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Lost in the Funhouse? Postmodern American Literature and Culture Lecturer: Priv.-Doz. Dr. Stefan L. Brandt Selected Bibliography Abbas, Niran, ed. Thomas Pynchon: Reading from the Margins. London: Associated UP, 2003. Abel, Marco. “Don DeLilllo’s ‘In the Ruins of the Future’: Literature, Images and the Rhetoric of Seeing 9/11.” PMLA. 118. 5 (2003): 1236-1250. Adorno, Theodor W. Aesthetic Theory. Trans. R. Hullot-Kentor. 1970. Minneapolis: U of Minnesota P, 1997. ---. Critical Models: Interventions and Catchwords. Trans. H. W. Pickford. 1963. New York: Columbia UP, 1998. ---. Culture Industry. London and New York: Routledge, 2001. ---, and Max Horkheimer. Dialectic of Enlightenment: Philosophical Fragments. Ed. G. S. Noerr. Trans. E. Jephcott. Stanford: Stanford UP, 2002. ---. The Jargon of Authenticity. Trans. Frederic Will and Knut Tarnowski. 1964. London: Routledge & Kegan Paul, 1973. ---. Metaphysics: Concept and Problems. Ed. Rolf Tiedeman. Trans. Edmund Jephcott. Cambridge, UK: Polity, 2000. Alexander, Marguerite. Flights from Realism. Themes and Strategies in Postmodernist British and American Fiction. London: Edward Arnold, 1990. Alexie, Sherman. “Captivity.” Postmodern American Fiction. Eds. P. Geyh et al. New York: W. W. Norton, 1998. 342-5. Allen, William Rodney. Understanding Kurt Vonnegut. Columbia, S.C.: U of South Carolina P, 1991. ---. Conversation with Kurt Vonnegut. Jackson: UP of Mississippi, 1988. Alter, Robert. “The Self-Conscious Moment: Reflections on the Aftermath of Modernism.” TriQuarterly 33 (1975): 209-30. Altieri, Charles. “What Is Living and What Is Dead in American Postmodernism: Establishing the Contemporaneity of Some American Poetry.” Critical Inquiry 22: 4 (1996), 764-89. Anderson, Laurie. “Stories from the Nerve Bible.” Postmodern American Fiction: A Norton Anthology. Eds. P. Geyh et al. New York: W. W. Norton, 1998. 216-25. Anderson, Perry. The Origins of Postmodernity. London and New York: Verso, 1998. Ashley, Kathleen, Leigh Gilmore and Gerald Peters, eds. Autobiography & Postmodernism. Amherst: U of Massachusetts P, 1994. Ashton, Jennifer. From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century. Cambridge, UK and New York: Cambridge UP, 2005. Asimov, Isaac. I, Robot. Garden City, N.Y.: Doubleday, 1963. Auslander, Philip. Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. Ann Arbor: U of Michigan P, 1992. Auster, Paul. In the Country of Last Things. London: Viking, 1987. ---. Moon Palace. Stuttgart: Ernst Klett Sprachen, 1989. ---. Oracle Night. New York: Henry Holt, 2003. ---, et al. “An Interview with Paul Auster.” Mississippi Review 20. ½ (1991): 49-62. ---. The Brooklyn Follies. New York: Henry Holt, 2006. ---. The New York Trilogy: City of Glass. 1985. Ghosts. 1986. The Locked Room. 1986. London and Boston: Faber and Faber, 1990. ---. Travels in the Scriptorium. New York: Picador, 2006.

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Page 1: Lost in the Funhouse? - UNIGRAZ · PDF fileLost in the Funhouse? Postmodern American ... Themes and Strategies in Postmodernist British and American Fiction. ... and American Fiction

Lost in the Funhouse? Postmodern American Literature and Culture

Lecturer: Priv.-Doz. Dr. Stefan L. Brandt

Selected Bibliography

Abbas, Niran, ed. Thomas Pynchon: Reading from the Margins. London: Associated UP, 2003. Abel, Marco. “Don DeLilllo’s ‘In the Ruins of the Future’: Literature, Images and the Rhetoric of Seeing

9/11.” PMLA. 118. 5 (2003): 1236-1250. Adorno, Theodor W. Aesthetic Theory. Trans. R. Hullot-Kentor. 1970. Minneapolis: U of Minnesota P,

1997. ---. Critical Models: Interventions and Catchwords. Trans. H. W. Pickford. 1963. New York: Columbia UP,

1998. ---. Culture Industry. London and New York: Routledge, 2001. ---, and Max Horkheimer. Dialectic of Enlightenment: Philosophical Fragments. Ed. G. S. Noerr. Trans. E.

Jephcott. Stanford: Stanford UP, 2002. ---. The Jargon of Authenticity. Trans. Frederic Will and Knut Tarnowski. 1964. London: Routledge & Kegan

Paul, 1973. ---. Metaphysics: Concept and Problems. Ed. Rolf Tiedeman. Trans. Edmund Jephcott. Cambridge, UK:

Polity, 2000. Alexander, Marguerite. Flights from Realism. Themes and Strategies in Postmodernist British and

American Fiction. London: Edward Arnold, 1990. Alexie, Sherman. “Captivity.” Postmodern American Fiction. Eds. P. Geyh et al. New York: W. W. Norton,

1998. 342-5. Allen, William Rodney. Understanding Kurt Vonnegut. Columbia, S.C.: U of South Carolina P, 1991. ---. Conversation with Kurt Vonnegut. Jackson: UP of Mississippi, 1988. Alter, Robert. “The Self-Conscious Moment: Reflections on the Aftermath of Modernism.” TriQuarterly 33

(1975): 209-30. Altieri, Charles. “What Is Living and What Is Dead in American Postmodernism: Establishing the

Contemporaneity of Some American Poetry.” Critical Inquiry 22: 4 (1996), 764-89. Anderson, Laurie. “Stories from the Nerve Bible.” Postmodern American Fiction: A Norton Anthology. Eds.

