55.9cm) (each)$300-500

257 09-1680/631WILLIAM LEAVITT(american b. 1941)UNTITLEDInitialed and dated ‘WWL ‘83’ bottom right, pastelon paper21 3/4 x 29 3/4 in. (55.2 x 75.6cm)provenance:Kuhlenschmidt/Simon, Los Angeles, California.$400-600


258 09-1680/298two c-printsJOHN WAWRZONEK(american b. 1941)“FLOWERING TREES AT TWILIGHT”Pencil signed, titled and numbered 33/100 on mat.image: 19 1/4 x 23 1/4 in. (48.9 x 59.1cm) (each)and“REFLECTIONS ON A FALL EVENING”Pencil signed, titled and numbered 5/100 on mat.$200-300

259 09-1680/267two color etchingsJEAN SOLOMBRE(french b. 1948)“LA FLEUVE”1987, pencil signed, dated, titled and numbered46/120 in the margin.image: 15 1/4 x 17 3/4 in. (38.7 x 45.1cm)and“L’APPRETISSAGE DE LA NUIT”1987, pencil signed, dated, titled and numbered42/120 in the margin.image: 15 1/4 x 17 3/4 in. (38.7 x 45.1cm)$200-300

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260 09-1680/440four drypoint etchingsPHILIP SEELY LARSON(american b. 1944)“FIRST GRATE”and“SECOND GRATE”and“THIRD GRATE”and“FOURTH GRATE”Each pencil signed, dated, titled and numbered 5/6.image: 19 1/2 x 29 1/4 in. (49.5 x 74.4cm) (each)provenance:Bird Island Publishing, Minneapolis, Minnesota.$400-600

261 09-1680/383MARY PIA MALM(american 20th century)BLA TIMMEN (THE MAGIC HOUR)Acrylic on canvas57 1/2 x 40 in. (146 x 101.6cm)provenance:Virginia Miller Galleries, Coral Gables, Florida.$500-800

262 09-1680/382MARY PIA MALM(american 20th century)ON THE LINEAcrylic and charcoal on canvasExecuted in 198348 x 58 in. (120.7 x 142cm)provenance:Virginia Miller Galleries, Coral Gables, Florida.$500-800

263 09-1680/217HARRY SOVIAK(american 1935-1984)GAUDI’S GARDENSigned and dated ‘Soviak 1984’ bottom right inpencil, watercolor and collage on paper211/2 x 34 1/4 in. (54.6 x 87cm)provenance:Pam Adler Gallery, New York, New York.$400-600


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264 09-1680/524ROBERT BAARD PETERSON(american b. 1943)“FEBRUARY 1980”1982, pencil signed, dated, titled, inscribed andnumbered STATE PROOF 2/5. Color etching andcollage.image: 21 x 25 3/4 in. (53.3 x 65.4cm) andFITZGERALD(american 20th century)“GOLDEN SECTION CVI”Inscribed with title in margin bottom left andsigned and dated bottom right, pastel and pencil onpaper24 x 38 3/4 in. (61 x 98.4cm)$250-400

265 09-1680/613TONY LIGAMARI(american b. 1952)17TH STREETGouache and colored pencil on paperExecuted in 1985sight: 27 x 19 1/2 in. (68.6 x 49.5cm)provenance:Fuller Goldeen Gallery, San Francisco, California.$200-300

266 09-1680/456four color softground etchings with aquatintRALPH HUMPHREY(american 1932-1990)“NIGHT MOODS”1983, each pencil signed, dated and numbered5/10 in the margin.image: 23 1/2 x 23 1/2 in. (59.7 x 59.7cm) (each)sheet: 27 3/4 x 27 3/4 in. (70.5 x 70.5cm) (each)provenance:Parasol Press Ltd., New York, New York.$700-900

267 09-1680/310JUDITH MURRAY(american 20th century)LINCOLN CENTER1980, pencil signed, dated and numbered 112/134in the margin. Color screenprint.image: 34 x 37 3/4 in. (86.4 x 95.8cm)provenance:Orion Editions, New York, New York.$200-300

268 09-1680/565two color monotypesSHAWN DULANEY(american 20th century)“SUNDER”and“EMBARK”1989, each signed and dated.image: 29 1/2 x 21 1/2 in. (74.9 x 54.6cm)$300-500

269 09-1680/571SONDRA FRECKLETON(american b. 1936)FLOWERING BEGONIASigned ‘Sondra Freckleton’ bottom right, watercoloron paperExecuted in 198031 x 33 in. (80.6 x 83.8cm)provenance:Brooke Alexander, New York, New York.$300-500


270 09-1680/545SALLY STURMAN(american b. 1953)“TABLE”Signed and dated ‘SALLY MARA STURMAN8/18/80’ bottom right, titled bottom right, coloredpencil and graphite on paper19 3/4 x 25 in. (50.2 x 63.5cm)provenance:Diane Villani Editions, New York, New York.$250-400

271 09-1680/379MARTIN PAJECK(american 20th century)VASE OF GLADIOLASSigned ‘Martin Pajeck’ bottom right, watercolor onpaper24 x 18 in. (61 x 45.7cm)provenance:Karen Sinapi and Co., New York, New York.$250-400

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272 09-1680/537ROGER HOWRIGAN(american 20th century)TURNSTILEInitialed and dated ‘RH 80’ bottom left, watercoloron paper30 x 22 1/2 in. (76.2 57.1cm)provenance:Diane Villani Editions, New York, New York.$250-400

273 09-1680/371MARIE BRUMUND(american b. 1948)SANTA ROSASigned and dated ‘Marie Brumund 1984’ bottomright, watercolor and graphite on paper22 3/4 x 30 1/8 in. (57.8 x 76.5cm)provenance:Kathryn Markel Gallery, New York, New York.$200-300

274 09-1680/314KANG LOK CHUNG(american b. 1947)CITY HALLSigned and dated ‘Kang L Chung 83’ bottom rightin pencil, graphite on paperimage: 27 1/2 x 21 1/2 in. (69.9 x 54.6cm)provenance:Staempfli Gallery, New York, New York.$600-800

275 09-1680/372MARK FARLEY(american 20th century)EMPIRE STATE BUILDING AND CHRYSLERBUILDINGSigned and titled ‘Mark Farley 1991’ bottom right inpencil, inscribed ‘Over the charmed bay watersLiberty: Study 1/ inspired by Hart Crane’ bottomleft in pencil, watercolor, graphite, colored penciland paper collage mounted on paperimage: 25 x 27 in. (63.5 x 68.6cm)$200-300


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276 09-1680/472two works on paperRICHARD CALABRO(american 20th century)“ARCHITECTURE #4”Signed and dated ‘R. Calabro 1986’ bottom right,mixed media on paperimage: 28 x 21 1/4 in (71.1 x 54cm)andARCHITECTURAL DRAWING 86-16Signed and dated ‘R. Calabro 1986’ bottom right,mixed media on paperimage: 28 x 21 1/4 in (71.1 x 54cm)provenance:Shippee Gallery, New York, New York.$200-400

