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INTRODUCING trends

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05Forget grey weather turn April showers into a more colourful affair with this felt mobile by Diana Stainton of Pygmy Cloud. Just the thing for brightening up a soggy weekend, dont you think?

CLOUD MOBILEYou will need: white, red, yellow, green, blue and red felt, black and red embroidery thread, embroidery needle, twine, white thread, pins, air erasable pen, toy stuffing and a pair of scissors.01 Cut two raindrops using the template on page 94 and three pieces of twine each 50cm (20) long. Sandwich a length of twine between the raindrop shapes and blanket stitch around the edge, leaving a gap for stuffing. Dont stitch through the twine so the drops can be moved later.02 Lightly fill with stuffing, then blanket stitch the gap closed. 03 Cut and sew three raindrops to each piece of twine.04 Cut two pieces of white felt using the cloud template on page 94. Using an air erasable pen, draw the eyes and mouth onto one of the pieces. 05 Blanket stitch two circles of felt for cheeks using red thread. 06 Backstitch the eyes and mouth using black thread.07 Sandwich the twine with the raindrops between the base of the two cloud shapes. Cut 20cm (8) of twine and make a loop at the top of the cloud. Using white thread sew around the cloud, 5mm () from the edge, leaving a gap for stuffing.08 Stuff and sew the gap closed.

Diana is a London-based crafter who loves snapping pictures, drinking tea, going on fun adventures and crafting things out of felt. www.pygmycloud.com

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INTRODUCING out and about

Prepare to be dazzled by artist Gracjana Rejmer-Canovas rainbow textiles.

Katie Allen is inspired by the private view

We love colour the brighter the better so when we were offered a sneak peek at Polish artist Gracjana Rejmer-Canovas new exhibition, Colour into Liquid Air, we jumped at the chance.

Gracjanas vibrant show is hosted by homewares chain Habitats Platform initiative, which hosts exhibitions and events with some of the most exciting new creatives, all held in the gallery at Habitat on the Kings Road, London.

Stepping through the door we were immediately enveloped by an oasis of colour. Gracjanas abstract pieces are arranged across the walls and floors like chromatic kites, with a huge piece of stitched-together

scraps forming a giant bench for visitors. Even the specially-made Herball cocktails were bright pink and green.

A video on the wall shows Gracjana, a graduate of the Slade School of Fine Art, in her studio dipping and painting linen and cottons with natural dyes. She then stitches them together, layering with acrylics and oil paints, and spraying with bleach both adding and taking away colour.

In the gallery, the pieces are draped over painted boards or pinned to frames: Gracjana was interested in the contrast between the colour and fabric with the shapes of the stretchers, and in creating a floating, watery atmosphere (hence the exhibition name). Her aim was a mood of positivity and playfulness with as much colour in the space [as I could get], influenced by the bold tones of London.

The result is an exciting exhibition. Catch it at Habitats Platform gallery until 23 March. The next exhibition, in May, will be Space Craft, a collaboration with the Craft Council. www.habitat.co.uk/platform

01 Colours pop

from the walls and

floor of the gallery.02 Even the

cocktails came in

bright shades. 03 Guests enjoying

the installation.04 I allowed

myself to be free,

says Gracjana of

her vibrant show. 05 Scraps of

colourful and

textural fabric

stitched together

to form a bench.06 Softer tints

also make an

appearance.07 Gracjana busy

dyeing canvas in

bright hues.

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Colour into Liquid Air exhibition preview night

invites you to an exclusive private view of his latest installation, Les Oeufs Ombr

Monsieur Lapin


HOW TO MAKE A CROCHET RABBIT AND OMBR EGGS

RABBIT MATERIALSStylecraft Special DK, 100% acrylic, 100g/294m, one ball in each of the following shades: Parchment 1218 (Yarn A), Walnut 1054 (Yarn B), Cream 1005 (Yarn C), Sherbert 1034 (Yarn D), Soft Peach 1240 (Yarn E) and Black 1002 (Yarn F)2.75mm (UK 11, US C/2) or 3mm (UK 10, US D/3) crochet hookSafety eyes, 2 x 6mm Soft toy stuffing Sewing needle Scissors Stitch markers (a scrap piece of contrasting colour yarn will do)

TENSIONTension is not important, just ensure the stitches are dense enough for no stuffing to poke through.

ABBREVIATIONS (UK)st(s) stitch(es)ch chain dc double crochetss slip stitchhtr half trebleyrh yarn round hookBLO work stitch through back loop only

SIZERabbit measures approximately 12cm (4) high.

Bonjour, mes amis the distinguished Parisian painter Monsieur Lapin is overjoyed to welcome you to the private view of his latest work. Entitled Les Oeufs Ombr, its an intricate study of colour encapsulated in a timeless Easter-themed motif.

Designer Maike van den Dries picked light and breezy spring shades for his jumper and scarf, but feel free to experiment and get as creative with colour as you like.

To avoid a visible seam at the back of the striped jumper, we recommend Googling crochet jogless stripes to find a tutorial that shows you how to stitch cleaner-looking stripes.

RabbitThe rabbit is made in pieces, sewn together and stuffed. Most of the pieces are made in the round in a continuous spiral, so it helps to use a stitch marker to show where your round starts.

HeadUsing Yarn A make a magic ring.Round 1: 7 dc into magic ring, pull ring tight. (7 sts) Round 2: 2 dc into each st around. (14 sts) Round 3: (1 dc in next st, 2 dc in next st) 7 times. (21 sts)Round 4: (1 dc in each of next 2 sts, 2 dc in next st) 7 times. (28 sts) Round 5: (1 dc in each of next 6 sts, 2 dc in next st) 4 times. (32 sts) Round 6: (1 dc in each of next 7 sts, 2 dc in next st) 4 times. (36 sts) Round 7: (1 dc in each of next 17

sts, 2 dc in next st) 2 times. (38 sts) Round 8: (1 dc in each of next 18 sts, 2 dc in next st) 2 times. (40 sts) Rounds 9-13: 1dc in each st round. (40 sts)Round 14: (1 dc in each of next 8 sts, dc2tog) 4 times. (36 sts) Round 15: (1 dc in each of next 4 sts, dc2tog) 6 times. (30 sts) Round 16: (1 dc in each of next 3 sts, dc2tog) 6 times. (24 sts) Round 17: (1 dc in each of next 2 sts, dc2tog) 6 times. (18 sts) Break your yarn, fasten off and leave a long tail for sewing.

BodyCh18 using Yarn C. Round 1: 1 dc into 1st ch and each ch along. (18 sts) (pic 1) Round 2: (1 dc in each of next 8 sts, 2 dc in next st) 2 times. (20 sts) Change to Yarn D. Round 3: 1 dc in each st around. (20 sts) Round 4: 1 dc in each st around. (20 sts) Change to Yarn C. Round 5: (1 dc in each of next 4 sts, 2 dc in next st) 4 times. (24 sts) Round 6: (1 dc in each of next 11 sts, 2 dc in next st) 2 times. (26 sts) Change to Yarn D. Round 7: (1 dc in each of next 12 sts, 2 dc in next st) 2 times. (28 sts) Round 8: 1 dc in each st around. (28 sts) Change to Yarn C. Round 9: (1 dc in each of next 6 sts, 2 dc in next st) 4 times. (32 sts) Round 10: 1 dc in each st around. (32 sts) Change to Yarn D.

Round 11: 1 dc in each st around. (32 sts) Round 12: 1 dc in each st around. (32 sts)Change to Yarn A. Round 13: working in BLO, 1 dc in each st around. (32 sts) Round 14: (1 dc in each of next 6 sts, dc2tog) 4 times. (28 sts) This is the start of your first leg. If you havent used any stitch markers yet, we recommend doing so now. Round 15: 1 dc in each of next 14 sts Round 16: 1 dc in your marked stitch and begin your first leg, you are now working in the round on just the leg sts, 1 dc in each st around. (14 sts) (pic 2) Round 17: 1 dc in each st around. (14 sts) Round 18: 1 dc in each of next 4 sts, 2 dc in each of next 6 sts, 1 dc in each of next 4 sts. (20 sts) Rounds 19-20: 1 dc in each st around. (20 sts) Break yarn and fasten off.For the second leg, start a new round at the back, 4 sts away from the other leg (pic 3). Round 1: 1 dc in each of 1st 4 sts (bringing you up to where the first leg is), cross over to the front of the body, 1 dc in each of next 10 sts (bringing you back to the start of the second leg). (14 sts) Round 2: 1 dc in each st around. (14 sts) Round 3: 1 dc in each st around. (14 sts)Round 4: 1 dc in each of next 5 sts, 2 dc in each of next 6 sts, 1 dc in each of next 3 sts. (20 sts) Round 5: 1 dc in each st around. (20 sts)Round 6: 1 dc in each st around. (20 sts)Break yarn and fasten off.

Arms (make two)Using Yarn A, make a magic ring. Round 1: 5 dc into magic ring, pull ring tight. (5 sts)

SPECIAL ABBREVIATIONSDc2tog double crochet 2 together: (insert hook in next st, yrh and draw loop through) twice, yrh and draw through all 3 loops on hook. Make a magic ring hold thread in your hand and wrap working yarn around forefinger twice to create ring, slip ring off your finger and insert hook to pick up first st, ch1, then work the necessary sts for round 1 and close the ring tightly by pulling the loose end.

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Round 2: 2 dc in each st around. (10 sts) Round 3: (1 dc in next st, 2 dc in next st) 5 times. (15 sts) Round 4: 1 dc in each st around. (15 sts)Round 5: (1 dc in next st, dc2tog) 5 times. (10 sts) Round 6: (1 dc in each of next 3 sts, dc2tog) 2 times. (8 sts) Change to Yarn C. Rounds 7-8: 1 dc in each st around. (8 sts) Change to Yarn D.

