media re-expression for stereo cinema

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Media Re-expression for Stereo Cinema Félix Raimbault, François Pitié and Anil Kokaram 1

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Media Re-expression for Stereo Cinema. Félix Raimbault , François Pitié and Anil Kokaram. Overview 1/2. Motion Magnification for Stereo Videos Stereo Video Inpainting. Overview 2/2. Automatic Cartoonization Stereo Video Segmentation. Segmentation of a video volume - PowerPoint PPT Presentation

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Page 1: Media Re-expression for Stereo Cinema

1

Media Re-expressionfor Stereo Cinema

Félix Raimbault, François Pitié and Anil Kokaram

Page 2: Media Re-expression for Stereo Cinema

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Overview 1/2• Motion Magnification for Stereo Videos

• Stereo Video Inpainting

Page 3: Media Re-expression for Stereo Cinema

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Overview 2/2• Automatic Cartoonization

• Stereo Video SegmentationSegmentation of a

video volume[Collomosse et al.

2005]

Page 4: Media Re-expression for Stereo Cinema

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Stereo Video Inpainting

Page 5: Media Re-expression for Stereo Cinema

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Context• Initial motivation: fill-in

revealed areas for stereo motion magnification

• Correct artefacts arising during shooting in stereo

• Remove unwanted objects

• Fill-in dis-occluded areas fordisparity remapping

play video

Page 6: Media Re-expression for Stereo Cinema

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Exemplar-based Framework: Priority• Priority: [Criminisi, A. et al. 2004]

• process first pixels with more available information nearby

• try to reconstruct first areas with “structure” (edges and depth discontinuity)

edge map

initial priority

order of filling

reconstruction

target frame

Page 7: Media Re-expression for Stereo Cinema

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Exemplar-based Framework: Matching• Patch-matching strategy: [Efros, A. and Leung,

T. 1999]• find similar neighbourhood to current missing pixel

• SSIM-based distance: compare patches structure

...

I(x) replaced by I(x)

S(x) best match at site x ^

target patch around x

^

Page 8: Media Re-expression for Stereo Cinema

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Patch Tracking• [Raimbault, F.

and Kokaram, A. SPIE 2011]

• use long-term data

• motion vector reconstruction inside the hole

• use data across views

• disparity vector reconstruction inside the hole

Page 9: Media Re-expression for Stereo Cinema

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Smoothness• Spatial smoothness: (to be submitted to

WIAMIS’12)• “coherent patch sewing”• estimate average distance of selected patches as

a criteria to prune patch copying

missing data

pixel by pixel

coherence sewing

target frame

Page 10: Media Re-expression for Stereo Cinema

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Smoothness• Stereo-Temporal smoothness: (to be submitted to

WIAMIS’12)• preferentially select patch in previously

reconstructed frame• stereo-spatio-temporal patch-matching

• de-activate smoothness for outliers (bad motion and disparity estimates)

t t+1t-1

v

v’

Page 11: Media Re-expression for Stereo Cinema

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Luminance Correction• [Raimbault, F. and Kokaram, A. SPIE

2011]:• colour discrepancy• due to sampling from frames far

away in time from current frame (lighting can change)

• colour correction needed

• 1-tap linear predictive model:

• weighted least squares solution

Page 12: Media Re-expression for Stereo Cinema

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Results• video “spywalk”• reconstruction of twist in the lash of the girl’s bag

• average SSIM: 0.9997 slightly better than Rig Removal: 0.9989

• small hole -> block matching is enough to estimate offsets

• video “water_drop”• “fresh” data input from other view in our technique

whereas reconstruction with Rig Removal degrades

• video “walking_girl”• block matching and pixel accuracy -> not enough

• Published in SPIE’11– Accepted for publication in JEI’12

play video

Page 13: Media Re-expression for Stereo Cinema

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Issues• Issues:• greedy => lack of global coherence• more accurate motion vectors needed• parameters choice can be complicated (patch size,

search size)• lack of temporal smoothness

• To be explored:• experiment with global optimisation (QPBO)• use trajectories (Viterbi tracker)• patch stitching• impose constraints by first doing stereo-video

segmentation

Page 14: Media Re-expression for Stereo Cinema

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Plan• Internship for Sony Research in Stuttgart• temporal stabilisation of videos

• Stereo Video Segmentation• based on [Baugh, G. and Kokaram, A. 2010]

• Return to Stereo Video Inpainting• feature point trajectories [Baugh, G. and Kokaram, A.

2009]