literary elements andasdf techniques- beowulf 2

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Literary Elements Through the story of Beowulf

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Page 1: Literary Elements andasdf Techniques- Beowulf 2

Literary ElementsThrough the story of Beowulf

Page 2: Literary Elements andasdf Techniques- Beowulf 2

Theme The controlling idea of a piece of

literature.

A unifying or dominant idea

Page 3: Literary Elements andasdf Techniques- Beowulf 2

Themes in Beowulf Greed for glory leads to downfall.

Greed for glory leads to heroism.

“The fight is not yours,/ nor meet for any but me alone/ to measure the might with this monster here/ and play the hero.”

Page 4: Literary Elements andasdf Techniques- Beowulf 2

Characterization The characteristics of a character

Physiological- what the character looks like

Sociological- the character’s background

Psychological- the character’s behavior

Page 5: Literary Elements andasdf Techniques- Beowulf 2

Characterization of Beowulf Physiological: strongest man of all

“[…] Higlac’s/Follower and the strongest of the Geats– greater/ And stronger than anyone anywhere in this world […]”

Sociological: loyal & has seen victory far and wide “Higlac’s Follower” & “I drove/ Five great giants into

chains, chased/ All of that race from the earth.” Psychological: reckless, brave, greedy for glory

“But Higlac’s follower remembered his final/ Boast and, standing erect, stopped/ The monster’s flight […]”

Page 6: Literary Elements andasdf Techniques- Beowulf 2

Conflict The opposing forces that come into

disagreement in a story

External & External Conflicts: Man vs. self Man vs. man Man vs. society Man vs. nature

Page 7: Literary Elements andasdf Techniques- Beowulf 2

Conflict in Beowulf Man vs. self

“ […] my hands/ Alone shall fight for me, struggle for life/ Against the monster.”

Man vs. man “The sage assumed that his sovran God/ he

had angered, breaking ancient law,/ and embittered the Lord.”

Also three battles could be considered here Man vs. society & man vs. nature

Three battles could be considered

Page 8: Literary Elements andasdf Techniques- Beowulf 2

Setting When and where a story takes place

Page 9: Literary Elements andasdf Techniques- Beowulf 2

Setting of Beowulf A changing world between Pagan and

Christian ideas– a world that is attempting to rid itself of the old, “evil” ways

Anglo-Saxon Period in the regions of modern-day Denmark and Sweden

“Hail/ To those who will rise to God, drop off/ Their dead bodies and seek our Father’s peace!”

Page 10: Literary Elements andasdf Techniques- Beowulf 2

Protagonist vs. Antagonist Protagonist: the leading character, hero,

or heroine of a literary work

Antagonist: the character or force that works against the hero or protagonist

Page 11: Literary Elements andasdf Techniques- Beowulf 2

Pro. & Ant. in Beowulf Beowulf vs. Grendel

Beowulf vs. Grendel’s Mother

Beowulf vs. Dragon

Page 12: Literary Elements andasdf Techniques- Beowulf 2

Plot The action of a literary work

Exposition: the act of explaining the setting and introducing the main characters & other literary elements at the beginning of a literary work

Rising Action: a related series of incidents that build towards the climax

Climax: THE POINT OF NO RETURN/ THE HIGHEST OR MOST INTENSE POINT IN THE STORY

Falling Action: the part of a story that occurs after the climax has been reached and the conflict has been resolved

Resolution: the outcome of the story- the protagonist either gets what he/she wants or does not

Page 13: Literary Elements andasdf Techniques- Beowulf 2

Plot Triangle for Beowulf

Exposition: Beowulf is great/ Danes in trouble and need help

Rising Action: Beowulf kills Grendel & Grendel’s Mother/ is named King

Climax: Beowulf fights the Dragon and is injured

Falling Action: Wiglaf brings Beowulf the treasure

Resolution: Beowulf dies a hero and is buried in a funeral pyre

Page 14: Literary Elements andasdf Techniques- Beowulf 2

Point of View The perspective from which a story is

told

First person- “I” Second person- “you” “us” “we” Third person limited- “he” “she” but we

see one character’s thoughts Third person omniscient- “he” “she” but

we see all characters’ thoughts

Page 15: Literary Elements andasdf Techniques- Beowulf 2

Point of View of Beowulf Third person omniscient

“That shepherd of evil, guardian of crime,/ Knew at once that nowhere on earth/ Had he met a man whose hands were harder;/ His mind was flooded with fear […]”

“That mighty protector of men/ Mean to hold the monster till its life/ Leaped out, knowing the fiend was no use/ To anyone in Denmark.”

Page 16: Literary Elements andasdf Techniques- Beowulf 2

Motif A recurring subject, theme, idea, etc. in

a literary work

These motifs can also be symbolic, which can make them also symbolism

Page 17: Literary Elements andasdf Techniques- Beowulf 2

Motif in Beowulf Fate

“Fate will unwind as it must!” “But Wyrd denied it,/ and victory’s

honors.” “At home I bided/ what fate might come,

and I cared for mine own;/ feuds I sought not, nor falsely swore/ ever an oath.”

