Look Book 2O14Lauren Touhey

Table of Contents

ProjectsBio/CV

Columbia U. BoathouseTwist Hotel, Rio De Janeiro

Ergo-Green PavilionFluctuation - UN

Pixelized Kindergarten Library - Art as a Second Language

Lucid Transitions - Student LivingFracturing Landscape

Representation I

Büro Konzernzentrale Kita/Schule

Sole Vital - Bad LaerWohnung - Köln

LaborSparkasse - Fassade

RathhausSalzgitter Hallenbadfrizbad

Neustadt Rbg. Schwimmbad

Sustainable SchoolPace - OfficeBeach HouseKid Dwellings

Warped IslandBar San Miguel

CNC Panel

University-

PrattInstitute

German Office

New York Offices

O6-O7

O8-1112-1516-1718-2122-2324-2526-2728-293O-31

32-3334-3536-3738-3940-4142-4344-4546-474849

50-5152-5354-55565758

Lauren Touheyb. 16 Jan 199O

Nationality - American0 176 72685272ltouhey@me.com

Bio

Work

pbr Planungsbüro Rohling AGBraunschweig

2O14

CCP ArchitectNew York

2O11-2O13

Landmark DevelopmentNew York

2009-

Pratt Institute, TANew York

2OO9-2O13

Aparat, VisualizerNew York

2O13

AB ArchitektenNew York

2OO6-2O1O

Peri Digital, RetouchingNew York

2OO9

Education

Languages

Travel Studios

Pratt Institute, Brooklyn NY2OO8-2O13

B’Arch Professional Degree

English - Mother TongueDeutsch - Anfänger

French - faible

Rio de Janeiro- Brazil Beijing, Hong Kong, Shanghai - China

Skills

Rhino, AutoCAD, Adobe Creative Suite, Microsoft Office

Maya, Vector Works, Sketchup, Maxwell, Vray

Grasshopper, ArchGIS

Nikon D5000, Nikon FM2, Aperture

bw Analogue Photo, Sewing

8

a

Sports Campus

Library and Teachers College

Columbia UniversityMain campus

9

Boathouse,Columbia U.The rowing school of Columbia University, the Boat houseIs an extension of the campus with a site at the most northern tip of Manhattan. The building’s core armature embeds into the sloping landscape, creating a green space courtyard for viewers, while the boathouse fractures towards the water, sending the sculls and sweeps to race in the Hudson River.

The form is two main armatures: the clubhouse and the boathouse. The skin of the clubhouse building is a series of offsets. The first skin is made of translucent panels, behind the translucent panels is a catwalk providing an exterior circulation along the facade. The thermal skin of the clubhouse is made from Alabaster Marble. The boathouse is clad in cedar slats with a milky plastic skin on the interior. The light is able to slip in through the slats and is diffused by the milk panels. The roof of the boathouse is tiles glass, allowing the direct sunlight from above, creating a grid of shadow upon the ground.

a | Perspectiveb | Columbia University New York Campusc | Site Pland | Glassroof Detail Photoe | Final Model in Site

c d

b

a

Spuyten Duyvil Creek

2O12

-

P

ratt

Inst

itute

-

C

ritic

: Giu

liano

Fio

renz

oli

-

In

woo

d, N

ew Y

ork

10

Pully-System Boatstorage Section, Glass-skinned FacadeInk on Mylar

Courtyard Render

11

Groundlevel

Cedar Clad BoathouseInk on Mylar

Parking

LoungeTerrace

ClassroomTerrace

2O12

-

P

ratt

Inst

itute

-

C

ritic

: Giu

liano

Fio

renz

oli

-

In

woo

d, N

ew Y

ork

1312

Twist Hotel,Rio De JaneiroThe building juts up from the earth as an iconic tower- twisting for views as it ascends to the sky. Reaching the high point the crown pixelates and terraces. The pixels shoot back into the earth rooting in the flamingo park and creating the looping continuous park termination.

The hotel is designed in 3 tiers. The lowest tier of the building is dedicated to the public. The indigenous Burle Marx pattern continues from the coast of Copacabana. Shops, cafes and green-ways offer the public and hotel patrons a place of recreation. The lobby level floats above the ground plane. Users enter the building up the legs. In the front of the hotel is the pool which cantilevers out and sits upon the ocean. Glass walls separate swimmings from the sea. In the second tier of the building the skin’s apertures are at their largest, giving greater views. This middle of the tower is programed with semi-public programs of spa, auditorium and gym. The highest level is for the hotel suites. As the building ascends the skin is offsets for the purpose of balconies and greater light achievable. The floor plate,being very narrow at this point, is divided into two suites each level, giving a 180° view to each suite.

a

b

3

2

1

d

1312

a | Morphologyb | Circulationc | Site Diagramd | Cross SectionThe section is broken into three tiers: the base (entrance), the trunk (spa, auditorium, gym), and the top (private rooms)

