malthouse theatre season 2013

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SEASONTWO THOUSAND & THIRTEEN.

MALTHOUSE-2013-SEASON-BROCHURE-COVER.indd 1 16/08/12 12:17 PM

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WELCOME.

p04. From Marion.p06. Join us in 2013.

THE PRODUCTIONS.

p10. Hate.p12. Skeleton.p14. 247 Days.p16. Dance of Death.p18. Persona.p20. The Dragon.p22. White Rabbit, Red Rabbit.p24. The Bloody Chamber.p26. Stories I Want to Tell You in Person.p28. Hard Rubbish.p30. The Shadow King.p32. Laser Beak Man.

AT THE THEATRE.

p34. Subscriber Benefits. p36. Limited Editions.p38. Other Programs.p40. Venue Information.p42. Our Supporters.p43. Our Partners.p44. Season Pricing.p45. Season Booking Form.

PAGE: 2.

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WELCOME.

p04. From Marion.p06. Join us in 2013.

THE PRODUCTIONS.

p10. Hate.p12. Skeleton.p14. 247 Days.p16. Dance of Death.p18. Persona.p20. The Dragon.p22. White Rabbit, Red Rabbit.p24. The Bloody Chamber.p26. Stories I Want to Tell You in Person.p28. Hard Rubbish.p30. The Shadow King.p32. Laser Beak Man.

AT THE THEATRE.

p34. Subscriber Benefits. p36. Limited Editions.p38. Other Programs.p40. Venue Information.p42. Our Supporters.p43. Our Partners.p44. Season Pricing.p45. Season Booking Form.

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WELCOMETO 2013.

--Different perspectives and styles give 2013 its particular character: epic Australian writing, contemporary dance, Indigenous languages, Soviet satire, and new musical composition are just some of the colours that give the season its vibrancy. They’re as provocative as they are fun, as visceral as they are affirming and always a little irreverent. Each project has been handpicked for the power of its ideas and for its potential to take us into surprising corners of the imagination. But the overall season has also been curated to have shape, breadth and balance. At the heart of this is the idea of exploration: each production contributes to a bigger, year-long conversation about what’s happening in our world.

Malthouse Theatre uses high-octane performance and entertainment as its currency. It tackles public subjects and themes that energise our thinking, quicken our emotion, and allow us to participate more wholeheartedly in the questions that affect our lives. It’s a theatre that uses its vast expressive range as an engine for change.

In 2013, three productions have come from the Engine Room, the research and development arm of our company that gives us the chance to test ideas and the confidence to take on ambitious and difficult projects. These works will continue to be reflected through future seasons, along with the best of what we’ve seen elsewhere and our collaborations with other companies.

Above all, we hope that you enjoy the simple experience of going to the theatre. There is no ‘right’ way of responding to what we do. We welcome debate and differences of opinion. No matter what your age, background, academic record or clothing label, The Malthouse is a welcoming space that allows you to relax and talk, hang out with the artists over a drink and discuss what you’ve seen. Our audiences help us articulate the next set of questions to tackle.

Marion PottsArtistic Director

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--We dare you. Take a risk. Pluck out the shows you’re desperate to see and then throw one or two more into the mix. Because you never know — the unexpected might just blow you away.

Select five or more productions from the twelve tantalising works on offer as you flip through the following pages. Bundle them together as your very own tailored subscription.

1. GREAT SAVINGS.

Save up to 30% on individual ticket prices. A fi ve-show subscription is just $225 and even cheaper for seniors, under 30s, full-time students and concession card holders. Plus, you can now pay by instalment.

2. PLAN AHEAD.

Life just gets busier and busier and in the past you may have missed great shows. With a subscription you’re organised well in advance; have your tickets in hand and the dates in your diary.

3. REGULAR CATCH UPS WITH FRIENDS.

A night at The Malthouse is the perfect way to catch up regularly with friends or family. We promise to provide an experience that will spark conversation, or even a debate, and stay with you long after the performance.

4. FLEXIBILITY.

It’s hard to commit ahead of time, so we off er fully fl exible subscriptions. 12-show subscribers are entitled to unlimited free exchanges; pencil dates in your diary and then change them if you need to. Those subscribing to smaller packages can juggle their dates too.

5. BEST SEATS.

We off er our subscribers the best seats in the house. When you book early, we can generally accommodate your preferred seating area. Tell us where you like to sit or let us choose the best seats for you.

Subscribe to Malthouse Theatre and enjoy the perks of being part of the family.

And that’s not all! There are heaps of other great benefits to subscribing. See page 34 for details.

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--We dare you. Take a risk. Pluck out the shows you’re desperate to see and then throw one or two more into the mix. Because you never know — the unexpected might just blow you away.

Select five or more productions from the twelve tantalising works on offer as you flip through the following pages. Bundle them together as your very own tailored subscription.

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THE PRODUCTIONS.

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Limited EditionPreview P

Opening Night OTime To Talk TTT

Audio DescriptionAuslan Interpretation

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Limited EditionPreview P

Opening Night OTime To Talk TTT

Audio DescriptionAuslan Interpretation

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HATEby Stephen Sewell

Directed byDirected byMarion Potts

Set & Costume DesignSet & Costume DesignDayna Morrissey

Lighting DesignLighting DesignPaul Jackson

Sound DesignSound DesignRussell Goldsmith

--There’s nothing so dramatic as a weekend with the family...

--A storm shakes the Gleason homestead, but it’s the tempest inside that spells the family’s end. 25 years after its premiere, Stephen Sewell’s portrait of a monstrous patriarch who would be the country’s king remains startlingly relevant. An uncanny sense of regression hangs over an all-too-familiar portrait of Australian politics in which power, fear and violence are inextricable.

--“a play of considerable power and substance.” The Age

--MERLYN THEATRE 20 February — 8 March 2013

William Zappa

Set & Costume DesignSet & Costume Design Cast IncludesWilliam Zappa

Magnify your experienceMagnify your experience

What Stephen Couldn’t Know : Sat 2 Mar

TTT: Tue 5 Mar, 6.30pm (post-show)

+ : Fri 8 Mar, 7.30pm + : Fri 8 Mar, 7.30pm + : Fri 8 Mar, 7.30pm

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SKELETON

Choreographed byChoreographed byLarissa McGowan

Directed byDirected bySam Haren & Larissa McGowan

Set & Costume DesignSet & Costume DesignJonathon Oxlade

Lighting Design

PerformersTobiah Booth-RemmersLisa Griffi thsMarcus Louend

--A puzzle of countless pieces.

