Update: 7/11

CURRICULUM VITAE

GERALD J. JANECEK, Ph.D.

Department of Modern and Classical Languages, Literatures & CulturesUniversity of KentuckyLexington, KY 40506office: (859) 257-7025e-mail: gjanecek@uky.edu

Home: 34 Mentelle Park Lexington, KY 40502 (859)269-4880

EDUCATION

B.A., 1966, Manhattan College, Russian Area StudiesM.A., 1969, University of Michigan, Slavic Languages and LiteraturesPh.D., l97l, University of Michigan, Slavic Languages and Literatures

Dissertation: Poetic Devices and Structure in Andrej Belyj's Kotik Letaev (Diss. Abs. Inter. A Vol. 33, l972 No. 5, p. 23-79-A, Order No. 72-29, 103)

EMPLOYMENT

University of KentuckyDepartment of Slavic and Oriental Languages=Department of Russian and Eastern Studies=Department of Modern and Classical Languages, Literatures & Cultures: Instructor, l97l-72 Assistant Professor, l972-79 Associate Professor, 1979-84 Full Professor, l984 Chair, 1982-86, 1994-2002 Acting Chair, Fall 1990Visiting Lecturer, Ohio State University, 1992Retired from University of Kentucky, July 1, 2011

Courses most recently taught: Russian and Soviet Culture of the 20th Century Discovery Seminar on Russian Modernism

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20th Century Russian Literature (in trans.) Fourth Year Russian Language Russian Studies Seminar: The Soviet Utopia Russian Translation Business Russian At Ohio State University (Winter/Spring, 1992): Graduate Seminar on Contemporary Russian Poetry Graduate Course: Russian Modernism Russian Culture

GRANTS, AWARDS

Pre-doctoral: New York State Regents Fellowship, l966-68 University of Michigan Center Fellowship, l966 NDFL Title IV, l968 Rackham Prize Fellowship, l969 NDFL Title VI, l970

Post-doctoral: University of Kentucky Summer Faculty Grants, l973, l975 IREX Senior Scholar Exchange, USSR (ACLS), l979 Topic: Visual Literature of the Russian Avant Garde Fulbright-Hayes/IREX Senior Research Abroad, USSR, l983 Topic: The Forgotten Avant Garde of the l920's University of Kentucky Publication Grant, l984 (The Forgotten Avant Garde) IREX Senior Scholar Exchange, USSR, l986 Topic: The Origins and Development of Zaum' University of Kentucky Faculty Supplement Grant, 1988-91 (to top 10% of faculty: $2,500 a year for 3 yrs.) IREX Senior Scholar Exchange, USSR, 1989 Topic: Literary Practices of the Futurist Poets and Their Legacy IREX Senior Scholar Exchange, Russia, 1992 Topic: Major Trends in Contemporary Russian Poetry UK Internationalizing the Curriculum grant, Moscow, June 1994 Purpose: to study business Russian in order to teach a course on Business Russian

SSRC Summer Russian Language Institute grant (with Cynthia Ruder), $9000, to sponsor 4 H.S. teachers of Russian to participate in CORA-Vladimir Russian

Institute, summer 1996.NEH Fellowship ($40,000) 2005-06 to extend sabbatical and write book on Moscow

Conceptualism.

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Distinguished Service to AATSEEL award, 2007

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TRAVEL ABROAD:

1967 USSR--5 weeks, Indiana University Study Tour1970 Prague--3 weeks1979 Leningrad/Moscow--3 months, IREX 1983 London/Moscow--3 months, Fulbright-Hayes/IREX1984 Vienna--1 week, Symposium at University of Vienna1986 Moscow/Leningrad/Tbilisi--3 months, IREX1989 Leningrad/Moscow/Odessa/Suzdal/Crimea--3 months, Fulbright-Hayes/IREX1990 Moscow/Kherson--1 week, Conference in Kherson1992 Moscow/Eisk/Tambov/Vladimir/Perm/Samara/Petersburg--3 months, IREX1994 Moscow/Perm/Vladimir/Petersburg/Vienna--5 weeks1995 Warsaw--1 week, V World Conference of Slavists, IREX1997 Cheboksary/Moscow/Petersburg--3 weeks, Conferences on Aigi and Brodsky, IREX

Edmonton, Canada--1 week, Eyerhymes Conference, Univ. of Alberta1999 Berlin—1 week, “Minimalismus” conference, Humboldt Univ.2001 Petersburg--10 days, to set up student internship under DoE/FLIE grant2003 Glasgow/Edinburgh/London—1 week, to study the sculptural-installation work of

Eduard Bersudsky2005 Moscow, St. Petersburg—3 weeks, conference at Institut russkogo iazyka and research2008 Berlin, Moscow—July 9-20, two conferences devoted to the work of Dm. Prigov

FIELDS OF RESEARCH

Russian Literature of the Symbolist Period, Futurism, Post-Futurism, Contemporary Avant-garde Poetry, Moscow Conceptualism

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PUBLICATIONS:

BOOKS

The Look of Russian Literature: Avant-Garde Visual Experiments, l900-1930. Princeton University Press, l984, 314 pp., l83 illus.Excepts from Chap. 3 republished in J. Rothenberg and S. Clay, eds. A Book of the Book: Some Works & Projections about the Book & Writing (NY:Granary Books, 2000), p. 186-200.

ZAUM: The Transrational Poetry of Russian Futurism. San Diego State University Press,1996, 427 pp., 25 illus.

Sight & Sound Entwined: Studies of the New Russian Poetry. New York: BerghahnBooks, 2000, 130 pp, 7 illus.

EDITED and/or TRANSLATED VOLUMES

Andrei Bely, Kotik Letaev, trans. and intro. G. Janecek. Ann Arbor: Ardis, l97l.

Andrei Bely: A Critical Review, ed. by G. Janecek. Lexington: University Press ofKentucky, l978.

Includes by the editor: "Introduction," p. 1-17; "Rhythm in Prose: The Special Case of Bely," p. 86-102.

Andrei Bely, The First Encounter, intro., trans. and notes by N. Berberova and G.Janecek. Princeton: Princeton University Press, l979.

Vsevolod Nekrasov, 100 stikhotvorenii (100 Poems). Revised ed. Lexington, KY: Listy, 1987.

Selections reprinted in Vs. Nekrasov, Spravka (Moscow: "PS," 1991), pp. 57-78. Zabytyi avangard. Rossiia. Pervaia tret' XX stoletiia. Sbornik spravochnykh i

teoreticheskikh materialov (The Forgotten Avant-Garde. Russia. First Third of the 20th. C. Anthology of Informational and Theoretical Materials). Ed. by K. Kuz'minsky, G. Janecek and A. Ocheretyansky. Wiener Slawistischer Almanach, Sonderband 21, l988, 236 pp.