Waterfront Esplanade

c

2O13

-

P

ratt

Inst

itute

-

P

artn

er L

eila

Jada

-

C

ritic

Gui

llerm

o Ba

nchi

ni

-

Rio

De

Jane

iro,

Bra

zil

14

a

g

f

e

b

15

c d

a | Site Modelb | View from the Terminus Parkc | Front Poold | Hotel Suiteg | Skin Detailsh | Entrance Level Plan +4.5 m

h

Airport Entrance

Café

Terrace

Lounge

Pool

Bar

Bar

Luggage Storage

Reception

Parking Entrance

2O13

-

P

ratt

Inst

itute

-

Part

ner

Leila

Jada

-

C

ritic

Gui

llerm

o Ba

nchi

ni

-

Rio

De

Jane

iro,

Bra

zil

footing

cross beam

column

grade

16

a

b

a | Looking Upb | Oblique Cut c | Irregation Exploded Axonometricd | Stair to Upper Levele | Seating and Chasef | Mezzanine and Upper Levelg | Mezzanine and Seatingh | Modell

cross beam

irrigation tube

assembled roof

beams

17

2O1O

-

P

ratt

Inst

itute

-

P

artn

er S

eo H

ee L

ee

-

Cri

tic Jo

hn M

cNan

nie

-

C

entr

al P

ark,

New

Yor

k

d e f g

Ergo-Green PavilionThe architecture’s form is designed to reflect ergonomics as well as the typography the architecture is nestled into. When entering the structure all users are on the same level, and as the user progresses into the structure the space splits to either circulates into the structure or circulates upon the structure.

The tectonic of the architecture is based on an interlocking grid. The primary direction holds the information of the form and it’s porosity is determined on the use of program. The perpendicular direction is for structural purpose, and is deemphasized by being suppressed lower and is spaced in even increments.

The grid spaces is then filled with either the material of concrete, glass or sod. Concrete is used in areas of high circulation, glass is used for permeation of lighting, and the sod is used in areas of user accommodation, minimal circulation as well patterns of lighting.

Sod on the roof preserves the interior temperature, oxidizes the space, creates shade as well as gives an aesthetic of natural typography. The rainwater is collected and stored for irrigation purposes. When rainfall does not provide enough water for the sod, the stored water is pumped through tubes, which striate through the beams and provide water when needed.

c

d

18

a

Hunger +

Child Mortality

HungerChild Mortality

+ Disease

HungerChild Mortality

+ Gender Inequality

Gender Ineqality

Hunger

Illiteracy

Gender Inequality+ Disease

Hunger,Gender Inequality

DiseaseIlliteracy

Child Mortality

Hunger,Gender InequalityGender Inequality

Disease

CM, GI

H, IL,CM

H, D, IL

IL, GIM

H, CM, GI,A, IL

H, CM+ IL

D

CM +GI

H +D

Hunger ,Child Mortality,

Disease +Illiteracy

19

Fluctuation - UNThe UN simplifies their mission into 8 main goals: hunger, education, gender equality, child mortality, women’s health, aids/disease, environmental sustainability and global development. Some of these epidemics repeatedly pair together in countries. If the problems pairs together, why shouldn’t the solutions as well?

Currently the Secretariat is an office of small floor plates stacked with a vertical core; our proposal for a new Secretariat is a free plan with saturated spots of varying missions- creating a concentration within one’s own goal area- while maintaining a lucid seem between office spaces with the hope that the hybridization of ideas can yield a stronger ends.

The free plan inherently has a great flexibility between where things end and where things begin. The “hot spots”, or meeting rooms, act more or less as a pin - fixing points on the plan where offices can migrate towards.With adjacency to many goals, workers will have the most access for the maximum number of ideas.

An LED screen clads the walls of the meeting spaces and can play anything from UN food drops, statistics or a message of direct communication between the NY head quarters to any global mission abroad.

With the LED screen, images are scale-able. Pictures can be visible across the East River, from neighboring buildings or 1st Avenue.

a | Site Modelb | Countries with Epedemicsc | UN Embassadorsd | Coexisting Epidemics within a single Countrye | East River ElevationThe meeting room tubes migrate to the facade to create an opertunity of cross river visulizations with the LED screen.

c

b

d

e 2O12

-

P

ratt

Inst

itute

-

Par

tner

Sao

li C

hu

-

Cri

tic D

ebor

ah G

ans

-

U

N P

laza

, New

Yor

k

2120

c

d

a b

LED FrameBoltedConnection

W 18x97

LED Projector Angled Spider JointPower Source Grated Floor

Extention Arm

2120

f

e

a | 1st Ave. Facadeb | Meeting Room LED Facadec | Cross Sectiond | Second Level Floor PlanThe open floor plan allows differnt offices to swell and to shrink as time moves forward and epidemics are solved, or new issues arise.e | Hotspot Sectional Detailf | Hotspot Plan Detail

2O12

-

P

ratt

Inst

itute

-

Par

tner

Sao

li C

hu

-

Cri

tic D

ebor

ah G

ans

-

U

N P

laza

, New

Yor

k

22

Pixel KindergartenMy Kindergarten attempts to manifest part to whole.

