mark rothko maxfield parrish. color theory the art and science of color interaction and effects

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Mark Rothko Maxfield Parrish

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Page 1: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Mark Rothko

Maxfield Parrish

Page 2: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Color Theory

The art and science of color interaction and effects.

Page 3: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Primary color – Colors from which virtually all other colors can be mixed. RGB – Additive color.

Additive color is created using beams of light visually present in the natural spectrum of light.

RYB – Subtractive primary colors.Reflected off of pigmented or dyed surface.

CMYK – Subtractive primary colors.Printed or processed colors.

Page 4: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Color Wheel

Hue – Is the name of a specific color.

Page 5: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Primary Color – Subtractive RYB

Page 6: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Secondary color- Hues mixed from adjacent primaries; violet, green and orange

Page 7: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Tertiary color- A hue that is mixed from a primary color and the adjacent secondary color.

Page 8: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Color Harmony

Page 9: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Monochromatic – Color scheme based on variations in a single hue.

Page 10: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Joseph Albers

Page 11: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Analogous – A color scheme based on hues that are adjacent to each other on the color wheel.

Page 12: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Complimentary – Hues that oppose one another on the color wheel. When paired in a composition,

complimentary colors create contrast; when mixed, complimentary colors produce a wide range of browns.

Page 13: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Marshall Arisman Stuart Davis

Page 14: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Triadic harmony – A color scheme based on three colors which are equidistant on a color wheel.

Page 15: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Color discord – The opposite of color harmony. The combination of colors is visually disturbing, for these colors

have no basic affinity for each other.

Page 16: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Samples

of

Color

Discord

Franz Marc

Page 17: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Marshall Arisman

Franz Marc

Page 18: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Color Attributes

Page 19: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Intensity - The purity of a color.

Page 20: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

There are two ways to lower the intensity of a color.

1. Value - The relative lightness or darkness of a color. Which creates…

Page 21: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Tint – A hue that has been mixed with white.

Shade – A hue that has been mixed with black.

Page 22: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Using grounds to effect value.

Page 23: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

2. Mixing a color with it’s compliment to neutralize the color.

Page 24: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Maxfield Parrish

Page 25: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Warm Cool

Temperature – Refers to the heat that a color generates, both physically and psychologically.

Page 26: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Using grounds to effect temperature.

Page 27: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Maxfield Parrish Alan Gordon

Page 28: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Color can be interpreted visually and emotionally.

Marshall Arisman Gustav Klimt

Page 29: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Francis BaconChris Maroney

Page 30: Mark Rothko Maxfield Parrish. Color Theory The art and science of color interaction and effects

Basic Rules

• 1) Stay away from mixing pure white and pure black.

Mix lights and darks.

• 2) Warm colors come forward, cool colors recede.

• 3) Balance warm and cool colors.

• 4) To create space: darker shades & values up front,

lighter tints & values in back.

• 5) Pay attention to color intensity, mix colors.