Monsters Grendel, Grendel’s Mother, the dragon

Page 18: Literary Elements andasdf Techniques- Beowulf 2

Symbolism Items or characters that represent

larger ideas and concepts

Page 19: Literary Elements andasdf Techniques- Beowulf 2

Symbols in Beowulf The Mead Hall- a place of unity and

celebration Beowulf’s chain mail- God’s grace/ the

“chosen one” Mead Cup- all soldiers drink from it =

the symbol of unity

Page 20: Literary Elements andasdf Techniques- Beowulf 2

Literary TechniquesThrough Beowulf

Page 21: Literary Elements andasdf Techniques- Beowulf 2

Allusions Referring to a famous person, place,

thing, etc. in a literary text

Page 22: Literary Elements andasdf Techniques- Beowulf 2

Allusions in Beowulf Several allusions to God and heaven:

“That was their way,/ And the heathen’s only hope, Hell/ Always in their hearts, knowing neither God/ Nor His passing as He walks through our world, the Lord/ of Heaven and earth […]

“God must decide/ Who will be given to death’s cold grip.”

Page 23: Literary Elements andasdf Techniques- Beowulf 2

Foreshadowing Hints in the text of what is to come

Page 24: Literary Elements andasdf Techniques- Beowulf 2

Foreshadowing in Beowulf “But fate, that night, intended/ Grendel

to gnaw the broken bones Of his last human supper. Human/ Eyes were watching his evil steps,/ Waiting to see his swift hard claws.”

Page 25: Literary Elements andasdf Techniques- Beowulf 2

Alliteration Two or more words begin with the same

sound

Page 26: Literary Elements andasdf Techniques- Beowulf 2

Alliteration in Beowulf “Long while of the day/ fled ere he felt

the floor of the sea./ Soon found the fiend who the flood-domain sword-hungry held these hundred winters,/ greedy and grim, that some guest from above,/ some man, was raiding her monster-realm.”

Page 27: Literary Elements andasdf Techniques- Beowulf 2

Assonance Rhyme in which the same vowel sounds

are used

Page 28: Literary Elements andasdf Techniques- Beowulf 2

Assonance in Beowulf “[…] Up from his swampland, sliding

silently […]” “Now Grendel’s/ Name has echoed in

our land: sailors have brought us stories of Herot, the best/ Of all mead-halls, deserted and useless when the moon/ Hangs in the skies […] Light and life fleeing together.”

Page 29: Literary Elements andasdf Techniques- Beowulf 2

Consonance Repetition of the same consonant

sounds anywhere in the word

Page 30: Literary Elements andasdf Techniques- Beowulf 2

Consonance in Beowulf “[…] if in thy cause it came that I/

should lose my life, thou wouldst loyal bide/ to me, though fallen, in father’s place!”

“Bloody the blade: he was blithe of his deed/ Then blazed forth light.”

“Tore its fasteners with a touch/ And rushed angrily over the threshold.”

Page 31: Literary Elements andasdf Techniques- Beowulf 2

Simile A comparison using like or as

Page 32: Literary Elements andasdf Techniques- Beowulf 2

Simile in Beowulf “Bright within/ As when from the sky

there shines unclouded/ Heaven’s candle.”

Page 33: Literary Elements andasdf Techniques- Beowulf 2

Metaphor Direct comparison that does not use like

or as but directly states that one thing is another

Page 34: Literary Elements andasdf Techniques- Beowulf 2

Metaphor in Beowulf Kennings and epithets are also metaphorical

“shepherd of evil, guardian of crime” “Prince of the Weders” “The Son of Ecgtheow” “The Geatish hero” “sky-candle” “long sleep” “whale road”

About the Dragon: “thus he moaned his woe,/ alone, for them all, and unblithe wept/ by day and by night, till death’s fell wave/ o’erwhelmed his heart.”

“God must decide/ Who will be given to death’s cold grip.”

Page 35: Literary Elements andasdf Techniques- Beowulf 2

Understatement Saying less than reality in order to

emphasize the emotion of a situation

Page 36: Literary Elements andasdf Techniques- Beowulf 2

Understatement in Beowulf When Grendel’s Mother refers to

Beowulf as her “guest from above” when he’s come to kill her

Page 37: Literary Elements andasdf Techniques- Beowulf 2

Personification Giving human qualities to inanimate

objects

Page 38: Literary Elements andasdf Techniques- Beowulf 2

Personification in Beowulf “Death’s cold grip” “Herot trembled”

Page 39: Literary Elements andasdf Techniques- Beowulf 2

Apostrophe Directly addressing a someone or

something that cannot respond either because it’s not living or is not present/ oftentimes a digression as a sign of desperation

Page 40: Literary Elements andasdf Techniques- Beowulf 2

Apostrophe in Beowulf “O mighty Lord!” “God, the Almighty, we call for you to

come”

Page 41: Literary Elements andasdf Techniques- Beowulf 2

Hyperbole Using extreme exaggeration for

emphasis

Page 42: Literary Elements andasdf Techniques- Beowulf 2

Hyperbole in Beowulf “Courageous men/ carried the head

from the cliff by the sea/ an arduous task for all the band,/ the firm in fight, since four were needed/ on the shaft-of-slaughter strenuously/ to bear to the gold-hall Grendel’s head.”

Beowulf’s feats– not realistic

Page 43: Literary Elements andasdf Techniques- Beowulf 2

Irony Three types:

Situational- when the opposite of what you expect to happen actually happens

Dramatic- when we know something a character does not know

Verbal- sarcastic sayings or understatement/ overstatement in speech

Page 44: Literary Elements andasdf Techniques- Beowulf 2

Irony in Beowulf Situational-- The giant’s sword hanging on the

wall “’Mid the battle-gear saw he a blade triumphant,/

old-sword of Eotens, with edge of proof,/ warriors’ heirloom, weapon unmatched”

Dramatic– the soldiers think Beowulf has died “To many it seemed/ the wolf-of-the-waves had

won his life.” Verbal- understatement/ Beowulf brags

“No small band of men had gathered to hear Beowulf’s boast.”