--A set of characters discovers the hidden stories of pop-cultural icons from the high heel to the BMX bike. Meeting surprising and violent ends, bodies and objects collide via a sinister vanishing screen. From rigor mortis to The Karate Kid, Larissa McGowan’s (Australian Dance Theatre, So You Think You Can Dance) long-running fascination with the skeletal form has resulted in a work that cuts to the quick with sharp angles, acute physical strength and a choreographic pace that has the dancers’ very bones popping, locking and pulsing in place.

--2004 Helpmann Award Winner for Best Female Dancer – Larissa McGowan

--BECKETT THEATRE 14 — 23 March 2013

DANCE MASSIV

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Lewis RankinLisa Griffi thsTobiah Booth-Remmers

Larissa McGowan Marcus Louend

Sam Haren & Larissa McGowan

Lighting DesignLighting DesignBosco Shaw / Bluebottle 3

ComposerComposerJethro Woodward

Rehearsal DirectorCarol Wellman-Kelly

Marcus LouendLarissa McGowanLewis Rankin


[Gu:t] 굿: Thu 21 Mar

TTT: Tue 19 Mar, 8pm(post-show)

DANCE MASSIV

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Malthouse Theatre & Chunky Move present247 DAYS

Choreographed byChoreographed byAnouk van Dijk

PerformersLeif HellandLauren Langlois

--A dynamic new work from Chunky Move.

--How do we view the world? How does the world view us? Do we behave as expected, or accept who we truly are? And, if we could observe ourselves in an unguarded moment, what would we see? In this world premiere, Artistic Director Anouk van Dijk collides what has already been with what could be, challenging us to examine the importance of the individual. 247 Days is an exploration of human dynamics within the context of a shifting Australian landscape.

--“Chunky Move’s unpredictable productions push boundaries and create challenges.” The Daily Telegraph

--MERLYN THEATRE 15 — 23 March 2013

DANCE MASSIV

E 2013.

Lauren LangloisLeif HellandPAGE: 14.

Lauren LangloisAlya ManzartJames Pham



TTT: Mon 18 Mar, 6.30pm (post-show)

DANCE MASSIV

E 2013.

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Malthouse Theatre & Chunky Move present247 DAYS

Choreographed byChoreographed byAnouk van Dijk

PerformersLeif HellandLauren Langlois

--A dynamic new work from Chunky Move.

--How do we view the world? How does the world view us? Do we behave as expected, or accept who we truly are? And, if we could observe ourselves in an unguarded moment, what would we see? In this world premiere, Artistic Director Anouk van Dijk collides what has already been with what could be, challenging us to examine the importance of the individual. 247 Days is an exploration of human dynamics within the context of a shifting Australian landscape.

--“Chunky Move’s unpredictable productions push boundaries and create challenges.” The Daily Telegraph

--MERLYN THEATRE 15 — 23 March 2013

DANCE MASSIV

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Lauren LangloisAlya ManzartJames Pham



TTT: Mon 18 Mar, 6.30pm (post-show)

DANCE MASSIV

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DANCE OF DEATHby Friedrich Dürrenmatt, English text by Tom Holloway

Directed byDirected byMatthew Lutton

Set & Costume DesignSet & Costume DesignDale Ferguson


Sound DesignSound DesignKelly Ryall

Cast Includes

--It’s only fun and games if someone gets hurt.

--Alice and Edgar’s marriage would be perfect, if they didn’t want each other dead. In this blistering jet-black comedy, 20th century master Friedrich Dürrenmatt has created an electric adaptation of a Strindberg classic, stripping away the sentiment to deliver a depiction of wedded hell as brutally hilarious as a wrestling match refereed by Beckett.

--“Dürrenmatt’s comedy is of the blackest sort.” The New York Times

--BECKETT THEATRE 18 April — 12 May 2013

Dance of Death is proudly supported by Malthouse Theatre’s Future Fund.

Jacek Koman Belinda McClory

Set & Costume DesignJacek Koman Belinda McClory


A Contract of Love :Tue 16 Apr

TTT: Tue 30 Apr, 6.30pm (post-show)

+ : Wed 1 May, 7.30pm + : Wed 1 May, 7.30pm + : Wed 1 May, 7.30pm

is proudly supported by Malthouse Theatre’s Future Fund.

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PERSONAA Fraught Outfi t production based on the fi lm by Ingmar Bergman

Conceived byConceived byAdena Jacobs, Dayna Morrissey & Danny Pettingill

Directed byDirected byAdena Jacobs

Translated byTranslated byKeith Bradfi eld

Set & Costume DesignSet & Costume DesignDayna Morrissey

Lighting DesignLighting DesignDanny Pettingill

Sound DesignSound DesignRussell Goldsmith

Cast

--A thriller of charismatic attraction.

--An actress loses her power to speak and soon finds the boundaries between her identity and that of her nurse dangerously unstable. Adena Jacobs’ astonishing re-imagining of Ingmar Bergman’s iconic film was performed to universal praise from critics and audiences alike in 2012. Now, Malthouse Theatre rekindles the flame that lies at the heart of this quietly devastating work.

--“excellent performances and smart direction ... this is a weird and wonderful theatrical experience” The Age

--BECKETT THEATRE 27 June — 14 July 2013

By arrangement with Hal Leonard Australia Pty Ltd, on behalf of Josef Weinberger Ltd London. Translation provided by Marion Boyars Publishers Ltd.

Set & Costume DesignSet & Costume Design CastMeredith PenmanDaniel SchlusserKaren Sibbing


TTT: Sat 29 Jun, 2.30pm (post-show)

By arrangement with Hal Leonard Australia Pty Ltd, on behalf of Josef Weinberger Ltd London. Translation provided by Marion Boyars Publishers Ltd.

PAGE: 19.Meredith Penman

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THE DRAGONby Evgeny Shwarz

Set & Costume DesignSet & Costume DesignAnna Tregloan

Cast IncludesJimi Bani

--A witty, music-filled fairytale of heroes and villains.

--A dragon has held sway over a cowering village for centuries, when a brave Lancelot arrives to vanquish the beast. The problem? The townsfolk have become quite accustomed to the tyrant, actually.

