megadeth guitar compilation

Intro

Fast q = 176

1,320Words and Music by Dave Mustaine

2009 MUSTAINE MUSICAll Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission

from Megadeth - Endgame

1., 2., 3.

4.

Gtr. 1 (dist.)

(Dragster)4 sec.

Rhy. Fill 1

End Rhy. Fill 1

f

*A5

Riff A

**Gtr. 1

*Chord symbols reflect basic harmony.

**3rd & 4th times, played by Gtrs. 1 & 2. Composite arrangement

End Riff A

***2nd time, Gtr. 2: w/ Rhy. Fill 1

***Gtr. 2 (dist.), played f.

Rhy. Fill 2

C5 Bb5 C5 Bb5 A5 C5 F5 G5 F5

End Rhy. Fill 2

A5

07

07

6 75 8 7 5

75 7

0 0 0 0 0 0 0 0 0 0 0 0 07

07

07

6 75 8 7 5

75 7

0 0 0 0 0 0 0 0 0 0 0 0 07

07

6 75 8 7 5

75 7

707

6 7

5 8 7 57 5 7

07

6 75 8 7 5

75

07

0 0 0 0 0 0 0 0 0 0 0 0 07

707

6 7

5 8 7 57

07

07

64

75 5

533

55

33

07

0 6 755

13

35

13

57

Digital Conversion 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

Sorgdal

2nd time, Gtrs. 3 & 4: w/ Fill 1

Verse

A5

Grind

My

1.

2. hands

ing- my

hold

G5 A5

teeth,

tight,

Bb5 C5 B5 Bb5 A5

Rhy. Fig. 1

P.M. P.M.

End Rhy. Fig. 1

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 1/2 times)

white

a fire

knuck les

G5

-

A5

grasp

breath

Bb5

at

ing-

the

stam

wheel.

pede.

C5

-

B5 Bb5 A5

I

I

rush

fall

from

in

G5

an

A5

av

to

Bb5

-

-

a

a

lanche

trance,

-

C5

of

B5

a

Bb5

dren

hold

A5

- a- line,

my

-

breath till

G5

its

the

A5

all

light

Bb5

that

turns

I feel.

green.

C5 B5 Bb5 F#5 Pre-Chorus

As

In a

quick

cloud

as a

of

bolt

ni

of

tro-

light

meth

ning,

ane,

-

-

a

Gtrs. 1 & 2

P.M.

P.M. P.M. 1/2

Gtr. 3 divisi

Fill 1Gtr. 4

57

57

57

57

57

35

57

68

68

68

68

810

79

68

57

68

68

68

68

810

79

68

2 2

2 4 2 4

2 2

24 2

4 13

4

2

1413

1413


2

Sorgdal

rock

melt

et- ride

ing- rub

in

ber,-

a

I

buck

say

et- seat.

my prayers.

Riff B

P.M. P.M.

End Riff B

1/2

Man

Gtrs. 1 & 2: w/ Riff B (2 times)

It does

and

nt

ma

- get

chine-

an y- bet ter

ac

- than

cel-

this.

er- ate,-

It just

and I

feeds

van ish-

my need

in

for

thin

speed.

air.

Su

Chorus

Half-time feel

A5

per- charged,- strapped

B5

in

C5 B5

and

A5

scream

B5 G5

ing,

End half-time feel

-

F#5

fire spit ting- from the pipes. A

Gtrs. 1 & 2

Rhy. Fig. 2

P.M.

P.M. P.M. P.M.

End Rhy. Fig. 2

burn

Half-time feel

A5

out- by the flame

B5

throw

C5

ing

B5

-

A5

fu

B5 E5

ry,

End half-time feel

-

G5 F#5

eight thou sand- hors es- ig nite.-

P.M. 3

P.M. P.M. P.M.

2 2

2 4 2 4

2 2

24 2

4 13

4

2

02

0 0 0 0 0 0 2 3 2 0 23 2 2

2 4 2 4

2 2 2 2 24 5

2 2

2 1 2

02

0 0 0 0 0 0 2 3 2 0 20 3

52 2

2 4 2 4

2 2 2 2 24 5

2 2

2 1 2


3

Sorgdal

CTo oda

Half-time feel

Gtrs. 1 & 2: w/ Rhy. Fig. 2

A5

Full throt tle,- hit

B5

the

C5

ground

B5 A5

run

B5

ning

G5

-

End Half-time feel

F#5

with a tank full of ni tro.- And its

thir

Half-time feel

A5

teen- twen ty- to go

B5

to

C5

the

B5 A5

fin

B5

ish-

E5 G5

line.

