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Mass For The Saints Volume 14

by Will Goldstein

The King’s Court

Worship Service Series

Ordinary Of The Mass

Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei English translation of ancient Latin Text

SATB with chords

(Composed & Arranged for the worship service)

Contents

Preface & Photo How to Use The Book Songs 494 - 499 scores Theory & Chord Construction Chart Ministry Statement & Logo Other Publications & Future Additions - Website links

Preface The term Mass is used to describe the main eucharistic liturgical service in many forms of Western Christianity including Catholic and Anglican, but also related to the Divine Service of Lutherans, the Divine Liturgy of the Eastern Orthodox, and Western Rite Orthodox. The earliest musical settings of the mass are part of the ancient tradidion of Gregorian chant. The different portions of the Ordinary of the Mass came into the liturgy at different times, between the 7th and 11th centuries. The earliest complete settings date from the 14th century when composers began writing polyphonic versions of the sections of the Ordinary such as the Middle Ages composers, Ockeghem and Guillaume de Machaut, and later the musical setting of the Mass was the principal large-scale form of the Renaissance. The principal period of Mass composition lasted from about 1400 to 1700, and it came to an end as interest shifted to instrumental music, although later composers did use the form. Among the many composers who produced Masses are Josquin des Prés, Palestrina, Monteverdi, Bach, Haydn, Mozart, Beethoven, Verdi, Stravinsky and the list continues with such names as Ralph Vaughan Williams, Leonard Bernstein, Benjamin Britten, and even composers such as Andrew Lloyd Webber, Dave Brubeck, and Django Reinhardt. Personally, the first thing I did when I graduated from college with a degree in music in 1980 was to begin writing a Mass. I did complete the project, though I must confess, the work was the work of a novice. This Mass sat for 32 years in my file cabinet. In 2012 or so I started reviewing it, then reworked it some more in 2016 and now finally am releasing the final version of this Mass. Like many composers it was my dream to complete such a task. I put my heart and soul into it, and hope it becomes as meaningful to you as it is to me. Though my last name is Goldstein, I was raised Catholic, and was even an altar boy as a child, but since my mid 20’s I have been an evangelical Christian. We all have our roots in Catholocism, and the ancient Christians who collectively wrote this liturgical text did so out of complete devotion to God, and that being said, this music should be offered up in a spirit of complete surrender and devotion to the One Triune God. In setting this text, I tried to remain as faithful as possible to the liturgical text that was originally written in Latin, but in some of the pieces, especially the opening piece, Lord, Have Mercy, I added what I deemed appropriate text to complement the liturgical text. I have named this work Mass For The Saints because this is who I wrote it for, and as many Masses set to music are never performed in an actual Mass, so this work may never be performed in an actual Roman Catholic Mass though that would be fine with me.

A Servant of Christ, Will Goldstein

Copyright © 2019 The King’s Court All rights reserved. International Copyright Secured.

The King’s Court Website: http://www.thekingscourt.com Sebastopol, California (707) 823-0419 M-F 10-6 PST

How To Use The Book

This edition is designed for an SATB choir or ensemble. As in all music by The King’s Court the music is laid out in lead sheets, specifically for guitarists, keyboard players and bass players who prefer this format. The overall character of this music is highly devotional and spiritual dating back centuries in text and music form, yet also utilizing choral and vocal ensemble techniques with modern harmony that evoke the emotion and sentiment of the text. This music is a blend of harmony and polyphony and in some cases melismatic, a style often used in ancient times of singing more than one note on a syllable. This style of singing appeared in some genres of Gregorian chant, and was used in certain sections of the Mass, with the earliest written appearance around AD 900. The Byzantine Rite also used melismatic elements in its music around the same time as the Gregorian chant. The music also includes brief solos, duets, trios and fugal entrances that give variety and continuity to the character of the music. Some of the vocal parts require voices with a reasonably high range. Chord symbols are included with all vocal parts as well as with introductions. Some of this music is a little more difficult concerning chords and may require an excellent pianist and/or a guitarist with a proficient bass player, all with a good understanding of chromatic harmony, in order to be able to read the parts or improvise to the charts, and to adequately give faithful renditions of this music.

In the back of the book, I also included a Theory and Chord Construction Chart with an explanation of intervals and chord formulas to better understand the chromatic theory.

Permission is granted by the publisher to make copies of the book to assist musicians in the performance of these songs. CCLI #’s are included in the songs. Catalogue - The King’s Court Please report usage to CCLI. Website: www.ccli.com

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494Words and Music by

© 2019 The King's Courtwww.thekingscourt.com

All Rights Reserved

(Mass Ordinary 1) Will Goldstein

Lord, Have Mercy

CCLI# 7127987

Revelation 15:13The Kyrie - Lord, have mercy, Christ, have mercy, Lord, have mercy dates back to at least the 6th century.