Beneath this uproarious satire lies a keen-witted exploration of the cycles of corruption and complicity that govern our society and the parts we play in our own downfall. Melbourne’s comic maestros Tripod will bring original music to the Malthouse Theatre stage — as well as playing the riotous three-headed monster — alongside Jimi Bani and Nikki Shiels, in this fanciful production directed by Marion Potts.

--“Australia’s three wise kings of musical satire ... make you laugh and think at the same time”The Adelaide Advertiser on Tripod

--MERLYN THEATRE 27 June — 14 July 2013

The Dragon is proudly supported by Sofi tel Melbourne On Collins.

MADE IN TH

E ENGINE R

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Nikki ShielsSimon Hall

Jimi BaniScott Edgar Steven GatesPAGE: 20.

Adaptation byAdaptation byToby Schmitz

Music & Lyrics byMusic & Lyrics byTripod

Directed byDirected byMarion Potts

Sound DesignSound DesignDavid Franzke

Nikki Shiels

The Dragon is proudly supported by Sofi tel Melbourne On Collins.

MADE IN TH

E ENGINE R

OOM.

Tripod as The Dragon & other characters(Scott Edgar, Steven Gates & Simon Hall)


So Soviet Drama :

TTT: Tue 9 Jul, 6.30pm (post-show)

+ : Wed 10 Jul, 7.30pm

Nikki Shiels Tripod as The Dragon & other characters(Scott Edgar, Steven Gates & Simon Hall)


So Soviet DramaSat 6 Jul

TTT: Tue 9 Jul, 6.30pm (post-show)

+ : Wed 10 Jul, 7.30pm is proudly supported by Sofi tel Melbourne On Collins.

+ : Wed 10 Jul, 7.30pm + : Wed 10 Jul, 7.30pm

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WHITE RABBIT, RED RABBITWHITE RABBIT, RED RABBITby Nassim Soleimanpour

Shareena Clanton

Genevieve MorrisBrian Nankervis

Meredith Penman

Magda Szubanski

--An unnerving comedy of human freedom that defies national boundaries, censorship... and description.

--Iranian writer Nassim Soleimanpour’s audacious theatrical experiment will come as a shock — not least to the performer handed the script the moment they walk on stage. A different unsuspecting performer will take the stage each night, joining the audience on a journey into the unknown; stumbling upon the humorous, terrifying and utterly personal. This internationally acclaimed new work forges connections across time and continents. We just can’t promise everyone will make it out alive.

--“there’s a magnetic mind behind the prose. Rabbit is a lightly comic, deceptively discursive, meta-theatrical monologue” San Francisco Chronicle

--BECKETT THEATRE 23 July — 3 August 2013

Ming Zhu HiiBrian NankervisAlison BellShareena ClantonBert LaBontéBrian LipsonJohn LearyPAGE: 22.


Project CuratorProject CuratorJanice Muller


Pimp My Play :Tue 30 Jul

PerformersRodney Afi fAlison BellShareena ClantonBert LaBontéJohn LearyCaroline LeeBrian LipsonGenevieve MorrisBrian NankervisSam PangMeredith PenmanGreg StoneMagda SzubanskiMing-Zhu Hii

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Shareena Clanton


Meredith Penman

Magda Szubanski





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PerformersRodney Afi fAlison BellShareena ClantonMing-Zhu HiiBert LaBontéJohn LearyCaroline LeeBrian LipsonGenevieve MorrisBrian NankervisSam PangMeredith PenmanGreg StoneMagda Szubanski

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Shareena Clanton


Meredith Penman

Magda Szubanski





Ming Zhu HiiBrian NankervisAlison BellShareena ClantonBert LaBontéBrian LipsonJohn LearyPAGE: 22.





PerformersRodney Afi fAlison BellShareena ClantonBert LaBontéJohn LearyCaroline LeeBrian LipsonGenevieve MorrisBrian NankervisSam PangMeredith PenmanGreg StoneMagda SzubanskiMing-Zhu Hii

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MADE IN

THE ENGI

NE ROOM.

--A dangerous and delectable fable of love, ex-wives and monsters.

--Angela Carter’s feminist classic goes head-to-head with Bartok’s mighty opera in this cross-artform battle to the death. The fairytale of Bluebeard’s imperilled young bride has puzzled and fascinated artists for centuries. It now becomes the site of a struggle both intimate and mythic, lavish and chilling. Matthew Lutton directs this sensuous production, as Alison Whyte leads the audience on a journey into darkness. Some doors are locked for a reason.

--“a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality.” The Guardian on Angela Carter’s novel

--MERLYN THEATRE 2 — 10 August 2013

Alison WhytePAGE: 24.

MADE IN

THE ENGI

NE ROOM.

THE BLOODY CHAMBERby Angela Carter


Music byMusic byDavid Chisholm

Performance Text byPerformance Text byVan Badham

Set & Costume DesignSet & Costume DesignAnna Cordingley


Sound DesignSound DesignJethro Woodward

Cast Includes


TTT: Wed 7 Aug, 7.30pm

MADE IN

THE ENGI

NE ROOM.


Lighting DesignLighting Design

Jethro Woodward

Cast IncludesAlison Whyte


TTT: Wed 7 Aug, 7.30pm (post-show)

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MADE IN

THE ENGI

NE ROOM.





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MADE IN

THE ENGI

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Cast Includes



MADE IN

THE ENGI

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Jethro Woodward




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MADE IN

THE ENGI

NE ROOM.





Alison WhytePAGE: 24.

MADE IN

THE ENGI

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Cast Includes



MADE IN

THE ENGI

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Jethro Woodward




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Malthouse Theatre & Belvoir presentSTORIES I WANT TO TELL YOU IN PERSON Written & Perfomed by Lally Katz

Directed byDirected byAnne-Louise Sarks

Set & Costume DesignSet & Costume DesignRalph Myers

--Fortune favours the psychic.

--For more than a decade, playwright Lally Katz has been one of Australia’s foremost fabulists, trekking off to the furthest coasts of the imagination and returning with her findings. Now she introduces to the stage one of her most unexpected subjects: herself. She might be alone on the stage but she’s far from lonely, bringing with her a cast of characters — from fortune tellers to mystics to Mississippi Evangelicals — encountered on the quest to cure her curses. Known for delving into fantasy, this writer proves art imitates life.

