lyrical sculpture

7/28/2019 Lyrical Sculpture

1/51

LYRICAL

SCULPTURE

NOTEBOOK


2/51

Deposit Identity Here


3/51

20.8.5.18.5.

1.18.5.

19.15.13.1.14.25.

13.5.19.19.1.7.5.19.

8.9.4.4.5.14.

9.14.

20.8.5.

19.20.1.18.19.


4/51

The answer is you

uoy si rewsna ehT

The answer is you

uoy si rewsna ehT


5/51

Nowhere in the dragonsbreath mountains and

certainly nowhere

In time will I find the answers, that I know;

Will my fire scorched ambitions ever

Become resplendent in your asking through

forest

Eyes, echoing the sleeping morning cradled

In distraught leaves fallen from tears?

Eyes, echoing the sleeping morning cradledIn distraught leaves fallen from tears?

Become resplendent in your asking through

forest

Will my fire scorched ambitions ever

In time will I find the answers, that I know;

Nowhere in the dragonsbreath mountains andcertainly nowhere

In the dragonsbreath mountains and certainly

Nowhere (nowhere

Will I find the answers) that I know; in time

Scorched ambitions (ever will my fireAsking through forest, become) resplendent in

your

Cradled in distraught leaves fallen from tears?


6/51

Eyes, echoing the sleeping morning


7/51

T S R E W O L F

I R U Y B N O F

E Q I N B T V R

D T N V T H E L

D V E E M E X L

L A Z Z N P H I

P A B R I A H T

G X N I G H T S


8/51

I am symbiotic whispers of Kentucky Blue rust,

and

The dying teenage dream as the DJ spins alone,

and

A furrowed winter wind ensconcing solitary

pines

I am the pastor in the internet age,

and

The musician in a Capitalists wet dream

I am Decembers bounding main, always

moving the immovable rock,

and

A teaspoons procession to the edge of the

baseboard,and

The notches for years in a prison bed

I am the silence as eyes find no foothold,

and

Breathing together, forever yours


9/51

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10/51

B

e

h C

Swim a

n v W

My dying eyes o

r rIn a real

o d

u

s


11/51

Light Light

Rain Rain

Window Window

Pitcher Pitcher


12/51

lingering

to fingers

up and she

clenched le

toes an

s

in

the

rapture


13/51

seemed He drunk.He drunk. seemed

seemed He drunk.


14/51

A

N

O

NY

M

O

U

S


15/51

B B

r r

o o

k k

en

g

l l

a a

s ss s


16/51


17/51

[smile]

.

[unrequited]

.

smile

evoLOVE


18/51

Attributes:

--------

1.) Spindly2.) Red-tipped ends3.) Bird-friendly4.) Bare5.) BrownWhiteSilverGreen6.) Chronic shiverer7.) Among companions8.) Mute9.) (Relatively) dumpy>>.I am a ____________


19/51

S

How can the

e F

d aHappiness blossom into the

o n

f e

d

i

m

a

g

e

s

o

Perfect complexity?