Rounds 9-10: 1 dc in each st around. (8 sts) Change to Yarn C. Rounds 11-12: 1 dc in each st around. (8 sts) Change to Yarn D. Rounds 13-14: 1 dc in each st around. (8 sts) Break yarn, fasten off and leave a long tail for sewing.

Soles (make two)Using Yarn A, make a magic ring. Round 1: 5 dc into magic ring, then

Bring M. Lapin to life with his

natty beret and debonair 'tache.

pull the ring tight. (5 sts) Round 2: 2 dc in each st around. (10 sts) Round 3: 2 dc in each st around. (20 sts) Break yarn, fasten off and leave a long tail for sewing.

Ears (make two)Using Yarn A, make a magic ring. Round 1: 6 dc into magic ring, pull ring tight. (6 sts) Round 2: 2 dc in each st around. (12 sts) Round 3: (1 dc in next st, 2 dc in next st) 6 times. (18 sts) Round 4: 1 dc in each st around. (18 sts)Round 5: 1 dc in each st around. (18 sts) Round 6: (1 dc in each of next 7 sts, dc2tog) 2 times. (16 sts) Round 7: 1 dc in each st around. (16 sts) Round 8: (1 dc in each of next 6 sts, dc2tog) 2 times. (14 sts) Round 9: 1 dc in each st around. (14 sts) Round 10: (1 dc in each of next 5 sts, dc2tog) 2 times. (12 sts) Round 11: 1 dc in each st around. (12 sts) Round 12: 1 dc in each st around. (12 sts) Break yarn, fasten off and leave a long tail for sewing.

Moustache (make two)Using Yarn F, make a magic ring. Round 1: 5 dc into magic ring,

01 02 03


Monsieur Lapins glittering career has seen him exhibit his work at galleries across the world, but hes at his happiest creating ombr eggs in his Parisian studio.

Recreate his latest installation using this easy tute from Uncommon Designs. We've used 6cm (2.5") polystyrene eggs, and our favourite shades of thread for a playful Easter egg hunt.

EGG MATERIALSPolystyrene egg. Ours are from Hobbycraft Three different shades of embroidery thread Hot glue gun

01 Tie the end of the embroidery thread in a knot and trim off the excess. Roll it into a flat circle roughly 1.5cm (5/8 ") in diameter.02 Add a dot of glue to the top of the egg in the centre and gently push the circle down. Continue wrapping the embroidery thread around the egg, dabbing a little hot glue as you go.03 Once youre a third of the way down, flip the egg over and start wrapping the darkest colour in the same fashion. Finally, add the middle colour to the space in between. Now, sit back and admire your most egg-cellent masterpiece (sorry) before starting the next one.

then pull the ring tight. Round 2: 1 dc in each of 1st 2 sts, turn your work. Round 3: 1 dc in 1st st, ch1.Cut the yarn, leaving a long tail for sewing and pull the tail through the loop on your hook.

BeretUsing Yarn B, make a magic ring. Round 1: 6 dc into magic ring, pull ring tight. (6 sts) Round 2: 2 dc in each st around. (12 sts) Round 3: (1 dc in next st, 2 dc in next st) 6 times. (18 sts) Round 4: (1 dc in each of next 2 sts, 2 dc in next st) 6 times. (24 sts) Round 5: (1 dc in each of next 3 sts, 2 dc in next st) 6 times. (30 sts) Round 6: (1 dc in each of next 4 sts, 2 dc in next st) 6 times. (36 sts) Round 7: 1 dc in each st around. (36 sts)Round 8: dc2tog 18 times. (18 sts)Break yarn, fasten off and leave a long tail for sewing.Point of beret, using Yarn B:Round 1: ch3. Round 2: 1 dc in 1st st, 1 dc in 2ndst.Break yarn, fasten off and pull the tail through the top of your beret.

ScarfUsing Yarn E, ch 38, turn.Row 1: 1 htr in 2nd ch from hook, 1 htr in each ch along. Break yarn and fasten off.

Making upSew in all loose ends where yarn changes were made.Sew the soles to the feet, then firmly stuff the legs and body.Using the photo as a guide, sew the eyes and moustache to the head.Stuff the head, then sew to the body.Sew the arms to the body.Sew the ears and beret to the head, refer to the picture for positioning.Sew in any remaining loose ends. Monsieur Lapin is ready for Easter!

Prettify the table with a dish of rainbow wrapped eggs.

HOW TO MAKE A CROCHET RABBIT AND OMBR EGGS

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Trish and BonnieThe crafty sisters-in-law left previous jobs (Trish in insurance and Bonnie in nursing) to become stay-at-home mums and pursue their dream creating craft and DIY tutorials to share from South Carolina. www.uncommondesignsonline.com

Maike van den DriesMaike loves making cute and creepy creatures from her home in the Netherlands and then giving them a home through her website and Etsy shop. Maike's critters are crocheted or handmade from cuddly plush fabric. www.madebymaike.com

gEt OuR dIgItaL EdiTiOn!

sTarT YouRfrEe tRiaL

tOdaY!*

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aVaIlaBlE oN YouR DevIcE nOW

Describe your style in a few words.Feminine and classic with a vintage twist.

Which books and magazines are currently on your bedside table?Im reading a lovely novel called When God was a Rabbit by Sarah Winman as well as a Marilyn Monroe biography shes a bigstyle icon of mine.

Name your top three creative blogs.I like A Pair & A Spare (www.apairand asparediy.com), Tilly and the Buttons (www.tillyandthebuttons.com) and A Beautiful Mess (www.abeautifulmess.com).

Your sewing caf Sew Over It is a great success. What was your inspiration for opening and how has it evolved? The seed was sewn (literally) when I was working in couture fashion in London. I started teaching private sewing lessons on the side and soon realised I enjoyed this more than my day job. I was also becoming increasingly aware that a lot of people didnt know how to sew. My grandmas generation all sewed but my Mums didnt. So if my generation didnt learn then it would become a lost skill.

I wanted to open a shop where like-minded people could meet, sew and learn together a space where they could work on their own projects and get help

LISA COMFORTSewing entrepreneur, teacher, author and editor, Lisa Comfort is a busy bee. She reveals the secrets of her career success

When setting up your own business theres always one essential ingredient passion. And dressmaking expert Lisa Comfort clearly has this in spades. The love for her craft led her to open sewing caf Sew Over It in South London in 2011, driven by the compulsion to share her passion and help prevent the art of sewing becoming forever lost.

Lisas love affair with needle and thread started way back, having spent many afternoons stitching alongside her childminder Mrs Robinson. She continued sewing throughout her

teenage years, but opted to study languages at university instead. While living in Italy she took a dressmaking course, which led her to study at the London College of Fashion on her return to the UK. Here she was offered a job with couture designer Bruce Oldfield, from which she gained invaluable industry experience before setting up on her own. Were super excited to have this mega-talented gal also guest editing our Mollie Makes DIY Fashion special, so we sat down with her for a chat about her crafty life


Words: CAROLINE ROWLAND Photographs: RACHAEL SMITH

tea and a chat with


INTRODUCING tea & a chat

Describe a typical working day. If Im working at the shop then Ill get in for 9am and have a catch-up with my manager Kate before my class starts. I then teach from 10am-1pm. I enjoy teaching the beginner classes and helping people start off on their sewing journey. Next its lunch or sometimes a piece of cake (we have lots of cake in the shop!) and then onto meetings with various people. I often meet up with other brands to discuss events were running together. I then head back home before rush hour (as I often drive)

if they needed it. As for classes, I wanted them to be really varied and to offer new and exciting projects. My passion is dressmaking so we offer lots in that field.

Since opening, the business has grown a lot and there are new off-shoots to the original plan. We now have a range of dressmaking patterns and kits which we sell wholesale, meaning we can take Sew Over It to pastures new. Weve also started to work with amazing brands such as Selfridges, Gap, John Lewis and Cath Kidston on in-store events.

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01 A vintage shirt

dress stands proud

with her garment

friends a 1940s

wrap dress and a lace

dress in the shop.02 Sewing supplies

are stored in jars and

bowls on a Sew Over

It signature blue

painted shelf.03 Lisa couldnt

resist adding a bit

of Sew Over It blue

to her homes living

room. The striking

mirror was bought

during a trip to India.

If my generation didnt learn sewing, it would become a lost skill.



and continue to work from home, usually catching up on emails. Sometimes I have to work in the evenings, but thats the sacrifice I make for running my own business.

If Im working from home all day then Ill usually be busy with projects such as the Mollie Makes DIY Fashion special, or writing my second book its all about sewing projects with a vintage twist, so keep your eyes peeled for it!

How does your creative process work? Do you keep sketch books or use any online resources?A lot of it happens inside my head. Im always absorbing inspiration from films; people I see on the street; books and museums. I then develop these in my mind before sketching out designs. More recently Ive been asking the rest of the team to help evolve ideas with me. Its good to discuss things with the other dressmaking teachers, as we have to think about how theyll work for classes.

Apart from your own shop, where do you source fabrics for your projects? All over. I have someone who finds fabrics for us in Hong Kong and I recently went on a sourcing trip to Delhi, which was amazing. Closer to home, I love going to Londons Goldhawk Road I usually go

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01 Colourful fabrics for

use in the shops Intro

to Sewing class are

closely guarded by

an example of the

Ultimate Shift Dress.02 This beauty is

a product of the Mad

Men Dress classes.03 The Sew Over It

shop, filled with fabric

and trimmings from

all over the world.



there, try a few at home before going back to a more advanced class to learn how to make a dress. Choose easy fabrics to work with, such as cotton, so the challenge isnt sewing the fabric but learning about the construction and fit. If you try something too hard, too soon, then youll find it stressful and off-putting.