--“[A] prodigiously talented playwright” The Age

--BECKETT THEATRE 9 — 25 August 2013

Stories I Want to Tell You in Person is proudly supported by Avant Card.

Lally Katz

Set & Costume DesignSet & Costume Design Magnify your experienceMagnify your experience

TTT: Wed 14 Aug, 7pm (post-show)

[A] prodigiously talented playwright” The Age

9 — 25 August 2013

is proudly supported by Avant Card.

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9 — 25 August 2013


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Lally Katz




9 — 25 August 2013


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Malthouse Theatre, Strut & Fret & Men of Steel presentHARD RUBBISH

Original ConceptOriginal ConceptMen of Steel

Created byCreated byHamish Fletcher, Jared Lewis, Phillip McInnes, Ian Pidd, Tamara Rewse & Sam Routledge

--The furniture gets furious!

--From the award winning Men of Steel, comes a new show for the whole family. Replaced by a suite of Swedish minimalist homewares, a pile of abandoned furniture awaits a trip to the tip. As the hour of judgement approaches, the hard rubbish decides it’s fightin’ time. Bringing new meaning to the term ‘moving house’, these wildly inventive object puppeteers will have you rethinking your relationships with the most ordinary household objects.

--“puppetry at its most ingenious and disarming...fabulously imaginative.” The Age

--BECKETT THEATRE 12 September — 6 October 2013

The 2013 Company in Residence, Men of Steel, is supported by The Danielle & Daniel Besen Foundation.

BRING THE KIDS!

SUITABLE FOR AGES 8 TO 1

08.

Tamara Rewse

Men of Steel present

Hamish Fletcher, Jared Lewis, Phillip McInnes, Ian Pidd,


A Family Crafternoon :Sat 21 Sep

TTT: Wed 25 Sep, 11am (post-show)

The 2013 Company in Residence, Men of Steel, is supported by The Danielle & Daniel Besen Foundation.

BRING THE KIDS!

SUITABLE FOR AGES 8 TO 1

08.

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Malthouse Theatre & Melbourne Festival presentTHE SHADOW KINGin association with Sydney Festival, Perth International Arts Festival, Adelaide Festival & Brisbane Festival

Co-Created byCo-Created byTom E. Lewis & Michael Kantor

Associate DirectorIsaac Drandich

Cast Includes

--The greatest of all epics about nation, is finally an epic about our nation.

--Bringing together the country’s finest creative talents including Tom E. Lewis (The Chant of Jimmy Blacksmith) and Jimi Bani (Mabo) this majestic and physical reworking of Shakespeare’s King Lear employs the timeless tragedy to speak to the history and current circumstances of Indigenous Australia. Working across cultures and generations, The Shadow King is unmissable theatre of a scale and significance to match the land upon which it is made.

--“Our temples are built in the ground. Our castles are in the dirt. We ourselves are written in the stars.” Tom E. Lewis

--THE MALTHOUSE WORKSHOP 8 — 27 October 2013

Malthouse Theatre’s Indigenous Theatre Program is made possible with the generous support of the Tom Kantor Fund and the CAL Cultural Fund. This project has been assisted by the Australian Government’s Major Festivals Initiative, managed by the Australia Council, its arts funding and advisory body, in association with the Confederation of Australian International Arts Festivals – Melbourne Festival, Sydney Festival, Perth International Arts Festival, Adelaide Festival and Brisbane Festival.

Tom E. Lewis

MADE IN THE ENGINE ROOM.

PAGE: 30.

Malthouse Theatre & Melbourne Festival presentTHE SHADOW KINGin association with Sydney Festival, Perth International Arts Festival, Adelaide Festival & Brisbane Festival

Co-Created byCo-Created byTom E. Lewis & Michael Kantor

Associate DirectorIsaac Drandich

Music ConsultantIain Grandage


Props & Costume DesignProps & Costume DesignRuby Langton-Batty

DramaturgDramaturgMarion Potts

Cast Includes



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Cast IncludesJimi BaniTom E. LewisShareena Clanton


King Lear… for Fools :Sat 19 Oct

TTT: Wed 16 Oct, 7.30pm (post-show)


Music Consultant


Props & Costume DesignProps & Costume DesignRuby Langton-Batty

Cast IncludesJimi BaniTom E. LewisShareena Clanton


King Lear… for FoolsSat 19 Oct

TTT: Wed 16 Oct, 7.30pm (post-show)



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--A journey into the realms of heroism and imagination.

--When life gets too difficult, it’s time to create a new superhero. With a waiting room full of hopeful actors, the quest is on to find ‘the one’ who fills the Lycra suit.

Following Back to Back Theatre’s elegantly sly, internationally acclaimed Ganesh Versus the Third Reich, comes the company’s next excursion to the limits of theatrical wonder. Inspired by the cartoon creations of Tim Sharp, Laser Beak Man is a riotous spectacle that unleashes multiple realities upon its unsuspecting audience.

--“courageous, confronting, intelligent and magisterially considered theatre.” The Age

--MERLYN THEATRE 13 November – 1 December 2013

Back to Back Theatre, Sydney Theatre Company & Malthouse Theatre presentLASER BEAK MAN

Directed & Devised byDirected & Devised byBruce Gladwin

Devised byDevised byBack to Back Theatre Ensemble, Tim Sharp & David Woods

Inspired byInspired byTim Sharp’s drawings of Laser Beak Man

Lighting DesignLighting DesignAndrew Livingston

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magisterially considered theatre.” The Age

13 November – 1 December 2013

Tim Sharp’s drawings of Laser Beak Man

Lighting DesignLighting DesignAndrew Livingston


Superhero Soirée :Sat 30 Nov

TTT: Tue 19 Nov, 6.30pm (post-show)

+ : Tue 26 Nov, 6.30pm + : Tue 26 Nov, 6.30pm + : Tue 26 Nov, 6.30pm

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--Select five or more productions to create your own theatrical voyage. Experience a year of Malthouse Theatre and a stack of great benefits.

ADDITIONAL TICKETS.

Subscribers can access additional tickets at the same discounted subscriber rate. Bring friends or family along for this special rate or add extra productions to your subscription at any time throughout the year.

INSIDE INFORMATION.

Be the fi rst to know about exciting additions to Malthouse Theatre’s program. We’ll provide you with additional information about our magnifi cation events, such as Limited Editions and Helium, as well as special blockbuster events. You’ll not only receive priority access to these events, but often exclusive news and special off ers.