End half-time feel

F#5

G5

Gtr. 1

P.M. 33

Gtr. 2

P.M. 33

A5

( )

B5 A5

1/2

02

0 0 0 0 0 0 2 3 2 0 20 3

52

4 4 4 5 4 2

2 3

02

0 0 0 0 0 0 2 3 2 0 20 3

524

35

3

5 5 5 7 5 4 5

57

5 77

77

77

5

7

9 9 9 10 9 7 907

35

57

4 5 7 7 7 7 7 8 7 5 707


4

Sorgdal

D.S. al Coda

*Gtr. 3 (dist.)

Guitar Solo

f

8va

loco

3 3 33

3 3

*Chris Broderick

Gtr. 4 (dist.)

Gtrs. 1 & 2: w/ Rhy. Fill 2

3

Gtr. 3

3

1

C5 Bb5 C5 Bb5 A5 C5 F5 G5 F5 A5

17 1213

12 15 12 15 1213

12 17 12 17 1213

12 13 15 13 1215 13 12 13 15

12 13 15 13 12

14 12 10 12 14

12 13 15 13 12

12 10 9 10 12 10 10 910 7

5 6 87 8 8 7

3 5

75 7 9

8 109 7

5 8 5 10 8 12 10 15

145 7

55 6 5 6 8

7

9 108 12 8 12 13

1213

75 7 5 7 9

8

10 129 12 9 12 14

1314


5

Sorgdal

Faster q = 256 Coda

F#5

(Drums)

Gtrs. 1 & 2

*Gtr. 5 (dist.)

Outro-Guitar Solos

f

G#5 3 3 3

*Dave Mustaine

1 1 1 1

Gtrs. 1 & 2

Rhy. Fig. 3

P.M. P.M. P.M.

End Rhy. Fig. 3

Gtr. 5

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)

3 3

3 3

3 3 3 3 3

33 3 3 3 3

3

24

24

6

47 74

47

64

47 74

66

444

466

4

44

66

44

64

47 4

64

7 6 46

6 4

4 7 6 4 6 47 7 6 4 6 4 7

7 6 4 6 4

6 6 5 4 5 4 6 6 5 4 5 46 6 5 4 5 4 6 6 5 4 5 4

6 6 5 4 5 4 0


6

Sorgdal

Gtr. 3

F#5

Gtr. 5

Gtrs. 1 & 2

Riff C

P.M. P.M. P.M. P.M.

End Riff C

Gtr. 3

Gtrs. 1 & 2: w/ Riff C (2 times)Gtr. 5 tacet

3 3

Gtr. 3

G58va

55

*T

* = index finger= middle finger= ring finger

T T T T T

Gtrs. 1 & 2

Rhy. Fig. 4

P.M. P.M. P.M. P.M.

14 1011

10 14 1014 9

109 14 9

14 1011

10

2 X

4

2

2

24

23

22

5 2

15 1212

12 15 1215 10 14 15 14 10

15 12 15 1212

12 16 1314

13 16 1314

16 13 1614

16 16 1314

13

18 14

18

14 18 1416 13 14 16 14 13 14 16 18 21 17 14 16 14 13 14 19 22 21 19 16 14

4

2

2

24

23

2 24

35


7

Sorgdal

Gtr. 3

loco

G#5

Gtr. 3 tacet

Gtr. 5

3

Gtrs. 1 & 2

P.M. P.M. P.M.

End Rhy. Fig. 4

Gtr. 5


3

16 16

4 7 4 6 75 8 5 7 8 7 5 8 7 5

7 4

466

444

466

4

44

66

44

7 10 7 9 108 11 8 10 11 10 8 11 10 8

10 7

6 9 6 8 97 10 7

7 10 7 9 109 12 9 9 12 9 11 12

10 13 10 1113

14 1413

11 14 11

1413

11


8

Sorgdal

Gtr. 3

Gtrs. 1 & 2: w/ Riff C (3 times)