277 09-1680/474three works on paperRICHARD CALABRO(american 20th century)ARCHITECTURAL DRAWING 86-20Signed and dated ‘R. Calabro 1985’ bottom right,mixed media on paperimage: 28 x 21 1/4 in (71.1 x 54cm)andARCHITECTURAL DRAWING 86-35Signed and dated ‘R. Calabro 1985’ bottom right,mixed media on paperimage: 28 x 21 1/4 in (71.1 x 54cm)andARCHITECTURE 6Signed and dated ‘R. Calabro 1985’ bottom rightimage: 28 x 21 1/4 in (71.1 x 54cm)provenance:Shippee Gallery, Inc., New York, New York.$500-800

278 09-1680/448PHILIP TARLOW(american 20th century)“GRAND CENTRAL REFLECTIONS”1984, pencil signed, dated and numbered 49/125 inthe margin. Color screenprint.image: 36 x 36 in. (91.4 x 91.4cm)provenance:Orion Editions, New York, New York.$300-500

279 09-1680/70six c-type color printsBRIAN MCNALLY(american 20th century)“HUTTON LOBBY SERIES”1987image: 13 1/2 x 10 3/4 in. (34.3 x 27.4cm) (each)$500-800

280 09-1680/391MICHAEL GRAVES(american b. 1934)“HARBOR FAÇADE- EAST, LIBERTY PARKWILD LIFE CENTER”Signed and dated ‘Graves ‘80’ under image bottom center, titled under imagebottom center, colored pencil and graphite on papersight: 8 1/2 x 21 3/4 in. (21.5 x 55.2cm)provenance:Max Protetch Gallery, New York, New York.$300-500


281 09-1680/322KITTY KLAIDMAN(american b. 1937)YELLOW FIELDSSigned and dated ‘Klaidman 85’ bottom center left,acrylic and oil pastel on paper39 1/2 x 59 1/4 in. (100.4 x 150.4cm)$300-500

282 09-1680/323KITTY KLAIDMAN(american b. 1937)SUNSTRUCK MOUNTAINSigned and dated ‘Klaidman ‘85’ bottom left, acrylicand oil pastel on paper32 x 40 in. (81.3 x 101.6cm)$300-500

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283 09-1680/324KITTY KLAIDMAN(czechoslovakian 20th century)WINDBLOWN GRASSESSigned and dated ‘Klaidman 85’ bottom left, acrylicand oil pastel on paper32 x 40 in. (81.3 x 101.6cm)$300-500

284 09-1680/261JANET FREDERICKS(american b. 1949)HEDGE & FLOWER GARDENSigned and dated ‘J. Fredericks ‘86’ bottom left, oilon canvas30 x 36 in. (76.2 x 91.4cm)$600-800

285 09-1680/260two paintingsJANET FREDERICKS(american b. 1949)MIAMI CHICKEE - SQUALSigned and dated ‘J. Fredericks 1986’ bottom right,oil on canvas20 x 24 in. (50.8 x 60.9cm)andMIAMI CHICKEE IISigned and dated ‘J.Friedericks 1986’ bottom right,oil on canvas16 x 16 in. (40.7 x 40.7cm)$400-600

286 09-1680/259JANET FREDERICKS(american b. 1949)FOUR DINGEYSSigned and dated ‘J. Fredericks ‘86’ bottom left, oilpastel on paper21 3/4 x 30 3/8 in. (55.2 x 77.2cm)provenance:The artist.$250-300


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287 09-1680/320KINGSLEY PARKER(american 20th century)“A DARK TANKER SLIPS THROUGH THE NIGHT”1983, pencil signed, dated, titled and numbered 19/30in the margin. Aquatint.image: 4 7/8 x 40 1/2 in. (12.3 x 107.9cm)provenance:Condeso-Lawler Gallery, New York, New York.$200-300

288 09-1680/160ELLENWIENER(american b. 1954)GOLD MOONSigned ‘Ellen Wiener’ bottom right, oil, watercolorand pencil on paperExecuted in 1983right panel: 15 x 28 1/4 in. (38.1 x 71.4cm)left panel: 15 x 44 in. (38.1 x 111.8 cm)$500-800

289 09-1680/569SHELLY KAPLAN(american 20th century)THE WHITE BRIDGEOil on panelExecuted in 198418 1/2 x 48 in. (47 x 121.9cm)provenance:Patricia Hamilton Gallery, New York, New York.$500-800

290 09-1680/67BILL SULLIVAN(american b. 1942)“HARBOR-#34”1985, pencil signed and titled in the marign. Hand-colored screenprint.image: 24 x 39 1/2 in. (60.9 x 100.3cm)provenance:Orion Editions, New York, New York.$100-200


296 09-1680/251JAMES COUPER(american 20th century)“SUNSET, SAPELO ISLAND”Signed and dated ‘J Couper 1983’ bottom right, oilon canvas28 x 42 in. (71.1 x 106.7cm)provenance:Virgina Miller Galleries, Coral Gables, Florida.$400-600

291 09-1680/37ANNE SEELBACH(american 20th century)“TANK TRAPS”Signed, dated and titled ‘Tank Traps, 1985 / AnneSeelbach’ verso on both right and left panel, oil andoil pastel diptych on canvasoverall: 72 x 90 in. (182.9 x 228.6cm)$1,200-1,800

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292 09-1680/38ANNE SEELBACH(american 20th century)PATH STATION / ORANGE FIELDSOil on paperExecuted in 198522 x 22 1/4 in. (55.9 x 56.5cm)$300-500

293 09-1680/39ANNE SEELBACH(american 20th century)OBJECTOil, pastel, and wax on paperExecuted in 198530 x 22 in. (76.2 x 55.9cm)provenance:Shippee Gallery, New York, New York.$300-500

294 09-1680/40ANNE SEELBACH(american 20th century)MUD HOUSEOil, pastel, and wax on paperExecuted in 198522 x 30 in. (55.9 x 76.2cm)provenance:Shippee Gallery, New York, New York.$300-500

295 09-1680/467REX LAU(american b. 1947)UNTITLED (COUPLE)1984, pencil signed and dated in the margin. Colormonotype.image: 24 1/2 x 21 1/2 in. (62.2 x 54.6cm)31 1/2 x 25 in. (80 x 63.5cm)$300-500


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297 09-1680/158ELIZABETH GRAJALES(american b. 1952)LUNAR ELECTRON EMITTER / FALL OUTPastel on paper in two partsExecuted in 1985left panel: 37 1/2 x 58 1/4 in. (95.3 x 147.9cm)right panel: 37 1/2 x 53 1/4 in. (95.3 x 135.4cm)provenance:Shippee Gallery, New York, New York.$700-900

298 09-1680/51BEN BERNS(american b. 1936)WOODS, 4 P.M.Signed and dated ‘BEN BERNS 8/85’ bottom right,oil on papersight: 39 1/2 x 27 1/2 in. (100.3 x 69.8cm)provenance:David Findlay Jr, Inc., New York, New York.$300-500

299 09-1680/157ELENA BORSTEIN(american b. 1946)APPOLONIAWatercolor on paperExecuted in 198019 1/2 x 26 3/4 in. (49.5 x 67.9cm)provenance:Andre Zarre Gallery, New York, New York.$300-500

