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MasterDrawingsNew York2017
Nos. «, 1 , 2, 3, 4 at Academy Mansion
2 East 63rd Street
« Special loan exhibition Master Drawings from the Lyman Allyn Art Museum 1st Floor
1 Christopher Bishop Fine Art 1st Floor
2 Pandora Old Masters Inc. 1st Floor
3 Charles Beddington 2nd Floor
4 Day & Faber 2nd Floor
5 Mark Murray Fine Paintings 159 East 63rd Street
Ground Floor
6 Stephen Ongpin Fine Art at Dickinson Roundell
19 East 66th Street, 2nd Floor
7 Leonard Hutton Galleries 790 Madison Avenue, Suite 506
8 Didier Aaron Inc 32 East 67th Street
9 Mireille Mosler, Ltd 35 East 67th Street, 4th Floor
10 David Tunick, Inc. 13 East 69th Street
11 Découvert Fine Art at Lois Wagner Fine Arts, Inc. 15 East 71st Street, Suite 2a
12 Kraushaar Galleries 15 East 71st Street, Suite 2b
13 Mia N. Weiner at L’Antiquaire and
The Connoisseur 36 East 73rd Street
14 Mary-Anne Martin | Fine Art 23 East 73rd Street, 4th Floor
15 Les Enluminures 23 East 73rd Street, 7th Floor
Nos. 1 6, 17, 18 at Arader Galleries
1016 Madison Avenue
16 Guy Peppiatt Fine Art Ltd 1st Floor
17 James Mackinnon 3rd Floor
18 Mattia & Maria Novella Romano 4th Floor
19 W & K, Wienerroither & Kohlbacher at Shepherd | W & K Galleries 58 East 79th Street
20 Nissman, Abromson Ltd at Robert Simon Fine Art 22 East 80th Street, 4th Floor
21 Martyn Gregory at Leigh Morse Fine Arts 22 East 80th Street, 5th Floor
22 Jill Newhouse Gallery 4 East 81st Street
23 Monroe Warshaw at 5 East 82nd Street
24 Pia Gallo 12 East 86th Street, Suite 1140
S Sotheby’s 1334 York Avenue
C Christie’s 20 Rockefeller Plaza
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MasterDrawingsNew York
@masterdrawingny @masterdrawingsnewyork @masterdrawingsny
PREV IEW AT ALL G ALLER IESFriday January 20, 4–8 pm
EARLy oPEn InG PREV IEWfoR PRESS , muSEumS And V IPFriday January 20, 12–4 pm
G ALLER IES oPEnSaturday January 21, 10 am – 6 pm Sunday January 22, 2 pm – 6 pmMonday January 23 – Saturday 28, 10 am – 6 pm
EnquIR [email protected] +1 929 265 1441
CoverGustav Klimt, Portrait of a Woman in Blue, c.1913–18Blue pencil on cream wove paper21⁷∕₈ × 14⁵∕₈ in . 550 × 370 mmExhibited at David Tunick, Inc.
JAnuARy 21–28
SympoSium
Drawings, Connoisseurship, and Scholarship TodayA Discussion with the Editorial Board of Master Drawings
Tuesday, January 24, 4.30–6pm, Academy Mansion, 2 East 63rd Street (between Madison and 5th Avenue)
Join Master Drawings Editor Jane Turner and associate editors Margaret Morgan Grasselli, John Marciari, and Jennifer Tonkovich for a conversation about the current state of research and publishing in the field of master drawings. Master Drawings remains the leading international journal for the study of drawings, and the editors will discuss recent trends in drawing scholarship, problems that interest them, questions of connoisseurship, and plans for future issues of the journal.
