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Lingodbhava Ad Channeling Psychicastro-readings.com Enter your name and birthdate now. Your psychic reading sent by email! Lingodbhava The Immeasurable One Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai Lingodbhava The immeasurable one A four-armed Shiva avatar standing upright and very tall, holding an axe and an antelope in his upper arms and the forearms poised in blessing and benediction for devotees. Lingodbhava is celebrated in Thirumurai and Kanda Puranam this deity usually adorns the western walls of Shiva temples .

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Page 1: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Lingodbhava

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Lingodbhava – The Immeasurable One

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Lingodbhava – The immeasurable one

A four-armed Shiva avatar standing upright and very tall, holding an axe and an antelope in his upper arms and the forearms

poised in blessing and benediction for devotees. Lingodbhava is celebrated in Thirumurai and Kanda Puranam this deity usually

adorns the western walls of Shiva temples.

Page 2: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Chandrasekhara

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Chandrasekhara – One with a Crescent Moon adorning his Crown

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Chandrasekhara – One with a crescent moon adorning his crown

He conferred on Moon his waxing and waning ability every fortnight resulting in Krishna Paksha, dark phase, and Shukla

Paksha, bright phase culminating in Purnima and Amavasya. Celebrated in Sangam literature, this four-armed avatar of Shiva sits

with one leg folded up on an elevated pedestal holding an axe and an antelope in his upper arms and the forearms in the mudra of

benediction. Bronze images of Chandrasekhara adorn most Shiva temples.

Page 3: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Dakshinamurti

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Dakshinamurti – Conqueror of senses; Epitome of Truth, Wisdom and Bliss

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Dakshinamurti – Conqueror of senses; Epitome of Truth, Wisdom and Bliss

Facing south on the southern wall of most Shiva temple stone images of this youthful deity is seen seated on a rock pedestal

reclining against a banyan tree, preaching. The right leg dangles down and placed on demon Apasmara and the bent left leg rests

on the right thigh. His two upper arms hold a snake and a trident, the right forearm shows Chinmudra, the left holds palm leaves.

Dakshinamurti is celebrated in Sangam literature, Thirumurai and Agamas.

Page 4: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Somaskanda

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Somaskanda – Troika of Shiva, Parvati and Skanda

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Somaskanda – Troika of Shiva, Parvati and Skanda

Celebrated in Sangam literature, Thirumurai, Shivagama, this four-armed Shiva sits with his left leg folded on a raised pedestal

and Parvati on his left with her right knee resting on his thigh. Somaskanda holds an antelope and an axe in his upper arms and a

flower bud in his left forearm. The right forearm shows the benediction mudra. Skanda dances on a lower platform in between

Shiva and Parvati.

Page 5: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Ardhanariswara

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Ardhanariswara – The Creation of Life

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Ardhanariswara – Creation of life

Ardhanariswara is the Shiva-Shakti, male-female, popular avatar of Shiva, blending force and grace that procreates life. The

standing posture of the deity is half male and half female symbolizing complementarity of the sexes. Sangam literature,

Thevaram, Thiruvachagam, Arunagirinathar glorify this form.

Page 6: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Gangadhara

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Gangadhara – One who controls the torrents of the Ganga

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Gangadhara – One who controls the torrents of Ganga

This avatar of Shiva stands upright with feet firmly placed on rocks, prayer beads in hand and his matted hair let loose

restraining Ganga’s force as she descends on earth from heaven. Bas relief of this form is commonly found in Shiva temples, and

is glorified by Thevaram, Thiruvachakam and Siddhas.

Page 7: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Bhikshatana

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Bhikshatana – Remover of ignorance and arrogance

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Bhikshatana – Remover of ignorance and arrogance

Bhikshatana is a nude provocative mendicant avatar of Shiva, carrying hand-drum or damru / udukkai and trident in his upper

arms, right forearm feeding a doe and the left holding a skull cap. This form is celebrated in Thirumurai, Manickavachakar,

Thiruvilaiyadal Puranam, Kanda Puranam, Arunagirinathar and Agamas.

Page 8: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Gajasamharamurti

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Gajasamharamurti – Taming the untamed

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Gajasamharamurti – Taming the untamed

Gajasamharamurti is a fearsome avatar of Shiva tearing apart a monstrous elephant and controlling all that is hurled at him. He

stands on the elephant head and wears its hides, garlands himself with the snakes, subdues the demons, carries the fire globe,

tames the antelope, and makes the spikes and whips his weapons.

Page 9: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Veerabhadra

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Veerabhadra – The vengeful one

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Veerabhadra – The vengeful one

Veerabhadra is a formidable gigantic form of Shiva with his head touching the sky, the three eyes resembling three suns, and a

garland of skulls. He assumes the tandavamurti over Daksha’s corpse and in his dance of destruction scorches everything in his

wake. This form is celebrated in the Skanda Purana and Srimad Bhagavatam.

Page 10: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Bhairava

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Bhairava – The Fearful One; Protector of the Earth

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Bhairava – The fearful one; Protector of the Earth

The guardian deity or kshetrapala, worshiped outside the main shrine in Shiva temples, who protects devotees against spirits and

demons. He has protruding eyes and tusks, carriesdamru, a goad, a trident and a skull, and mounts a ferocious hound. His red

matted hair forms the headdress adorned with the crescent moon and wears garlands of skulls and snakes. From eight to eighty-

four forms of Bhairava are celebrated by Adi Shankara and Shaiva saints.

Page 11: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Kalasamharamurti

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Kalasamharamurti – One who defeats Yama god of death

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Kalasamharamurti – One who defeats Yama god of death

A ferocious form emanating out of a lingam holding an antelope, an axe, and a trident, with the left leg raised high to deal a

mortal blow to Yama to save a devotee from death throe. The Kalasamharamurti avatar of Shiva is glorified by Thirumurai,

Manickavachakar, Thirumoolar, Karaikal Ammaiyar, Periya Puranam and Thayumanavar.

Page 12: Lingodbhava - ptboloji.weebly.comptboloji.weebly.com/uploads/2/3/8/1/23819623/the_12_manifestations...This form is celebrated in Thirumurai, Manickavachakar, Thiruvilaiyadal Puranam,

Nataraja

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Nataraja – The cosmic dance in eternal life-death rhythm

Painting by Prof. K. Venkatachari © Sri Ramakrishna Math, Chennai

Nataraja – The cosmic dance in eternal life-death rhythm

The dancing avatar of Shiva represents the unending cycle of death and rebirth, creation and destruction. The universe

participates in his cosmic dance of destruction, tandavanritya: fire erupts, snakes spew venom, lightning flashes, and gigantic

waves scale the sky, while hisdamru keeps the tempo. The dance of creation, Anandatandava follows enveloping the universe

with calm and peace.