mark your calendars! - - three rivers artist guild€¦ · mark your calendars for monday, may 8th....
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Serving Artists in Oregon City and Surrounding Communities View this email in your browser
Volume 10 May 2017 Newsletter Issue 5
Mark your calendars!The next TRAG General Members meeting will be on Monday, May, 8th at 7PM at the
Pioneer Community Center.
John Trax
President
Jason Faucera
Vice President
Carol Wagner
Treasurer
Bonnie Moore
Secretary
Sue Thomas
Membership
Trieste AndrewsPublic Relations
Greetings, Members!
Mark your calendars for Monday,
May 8th. TRAG is holding the May
general meeting at the Pioneer
Center at 7 p.m.
Our presentation will be "Show Your
Art". Members may bring one or two
pieces of their work to show.
Everyone will get a few minutes to
show their piece and explain how
they created it.
John Trax
President, Three Rivers Artist Guild
In this IssueTRAG general meeting minutes
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Vldn Taylor
Marketing
Holly Kroening
Carrie Trax
Gallery Co-chairs
May Artists Reception
New Members
Member Appearance
Damascus Open Studio
OCFOTA Needs Volunteers
Artist Residency Program
OCFOTA Call To Artists
New Rotation at 221 Gallery
Susan Schenk on Writing Artist
Statements
Art Extravaganza Report
Artist of the Month Jeanne Kelley-Brown
TRAG MEETING MINUTES – General Membership Meeting
TRAG MEETING MINUTES – General Membership
04-10-2017
Meeting Location: Pioneer Community Center (Downstairs), Oregon City
Attendance: 27 members 3 guest/new members
Called to order @ 7:08pm., by John Trax, President
Welcome and acknowledgement of guests, new members: opened floor to Board Members
to give reports:
Treasurer's report given
Secretary's report given
Artist Reception for the May/June rotation is scheduled for Sunday May 7th from 1-3pm.
Jason Faucera is working on an informational program for setting up for an art show.
The Rose Festival is having a festival in Oregon City this year. They are looking for
volunteers willing to dress in period attire for the 1800’s as well as be willing to share historic
information to those who ask.
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OCFOTA has extended the call to artists deadline to April 30th of this year.
OCFOTA is still has some committee needs in order to pull this show off.
We have approximately 120 members.
Voted on By-law change as published in the news letter. Susan Schenk made a motion to
approve. Linda Orzen 2nd the motion as long as the volunteer coordinator position was kept.
It was passed unanimously.
Guest speaker- Susan Schenk- Writing an artist statement.
Meeting adjourned at 8:45p.m.
OCFOTA Update
Oregon City Festival of the Arts!
The second annual Oregon City Festival of the Arts is well on it's
way! With over 55 artists signed up as of last week the festival
is close to full. Festival coordinator Lynda Orzen reports that
applications are still coming in and she anticipates and diverse and amazing group of artists
showing at the 2017 event.
If you are interested in showing in this event please get your application in to Lynda soon!
Email her at [email protected]
If you would like to volunteer to help put on this event please contact Lynda. She has
positions available for helpers and committee members.
Last minute update: We now have 58 applications, and the jury committee has started a wait
list. Looks like we will have close to 60 artists at the 2017 event.
May Artist's Reception is May 7th
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New MembersDeborah Alysoun does cards, collage, colored pencil and pastel and is owner of the online store"
EarthBeauties.etsy.com.
She can be reached at [email protected]. She will be showing in the May - June gallery rotation.
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Member AppearanceTRAG member Robert Bresky will be talking about his book: More Than Run of the Mill at the
following places:
-- May 18th, Willamette View Manor, 3 pm
-- May 21st, Marylhurst University Peregrine Series, 3-4 pm
Damascus Open Studios Tour
Visit six studios to see and purchase fine art. View Artists at work!
Friday 4pm - 8pm,
Saturday and Sunday 10am - 5pm.
The studios of painters, woodworkers, clay artists, photographers, metal artists, jewelers and
glass artists will be open on the tour.
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event.
Calling all Volunteers!
The Oregon City Festival of the Arts is in need of several committee chairs for the 2017
event. To date the only committee chairs filled are for marketing, entertainment and food
services and artist registration. To date, this has been adequate to get the festival started but
now we need to recruit the rest of our team.