300 09-1680/207GUSTAF MILLER(american b. 1940)RED, BLACK, WHITE, YELLOWSigned ‘Gustaf Miller’ bottom right, watercolor, oil,graphite and paper collage on paperExecuted in 198620 1/2 x 27 in. (52 x 68.6cm)provenance:Thomas Segal Gallery, Boston, Massachusetts.$400-600

301 09-1680/82two color monotypesCAROL MACDONALD(american 20th century)“TOYS ON RUG IV”1985, signed and dated.image: 30 x 35 in. (76.2 x 88.9cm) and“YELLOW CUP W/ RINGS”1986, pencil signed, dated, titled and numbered 1/1in the margin.image: 12 x 6 3/4 in. (30.5 x 17.1cm)provenance:The artist.$150-250


302 09-1680/206GREGORY PAQUETTE(american b. 1947)GARDENS, WINTERSigned and dated ‘Paquette 1981’ bottom left,graphite and charcoal on papersight: 28 1/2 x 21 1/4 in. (72.3 x 54cm)provenance:Staempfli Gallery, New York, New York.$200-300

303 09-1680/218five printsHARVEY KIDDER(american b. 1918)“STILLMAN’S POND”Pencil signed, titled and numbered 81/175 in themargin. Color drypoint etching with roulette.image: 25 5/8 x 42 1/4 in. (65.1 x 107.3cm)andANDREW RICE(american 20th century)“ABOVE THE SEA”Pencil signed, titled and numbered 3/150 in themargin. Color lithograph.image: 23 3/4 x 17 in. (60.4 x 43.2cm)andSCOTT ANTHONY(american 20th century)TOWN FROM WATER’S EDGEPencil signed and numbered 282/335. Colorscreenprint.image: 18 x 26 in. (45.7 x 66cm)andGAUTAM JOHNMAXON(american b. 1947)“STEPPE INTO”1986, pencil signed, dated, titled and numbered25/150 in the margin. Color lithograph.image: 25 x 35 1/2 in. (63.5 x 90.2cm)$300-500

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304 09-1680/41four printsANSEI UCHIMA(japanese b. 1921)“UNTITLED (F)”1977, pencil signed, dated, titled and inscribed AP;with artist’s mark in the margin. Color woodcut.image:30 x 20 in. (76.2 x 50.8cm)andJACK SONENBERG(american b. 1925)“DIMENSION #5”1969. Color lithograph.overall: 27 x 21 1/4 in. (68.6 x 54cm)andJOYCE KOZLOFF(american b. 1942)“PICTURES & BORDERS II”1977, 26/50. Color lithograph.image: 23 5/8 x 22 1/4 in. (60 x 56.2cm)sheet: 30 x 22 1/4 in. (76.3 x 56.2cm)andM. EPSTEIN(american 20th century)UNTITLEDPencil signed and numbered 86/100 in the margin.Color lithograph.image: 27 1/4 x 19 in. (69.2 x 48.3cm)andAMERICAN SCHOOL(20th century)UNTITLEDPencil signed and numbered LXIII/LXXV in themargin. Color etching.17 1/2 x 22 1/2 in. (44.5 x 57.2cm)provenance:Pace Prints, New York, New York.$300-500

305 09-1680/753two color lithographsAMERICAN SCHOOL(20th century)“VINES & LEAVES V”Pencil signed indistinctly and numbered 33/40 inthe margin.image: 20 x 10 1/2 in. (50.8 x 26.7cm)sheet: 29 1/2 x 17 1/4 in. (74.9 x 43.8cm) and“VINES & LEAVES VI”Pencil signed indistinctly and numbered 33/40 inthe margin.image: 20 8 5/8 in. (50.8 x 21.8cm)sheet: 29 1/2 x 17 1/4 in. (74.9 x 43.8cm)$300-500


308 09-1680/457five printsRAOUL KUBIK(american 20th century)PAN AM BUILDINGSigned in the margin. Color photolithograph.image: 14 x 18 1/2 in. (35.6 x 47cm)andALDO ROSSI(italian 1931-1997)“PROJETTO PAR IL MUSEO DI FIRENZE 76”1979, signed, dated, titled and inscribed PresaD’Artiste in the margin. Etching.image: 18 1/2 x 26 3/4 in. (47 x 67.9cm)provenance:Max Protech Gallery, New York, New York.andAMERICAN SCHOOL(20th century)CHICAGO BOARD OF TRADEPencil signed and numbered 32/350 in the margin.Color photolithograph.image: 17 3/4 x 23 3/4 in. (45.1 x 60.3cm)and*WELLING(american 20th century)FROM BROOKLYN BRIDGE1976, pencil signed, dated, titled and numbered64/200 in the margin. Lithograph.image: 10 x 22 1/2 in. (25.4 x 57.2cm)and*GALLAIS(american 20th century)“LOWER MANHATTAN AND BROOKLYN BRIDGE,NEW-YORK-CITY”1964, signed, dated and titled in the margin;copyrighted. Photolithograph.image: 16 1/4 x 21 in. (41.3 x 53.3cm)$250-400

306 09-1680/513four printsROBERT GLAUBKE(american 20th century)HAYSigned on the mat. Gelatin silver print.image: 7 x 7 in. (17.8 x 17.8cm)and(AFTER) MILTON AVERY(american 1885-1965)TWO WOMENGiclee on canvas33 1/2 x 21 1/2 in. (90.2 x 54.5cm)andNINA PRANTIS(american 20th century)“METROPOLITAN LIFE, ST. PATRICK’S DAY, NYC,1987”1987, signed, dated, titled and with artist’s stampverso.23 x 15 1/2 in. (58.4 x 39.4cm)andNINA PRANTIS(american 20th century)“THE FLAT IRON”1987, signed, dated, titled and inscribed Top-Diptych/Ekta color verso.23 x 15 1/2 in. (58.4 x 39.4cm)$200-300

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307 09-1680/763two paintingsAMERICAN SCHOOL(20th century)“WINTER, NY HARBOR”Signed indistinctly bottom left, titled verso, gouacheon paper10 1/4 x 12 3/4 in. (26 x 32.4cm)and“SMOKESCREEN #55”Signed indistinctly bottom left, titled verso, gouacheon paper10 1/4 x 12 3/4 in. (26 x 32.4cm)$300-500

309 09-1680/137DON DUDLEY(american b. 1930)UNTITLEDSigned and dated ‘Don Dudley ‘80’ bottom right,graphite and watercolor on paper22 1/2 x 30 in. (57.2 x 76.2cm)provenance:Pam Adler Gallery, New York, New York.$200-300


310 09-1680/601eight color lithographsTERRENCE WARREN(british b. 1948)THE COMPLETE “STONES OF VENICE” SERIESEach pencil signed, titled and numbered 129/200 inthe margin.image: 10 1/4 x 11 3/4 in. (26 x 29.9cm) (each)sheet: 10 1/2 x 12 in. (26.7 x 30.5cm) (each)$1,000-1,500