The initial gesture of the kindergarten came from folding paper. With six folds the single pixel was formed. The pixel has the ability to change in scale, stretch and solidify. The architecture finds itself in the aggregation of these pixels.

The variations of pixels begin to accommodate the child and adult. One can circulate the solidified pixel, sit upon or inhabit the porous pixel, or a stretched and flattened pixel can become skin, shading and doors.

Using these varying pixels the sloped landscape becomes saturated, and the diagram of the kindergarten’s program becomes legible. Administrative programs buffer the north and south edges. Classrooms are kept towards the center to create a transition from the outside world and inside the kindergarten. The classrooms are designed from an oversaturation of storage, working areas and seating surfaces.

The pixel itself is essentially no more than triangles becoming cubes, but with the aggregation comes a complexity. The kindergarten is made of building blocks to form the fundamentals of a child’s development.

Gym

Class

Class

Class

Class

Pause

Admin

Nurse

Gym PlanTypical Classrooms Plan Administration Plan

Folded Paper Study Models

3’-0”

3’-0” 3’-0”

3’-0” 3’-0”3’-0”

3’-0”

3’-0” 3’-0”1’-6”

1’-6”1’-6”

1’-6”

1’-6”

1’-6”

1’-6”1’-6”1’-6”

9”9”9”

9”

2’-0”2’-0”

2’-0” 2’-0”

1’-0”1’-0”

1’-0”1’-0”

4”

STEP VRTCL CIRCULATIONPLATEAU

CLOSED PIXEL | CIRCULATION

OPEN PIXEL | STORAGE

MNPLTD. PIXEL | FURNITURE

FLATTENED PIXEL | SKIN

ACC. CUBBIE

METAL DR

MAX. DIFFUSION MAX. SCATTERING

CHNGNG CUBBIES WRK TBL ADLT SEAT CHLD SEAT

LG CUBBIE MD CUBBIE SM CUBBIE

Class

Class

Pause Nurse

Admin. Admin.Pause

3’-0”

3’-0” 3’-0”

3’-0” 3’-0”3’-0”

3’-0”

3’-0” 3’-0”1’-6”

1’-6”1’-6”

1’-6”

1’-6”

1’-6”

1’-6”1’-6”1’-6”

9”9”9”

9”

2’-0”2’-0”

2’-0” 2’-0”

1’-0”1’-0”

1’-0”1’-0”

4”

STEP VRTCL CIRCULATIONPLATEAU

CLOSED PIXEL | CIRCULATION

OPEN PIXEL | STORAGE

MNPLTD. PIXEL | FURNITURE

FLATTENED PIXEL | SKIN

ACC. CUBBIE

METAL DR

MAX. DIFFUSION MAX. SCATTERING

CHNGNG CUBBIES WRK TBL ADLT SEAT CHLD SEAT

LG CUBBIE MD CUBBIE SM CUBBIE

23

Classroom Morphology DiagramAs the moduels stretches and scales they accomidates bodies, store objects and diffusses lighting.