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molto rit.

molto rit.

slowly & freely

slowly & freely

slowly & freely

slowly & freely

Jœ œ Jœ œu œmer cy on us, oh

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.œ œmer cy on us, oh

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œ œ œ œ œ ≈to God.

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God. Give

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495 Music by


All Rights Reserved

Glory To God In The Highest Will Goldstein

(Mass Ordinary 2)

Gloria - origin about the 4th century lyrical adaptation by Will Goldstein.

4 minutes

CCLI# 7127988

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high est.

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poco rit.

poco rit.

poco rit.

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high est; and

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œ œ œ œ œ œpeace to all men of good

œ œ œ œ œ œpeace to all men of good

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peace to all men of good

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peace to all men of good

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slower and freely with rit.



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a tempo -76

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œ œ œ œ ≈ œ œ œ œ œ œ œ œ œpraise You. We bless You; and a

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poco rit.

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SATB

496Music by


All Rights Reserved

Nicene Creed Will Goldstein(Mass Ordinary 3)

Credo- text dates to 381 A.D and was added to the Mass in 1014 and is the last additionlyrical adaptation by Will Goldstein.

4:45 seconds

CCLI# 7127989

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- - - -

- -

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- - -- - - -

SATB

497

Music by


All Rights Reserved

Holy, Holy, Holy,Hosanna

Will Goldstein(Mass Ordinary 4a)Sanctus - 5th centurylyrical adaptation by Will Goldstein

3:25 seconds

CCLI# 7127990

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All Rights Reserved

Blessed Will Goldstein(Mass Ordinary 4b)

Benedictus - 2nd part of Sanctus - 5th centurylyrical adaptation by Will Goldstein

2:25 seconds

CCLI# 7127991

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Bm7(b5) E7CMaj7

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rit.

rit.

rit.

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Lamb of

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B s us 7 B7

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SATB

499Music by

Lamb of God Will Goldstein(Mass Ordinary 5)


All Rights Reserved

Agnus Dei - - 7th centurylyrical adaptation by Will Goldstein

7:35 seconds with repeat4:50 seconds - no repeat

CCLI# 7127992

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12

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world.

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the sins of the world.

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Theory & Chord Construction ChartTheory & Chord Construction ChartTheory & Chord Construction ChartTheory & Chord Construction ChartTheory & Chord Construction ChartThe Chart below, in conjunction with the code & formulas given, has condensed on to one page all the scales & chords necessary to

understand the basics of music theory. The top row is the names of the intervals that can be measured as the distance above the root which is in the farleft column. These intervals can be applied to each of the given roots to create scales & chords. All intervals are measured above the root. Music theory

requires extensive training, and it is beyond the scope of this book to go into more detail.

R=Root, M=Major, m=minor, P=Perfect, A=Augmented, D=Diminished, #=sharp, b=flat, x=double sharp, bb=double flatCodeCodeCodeCodeCode

Basic ScalesBasic ScalesBasic ScalesBasic ScalesBasic ScalesThe GrThe GrThe GrThe GrThe Greek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scaleeek Modes & The Pentatonic Scale

Note: The underline means it is a chord tone while playing the chord within that scale.Ionian Mode / Major Scale = R M2 M3 P4 P5 M6 M7 R (used with major chords built off the first scale degree such as C chord in the Key of C)Dorian Mode = M2 M3 P4 P5 M6 M7 R M2 (used with minor chords built off the second scale degree such as D minor chord in the Key of C)Phrygian Mode = M3 P4 P5 M6 M7 R M2 M3 (used with minor chords built off the third scale degree such as E minor chord in the Key of C)Lydian Mode = P4 P5 M6 M7 R M2 M3 P4 (used with major chords built off the fourth scale degree such as F chord in the Key of C)Mixolydian Mode = P5 M6 M7 R M2 M3 P4 P5 (used with major chords built off the fifth scale degree such as G chord in the Key of C)Aeolian Mode/ minor scale = M6 M7 R M2 M3 P4 P5 M6 (used with minor chords built off the sixth scale degree such as A minor chord in the Key of C)Locrian Mode = M7 R M2 M3 P4 P5 M6 M7 (used with diminished chords built off the seventh scale degree such as B diminished chord in the Key of C)Penatonic Scale = R M2 M3 P5 M6 R (used with major chords built off the first, fourth & sometimes the fifth scale degree such as C penatonic scale for theC chord in the Key of C, the F penatonic scale for the F chord in the Key of C & the G penatonic scale for the G chord in the Key of C.)