311 09-1680/184four screenprintsFUDEZUKA TOSHIHISA(japanese b. 1957)“CORRIDOR-5”2000, pencil signed, dated, titled and numbered16/22 in the margin.“CHAOS”2000, pencil signed, dated, titled and numbered22/25 in the margin.“WATER SHADE”2000, pencil signed, dated, titled and numbered24/24 in the margin.“CORRIDOR-3”2000, pencil signed, dated, titled and numbered9/20 in the margin.image: 21 x 14 3/4 in. (53.3 x 37.4cm) (largest)provenance:The Tolman Collection, New York, New York.$600-800

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312 09-1680/321two color monotypesKINOSHITA TAIKA(japanese 20th century)“LET IT BE-M-41”1985, pencil signed, dated, titled and numbered 41in the margin.image: 21 31 1/2 in. (53.3 x 80cm)sheet: 25 x 35 1/2 in. (63.5 x 90.1cm)and“LET IT BE-M-8”1985, pencil signed, dated and titled in the margin.image: 15 1/2 x 24 in. (39.3 x 60.9cm)sheet: 19 5/8 x 28 1/2 in. (49.8 x 71.7cm)provenance:The Tolman Collection, New York, New York.$400-600

313 09-1680/572STEPHANIE ROSELANDSCAPEInitialed and dated ‘SR 1985’ bottom center, oil onpaper30 x 22 in. (78.7 x 55.9cm)provenance:Brooke Alexander, New York, New York.$300-500

314 09-1680/166ERIC HOFFMAN(american b. 1952)IONIAAcrylic and mixed media on canvasExecuted in 198576 x 50 in. (193 x 127cm)provenance:Twining Gallery, New York, New York.$500-800

315 09-1680/165ERIC HOFFMAN(american b. 1952)UNTITLEDSigned ‘Hoffman’ bottom right and dated ‘1981’bottom left, enamel and chalk on paper17 x 23 3/4 in. (43.2 x 60.2cm)$300-500


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316 09-1680/573STEPHANIE ROSE(american 20th century)FOUNTAIN OF LIFEInitialed and dated ‘SR 1985’ bottom right, oil onpaper30 x 22 in. (78.7 x 55.9cm)$300-500

317 09-1680/595SUSAN MOSS(american b. 1934)“CLEARING”Signed, titled and dated ‘Clearing 1986. SusanMoss’ under image in pencil, oil and graphite onpaper28 x 20 in. (71.1 x 50.8cm)provenance:Marliyn Pearl Gallery, New York, New York.$300-500

318 09-1680/518ROBERT KELLY(american b. 1956)“PADMA”Signed, titled and dated ‘Padma LVIII 1983 RobertKelly’ under image, mixed media on paper39 1/2 x 34 in. (100.3 x 86.4cm)$200-300

319 09-1680/375MARTHA BOYDEN(american 20th century)UNTITLEDSigned and dated ‘Boyden ‘81’ bottom right, oil onpaper19 x 24 3/4 in. (48.2 x 62.8cm)$300-500

320 09-1680/189GEORGE KLEIMAN(american 20th century)UNTITLEDSigned and dated ‘Kleiman 85’ upper right, pastelon paper23 x 30 in. (58.4 x 76.2cm)$400-600

321 09-1680/269JEANNE DUVAL(american b. 1956)THE SANCTUARYSigned “J. Duval” bottom left, oil on canvasExecuted in 198431 1/2 x 39 1/4 in. (80 x 99.7cm)provenance:Sherry French Gallery, New York, New York.$400-600


322 09-1680/291JOHN EVANS(american b. 1945)PORCHSigned ‘John Evans’ bottom right, oil on paperExecuted ca. 1984-5sight: 18 1/2 x 23 1/2 in. (47 x 59.7cm)provenance:Gallery Henoch, New York, New York.$800-1,200

323 09-1680/292JOHN GORDON(american 20th century)LATE SUMMER GARDENSigned “Gordon” bottom right, oil on panelExecuted in 198435 1/2 x 47 1/4 in. (90.2 x 120cm)provenance:Tatistcheff and Co., New York, New York.$600-800

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324 09-1680/281four monotypesJOCELYN SANDOR(american 20th century)“SPRING LANDSCAPE”1984, pencil signed and datedimage: 23 x 21 1/4 in. (58.4 x 54cm)and“SPRING INTERLUDE”Pencil signed and datedimage: 16 x 12 3/4 in. (40.6 x 32.4cm)and“ADIRONDACK STEEPS”Pencil signed, titled and dated in the marginimage: 17 3/4 x 20 in. (45.1 x 50.8cm)and“SRING VIEW”1984, pencil signed and datedimage: 23 x 21 1/4 in. (58.4 x 54cm)$500-800

325 09-1680/409MORTON KAISH(american b. 1927)VIEW FROM THE STUDIO, JANUARYSigned ‘M. Kaish’ bottom right corner, acrylic oncanvasExecuted in 198448 x 48 in. (121.9 x 121.9cm)provenance:Staempfli Gallery, New York, New York.$500-800

326 09-1680/135DICK JEMISON(american b. 1942)“CAVE LETTER X”Signed, dated and titled ‘Cave Leter X / DickJemison / 1983’ verso, mixed media on canvas96 x 48 in. (243.8 x 121.9cm)Unframedprovenance:The Segal Gallery, New York, New York.$1,000-1,500

327 09-1680/136DICK JEMISON(american b. 1942)EARTH NOTE XVIMixed media on canvasExecuted in 198548 x 72 in. (121.9 x 182.9cm)$800-1,200


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328 09-1680/416NANCY MANTER(american b. 1952)FIVE TREESOil and acrylic on paperExecuted in 198422 x 30 in. (55.9 x 76.2cm)$400-600

329 09-1680/380MARY ARMSTRONG(american b. 1956)FIRST LIGHTSigned ‘MA Armstrong’ bottom right, oil on panelExecuted in 1984-526 x 22 in. (66 x 55.9cm)provenance:Victoria Munroe Fine Art, New York, New York.$400-600

330 09-1680/172FARRELL BRICKHOUSE(american b. 1949)“3-D MARTELLO”Signed, titled and dated ‘Farrell Brickhouse “3-DMartello”’ verso, initialed, inscribed and dated ‘FB1984’ and ‘Rebuilt 1985’ verso, oil on panel34 3/8 x 26 1/8 in. (87.3 x 66.4cm)provenance:The artist.$400-600

331 09-1680/316KARL A. MEYER(american 20th century)UNTITLED1985, pencil signed, dated and numbered 111. Colorwoodcut in four parts.overall: 41 1/4 x 51 3/4 in. (104.6 x 131.3cm)provenance:Rosa Esman, New York, New York.$200-300

332 09-1680/63BETH VAN HOESEN(american b. 1926)“DURER CAN”1982, pencil signed, titled, copyrighted andnumbered 32/70 in the margin. Color etching,drypoint and aquatint.image: 15 1/2 x 13 1/8 in. (39.4 x 33.3cm)provenance:John Berggruen Gallery, San Francisco, California.$200-300