P. Geyh et al. New York: W. W. Norton, 1998. 216-25. Anderson, Perry. The Origins of Postmodernity. London and New York: Verso, 1998. Ashley, Kathleen, Leigh Gilmore and Gerald Peters, eds. Autobiography & Postmodernism. Amherst: U of

Massachusetts P, 1994. Ashton, Jennifer. From Modernism to Postmodernism: American Poetry and Theory in the Twentieth

Century. Cambridge, UK and New York: Cambridge UP, 2005. Asimov, Isaac. I, Robot. Garden City, N.Y.: Doubleday, 1963. Auslander, Philip. Presence and Resistance: Postmodernism and Cultural Politics in Contemporary

American Performance. Ann Arbor: U of Michigan P, 1992. Auster, Paul. In the Country of Last Things. London: Viking, 1987. ---. Moon Palace. Stuttgart: Ernst Klett Sprachen, 1989. ---. Oracle Night. New York: Henry Holt, 2003. ---, et al. “An Interview with Paul Auster.” Mississippi Review 20. ½ (1991): 49-62. ---. The Brooklyn Follies. New York: Henry Holt, 2006. ---. The New York Trilogy: City of Glass. 1985. Ghosts. 1986. The Locked Room. 1986. London and Boston:

Faber and Faber, 1990. ---. Travels in the Scriptorium. New York: Picador, 2006.

Page 2: Lost in the Funhouse? - UNIGRAZ · PDF fileLost in the Funhouse? Postmodern American ... Themes and Strategies in Postmodernist British and American Fiction. ... and American Fiction

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Selected Filmography

Being John Malkovich. Dir. Spike Jonze; written by Charlie Kaufman. Cast: John Cusack (Craig Schwartz), Cameron Diaz (Lotte Schwartz), Catherine Keener (Maxine Lund), John Malkovich (John Horatio Malkovich). Gramercy Pictures, USA, 1999.

Blade Runner. Dir. Ridley Scott; based upon the short story “Do Androids Dream of Electric Sheep?” by Philip K. Dick. Cast: Harrison Ford (Rick Deckard), Rutger Hauer (Roy Batty), Sean Young (Rachael), Daryl Hannah (Pris). Warner Bros., USA, 1982.

Blue Velvet. Dir. & written by David Lynch. Cast: Kyle MacLachlan (Jeffrey Beaumont), Isabella Rossellini (Dorothy Vallens), Dennis Hopper (Frank Booth), Laura Dern (Sandy Williams). De Laurentiis Entertainment Group, USA, 1986.

Brazil. Dir. Terry Gilliam; written by Terry Gilliam, Tom Stoppard & Charles McKeown. Cast: Jonathan Pryce (Sam Lowry), Robert DeNiro (Archibald “Harry” Tuttle), Kim Greist (Jill Layton), Ian Holm (Mr. M. Kurtzmann). Embassy, UK, 1985.

The Matrix. Dir. Andy and Larry Wachowski. Cast: Keanu Reeves (Neo), Laurence Fishburne (Morpheus), Carrie-Anne Moss (Trinity), Hugo Weaving (Agent Smith), Joe Pantoliano (Cypher). Warner Bros., USA, 1999.

Natural Born Killers. Dir. Oliver Stone; screenplay by Oliver Stone, Dave Veloz, Richard Rutowski. Cast: Woody Harrelson (Mickey Knox), Juliette Lewis (Mallory Wilson Knox), Tommy Lee Jones (Warden Dwight McClusky), Robert Downey, Jr. (Wayne Gale). Warner Bros., USA, 1994.

Pulp Fiction. Dir. Quentin Tarantino; written by Quentin Tarantino & Roger Roberts Avary. Cast: John Travolta (Vincent Vega), Samuel L. Jackson (Jules), Uma Thurman (Mia Wallace), Bruce Willis (Butch), Ving Rhames (Marsellus Wallace). Miramax Films, USA, 1994.

Sin City. Dir. Elizabeth Avellan, Robert Rodriguez, Quentin Tarantino; based on the graphic novel by Frank Miller; written by Frank Miller. Cast: Bruce Willis (John Hartigan), Mickey Rourke (Marv), Jessica Alba (Nancy Callahan), Benicio del Toro (Det. Lt. Jack “Jackie Boy” Rafferty), Rosario Dawson (Gail). Dimension Films, USA, 2005.

The Stepford Wives. Dir. Bryan Forbes; based on the novel by Ira Levin; written by William Goldman. Cast: Katharine Ross (Joanna Eberhart), Paula Prentiss (Bobbie Markowe), Peter Masterson (Waler Eberhart), Nanette Newman (Carol van Sant). Columbia, USA, 1975.

Westworld. Dir. Michael Crichton; written by Michael Crichton. Cast: Yul Brynner (Gunslinger), Richard Benjamin (Peter Martin), James Brolin (John Blane). MGM, USA, 1973.