Zabytyi avangard. Rossiia. Pervaia tret' XX stoletiia, Kniga 2. Novyi sbornik spravochnykh i teoreticheskikh materialov (The Forgotten Avnat-Garde. Russia. First Third of the 20th C. Book 2. New Anthology of Informational and Theoretical Materials). Ed. A. Ocheretyansky, G. Janecek and V. Kreyd. New York/St. Petersburg, 1993, 278 pp.

Antologiia avangardnoi epokhi. Rossiia. Pervaia tret' XX stoletiia (poeziia) (An

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Anthology of the Avant-Garde Epoch. Russia. First Third of the 20th C.: Poetry). Ed. A. Ocheretyansky and G. Janecek. New York/St. Petersburg: Izd. Glagol, 1995, 380 pp.

The Eastern Dada Orbit: Russia, Georgia, Ukraine, Central Europe and Japan. Ed. by Gerald Janecek and Toshiharu Omuka. Vol. 4 of the series Crisis and the Arts: The History of Dada. New York: G. K. Hall, 1998, 355 pp., 99 b/w illus.

Andrei Bely, Kotik Letaev. Revised translation, new introduction and annotations by GJ.Evanston: Northwestern Univ. Press, 1999, 269 pp.

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ARTICLES

1. "Anthroposophy in Kotik Letaev," Orbis Litterarum (l974), XXIX, p. 245-267.2. "Literature as Music: Symphonic Form in Andrei Belyi's Fourth Symphony," Canadian-American Slavic Studies, VIII, 4 (Winter l974), p. 50l-5l2.3. "An Acoustico-Semantic Complex in Belyj's Kotik Letaev," Slavic & East European J., Vol. 18, No. 2, l974, p. 153-159.4. "Some Comments on Character in Oblomov," Scando-Slavica, Tomus 21 (1974), p. 41- 50.5. "The Spiral as Image and Structural Principle in Andrej Belyj's Kotik Letaev," Russian Literature, Nov. l976, p. 357-364.6. "A Defense of Sof'ja in Woe From Wit," Slavic & East European J., No. 3, l977, p.

318-331. Reprinted in Nineteenth-Century Literature Criticism (Gale, 2004)129:154-61.

7. "Belyi, Andrei," Modern Encyclopedia of Russian and Soviet Literature, Vol. 2, Gulf Breeze, FL: Academic International Press, l978, p. 188-198.8. "Krucenych and Chlebnikov Co-authoring a Manifesto," Russian Literature VIII (1980), p. 483-498.9. "Comments on Brodsky's 'Stixi na smert' T. S. Eliota,'" Russian Language J. XXXIV, no. 118 (1980), p. 145-154. =Reprinted in Russ. trans. in Poetika Brodskogo, ed. L. Losev (Tenafly, NJ: Ermitazh, l986), p. 172-84. =Updated version (Ch. 3 of Sight & Sound) reprinted in Russ. trans. In Kak rabotaet

stikhotvorenie Brodskogo: Iz issledovanii slavistov na Zapade (Moscow: Novoe literaturnoe obozrenie, 2002), p. 33-42. 10. "The Many Faces of Voznesenskii's 'Oza,'" Canadian-American Slavic Studies, 14, No. 4, 1980, p. 449-465.11. "Intonation and Layout in Belyj's Poetry," in Andrej Bely: Centenary Papers, ed. B. Christa (Amsterdam: Hakkert, 1980), p. 81-90.12. "Baudouin de Courtenay versus Krucenych," Russian Literature X-1 (1981), p. 17-30.13. "Il'ja Zdanevic's aslaablIc'e and the Transcription of zaum' in Drama," in L'avanguardia a Tiflis (Venice: University of Venice, l982), p. 33-43. 14. "Anri Volohonskij: Poet-Scientist," Slavic & East European J., Vol. 26, No. 4 (1982), p. 434-446. Rprt. Reflections (Chicago) No. 16 (23) 2004: 101-13.15. "Bely and Maiakovskii," in Russian Literature and American Critics, ed. by K. Brostrom (Ann Arbor: Papers in Slavic Philology 4, l984), p. 129-138.16. "Genrix Xudjakov, Poet of Compressed Form," Slavic & East European J., Vol. 29, No. 2 (1985), p. 164-175.17. "Zaum' as the Recollection of Primeval Oral Mimesis," Wiener Slawistischer Almanach, Band 16 (l985), p. 165-186.18. "A Zaum' Classification," Canadian-American Slavic Studies, 20, Nos. 1-2 (1986), p. 37-54.

Russian trans.: “Klassifikatsiia zaumi”, in: Slovo I (Tambov:Tambov State Univ., 1996), p 229-44.

19. "Paronomastic and Musical Techniques in Mnacakanova's 'Requiem,'" Slavic & East European J., Vol. 31, No. 2 (1987), p. 202-19.

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20. "A Report on Transfurism," Wiener Slawistischer Almanach, Band 19, 1987, p. 123- 42.

=Republ. with color illustrations at: www.thing.net/~grist/l&d/janecek/janecek2.htm21. "A. N. Cicerin, Constructivist Poet," Russian Literature XXV (1989), pp. 469-524.22. "Il'ja Zdanevic's Zaum'," with Garrett Riggs. Int. J. of Slavic Linguistics & Poetics XXXV-XXXVI 1987 (1989):217-38.23. "Vsevolod Nekrasov, Master Paronymist," Slavic & East European J., No. 2, 1989, p. 275-92.

Republ. in Polilog no. 3 (2010): 69-81 (online).Russ. trans. (abridged): Russkaia rech' (Moscow) No. 2, 1996, p. 12-18.

24. "Galich," "Okudzhava," "Vertinsky," and "Vysotsky," Biographical Dictionary of Russian/Soviet Composers, ed. Allan Ho and Dmitry Feofanov. NY: Westwood Press, 1989, pp. 159-60, 387-88, 578-79, 595-96.25. "Stikhotvorenie Kruchenykh 'Dyr bul shchyl'" (Kruchonykh’s Poem “Dyr bul shchyl”) in: Problemy vechnykh tsennostei v russkoi kul'ture I literature XX veka, ed.

V. L. Khazan. Grozny: Checheno-Ingushskii gos. universitet, 1991, p. 35-43.Also in:--Supplement to the newspaper Tribuna (Kherson, Ukraine) No. 1 1990, p. 3. --G. N. Bakhmatova, ed. Poeziia russkogo I ukrainskogo avangarda:

istoriia, poetika, traditsiia. Sbornik dokladov. (Kherson, 1991), p. 11-17.