333 09-1680/253JAMES DEL GROSSO(american b. 1941)UNTITLED LANDSCAPESigned ‘Del Grosso’ bottom right, oil on panel30 x 40 in. (76.2 x 101.6cm)$600-1,000


334 09-1680/252JAMES DEL GROSSO(american b. 1941)BLUE PITCHER WITH BEACH GRASSESSigned bottom right ‘Del Grosso’ bottom right, oilon panel15 3/4 x 11 3/4 in (40 x 29.8cm)provenance:Virginia Miller Galery, Coral Gables, Florida.$300-500

335 09-1680/103three watercolorsCRAIG SMITH-POLLING(american b. 1921)“PEGGY’S COVE, NOVA SCOTIA, CANADA”Signed and dated ‘Craig Smith ‘84’ bottom right,titled botom right, watercolor on papersight: 11 3/4 x 18 in. (29.8 x 45.7cm)and“HONFLEUR, FRANCE (NORMANDIE) BOATS - LEVIEUX BASSIN”Signed ‘Craig Smith’ and titled bottom right,watercolor on papersight: 17 3/4 x 23 3/4 in. (45 x 60.2cm)and“PEGGY’S COVE, N.S., CANADA”Signed and dated ‘Craig Smith ‘86’ bottom left,titled botom left, watercolor on papersight: 11 3/4 x 17 7/8 in. 32.3 x 45.4cm)provenance:Virginia Miller Galleries, Coral Gables, Florida.$400-600

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336 09-1680/106CRAIG SMITH-POLLING(american b. 1921)“THE SCHOONER WAWONAH”Signed ‘Craig Smith’ bottom right, watercolor onpapersight: 23 1/2 x 17 1/2 in. (59.7 x 44.5cm)provenance:Virginia Miller Galleries, Coral Gables, Florida.$250-400

337 09-1680/544SANDRA SMITH-POLLING(american b. 1947)“HALIBUT SCHOONER CRUSADER”Signed ‘S. Smith-Poling’ bottom right, titled versowatercolor on paper24 3/4 x 18 1/2 in. (62.9 x 47cm)provenance:Virginia Miller Galleries, Coral Gables, Florida.$250-400

338 09-1680/52BEN SCHONZEIT(american b. 1942)“SUPPORT”Signed and dated “Schonzeit 80” bottom right andtitled bottom left, watercolor on paper41 1/4 x 29 3/8 in. (104.8 x 74.6cm)provenance:Nancy Hoffman Gallery, New York, New York.$700-1,000


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339 09-1680/772ALAN TURNER(american b. 1943)MARKEDWOODS #4Signed and dated ‘© Alan Turner 1981’ in ink,numbered ‘#4’ in ink verso, oil on panel (diptych)each panel: 90 x 60 in. (233.7 x 157.5cm)$500-800

340 09-1680/19ALAN TURNER(american b. 1943)MARKEDWOODS #5Oil on canvasExecuted in 198190 x 60 in. (220.9 x 150.2cm)$500-800

341 09-1680/18ALAN TURNER(american b. 1943)MARKEDWOODS #6Oil on canvasExecuted in 198190 x 60 in. (220.9 x 150.2cm)$500-800

342 09-1680/20ALAN TURNER(american b. 1943)UNTITLEDWatercolor and acrylic on paper22 x 30 in. (50.8 x 76.2cm)$300-500

343 09-1680/16two works on paperALAN TURNER(american b. 1943)“WHITE LANDSCAPE”1978, pencil signed, dated and numbered 3/20 inthe margin. Etching.image: 14 1/2 x 19 3/4 in. (36.8 x 50.2cm)provenance:Parasol Press, Ltd., New York, New York.

and“RAINBOW FOREST”Signed and dated ‘Alan Turner 1980’ bottom right,magic marker on paper15 x 20 in. (38.1 x 50.8cm)provenance:Edward Thorp Gallery, New York, New York.$300-500


344 09-1680/455RALPH HILTON(20th century)FLYING MAN IN PROCESSOil on paperExecuted in 1983sight: 18 1/4 x 24 1/2 in. (46.4 x 62.2cm)$300-500

345 09-1680/499RICHARD SHEEHAN(american b. 1953)“QUINCY DRY CLEANERS”Signed, titled and dated ‘Quincy Dry Cleaners /USA / 86 / Sheehan’ bottom right, oil on canvas28 x 28 in. (71.1 x 71.1cm)$700-900

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346 09-1680/458two works on paperRAPHAEL ANGEL COLLAZO(american 1943 - 1990)BUGWORLD SERIES ISigned ‘R. Collazo’ bottom right, mixed media onpaper17 x 14 in. (43.2 x 35.6cm)Executed in 1986 andBUGWORLD SERIES IISigned ‘R. Collazo’ bottom right, mixed media onpaper17 x 14 in. (43.2 x 35.6cm)provenance:R.C. Erpf Gallery, New York, New York.$500-700

347 09-1680/173ASTRID FITZGERALD(swiss b. 1938)AUSPEX SERIESPaper constructionExecuted in 197520 1/2 x 25 in. (52 x 63.5cm)$200-300

348 09-1680/578STEPHEN MAINE(american b. 1958)UNTITLEDAcrylic on paperExecuted in 1986sheet: 30 x 44 in. (76.2 x 111.8cm)provenance:R.C. Erpf Gallery, New York, New York.$400-600

349 09-1680/107CRISTOS GIANAKOS(american b. 1934)PEGASUS SERIESAcrylic on mylarExecuted in 198324 x 36 in. (60.9 x 91.4cm)provenance:Oscarsson Siegeltuch & Company, New York, NewYork.$400-600


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350 09-1680/254three color lithographsJAMES JUSZCZYK(american b. 1943)“REACH”1980, pencil signed, dated, titled and numbered28/35 in the margin.and“PRESS”1980, pencil signed, dated, titled and numbered28/35 in the margin.and“GATE”1980, pencil signed, dated, titled and inscribed L.P.IMP-4; apart from the numbered edition of 35.image: 19 7/8 x 23 7/8 in. (25.2 x 60.7cm) (each)sheet: 20 x 34 in. (50.8 x 86.3cm) (each)provenance:Landfall Press, Santa Fe, New Mexico.$300-500

351 09-1680/233ILYA KABAKOV(russian b. 1933)UNTITLED1995, pencil signed and numbered 45/60 in themargin. Color screenprint and offset lithograph.image: 18 1/4 x 26 1/4 in. (46.4 x 66.3cm)sheet: 27 1/4 x 34 1/2 in. (69.2 x 87.7cm)provenance:Schellmann Art Production, New York, New York.$300-500

352 09-1680/116three color monotypesDAVID DUPUIS(american b. 1959)“UNTITLED”1999, each pencil signed, dated and titled in themargin.image: 15 3/4 x 11 1/2 in. (40 x 29.2cm)sheet: 29 1/2 x 22 1/4 in. (74.9 x 56.2cm)“POP LIFE ONWATER”image: 15 3/4 x 11 1/2 in. (40 x 29.2cm)sheet: 29 1/2 x 22 1/4 in. (74.9 x 56.2cm)“CROSSING THE WATER II”image: 21 1/2 x 17 3/4 in. (54.6 x 45.1cm)sheet: 34 x 29 1/4 in. (86.4 x 74.3cm)provenance:Cheryl Pelavin Fine Arts, New York, New York.$800-1,000