Whats been the highlight of your crafty career so far? Its hard to pick just one! Writing my first book was definitely a highlight, as was

there hoping to find one specific item and come back with loads!

Lots of people feel intimidated by dressmaking what words of advice or encouragement would you give wannabe sewists? Start simple. Its really important to start with basic shapes that require little fit. The hardest thing about dressmaking isnt the sewing but the fitting skirts are the best way to begin and, if you can, go to a class to help you along. Then from

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Start simple. The hardest thing about dressmaking is the fitting, not sewing.

01 Its heads down

at Sew Over It as

Lisa guides three

students on their

sewing journey. 02 A collection of

studs and ribbons

Lisa brought back

from her buying

trip in India.03 The class listings

board a selection

of whats on offer at

the sewing cafe.

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appearing on TVs Kirsties Vintage Home. But sometimes the best moments are when classes Ive designed are successful. Afterwards, Ill receive photos of people wearing their finished projects thats definitely one of the best and most rewarding feelings.

What digital and social media channels are exciting you right now?Pinterest its my new obsession. I was a bit slow on the uptake, but since buying my flat Ive used it all the time for inspiration. Im also addicted to Instagram.

Where do you like searching for creative inspiration?I love vintage books and Pinterest boards, of course!

What projects are you currently working on?A dress and top combo I want to take the top of our shift dress and our pencil skirt and morph them into one dress, using different fabrics for the top and bottom.

Finally, what do you think is the best piece of creative advice you have ever been given?Dont worry about fashion trends make clothes that suit your style and figure.

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Mollie Makes DIY FashionTransform your closet with 132 pages of embellishing and making ideas, as well as the best in vintage, quirky, bohemian and retro looks. Find easy-to-follow instructions for crocheting, sewing and lots more. Available at newsagents and to order at www.myfavouritemagazines.co.uk

01 Lisa in her second

home the Sew Over

It shop and sewing

cafe. 02 Sewing

inspiration and new

pattern ideas, pinned

up in a corner of

Lisas home.


Weve made the flower crowns time to checkout the new way to wear petals with this exclusive

floral collar by The House of Handmade

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HOW TO MAKE A FLOWER COLLAR

MATERIALSCream cotton fabric, 45 x 50cm (17 x 19")50 fabric or silk flower petalsWhite medium weight iron-on interfacing, 45 x 25cm (17" x 97/8 ")Cream polyester sewing thread

Sewing needleSmall hook and eye fasteningIronTwo sheets of baking paper

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Were well-accustomed to donning a Frida Kahlo-inspired flower crown during festival season. But for 2014, were planning to mix it up a bit with a petal-covered collar. More subtle than a bonce full of blooms, itll go with any type of round-necked top so get experimenting with your wardrobe. Fabric flowers can be purchased online or from florists go for pastels for a girly effect, brights for the tropical look, or vamp it up with black flowers and beads. Weve used hydrangea petals here, but experiment with shapes for a variety of looks.

01 Cut out two copies of the template on page 90 and attach them at the fold mark. Place around your neck to check the size. If you need to make the collar smaller, cut off an equal section either side of the fold mark. To lengthen, simply add to the pattern. Cut two shapes from the cotton using your final template. 02 Cut a piece of interfacing using the template. Place adhesive side down onto one of the collar pieces, then iron them between two pieces of baking paper. Place the two collar pieces right sides (RS) together. Sew around the edges

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using a straight stitch, leaving an 8cm (31/8 ") gap on the inside edge for turning. Secure the outer edge of the collar using a zigzag stitch.03 Turn your collar RS out through the gap so the interfacing is on the inside. Iron your collar to create a neat seam and sew the gap closed using straight stitch. Attach your hook and eye you'll find it easier to do this now than after the petals are added.04 When buying fabric flowers you may come across some with stalks. Prepare these by cutting as short as possible so they dont disrupt the way the flower lays against the

fabric. Take each fabric flower head and sew the base to your collar. Start from one side and space out roughly 1.3cm (") between petals, depending on their size, to allow

a good coverage. Larger petals will require less coverage. Continue until your collar is completely covered in a dusky layer of petals. Sew in extras if you find spaces.

Emma BosankoA former secondary school art teacher, Emma teaches arts and crafts in museums as well as designing for her accessories label The House of Handmade. She has an obsession with faux fur and florals that is slowly taking over her house (and her life). www.thehouseofhandmade.com

Vamp-up with everlasting luxury blooms. No water needed!

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INTRODUCING good read

Resurgences of traditional crafts have happened regularly throughout history. So whats really behind todays new wave of handmade?

Words: LOTTIE STOREY Illustration: STEPH BAXTER

THE THIRD WAVE OF CRAFT

P icture the scene: a group of women sit in a church hall. Hands clutched around mugs of tea, they discuss a campaign to address the shortage of midwives in the UK. They then pick up knitting needles, chatting loudly and inspire each other to learn new skills. This is The Womens Institute (WI). What first began almost a century ago to encourage women to help the war-torn nation by growing and preserving food now boasts over 212,000 members more than any political party. But this killer combo of political activism meets creativity is just as likely to happen in kitchens and classrooms, on sofas and at sewing tables all around the world. The WI may be both creative and powerful, but crafters, so are you. Youre surfing a wave that shows no signs of subsiding any time soon. This is the third wave of craft.

SUBVERSIVE STITCHINGCraft, by its very nature, is the antithesis of mass-production. In the wake of the Industrial Revolution, our crafting foremothers and forefathers in the romantic arts and crafts movement fought back against the machinery dominating the workplace. Their philosophy was that the removal of craft skills from the manufacturing process had diminished society, and felt they had a physical and spiritual need to make. This political approach to craft helped make traditional methods and the handmade fashionable once again. Later on, in the 1960s and 70s, women reached a crossroads: some turned down a road towards political awakening and the second wave of feminism, others embraced the domestic arts as sanctuary from the threat of nuclear attack, the mind-blowing progress of the day and the Cold War. And now? Similar conditions exist in the world today: technological advancement, unstable economies, environmental disasters, political unrest all of these may give context to the current resurgence in craft. But are there other reasons why we just cant help ourselves reaching out for the needles and yarn?

Does the resurgence have its roots in a generation detached from the handmade process, who see

the presence of man, rather than machine, as something new and exciting? Or could it be the individuality afforded to crafters in an otherwise mass-produced society? Perhaps the internet is the key factor in this recent reawakening. With the rise of online forums, social media and blogging, geographically disparate individuals are able to forge like-minded communities. Crafting online encourages participation. An incredibly positive peer pressure arises when readers see people like them exploring and creating; imagine a virtual classroom or craft group where you feel empowered to try it for yourself and share the results.

Whatever the catalyst, todays handmade movement builds on a long tradition of personal and political rebellion. Not only that, but makers are creating a shift in the world economy. Selling handmade items online offers consumers an ethical and environmentally-superior choice. No longer restricted to the mainstream high street with its watered-down catwalk fashion or diluted dcor ideas, we are creating an anti-capitalist alternative. Trading direct, maker to buyer, has altered the watercourse. What could be more radical?

CRAFTING FOR A CAUSEBut while craftivism might sound like the fluffy end of personal politics, its really anything but. The juxtaposition of craft with a strong political message is undeniably disarming, as groups such as The Bristol Knitivists take part in yarn bombing against the English Defence League and badger culling. Plus, its also philanthropic. Craft drives such as sewing hats for Haitian newborns (www.soulemama.com/mama_to_mama), Dress a Girl Around the World (www.dressagirlaroundtheworld.com) and Softies for Mirabel (www.mirabelfoundation.org.au) have helped countless people across the globe.

So, whatever your next craft project may be, sit up tall and be proud of your making. Know you are riding the crest of a wave, the kind of which only comes around every once in a while: a tidal wave of craft, craftivism, and political independence. Crafters, you are more powerful than you know.

Little rascals will love gettingup to roughntumble in theseplayful unisex dungarees by

Kirsty Hartley of Wild ThingsFunky Little Dresses

STARBURSTSS


HOW TO MAKE STARBURST DUNGAREES

MATERIALSSoft, medium weight, woven cotton fabric (such as corduroy or cotton twill), 1 metre (1 yrd)Contrast print or plain cotton fabric, metre (9")Cotton fabric scraps in rainbow coloursIron-on bonding web or interfacing, 30 x 30cm (12")

Fun, creative kidswear is where its at, and Kirsty Hartleys designs are bound to spark childrens imaginations whilst still being practical enough for all the adventures playtime brings. Theres often a lack of originality in little boys clothing, and this eye-catching design makes a welcome change to all those sailboat and tractor motifs. Plus, little girls will have just as much fun wearing them to climb trees in the park or run around the playground. Why not experiment with creating your own appliqu designs for extra interest?