GymStage

Music

Courtyard

Gym

Section Through Classrooms

Section Trough Courtyard

2O11

-

Pra

tt In

stitu

te

-

Cri

tic E

van

Trib

us

-

Sta

ten

Isla

nd, N

ew Y

ork

Chelsea Galleries

New Museum of Contemporary Art

Bowery Ballroom

Bowery Ballroom

Museum of Chinese in America

Apollo Theatre

MET

Cooper-Hewitt

Juilliard

Lincoln Center

MoMA

Museum of Art and Design

Carnegie Hall

Performance Art

Museums+Galleries

FORS

YTH

ST

ELD

RID

GE

ST

DELANCEY ST

MANHATTAN BR AP

ALLE

N S

T

DIVISION ST

PIKE ST

E 1 ST

GREEN

E ST

MO

TT S

T

LAFA

YETT

E ST

E HOUSTON ST

MU

LBER

RY S

T

1 AV

BROADW

AY

AV A

PRINCE ST

ELIZ

ABET

H S

T

SPRING ST

E 2 ST

E 1 STFORS

YTH

ST

CROSB

Y ST

MER

CER

ST

ELD

RID

GE S

T

STANTON ST E HOUSTON ST

CHRY

STIE

ST

ALLE

N S

T

STANTON ST

SPRING ST

PRINCE ST E 1 ST

ORC

HAR

D S

T

E HOUSTON ST

BROADW

AY

MER

CER

ST

CLEV

ELAN

D P

L

SPRING ST

STANTON STFORS

YTH

ST

BROOME STKENMARE ST

ELIZ

ABET

H S

T

RIVINGTON ST

LUD

LOW

ST

BOW

ERY

LAFA

YETT

E ST

ALLE

N S

T

MO

TT S

T

STANTON ST

ELD

RID

GE

ST

CLEV

ELAN

D P

L

CROSB

Y ST

CHRY

STIE

ST

KENMARE ST

MU

LBER

RY S

T

RIVINGTON ST ORC

HAR

D S

T

NO

RFO

LK S

T

CENT

RE M

ARKE

T PL

DELANCEY ST

BROOME ST

ESSE

X ST

SUFF

OLK

ST

RIVINGTON STGRAND ST

HOWARD ST

DELANCEY ST

BROOME ST

LAFA

YETT

E ST

GRAND ST

FORS

YTH

ST

HESTER ST

CENTR

E ST

MO

TT S

T

BROOME ST

CANAL ST

BAXT

ER S

T

ELIZ

ABET

H ST

BOW

ERY

WILLIAMSBURG BR AP

NO

RFO

LK S

T

HESTER ST SUFF

OLK

ST

MUL

BERR

Y ST

CHRY

STIE

ST

LUD

LOW

ST

GRAND ST

CANAL ST

ALLE

N S

T

ESSE

X ST

BROOME STWHITE ST

ORC

HAR

D S

T

ELD

RID

GE

ST

MAN

HATTAN BR AP

MO

TT S

T

CANAL ST

NO

RFO

LK S

T

HESTER ST

CLIN

TON

ST

GRAND STBAYARD ST

MANHATTAN BR AP

ELIZ

ABET

H ST

FORS

YTH

ST

HESTER STBAYARD ST

ELIZ

ABET

H ST

BAXTE

R ST

ESSE

X ST

BOW

ERY

BAYARD ST

ORC

HAR

D S

T

BAXTER ST

CANAL ST LUD

LOW

ST

MU

LBERRY ST

ALLE

N S

T

PELL ST FORSYTH ST

MAN

HATTAN BR AP

MO

TT ST

ELD

RID

GE S

T

MOSCO STDIVISION ST

DOYERS ST EAST BROADWAY

BOW

ERY

CLINTO

N ST

DIVISION ST

JEFFERSON

ST

CATHERIN

E ST

EAST BROADWAY

WORTH ST

HENRY STCHATHAM SQ

EAST BROADWAY

FORSYTH ST

CHATHAM SQ

MO

NTG

OM

ERY ST

EAST BROADWAY

HENRY ST

RUTG

ERS ST

PARK ROWPARK ROW

MADISON STHENRY ST PIKE ST

HENRY ST

MA

RKET ST

MADISON ST

Museum at Eldridge St

LES Tenement Museum

Bowery Ballroom

HiChristina!

Dixon Place

White BoxEnvoy

DCKT

New Museum of Contemporary Art

Museum of Chinese in America

Chinatown Population

(84,840)Speaks English

CannotSpeaks English

Asian Population

(54,650)

Chinese Population

(53,479)

Adult

Population

(34,883)

Youth

Population

(9782)

Elder

Population

(8,880)

24

Library - Art as a Second LanguageThis library acts an translingual exchange hub.

The library is located in China Town, a district of 41,333 non-english proficient speakers. [AAFNY] Adapting to this language barrier, the library speaks through creativity.

From the exterior the library is a thick light- transmitting concrete facade of users floating upon a glass box. On the ground floor of the library is the cafe and popular art and design books. The core archive is underground, and the study spaces adorn the facade on the floors above. The study spaces are on the street adjacent edges which puncture through the facade and begin a new dialogue with the city. The carrels can be used for individual study, for group meetings or they may use the open studios for physical works.

The carrel system is based on an interwoven network. The original idea is the momentary exchange between two people in an instance. This idea is manifated as circulation adjacent to study areas, and study areas in view of one another,.

The adjacent Park lends itself to future possibilities of community wide performances or events. The users learn within the library, and can communicate their ideas out to the city through gallery exhibitions, flea markets or per- formances.

a

b

d ec

25

a | Dialogue of Worksb | Study Unit Circulation Diagramc | Lingual Ability of Chinatownwith 48% of the Chinatown population unable to speak English a new form of communication must be created.d | Arts in NYe | Arts in Chinatownf | Modelg | Cross section - Facade of Users

g

2O1O

-

P

ratt

Inst

itute

-

C

ritic

Zeh

ra K

uz

-

Chi

nato

wn,

New

Yor

k

f

26

Community LivingThe dorm is the duality of work and living; which come together and impact each other.

A typical living units is two-stories, reaching between levels- stretching out to braiding into one another. Weaving and nesting the units together solidifies a sense of joint living and creates a natural sense of surprise as the student circulates.

The units create a lattice of porosity, allowing collective programs to inhabit the void space.

Accommodating for the time restricted life style and varying interests of students the dorm provides a main gallery, studio spaces, student lounges, a theatre, a yoga studio and study spaces. The spaces are formalized as fluid curved spaces of rejuvenation.

The public spaces flood the lattice smoothing hard edges of the units and leaving impressions onto the units.