353 09-1680/234IMAMURA YOSHIO(japanese b. 1948)“WALL OF BLUE”2006, pencil signed, dated and inscribed withJapanese characters and numbered 7/25 in themargin. Etching and silver leaf.image: 14 3/4 x 17 1/2 in. (37.5 x 44.4cm)provenance:The Tolman Collection, New York, New York.$300-500

354 09-1680/220HASEGAWA YUICHI(japanese 20th century)UNTITLED (TWOMOONS)1999, pencil signed, dated, inscribed in Japaneseand numbered 14/18 in the margin. Colorscreenprint.image: 19 5/8 x 30 1/4 in. (49.8 x 76.5cm)provenance:The Tolman Collection, New York, New York.$500-700


355 09-1680/412NOBORU TSURUTANI(japanese 20th century)“EXPRESSION-H”Pencil signed, titled and numbered 39/50. Coloretching.image: 24 x 13 1/4 in. (61 x 33.7cm)$150-200

356 09-1680/614four printsTSUBOTA MASAHIKO(japanese b. 1947)“DRAWING BORDER COLORING-C”2005, pencil signed and numbered 9/20 in themargin. Color etching and aquatint.image: 9 1/2 x 14 1/4 in. (24.1 x 36.2cm)and“STROKING CUTTING-A”2006, pencil signed and numbered 6/25 in themargin. Color lithograph with perforations.image: 14 1/2 x 19 1/4 in. (24.1 x 36.2cm)sheet: 22 x 27 3/4 in. (55.8 x 70.4cm)and“DRAWING COLORING-E”2005, pencil signed and numbered 8/30 in themargin. Color lithograph.image: 11 x 17 1/4 in. (27.8 x 43.8cm)sheet: 19 1/2 x 26 in. (49.5 x 66cm)and“DARKNESS STROKING-H”2006, pencil signed and numbered 6/20 in themargin. Lithograph.image: 9 1/2 x 14 in. (24.1 x 35.6cm)sheet: 19 3/4 x 26 in. (50.3 x 66cm)provenance:The Tolman Collection, New York, New York.$300-500

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357 09-1680/776JOANNE GREENBAUM(american b. 1953)UNTITLED2008, pencil signed and numbered 1/30. Colorscreenprint.overall: 29 x 24 in. (73.7 x 61cm)Unframed$600-1,000

358 09-1680/413NAGAI KENJI(japanese 20th century)“WL 01-23”2001, pencil signed, dated and numbered 16/32 inthe margin. Color lithograph.image: 14 x 19 3/4 in. (35.5 x 50.2cm)provenance:The Tolman Collection, New York, New York.$300-500

359 09-1680/414NAGAI KENJI(japanese 20th century)“WL. 08-1”2008, pencil signed, dated, titled and numbered9/15 in the margin. Color lithograph andscreenprint.image: 17 x 32 in. (43.2 x 81.3cm)sheet: 25 x 36 in. (63.5 x 91.5cm)provenance:The Tolman Collection, New York, New York.$300-500


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360 09-1680/418three acrylic paintings on paperNATALIE ALPER(american b. 1942)“APRIL #1”Signed, titled and dated ‘Natalie Alper April #12007’12 3/8 x 13 1/4 in. (31.3 x 33.7cm)and“APRIL #2”Signed, titled and dated ‘Natalie Alper April #22007’11 3/4 x 13 1/2 in. (29.8 x 34.3cm)and“APRIL #3”Signed, titled and dated ‘Natalie Alper April #32007’12 1/2 x 13 1/2 in. (31.8 x 34.3cm)$200-400

361 09-1680/415four color etchingsNAKAZAWA SHIN’ICHI(japanese 20th century)“TSURAYUKI IV”Pencil signed, titled and numbered 6/10 in themargin. Color etching with silver leaf.image: 31 x 15 1/2 in. (78.8 x 39.4cm)and“NISHIKI II”Pencil signed, titled and numbered18/30 in themargin. Color etching with gold leaf.image: 17 1/2 x 23 1/4 in. (44.5 x 58.7cm)and“YATSUHASHI V”Pencil signed, titled and numbered 2/20 in. themargin. Color etching with gold leaf.image: 19 1/4 x 13 1/2 in. (48.3 x 34.2cm)and“YATSUHASHI VI”Pencil signed, titled and numbered 2/20 in themargin. Color etching with silver leaf.image: 19 1/4 x 13 1/2 in. (48.9 x 34.4cm)provenance:The Tolman Collection, New York, New York.$700-1,000

362 09-1680/775four color etchingsNAKAZAWA SHIN’ICHI(japanese 20th century)“YATSUHASHI V”Pencil signed, titled and numbered 7/20 in themargin. Color etching with gold leaf.image: 19 1/4 x 13 1/2 in. (48.9 x 34.3cm)and“YATASUHASHI VI”Pencil signed, titled and numbered 7/20 in themargin. Color etching with silver leaf.image: 19 1/4 x 13 1/2 in. (48.9 x 34.3cm)and“REUNION V”Pencil signed, titled and numbered 16/35 in. themargin. Color etching with gold leaf.image: 13 3/4 x 12 1/4 in. (34.9 x 31.1cm)and“REUNION VI”Pencil signed, titled and numbered 16/35 in themargin. Color etching with silver leaf.image: 13 3/4 x 12 1/4 in. (34.9 x 31.1cm)provenance:The Tolman Collection, New York, New York.$700-1,000

363 09-1680/266JEAN SHIN(korean/american b. 1971)“PRESSED COAT”2005, pencil signed, dated, titled, and numbered16/16 in the margin. Collograph.overall: 28 7/8 x 41 3/4 in. (73.3 x 106cm)provenance:Art Projects International, New York, New York.$400-600

364 09-1680/505two color monotype triptychsRICHARD TSAO(thai b. 1954)“SPACESHIP 3-4”and“SPACESHIP 3-3”2004.image: 15 x 33 1/2 in. (38.1 x 85.1cm)(overall) (each)provenance:Art Projects International, New York,New York.$300-500


365 09-1680/255two color lithographsJAMES NARES(british b. 1953)“EPIGRAPH 4”and“EPIGRAPH 5”2005, each pencil signed, dated and numbered6/25 in the margin.image: 47 1/2 x 24 in. (120.6 x 60.9cm) (each)provenance:Senior & Shopmaker Gallery, New York, New York.$400-600