Abraham Bloemaert (1566–1651),A Dovecote, ink and wash on paper, Lyman Allyn Art Museum, 1939.18. Master Drawings, Vol. 55, No. 1
Partner Events hoSted by
Master DrawingsNew York 2017
rsvp & enqu ir i [email protected] +1 929 265 1441
Special loan exhibitionSympoSium
Master Drawings from the Lyman Allyn Art Museum
January 20–28thAcademy Mansion 2 East 63rd Street(between Madison and 5th)
Eugène Delacroix (1798–1863), Study for The Execution of the Doge Marino Faliero (detail), 1826, watercolor on paper, Lyman Allyn Art Museum, Gift of Mrs. John W. Simpson, 1943.192.
This year Master Drawings New York is proud to host an intimate exhibition of master drawings from the Lyman Allyn Art Museum at the Academy Mansion. For many of these drawings, this display will be the first time they have been on view outside of Connecticut.
The exhibition will feature a range of artists, including works by Ingres, Delacroix, Stothard, Zuccaro, Copley and more.
In hIs collectIon of biographies of seventeenth-century Dutch artists, Arnold Houbraken offered an interesting glimpse into the everyday life of an artist when he described how Govaert Flinck spent his Sundays. It was the one day he put down his brushes and spent his free time away from the easel. After dutifully attending service in his local church, Flinck would devote the remainder of the day to crossing the canals of Amsterdam to visit artists, art lovers, and collectors such as Jan Six and Jan Uitenbogaert – specifically to browse through their albums of drawings and prints with them. Houbraken tells us that Flinck was able to discern and describe the idiosyncratic styles of all the different artists as well as select the most beautiful passages to use in his own work.
Flinck’s visits foreshadow the art viewings (kunstbeschouwingen), during which drawings were passed along and discussed by a select group of art lovers, as well as the membership societies for drawings, both of which had become firmly established by the eighteenth century. The vivid image of artists and collectors doing the rounds in Holland, looking at works of art together, training their eyes, and discussing what they saw, resonates with all of us who will meet in front of drawings in the galleries and auction houses this week in New York.
I have been deeply fortunate to work in two institutions where the shared experience of looking at drawings is paramount. At the Fondation Custodia, Collection Frits Lugt, in Paris, drawings from all schools are passed around to as many people as fit around the
Master DrawingsNew York 2017introduction
table during the tables rondes, one of the highlights of the Salon du dessin each year. Frits Lugt himself, when he was seeking to make his astounding collection of works on paper accessible to scholars and connoisseurs, looked to American institutions for models. He was especially taken with the Morgan Library, where I now have the pleasure of working, and where an exhibition of exquisite drawings and paintings from the Nationalmuseum in Stockholm, assembled in the eighteenth century by yet another great collector, Count Carl Gustav Tessin, will open on February 3rd. Between the programs of the Drawing Institute, the many visitors, and our keen and erudite team of colleagues and fellows there, hardly a day goes by at the Morgan without a lively discussion.
On my first day at the Fondation Custodia, director Ger Luijten predicted that my time there would change my life and enrich my soul. He was right, of course. I look forward to the continued enrichment during Master Drawings week, and I hope to share this experience with many of you.
Ilona van TuinenAnnette and Oscar de la Renta Assistant Curator, Drawings and Prints, The Morgan Library & Museum
Ilona van Tuinen in the Drawing Study Center at the Morgan Library & Museum with Albrecht Dürer’s Portrait of the Artist’s Brother Endres, c. 1518
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Christopher Bishop Fine Art
E x h I b I T I n G AT : A c A d E m y m A n S I o n , 1 ST f Lo o R2 E A ST 6 3 R d ST R E E T n E W yo R k , n y 10065
cELL +1 203 494 8853
173 Main Street, Norwalk, CT 06851bishopfineart@optonline.netwww.oldmasterdrawingsandprints.com
Jacopo Bassano (1510–1592)The Sower Pen and brown ink with brown washes highlighted in white, on blue paperInscribed upper right questo disegno uin del excelente pitor il sr. jachomo ponte l’ano 1592 10 auiosto11¹∕₈ × 7 ⁷∕₈ in . 287 × 201 mm
Vincenzo Gemito (1852–1929)Portrait of a Young Woman Egg/oil tempera on a Ginori porcelain plateSigned lower right V. Gemito 1915Diameter 16¹⁵∕₁₆ in . 43 cm
Pandora Old Masters Inc.
