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mark harrison - beginning rock keyboard_split5

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CONTENTS Page 1 What Is Rock Music? ............................................... 4 2 lntro to Rock Keyboard Camping Left-Hand Quarter-Note Pattern ........................................... 6 Left-Hand Eighth-Note Pattern ............................................ 7 Swing-Eighths (or Shuffle) Rhythmic Feel ................................... 7 The I-IV-V Progression in the Key of C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Triad Inversions and Voice Leading ........................................ 9 More Right-Hand Rhythm Patterns .......................................... 10 The Classic Blues/Rock Left-Hand Pattern .................................... 10 More Chords and Rhythm Patterns in the Key ofF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 More Chords and Rhythm Patterns in the Key of G . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Rock Shuffle Comping Pattern in the Key of C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Power Chord Voicings and Comping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 3 More Rock Keyboard Voicings and Patterns Right-Hand Arpeggios Using Eighth Notes .................................. 14 Right-Hand Arpeggios Using 16th Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Four-Part Chords in the Key of C ......................................... 16 Four-Part Chord Inversions and Voice Leading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Triad-Over-Root Chord Voicings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Alternating Triad Chord Voicings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Rock Ballad Comping Using 16th Notes .................................... 21 Pop/Rock Comping Using Suspended Chords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Mixolydian 3rd Intervals and Patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Unison Riffs Using the Minor Pentatonic Scale ............................... 25 Unison Riffs Using the Blues Scale ........................................ 26 4 Rock Keyboard Camping Styles Comping Styles of: • Billy Joel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 • Elton John ..................................................... 30 • Bruce Hornsby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 • Ben Folds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 5 lntro to Rock Keyboard Soloing The C and F Pentatonic Scales and Sub-Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Soloing with Pentatonic Scales. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 The A Minor Pentatonic Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Soloing with the Minor Pentatonic Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 The A and C Blues Scales ............................................... 42 Soloing with the Blues Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Adding Drone Notes Above the Blues Scale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 6 Style File 1. Turn Out the Light ........... 45 4. On My Way ................... 54 2. Shooting Star ............... 48 5. Working Overtime . . . . . . . . . . . . . . 58 3. Thinking About Tomorrow ..... 52

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  • C O N T E N T S

    P a g e

    1 W h a t I s R o c k M u s i c ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

    2 l n t r o t o R o c k K e y b o a r d C a m p i n g

    L e f t - H a n d Q u a r t e r - N o t e P a t t e r n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

    L e f t - H a n d E i g h t h - N o t e P a t t e r n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

    S w i n g - E i g h t h s ( o r S h u f f l e ) R h y t h m i c F e e l . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

    T h e I - I V - V P r o g r e s s i o n i n t h e K e y o f C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

    T r i a d I n v e r s i o n s a n d V o i c e L e a d i n g . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

    M o r e R i g h t - H a n d R h y t h m P a t t e r n s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 0

    T h e C l a s s i c B l u e s / R o c k L e f t - H a n d P a t t e r n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 0

    M o r e C h o r d s a n d R h y t h m P a t t e r n s i n t h e K e y o f F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1

    M o r e C h o r d s a n d R h y t h m P a t t e r n s i n t h e K e y o f G . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2

    R o c k S h u f f l e C o m p i n g P a t t e r n i n t h e K e y o f C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2

    P o w e r C h o r d V o i c i n g s a n d C o m p i n g . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 3

    3 M o r e R o c k K e y b o a r d V o i c i n g s a n d P a t t e r n s

    R i g h t - H a n d A r p e g g i o s U s i n g E i g h t h N o t e s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 4

    R i g h t - H a n d A r p e g g i o s U s i n g 1 6 t h N o t e s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 5

    F o u r - P a r t C h o r d s i n t h e K e y o f C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 6

    F o u r - P a r t C h o r d I n v e r s i o n s a n d V o i c e L e a d i n g . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 7

    T r i a d - O v e r - R o o t C h o r d V o i c i n g s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 8

    A l t e r n a t i n g T r i a d C h o r d V o i c i n g s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 9

    R o c k B a l l a d C o m p i n g U s i n g 1 6 t h N o t e s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 1

    P o p / R o c k C o m p i n g U s i n g S u s p e n d e d C h o r d s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 2

    M i x o l y d i a n 3 r d I n t e r v a l s a n d P a t t e r n s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 3

    U n i s o n R i f f s U s i n g t h e M i n o r P e n t a t o n i c S c a l e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 5

    U n i s o n R i f f s U s i n g t h e B l u e s S c a l e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 6

    4 R o c k K e y b o a r d C a m p i n g S t y l e s

    C o m p i n g S t y l e s o f :

    B i l l y J o e l . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 7

    E l t o n J o h n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 0

    B r u c e H o r n s b y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 3

    B e n F o l d s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 6

    5 l n t r o t o R o c k K e y b o a r d S o l o i n g

    T h e C a n d F P e n t a t o n i c S c a l e s a n d S u b - G r o u p s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 0

    S o l o i n g w i t h P e n t a t o n i c S c a l e s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 1

    T h e A M i n o r P e n t a t o n i c S c a l e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 1

    S o l o i n g w i t h t h e M i n o r P e n t a t o n i c S c a l e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 2

    T h e A a n d C B l u e s S c a l e s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 2

    S o l o i n g w i t h t h e B l u e s S c a l e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 3

    A d d i n g D r o n e N o t e s A b o v e t h e B l u e s S c a l e . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 4

    6 S t y l e F i l e

    1 . T u r n O u t t h e L i g h t . . . . . . . . . . . 4 5

    4 . O n M y W a y . . . . . . . . . . . . . . . . . . . 5 4

    2 . S h o o t i n g S t a r . . . . . . . . . . . . . . . 4 8

    5 . W o r k i n g O v e r t i m e . . . . . . . . . . . . . . 5 8

    3 . T h i n k i n g A b o u t T o m o r r o w . . . . . 5 2

    - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - . . . 'l.:iiU~i!t~'~,6~~ . . . . . ~~~ . . . . -"'i.::_~':.t.;~".,.J.! ; . . , _


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