SUBSCRIBE TO WIN!

Subscribe to Malthouse Theatre’s Season 2013 before 30 November 2012 and go in the draw to win an art adventure curated by Marion Potts. From 15 to 18 March 2013 enjoy a weekend in Hobart on us. This luxury package for two includes return fl ights from Melbourne, sports car hire, three nights’ accommodation at The Islington Hotel, admission and ferry transfers to MONA and tickets to events presented across the opening weekend of Ten Days on the Island, Tasmania’s International Arts Festival.

GREAT SAVINGS.

By booking your tickets as a package you’ll save up to 30% on individual ticket prices. There are also great deals for under 30s, seniors, full-time students, concession card holders and groups.

FLEXIBILITY.

If something comes up, we’ll happily exchange your tickets to another performance of the same production. Subscribers booking 12 shows are entitled to unlimited free exchanges. Smaller package holders receive one free exchange transaction per subscriber – if, for instance, there are two people within your subscription, you can exchange your tickets twice. Further exchanges incur a $5 fee for each transaction.

BEST SEATS.

Subscribers get fi rst dibs on the best seats before tickets go on sale to the general public. Subscribe early and let us know where you would like to sit. Don’t miss out when word spreads and the hit show sells out.

PAY BY INSTALMENT.

Subscribers paying by credit card can opt to pay by instalment. Your subscription will be charged in two instalments of 50% – the fi rst at the time of subscribing, and the balance on 25 March 2013. A one-off administration fee of $10 will be charged with the fi rst instalment.

DISCOUNTS.

Receive 10% off all purchases at The Malthouse Kitchen, Bar and Avenue Bookstore. Simply present your 2013 Subscriber Card.

Visit malthousetheatre.com.au for more information.Beat the rush, subscribe before individual tickets go on sale to the public.

SINGLE TICKET ON SALE DATES

------------------------------------------------------

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8 January 2013First four shows on sale

12 March 2013Remaining shows on sale

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WHAT STEPHEN COULDN’T KNOW.

Playwright Stephen Sewell was commissioned to write Hate for performance in 1988. A quarter of a century later, what have we learnt?

Saturday 2 MarchJoin us following the matinee of Hate

[GU:T] 굿.

Through the Korean shamanistic ritual of Gut, Soo Yeun You and senior Torres Strait Island man Albert David serenade the living memory of two much-loved ancestors—their grandmothers.

Thursday 21 MarchIn celebration of Dance Massive

A CONTRACT OF LOVE.

All things equal, who wants to get hitched and whatever for?! An airing of queer opinions on human rights, the legitimacy of relationships and what marriage equality means.

Tuesday 16 AprilA peek-a-boo for Dance of Death

--Limited Editions are adventures into the heart and mind of our 2013 season. They’re an invitation to investigate and magnify; ponder, provoke and celebrate the cerebral with us.

--To learn more about these activities, join our Mailing List at malthousetheatre.com.au.

SO SOVIET DRAMA.

There may or may not be shots of vodka involved in this short history and a reading of Soviet drama led by Malthouse Theatre’s resident Russophile and drama nerd, Van Badham.

Saturday 6 JulyIn celebration of The Dragon

PIMP MY PLAY.

Same stimulus, many interpretations. Melbourne’s eclectic and hilarious Last Tuesday Society challenges independent theatre-makers to pimp canonical texts.

Tuesday 30 JulyIn celebration of White Rabbit, Red Rabbit

A FAMILY CRAFTERNOON.

Specifi cally for families, an adventure in recycling, mash-ups and lively chaos in and around the Malthouse Theatre building.

Saturday 21 SeptemberJoin us following the matinee of Hard Rubbish

KING LEAR… FOR FOOLS(THEY’RE THE SMART ONES!)

Hear from the artists about the creation of Shadow King and the contemporary themes in Shakespeare’s King Lear: land rights, kinship, language and wrong skin.

Saturday 19 OctoberJoin us following the matinee of Shadow King

SUPERHERO SOIRÉE.

An end-of-year soirée for all Malthouse Theatre superheroes in 2013.

Saturday 30 NovemberJoin us following the matinee of Laser Beak Man

PAGE: 36.PAGE: 36.




[GU:T] 굿.



A CONTRACT OF LOVE.









[GU:T] 굿.



A CONTRACT OF LOVE.





SO SOVIET DRAMA.

There may or may not be shots of vodka involved in this short history and a reading of Soviet drama led by Malthouse Theatre’s resident Russophile and drama nerd, Van Badham.

Saturday 6 JulyIn celebration of The Dragon

PIMP MY PLAY.

Same stimulus, many interpretations. Melbourne’s eclectic and hilarious Last Tuesday Society challenges independent theatre-makers to pimp canonical texts.

Tuesday 30 JulyIn celebration of White Rabbit, Red Rabbit

A FAMILY CRAFTERNOON.

Specifi cally for families, an adventure in recycling, mash-ups and lively chaos in and around the Malthouse Theatre building.

Saturday 21 SeptemberJoin us following the matinee of Hard Rubbish

KING LEAR… FOR FOOLS(THEY’RE THE SMART ONES!)

Hear from the artists about the creation of Shadow King and the contemporary themes in Shakespeare’s King Lear: land rights, kinship, language and wrong skin.

Saturday 19 OctoberJoin us following the matinee of Shadow King

SUPERHERO SOIRÉE.

An end-of-year soirée for all Malthouse Theatre superheroes in 2013.

Saturday 30 NovemberJoin us following the matinee of Laser Beak Man


ENGINE ROOM.

The most precious resource is time, and Malthouse Theatre’s research and development arm is dedicated to making art with a long view. Engaging with artists and companies over months and years, the Engine Room allows us to create and nurture work as it develops at its own pace, rather than imposing a hurried schedule. Listen carefully: you can hear the motors hum.

HELIUM.

Potent contemporary practice as created by Australia’s most daring independent makers, Helium brings together fi ve works for a season that’s bound to raise eyebrows. Check your expectations at the door and be ready for performances that will rattle your senses, rev up your imagination and keep you forever on your toes. The 2013 Helium season will be announced in June 2013.

PROMPT.

Young people aren’t just audiences, they’re the artists of today. Prompt is Malthouse Theatre’s Education program, providing the tools and conversations to help create relationships that will last a lifetime, sparking new generations of thinkers, critics, provocateurs and performers.