E x h I b I T I n G AT : A c A d E m y m A n S I o n1 ST f Lo o R2 E A ST 6 3 R d ST R E E T n E W yo R k , n y 10065
cELL +1 917 664 1124
PO Box 1761New York, NY 10021T +1 212 628 1974
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Charles BeddingtonE x h I b I T I n G AT : A c A d E m y m A n S I o n , 2 n d f Lo o R2 E A ST 6 3 R d ST R E E T n E W yo R k , n y 10065
cELL +44 (0)7774 271820
16 Savile RowLondon W 1S 3P LT +44 (0)20 7439 4959
Luca Carlevarijs (1663–1730)Venice: The Church of the Zitelle and the Giudecca from the Giudecca CanalPen and ink and grey wash on paper, laid down on a second sheet with ink borders12⁷∕₈ × 18¹∕₈ in . 320 × 467 mm
Day & FaberE x h I b I T I n G AT : A c A d E m y m A n S I o n , 2 n d f Lo o R2 E A ST 6 3 R d ST R E E T n E W yo R k , n y 10065
cELL +44 (0)7850 308489
46 Maddox StreetLondon W 1S 1AyT +44 (0)20 7629 [email protected]
Giovanni Francesco Barbieri, called Il Guercino, (1591–1666)Cosmographer with an astrolabe and compass in a landscape Pen and brown ink6³∕₈ × 7⁵∕₈ in . 163 × 269 mm
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Joseph Mallord William Turner (1775–1851)The Storm, c.1823Watercolor on board4¾ × 7½ in . 125 × 189 mm
Stephen Ongpin Fine Art
E x h I b I T I n G AT :d I c k I n S o n R o u n d E L L 2 n d f Lo o R1 9 E A ST 6 6 T h ST R E E T n E W yo R k , n y 10065
T +1 212 772 8083cELL +1 917 587 1183
Riverwide House, 6 Mason’s YardDuke Street, St. James’s, London SW1y 6buT +44 (0)20 7930 8813
Giovanni Battista Piazzetta (1682–1754)The Artist’s Son Giacomo Holding a BookBlack chalk, with stumping and touches of white heightening, on blue-grey paper, backed15⁵∕₈ × 11⁷∕₈ in . 398 × 302 mm
Mark Murray Fine Paintings1 5 9 E A ST 6 3 R d ST R E E TG R o u n d f Lo o Rn E W yo R k , n y 10065
T +1 212 585 [email protected]
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Leonard Hutton Galleries
7 9 0 m A d I S o n AV E n u E S u I T E 5 0 6n E W yo R k , n y 10065
T +1 212 751 [email protected]
Vicky ColombetTime TravelJanuary 21–28, 2017Closed Sunday 22 January
Didier Aaron, Inc.3 2 E A ST 67 T h ST R E E Tn E W yo R k , n y 10065
T +1 212 988 [email protected]
Master Drawings 1600–1875
Vicky Colombet (b.1953)Très Riches Heures-NovemberColor pencils and ink on Rives paperSigned in pencil lower right V Colombet10½ × 8¼ in . 270 × 210 mm
Edgar Degas (1834–1917)Study for ‘Young Spartans Exercising ’, c.1860Black pencilStamped lower left15¾ × 10¼ in . 400 × 260 mm
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Willem van Nijmegen (1636–1698) Allegory of the loss of Arnhem, 1672Pen and black and grey wash on paperSigned, dated and inscribedWillem van Nymegen heeft dit geteykent Ao 1672 den 10 / Junius den dagh daer na als hy de stadt van Arenem / heeft over sien geven, aen den hertogh van Touraine / dien ick den trompetter / van hem / heb voor de stadt op / hooren eisen. Laat ons haspillen / willen wij niet: sij willen’j6⁷∕₈ × 5½ in . 175 × 140 mm
David Tunick, Inc.1 3 E A ST 6 9 T h ST R E E Tn E W yo R k , n y 10021
T +1 212 570 [email protected]