01 Using the templates on page 91, cut the pattern pieces in your required size from the main fabric, ensuring the grain line is parallel to the selvedge. Add a 1cm (3/8") seam allowance to the pieces (pocket piece needs 2cm) before cutting. If your fabric is lightweight, you may wish to strengthen the bib by adding a third layer of cotton or interfacing between the pieces. Use the dotted lines on the templates to cut out your turn-up and back facing pieces.02 Cut out the starburst template on page 91 and number the

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Taylors chalkMatching threadsSewing machineDressmaking scissors

FINISHED SIZEAge Height (up to)6-12m 76cm (29.9") 1-2y 90cm (35.4")2-3y 98cm (38.6")3-4y 104cm (40.9")4-5y 110cm (43.3")5-6y 116cm (45.7")


stripes to keep them in the correct order. Iron the bondaweb to the wrong side of your chosen stripe and star fabrics, mark around the template and cut out.03 Peel off the bondaweb backing and position on the bib. Iron into place. Using matching thread and a sewing machine, topstitch all pieces 2mm (1/8 ") from the edges.04 Place the bib pieces right sides (RS) together then stitch 1cm (3/8") from the edge, leaving the lower edge open. Gently snip into the curved edge as shown to create a neat finish when turned. Turn

RS out and press.05 Zigzag stitch the pocket edges. Turn back the top edge and sew back 1.5cm (5/8"). Press back pocket edges by 1cm (3/8"). Repeat the appliqu process and apply stars or little raindrops to the pockets. Position the pockets on to the main sections of the dungarees using the pattern as a guide. Sew into place 3mm (1/8 ") from the edge, making sure you backstitch or create a small triangle at the pocket opening to secure in place.06 Place dungaree panels RS together and sew the centre front

and centre back seams 1cm (3/8"). Stitching the back seam twice to make it extra hard-wearing. Zigzag the edges and press the seam.07 Place the denim or contrast turn back fabric along the hem edge, RS together, and sew along the hem line. Press open. Press the hem edge back by 1cm (3/8") then fold into place. Sew the inside leg seam from one side to the other down to the turn back. Zigzag edges. Pin the turn back into place and sew by hand to secure.08 Prepare the straps by placing pairs RS together and sewing

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around the edges by 1cm (3/8"), leaving the straight narrow end open. Snip carefully around the curve, then turn through and press the strap. Sew into place.09 Make the two front tucks at the front tummy and sew down. Take the sewn bib, and place so RS faces front section. Stitch into place.10 Take the contrast facing. Finish the lower curved edge by zigzag stitching. Position the facing RS to the back. Sew along outer edge. Then, where the facing joins the yoke panel, twist back so RS are together and sew into place.

11 Press facing back and topstitch approximately 5mm (") from the edge all the way around to finish.12 Make a buttonhole (or two if

you wish the strap to be adjustable) and sew buttons into place. Now your dungarees are ready for playtime let's go, kids!

Kirsty HartleyKirsty launched Wild Things Funky Little Dresses two-and-a-half years ago, aiming to create dynamic clothes for kids that instil play and a sense of fun. She now sells her handmade, UK-manufactured clothes to parents all around the world. Shes currently working on her first craft book.www.wildthingsdresses.com

HOW TO MAKE STARBURST DUNGAREES

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LIVINGINSPIRATION ALERT! SPACES, PLACES & NEW DESIGNERS TO WATCH

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Whether youre tying the knot, or popping corks at a celebratory bash, the dynamic duo of party planners behind Knot and Pop are where its at. Neon? Pastel? Have both. As the London-based stylists say, this is your day, your way. www.knotandpop.com


Branching out from classic soft furnishings, Lindsey Lang has added a new string to her designer bow with made to last a lifetime wall and floor surfacings. www.wallsandfloors.eu

SUBTLE BLENDSGET THE LOOK

Lending themselves to decorating heaven, Fine

Little Days Pirum Parum pear and Little Green Sheds geo thistle collage are sheer enough for any dcor. www.bimbily.com www.brambleandbracken.com

Got a flavour for mid-century design? Find

made-to-order modish creations at Retro Print Revival. Bursting with

retro soul, the Tipi table lamp is just a taster of whats on offer. www.retroprintrevival.com

Laura Olivias Aeonium Sky combo of dreamy watercolours and hand-drawing bridges the gap between digital printing and natural beauty. www.lauraolivia.com

Timeless but recognisable, Angus and Celestes distinctively Aussie ceramics use the brilliance of porcelain to illustrate elegant forms of nature. www.angusandceleste.com.au

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WEBSITE TO WATCHBloomingvilleGeometric succulent planters, wall boxes ready to be filled with curios and brushed metal lamps to dress your desk with. This is the kind of place you need to visit to turn your pad from bad to rad. Impressively, the majority of its smart and chic products, designed with a nostalgic Scandinavian twist, are made in-house. www.bloomingville.com

For when all-over gold is too OTT, try Down That Little Lane. This place to share delightful things stocks the prettiest polka dot wall decals perfect for satisfying your cravings for carrots. Sorry, carats. www.downthatlittlelane.com.au

Kerstin and Berit built up their collective Snug Studio in 2010.

Magnetising: the clean design of Snug products is minimalist-chic.

DESIGNER FOCUSSnug StudioInterior designer Kerstin Reilemann and architect Berit Ldecke share more than their complementary careers. Their combined passion for minimalist design has empowered them to join forces to create high-quality home products and chic jewellery from their Snug Studio in Hannover, Germany. We love! www.snug-online.com

Concealing bottles of water, thesecardboard vases cleverly fold out.


LIVING home tour

Born and raised in Veenendaal in the Netherlands, creative soul Marlous still lives on the outskirts of the city, nestled close to beautiful forests and farmlands. She shares her home with her husband Pim and cat Molly, with their first child on the way this summer. They affectionately call their house the White Lady (theyve painted the entire interior white) and say that, although they cant pinpoint why, it gives them a real feeling of being home.

Words: CAROLINE ROWLAND Photography: HENNY VAN BELKOM

Marlous Snijder fills her Netherlands home with

eye-popping colour


LIVING home tour

Left: The dining chairs, from the Ikea PS collection, were so rare that they had to be collected from three different locations. Marlous loves having space for a big table and eight chairs, and its become the heart of her living room.

Right: Marlous spends many hours here working on sewing projects, surrounded by her favourite thrifted finds and inspirational images.


LIVING home tour

When they first set foot in the 1980s property three-and-a-half years ago, the couple instantly fell in love. Their description of the existing interior makes this hard to believe it had a swan-themed blue tiled bathroom, a brown kitchen and a lot of brown brick walls in the living room. But despite this, they knew it had been loved and that they would fit right in here.

It took them three months to strip away huge amounts of wallpaper and replace the kitchen, bathroom and all the flooring, but it soon became the blank canvas they needed to start creating their colourful and intriguing home.

As a blogger and publisher of online magazine Oh Marie! (www.ohmarie.nl), Marlous spends a lot of time online and says she is inspired and influenced by her super-creative blog friends. But although the online community has helped develop her style, she admits the infinite world of Pinterest, Instagram and blogs can sometimes

be overwhelming and intimidating. To overcome this, her advice is to always give your own twist to trends to keep things personal and original.

She describes her interior style as quirky, whimsical, playful and colourful, and her love of many different styles, eras and patterns gives the space an eclectic personality. With a preference for an uncluttered aesthetic, Marlous finds herself constantly moving and changing things around to keep it fresh. Luckily Pim is an open-minded kind of guy and doesnt bat an eyelid if she brings home a thrifted rocking zebra.

Going on junk-hunting adventures inspires Marlous the most, and she says the sight of a thrift shop packed with potential treasure fills her with joy. She keeps her eyes peeled for her beloved Japanese Kokeshi dolls although these beautifully handcrafted wooden dolls are still in production, Marlous prefers to seek out vintage examples to add to her 16-strong collection.

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This page: One of Marlous favourite corners of the living room. They bought the kilim rug before moving in and she still loves its colours and flowers.


LIVING home tour

The couple effortlessly combine new accessories into their home alongside these vintage finds, so items from Ikea and Habitat can be found alongside handmade products sourced on Etsy. The Scrapwood wallpaper by Studio Ditte in their bedroom was on the wall in their previous house, too. When they were selling the new owners really disliked it so, unable to bear the thought of it being stripped and discarded, Marlous and Pim carefully removed it and brought it with them! Marlous also recalls the story of the Moldovian carpet in their living room. They had fallen in love with this particular pattern and were heartbroken to find out someone had already reserved it. But in a twist of fate, it turned out to be too large for the other buyers room, so they returned it.

Another favourite item is a vintage Verner Panton Panthella lamp that Marlous mother

found in a thrift store. It reminds Marlous of her happy childhood, as her parents had one too. Perhaps its these heart-warming, quirky stories behind so many of their possessions that makes their home so special they are surrounded by the things they love and cherish on a daily basis. As Marlous concludes: If I could, I would hug it every single day, just because it makes us feel so at home.

01 The couples

bedroom is calm and

serene. The bedspread

was crocheted by

Pims grandmother. 02 Marlous made

this after the holidays

when she missed the

Christmas dcor.

Oh Marie! MagazineMarlous is editor and publisher of her own print and online magazine Oh Marie! Published in both English and Dutch, it focuses on creativity, beautiful objects, DIYs and tips for developing your own style. It goes on sale every two months and each issue has a different theme. She also blogs at Planet Fur. www.ohmarie.nl, http://planetfur.nl

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Try our interactive iPad and iPhone editions of Mollie Makes Wedding, Mollie Makes Home and Mollie Makes Mama magazines

ALL MOLLIE MAKES TITLES ARE AVAILABLE ON NEWSSTAND FOR IPAD, IPHONE AND IPOD TOUCH

To see our full collection, visitmyfavouritemagazines.co.uk/ipad-magazines

specialsCollect your digital

You can now purchase a digital edition of our Mollie Makes specials - ready to read wherever

and whenever you need a bit of inspiration

Each purchase is permanently stored in your own magazine library

Cover up in the kitchen without losing your style credentials by donning

this fab patterned apron

Retro pinny

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HOW TO MAKE A RETRO PATTERNED PINNY

MATERIALSJumbo and super-jumbo ric rac, 70cm (28") eachTwo pieces of main cotton fabric, 70 x 35cm (28 x 14") and 70 x 18cm (28 x 7") One piece of contrasting cotton fabric, 70 x 8cm (28 x 3")One piece of contrast fabric for the waistband, measuring the width of the finished top of the apron (see Step 7) plus 3cm (1") by 15cm (6") One piece of fusible

interfacing measuring the same width by 7.5cm (3") deepTwo pieces of contrast fabric for the ties measuring about 60cm (23") or the length required, by 15cm (6")2.5cm (1") bias binding, the length of the finished bottom of the apron plus 2cm (")Matching sewing threads Needle and pinsSewing machineFabric scissorsIron and ironing board

FINISHED SIZEThese instructions will give you an apron measuring approximately 70cm (28") long, and 38cm (15") across the top, with ties 60cm (23") long. To increase the width slightly, you can either reduce the depth of the pleats (see Step 6) or cut wider main fabric panels. To increase the width by more than an inch or so, cut wider main fabric panels, but leave the contrast strip the same width. You can also cut the fabric pieces to different lengths.

