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Page 1: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 2: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 3: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 4: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 5: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 6: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 7: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 8: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 9: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 10: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 11: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 12: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 13: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 14: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 15: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,
Page 16: Matisse 2015 - Wolfson High Visual Arts · Harmony in Red, above left. Matisse's bold use of color transforms the scene so the color red becomes the subject of the work. By the 1940s,

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