F#5

8va

Gtr. 4 8va

Gtr. 5

Gtr. 3

Gtr. 5 tacet

8va loco

3

1 1/2

Gtr. 4 8va loco

1 1/2

Gtr. 3

Gtrs. 1 & 2: w/ Rhy. Fig. 4Gtr. 4 tacet

F#5 G5 G#53 3 3 3 3 1 1

Gtr. 5

3

17 19 1720

1719 20

1719

21 17 19 1920

14 15 1417

1415 17

1415

17 14 15 1517

14 14

19 1719

15 17 1517

1517

15 1415

12 14 12 1214

12 1012 10

12 10 1012 12 1215 12

15 1415

12 14 1214

1214

12 1012

9 10 9 910

9 79 7

9 7 79 9 9

1512

1514

1212

15 1214 12

1512

15 12 15 1215

1215 13 13

16 17 1718 18 16 18 16


9

Sorgdal

Gtr. 5

Gtr. 3 tacet Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)

let ring 3 3

3 3 3

Gtr. 3


F#58va

3 3 3 3 3

Gtr. 5

Gtr. 3

Gtr. 5 tacet

3 3 3 3 3 3 3

8va

1816

18 17 1619

1619

1616 17

16 18 18 16 18 1618

16 17 1816

1818

1816 17

1617

18 18 18 16 18 16

1816

18 17 1619

1619

16 17 1718 18 18

16 18 1618

16 18 1916 18 16

1916 18

17 1417

14 17 14 17 1417

14 17 17 14 19 1417

14 19 19 14 19 1417

14 19 19 14

19 19

20 1417

14 20 1417

14 20 1417

14 20 19 1417

14 19 14 19 1417

14 19 12


10

Sorgdal

8va loco


3

3

Gtr. 5

G5 G#5


8va

3 33 3

1 1/2

Gtr. 3

Gtr. 4 divisi

3

3

3

3

Gtrs. 3 & 4

P.H.

Gtr. 5

Gtrs. 3 & 4 tacet

8va loco

3 3 3 3

3 3 3 3 3 3 33

3 3 3 3

8va

Gtr. 5


F#58va

3

Gtr. 3

8va

33

3 33 3

3

14 16 14 12 11

14 12 1012 9 9 11 13 11 9

13 11 912 10 7 7 11 9 7

10 7 5

21 21 21 21 19 16 19 16 19 16 19 16 19 16 16

1314

1011

1113

1314 11

13 1011

13 13

1619 16 19 16

19 19 18 16 16 1816

18 1618

18 1618

18 1618

18 1618

1618 16 18 16 18

1618

16 18 16 1816 19

16 19 1619 16 19

16 19 1619

1619 16

1916 19

16 21 21 19 16 19 19 21 21 21

1918 19

1819 18 19

20 21 20 18 18 2121 22 20

21 2121 22 22 21 22

21 24 21


11

Sorgdal

Gtr. 3

Gtr. 5 tacet

8va loco

3 33 3 3 3

8va

8va 3

3

1

3 3 3 3 3

3 33 3 3 3

8va

8va

33 3 3 3 3

33

3

Gtr. 3

loco

F#5 E5

A5

F#5 E5 B5 F#5 (Dragster)

5 sec. 1 1 1 1

Gtrs. 1 & 2

5 sec.

22 2123

2123 22 21 20 18 20

19 18 17 16 17 19

16 17 18 19 18 1717

1614

1617 14

16 14 1614

1614 17 14

1616

17 1917

1917 20 17

1920 17

20 2220

2220 23 20

2223 20

2320 19 19 X

13 14 1612

16 14 13 14 1612

16 14 13 14 1612 14 16 17 16 14

1716 14

17 14 16 1714

17 16 14 16 1714

17 16

14 16 1714 17 19 17 16

1917 16

19 16 17 1916

19 17 16 17 19 1916 17 20 20 21 19 17

21 19 1720 17

19 16

1210

1412

1513

1614

14 16 17 16 1417

16 16

24

02 0

2

24

02 2

4

24

24


12

Sorgdal

Intro

Moderately q = 132

Words and Music by Dave Mustaine

44 Minutes



Gtr. 1 (dist.)

*

mf

Riff A

Em

D

7fr

134

E58fr

134

F510fr

134

G5

Em7

A5 G5

D/F#

*Chord symbols reflect overall harmony.

Gtr. 2 (dist.)