If youre as enthusiastic (not to mention messy!) when cooking as we are, then an apron is pretty much a kitchen essential. However, when attempting to be the hostess with the mostess, youll need something thats suitably stylish as well as practical so you can pop in and out of the party without having to take it off. This design is quite long, but if you're short on fabric, you can adapt it to suit whatever length you like as well as your waist size see the Finished Size notes.

To really channel that domestic goddess vibe (even when you're not feeling it) we've gone for a granny-chic mix of retro patterns to help us get us in character for our chic soire. Prawn cocktail starter, anyone?

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01 Turn under and stitch down a small hem at one end of each piece of ric rac. Ric rac tends to fray noticeably, so you might find some Fray Check useful here.02 Right sides (RS) together, lay the jumbo ric rac along the right-hand long edge of the large piece of main fabric, with the turned under end 1cm (3/8") up from a short raw edge. Position so that when a 1.5cm (5/8") seam is sewn along the long edge, the seam will run along the middle of the ric rac shown here by the dashed line. Pin the ric rac in place along the upper edge.03 Lay the contrast strip for the skirt RS down over the ric rac, matching the raw edges. Pin the layers together, making sure you

pin through the ric rac, then take out the pins inserted in Step 2. Sew the seam taking a 1.5cm (5/8") seam allowance. Finish the raw seam allowances by zigzag stitching them and the ric rac together.04 Press the seam open on the RS, pressing the ric rac toward the contrast strip, and on the wrong side (WS) pressing the ric rac and both seam allowances toward the main fabric.05 Repeat Steps 24 with the super-jumbo ric rac, pinning it RS together to the raw edge of the contrast strip, then pinning the smaller piece of main fabric over it. Press the ric rac and seam allowances in the same direction as the first piece. On the right side, topstitch 3mm (1/8") from the ric

rac seams to hold the layers flat.06 Pleat the top edge of the apron. We made three pleats, each over 6cm (2") of fabric, placing one pleat 6.5cm (25/8") in from each edge and another one in the larger main fabric, 4cm (1") from the first pleat. You can change this to suit, just keep the pleats at least 3cm (1") from the long edges, and dont put a pleat into the contrast strip. On the RS, topstitch the pleats to hold them in place. We topstitched about 10cm (4"), but you can stitch a shorter amount for a fuller apron.07 Turn under and sew a double 1cm (3/8") hem along each of the long edges.08 Iron the fusible interfacing onto the back of half of the waistband


fabric, as shown. RS together, pin one tie piece to each end of the waistband. Taking 1.5cm (5/8") seam allowances, sew the two pieces together. Press the seam allowances open to finish.09 RS together, pin the interfaced edge of the waistband to the top of the skirt, matching the side seams to the skirt edges. Sew together, taking a 1cm (3/8") seam allowance.10 Open the pieces out and press the seam flat, pressing the seam allowance toward the waistband. Press under 1cm (3/8") hems around all the other edges of the waistband and tie piece.11 Fold the piece in half along the interfacing, matching the edges of the ties exactly, and sew all the way around.

12 Open out one folded edge of the bias binding and, RS together, pin it to the bottom edge of the apron, matching the edge of the binding to the edge of the apron as shown, and so that 1cm (3/8") protrudes at either side. Sew along the fold in the binding.13 Fold in the free ends of the binding and press. Then fold the

binding over to the WS of the apron, folding over just a little of the fabric as well, as shown. Sew along the top edge of the binding to finish the hem. We stopped and started sewing either side of the ric rac, but this isnt strictly necessary. Now, invite a bunch of friends over for dinner and drinks so you have an excuse to wear your new apron.

Sewlicious This pretty and practical sewing project is taken from Sewlicious by Kate Haxell, published by CICO Books at 14.99 and available from all good bookshops. To purchase a copy at the special price of 10.99 plus free P&P, call 01256 302699 quoting discount code GLR 9OR. www.cicobooks.co.uk

HOW TO MAKE A RETRO PATTERNED PINNY

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You will need: 500g granulated sugar, 500g frozen raspberries, 425g plain flour, 4 egg yolks, 75g caster sugar, 2 tsp vanilla extract, 2 tsp finely grated lemon zest, 325g softened butter and large scallop circle and heart cutters. 01 Sterilise some jam jars with hot soapy water (or run through a dishwasher) and leave to dry. Then upturn the jars ontoa baking tray and place in the oven for 15 minutes at 120C. 02 Weigh the sugar into an ovenproof bowl and pop in the oven for 15 minutes at 180C. 03 Place the raspberries in a large pan over a medium heat, bring to the boil and cook for two minutes until juicy and jammy. 04 Add the warm sugar to the raspberries on the heat. Stir until the sugar has dissolved, then boil for another six minutes. Skim off any pink froth. To test the jam, put a dollop of jam onto a chilled saucer and pop in the fridge for a few minutes. When its cold, push it with your finger. If it wrinkles, your jam is set. If its not, boil for a minute longer and test again. Transfer into your jars and chill in the fridge overnight.

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JAM HEART BISCUITSBake a batch of these jammy treats by La Messer

to pep up tea breaks and share a little love

La is a designer and founder of Messyla. She loves baking, cats, coffee and working in her summerhouse. She makes fresh, beautiful cards and gifts that are a little bit vintage and a little bit country. www.messylashop.com

05 Preheat your oven to 180C. Sift the flour into a large bowl or electric food mixer. Add the sugar, vanilla extract, grated lemon zest, egg yolks and butter. Mix to form a dough. 06 Remove from the bowl, pat together with your hands, flatten and roll out to 2cm thick. Split in half, place in plastic bags and chill in the fridge for 30 minutes. 07 Using half of the chilled dough, roll out to 5mm. Cut out scalloped circles and circles with hearts cut out of the centres. 08 Place the biscuits on baking trays and bake for 8-10 minutes until pale golden in colour. Allow to sit in the tray for a couple of minutes, so the biscuits firm up, then transfer to a wire rack. 09 When the biscuits are cool, spread your homemade jam onto the reverse side of the whole biscuit. Place your cut-out heart circle on top to finish.

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Debbie Bliss squidgey knitted pouffe in a tranquil suits-all-homes shade is ideal for lazy Sunday lounging


HOW TO MAKE A KNITTED POUFFE

Ahhh, this pouffe is just the place to settle down after a long, hard day. Worked in moss stitch, its made using three strands of cotton yarn held together to create a luxurious, oversized stitch. If youre unfamiliar with knitting on such a large scale, make sure you practice first and dont skip the tension swatch stage. Also, when joining in new balls of yarn, dont add all three strands at once try to stagger them so the joins are as unnoticeable as possible.

If you dont have a spare duvet to stuff your pouffe with, dont worry you could use old pillows, cushions or even old knitwear.

NotesIf using a circular needle, work backwards and forwards in rows; do not work in rounds. The piece is worked in turning rows throughout.

Do not wrap the sts when turning, but when slipping the st after turning, pull yarn tight to avoid a hole forming.

The pouffe will stretch once its filled, so the recommended tension does not reflect the finished size.

Knitting the pouffeWith 9mm (US 13) needles or circular needle and three strands of yarn used together, cast on 67 sts.Moss st row K1, [p1, k1] to end.This row forms moss st and is repeated.Moss st one more row.1st row (right side) Moss st to last 9 sts, turn.

2nd row Sl 1 purlwise pulling yarn tight (see Notes), moss st to last 9 sts, turn.3rd row Sl 1 purlwise, moss st last 3 sts, turn.4th row Sl 1 purlwise, moss st to last 3 sts, turn.5th row Sl 1 purlwise, moss st to last 9 sts, turn.6th row Sl 1 purlwise, moss st to last 9 sts, turn.7th row Sl 1 purlwise, moss st to last 15 sts, turn.8th row Sl 1 purlwise, moss st to last 15 sts, turn.9th row Sl 1 purlwise, moss st to end.10th row Moss st across all sts. These 10 rows form the pattern and are repeated 21 times more, then work 1st to 9th rows again.Cast off all sts in moss st.

Making upClose the top and bottom of the piece as follows: working with two strands of yarn and a blunt-tipped needle, insert the needle through the edge st of every 4th row-end, pulling up tightly each time to gather, until theres only a small hole in the middle. Start to join the cast on edge to cast off edge, but only for about 5cm (2") at each end if you join any further you wont be able to insert the duvet. Roll the duvet into a pouffe shape and insert it into the knitted piece, trying to make as even a shape as possible. Continue to join the seam until its complete. Now find a cosy corner, sit back and relax.

MATERIALS21 x 50g balls of Debbie Bliss cotton DK in duck eggPair of long 9mm (US 13) knitting needles or one 9mm (US 13) circular knitting needleYarn needleOne kingsize machine washable polyester duvet

TENSION11 sts and 17 rows to 10cm (4") square over moss st using 9mm (US 13) needles and three strands of yarn held and used together.