Three areas that are vital to the festival are the Volunteer Coordinator, Silent Auction Chair
and the Children’s hands on art.
The Volunteer Coordinator position could be shared. We already have a spreadsheet of all
the positions needed to run the event-just needs to be filled with people. Volunteers will be
needed to work the TRAG information table, greet visitors, relieve artists, assist with set up
and break down, find volunteers for the silent auction and children’s art tables. This position
will need several months lead time to full all the volunteer positions.
The Silent Auction chair would be responsible for collecting pieces of art from artists, set up
auction tables, bids sheets and collect funds. This year we are just going to be auctioning art
work and no outside community donations.
Children’s hands on art should be a simple matter of finding volunteers to man the tables and
instruct. For the 2016 event Holly did a wonderful job of creating several projects. There is
enough stock left-over from the art project items from 2016. All volunteers need to do is
supervise and help visitors make a piece of art work to take home.
If you are interested in any of these positions or would like to discuss them further, please
contact Lynda Orzen at [email protected] .
Artist Residency Program
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2017 Call to Artists
Update: Applications received after May 1st will be placed on a wait list in case
an accepted artist drops out.
Three Rivers Artist Guild is presenting an arts, culture and heritage event known as The
Oregon City Festival of the Arts (OCFOTA) on August 12 & 13, 2017 for the purpose of
promoting local art in the community. Artists working in every medium will participate
along with local food vendors, and local musical groups. The event is free to the public.
Location: End of the Oregon Trail Interpretive and Visitor Information Center
1726 Washington Street, Oregon City, Oregon 97045
IMPORTANT DATES
February 1, 2017 Call to Artists & Application emailed to TRAG artists
April 1, 2017 Applications due
June 1, 2017 Acceptance letter, contracts & digital show card emailed to
accepted artists
July 1, 2017 Contract and payment due
July 24, 2017 Artist information sent by email.
Includes booth # and position, parking and set-up Info
August 11 & 12 Artist set-up (Friday: 2 pm - 7 pm, Saturday: 7 am – 9:30 am)
August 12 & 13 Festival – 10 am – 5 pm both days
IMPORTANT FACTS
Contact person: Lynda Orzen (503-313-0024) [email protected]
Services to artists during event:
Security on grounds Friday and Saturday nights
Volunteers to provide breaks for artists
Designated parking area for artists
Water and snacks
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Color Comes Alive at the 221 Gallery
Three artists create colorful vistas at the 221 Gallery’s 2nd quarter 2017 rotation.
Andrew Baker, Trieste Andrews and Susan Schenk all use color in different ways, but
all three bring us a palette with purpose, highlighting their subjects’ moods and
nuances.
Andrew’s large animal portraits use color boldly,
moving beyond realistic tones to help tell the
subjects’ stories. In “Elephant,” he uses broad
vertical strokes of black, gray and shiny gilt gold to
suggest trunk, tusks and tree-wide legs of the
royal yet wild animal. “Giraffe” makes use of
fantasy orange markings to give a whimsical tone
to the long-necked subject. Dark doe-like eyes
with long lashes meet our gaze, as if asking us to
play.
Trieste’s realistic landscapes and bird portraits
highlight colors we may see but overlook in our
natural surroundings, giving her compositions a
timeless, graceful quality. “Ocean Sunset”
captures a coral sky reflected in the watery
reflections of a blackened stony shore line.
“Alaska Lawn Art” contrasts a rusty truck with the exuberant overgrowth of the flowering
field around it. “Cedar Creek Grist Mill” shows a surprising display of color in the snowy
scene, hinting at the browns, greens and blues of the surrounding forest and nearby
creek.
Susan Schenk’s collages range from near-
monochromatic to vividly vibrant to tell her visual
stories. “Inner Sanctum – Blue Heron” is a
patterned interplay of gray steel tanks, staircases,
support beams and pipes. Peeking through the
tangle of metal are snippets of phrases, including
“struggle, I see a generation,” and “our way of
life.” Her joyous “Floral Tulips” abounds with
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energy as red, orange and yellow-toned tulips burst like fountain spray against a
background of bright blue and long green leaves. If you look closely, you can see a wild
feline’s spotted fur nestled in the tulip pot!