--Chernovik (Fair Lawn, NJ) No. 6 (1992), p. 146-51.26. "Aigi" in the newspaper AVAN-I (Cheboksary, Russian Federation), No. 8, 1991, p. 8. Reprinted: Kredo (Tambov) No. 5-6, 1992, p. 41-42.

Literaturnoe obozrenie NÓ. 5/6, 1998, p. 41.27. "Minimalism in Contemporary Russian Poetry: Vsevolod Nekrasov and Others," The Slavonic and East European Review Vol. 70, No. 3, July 1992, pp. 401-19.

Also: Novoe literaturnoe obozrenie (Moscow) No. 23, 1997, p. 246-57.28. "Avangardisty s okrainy” (Avantgardists from the Periphery), Literaturnaia gazeta (Moscow), Feb. 24, 1993, p. 3.29. "Zaumnyi yazyk," "Zdanevich, Ilia Mikhailovich," Modern Encyclopedia of Russian & Soviet History (Gulf Breeze, FL: Academic International Press, 1993), Vol. 55, pp. 207-11.30. Sovremennaia zaum' (Zaum Today), Eisk: Eiskii istoriko-kraevedcheskii muzei, 1993,

16 pp. Also in:--Kredo (Tambov) No. 3-4, 1993, p. 22-24.

--Ural'skaia nov' (Perm) No. 4, 1994, p. 6. --Eksperimental'naia poeziia. Izbr. stat'i. Konigsberg: Simplicius, 1996,

p. 142-44. 31. "Futurism" in: The New Princeton Encyclopedia of Poetry and Poetics. Ed. Alex Preminger and T. V. F. Brogan, et al. Princeton: Princeton University Press, 1993, p. 445-48. Also in same: "Constructivism" (with Wm. Harkins).32. "Chicherin," "Diaghilev," "Futurism (Russian)," "Iliazd," "Khlebnikov," "Kruchonykh," "Rodchenko," and "Zaum" in A Dictionary of the Avant-Gardes, ed. Richard Kostelanetz. Pennington, NJ: A Capella Books, 1993, pp. 39, 58-59, 82, 106, 120-21, 127, 186, 240-41.

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33. "Teoriia I praktika kontseptualizma u Vsevoloda Nekrasova" (The Theory and Practice of Conceptualism in Vsevolod Nekrasov), Novoe literaturnoe obozrenie

(Moscow) 1993 No. 5, pp. 196-201.Rprt. in Reflections (Chicago) No. 2 (9), p. 68-70.

34. "Mnatsakanova, Elizaveta" and "Nikonova, Rea" in Dictionary of Russian Women Writers, ed. M. Ledkovsky, C. Rosenthal, M. Zirin. Westport, CT: Greenwood Press, 1994, p. 435-37, 467-68.35. "Krucenych's Literary Theories," Russian Literature (Amsterdam) XXXIX-I, 1996, p. 1-12.36. "The Poetics of Punctuation in Gennadij Ajgi's Free Verse," Slavic & East European J. No. 2, 1996, p. 297-308.37. “‘Mirskontsa' u Khlebnikova I u Kruchenykh," in: Iazyk kak tvorchestvo. K 70-letiiu V.

P. Grigor'eva. Ed. Z. IU. Petrova and N. A. Fateeva. Moscow: Russian Academy of Sciences, Institut russkogo iazyka, 1996, p. 80-87.38. “Kotik Letaev” “Aleksei Eliseevich Kruchenykh,” in Reference Guide to Russian Literature, ed. Neil Cornwell & Nicole Christian. Chicago: Fitzroy Dearborn Publishers, 1998, pp. 161-62, 468-70.39. “Elizaveta Mnatsakanova” in Russian Women Writers, ed. Christine D. Tomei. New York: Garland Publishing, 1999, p. 1377-1392.40. “Tysiacha form Ry Nikonovoi" (The Thousand Forms of Rea Nikonova), Novoe

literaturnoe obozrenie 35 (1999), p. 283-319.41. “Lev Rubinshtein’s Early Conceptualism: The Program of Works,” Endquote: Sots-Art and Soviet Grand Style, ed. M. Balina, N. Condee, and E. Dobrenko. Evanston: Northwestern U. Press, 2000, p. 107-22.42. Republication of articles from No. 32 above, plus “Konstriktor,” “Mnatsakanova,” “Nikonova,” “Segay,” “Transfuturists,” in A Dictionary of the Avant-Gardes, ed. R.

Kostelanetz, 2nd ed. New York: Schirmer Books, 2000, pp. (115, 166, 232-33, 298-99, 337-38, 353-54, 522-23, 685-86) 347-48, 414-15, 444, 556-57, 618-19.

43. “Bozhidar,” Canadian Slavonic Papers Vol. XLI, Nos. 3-4 (Dec. 1999), pp. 273-87.44. “Conceptualism” incl. editing, introduction and translations of poems by Rea Nikonova,

Dm. Prigov, A. Monastyrsky, L. Rubinstein, N. Baitov, in Crossing Centuries: TheNew Generation in Russian Poetry, ed. by John High et al. Jersey City: TalismanHouse, 2000, pp. 19-21, 33-83.

45. “Tri Kuznechika: Khlebnikov, Kammings, Aigi" (Three Grasshoppers: Khlebnikov, Cummings, Aigi). Przeglad Rusycystyczny (Katowice, Poland) XXII/2000. Zeszyt 1 (89): 22-33.

46. “The New Russian Avant-Gardes: Postmodern Poetry and Multimedia in The Late Soviet and Early Post-Soviet Periods,” March 1, 2001, website: www.umanitoba.ca/faculties/arts/german_and_slavic/rudnyckyj_series/7janecek.html

47. “Poeziia molchaniia u Gennadiia Aigi" (The Poetry of Silence in Gennady Aygi), in Mirjam Goller and Georg Witte, eds. Minimalismus: Zwischen Leere und Exzess.

Vienna: Wiener Slawistischer Almanach, 2001. Sonderband 51: 433-46.Reprinted in: Aigi: Materialy, Issledovaniia, Esse. Eds. Yury Orlitsky, Natalia Azarova and Dmitry Derepa. Moscow: Vest-Konsalting, 2006, p. 140-53.

48. “Lev Rubinstein’s Conceptualism: Theory and Practice,” Canadian-American SlavicStudies, 36 (2002), No. 4: 435-45.

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49. “Kruchenykh contra Gutenberg,” “A Revolution of the Printed word 1917-24,” in The Russian Avant-Garde Book 1910-1934, eds. Margit Rowell and Deborah Wye. NY:

The Museum of Modern Art, 2002, pp. 41-49, 108.50. “Viacheslav Ivanov’s ‘Alpine Horn’ as a Manifesto of Symbolism,” Slavic & East European J. No. 1, 2001, p. 30-44.51. "'Rekviem' Elizavety Mnatskanovoi," Novoe literaturnoe obozrenie No. 62, 2003, p.