20/51

The Longest Invisible Poem Ever Written


21/51

X W O U N D E D

S T Q R I D L E

T H E O Z O I S

A O F S V B Y X

B R R E F E L O

B N K S K E Q A

E S A C I T Y S

D G L A S S P C


22/51

Every voice a web

Every web a voice


23/51

A G M P F T F S S S D P A T

M E Y A L H L L U I Y R N H

E O T P O E E E P N I O D E

T M H E A E E E K N U

H E O R T S T P R S G D T K

Y T L O I I S H I

S R O F A O N N T I S T E N

T Y G A W T G G I T U E G

Y N A T S N M C D

F C T Y O G B I P O O

O A B A N L E O S B L L M

R L U S W I N N T L E O

E L T Y I T M E E E S R O

S I N H P A C A E S F

T N I C D E S T U L D TG N A S E H R T I O R f

S N P A S L H N E I

H I T N I M T S Y G T T R

A N H O R B O H H U E

P E T A E F E I F O E R

E T S L R T A N N LS H E H S S T H S N T G I E

E E I H O G O O N A

R D L R L E N T S D G V

O P A P U E E A T I


24/51

G A Y F N S Y I I H M T N

U S S B F C E L N E O O G

E T U L E A S T N

O T E W D U A O E O

F F A R R N Y N

O T A F D A L

R E G A Y

R O C

N E S

S H

A

D

O

W

S


25/51

I

m

a

g

e

s

Ao r

Perfect complexity

T S

The new moon half

r ao d C

w Into a crowd that

n w r

e e

b d s Only

y ForTrain

Schedules


26/51


27/51

The final season of quiescent bees,

In honey microcosmic blossoming,

Surrenders to the turning of the leaves

And as they fall, with my heart following,

The syllogistic ebb and flow of speechCommands the stage of aster retrospect


28/51

In your words are phantoms and

Nothing breaks slowly as faithFor comfort slips, open hands,


Promising each grain of sand

To fill my heart, sullen wraith,


Nothing breaks slowly as faith


29/51

F

Back in

t

ba w

c a

Funk the music

y

ou


30/51

D A C G E F O R

P I N O J B T D

Q N M B M K H L

H E H M Y E E L

E V F V I P S A

A E G L D N A C

R R W R X T G U

T H A T X A R G


31/51

T A A U

H R S N

E E R

B A

S W A V

I H T E

D I T L

E S E

S P R I

T E E N

R R D

E I T

E N T H

T G R E

S S AI L

I O N O

N F C N

A E

M D R L

Y E IA S N

D T E E

R H A S


32/51

E M S

A S

M O

S F

R

E

S

T


33/51

S H

P

L S

A

S

H

L

P

!

S


34/51

Cranes dance,

an ersatz pastoral


35/51

You

Are the

New land, a

Sudden coast within the

Deep

Expanse,

You are

The voice, expanding

With each breath myLungs

Becoming

Rivers in

Each word you

Are a ghost, theFruit

Before

A blossom softly falls


36/51

b t

l h

u e

e

l a

i l

g c

h h

t em

s i

y c

m a

p l

ho N

n e

i w

e

s Y

oo r

f k


37/51

Each passing face dissolved

Within a cup

As years evolved

And closeness given up,

Within a cup

An eloquence forgot,

And closeness given up

For which we fought

An eloquence forgot

Beyond a time

For which we fought,

The raven throats his line,

Beyond a timeWhen touch could savage me,

The raven throats his line,

Eternity

When touch could savage me

The springtime sang,Eternity

Mellifluously rang;


38/51

The springtime sang

As years evolved,

Mellifluously rang,

Each passing face dissolved


39/51


40/51

HyacinthineSolitary dawn of

Honey-clustered eyes

In aching

Exigence those

Silhouettes enjoin


41/51

P H R Y G I

H C N A

O R A L

A C S A C

D I N G

T P Y R C

I C I N

U L R E TD E S I

E D A V N

M Y M

A T I D E

T I O N S

D N I F

I N G P

I T C A R

C A L R

T N A M O

I C I S M

M I T SU L A T I

R D G N

U D G E R

. . . . Y


42/51

Duke Ellington is cast in muted light

As three-tone-dream-moans wisp, idyllic, up

[Mood Indigo] the night of Mr. Knight

In Giant Steps is finding Coltranes touch

To charm Sophisticated Ladys lines,

A figure in the Joy Spring, Browns in town!

Whose curves beguile when Smoke Gets In

Your EyesAnd Mingus can just Ah Um with the sound

Hes found, The Girl Of My Dreams, but Laura

Is Charlies Star Eyes and Easy To Love,

Yet Davis says So What as Cool Bops strut

And Hours After Sun Ras had enough;

In these colossi, not a God, I trust,

Beyond the years their insights turn to dust.


43/51

Ardent thespians drift

Between summer's

Languid fingers asBeach sand in sand

Lets breathe the

Thorny seas to

Oblivion calling

Bemused the

Thunderous heatAs small we stand


44/51

Ardent thespians drift

In sentiment together

Between summer's yet

Observably languid

Fingers as containedBeach sand in sand in

Waveshowers' memory

Lets breathe the first

Sighs of Neptune's

Thorny seas to startle

Oblivion calling inUnripe fashion

Bemused the stately

Thunderous heat of

Future pasts reminding

As small we stand


45/51

In sentiment together

Coral-colored sunpoems

Valiant yet observably

Understanding of

Volcanic shadows

Contained in the antiquity

Of water betrayed in

Waveshowers' memory ofRorik and Columbus'

First sighs of Neptune's

Dancing with the earliest

Winds to startle even

The hearts of the

Argonauts in unripe fashionAnd of stately spicebarge

Emperors among the

Ghostrevisions of future pasts

Reminding humanity of

Peace as small we stand


46/51

Disturbed Woodland Entities:

Green fear,

Six against end

Nothing-whispersGreen diseases,

Six against end all


47/51


48/51

Even the singular outline in

The dark of a cityscape sees

Night rooftops and searches

Burning with the memories of

Starglow fueled sketchbeauty

Imaginations at last in awe:

Sundown still can but it won

't believe that anyth oughtbe

ing could ever be so radiant


49/51

Amber cities

Iambic trees

Of Panarces

A scarf open

Pentameter wind

A temper twinned

In the blue winter moonBent heirloom untwine

The Universe


50/51

.

.

.

.

.

.

.

.

Returning home is to accept reality

after dreaming it, or is it to

accept a dream after realizing it?

.

.

.

.

.

.

.

.


51/51

lyrical sculpture

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