Egon Schiele (1890–1918)Standing Boy, 1918Black crayon Signed and dated in crayon in a box lower right Egon Schiele/191818⁵∕₈ × 11½ in . 474 × 316 mm
Mireille Mosler, Ltd3 5 E A ST 67 T h ST R E E T4 T h f Lo o Rn E W yo R k , n y 10065
T +1 212 249 [email protected]
Master Drawings 1600–1999
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Découvert Fine ArtE x h I b I T I n G AT :Lo I S WA G n E R f I n E A RT S , I n c .1 5 E A ST 7 1 ST ST R E E T S u I T E 2 An E W yo R k , n y 10021
73 Main StreetRockport, Massachusetts 01966
c E L L +1 978 546 [email protected]
Small Wonders, 16th to 20th Centuryand New Acquisitions
Giovanni Battista Naldini (1537–1591)Scene of Investiture (recto)Studies of Antique Sculpture (verso)Pen and brown ink over black chalk, with traces of sanguine5³∕₈ × 3⁷∕₈ in . 137 × 99 mm
Kraushaar Galleries1 5 E A ST 7 1 ST ST R E E T, S u I T E 2 bn E W yo R k , n y 10021
Reginald Marsh (1898–1954)Coney Island, 1947Chinese ink and wash on paper 22 × 30⁷⁄₈ in . 559 × 784 mm
T +1 212 288 [email protected]
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attrIbuted to Giovanni Andrea Sirani (1610–1670)Head StudiesOil on paper laid down to thin panel6⁵∕₈ × 10¼ in . 170 × 260 mm
Mary-Anne Martin | Fine Art2 3 E A ST 7 3 R d ST R E E T, 4 T h f Lo o Rn E W yo R k , n y 10021
T +1 212 288 [email protected]
Leonora Carrington (1917–2011)CEOs (The Executives), 2001Ink on paperSigned lower right 7⁷∕₈ × 12¹∕₃ in . 200 × 313 mm
Mia N. Weiner E x h I b I T I n G AT :L ’ A n T I q u A I R E A n d T h E co n n o I S S E u R3 6 E A ST 7 3 R d ST R E E Tn E W yo R k , n y 10021
cELL +1 860 480 0100
Mia N. Weiner199 Mountain Road, Norfolk, CT 06058T +1 860 542 [email protected]
Leonora Carrington Drawings and Watercolors,1941–2002
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Les Enluminures2 3 E A ST 7 3 R d ST R E E T, 7 T h f Lo o Rn E W yo R k , n y 10021
T +1 212 717 [email protected]
Anonymous (Follower of Hans Pleydenwurff c.1420–1472)Adoration of the MagiInk on paper7⁷∕₈ × 11¹∕₈ in . 200 × 282 mm
John Sell Cotman (1782–1842)Boats off the Coast, a Storm approachingWatercolor over traces of pencil heightened with bodycolor, scratching out, stopping out and gum arabicSigned lower right J.S. Cotman/183018¾ × 25¾ in . 472 × 652 mm
Guy Peppiatt Fine Art LtdRiverwide House6 Mason’s YardDuke Street, St James’sLondon SW1y 6bu
T +44 20 7930 [email protected]
E x h I b I T I n G AT : A R A d E R G A L L E R I E S1 01 6 m A d I S o n AV E n u E , 1 ST f Lo o Rn E W yo R k , n y 10021
T +1 212 628 7625 cELL +44 (0)7956 968 284
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Richard Parkes Bonington (1802–1828)Rouen from Mont Ste. CatherineWatercolor Signed lower right 5¼ × 8⁵∕₈ in . 135 × 222 mm
James Mackinnon E x h I b I T I n G AT :A R A d E R G A L L E R I E S1 01 6 m A d I S o n AV E n u E3 R d f Lo o Rn E W yo R k , n y 10075
T +1 212 628 7625cELL +44 7973 539 [email protected]
Mattia & MariaNovella Romano
E x h I b I T I n G AT : A R A d E R G A L L E R I E S1 01 6 m A d I S o n AV E n u E4 T h f Lo o Rn E W yo R k , n y 10075