ABBREVIATIONS (UK)k knitp purlsl slip stitchst(s) stitch(es)

FINISHED SIZEApproximately 38cm (15") tall and 173cm (68") all around.

Knits for You and Your HomeThis project is taken from Knits for You and Your Home by Debbie Bliss. Mollie Makes readers can buy the book for the special price of 14.99 (RRP 18.99), plus free P&P (UK only). To order, call Quadrille direct on 01256 302699, quoting reference 8KG and your credit card details.www.quadrille.co.uk


Yarns, patterns, books, magazines... Is there anything crafty entrepreneur Debbie Bliss cant do?

Words: JESSICA BATEMAN AND CHARLIE MOORBY

CLOSER LOOK

With a huge back catalogue of patterns, her own range of yarns and even a magazine to her name, Debbie Bliss is one of the undisputed queens of

knitting. But, being at the helm of such a yarn empire, does she ever get the opportunity to just sit and knit at home herself?

I find it therapeutic if its something really simple, like a scarf, she tells us. At the moment Im knitting dog coats for an upcoming book, but I also like knitting throws, particularly in chunky yarns where the stitches are so magnified, and I love a beret or a beanie hat!

Having been taught by her mother to knit as a child although she says she cant remember it happening Debbie kickstarted her career by pitching her patterns to various craft magazines. One editor in particular, Melody Griffiths, picked up on her work, and they went on to collaborate many times over the years. This led to an opportunity to launch her own incredibly

popular yarns. Twice a year Ill go to the Pitti Filatytti trade show in Florence and look at all the new yarns from Italian manufacturers, she explains. Sometimes Ill see something I like straight away, but usually Ill collaborate with the manufacturer to develop products further.

So with her yarns being used to create items in homes all over the world, what kind of look does Debbie prefer for her own living space? My ideal interior would contain lots of French greys, creams, and natural linen, she reveals. However, my husband Barrys style is large, dark Elizabethan furniture, so our house is an unusual mix of Tudor chests and tables on grey floorboards. A pink sofa adds a pop of colour.

Debbies next project is an exciting new website, Debbie Bliss Online. Itll feature my new homeware collection, and also a section called Debbie Bliss edits, where you can buy products I love, she says. We cant wait! Sign up for alerts at www.debbieblissonline.com

knitted bliss

Handmade with love132 PAGES OF BEAUTIFUL WEDDING INSPIRATION,

IDEAS AND CRAFTY MAKES7.99 from all major supermarkets and WHSmiths

Or visit www.myfavouritemagazines.co.uk/stitch-and-craft-bookazines Or call 0844 848 2852 (UK)+44 1604 251 045 (international)

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A Motto

a DayAdd some inspi

rational

embroidered quotes to your

display wall with Marna Lunts

easy hoop art how-to


HOW TO MAKE EMBROIDERED HOOP ART

MATERIALSWooden embroidery hoop, 10cm (4"), 15cm (6") or 23cm (9") Paint sample potPaintbrushBackground fabric of your choicePieces of lace, crochet, fabric scraps and paper doilies for embellishingButtons, beads and sequins in various shapes and sizes

Embroidery cottonNeedleWater-soluble penFabric for backingRibbonFabric glue

Were big fans of words here at Mollie Makes HQ whether reading them, pinning them or sticking them up on our walls for inspiration, we love discovering a phrase to lift our day. This project is a great excuse to raid your stash and put to use all those pretty scraps of fabric, buttons, doilies and so on that youve been hoarding. Pick something extra-special with a stitched or printed design for the background we used a vintage table cloth and experiment dying crochet and fabric scraps if you want your embellishments to match.

If youre not a fan of your own handwriting, then trace some printed words onto baking paper

and pin to the fabric. Backstitch over the top, then carefully tear away the paper. If youre stuck for ideas on what words to use, Pinterest is a great resource for finding quotes.

01 Gather some sample paint pots and pick out one of the colours in your fabric or embellishments to paint your hoop with. Paint the hoop and leave it to fully dry.02 Once dry, place your fabric in the hoop and arrange it so you have a pattern around the edge and sufficient space left to add your writing. Using a water-soluble pen, write a phrase or a few words onto the fabric. Dont worry if you make a mistake just spray

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How does your garden grow? With beads and crochet f lowers, of course!


it with some water and try again once its dry. Roughly placing your embellishments around the edge can help you find the right position. 03 Once youre happy with your words, backstitch over them in complimentary-coloured embroidery cotton. After stitching all the words lightly spray water over the blue lines to make them vanish, then iron your fabric on the reverse. Pop it back in the hoop and stretch it tight. Pick out your lace, crochet and button embellishments.04 Arrange your buttons and lace around the edges, then add a bit of fabric glue to hold them in place. Once the glue has dried you can add a few stitches for extra

security if you wish, using coloured thread for added interest. We used a pale straw yellow for the buttons and added a few seed stitches in a vintage blue-green around the design for extra detail.05 To finish, unscrew the hoop and lay a square of backing fabric on the wrong side of your work. This

will hide your working and give your hoop a neat back. Trim your fabric around the hoop weve kept it showing outside the edges.06 Finally, add a piece of ribbon in a complimentary colour to the top of the hoop. Now hang in a visible spot for morning perk-me-ups and guaranteed smiles.

Marna LuntMarna grew up amongst the heather, lapwings and peat of the North Yorkshire Moors, and its stunning seasonal colours and rich textures still inspire her artwork. Her hand-embroidered pieces are made into wall art and statement lampshades, and she creates commissions of amazing landmarks and London cityscapes. www.marnalunt.co.uk

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Hoarding a piece of floral curtain? Turn it into a lovely vintage letter. Find 35 stylish typography projects to perch on your sideboard and pep up your walls in Clare Youngs new top-of-the-fonts Letter Art book. www.cicobooks.co.uk

LOVINGOH, YOU PRETTY THINGS! MOODBOARDS & MUSINGS TO INSPIRE US

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COLLECTING

Gemma Nemer of Rotherhams The Button Tin, on finding her most prized possessions on her doorstep

I have memories of when I was a little girl, playing with my grandmothers button tin. It was a rusty old Quality Street tin and I used to spend hours looking through the buttons, sorting them in to colours while my grandmother told me stories about where each button came from: maternity dresses, wedding dresses and night gowns. I loved how each button held a memory.

I think my passion for the past and all things vintage started there too. One of my favourite aspects about collecting buttons is finding them homes in nice jars and containers. I have thousands of buttons now, too many to count in fact! I love rummaging in flea markets and antique fairs, I get so excited when I find something, I usually get butterflies in my stomach with the joy of a find!

Whats even better now, is that I can take in other peoples collections at my studio. Button tins are left on my doorstep. I think its beautiful how people are happy to give me their collections to use

and share in my sewing projects and workshops.One of my best finds was in my friends cellar. We

found two very old, dusty wooden crates, full to the brim with thousands of pretty and bizarrely-shaped vintage mother-of-pearl buttons, many in their original boxes. They were so old they were covered in black mould so I spent months painstakingly washing these little treasures in my bath at home. There are stunning shapes among them like triangles, squares, bows, hexagons, all sorts. I now have the enjoyable task of sorting them in to jars, another thing I love to collect!

I absolutely adore 1950s pretty plastic buttons, I have a weakness for all things kitsch. I love the mouldings, they were just so ornate back then.

A top collecting tip is to keep your buttons organised, show them off and enjoy them. And tell people what you collect as quite often they will find things for you. As they say, one mans junk is another mans treasure. www.thebuttontin.com

PH

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The weathers finally set to warm up, and these quirky amigurumi sheep

are on their way out to play

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HOW TO MAKE CROCHET LAMBS

MATERIALSLarge sheep

Approx 40g/120m DK yarn in creamApprox 5g/20m 4ply yarn in red for scarf4mm (UK 8, US G/6) crochet hook2.5mm (UK 12, US B/1 or C/2) crochet hook for scarf8mm safety eyes

Small sheepApprox 30g/120m 4ply yarn in creamApprox 5g/40m 2ply/laceweight yarn in teal for bag3mm (UK 10, US C/2 or D/3) crochet hook2.25 mm (UK 13, US B/1) crochet hook for bag6mm safety eyesSmall bead for bag

Both sheepOddments of pink yarn for nose markingsSewing needleSoft toy fillingStitch markers

ABBREVIATIONS (UK)st(s) stitch(es)ch chain dc double crochetss slip stitchtr trebleRS right sideWS wrong sideyrh yarn round hook

FINISHED SIZELarge sheep measures approx 12.5cm (5"), small sheep measures approx 10.5cm (4") at longest point.

Ahhh, springtime. How long you take to come around, and how good you look when you finally get here. These playful sheep can be made in any colour and size using the appropriate hook. Tension isn't important just ensure stitches are dense enough for no stuffing to poke through.

Sheep sides (make two)The large sheep is made using a 4mm crochet hook and dk yarn, the small sheep is made a 3mm crochet hook and 4 ply yarn.Start with the front leg.Foundation Ch4Row 1 (RS) Dc into 2nd ch from hook and each of next 2 ch, turn. [3dc]Row 2 (WS) Ch1 (does not count as st), dc into each dc across, turn. [3dc]Rows 3-9 Repeat row 2. [3dc] Continuing to start of bodyRow 10 (WS) Ch1 (does not count as st), dc into each dc across, ch13, place stitch marker in last ch, turn. [16sts]Row 11 (RS) Ch1 (does not count as st), dc into each dc across, turn. [16dc]Row 12 (WS) Ch1 (does not count as st), 2dc into first dc, dc into each of next 14 dc, 2dc into last dc, turn. [18dc]Rows 13-15 Ch1 (does not count

SPECIAL ABBREVIATIONSDc2tog double crochet 2 together (insert hook in next st, yrh and draw loop through) twice, yrh and draw through all 3 loops on hook. Magic ring make a magic ring hold thread in your hand and wrap working yarn around forefinger twice to create ring, slip ring off your finger and insert hook to pick up first st, ch1, then work the necessary sts

for round 1 and close the ring tightly by pulling the loose end.