366 09-1680/300four printsJON CARSMAN(american 1944-1987)“ASBURY REFLECTIONS”1976, pencil signed, dated and numbered 82/100 inthe margin. Color screenprint.image: 27 1/2 x 33 in. (70 x 83.8cm)provenance:Pace Prints, New York, New York.CAROL DARK(american 20th century)“BARKS AND LEISURE”Pencil signed, titled and numbered 239/325 in themargin. Color screenprint.image: 17 1/4 x 24 1/2 in. (43.8 x 62.3cm)andAMERICAN SCHOOL(20th century)“CLOUDS OVER MOUNTAINS”1977, pencil signed, dated, titled and numbered30/100 in the margin. Color etching withembossing.image: 21 1/4 x 16 in. (54 x 40.6cm)andAMERICAN SCHOOL(20th century)“NORTHERN SPRING”1976, pencil signed, dated, titled and numbered24/100 in the margin. Color etching.image: 25 3/4 x 19 1/4 in. (65.4 x 48.1cm)$250-400

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367 09-1680/96two works on paperCISSY PAO PUI-LAI(chinese 20th century)BLEEKERSigned and dated ‘’76 Cissy Pao,’ mixed media onpaper15 1/2 x 21 1/2 in. (39.4 x 54.6cm)andSALLY VAGLIANO PETTUS(american b. 1942)UNTITLEDSigned and dated ‘Vagliano 78’ bottom left,watercolor on paper22 1/2 x 30 in. (57.1 x 76.2cm)$200-300

368 09-1680/27ALICE PHILLIPS(american 20th century)UNTITLEDSigned and dated ‘Alice Phillips ‘77’ bottom right,oil pastel and graphite on paper22 x 16 1/4 in. (55.9 x 41.2cm)$100-200

369 09-1680/32two color monotypesANDREA BELAG(american 20th century)UNTITLED (2)2003, each pencil signed and dated in the margin.image: 16 1/2 x 20 1/2 in. (41.9 x 52cm) (each)sheet: 25 x 27 3/4 in. (63.5 x 70.5cm) (each)provenance:Cheryl Pelavin Fine Arts, New York, New York.$300-500


370 09-1680/94CHRIS JOHANSON(american b. 1968)“FOREVER IS BOTHWAYS FOR ALL TIME(PERCEPTIONS #2)”2007, pencil signed dated and numbered 1/40 inthe margin. Color sugarlift aquatint and aquatintetching.image: 26 5/8 x 35 5/8 (67.6 x 90.5cm)sheet: 36 1/2 x 45 in. (92.7 x 114.3cm)provenance:Paulson Press, Berkeley, California.$300-500

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371 09-1680/366four works on paperM. APJAR(american 20th century)UNTITLEDSigned and dated ‘© 1983 M Apjar’ bottom rightcorner, watercolor and paper collage on papersight: 22 3/4 x 30 1/4 in. (57.8 x 76.8 cm)JOHN GROOM(welsh b. 1953)UNTITLEDSigned ‘John Groom 1985’ bottom right, charcoaland pastel on papersheet: 18 x 24 in. (45.7 x 60.9cm)andJOHN GROOM(welsh b. 1953)UNTITLEDSigned ‘John Groom 1985’ bottom right, charcoaland pastel on papersheet: 18 x 24 in. (45.7 x 60.9cm)RICHARD SABA(american 20th century)THE JESTER AND THE STATUE OF VENUSSigned and dated ‘Saba 1986’ bottom right, mixedmedia on paper30 x 23 in. (76.2 x 58.4cm)provenance:Shippee Gallery, Inc., New York, New York.$300-500

372 09-1680/283JOE FIG(american b. 1978)“INKA’S FLOOR”2008, pencil signed, dated, and numbered 22/22 inthe margin. Color screenprint.image: 23 3/8 x 32 3/4 in. (59.4 x 83.2cm)sheet: 30 x 38 3/4 in. (76.2 x 98.4cm)provenance:Lower East Side Print Shop, New York, New York.$200-300

374 09-1680/130* DAVIS(american 20th century)“STOCK MARKET”1959, pencil signed, dated, titled and numbered12/50 in the margin. Woodcut.image: 32 x 53 3/4 in. (81.3 x 136.5cm)$400-600

373 09-1680/612TONY KING(american b. 1944)“MCKINLEY 500”1985, pencil signed, dated and numbered 54/150in the margin. Color screenprint with gold leaf.image: 19 1/4 x 44 in. (48.9 x 111.7cm)$150-200


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Alper, N., 360American Art Union, 29, 33American School, 64, 78, 221, 304-

308, 366American Views, 3-5Americana, 29-39, 42-47Andrejevic, M., 173Andrews, M., 210Ansell, M., 249Anuszkiewicz, R., 111Apjar, M., 371Appel, K., 139Armstrong, M., 329Arnold, J., 67Audubon, John James, 50-59Avery, M. (after), 306

Bana, C., 207Barth, F., 186-188Baynard, E., 167Beal, J., 121Belag, A., 365Belton, S., 235Benes, B., 213Bennett, William James, 8, 15Berns, B., 237, 298Bhavsar, N., 89Bieser, N., 176Bingham, G., 30, 31Birch, William, 26Bird Prints, 49-59Boice, B., 133, 134Boll, M., 171Bolotowsky, I., 105Bornet, John, 25Borstein, E., 299Botanical Prints, 62Bower, G., 107Boyden, M., 319Brickhouse, F., 330Brown, W., 77Brumund, M., 273Brustlein, D., 169Buckley, S., 214

Calabro, R., 276, 277Camire, R., 217Carsman, J., 366Chaet, B., 96-99Chiriani, R., 185Christofaro, C., 223Chung, K., 274Ciarrocchi, R., 198Cohen, E., 95Collazo, R., 346Conover, R., 180Continental School, 220Couch, J., 191

Moore, J., 166, 218Morgenson, P., 189Moss, 86Moss, S., 317Mottram, C., 27Mount, W. S., 34, 35Mullen, P., 104Murray, J., 264Mutter, S., 200Muybridge, E., 79

Nadler, H., 116Nares, J., 369Natkin, R., 142-144Natural History Prints, 49-59, 62Nautical Views, 7, 36, 37, 40, 41Nesbitt, L., 141New York Views, 2, 6-28, 60, 61Nice, D., 158, 159Nielsen, S., 100, 101Noel, G., 103

Pajeck, M., 271Paquette, G., 302Parker, K., 287Parker, R., 84, 85Peterson, R., 267Phillips, A., 368Plotkin, L., 245Pogany, M., 251-254Porter, B., 94Porter, L., 124Prantis, N., 306Price, C., 224Provisor, J., 256Pui-Lai, C., 367

Quaytman, H., 102

Rawn, B., 117Relange, J., 82Rose, S., 313, 316Rossi, A., 308Roth, D., 150Rupert, R., 203

Sandor, J., 324Sarlatte, L., 190Sartain, John, 30Schirm, D, 132Schlesinger, M., 165Schonzeit, B., 338Seelbach, A., 291-294Shapiro, D., 126, 145-147Shatter, S., 232Shedletsky, S., 199Sheehan, R., 345Shields, A., 108, 109

Hill, John; Wall, William Guy, 9-14Hilton, R., 344Hinman, C., 215Hoffman, E., 314, 315Hokanson, H., 160House, G., 88Howrigan, R., 272Humphrey, R., 266Hurson, M., 195

Indiana, R., 113Ives, N., 87, 93

Jackson, H., 196, 197Jannetti, T., 91Jemison, D., 326, 327Johanson, C., 370Juszczyk, J., 206, 350