The common fluid spaces fill the interior void, while large jutting terrace occupy the exterior void space. The terrace shoot into the building creating an infinite ribbon facade of units.

b

ca

a

27

Livingroom Terrace

TerraceLivingroom Kitchen Bedroom

Bedroom Bedroom

`TerraceBedroom Dining

a | Floor Plansb | Terrace Renderc | Dining Area Renderd | Unit Sectionse | Unit Plans

e

d

8 Roommates4 Bedrooms3 Terraces2 Living rooms

1 Unit

2O11

-

P

ratt

Inst

itute

-

C

ritic

Ivan

Sch

umko

v

-

Clin

ton

Hill

, New

Yor

k

28

a

b

c

Fractured LandscapeThe landscape is based on a rule set inspired by the crashing of waves and the erosion it causes upon the earth. As Unit A penetrate into Unit B spaces open and allow for inhabitation.

The architectural intervention uses the groves of the wood profiles to anchor in. Triangular modules provide ceiling, flooring and walls .

The user entered from the northwest point of the landscape, and is lead inward by the striated walkway. It is only at the center of the landscape does the user realize they can cross over to the south side.

If the user chooses to move west he/she will enter into the areas private meditation and self- reflection. The space is a remote oasis. Deep voids give the user a feeling of lightness. The space is filled with only natural lighting and sounds.If the user chooses to go to the east he/she will enter the main chapel where theories of spirituality and nirvana are expressed., The chapel is lowered into the landscape and has a ceiling of frosted glass. The triangles allow for a tilted ground, ideal for seating to watch the stage.

The zigzagged circulation in plan and section offers the user the maximum experience of moving through the landscape..

29

a | 9 a.m. Summer Solstice East Elevationb | Chapel Physical Modelc | 9 a.m. Summer Solstice Pland | Private Physical Meditation Areae | Processional Entrance and the Physical Meditation Roomf | Chapel Foyer Looking Towards Stageg | 9 a.m. Summer Solstice South Elevationh | Processional and Meditation Areai | Processional and Chapel Entrancej | Chapel

d

e

f

g

h

h

i

i

j

j

2OO

9

-

Pra

tt In

stitu

te -

Cri

tic G

isel

la V

idal

le

-

Site

less

30

Passage over Time

31

2OO

8

-

Pra

tt In

stitu

te -

Cri

tic M

iche

le G

orm

an

Representation I

Passage over TimeConductor’s Composition

32

Büro KonzernzentraleDer Neubau folgt als fünfgeschossiger Baublock den Vorgaben des B- Plans und bildet mit dem gegenüberliegenden Hochhaus des Victoria- Turms die östliche Raumkante des Lindenhofplatzes. Im Südosten erhebt sich darüber ein 12- geschossiges rechteckiges Hochhaus, das die Orthogonalität der östlich anschließenden Bebauung aufnimmt und dem Victoria- Turm eine Dominante gegenüberstellt. Durch einen umlaufenden Rückschnitt im Erdgeschoss fließt der Platz in das Gebäude hinein und setzt sich mit dem Atrium innerhalb des Neubaus fort. Das Atrium entwickelt sich über fünf Ebenen in die Höhe und stellt die zentrale Mitte des Hauses als Bewegungs- und Kommunikationsraum für Mitarbeiter und Besucher dar.

Die neue Konzernzentrale wird aus allen Richtungen als „Landmark“ wahrgenommen, prägt mit seinen Raumkanten die weitere Ausbildung des Glückstein- Quartiers und bereichert diesen Stadtraum als Pendent zu dem Victoria- Turm.

a

b

c

2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

Kim

Ros

ebro

ck u

nd E

vely

n W

endt

-Sal

mho

fer

-

W

ettb

ewer

b

33

a | Piktos b | Regelgeschossc | Erdgeschossd | Eingang Perspektive e | Innenhof Pikto

d

e

34

MultifunktionsraumTreffpunktSchulhof

a

b

35

Kita / Schule Das städtebauliche Umfeld des Standortes ist geprägt durch eine heterogene, weitgehend geschlossene Bebauung, die zeilenartige Strukturen erkennen lässt. Die umliegenden Gebäude sind in der Regel drei- bis viergeschossig.

Der Entwurf greift diese „Körnung“ auf, orientiert sich in seiner Erscheinung und in seiner Dimensionierung an der Nachbarbebauung und integriert den erhaltenswerten Baumbestand weitgehend. Ziel des vorliegenden Entwurfs ist somit zum einen die Wiederherstellung von Raumkanten und damit die Wahrnehmung der vorgesehenen Bebauung als Quartier bzw. Ensemble innerhalb bereits bestehender Strukturen.

Zum anderen wird durch die umgreifende kompakte bauliche Schließung der Quartierränder eine interne Lage der Freiflächen der Schule realisiert, die sowohl einen Schutz der Nachbarbebauung vor akustischen Emissionen des Pausenhofes darstellt als auch die Einsehbarkeit von außen minimiert. Gleichzeitig wird so eine Anmutung von Geborgenheit und Sicherheit für die Schüler vermittelt, die insbesondere bei Grundschulen von Bedeutung ist.