T +1 212 628 7625cELL +39 338 77 61 867
Cherubino Alberti (1553–1615)Beheading of St. John the BaptistPen, brown ink, brown washes andtraces of black chalk on laid paper 9¾ × 11¼ in . 250 × 285 mm
Simone Romano e Figli – Firenze36 Borgo Ognissanti, 50123 Florence, Italy
T +39 055 239 60 06info@antiksimoneromanoefigli.comwww.antiksimoneromanoefigli.com18
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Nissman, Abromson Ltd
E x h I b I T I n G AT :R o b E RT S I m o n f I n E A RT2 2 E A ST 8 0 T h ST R E E T 4 T h f Lo o Rn E W yo R k , n y 10075
cELL +1 617 792 6044
286 Clinton RoadBrookline, MA 02445
T +1 617 735 [email protected]/members/memDetail.php/31
Egon Schiele (1890–1918)Standing Woman Covering Face with Both Hands, 1911 Gouache, watercolor, and pencil on paperSigned Egon Schiele 191117⁵∕₈ × 12³∕₈ in . 448 × 314 mm
W & K Wienerroither & Kohlbacher
E x h I b I T I n G AT :S h E P h E R d / W & k G A L L E R I E S5 8 E A ST 7 9 T h ST R E E Tn E W yo R k , n y 10075
T +1 212 861 4050
W&K – Wienerroither & KohlbacherStrauchgasse 2, 1010 Vienna
T +43 1 533 [email protected]. austrianfineart.com
Domenico Piola (1672–1703)Tobias Healing His Father’s BlindnessBrown ink with point of brushover black chalk11¼ × 16½ in . 286 × 419 mm
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Jill Newhouse Gallery
4 E A ST 8 1 ST ST R E E Tn E W yo R k , n y 10028
T +1 212 249 [email protected]
Edgar Degas (1834–1917)Dancer (Melina Darde), c.1878–80Black chalk heightened with white on paperStamped lower left 18³∕₈ × 12 in . 467 × 305 mm
Peter De Wint OWS (1784–1849)A summer landscape, north WalesWatercolor over traces of pencil, with bodycolor 21 × 31½ in . 535 × 800 mm
Martyn Gregory E x h I b I T I n G AT :L E I G h m o R S E f I n E A RT S2 2 E A ST 8 0 T h ST R E E T5 T h f Lo o Rn E W yo R k , n y 10075T +1 212 288 4144
34 Bury Street, St James’sLondon, SW1y 6Au
T +44 (o)20 7839 [email protected]
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Jean Cocteau (1889–1963)Mon James, il y a en lutte, c.1951Ink on paper7½ × 6 in . 190 × 150 mm
Monroe WarshawE x h I b I T I n G AT :5 E A ST 8 2 n d ST R E E Tn E W yo R k , n y 10028
cELL +1 917 575 8142
5 Riverside Drive,New York, n y 10023
Ciro Ferri (1634–1689)Moses defending the daughters of JethroPen and brown ink, brown and grey wash with white heightening on blue grey paper, mounted on a thin board 9¾ × 13¾ in . 247 × 350 mm
Pia Gallo1 2 E A ST 8 6 T h ST R E E TS u I T E 1140n E W yo R k , n y 10028
T +1 212 369 [email protected]
Master Drawings, Mostly Italian
ExhIbITIon oPEnS JAnuARy 13, 2017
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Auction | Private Sales | christies.com
AUCTION • 24 January 2017 • New York
VIEWING • 20–24 January 2017 • 20 Rockefeller Plaza • New York • NY 10020
CONTACT • Stijn Alsteens • [email protected] • +33 (0) 1 40 76 83 59
OLD MASTER & BRITISH DRAWINGS
GIOVANNI DOMENICO TIEPOLO (1727–1804)
Head of a young man
red and white chalk, stumping, on blue paper
11 ½ x 8 in. (29.2 x 20.2 cm.)