272-279. [revised version of 19.]52. “Lin Khedzhinian perevodit Arkadiia Dragomoshchenko” [Lyn Hejinian Translating

Arkady Dragomoshchenko]. In N. Fateeva, ed. Poetika iskanii, ili poisk poetiki. Proceedings of an International Conference “Poetic Language at the Turn of the 21st Century.” Moscow: Institut Russkogo Iazyka (RAN), 2004, p. 293-301.

53. “Conceptualism in the Work of Sergej Sigej and Rea Nikonova.” Russian Literature, LIX(2005) II-III-IV, p. 469-85.

54. “Vitalii Kal’pidi. ‘V triasine russkoi rechi.’” Reflection #19 (26), 2005: 87-90.55. “Muzykal’nye protsessy v tvorchestve E. Mnatsakanovoi,” In Khudozhestvennyi tekst kak

dinamicheskaia sistema. Materialy mezhdunarodnoi nauchnoi konferentsii,posviashchennoi 80-letiiu V. P. Grigor’evu, 19-22 maia 2005 g. Ed. N. A. Fateeva.Moscow: IRIa RAN, 2006, p. 404-16.

56. “The Poetry of Absence: Parataxis in Bob Perelman and Lev Rubinstein.” In Wortkunst,Erzahlkunst, Bildkunst. Festschrift fur Aage A. Hansen-Love. Eds. Rainer Grubel andWolf Schmid. Munich: Otto Sagner, 2008. 281-95.

57. “Citationality in Lev Rubinstejn’s ‘Sestikrylyj serafim’.” Russian Literature LXVI (2009) I: 37-50.Russian version in Poetika i estetika slova: Sbornik nauchnykh statei pamiati Viktora Petrovicha Grigor’eva. Z. Iu. Petrova, N. A. Fateeva, L. L. Shestakova, eds. Moscow:Lenand, 2010. 235-48.

58. “Vsevolod Nekrasov i russkii literaturnyi kontseptualizm.” Novoe literaturnoe obozrenie No. 99 (5’2009): 201-9.

59. “Seriinost’ v tvorchestve D. A. Prigova.” In Nekanonichskii klassik: Dmitrii Aleksandrovich Prigov. Eds. E. Dobrenko, I. Kukulin, M. Lipovetskii, M. Maiofis. Moscow: NovoeLiteraturnoe Obozrenie, 2010. pp. 501-12.

60. “Anri Volokhonsky.” Dictionary of Literary Biography. 359: Russian Poets of the Soviet Era. Ed. Karen Rosneck. Farmington Hills, MI: Gale/Bruccoli Clark Layman, 2011. 295-304.

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REVIEWS 1. L. A. Shur, ed. K beregam Novogo Sveta (M. Nauka, l97l): Revista Interamericana

de Bibliografia No. 2 (62) XXIII (1973), p. 198-99.2. Clarence Brown, Mandelstam (N.Y.: Cambridge U. Press, 1973): The Modern

Language J. LVIII, 4 (1974), p. 219.3. Samuel D. Cioran, The Apocalyptic Symbolism of Andrej Belyj (The Hague: Mouton,

l973): SEEJ Vol. 18, No. 3 (1974), p. 320-22.4. Lewis Caroll, Anya v strane chudes. Trans. from Eng. by Vl. Nabokov. (Berlin:

Gamayun, 1923; repr. Dover, 1976): Modern Language J. XLI, 7 (1977), p. 380.5. Konstantin Mochulsky, Andrei Bely: His Life and Works. Trans. by N. Szalavitz.

(Ann Arbor: Ardis, 1977): Slavic Review, Dec. 1977, p. 715.6. G. Gibian and H. W. Tjalsma, eds., Russian Modernism: Culture and the Avant-

Garde, 1900-1930. (Ithaca: Cornell U. Press, l976): Modern Language J. LXII, 1-2, l978, p. 8l.7. Anton Kovac, Andrej Belyj, "The Symphonies," 1899-1908: A Re-evaluation of the

Aesthetic-Philosophical Heritage (Bern: Herbert Lang, 1976): SEEJ Vol. 21, No. 4(1977), p. 543-44.

8. Boris Christa, The Poetic World of Andrey Bely (Amsterdam: Hakkert, 1977): SEEJVol. 22, No. 4 (1978), p. 535.

9. Harrison E. Salisbury, Russia in Revolution, 1900-1930 (N.Y.: Holt, Rinehart &Winston, 1978): SEEJ Vol. 24, No. 2 (1980), p. 183-84.

10. John E. Bowlt, The Silver Age: Russian Art of the Early 20th Century and the"World of Art" Group (Newtonville, MA: ORP, l979); Benedikt Livshits, TheOne-and-a-Half-Eyed Archer, trans., intro. and annotated by John Bowlt (Newtonville,MA: ORP, 1977): SEEJ Vol. 24, No. 3 (1980), p. 307-309.

11. Konstantin K. Kuzminsky & G. L. Kovalev, eds. The Blue Lagoon Anthology ofModern Russian Poetry, Vol. l (Newtonville, MA: ORP, 1980): SEEJ Vol. 25, No.3 (1981), p. 130-31.

12. E. Kulesova, Polifonija idej i simvolov: Stat'i o Belom, Brjusove i Sologube(Toronto: Sovremennik, 1981): SEEJ Vol. 26, No. 4 (1982), p. 483.

13. A. Z. Rudenstine, ed., The George Costakis Collection: Russian Avant-Garde Art(N.Y.: Abrams, 1981); M. Rowell & A. Z. Rudenstine, The Art of the Avant-Gardein Russia: Selections from the George Costakis Collection (N.Y.: GuggenheimMuseum, 1981): SEEJ Vol. 27, No. 1 (1983), p. 124-26.

14. A. Rovner, V. Andreyeva, E. D. Richie & S. Sartarelli, eds., Gnosis Anthology ofContemporary American and Russian Literature and Art, Vol. II (N.Y.: Gnosis

Press, 1982): SEEJ Vol. 27, No. 2 (1983) p. 273-75; Russ. trans.: Russkaja mysl' (Paris) No. 3469 (June 16, 1983), p. 10.

15. Andrei Belyi, Pochemu ia stal simvolistom i pochemu ia ne perestal im byt' vovsekh fazakh moego ideinogo i khudozhestvennogo razvitiia (Ann Arbor: Ardis,

1982): Slavic Review Vol. 42, No. 3 (1983), p. 528.16. D. Bethea, Khodasevich: His Life and Art (Princeton: Princeton U. Press, 1983):

SEEJ Vol. 28, No. 3 (1984), p. 405-406.17. L. Senelick, Gordon Craig's Moscow Hamlet: A Reconstruction (Westport, CT:

Greenwood Press, 1982): Russian Review Vol. 43, No. 2 (1984), p. 192-93.