Eingang

Schulhof

d

c

e

2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

Mic

hael

Bra

cke

und

Evel

yn W

endt

-Sal

mho

fer

-

G

elad

ener

Wet

tbew

erb

a | Erdgeschoss b | kleine Perspektivenc | Holtz-Modelld | Ansicht Haupteingang e | Schnitt Schulhof und Klassen

36

Sole Vital.Die Sole Vital Spa versucht, eine beruhigende glatte Form von Kurven und Filets zu erreichen, indem die Benutzer als ein Gefühl der Leichtigkeit. Das gesamte Gebäude ist in weiß und blauen Steinen und Fliesen materialisiert. Man betritt das Spa in der Lobby, wo der Boden ist eine weiß und blau Gleßkunstartz mit einem Aqua-Textur-Overlay. Der Benutzer kann somit vorwärts zu gehen in die Wellness-und Therapiebereich oder an den Pools und Ruheräume. Der Kreis Pool accomidate tiefer Schwimmen an 3,70 m tief, während die rechteckige Pool ist ein Hubboden in Schritten zwischen .50m 1.80m. Der zentrale Raum zwischen hat Liegestühle, Hot-Stone-Sitz und eine Soleregen Dusche. Die Fassade ist eine weiße Alucobond, die um die Fassade geht, größer und tigher, wie es seinen Weg rund um macht.

a

b

Bewegungsbecken

Eingang

Salz

grot

te

Um

klei

d

Foye

r

Turn

halle

Erlebnisraum

Physiotherapie

Therapiebecken

MTT/KGG

37

c

2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

Ev

elyn

Wen

dt-S

alm

hofe

r

-

LP2

a | Ostansicht - Eingang b | Schnittc | Erdgeschoss

38

Wohnungsbau - KölnDas Erzbistum Köln beabsichtigt, eine Zentralmensa für die Domsingschule und die Liebfrauenschule, Schul- und Übungs räume sowie 18 Wohnungen zu bauen. Der Entwurf sieht ein Sockelbauwerk mit zwei aufgesetzten Gebäudekuben vor. Der Sockel nimmt das Foyer, die teilbare Mensa und große Übungs räume auf. Die Musik-schule und die Wohneinheiten sind in den Ober ge schossen angeordnet. Das Ensemble fügt sich in das stadträumliche Umfeld aus viergeschossigen Woh nungsbauten, starker Durchgrünung, den beiden Schulen und der Kirche “Christi Auferstehung” ein. Zwischen Neubau und Kirche entsteht ein großzügiger verbindender Platz zum Aufent halt und zur Erschließung des neuen Gebäudes. Eine differenzierte Fassadengestaltung macht die unter schied lichen Nutzungen des Hauses ablesbar.

a

b

39

c

d

e 2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

H

einz

Eus

trup

, Eve

lyn

Wen

dt-S

alm

hofe

r, K

im R

oseb

rock

-

2

. Pre

is

a | Lageplan b | Perspektivec | Nordansichtd | Schnitte | Grundrisse

40

a

b

41

LaborFür das IRIS Institut in Berlin sollen ein Campus und Forschungseinrichtungen gebaut werden.Auf dem Grundstück befinden sich zwei identische ehemalige Militärkasernen, welche in den Entwurf mit einbezogen werden sollen.In den Raum zwischen den Bestand wird ein neuer Baukörper gesetzt. Der neue Zwischenraum wird teilweise mit Glas überdacht und schafft so Platz für Studenten und die Öffentlichkeit. Im Bestand finden die Labore ihren Platz.

d

c

e

2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

H

ilke

Eust

rup,

Kim

Ros

ebro

ck

-

Gel

aden

er W

ettb

ewer

b

a | Erdgeschoss b | Eingang Ansichtc | Schnittansicht Bestandsgebäuded | Schnittansicht Neues Gebäudee | Querschnitt

42

SparkasseBasierend auf diesen Vorgaben und unter Berücksichtigung des heterogenen, bedingt kleinmaßstäblichen Umfeldes ist das neue Fassadenkonzept unter dem Leitbild – Maßstäblichkeit - entwickelt worden. So ist innerhalb der großen Kubatur ein zweiter Maßstab ablesbar, der eines gereihten Hauses, das durch die verschiedenen Farbnuancierungen in Reihung entsteht. Die unterschiedlich farbigen Paneele kennzeichnen die dezentralen Lüftungsgeräte sowie die Konstruktionsanschlüsse. Diese Reihe wird wiederum durch ein durchgehend horizontales Band zusammengehalten, das den Deckenrand kenntlich macht .

a

b

a | Piktob | Detailc | Eingang Ansichtd | Innenhof Schnitt

43

d

c

2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

Kim

Ros

ebro

ck

-

Gel

aden

er W

ettb

ewer

b

44

RathausDas städtebauliche Umfeld des Standortes ist durch eine heterogene, offene Bebauung gekennzeichnet, die kaum geplante Strukturen erkennen lassen. Die umliegenden Gebäude sind in der Regel ein - bzw. zweigeschossig. Eine straßenbegleitende bzw. wegebezogene Bebauung ist nicht nachvollziehbar. Dennoch ist eine gewisse Ausrichtung der Einzelgebäude untereinander lesbar und ergibt im Gesamtbild eine ländlich geprägte städtebauliche Körnung.