GREENLIGHT.

Malthouse Theatre’s ongoing investigation into the creation of sustainable theatre practice is recognised across Australia. 2013 sees these aspirations undimmed as the company continues to expand its dialogue with like-minded thinkers conscious of our future, and confi rms its commitment to cultural change from the ground up.

--More than just the mainstage, Malthouse Theatre is the gateway to boundless wild adventures.

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PAGE: 40.

--Eat, Drink & Shop.

Open Monday to Friday for lunch and before and after all evening performances, The Malthouse Kitchen is a great place to meet for a delicious meal or snack before the show.

You can also enjoy a pre-show drink with friends at The Malthouse Bar.

For specialty publications about theatre and art, look no further than Avenue Bookstore at Malthouse Theatre, located in The Malthouse foyer. The Bookstore is open one hour prior to every performance and is staff ed by our fabulous volunteers.

Profi ts from The Malthouse Bar and Bookstore contribute to the productions you see on our stages.

--Box Office.

Monday to Friday 9.30am–5pmSaturday 10.30am–5pmAnd prior to all performances at The Malthouse

Ph: 03 9685 5111113 Sturt Street, Southbank 3006malthousetheatre.com.au

--Public Transport.

Catch any tram down St Kilda Road and alight at Grant Street (Stop 17). Or catch the No. 1 South Melbourne tram and alight at Stop 19 on Sturt Street. Alternatively, we are a 12-minute walk from Flinders Street Station and Federation Square.

Cycling.

There are bicycle racks outside the theatre foyer and on Sturt Street and Dodds Street. There is also a station for Melbourne Bike Share on Sturt Street outside the theatre. Helmets can be purchased from the IGA on Sturt Street.

Parking Options.

Car parks are available on the streets surrounding The Malthouse (Grant Street, Sturt Street, Miles Street and Dodds Street).

The Care Park public carpark at 264 Sturt Street is around a 3-minute walk from The Malthouse with a $3 fl at rate after 5pm.

The Arts Centre Car Park is around a 5-minute walk from The Malthouse, you can walk up either Sturt Street or Dodds Street. Subscribers receive a 15% discount on the Valet Service at the Arts Centre Car Park (available Monday to Saturday from 6pm). Simply present your 2013 Subscriber Card to the Valet Captain on arrival to access this special off er.

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The Malthouse is built on the lands of the Boon Wurrung people of the Kulin Nations.PAGE: 40.




For specialty publications about theatre and art, look no further than Avenue Bookstore at Malthouse Theatre, located in The Malthouse foyer. The Bookstore is open one hour prior to every performance and is staffed by our fabulous volunteers.

Profits from The Malthouse Bar and Bookstore contribute to the productions you see on our stages.

--Box Office.



--Public Transport.


Cycling.


Parking Options.


The Care Park public car park at 264 Sturt Street is around a 3-minute walk from The Malthouse with a $3 flat rate after 5pm.

The Arts Centre Melbourne car park is around a 5-minute walk from The Malthouse, you can walk up either Sturt Street or Dodds Street. Subscribers receive a 15% discount on the Valet Service at the Arts Centre Melbourne car park (available Monday to Saturday from 6pm). Simply present your 2013 Subscriber Card to the Valet Captain on arrival to access this special offer.

PAGE: 40.




For specialty publications about theatre and art, look no further than Avenue Bookstore at Malthouse Theatre, located in The Malthouse foyer. The Bookstore is open one hour prior to every performance and is staff ed by our fabulous volunteers.

Profi ts from The Malthouse Bar and Bookstore contribute to the productions you see on our stages.

--Box Office.



--Public Transport.


Cycling.


Parking Options.


The Care Park public carpark at 264 Sturt Street is around a 3-minute walk from The Malthouse with a $3 fl at rate after 5pm.

The Arts Centre Car Park is around a 5-minute walk from The Malthouse, you can walk up either Sturt Street or Dodds Street. Subscribers receive a 15% discount on the Valet Service at the Arts Centre Car Park (available Monday to Saturday from 6pm). Simply present your 2013 Subscriber Card to the Valet Captain on arrival to access this special off er.

Yarra

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The Malthouse is built on the lands of the Boon Wurrung people of the Kulin Nations.

PAGE: 43.PAGE: 42.

URANIA—Muse of The Stars—$25, 000+

Annamila Pty Ltd, The Dara Foundation, The Danielle and Daniel Besen Foundation

CLIO—Muse of History—$10,000+

John & Lorraine Bates, Craig Reeves, Anonymous (1)

THALIA—Muse of Comedy—$5,000+

Frankie Airey & Stephen Solly, Betty Amsden OAM, Eva Besen AO & Marc Besen AO, Debbie Dadon, Roger Donazzan & Margaret Jackson AC, Neilma Gantner, Peter & Anne Laver, Richard Leonard, Michele Levine, Peter McLennan, Judith Maitland-Parr, Elisabeth & John Schiller, Carol & Alan Schwartz AM, Anonymous (1)

MELPOMENE—Muse of Tragedy—$2,500+

Chryssa Anagnostou & Jim Tsaltas, Ian Hocking & Rosemary Forbes, Val Johnstone, Jon Webster

EUTERPE—Muse of Music—$1,000+

Ingrid Ashford, John Bourne, Beth Brown & Tom Bruce AM, Diana Burleigh, Ingrid & Per Carlsen, Dominic & Natalie Dirupo, Rev Fr Michael Elligate, Carolyn Floyd, William J. Forrest AM, D.L & G.S Gjergja, Marco Gjergja, Colin Golvan SC, Michael Kingston, Sue Kirkham, Pamela McLure, Naomi Milgrom AO, Dame Elisabeth Murdoch AC DBE, Sue Nattrass AO, Rae Rothfield, Jenny Schwarz, Tim & Lynne Sherwood, Neil & Barbara Smart,

Mr & Mrs Smith Pty Ltd, Leonard Vary & Matt Collins, Jason Waple, Simon Westcott & Dr Ben Keith, Phil & Heather Wilson, Anonymous (1)

TERPSICHORE—Muse of Dance—$500+

Sally Browne, Sieglind D’Arcy, Taleen Gaidzkar, Charles Gillies & Penelope Allen, Brian Goddard, Brad Hooper, Susan Humphries, Graeme & Joan Johnson, Ann Kemeny & Graham Johnson, K & J Lindsay, Sir Gustav AC CBE & Lady Nossal, Robert Peters, Ernie Schwartz, Gina Stuart, Fiona Sweet & Paul Newcombe, Joanne & Dr Niv Tadmore, John Thomas, Richard P. Watson, Anonymous (1)