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18. N. Misler & J. Bowlt, eds., trans., Pavel Filonov: A Hero and His Fate (Austin, TX:Silvergirl, 1983): SEEJ Vol. 29, No. 4 (1985), p. 481-83.

19. V. Alexandrov, Andrei Bely: The Major Symbolist Fiction (Cambridge, MA: HarvardU. Press, 1985): Scottish Slavonic Review No. 6 (Spring, 1986), p. 152-53.

20. G. Hirt, S. Wonders, eds. Kulturpalast. Neue Moskauer Poesie und Aktionskunst (Wuppertal: S-Press, 1986): SEEJ Vol. 30, No. 4 (1984), p. 586-88.

21. C. Doria, ed. Russian Samizdat Art (NY:Willis Locker & Owens, 1986): SEEJ Vol. 31, No. 3 (1987), p. 448-49.22. Willard Bohn. The Aesthetics of Visual Poetry, 1914-1928. (Cambridge U. Press,

1986): Romance Quarterly 35/2 1988:240-41.23. A. Glezer and S. Petrunis, eds. Russkie poety na zapade: antologija sovremennoj

russkoj poezii tret'ej volny emigracii. (Paris: Tret'ja volna, 1986): SEEJ 1988, No.3:479-80.

24. J. Malmstad, ed. Andrey Bely, Spirit of Symbolism. (Ithaca: Cornell U. Press,1987): Russian Literature Triquarterly No. 22 (1989):339-40.

25. Igor' Terent'ev, Sobranie socinenij. Bologna: S. Francesco, 1988. SEEJ 1989 No.4:630-31.

26. R. Vroon, ed. Collected Works of Velimir Khlebnikov. Trans. P. Schmidt. (HarvardU. Press, 1989): Russian Review 1991, No. 3:356-7.

27. L. Fleishman, Poetry and Revolution in Russia 1905-1930 (Stanford UP, 1989): SEEJ 35.3 (1991): 380.

28. A. Kushner, Apollo in the Snow: Selected Poems. Trans. P. Graves and C. Ueland (Farrar, Straus and Giroux, 1991): SEEJ 35.4 (1991): 449.

29. Velimir Khlebnikov. Collected Works, Vol. 2: Prose, Plays and Supersagas. Trans. Paul Schmidt, ed. R. Vroon (Harvard UP, 1989): Russian Review No. 3 (1991).

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1989): SEEJ 1993, No. 2:254.32. E. Bojtar. East European Avant-Garde Literature (Budapest: Akademiai Kiado,

1992): SEEJ 1994, No. 3:141.33. Sergej Suxoparov. Aleksej Krucenyx: Sud'ba budetljanina (Munich: Otto Sagner,

1992): SEEJ 1995, No. 1:129.34. Peter Read, ed. The International Avant-Garde 1905-1924 (Forum for Mod. Lang. Studies 32:2): L’esprit createur XXXVI:3 (1996):120.35. Jan Satunovskij. Rublennaja proza. Ed. W. Kasack (Munich: Otto Sagner, 1994):

SEEJ (1996:2):89-90.36. Gunter Hirt and Sascha Wonders, eds. Pra≈printium. Moskauer Bu≈cher aus dem Samizdat. (Bremen: Edition Temmen, 1998): SEEJ (1999:3):552-53.37. Dmitry Bulatov, ed. A Point of View: Visual Poetry, The 90s. An Anthology

(Kalinigrad: Simplitsii, 1998): SEEJ (2000:1):113-14.38. Lev Rubinstein, Here I am: Performance Poems, trans. Joanne Turnbull (Moscow:

Glas 27, 2001): The Moscow Times, Feb. 8-14, 2002: VII.

12

OTHER PUBLICATIONS

"Zdanevich, Chicherin" Kaldron, 12, 1980, p. 1-2."A Note on the Relative Psychology of a Word," AATSEEL Newsletter, Oct., 1981, p. 1-2."A. N. Chicherin, poet-constructor," Benzene, Summer-Fall, 1981, p. 48-49."Kruchonykh, Maker of Minimal Books," Lightworks 14/15, 1982, p. 48-49."Woland Returns to Moscow: A Note," SEEJ Vol. 26, No. 3, (1982), p. 349-50."A Note on Majakovskij's Ninetieth Birthday," SEEJ Vol. 28 No. 2 (1984), p. 251-53.“Research in the USSR,” Ampersand (U of Ky) Spr. 1984, p. 4-5."Note on the Transpoets," Score (Oakland, CA) No. 10, 1989, p. 35."Genrikh Khudyakov," Transtaraskonschina. Paris: Izd. Vivrism, 1989, p. 43.“Kentuckian on hand during Chernobyl accident,” Lexington Herald-Leader, June 16, 1986, p.

B1, last page.“Za chashkoi kofe govoriat” (Interview with N. Odintsova), Vechernii Leningrad, No. 173, July 29, 1989, p. 2.“Stenogramma ‘kvadratnogo stola’” (six-way interview), Avangardisty v Khersone, Supplement to Trybuna (Kherson), Oct. 15-20, 1990, p. 1, 4."Serge Segay," in: Joh. W. Glaw/Serge Segay, Blut Poesie. Guetersloh: Edition d'oro,

1992, p. 5.“Na grani teksta,” Nevskoe vremia, Dec. 15, 1992, p. 5."Aleksandr Ocheretianskii, poet-zritel'" (Aleksandr Ocheretyansky, poet-observer),

foreword to: A. Ocheretianskii, Ne vlezaiushchii v ramu portret, Perm: Izd. “Arabesk,” 1993, p. 7-8.

“Avangardisty s okrainy,” Literaturnaia gazeta (Moscow) Feb. 24, 1993, p. 4."Iz dialogov o zaumi," interview with S. Biriukov, in Sergei Biriukov, Zevgma: Russkaia

poeziia ot man'erizma do postmodernizma. Moscow: Nauka, 1994, p. 246-47."Anri Volokhonskii, poet-uchenyi," foreowrd to: Anri Volokhonskii, Aniutiny griadki.

Perm: Izd. fonda “Yuriatin,” 1994, p. 3."Proshche byt' pervym, chem sotym," interview conducted by Vladimir Gladyshev.