Der Entwurf nimmt diese Körnung auf orientiert sich in seiner Erscheinung in der Form und Dimension an der Nachbarbebauung und intergriert sich so harmonisch in das städtbauliche Gefüge.

Der Entwurf übernimmt die traditionelle Typologie der Nachbarbauung und interpretiert sie im Detail mit einer zeitgemäßen Formsprache. Die drei Gebäude vollziehen so die offene Bebauung der Umgebung nach und nehmen deren Dimensionen auf. Mit ihrer differenzierten Ausrichtung orientieren sich sich an der Konstellation der Nachbargebäude.

Ein transparenter und kristalliner Verbindungsbau im Kern der Anlage unterstricht diesen Entwurfsansatz.

Sowohl die klassischen Lochfassaden mit Putzoberflächen wie auch die geneigten Dächer mit ortsüblicher Ziegeldeckung korrespondieren mit dem Habitus des historischen Rathauses.

b

a

c

a | Lageplanb | Büro Schnittc | Eingang Ansichtd | Platz Perspektivee | Südansicht

45

d

e 2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

M

icha

el B

rack

e un

d A

lexa

nder

Reß

lube

r

-

Ane

rken

nung

für

Entw

urf

Schnitt C-C

Nord Ansicht

46

Salzgitter HallenbadfrizbadDas im Jahr 1968 erbaute Hallenbad in Salzgitter- Lebenstedt sowie das noch ältere Freibad gehen in weiten Teilen dem Ende der Nutzungszeit entgegen. Zur Attraktivitätssteigerung und besseren Vereinbarkeit der Bedürfnisse der verschiedenen Nutzergruppen wurde 2013 der Umbau und die Erweiterung des Hallenfreibades unter Berücksichtigung energetischer und umwelt-klimaschutzrelevanter Gesichtspunkte beschlossen. Verschiedene Teile des Bestandes sind abgängig, so zum Beispiel die Freibadumkleiden, die Sauna und die ehemalige Gastronomie. Einige Gebäudeteile sind von Grund auf saniert, wie das Sportbecken mit der Hallen- und Dachkonstruktion sowie die Badewasseraufbereitung. Ziel der Generalmodernisierung soll es nun sein ,unter Berücksichtigung des vorgegeben Budgets die gewünschten Maßnahmen des Raumprogramms bestmöglich umzusetzen. Die neuen Südfassade imitiert die Schrägwand des bestehenden Gebäudes mit einem Metallrahmen und Raster-System von einem verticle Glas-Fassade gesichert.

a

b

c

d2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

Eve

lyn

Wen

dt-S

alm

hofe

r

-

Gel

aden

er W

ettb

ewer

b a | Bestand/Neubau Piktob | Perspektivec | Schwimmhalle Schnittd | Eingang Ansicht

47

Neustadt Rbg. SchwimmbadDer Neubau des Hallenbades in Neustadt am Rübenberge soll auf dem ca. 50.000 m² großen Grundstück südlich des Schulzentrums errichtet werden. Es ist an drei Seiten von Straßen und einem begleitenden dichten Baumstreifen umgeben. Das Grundstück soll durch die Schwimmbadnutzungen nur zu dem dafür erforderlichen Teil belegt werden. Die übrige Fläche soll für ergänzende Nutzungen, wie einen Fitness- Club oder eine Stellplatzanlage für Wohnmobile freigehalten werden. Die Erschließung des Bades ist für Fußgänger und Radfahrer von dem Großen Weg im Westen gewünscht, die PKW-Erschließung kann sowohl von Westen als auch von Osten erfolgen.

a

b

c

2O14

-

p

br E

ustr

up A

rchi

tekt

en

-

Hilk

e Eu

stru

p

-

Gel

aden

er W

ettb

ewer

b

-

Auf

trag

a | Lageplan Piktob | Perspektiveeingangc | Perspektiveschwimmhalled | Erdgeschoss

48

Sustainable SchoolThe school’s linear configuration and east-west orientation is a response to its equatorial situation. Late morning and afternoon sunlight is harnessed by photovoltaic panels on the roof. These panels adjust manually to respond to the summer and winter paths of the sun. They also act as air foils, drawing hot air out of continuous vents located above the slatted ceilings.

The classrooms are anchored at each end by larger volumes containing administrative and common functions. The courtyard between the two classrooms consists of an entry/gathering area to the east, progresses through varied landscapes, and culminates in an amphitheater at the west. The school is constructed of indigenous heavy timber framing and clay masonry infill.

c

d

b

a

a | Entrance Situationb | Outside Circulationc | Water Collection and Photovoltatic Roofd | One-room school housee | Large-school Courtyardf | Transverse Sectiong | Plan

49

e

f g 2OO

9

-

AB

Arc

hite

kten

-

M

bita

, Ken

ya

50

Office BuildingThe existing facilities of a plumbing corporation are remodeled and vertically enlarged with two stories of office space. The existing ground story is clad in black slate, contrasting with the lighter colored fiber cement board of the addition. Transition from the stone-clad base to the addition is articulated with a continuous steel channel.