Em

D/F#

G

Riff B

B('11)

mf

Gtr. 1

**Gtrs. 3 & 4 (dist.)

mf

E5

**Composite arrangement

5 75 7 9 7

9 9 2 32 4 5 4

57

4

5 75 7 9 7

99 9 10 9 7 9

9 97 8 7

99

9 9 9 79

7

5 75 7 9 7

9 9 2 32 4 5 4

57


1

Sorgdal

(cont. in notation)

End Riff B

End Riff A

Gtrs. 3 & 4

Gtrs. 1 & 2 tacet

E5 F5 E5 C5/G

2nd time, Gtr. 5: w/ Fill 1

Verse

E5

It

This

1.

2.

was

was

a

an

cool

ac ci-

win

dent-

F5/C

ters- morn

wait

E5

ing,

ing

-

- to hap

pen.-

G5/D

some -

Rhy. Fig. 1

P.M. P.M.

Fill 1Gtr. 5

w/ bar

-1 -6

9 97 8 7

78 10 8

710 13 12 12

5 75 7 9 7

99 9 10 9 10 14 13 13

799

799

799

799

799

799

81010

799

799

799

799

799

799

3355

02

02

02

02

022

22

33

02

02

02

02

022

22

55

12


2

Sorgdal

where

E5

It

short

was

ly

nt

-

-

past

if it

nine

would

F5/C

A. M.

hap

E5

pen,- it

was

The

when.

ar mored

D5/A

-

P.M. P.M.

End Rhy. Fig. 1

car

E5

The

they

cit ys-

want

peo

ed

ple

-

-

to

sab

F5/C

heist

o- taged

E5

-

was

them

nt- com

selves,

-

ing,-

call

so

ing-

in

G5/D

stead

their

-

P.M. P.M.

fire

E5

they went

pow

- er-

for

an

the

un

F5/C

bank.

need-

E5

ed- ex pense.

-

C5/G

P.M. P.M.

E5

The

The

fate

two

ful

most

- du

vi o-

o

lent

-

-

that

F5

sat

men,

E5

in

it

the

seemed,

get

a

could

-

nt-

way

be

-

G5

car,

stopped,

02

02

02

02

022

22

33

02

02

02

02

022

22

00

02

02

02

02

022

22

33

02

02

02

02

022

22

55

02

02

02

02

022

22

33

02

02

02

02

022

22

335

799

799

799

799

799

799

81010

799

799

799

799

799

799

101212


3

Sorgdal

E5

heav

stan

i- ly

dard-

- se

po

dat

lice

-

-

ed

is

- with

sue-

F5

thou

guns

E5

sands

were

- of

just

rounds.

not

e nough.

D5

-

E5

Ar

But

mor

SWAT

-

ar

pierc

rived

-

ing,- ful ly-

F5

au

and

-

to

set

E5

tled-

mat-

the

ic- weap

fight

ons,-

be tween-

G5

A

E5

the

K-

bowls

For ty-

of

Sev

wrath

en-

F5

poured

and A

E5

out

R-

on the

Fif

ground.

teen.-

P.S.

ChorusGtr. 1: w/ Riff A

E5

Bap tized- in a fire

D/F#

fight,-

G5

hot blood run ning- cold

A5

as ice.

G5 D/F#

Rhy. Fig. 2

P.M. P.M.

For

E5

ty- four min utes- of tar

D/F#

get- prac tice,- all

G5

hells break ing- loose.

Gtr. 2: w/ Riff B

B5

P.M. P.M.

End Rhy. Fig. 2

P.M.

799

799

799

799

799

799

81010

799

799

799

799

799

799

577

799

799

799

799

799

799

81010

799

799

799

799

799

799

101212

799

799

799

799

799

799

81010

799

799

799

799

799

XX

XX

XX

XX

02

02

02

25

25

25

35

35

57

35

25

02

02

02

25

25

25

35 2

424

24

24

24

24

24

24


4

Sorgdal

CTo oda

D.S. al Coda

Coda


E5

Out gunned,- watch

D/F#

ing- The Force come to a fire

G5

fight- with a pock

A5

et- knife.-

G5 D/F#

E5

Get ting- schooled un til-

D/F#

they shot A chil- les- heel

G5

and brought

B5

down the beast.

Gtrs. 3 & 4

*Gtr. 5 (dist.)

w/ multi-tap reverb

f

Gtrs. 1 & 2 tacet

Interlude

E5 F5 E5 G5

8va

*Chris Broderick

T T

(cont. in notation)

E5

8valoco

F5

E5

P.M. P.M. steady divew/ bar 1/2

Gtr. 5

Guitar Solo

E5 D5/A E5 G5/D E5 G5/D

3

Gtrs. 3 & 4

Rhy. Fig. 3

P.M. P.M. P.M. P.M.

