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Market-Place Market-Place Online collective exhibition exploring issues of space, place and territory in Latin American art today. Lara Gonzalez, 11/06/09

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Market-Place. Online collective exhibition exploring issues of space, place and territory in Latin American art today. Lara Gonzalez, 11/06/09. 1.What is Pueblito Paisa, Colombia/ London 2.Why Pueblito Paisa ,Theory 3.Potential project layout 4.Next steps. Agenda. - PowerPoint PPT Presentation

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Page 1: Market-Place

Market-PlaceMarket-PlaceOnline collective exhibition exploring issues of

space, place and territory in Latin American art today.

Lara Gonzalez, 11/06/09

Page 2: Market-Place

AgendaAgenda

1.What is Pueblito Paisa, Colombia/ London

2.Why Pueblito Paisa ,Theory

3.Potential project layout

4.Next steps

Page 3: Market-Place

1.Pueblito Paisa in Medellin, 1.Pueblito Paisa in Medellin, ColombiaColombia

Page 4: Market-Place

1.Pueblito Paisa, a market in 1.Pueblito Paisa, a market in LondonLondon

Page 5: Market-Place

2.Theory2.Theory

“Dos Decadas vulnerables en las artes plasticas latinoamericanas,1950-1970”

“Two vulnerable decades in Latin-American visual Arts,1950-1970”

Page 6: Market-Place

2. THEORY: MARTA TRABA2. THEORY: MARTA TRABA

“Cow Drowning in the Magdalene”Alejandro Obregon, 1953Colombia

Page 7: Market-Place

2. THEORY: MARTA TRABA2. THEORY: MARTA TRABA

“The Roadside Vendor”F.Botero,1969

Page 8: Market-Place

2. THEORY: MARTA TRABA2. THEORY: MARTA TRABA

“Have to eat”Carlos Alonso,1972Argentina

Page 9: Market-Place

2.Theory: Marta Traba2.Theory: Marta Traba

“Leftovers”Luis Camitzer,1970Uruguay

Page 10: Market-Place

2.Theory:Marta Traba2.Theory:Marta Traba

“Wrinkle”Liliana Porter,1969Argentina

Page 11: Market-Place

2.Theory:Marta Traba2.Theory:Marta Traba

“Soft Gallery”Marta Minujin,1973Argentina

Page 12: Market-Place

2.Theory:2.Theory:

Decolonization | POLYCENTRISM| “new art histories”MELTING POT| parallel histories

Interstice

Alfons Hug

Page 13: Market-Place

2. Theory: Diaspora and Exile 2. Theory: Diaspora and Exile AestheticsAesthetics

RootsRoots

RoutesRoutes

RiotRiot

Kobena Mercer “Exiles, Diaspora and Strangers”

Hamid Naficy, “An accented Cinema: Exilic and Diasporic Film Making

Page 14: Market-Place

2. Theory: Diaspora and Exile 2. Theory: Diaspora and Exile AestheticsAesthetics

RootsRoots RE-CREATION

COLOMBIA LONDON

Page 15: Market-Place

2. Theory: Diaspora and Exile 2. Theory: Diaspora and Exile AestheticsAesthetics

RoutesRoutes

Page 16: Market-Place

2. Theory: Diaspora and Exile 2. Theory: Diaspora and Exile AestheticsAesthetics

RiotRiot (METAPHOR)

Page 17: Market-Place

3.Potential project layout 3.Potential project layout

CORRIDORS

TYPICAL PRODUCE STORE

TYPICAL PRODUCE STORE

PARADOR ROJO (CAFÉ BAR)

DVD RENTAL

LATIN FASHION STORE BUTCHER

SPECIALIZED BICYCLE STORE

BEAUTY SALOON

MONEY TRANSFER

A CHALLENGE…

Page 18: Market-Place

3.Potential project layout 3.Potential project layout

Aims and objectives

•Investigate ways in which the hegemonic perception of the “local and foreign ” may be challenged

•To question institutional control and challenge comodification.

•Space : Online |Interdisciplinary-collaborative|

•artists from different cultural origins and reach for a broader audience

•Online resources already available for the pourpouse of the project

•Produce a collective inquire

Page 19: Market-Place

4.Next steps4.Next steps

AudienceArchives and online curatingTechnologies

Page 20: Market-Place

Q & AQ & A

Lara Gonzalez, 11/06/09

[email protected]

Office 2004 Test Drive User
Lara Gonzalez,11/