Permskie novosti (Perm), 1 July 1994, �. 13.Mention (in box) of Perm poetry series edited by GJ. Ural’skaia nov’ No. 3, 1994, p. 2."Prikliucheniia amerikantsa v Rossii," interview conducted by Nikolai Stavrogin. Ural'skaia

nov' No. 4, 1994, p. 6."…S neozhidannymi garmoniiami, neozhidannymi dissonansami…" interview conducted by Dm. Kuz’min and A. Belashkin. “GF” (Moscow) No. 7 1994, p. 1, 8.“Elizaveta Arkadievna Mnatsakanova," foreword to: E. Mnatsakanova), VITA BREVE.

Perm: Izd. fonda “Yuriatin”, 1994, p. 3.“Petr Miturich,” Experiment 1 (1995), p. 265-69.Foreword to: Ina Bliznetsova, Zhizn’ ognia), Perm: Izd. fonda “Yuriatin”, 1995, �. 5.“New Developments in Russian Poetry: Aleksandr Ulanov,” introduced and translated by G.J.

Essays in Poetics (Univ. of Keele), Vol. 21, Autumn 1996, p. 210-19."Ob aktsii 'Peremeshchenie zritelei'", in A. Monastyrskii et al. Poezdki za gorod (Moscow: Ad Marginem, 1998), p. 726-29."Krasnye palochki na pliazhe", in Francisco Infante, Monografiia (Moscow:

Gosudarstvennyi Tsentr sovremennogo iskusstva, 1999), p. 250.Note on visual poetry, Chernovik 14 (1999), p. 213.

13

Updated version of M. Brunsdale “Russian Poetry,” in Critical Survey of Poetry, 2nd rev.ed., edit. Philip K. Jason (Pasadena, CA: Salem, 2002), p. 4855-70.

“On Rafael Levchin,” in Rafael Levchin, Ludus Danielis (Moscow/Chicago: Kommentarii, 2002/2003), p. 11-12/5-6."TEKST kak PARTITURA I TEKST kak KARTINA," Chernovik (2003) no. 18, p. 52-53."Ob etoi knige," prefatory note to Grigorii Roitman, Boris Slutskii. Ocherk zhizni i

tvorchestva. Tenafly, NJ: Hermitage, 2003, p. 6.“Ecce Kosti,” in Big Birthday Book: A Festschrift for Richard Kostelanetz’s 60th (or 65th)

Year. Ed. Harry Polkinhorn, Joshua Carr and Douglas Puchowski. New York: Librosdi Barbo, 2005. n.p.

“’Palets’ Monastyrskogo.” Chernovik 22 (2007): 121-26.“Russian Artists in America: Videolog by Alina and Jeff Bliumis,” in Alina and Jeff Bliumis,

Receiving the Stranger. New York: CheckOff Art Press, 2007. 98-99.“D. A. Prigovu.” Chernovik 24 (2009): 46-48.

14

TRANSLATIONS

Viktor Shklovsky, "On Poetry and Trans-Sense Language," trans. & annotated by G.Janecek and P. Mayer, October (MIT Press) 34 (Fall, 1985), p. 3-24.

Francisco Infante, "On my Concept of the Artefact," and "An Annotation for TheSpiral (1965), A Rational Impulse (Not Related to the Artistic Image.)" Trans. inFrancisco Infante (exhibit catalogue), Sewickley, PA: International Images, Inc.,1989, p. 16-20.

Poems by D. Prigov, Vs. Nekrasov, L. Rubinstein. Michigan Quarterly Review, Fall1989, pp. 728-32, 741-42.

Vs. Nekrasov, two poems. Nimrod Vol. 33 (1990), No. 2, p. 1.Vs. Nekrasov, two poems. furnitures (1990) No. 1, p. 1.A. Ocheretyansky, five poems. furnitures (1990) No. 2, p. 2-3.Serge Segay, poem. Offerta Speciale (Turin, Italy) No. 6, November 1990:6.Nikolai Kolyada, The Thief. A play in two acts. For performance by Actors' Guild of

Lexington, Ky. May, 1991.Poems by D. Prigov, L. Rubinshtein, V. Aristov in Third Wave: The New Russian

Poetry. Ed. by Kent Johnson and Stephen Ashby. Ann Arbor: Univ. of MichganPress, 1992, pp. 106-8, 137-50, 186-89.

Barrett Watten, "Coda," into Russian with S. Biriukov, Kredo (Tambov) No. 5, 1993, p.52.

G. Aigi, "A Long-Ago Drawing," poem, Aigi 60, ed. & design N. Dronnikov (Paris,1994), n.p.

Lev Rubinshtein, "What can one say?" in: Re-Entering the Sign: Articulating NewRussian Culture, ed. Ellen E. Berry and Anesa Miller-Pogacar (Ann Arbor: U. ofMichigan Press, 1995) p. 212-15.

A. Ocheretyansky, “List’ia,” Otrazhenie/Reflection (Chicago) No. 7, 1996, p. 67-77.A. Ocheretyansky, “Poem of Inspiration,” Reflection No. 2 (9), 1998, p. 21-25.Vs. Nekrasov, four poems, In the Grip of Strange Thoughts: Russian Poetry in a New

Era. Ed. J. Kates. Brookline, MA: Zephyr Press, 1999, p. 307-15.G. Ermoshina, E. Mnatsakanova and R. Nikonova, in Russian Women Poets. Modern

Poetry in Translation No. 20, ed. Valentina Polukhina. London: King’s College, U of London, 2002, pp. 52, 128-30, 147.

R. Levchin, “A Wake for Meta-Meta,” Ludus Danielis (Moscow/Chicago: Kommentarii, 2002/2003), pp. 15-17, 49-51, 107-9, 145.

G. Ermoshina, R. Nikonova, in An anthology of contemporary Russian women poets. Ed.V. Polukhina & D. Wiessbort. Iowa City, U of Iowa Press, 2005, pp. 34, 133-34.

G. Sapgir, I. Bokstein, H. Volohonsky, poems, in An Anthology of Jewish-RussianLiterature. Ed. Maxim Shrayer. Armonk, NY: M. E. Sharpe, 2007. Vol. 2: 1953-2001, pp. 713-22, 964-69, 944-48.

Al. Ocheretyansky, “Theses on the Theme.” <http://zaza-ua.livejournal.com>Al. Ocheretyansky, Solianka sbornaia/Chowder A Collection. Moscow: Zverev Center, 2009.Vsevolod Nekrasov poems for exhibit “Seva’s Blue Horizon: The Poet Seva Nekrasov and

Artists of Unofficial Moscow.” Zimmerli Art Museum, Rutgers University, Nov. 2009-May 2010.