ERATO—Muse of Love—$250+

Simon Abrahams, Graham & Anita Anderson, Sandra Beanham, John & Alexandra Busselmaier, Robyn Campbell, John Carruthers, Ros Casey, Tim & Rachel Cecil, Min Li Chong, Diane Clarke, Patricia Coutts, Tania de Jong AM, Peggy Hayton, Roberta Holmes, Irene Irvine, Vas Katos, Irene Kearsey, Patricia Keith, Ruth Krawat, Liquorice Studio, Brad Martin, Gael & Ian McRae, Robyn & John Morris, Dr Kersti Nogeste, Linda Notley, Tony Oliver, James Penlidis & Fiona McGauchie, Irene Purcell, John & Margot Rogers, Katherine Sampson, Morry & Anna Schwartz, Lisl Singer, Thea & Hayden Snow, Maria Sola, Ann Tonks, Rosemary Walls, Jan Watson, Joanne Whyte, Barbara Yuncken, Angelika & Pete Zangmeister, Anonymous (7)

The above information is correct at the time of printing.

--Become a part of the company you love by signing on as a Malthouse Muse and help to ensure that the work that inspires, delights and challenges continues to reach an ever-increasing audience. From a one-off gift to an annual donation, Malthouse Theatre’s Muses support research and development of innovative new work.

Government Partners

Program Partners

Trusts & Foundations

Education Partner Media Partner Production Partners

Corporate Partners

Corporate Associates Company Supporters

Producing and Presenting Partners

2013 Season Brochure

Malthouse Theatre is supported by the Australian Government through the Australia Council, its arts funding and advisory body.

The Suitcase Series

Women Directors Internship Program

The Danielle & Daniel Besen FoundationCompany In Residence (Men of Steel)

Tom Kantor FundIndigenous Theatre Program (The Shadow King)

Jeanne Pratt ACRae RothfieldSue Nattrass AOJudith Maitland-ParrThe Kenn Brodziack Associate Producer

Slome-Topol Family Charitable Trust

Australian Communities Foundation

Vera Moore Foundation

New Australian Commission & Production

Directors Exchange Project


Artist Program Regional Performance Projects

Regional Education Program

ColophonEditors: Emma Calverley, Lisa SciclunaCopy: John Bailey

Art Direction & Design: Chase & GalleyPhotography (except where noted): Scottie Cameron

Hair & Makeup: Christine MillerTypography: Klim Type Foundry

Printing: PrintgraphicsPaper: K.W. Doggett Fine Paper

Skeleton

Hard Rubbish Hard Rubbish The Shadow King Laser Beak Man

Laser Beak Man Laser Beak Man Laser Beak Man Laser Beak Man

247 Days Persona Stories I Want to Tell You in Person

PAGE: 42.


















Program Partners


The Suitcase Series


The Danielle & Daniel Besen FoundationCompany in Residence (Men of Steel)











PAGE: 43.PAGE: 42.


















Government Partners

Program Partners


Education Partner Media Partner Production Partners

Corporate Partners

Corporate Associates Company Supporters

Producing and Presenting Partners

2013 Season Brochure

Malthouse Theatre is supported by the Australian Government through the Australia Council, its arts funding and advisory body.

The Suitcase Series


The Danielle & Daniel Besen FoundationCompany In Residence (Men of Steel)











ColophonEditors: Emma Calverley, Lisa SciclunaCopy: John Bailey

Art Direction & Design: Chase & GalleyPhotography (except where noted): Scottie Cameron

Hair & Makeup: Christine MillerTypography: Klim Type Foundry

Printing: PrintgraphicsPaper: K.W. Doggett Fine Paper

Skeleton

Hard Rubbish Hard Rubbish The Shadow King Laser Beak Man

Laser Beak Man Laser Beak Man Laser Beak Man Laser Beak Man

247 Days Persona Stories I Want to Tell You in Person

PAGE: 44.

The Full Malty — All 12 shows.

FULL / SAT EVE SENIOR / GROUP 8+ CONCESSION STUDENT / UNDER 30SIn Season $470 $409 $381 $292Preview $407 $368 $336 $292

--For the full year’s calendar, check out the inside of the dust jacket — save it, put it up on your fridge!

Build Your Own Subscription — Select 5 or more productions.

IN SEASON PREVIEW SKELETON* WHITE RABBIT, RED RABBIT* HARD RUBBISH*Full / Sat Eve $45 $37 $37 $35 $37Senior / Group 8 + $39 $34 $32 $30 $32Concession $36 $31 $28 $30 $28Student / Under 30s $27 $27 $27 $27 $27Child (Under 18) - - - - $20Family (2 adults + 2 kids) - - - - $110

Subscribe and save!5 shows just $225

Select all 12 works for extra savings & unlimited free exchanges.

* Reduced priced previews do not apply to these productions or Persona.

For school bookings please contact Malthouse Theatre’s Education team at [email protected].

2013 Single Tickets.


PAGE: 44.

The Full Malty — All 12 shows.The Full Malty — All 12 shows.

FULL / SAT EVE SENIOR / GROUP 8+ CONCESSION STUDENT / UNDER 30SIn Season $470 $409 $381 $292Preview $407 $368 $336 $292

--For the full year’s calendar, check out the inside of the dust jacket — save it, put it up on your fridge!

Build Your Own Subscription — Build Your Own Subscription — Select 5 or more productions.Select 5 or more productions.


Subscribe and save!5 shows just $225

Select all 12 works for Select all 12 works for Select all 12 works for extra savings

extra savings & unlimited free exchangesfree exchangesfree exchangesfree exchangesfree exchanges..

* Reduced priced previews do not apply to these productions or Persona.

For school bookings please contact Malthouse Theatre’s Education team at [email protected].