Just as spring broadens nature’s palette to announce its arrival, so these three artists
use color to announce their subjects and themes.
Take a trip to the 221 Gallery and add a spark of color to your day!
How to write compelling artist statementsWriting an artist statement by Susan Schenk. This is a summary of Susan's
presentation at the April 2017 TRAG meeting.
Your artist’s statement is a reference page for people interested in learning more about
you and your work. To be most helpful, it should include an informative statement and
contact information, no longer than one page.
Use an artist’s statement to:
-Add information to expand the viewer’s understanding. Make them want to look
deeper or longer at your work.
-Write simply if you want people to read it.
-Less is more. Be concise. Edit it down. Imagine each word costs $10 and you’re
on a budget.
-Leave room for viewers to incorporate their own experience and imagination.
-Write more about the work, and less about yourself.
-Tell a story and draw in the viewer. Write as if you were standing there with
them by your work.
-Encourage the viewer to search for treasure. Don’t provide a detailed map.
The following questions can guide the creation of more sophisticated statements. They
can also deepen your thinking about your own art. Use your answers to craft a powerful
statement.
What excites me about my work?1.
What does someone need to know about my work and how it’s made?2.
What process do I use to make my work? How is it different than other artists?3.
What special research am I doing with my work? What discoveries?4.
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How do I make my work, step by step?5.
What is unique about my work? What’s my niche?6.
Where do I get inspiration? Place, people, things, experiences?7.
How has making art changed or saved my life?8.
How does my personal history affect my art? What life experiences show up in
my art?
9.
What first drew me to this art form?10.
Who are my influences? Teachers, mentors, other artists?11.
What obsesses me, fascinates, haunts or compels me about my work?12.
What am I curious or worried about with my work? How am I evolving?13.
How does my work fit into the history of this kind of work?14.
What do I want my audience to feel, think, do, experience, wonder about, or
understand after experiencing my work?
15.
If my work were music, what sound? Tempo? Instruments? Genre?16.
If my work could speak, what would it say? What tone of voice? What language?17.
If my work could dance, what moves? Tempo? Genre? Costumes?18.
If you could eat my work, what would it taste like? Texture? Spicy? Sweet?
Tangy? Hot or cool?
19.
What kinds of memories does my work trigger? Where does my work “take”
people?
20.
Pull your best ideas from your answers into your new artist’s statement. Create one that
is a page long and includes contact information to use in shows. Create a second one
that is 1000 characters or less for online applications for shows, grants and
competitions. Then make one that you memorize to give a 15-20 second answer to the
question, “What kind of artist are you?” And finally, a very short statement of 3-8 words
that becomes your motto, and that can be put on your business cards that describes
your art and artmaking.
2017
Art Extravagansa
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Earth Day Extras Mark Art Extravaganza
April’s Art Extravaganza made two bold moves this year! The first was to a Saturday to
draw more weekday-working artists, and the second was to Earth Day, to celebrate art’s
interaction with earth-friendly themes.
The ReClaimIt! Store joined the
vendors’ tables for the first time,
sharing creative ways to reuse and
reimagine discarded items in works of
art. A table was also set aside for the
“We Love Clean Rivers” group,
inviting artists to create art from river
trash to be displayed and auctioned
as a fundraiser for the Clackamas
River Basin Council.
Altogether, 23 vendors and demo artists filled the tradeshow rooms and hallway
alongside hands-on workshops, lecture demos and a panel discussion.
Eager artists scooped up samples, literature
and special purchases at the Merri Artist pop-
up store. Guild members distributed
membership flyers and Oregon City Festival of
the Arts post cards at our entryway table as
we talked with attending guests.
We also made a strong showing among the
event’s volunteers! The sponsoring
Clackamas County Arts Alliance’s listing
included Cheri Bosserman, Beth Daniell,
Richard Gaffield, Denise Gilbert, Eric
Griswold, Judy Haas, Valerie Ilustre, Kathy Johnson, Jeanne Kelley-Brown, Phyllis
Koessler, Holly Kroening, Bonnie Moore, Lynda Orzen, Dorothy Sherman, Vldn Taylor,
John Trax, and Carol Wagner. Many thanks to everyone involved!
www.clackamasartsalliance.org.
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