Kabakov, Ilya, 351Kaish, M., 325Kaplan, S., 289Kasimir, L., 73Kelly, R., 318Kenji, N., 358, 359Kepets, H., 119Kidder, H., 303King, T., 211, 373Klaidman, K., 281-283Kleiman, G., 320Kozloff, J., 304Kraicova, V., 83Kubik, R., 308Kuehn, F., 168

Larson, P., 260Lau, R., 295Leavitt, W., 257Ligamari, T., 265Lindner, R., 112Lois, L., 152Lorber, S., 178, 179Lytle, R., 175

MacDonald, C., 301Madsen, L., 153Maine, S., 348Malm, M., 261, 262Manter, N., 328Manzavrakos, M., 255Masahiko, T., 356Massad, G., 122, 123Mazur, M., 154, 155McNally, B., 279Meissner, L., 70, 71, 194Meyer, K., 331Military Subjects, 36-39Miller, G., 300

Couper, J., 296Cozzens, Frederic S., 40Crozier, R., 239-242Currier & Ives, 18-21, 41, 43-47

D'Arcangelo, A., 130Dark, C., 366Davies, H., 114, 115Davies, J., 204"Davis, *, 74de Juan, R., 208, 209Del Grosso, J., 333, 334Digiorgio, J., 243, 244Dole, W., 90Ducasse, M., 172Duce, S., 228-230Dudley, D., 309Dulaney, S., 268Dupuis, D., 352Duval, J., 321

Endicott & Co., 16, 17, 28, 38Evans, J., 322

Fares, W., 212Farley, M., 275Ferrara, J., 193Ferrer, R., 231Fig, J., 372Fillon, A., 81Fine, P., 74Fink, A., 234Fitzgerald, A., 120, 347Flaccus, P., 182Frasconi, A., 80Freckleton, S., 269Fredericks, J., 250, 284, 285

Gallagher, C., 157Gallais, 308Gardner, S., 286Gellert, H., 72Gianakos, C., 349Gilbert-Rolfe, J., 222Glaubke, R., 306Goldote, D., 136Goode, J., 125Gordon, J., 323Grajales, E., 297Graves, M., 280Green, D., 127, 128Greenbaum, J., 357

Hall, S., 170, 205, 219Halpert, S., 75, 76Hart, G., 164Hartman, S., 202Hill, C., 131

Index


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names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age,provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary

Shin'ichi, N., 361, 362Shin, J., 363Sholinsky, S., 201Shorr, H., 246, 247Smith, R., 225-227Smith-Polling, C., 335, 336Smith-Polling, S., 337Snowden, M., 236Solombre, J., 259Sonenberg, J., 304Sorman, S., 183, 184Soviak, H., 263Speakes, P., 248Sporting Scenes, 42-45Stayton, J., 129Steir, P., 151Stephan, G., 110Stoller, E., 140Stone, A., 66Sturman, S., 270Suba, M., 68, 69Sullivan, B., 238, 290

Taika, K., 312Tarlow, P., 278Tavarelli, A, 192Toshihisa, Fudezuka, 311Tribe, G., 65Trova, E., 137, 138Tsao, R., 364Tsrutami, N., 355Turner, A., 339-343

Uchima, A., 304

Van Hoesen, B., 332

Warren, T., 310Wawrzonek, J., 258Webb, P., 233Welling, 308Welliver, N., 156Wiener, E., 288Wilbert, R., 174Willenbecher, J., 177Wudl, T., 118

Yohe, Y., 181Yoshio, I., 353Youkilis, E., 148, 149Youngerman, J., 106Yuichi, H., 354

Zakanitch, R., 92Zox, L., 161, 162, 163


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Purchase removal, shipping andoffsite storage information

successful bidders for works from the lehmanbrothers: part ii sale will be expected to pick up allproperty from freeman’s no later than 4.30 pm onfriday, february 19th, 2010.

Shippers who have worked with Freeman’s include butare not limited to:

Aiston Fine Art:Tel: 212.715.0629 Fax: 212.838.6982email: [email protected]

Packaging Store:Tel: 215.361.6940 Fax: 215.361.6941email: [email protected]

UPS:Tel: [email protected]

A. Mastrocco Jr. Moving & StorageTel: 215.491.0346email: [email protected]

Navis Pack & ShipTel: 610.534.0750email: [email protected]

Property not picked up from Freeman’s within tenbusiness days of the auction will be transferred to astorage facility as noted in our terms and conditions.There will be packing, transport, storage and releasecharges. For the convenience of the successful bidder,all purchased lots will be packed and transferred to thestorage facility together.

Payment of the hammer price, premium and anyapplicable sales taxes must be made directly toFreeman’s prior to the release of property.

Please contact Freeman’s at 215-563-9275 ext. 3204with shipping related queries.


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specialist departments

Americanalynda a cainsamuel ≤ free≤an iiamy parenti

Asian Artsrobert waterhouserichard cervantes

English & ContinentalFurniture, Silver & Decorative Artsrobert waterhousedouglas girtonkerry jeffery

Fine Jewelrysamuel ≤ free≤an iikate waterhouse

Fine Paintings & Sculpturealasdair nicholdavid weisslibia elena mendezaimee pflieger dolby

Fine Printsdavid weissaimee pflieger dolbylibia elena mendez

Modern & Contemporary Artanne henryalasdair nicholdavid weissaimee pflieger dolby

Pop Culturesimeon lipmankati gegenheimer

Oriental Rugs & Tapestriesdavid weissrichard cervantes

Rare Books, Manuscripts,& Ephemeradavid j bloomjoe huenke

depart≤ents

Appraisalsanita heriotsa≤uel ≤ free≤an iijames e buckleydonald e walter

Appraisal Servicesandrea vainiuselton-john torres

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrollkati gegenheimernatalie difeligiantoniojessica carterbethany mobbssusannah hendersonmeghan styles jones

Operationshanna doughermarcell zomborijacob schellpaul blackmaya odonnell-shahbethany mobbsdarryl parisjulius claytongerald davis

Financehanna dougherjeffrey miller

Business Development &≤arketingthomas b. mccabe ivlily stonechristopher browne

Trusts & Estatessamuel t freeman iiithomas b. mccabe iv

Photographyelizabeth fieldelizabeth schultztom clark

officers

chair≤ansamuel ≤ freeman ii

vice chair≤analasdair nichol

presidentpaul roberts

executive vice presidentsja≤es e buckleyhanna dougher

chief financial officereric a smith

vice presidentsdavid j bloomlynda a cainanne henryrobert waterhousedavid weiss

representativesdavid weissWashington, [email protected]: 202.412.8345

colin clarkeCharlottesville, [email protected]: 434.296.4096Fax: 434.296.4011

robert and kate waterhouseAnnapolis, [email protected]: 267.414.1226

Directory


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.

6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


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Works from theLehman BrothersCollection: Part II02/12/10

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www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

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lehman brother's collection part ii

Documents

conditionsof sale

terms andconditions

pm page

buyers responsibility

successful bid price

individual lots

sale registered bidders

potential buyers areunable