2013 Single Tickets.2013 Single Tickets.


PRODUCTION PERFORMANCE (Day, Date & Time)

TICKET TYPE IN SEASON(Quantity)

$ PREVIEW(Quantity)

$ TOTAL $

Persona27 Jun–14 July

Full / Sat Eve $45Senior / Group 8+ $39Concession $36Student / Under 30s $27

The Dragon27 Jun–14 Jul

Full / Sat Eve $45 $37Senior / Group 8+ $39 $34Concession $36 $31Student / Under 30s $27 $27

White Rabbit, Red Rabbit23 Jul–3 Aug


The Bloody Chamber2–10 Aug


Stories I Want to Tell You in Person9–25 Aug


Hard Rubbish12 Sep–6 Oct

Bring the kids!

Full / Sat Eve $37Senior / Group 8+ $32Concession $28Student / Under 30s $27Child (Under 18) $20Family (2 adults + 2 kids) $110

The Shadow King8–27 Oct

General Admission


Laser Beak Man13 Nov–1 Dec


TICKETS TOTAL

Make a donation (optional). Donations of $250 and above qualify you for entry into our Malthouse Muse Program. All donations over $2 are tax deductible.

Donate $250 Donate $100 Donate $50 Other Amount [ ]

STEP 1. Continued.

ROUND UP SUBSCRIPTION TO

TICK THIS BOX TO ENTER THE SEASON 2013 SUBSCRIBER PROMOTION (see page 35 for details)

--Take the plunge! Subscribe by choosing 5 or more productions and then follow these easy steps. Or visit malthousetheatre.com.au to subscribe online.

THE FULL MALTY – ALL 12 SHOWS.

Indicate your preferred package and corresponding price in this table and then nominate your dates and optional additional tickets in the table below.

SAT EVE / FULL PRICE SENIOR / GROUP 8+ CONCESSION STUDENT / UNDER 30S TOTAL $

In Season x $470 x $409 x $381 x $292Preview x $407 x $368 x $336 x $292

If you have selected Preview above, please be sure to only nominate preview dates (P) for all productions offering preview performances. Alternatively, if you select any preview dates within your In Season package, you will be charged the In Season price.

Step 1. Choose your package type, productions, show times, number of tickets and calculate the cost

Step 2. Complete your details and those of your accompanying subscriber(s)Step 3. Indicate your seating preferenceStep 4. Nominate your payment detailsStep 5. Submit your booking

PRODUCTION PERFORMANCE (Day, Date & Time)

TICKET TYPE IN SEASON(Quantity)

$ PREVIEW(Quantity)

$ TOTAL $

Hate 20 Feb–8 Mar


Skeleton14–23 Mar


247 Days15–23 Mar


Dance of Death18 Apr–12 May


BUILD YOUR OWN SUBSCRIPTION – SELECT 5 OR MORE SHOWS.

STEP 1. Choose your package type, productions, show times, number of tickets and calculate the cost.

STEP 4. Payment Details.

STEP 5. Submit your booking.

MAIL (No Stamp Required)Malthouse TheatreC/O The Malthouse Box OfficeReply Paid 83144Southbank VIC 3006

FAXAtt: The Malthouse Box Office 03 9685 5112

IN PERSONThe Malthouse, 113 Sturt Street, Southbank VIC 3006

If you wish to sit with friends please submit your forms together in the one envelope.

Please allow at least two weeks for ticket delivery.

MALTHOUSE THEATRE SEASON 2013 SUBSCRIBER PROMOTION Abbreviated Terms & ConditionsEntry is only open to residents of Victoria who are aged over 18 years. Promotion commences at 5pm Melbourne time on 10 September 2012 and ends at 5pm Melbourne time on 30 November 2012 (“Promotional Period”). To enter, subscribe to Malthouse Theatre’s Season 2013 using the paper or online Season 2013

Subscription Booking Form, and tick the box next to the words “Tick this box to enter the Season 2013 subscriber promotion” before the end of the Promotional Period. A prize draw will take place at 10am on 10 December 2012 at Malthouse Theatre, 113 Sturt Street, Southbank VIC 3006. The winner will be notified by mail and the name of the winner will be published in The Age on 14 December 2012. For full Terms & Conditions see http://www.malthousetheatre.com.au/tc2013/.

CREDIT CARD DETAILS: AMEX MasterCard Visa

TOTAL FROM PREVIOUS PAGE $

If you require any assistance, please contact the box office on 03 9685 5111. For opening hours see page 40.

PAYMENT METHOD: Cheque to Malthouse Theatre Credit Card Credit Card by instalment*

* If instalment payment plan is selected, an additional $10 handling fee will be charged with the first payment. The first instalment of 50% is payable immediately and will include any donation nominated. The second instalment will be charged on 25 March 2013.

CARD NUMBER: / / / EXP: /

NAME ON CARD: SIGNATURE:

STEP 2. Subscriber Information.

PRIMARY SUBSCRIBER:

Have you previously subscribed? Yes No Subscriber Number:

Title: First Name: Surname:

Address: Postcode:

Telephone: [Home] [Mobile]

Email: Date of Birth:

Concession Type: Card Number:

Under 30s must provide proof of age. Students must provide proof of full time enrolment. Concession card number must be provided.

Would you like to be on the mailing list? Post Email Please provide your email address to receive notifications about subscriber benefits and special offers throughout the year.

ADDITIONAL SUBSCRIBER:

If you have more than one additional subscriber, please list their details on another sheet. Extra booking forms can be found at malthousetheatre.com.au.

If you wish to be seated with friends, please submit your forms together, highlighting the Primary Subscriber.

Have you previously subscribed? Yes No Subscriber Number:

Title: First Name: Surname:

Address: Postcode:

Telephone: [Home] [Mobile]

Email: Date of Birth:

Concession Type: Card Number:

Under 30s must provide proof of age. Students must provide proof of full time enrolment. Concession card number must be provided.

Would you like to be on the mailing list? Post Email Please provide an email address to receive notifications about subscriber benefits and special offers throughout the year.

STEP 3. Seating Preference.

PLEASE INDICATE YOUR PREFERRED SEATING:Best available Front row As central as possible No stairs On an aisle Wheelchair seating If other, please describe:

Do you require any access services, such as the use of a hearing assistance system? Please provide details so that we can provide you with the most appropriate seating. Yes

If yes, please describe:

*Please note that Audio Description and AUSLAN are offered for specific performances, please refer to the calendar.

MALTHOUSETHEATRE.COM.AU

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SEASONTWO THOUSAND & THIRTEEN.


malthouse theatre season 2013

Documents

season pricing

overall season

malthouse theatre

white rabbit

red rabbit

dance of death

contemporary dance

laser beak