NOTESThe sheep are made in pieces, sewn together and stuffed. Each sheep is constructed the same way. They each have two identical sides, a gusset for the underbody and inside of legs, a gusset for the top of the head and a muzzle. Ears, tails and accessories are sewn last.

as st), dc into each dc across, turn. [18dc]Row 16 (WS) Ch1 (does not count as st), dc2tog, dc into each of next 14 dc, dc2tog, turn. [16dc]Row 17 (RS) Ch1 (does not count as st), dc2tog, place marker in st just made, dc into each of next 14 dc, ch5, turn. [20sts]Start of head.Row 18 (WS) Ch1 (does not count as st), place stitch marker on this ch, dc into each of first 9 sts, dc2tog leaving remaining sts unworked, turn. [10dc]Rows 19-22 Ch1 (does not count as st), dc into each dc across, turn. [10dc]Row 23 (RS) Ch1 (does not count as st), dc into each of first 8 dc, dc2tog, turn. [9dc]Row 24 (WS) Ch1 (does not count as st), dc2tog, dc into each of next 5 dc, dc2tog, turn. [7dc]Row 25 (RS) Ch1 (does not count as st), dc into each of first 5 dc, dc2tog, turn. [6dc]Row 26 (WS) Ch1 (does not count as st), dc2tog, dc into each of next 2 dc, dc2tog. Place stitch marker at the end of this row. [4dc]Fasten off.Turn work and join yarn in marked st of row 17, ch1, miss first st along edge of back, dc into each of next 4 dc, ss to next st.Fasten off.

Add back leg to side of body.Turn work and rotate so you can add the back leg along the underside.Row 1 (WS) Join yarn in marked ch of row 10, ch1 (does not count as st), dc into each of first 5 dc of underside, turn. [5dc]Row 2 (RS) Ch1 (does not count as st), dc into each dc across, turn. [5dc]Row 3 (WS) Ch1 (does not count as st), dc into each of first 3 dc, dc2tog, turn. [4dc]Row 4 (RS) Ch1 (does not count as st), dc2tog, dc into each of next 2 dc, turn. [3dc]Rows 5-10 Ch1 (does not count as st), dc into each dc across, turn. [3dc]Fasten off.

EyesPosition the safety eye on the RS between the last 2-sts (closest to the front of the head) of row 23. Secure in place. When making the second side of the body, position the safety eye onto the WS in the same location.

Underbody gusset and inside legsFoundation Ch2Row 1 (RS) Dc into 2nd ch from hook, turn. [1dc]Row 2 (WS) Ch1 (does not count as st), 2dc into dc, turn. [2dc]Rows 3-6 Ch1 (does not count as st), dc into each dc across, turn. [2dc]Row 7 (RS) Ch1 (does not count as st), 2dc into first dc, dc into each of next dc, turn. [3dc]Rows 8-12 Ch1 (does not count as st), dc into each dc across, turn. [3dc]Row 13 (RS) Ch1 (does not count as st), dc2tog, dc into each of next dc, turn. [2dc]Rows 14-18 Ch1 (does not count as st), dc into each dc across, turn. [2dc]


Row 19 (RS) Ch1 (does not count as st), dc2tog, turn. [1dc]Row 20 (WS) Ch1 (does not count as st), dc into dc. [1dc]Fasten off.Add front legs.Rotate work and join yarn in end of row 17.Row 1 Ch1 (does not count as st), dc into end of row 17, dc into end of row 16, turn. [2dc]Rows 2-10 Ch1 (does not count as st), dc into each dc across, turn. [2dc]Fasten off.Rotate work and join yarn in other end of row 17.Repeat Rows 1-10.Fasten off.

Add back legsRotate work and join yarn in end of row 4 on other side.Row 1 Ch1 (does not count as st), dc into end of row 4, 1dc into end of rows 5-7, turn. [4dc]Row 2 Ch1 (does not count as st), dc2tog, dc into each dc across, turn. [3dc]

Rows 3-10 Ch1 (does not count as st), dc into each dc across, turn. [3dc]Fasten off.Rotate work and join yarn in other end of row 4.Repeat Rows 1-10.Fasten off.

Head gussetFoundation Ch2Row 1 (RS) Dc into 2nd ch from hook, turn. [1dc]Row 2 (WS) Ch1 (does not count as st), 2dc into dc, turn. [2dc]Row 3 (RS) Ch1 (does not count as st), dc into first dc, 2dc into each of next dc, turn. [3dc]Row 4 (WS) Ch1 (does not count as st), dc into first dc, 2dc into each of next dc, dc into each of next dc, turn. [4dc]Row 5 (RS) Ch1 (does not count as st), dc into first dc, 2dc into each of next dc, dc into each of next 2 dc, turn. [5dc]Rows 6-8 Ch1 (does not count as st), dc into each dc across, turn. [5dc]

Row 9 (RS) Ch1 (does not count as st), dc2tog, dc into each of next dc, dc2tog, turn. [3dc]Fasten off leaving a long tail.

MuzzleThis is worked in the round.Start with a magic ring.Round 1 (RS) Ch1 (does not count as st), 5dc into ring, ss to top of first dc to join, pull ring tight. [5dc]Round 2 (RS) Ch1 (does not count as st), dc into each of first 3 dc, 2dc into each of next 2 dc, ss to top of 1st dc to join. [7dc]Round 3 (RS) Ch1 (does not count as st), dc into each of first 3 dc, 2dc into each of next 4 dc, ss to top of 1st dc to join. [11dc]Round 4 (RS) Ch1 (does not count as st), dc into each dc around, ss to top of 1st dc to join. [11dc]Fasten off leaving a long tail.

Ears (make two)Foundation Ch3Row 1 (RS) Dc into 2nd ch from hook and next ch, turn. [2dc]Row 2 (WS) Ch1 (does not count


as st), dc into each dc across, turn. [2dc]Row 3 (RS) Ch1 (does not count as st), dc into first dc, 2dc into next dc, turn. [3dc]Row 4 (WS) Ch1 (does not count as st), dc into first dc, 2dc into next dc, dc into next dc, turn. [4dc]Row 5 (RS) Ch1 (does not count as st), dc into first dc, dc2tog, dc into next dc, turn. [3dc]Row 6 (WS) Ch1 (does not count as st), dc2tog, dc into next dc, turn. [2dc]Row 7 (RS) Ch1 (does not count as st), dc2tog. [1dc]Fasten off leaving a long tail.

Tail Foundation Ch8Row 1 (RS) Dc into 2nd ch from hook and each ch across. [7dc]Fasten off leaving a long tail.

FinishingPin underside and inner leg section to the respective legs of the sides. Sew carefully around the seams of each leg from the chest to where the back meets the head. Fill the legs with toy stuffing.Sew carefully along the top of the back from where the underbody ends to the stitch marker at the end of row 26.Fill the body with toy stuffing.Sew carefully along the front from where the underbody ends to the stitch marker on row 18. Pin into place the head gusset and sew from the back of the head to the front of the gusset down both sides, leaving open a circle to fit the nose. Stuff the front of the body and the head. Pin the muzzle in place and sew around to secure to the head of the sheep, adding stuffing as you go. Weave in all ends.Pin ears into position on head using image as a guide. Sew carefully around the ears to secure to the head. Weave in ends.

Pin the tail into position on the body where the stitch marker is on row 17. Using the long tail, sew carefully around the tail to secure. Weave in ends.Using the pink yarn, embroider the mouth and nostrils onto the sheeps face using the large main image as a guide.

AccessoriesScarf for large sheepUsing 2.5mm crochet hook and red yarn.Foundation Ch71Row 1 (RS) dc into 2nd ch from hook and each ch across. [70dc]Fasten off and weave in ends.Wrap scarf around neck of sheep and tie in a bow.

Bag for small sheepUsing 2.25mm crochet hook and teal yarn. Foundation Ch11.Row 1 (RS) Dc into 2nd ch from hook and each ch across, turn. [10dc]Rows 2-6 Ch3 (counts as tr), tr into next dc and each dc across, turn. [10tr]Row 7 (RS) Ch1 (does not count as st), dc into each tr across, ch40 for strap, ss to first st of row to join.Fasten off and weave in ends.Fold bag so that Rows 1 and 7 meet and, using the same yarn, sew up the sides of the bag. Sew small bead in position on bag and push through st to form closure. Hang round the neck of the sheep.

HOW TO MAKE CROCHET LAMBS

Bored of eating grass, the pair went off to find Easter eggs.

Girls Knit AccessoriesThis project has been translated from Girls Knit Accessories: Hair ornament, bag charm, key chain and mobile phone strap (ISBN 978-4021905223), the Japanese publication of E&G CREATES, INC. www.eandgcreates.com/index.html

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The Simple Things Featuring a gorgeous blend of food, interiors, gardening,

travel and wellbeing, its about taking time to enjoy the simple pleasures in life.

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www.thesimplethings.comTA K E A P E E K AT O U R L ATE ST I S S U E AT

* So named because the granules of this fine sugar are small enough to pass through a caster, or sugar sprinkler. Dont have any in the cupboard? You can make your own by brief ly grinding granulated sugar in a food processor.