US$180,000–200,000
04892-03 OMD NY 2017 Master Drawings print advert .indd 1 11/11/2016 17:07
GIOVANNI FRANCESCO BARBIERI, CALLED IL GUERCINOA landscape with a hunter and his dog, shooting birds by a river Estimate $40,000–60,000
Old Master Drawings Auction New York 25 January 2017
Viewing 20 – 24 January1334 YORK AVENUE, NEW YORK, NY 10021 ENQUIRIES +1 212 606 7230 [email protected] SOTHEBYS.COM/OLDMASTERDRAWINGS SOTHEBY’S, INC. LICENSE NO. 1216058. © SOTHEBY’S, INC. 2016
International Auctioneers and Appraisers – bonhams.com/impressionist
© 2016 Bonhams & Butterfields Auctioneers Corp. All rights reserved. Principal Auctioneer: Patrick Meade. NYC License No. 1183066-DCA
IMPRESSIONIST & MODERN ART AT BONHAMSAccepting consignments for sales in New York, London, Los Angeles and Hong Kong
OSKAR KOKOSCHKA (1886-1980)Sitzender bärtiger Mann graphite and watercolor on light brown paper16 7/8 x 12 1/8 in ( 42.7 x 30.8 cm)Sold for $425,000World auction record for a work on paper by the artist
INQUIRIES+1 (212) 644 [email protected]
International Auctioneers and Appraisers – bonhams.com/impressionist
© 2016 Bonhams & Butterfields Auctioneers Corp. All rights reserved. Principal Auctioneer: Patrick Meade. NYC License No. 1183066-DCA
IMPRESSIONIST & MODERN ART AT BONHAMSAccepting consignments for sales in New York, London, Los Angeles and Hong Kong
OSKAR KOKOSCHKA (1886-1980)Sitzender bärtiger Mann graphite and watercolor on light brown paper16 7/8 x 12 1/8 in ( 42.7 x 30.8 cm)Sold for $425,000World auction record for a work on paper by the artist
INQUIRIES+1 (212) 644 [email protected]
B A S S E N G E
B A S S E N G E · E R D E N E R S T R A S S E 5A · 14193 B E R L I N · G E R m A N yPhone: +49 30 8938029-0 · Fax: +49 30 8918025 · E-mail: [email protected] · Catalogues: www.bassenge.com
D r a w i n g s a l e s i n s p r i n g a n D F a l l
I N V I T A T I O N T O C O N S I G N
Julius Schnorr von Carolsfeld (1794–1872). A Branch with Shriveled Leaves. Pen and grey-brown ink. 9,1 x 25,6 cm. 1817.
Auction in Paris OLD MASTER DRAWINGS
www.artcurial.com Contact: Matthieu Fournier +33 (0)1 42 99 20 26 [email protected]
Auction March 23rd
Paris 7 Rond-Point des Champs-Élysées - 75008
Jean-Antoine WATTEAU Study of a man wearing a hatBlack and red chalk22,70 x 16,80 cm
Provenance:Collection Georges Dormeuil Estimate: $ 160,000 - 210,000
Exhibiting at:Arader Galleries 1016 Madison AvenueNew York, NY 10075
Viewing times January 23rd - 25th11 am – 6 pm
RTCURIAL
11-16_PUB_MDNY_TA.indd 1 21/11/2016 12:38
Egon Schiele, Schlafender Mann, watercolor, pencil and crayon, 1910. Sold September 2015 for $905,000.