Chords used in Contemporary Christian MusicChords used in Contemporary Christian MusicChords used in Contemporary Christian MusicChords used in Contemporary Christian MusicChords used in Contemporary Christian Music

1. Major (no sign) = R M3 P52. Minor (m) = R m3 P53. Augmented (+) = R M3 A54. Diminished (o) = R m3 D55. Suspended 4th (sus) = R P4 P56. Suspended 2nd (2) = R M3 P5 (M2 or M9)7. Six Chord (6) = R M3 P5 M68. Minor 6th (m6) = R m3 P5 M6

9. Full diminished (o7) = R m3 D5 M610. H alf dimished (m7b 5) = R m3 D5 m711. Minor seventh (m7) = R m3 P5 m712. Dominant Seventh (7) = R M3 P5 m713. Sus Seventh (sus 7) = R P4 P5 m714. Seven flat 5 (7b5) = R M3 D5 m715. Augmented 7th (+7) = R M3 A5 m716. Major 7th (Maj 7) = R M3 P5 M7

17. Ninth (9) = R M3 P5 m7 M918. minor 9th (m9) = R m3 P5 m7 M919. Flat Nine (b9) = R M3 P5 m7 m920. Sus nine (sus 9) = R P4 P5 m7 M921. Major nine (Maj 9) = R M3 P5 M7 M922. Thirteenth (13) = R M3 m7 M9 M13

There are a few extra symbols in the formulas below that are not in the chart above, but are easily understood.They are as follows: M9 is the same as M2 but usually an octave higher, m9 is the same as m2 but usually an octave higher, M13 is the same as M6 butmust be played above m7.

R 2m 2M 3m 3M 4P 5D-4A 5P 6m-5A 6M 7m 7M R

C bD D bE E F bG-#F G bA-#G A bB B C

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The King's Court Ministry Statement

It is the ministry of The King's Court, through songwriting, to convict us of our sin, lead people to Christ, teach Christian virtue and maturity, memorize scripture, announce biblical prophecy, worship our Savior, and carry the spiritual flame of revival.

Will Goldstein

The King's Court Sebastopol, California 95472

(707) 823-0419

Publications, CD’s, & What's new at The King's Court?

For the current status of released and unreleased music by Will Goldstein of the King’s Court also visit me online at: http://www.thekingscourt.com click photos and bio, then click Will Goldstein and guitar with bio Published Works: CD’s available online http://thekingscourt.com click cd’s and digital albums CD’s Distributor - Amazon Digital Albums Distributor - CD Baby His Name Is Jesus Old Testament Bible Heroes The King Is Here Hosanna Songbooks available online for download http://thekingscourt.com click sheet music (pdf songbooks – lead sheet format only) Volume 1 Christ, Our Savior Songbook ©2000 The King’s Court Volume 2 Old Testament Bible Heroes (Musical Play) ©2008 The King’s Court Volume 3 The King Is Here (Musical Play) ©2008 The King’s Court Volume 4 Deuteronomy ©2016 The King’s Court Volume 5 The King’s Highway ©2016 The King’s Court Volume 6 The Third Day (The Last Days Of Jesus ) ©2017 The King’s Court Volume 7 The Inner Journey (A Cantata of Prayers, Meditations, and Exaltations to The God of All Creation) ©2018 The King’s Court Voume 8 Songs of Our Savior ©2018 The King’s Court Volume 9 Parables ©2018 The King’s Court Volume 10 Christ, Our Healer ©2018 The King’s Court Volume 11 Christ, Our Sanctifier ©2018 The King’s Court Volume 12 The Pure Light of Heaven ©2019 The King’s Court Volume 13 The Good Shepherd ©2019 The King’s Court Volume 14 Mass For The Saints ©2019 The King’s Court Volume 15 Isaiah ©2019 The King’s Court Volume 16 Be Ready For Christ Our Coming King! Part 1 ©2020 The King’s Court Volume 17 Be Ready For Christ Our Coming King! Part 2 ©2020 The King’s Court Volume 18 Be Ready For Christ Our Coming King! Part 3 ©2020 The King’s Court Volume 19 Shades of Blue Light and Dark Shadows On The Kingdom ©2020 The King’s Court Volume 20 Acts ©2021 The King’s Court Print On Demand Books from Amazon The King’s Court now offers 10 different titles available in printed 8 ½ x 11 books Library Quality Titles include books that are both in lead sheet format and titles that include scores with notated instrumental parts and vocal harmony Please visit Author Central Amazon Page Will Goldstein for a complete description for each title https://www.amazon.com/-/e/B071G4Y4Y6 Upcoming projects to be released: In the next 1-2+ years, another set of songs will gradually be released in future volumes listed below in 1-3. Below is an overview of the projects 1) Acts to Jude subdivided into books (early stages of scores) 2) Israel And The New Promised Land (very early stages, lyrics only, no scores) Early stages – pencil only – I will begin working on these in the next few years 3) Proverbs, hundreds of songs already done in pencil, will be released following completion of the New Testament 4) Psalms - in the early stages of pencil scores (delayed while working on completion of other projects) All these books, God willing, will be organized into various songbooks in continuing volumes with CCLI numbers. Please report usage. This page reflects the status of The King’s Court publications at the release of Volume 20 Acts ©2021 The King’s Court

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