Perforated aluminum awnings on the south-facing street façade are utilized to control light and heat gain during warm months. North-facing spaces open onto a large terrace with views of the Manhattan skyline. The addition was constructed without interrupting facility operations on the existing ground floor. This project received a 2009 Building Brooklyn Award.

a

b

c

d

a | Elevation b | Built Elevationc | Perforated Metal Louvresd | Louvre Detaile | Parking Garagef | Typical Floor Plang | Entrance View

51

e

g

f

2O1O

-

A

B A

rchi

tekt

en

- G

reen

poin

t

a | Site Planb | Morphologyc | Entrance Situationd | Section at Entrancee | Section at Mainroomf | Section through Entrance and Kitcheng | East Elevationh | Floor Plans

c

Beach HouseThe beach house is located in Montauk, NY out at the farthest tip of Long Island. The house is designed for a family of five- the parents on the upper level with better views and provacy, while the children are all together on the first level with sliding foors in each room so for an easy escape to the garden or the ocean.

Considering the travel costs of bringing materials and workings so far out on the island the clients insisted on a more sustainable approach using prefabricated design as to reduce on site labor.

The morphology of the house began with four boxes sized to a truck bed. The stacked boxes are penetrated with a diagonal form, giving an entrance hall at the front of the house which opens up to the great room in the rear. The diagonal roof breaks the regularity of the boxes, as well as frames the unobscured view directly to the ocean.

a

bFloor Plate Diagonal Circulation Diagonal Plane Pivot Diagonal Cutting Plane Decks

View towards Atlantic Ocean

52

fd

g

h

e

53

2O13

-

C

CP

Arc

hite

ctur

e

-

Mon

tauk

, New

Yor

k

a | Elevationb | Room Sectionc | Room Elevationsd | Room Interior

54

Kid DwellingsInspired by mountain dwellings this design was created for three children. The owner had just purchased a new lofted apartment in Dumbo so there was a very large and empty space to fill. The different rooms puzzle piece together in plan and in section to create small houses for each child.

a

b

c d

2O13

-

C

CP

Arc

hite

ctur

e

-

DU

MBO

, New

Yor

k

a | Parlor Photosb | Study Model

55

Warped IslandDefying the typical Brownstone typology, the entire Parlor Level was gutted to create an open loft space. The 16’ [4m] Brownstone becomes opened up, giving views from the stair and a built in seating nook at the street front. Under the stair custom closets are put in, giving immense storage so all the clutter of life can be hidden away.

The Island is the main attraction in the Parlor Level. The client is a profession private chef, so her kitchen is her office. All the appliances are industrial grade products, and small details of a built in cutting board and diagonal oil cabinet are integrated into the form. The form of the island is derived from the perspectives of using the space. As the wood takes on the diagonal it takes on a thinner appearance. The base cabinets are floated with a 10” kick as to disappear from certain views. The Marble stone cantilevers off the wood, and having no additional under structure, becomes translucent.

The back wall is a clean form of two L ‘spaces’ opposite each other, giving storage but not taking attention. The top L is clad in the same wood as the island, while the bottom L is clad in stainless steel creating a seamlessness between sink, counter, and cabinets.

b

2O1O

-

C

CP

Arc

hite

ct

-

Cob

ble

Hill

a | Barb | Built in Seatingc | Facaded | Floor Plan

56

Bar San Miguel The space was previously an Italian restaurant, with table int he front, bar in the back and rear seating. The space was fragmented into too small eating space, not enough seats at the bar and rear seating that was hard to get to.

The first move we made in the space was pulling the bar towards the front. This allowed for some tables at the front windows, a thin bar in the center of the space and strip of tables with a shared booth on the back wall- almost doubling the amount of interior seating. The circulation to the rear yard is opened up by removing the bar from the year which was bottle necking the space. The front facade was entirely replaced with almost 60% glass, giving much more light while still keeping an intimate atmosphere.

Inspired by San Miguel Mexico, where the client has a second home, all materials are heavy wood, rustic glass and iron and traditional mosaic tiles. All tiles at the bar and bathroom, as well as the front floor and lighting figures were imported from San Miguel to keep an authenticity.

a

b

c

d

2O14

-

C

CP

Arc

hite

ctur

e

-

Cob

ble

Hill

, New

Yor

k

a | Elevation - Wallpaperb | Elevation - CNC Panelc | Wallpaperd | CNC Panel

57

CNC IslandThe Kitchen island became the hearth of the kitchen. The client wanted a back wall to hide what she may be making from the dining area. With the need for such a massive wall we wanted to pattern the panel with texture to create shadow and depth onto the surface. The pattern was created by a local company Flavor Paper. The back wall was adorned with the wall paper, and the facing panel had the same pattern CNC’ed and mirrored across.

a

b

d

c

2O11

-

C

CP

Arc

hite

ctur

e

-

Cob

ble

Hill

, New

Yor

k

Vielen Dank