RECIPE FROM DELICIOUSLY VINTAGE by Victoria Glass (Ryland Peters & Small),

photography by Isobel Wield. To buy

Deliciously Vintage at the special price of 11.99 including P&P (RRP 16.99) call

01256 302699 and quote the reference

GLR 9NJ. Offer ends 30th April 2014.

CAKE IN THE HOUSE

A light sponge drizzled with sweet lemon syrup. This timeless teatime loaf is just impossible to resist

LEMON DRIZZLE CAKE

110g unsalted butter, softened

175g caster sugar*

175g self-raising flour, sifted

1 tsp baking powder

A pinch of salt

2 large eggs

4 tbsp whole milk

Finely grated zest of 2 unwaxed lemons

For the topping:

100g caster sugar

Juice of 2 lemons

1. Preheat the oven to 180C (160 fan),

350F, gas 4. Put all the cake ingredients,

except the lemon zest, into a large mixing

bowl and, using an electric hand whisk,

thoroughly combine until the mixture is

creamy and has a dropping consistency.

2. Fold through the lemon zest and pour

the cake batter out into a 1kg loaf pan that

has been lined with parchment paper.

Level the top with a palette knife and

bake for 3035 mins, or until an inserted

skewer comes out clean.

3. In the meantime, stir the lemon juice

and sugar together in a jug to make the

drizzle topping. Once the cake has baked,

remove it from the oven and stab it all over

with a skewer to create lots of fine holes

for the syrup to soak through. Pour the

lemon syrup over the hot cake and leave

the cake to cool completely in its pan on

top of a wire rack, before turning out.

59Subscribe at www.thesimplethings.com

A BLANK CANVAS

Words: SALLY COULTHARD Photography: FELIX FOREST / LIVING INSIDE

THE MEDLEY OF THOUGHTFULLY CHOSEN

OBJECTS IN LUCY FENTONS HOME

TELLS A VERY PERSONAL TALE

NEST | HOW WE LIVE

All you need to get started with stitching is a needle, fabric and thread, but if like us you dream of whipping up handmade homewares and head-turning tailoring worthy of The Great British Sewing Bee, youll need a little help from a sewing machine.

We have three beginner-friendly machines to give away courtesy of Janome. As well as being the ideal tool for making our peg bag on page 60, the Model 525S (worth 249) is the machine of choice on the upcoming second series of Sewing Bee. Its perfect for new stitchers and those with more experience. The Model 525S handles all types of fabric well and the jam-proof drop-in bobbin system ensures smooth, trouble-free stitching. This machine has a range of stitches and features to cope with general sewing tasks. Stitch selection is by dial just choose the letter that matches the stitch and then start sewing. Its that easy.

WIN! A JANOME 525S SEWING MACHINEFROM NOVICE TO SEAMSTRESS D ISCOVER

THE PLEASURES OF ST ITCHING IT YOURSELF

The automatic one-step buttonhole produces perfect buttonholes in one easy move, while the automatic needle threader takes the strain out of threading the needle. Theres plenty of accessory storage and a hard cover for protection too, making it ideal for transporting to classes and workshops.

For more on the Model 525S and other sewing machines in Janomes extensive range, visit www.janome.co.uk.

How to enterEnter online at www.thesimplethings.com/ janome by 11th April 2014 for a chance to win one of three Janome Model 525S sewing machines. Each winner will also receive a copy of Beginners Guide to Sewing (worth 9.99), featuring 28 projects to make. Twelve runners-up will receive a copy of Beginners Guide to Sewing. For full competition terms and conditions, turn to page 129.

TH R E E S E WI N G

MACH I N E S TO WI N !

PLUS TWELVE RUNNER-UP

PRIZES

COMPETITION

63Subscribe at www.thesimplethings.com

MOREMARCH WISH LIST

12

Mum's Day Bouquet

Rustle up felt blooms for not one, but two ideas for Mothering Sunday gifts

that will last and last


HOW TO MAKE FELT BLOOMS

MATERIALSOne strip of felt, 76 x 5cm (30 x 2"), or multiple strips cut to 5cm deepFour pieces of green felt, 5 x 7.5cm (2 x 3") Green embroidery threadCovered floral wire, 25.5cm (10")One button with large holes, 5cm (2") in diameterBinder clipsPinking shearsGlue gunCrewel needle

Treat your mum to a gorgeous gift thatll sit pretty on her kitchen table for months to come. Make these speedy felt flowers up in contrasting bold colours for an eye-catching display and play around with varying the width and length of the strips, or the depth and breadth of your snips, to switch up the final outcome.

As well as gathering them in bouquets you could try them as brooches, or use instead of bows to add a 3D touch to gift wrapping.

01 Fold the large strip of felt in half twice and secure the bottom edge with binder clips to keep the layers together. Alternatively, stack

up multiple felt strips in sets of four and clasp at the bottom.02 Trim along one long edge of the felt strip with pinking shears. Use sharp scissors to snip between each zigzag, fringing the fabric through each layer. Snip very close to the base of the strip without cutting all the way through. 03 Unfold the fabric and, starting at one end, roll the fringed felt into a coil, gluing the base of the strip underneath the flower to secure it as it takes shape. If you're using multiple strips rather than one long one, just add them alongside, securing with a little fabric glue. Keep going until you have coiled and glued it all in place.

04 Cut two green felt leaf shapes using the template on page 91. 05 Thread your needle with approx 61cm (24") of green embroidery thread. Layer matching leaves together and backstitch around the outside edges to join them. Try different stitches, too!06 Glue the leaves to the underside of the main flower. 07 Thread a piece of floral wire through the holes of a button, leaving a 2.5cm (1") tail. Twist the tail under the button and around the wire, securing it. Glue the button to the underside of your flower. Once youve made several, gather them together in a vase for the prettiest everlasting posy.

No f lower food required. Just add a pretty vase.

01

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Youre guaranteed to make an entrance in this striking

statement headpiece

TurningHeads


Fabric BloomsThese two projects feature in Fabric Blooms by Megan Hunt (ISBN 978-1454708018). To pre-order the book for the special price of 9.74 (RRP 10.84) plus P&P, please call 01273 488005 or visit www.thegmcgroup.com quoting code R4380 before 30 June 2014.

HOW TO MAKE A FELT FASCINATOR

MATERIALSOne long strip of felt, 2.7m x 2.5cm (3yrds x 1"), or multiple strips cut to 2.5cm deep that you can add in, one-by-one.1 felt circle, 7.5cm (3") diameter1 barrette clip, 5cm (2")Fabric glueHot glue gunScissors

We love the many weddings and outdoor bashes that the warmer months bring, but all that pressure to knock out a brand new, gorgeous outfit for each one can get a bit much, right?

Thats where this high-impact (and no-sew) hair accessory comes in. Using a similar technique to the blooms on page 79, you can whip it up in less than half an hour, making it a great last-minute adornment for any party. Its easy on your purse strings too all you need is felt, fabric glue and a hair clip.

01 Use sharp scissors to fringe the felt strip or strips, snipping very close to the base of the strip (but

not all the way through) about every 6mm (") along the length of the felt. You may find it quicker to fold the felt in half and do two layers at once. 02 Roll the fringed felt into a coil, securing the base of the strip underneath the flower with fabric glue as it begins to take shape. If you're using multiple strips rather

than one long one, just add them alongside the previous one, securing with a little fabric glue.03 Make sure the felt circle is the same diameter as your flower. 04 Hot glue the felt circle to the underside of the flower and stitch or glue the barrette clip to the base. Now pop it on at the most jaunty angle you can muster.

Get rolling this felty creation is

easy to rustle up.

01

02

03

04

Rock the librarian look with this retro-inspired

crochet cover-up

Geek Chic

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MAKE IN SIZES

6-16 ON OUR BLOG!


HOW TO MAKE A CROCHETED VEST

MATERIALSDrop Baby Alpaca Silk

(70% alpaca. 30% silk, 50g/167m) six balls in Medium Grey (8465)

One 5cm (2") toggle4mm (UK 8, US G/6)

crochet hook5mm (UK 6, US H/8)

crochet hook

TENSIONTo make size small (UK 8-10), yarn used crochets to this tension: 20tr and 9.4 rows to measure 10x10cm (4x4") over pattern using a 4mm hook.For larger sizes, see the chart on our blog www.molliemakes.com

FINISHED SIZELaid flat, this vest measures 78cm (30") x 41cm (16in) excluding edging. Edging measures 1.5cm (").For larger sizes, see the chart on our blog www.molliemakes.com

ABBREVIATIONS (UK)st(s) stitch(es)sp(s) space(s)ch chain ch-sp chain spacedc double crochetss slip stitchtr trebleRS right sideWS wrong sideyrh yarn round hooktr2tog treble 2 together (yrh, insert hook in next st, yrh and pull up loop, yrh and draw through 2 loops) twice, yrh and draw through all loops on hook

SPECIAL ABBREVIATIONSFPtr front post treble yrh, insert hook from the front of your work to the back, around the back of the indicated st and back through to the front, yrh and draw round the back of the post of the indicated st, (yrh and draw through 2 loops) twice. BPtr back post treble yrh, insert hook from the back of your work to the front, around the front of the indicated st and back through to the back, yrh and draw round the front of the post of the indicated st, (yrh and draw through 2 loops) twice. 5-tr cluster (yrh, insert hook in st indicated, yrh and pull up loop, yrh and draw through 2 loops) 5 times, inserting the hook in the same st each time, yrh and draw through all 6 loops on hook, ch1 to complete st.R-FP cluster Miss 2 sts, FPtr round each of next 2 sts, tr into each 2 sts just mis

makes 38

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