20 17 19 20 19 17 16 19 16 17 19 22 19 17 19 22 20 1922 18 21 22 21 18 17 21 17 18 21 24 21 18 21 24 22 21

21 18 1720

18 1720 1616 16 14 13

14 15 12 1415

1214

1314

14 1112 12

5 0 5 0

77 5 7

5 7 9 7 97 9 7

97

0 022

0 000

22

0 055

0 022

55


5

Sorgdal

E5 A5/E E5 G5/D A5/E E5 C5/G E5 B5/F# A5/E B5/F#

6 6

P.M. P.M. P.M. P.M.

End Rhy. Fig. 3

Gtr. 5


E5 D5/A E5 G5/DE5 G5/D E5 A5/E E5 G5/D A5/E

1/2

E5 C5/G E5 B5/F# A5/E

B5/F# E5

D5/A E5

6

G5/D E5 G5/D E5 A5/E E5 G5/D A5/E

E5 C5/G E5 B5/F# A5/E B5/F#

1/2 hold bend1/2

E5

D5/G E5 G5/D E5 G5/D

3 33 3 3 3 3

9 10 9 109 11 9 11 12 12

12 1312 14 12

1312 15 19 15

19 17 1919 21 19

20 19 20

0 077

0 055

77

0 01010

099

77

99

1716 12 11 12 11

14

11 12 19 16 14 16 1416

1613 15

1415 13 15

15 1415

14 19 15 1915

19 1415

160

14 15 17 15 1417

16

1415

16

14

XXX 17 19 15

1714 15 14 15

1714

15 1717

1516 14 16 X 16 16

14

16 16

12

XX

9

12

1512

15 1410

14 107

10 128

12 85

8 107

10 73

7


6

Sorgdal

Gtr. 5

E5 A5/E E5 G5/D A5/E

P.M.

C5/G

B5/F# A5/E

B5/F#

3 3 3 3

66

66

*Gtr. 6 (dist.)

f

3

*Dave Mustaine

Gtrs. 3 & 4

P.M. P.M.

Guitar Solo

Eb5/Bb E5 D5/A A5 _1

steady dive

Eb5/Bb E5 D5/A A5

w/ bar

C5/G D5/A Eb5/Bb F5/C

-2 1/2

_1

-1 1/2-6

P.M. P.M. P.M. P.M.

85

75

75

85

75

75

12 810

910

1212

1210

910

8 14 1112

1113

1414

1413

1112

11

1112

11

0 077

0 055

77

1010

1010

1010

1010

99

77

99

99

10 10 10 10

14 1013 10 13

10 14 1013 10 13

10 14 1013

10 17 1013 10 13

10 17 1013 10 13

10 17 1013

10

11

000

0 0 0 0 0 0 0 11

000

033

55

66 3

3


7

Sorgdal

Gtr. 6

Gtr. 5 tacet

Eb5/Bb E5 D5/A A5 Eb5/Bb E5 D5/A A5 F5/C

Gtrs. 3 & 4

P.M. P.M. P.M. P.M.

Eb5/Bb E5 D5/A A5 Eb5/Bb E5 D5/A A5 C5/G D5/A Eb5/Bb F5/C

6 6 6 65 5 5 5

P.M. P.M. P.M. P.M.

Eb5/Bb E5 D5/A A5 Eb5/Bb E5 D5/A A5 F5/C E5/B G5/D

P.M. P.M. P.M. P.M.

16 1013 10 13

10 16 1013 10 13

10 16 1013

10 15 1013 10 13

10 15 1013 10 13

10 15 1013

10

11

000

0 0 0 0 0 0 0 11

000

0 33

33

33

11 11 11 11 11 11 10 10 10 10 10 1013 13 13 13 13 13 11 11 11 11 11 11 10 11 10 11 10 8 10 8 10 8 7 8 7 8 7

8 10 8 10 8

11

000

0 0 0 0 0 0 0 11

000

033

55

66 3

3

7 8 710 8 10

7 87 8 7

87 8 10 8

610 8 7 10 8 7

88 7

8 77

8 710

11

000

0 0 0 0 0 0 0 22

11

000

0 33

22

55


8

Sorgdal

Gtr. 5

Guitar Solo

F5/C E5Gtr. 6 tacet

F5/C E5

P.M.