15

PAPERS AND LECTURES "Karel Siktanc, Crosswordist," Northeastern Slavic Conference, 1971."The Spiral as Image and Structural Principle in Belyj's Kotik Letaev," SCSS, 1973."Rhythm in Prose: The Special Case of Andrej Belyj," International Belyj Symposium,

University of Kentucky, March, 1975."Visual Effects in Belyj's Prose," AAASS, 1976."A Re-evaluation of Sof'ja in Gore ot uma," SCSS, 1976."Comments on Brodsky's 'Verses on the Death of T. S. Eliot," AATSEEL, 1977."The Many Faces of Voznesenskij's 'Oza,'" AAASS, 1978."I. Zdanevic's aslaablIc'e and the Perfection of Zaum' in Drama," AATSEEL, 1978."Kamenskij's Ferroconcrete Poems" and "Belyj's Moscow, A Slide Presentation,"

AATSEEL, 1980."Anri Volohonskij, Poet-Scientist," AATSEEL, 1981."On zaum' in Burliuk, Krucenyx, Xlebnikov, Zdanevic and Others," Symposium on

David Burliuk, Lloyd Harbor, NY, May, 1982 (with honorarium)."How to Read Mayakovsky," Symposium on Modernist Performance, Cornell University,

Oct., 1982."Genrix Xudjakov, Poet of Compressed Form," AATSEEL, 1983."Zaum' as the Recollection of Primeval Oral Mimesis," Symposium "Erinnern-

Vergessen-Gedachtnis," Universitat Wien, Oct., 1984."The Visual Literature of the Russian Avant-Garde," Miami University, Oxford, OH,

Feb. 1986 (with honorarium).Presentation on current research on zaum', Institut slavjanovedenija i balkanistiki

(USSR Academy of Sciences, Moscow), May, l986."Russian Avant-Garde Poetry Today," University of Virginia, Sept. 1986."Krucenyx's Autographic Books," AATSEEL, 1986."Paronomastic Techniques in Contemporary Russian Poetry," Midwest Slavic

Conference (Bloomington, IN), March 25, 1988."Introductory Remarks on Exhibition of Soviet Art," and Walking Tour of the Exhibit,

Fulbright Institute of International Relations, Univ. of Arkansas, April, 1989."On Word Play in Contemporary Russian Poetry," American Ambassador's Spaso House

Seminar, Moscow, July 27, 1989.Two lectures on contemporary Russian poetry, Ohio State University, May 30-31, 1990."Minimalism in Contemporary Russian Poetry," Conference on Contemporary Soviet-

Russian Literature, Texas Tech University, Oct. 6, 1990."Stikhotvornyi triptikh A. Kruchenykh 'Dyr bul shchyl,'" Vsesoiuznaia nauchnaia

konferentsiia: "Poeziia russkogo i ukrainskogo avangarda: istoriia, poetika, traditsii,"Kherson, USSR, Oct. 19, 1990.

"A. Kruchenykh's Literary Criticism," Conference on the Russian Avant-Garde, U. ofSouthern California, Dec. 1, 1990.

"Kruchonykh's Verse Triptych 'Dyr bul shchyl,'" Midwest Slavic Conference,Columbus, OH, May 2, 1992.

“Vizual’naia literatura russkogo avangarda,” Tambov Pedagogical Institute, Oct. 19and Perm State University, Nov. 9, 1992.

“Slavistika v Amerike,” Perm Pedagogical Institute, Nov. 5, 1992.

16

"The 'Crisis' in Contemporary Russian Poetry," AAASS, Honolulu, Nov. 19, 1993."Vitalii Kal’pidi ‘V triasine russkoi rechi...’" Perm State University, June 2, 1994."The Poetics of Punctuation in Gennadij Ajgi's Verse" V World Congress of Central &

E. European Studies, Warsaw, Aug. 7, 1995."Lev Rubinstein's Early Conceptualism: The Program of Works," AATSEEL, Dec. 28,

1995.“Russian Visual Literature and Art,” Illinois Wesleyan University, Feb. 20, 1996.Participated in roundtable devoted to Nina Iskrenko, AAASS, Nov. 15, 1996.“Cosmic Harmonies: Scriabin’s Musical Edifices,” UK College of Architecture, Feb. 10, 1997.“Three Grasshoppers: Khlebnikov, Cummings, Aigi” (in Russian), Chuvash State University, Cheboksary, May 17, 1997.“Rea Nikonova’s Pliugmas,” Eyerhymes Conference, U. of Alberta, Edmonton, June 14, 1997.“Postmodernism in Contemporary Russian Poetry,” Reimagining Russia Conference, College

of William & Mary, April 4, 1998.“Gennadij Ajgi i poetika molchanija” [Gennady Aigi and the Poetics of Silence], Conference “Minimalismus—Zwischen Leere und Exzess”, Humboldt University (Berlin), Nov. 11,

1999.“Viacheslav Ivanov’s ‘Alpine Horn’ as a Manifesto of Symbolism,” AATSEEL Dec. 30,

1999.J. B. Rudnyckyj Distinguished Lecture: “The New Russian Avant-Gardes: Postmodern Poetry

in the Late Soviet and Post Soviet Periods,” University of Manitoba, Winnipeg, Sept. 22, 2000.“The Wild Man of Russian Futurism: Aleksei Kruchonykh’s Radical Innovations,” Winnipeg Art Gallery, Sept. 23, 2000.“Lyn Hejinian Translating Arkadii Dragomoshchenko,” MLA, Dec. 2000.“The Poetry of Absence: Parataxis in Bob Perelman and Lev Rubinstejn,” AATSEEL, Dec.

2003.“Musical Form in the Poetry of E. Mnatsakanova” (invited lecture), Harvard University, Oct.

15, 2004.“Muzykal’nye protsessy v tvorchestve E. Mnatsakanovoi,” Institut russkogo iazyka, Russian

Academy of Sciences, Moscow, May 21, 2005.“Lianozovo and Moscow Conceptualist Poetry” (invited lecture), Harvard University, April

26, 2007.“Contemporary Russian Art and Its Roots in the Thaw” (invited lecture), University of

Wyoming Art Museum, Sept. 15, 2007.“Seriality in Dm. Prigov’s Poetry” (invited paper), Literatur Haus, Berlin, July 11, 2008“Serial’nost’ v tvorchestve D. A. Prigova” (invited paper), Fond “Era”, Moscow, July 16, 2008.“Citation in Rubinsein’s Shestikrylyi seraphim.” AAASS, Nov. 21, 2008.“A. Dragomoshchenko’s ‘Nasturtium as Reality’.” AATSEEL, Philadelphia, Dec. 28, 2009.

17

OTHER PROFESSIONAL ACTIVITIES

Editor-in-chief, Slavic & East European Journal, 2001- Book Review Editor, Slavic & East European J., 1988-93.

