low versus high intensity emotion in animated pedagogical agents

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Company LOGO Low versus High Intensity Emotion in Animated Pedagogical Agents A Qualitative Study Enilda Romero-Hall ID&T PhD. Candidate Darden College of Education Old Dominion University

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Page 1: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Company

LOGO

Low versus High Intensity Emotion in Animated Pedagogical Agents A Qualitative Study

Enilda Romero-Hall ID&T PhD. Candidate Darden College of Education Old Dominion University

Page 2: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Overview

1. Introduction

2. Literature Review

3. Purpose Statement & Research Question

4. Operationalized Variables

8. Discussion

5. Research Paradigm & Tradition

6. Methodology

7. Results

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Page 3: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Introduction

Text

Text

Computer–Mediated Instruction

Content Representation

Animated Pedagogical Agents

Emotion

• Web–based Instruction • Instructional Simulations • Serious Games

• Text • Audio • Images • Animations

• Interface Agent Characteristics

• Character Building Qualities

• Low Intensity • High Intensity

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Page 4: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Literature Review

Quantitative Inquiries

Positive Results for both Learning and Learner’s Perception (Lester et al., 1997; Atkinson, 2002)

Failed to Obtain Significant Results for Either Variable

(Adcock et al, 2006; Craig, Gholson, & Driscoll, 2002) Mix Results

(Baylor & Riu, 2003; Bickmore & Picard, 2005).

Qualitative Inquiries

Phenomenological Exploration - Conversational Agent (Veletsianos & Miller, 2008)

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Page 5: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Purpose Statement & Research Questions

TEXT TEXT TEXT TEXT

Purpose To describe the lived experiences of the learners as they interact with an emotionally expressive animated pedagogical agent in a computer–mediated instructional environment.

Research Questions a. How do learners perceive low intensity emotionally expressive agents? b. How do learners perceive high intensity emotionally expressive agents?

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Page 6: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Operationalized Variables

Low Intensity Emotion -Soft emotional tone in the voice -Eyebrow, mouth, and cheek movements were subtle and gentle -Head movement was limited and delicate.

High Intensity Emotion -Strong emotional tone in the voice, with very high pitch and intonation -Eyebrow, mouth, and cheek movements were exaggerated -Significant amount of head movement.

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Page 7: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Tradition & Paradigm

Post-Positivism Phenomenology

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Page 8: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Methodology

Participants (8)

2%

6% 13%

11%

15% 17%

2%

4%

15%

9% 4%

2%

Purpose of Computer Use

Educational Games Entertainment Games

News Research

Social Networking Email

Distance Education Courses Accounting/Finance

Word Processing Data storage (i.e., data bases)

Graphics Other (please specify)

8

50%

25%

25%

Experience with Computers

Competent Proficient Expert

Page 9: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Methodology

Individual Interviews

Guided Reflection Journals

Demographic Questionnaire

Coding

Keywords

Codebook Themes

Transcripts

Data Sources

Data Analysis

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Page 10: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Results

Theme 1: Perceived Importance

Could be implement to support the

learning experience of the students (both treatments) Guide the student throughout the

instructional content Emotional cues would highlight

important content “Animated agents were not worth the

effort” (both treatments)

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Page 11: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Results

Theme 2: Perceived Enjoyment

Some of the critical comments were

related to the interaction controls and lack of detail in the physical appearance of agent - clothing (both treatments)

Complementary comments were related to the physical appearance of the animated agent – black male (both treatments)

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Page 12: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Results

Theme 3: Perceived Humanness of the Agent

All participants perceived the agent as

“professional looking”, “sharp dresser,” “very modern” and someone that “looked like a professor.” (both treatments)

The humanness of the agent was easily

discredited by lack of proper facial expression of emotion or other qualities like lack of synchronization between audio and mouth movements (both treatments)

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Page 13: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Results

Theme 4: Perceived Barriers for Implementation

The agent was distracting to the participant

(both treatments)

“Animated agent lack the ability to feel emotion therefore they are not capable of expressing emotion in a natural manner” (High intensity)

Unreliable technology and lack of trust on

technological advances (High intensity) The students and their lack of interest on

computer–mediated environments (High intensity)

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Page 14: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Results

Theme 5: Suggestions for Improvement

The agent should be use to “act things out” (Low Intensity)

The agent should provide verbal or textual feedback (Low intensity)

Motion was a suggestion from participants (both treatments)

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Page 15: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Discussion

-Across all themes, more similarities than differences in the lived experiences of the participants

-Emotion intensity may not play a role in the perception of the participants interacting with animated pedagogical agents

-Participants in both treatments suggest that animated pedagogical agents could provide instruction that is both engaging and interesting to the learner

-There is also significant evidence that participants in both treatment felt that the agent was distracting in some instances

-Limitation: the number of participants

-Limitation: The content was mainly negative facial and verbal emotion expressions.

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Page 16: Low Versus High Intensity Emotion in Animated Pedagogical Agents

Acknowledgement

Special thanks to: Dr. Ginger Watson , Doctoral Advisor Dr. Danica Hays, Qualitative Research Instructor Nicole Cox, Student at Old Dominion University

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Question & Comments

[email protected]

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