104 East 25th Street New York, NY 10010 • 212 254 4710 • SWANNGALLERIES.COM
Accepting Consignments to Upcoming Auctions
Todd Weyman • [email protected]
2333_MastDraw_NYFair_2017_Rnd2.indd 1 11/2/16 1:49 PM
TOMASSO BROTHERSFINE ART
Joseph Nollekens (1737–1823)Eve bewailing the death of AbelTerracotta25.4 cm (10 in.) highLabeled underneath ‘1614’
PROVENANCE:Nollekens sale, 4th July 1823 (lot 39), boughtby 'Turner';Professor Michael Jaffé CBE (1923–1997),Cambridge, United Kingdom;and thence by family descent;on loan to the Fitzwilliam Museum, Universityof Cambridge, Cambridge, United Kingdom(1976–2016)
FORTHCOMING EXHIBITION:
Important European Sculpture
atCarlton Hobbs LLC
60 East 93rd Street, New York, NY 1012819th January to 28th January 2017
[email protected] www.tomassobrothers.co.uk
MDNYTomassoOct2016.qxp_Layout 1 15/11/2016 16:35 Page 1
TOMASSO BROTHERSFINE ART
Joseph Nollekens (1737–1823)Eve bewailing the death of AbelTerracotta25.4 cm (10 in.) highLabeled underneath ‘1614’
PROVENANCE:Nollekens sale, 4th July 1823 (lot 39), boughtby 'Turner';Professor Michael Jaffé CBE (1923–1997),Cambridge, United Kingdom;and thence by family descent;on loan to the Fitzwilliam Museum, Universityof Cambridge, Cambridge, United Kingdom(1976–2016)
FORTHCOMING EXHIBITION:
Important European Sculpture
atCarlton Hobbs LLC
60 East 93rd Street, New York, NY 1012819th January to 28th January 2017
[email protected] www.tomassobrothers.co.uk
MDNYTomassoOct2016.qxp_Layout 1 15/11/2016 16:35 Page 1
Richard A. Berman Fine ArtMaster Drawings 16th to 20th Centuries
showing drawings by app ointment
East 72nd Street (between Madison and Park Avenues)
Please email or telephone to make an appointment
Richard A. Berman 310 Duke Ellington BlvdNew York, ny 10025
Telephone +1.212.678.0543Cell +1.917.378.0543Email: [email protected]
Paolo Farinati (1524–Verona–1606)
Saint John the EvangelistPen and brown ink, brown wash on gray-green paper, over charcoal, heightened with whiteOn a late 17th century mount281 × 100 mm (11 1⁄16 × 315⁄16 in.)
GALLARUS
by APPoInTmEnT onLy [email protected] +1 212 866 0363
Gallarusarts.com
Early Sculpture andOld Master Drawings
Academy Mansion2 East 63rd Street, 2nd FloorJanuary 20–28
Pedro Duque Cornejo y Roldán (1678 – 1757) | Saint John the Evangelist | Polychromed wood351⁄2 x 213⁄4 x 173⁄4 in. | Provenance: Private Collection, Granada, 1990s.
26 Bury Street, St. James’s | London SW1Y 6AL colnaghi.com
Sold to an American Private Collection
Pedro Duque Cornejo y Roldán (1678 – 1757) | Saint John the Evangelist | Polychromed woodSaint John the Evangelist | Polychromed woodSaint John the Evangelist
Sold to an American Private Collection
Pedro Duque Cornejo y Roldán (1678 – 1757) | Saint John the Evangelist | Polychromed wood351⁄2 x 213⁄4 x 173⁄4 in. | Provenance: Private Collection, Granada, 1990s.
26 Bury Street, St. James’s | London SW1Y 6AL colnaghi.com
Sold to an American Private Collection
Pedro Duque Cornejo y Roldán (1678 – 1757) | Saint John the Evangelist | Polychromed woodSaint John the Evangelist | Polychromed woodSaint John the Evangelist
Sold to an American Private Collection
www.londonartweek.co.uk
LONDONART2017WEEK
30 JUNE–7 JULY 2017PREVIEW 29 JUNE
LONDON’S ESSENTIALEVENT FORPRE-CONTEMPORARYART
John Russell RA 1745–1806 Study of George White, bust-length, as Saint Peter (detail) Courtesy of Lowell Libson Ltd
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