Editorial Board: Slavic & East European J., 1979-89, 1994- Voum! International Poetry J. (Kaluga), 1992- Lik Chuvashii (Cheboksary), 1994-

Studies in Russian and German, 1989- The Silver Age of Russian Literature and Culture, 1880-1921, 1994- Experiment/Eksperiment, 1995-

Canadian Slavonic Papers, 2000-

Section Head (Literary Practice), Institute of Modern Russian Culture, University of Southern California, 1982-pres. Memberships: AATSEEL, MLA, AAASS.

Organizer of Russian sections of the University of Kentucky Foreign LanguageConference, 1972-79, 1988-98

Organizer of the International Belyj Symposium at the University of Kentucky, March,1975. Funded by AAASS Research and Development Grant.

Local arrangements committee, SCSS Lexington, Oct. 1981 and March 1997

President of the Andrey Belyj Society, 1981-82.

Editor/Publisher of LISTY, a photoduplication service for the distribution ofcontemporary Russian literature, 1986-89.

Proposal reviewer: NEH Translations Program Social Sciences & Humanities Research Council of Canada IREX.

Organizer, art exhibit "Contemporary Russian Art," Univ. of Ky., Oct. 8-23, l984.

Discussant: AATSEEL 1981, panel on Andrej Belyj. International Remizov Symposium, Amherst College, May 1985. III World Conference for Soviet and East European Studies, Washington, D.C., Oct. 1985, panel on Problems of Translation. Modernism and the Occult, AAASS, Nov. 5, 1989. V World Congress on Slavic & East European Studies, Warsaw, Aug. 8, 1995.

18

Organizer, International Russian Poetry Festival, NYC, Dec. 29-30, 1986, sponsored bythe Institute of Modern Russian Culture.

"Contemporary Russian Art," public lecture, Oct. 25, l987, art exhibition Oct. 25-Dec.24, 1987, University of Kentucky Art Museum. Organized from personal collection. "Soviet Art of the 1980s," exhibit and walking tour (from personal collection),Fulbright Symposium, University of Arkansas, April 3-6, 1989.

Consultant for Alef Group Art exhibit, after-show commentator for Chekhov's TheSeagull, "Classics in Context" Festival (Actors' Theater of Louisville), Oct. 1989.

Consultant and translator for production of Nikolai Kolyada's play "The Thief,"Actors' Guild, Lexington, KY, May 16-18, 1991.

Consultant and provider of items for exhibit "The Road to Russia and Kazakhstan,"Lexington Children's Museum, Oct. 1993-July 1995.

"The Conceptual Art of Oleg Vassiliev," exhibit and opening lecture at UK Art Museum,April-July, 1995.

"Russian Images 1966-1995," exhibit and opening lecture at Transylvania UniversityMorlan Gallery, Sept. 15-Oct. 13, 1995.

Consultant to Museum of Modern Art, New York, in connection with an exhibit there of Russian Futurist books to open in March 2002, 2000-2002.

“The Image Revealed: Works by Russian avant-garde artists Andrey Tat, Boris Konstriktor, Serge Segay,” exhibit at Transylvania University Morlan Gallery, Feb. 12-March 8, 2001.

Consultant to Getty Museum, Los Angeles, on translations of Russian Futurist texts to be used in an exhibition, Sept.-Dec. 2007.

Interviewer, advisor, composer, and participant in documentary film, “The Russian Concept,” produced and directed by Igor Sopronenko, 2009.

19

UNIVERSITY SERVICE

Chair, Dept. of Slavic & Oriental Languages/Russian and Eastern Studies, 1982-86.Director of the Russian Program, 1977-82.Director of the Russian Area Studies Program, 1983-86.University Senate, 1976-79, 1980, 1982-85, 2007-pres..Arts & Sciences Faculty Council, 1980.A&S Dean's Departmental Review Committee (Dept. of Spanish and Italian), Spr. 1980.Departmental library liaison (orders books) 1971-78, 1979-84.Campus Fulbright Committee, Fall 1983.Academic Area Committee for tenure of librarians, Spring, 1983.Oswald Student Research Committee, Spring, 1980.Subcommittee on Film Studies, Fall 1980.NEH Grant Committee, 1983.Student Fulbright Committee, 1984.International Student Committee, 1983-86.University Committee for Excellence (studied student attrition), Spring 1985.Search Committee, Director of Latin American Studies, 1987.University Humanities and Arts Area Advisory Committee for promotion and tenure, 1986-88; Chair, 1987-88.Departmental liaison with public schools, 1987-93Organizer of Russian division of Kentucky High School Foreign Language Festival, 1987-94Heidelberg Scholarship Committee, 1987-89, 1994-96.French Department Review Committee, 1987-88.Univ. Merit Evaluation Appeal Committee, 1989.UK Summer Faculty Research Grant Committee, 1990.Chair, subcommittee for Humanities & Arts, Summer Faculty Research Fellowship Program, Apr. 1991.Director of Undergraduate Studies, Russian program 1986-98, 2006-A&S Multimedia Committee, 1994University Research Grant Committee, Nov. 1994Search Committee, Dean of College of Fine Arts, 1997-98Search Committee, Chair, Dept. of French, Spring 1998Director of UK-St. Petersburg U. student exchange 1998-Chair, External Review Committee, UK College of Fine Arts, April-June 2003Director, Kentucky Foreign Language Conference, 2003-05Provost’s Academic Advisory Committee (Humanities) 2004-05 (alternate)Search Committee for chair of MCLLC, fall 2006Faculty advisor, Interfaith Dialogue Organization (student group), 2006-2009Graduate Year Dissertation Fellowship Committee, 2010

Doctoral Committees: Mark Francis, DMA, 1989 Gary Rownd, DMA, 1990 Ann Bingham, DMA, 1990

20

Todd Russell, DMA, 1993 Lynn Ritz, DMA, l99l Johnie Dean, DMA, 1993 Pamela Thies-Ivesic, Ph.D. (Music) 1997 Jesse Ayers, DMA Joanna Filkins, DMA 1994

Gioulnara Abdoulaeva, Ph.D. (Educational Policy)Keziban Acar, Ph.D. (History) 2000Peter Neubert, DMA (viola) 2003Heather DePol, Ph.D. (Anthropology)Jeff Birkenstein, Ph.D. (English) 2003Julia Friedman (Art History, Brown University) 2004Dan Schmidt, DMA 2000Ernest Gross, DMADavid McKee, DMA (composition) 2007Sung Bok Gu Jang, DMA (piano) 2006James Paul Allen, DMAJames Stevens, DMA (composition) 2004Renita Koehn, DMA 2003 (Graduate School rep.)David Bubsey, DMA (musicology)Robert Seebacher, DMA (conducting)Steven Thompson, PhD, MUSILorne Dechtenberg, DMA (composition)Miroslav Hristov, DMA (violin, Grad. School rep.) 2008

21