D5/A E5/B F5/C G5/D

P.M.

Gtr. 6

Gtrs. 3 & 4

P.M. P.M. P.M. P.M.

Gtr. 5

F5/C E5

P.M.

F5/C E5

G5/D

6

Gtrs. 3 & 4

P.M. P.M. P.M. P.M.

910 9

12

12 910

12

1110 9

12

1010 9

109

99 10

910

910 9

13 12 10

13 9 109

9

9 9

33

022

02

02

02

02

02

02

02 3

3

022

000

22

33

55

1012

910 12 9 10

12 119

99 12 9

99

13 810

10

1010

10 12 910

910

9 13 10 1213

10 12 13 10

33

022

02

02

02

02

02

02

02 3

3

022

055

55

55


9

Sorgdal

F5/C E5

F5/C E5

w/ bar

D5/A E5/B F5/C

w/ bar

G5/D

6 3 3

-1 -1

P.M. P.M. P.M. P.M.

F5/C E5 Em G5 F#5 C6 G/B F

3

6 66

6

8va

P.M. P.M.

Gtr. 3

Gtr. 4 divisi

P.M.

P.M.

*

*Gtr. 4 to left of slash in tab.

7

Chorus

Gtr. 1: w/ Riff AGtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)

E5

Bap tized- in a fire

Gtr. 5 tacet

D/F#

fight,-

G5

hot blood run ning- cold

A5

as ice.

G5 D/F#

Gtr. 5

8va

1

17 1315

1415

13 16 17 13 1617

1315 17 17 15 13

1613

14 16 16 14

33

022

02

02

02

02

02

02

02 3

3

022

000

22

33

55

14 1315

1314 15 14 9 10 12

912 10 9 10 12

9 11 1310 12 13

10 12 14 19 1617

1617

16

33

022

02

02

02

02

02

02

02

0

5

35

24 3

725 3

22 22


10

Sorgdal

For

E5

ty- four min utes- of tar

D/F#

get- prac tice,- all

G5

hells break ing- loose.

Gtr. 2: w/ Riff B

B5

E5

Out gunned,- watch

D/F#

ing- The Force come to a fire

G5

fight- with a pock

A5

et- knife.-

G5 D/F#

E5

Get ting- schooled un til-

D/F#

they shot A chil- les- heel

G5

and brought

B5

down the beast.

Gtr. 3

Interlude

Riff C

Gtr. 4: w/ Rhy. Fig. 1

E5

P.M. P.M.

F5/C E5

P.M. P.M.

End Riff C

G5/D E5

P.M. P.M.

F5/C

E5

P.M. P.M.

D5/AGtr. 4: w/ Riff C

D Em E5

P.M.

D Em E5

P.M.

F5/C D Em E5

P.M.

D Em E5

P.M.

G5/D

Gtr. 3

D5 E5

P.M.

D5 E5

P.M.

F5/C D5 E5

P.M.

D5 E5

P.M.

C5/G

Gtr. 4

P.M. P.M. P.M. P.M.

5 70 0 0

5 70 0 0

22

33

5 70 0 0

5 70 0 0

22

55

5 70 0 0

5 70 0 0

22

33

5 70 0 0

5 70 0 0

22

00

9 100 0 0

9 100 0 0

22

33

9 100 0 0

9 100 0 0

22

55

7 9

0 0 0

7 9

0 0 022

33

7 9

0 0 0

7 9

0 0 022

335

7 9

0 0 0

7 9

0 0 022

33 7 9

0 0 0

7 9

0 0 022

335


11

Sorgdal

Gtr. 5

Outro-Guitar Solo

D5 E5

D5 E5 D5 E5

D5 E5

3 6

6

Gtrs. 3 & 4

Riff D

P.M. P.M. P.M. P.M. 6 6

D5 E5

D5 E5 D5 E5

D5 E5 C5

6

6

6

6

P.M.

End Riff D

P.M. P.M. P.M. 6

Gtr. 5

Gtr. 4: w/ Riff D

D Em E5

D Em E5 D Em E5

D Em E5

6

6

3 6

6

Gtr. 3

P.M. P.M. P.M. P.M. 6 6

12 78

98

7 12 7 12 10 812 10 8

11 9 710 9

10

12 78

98

7 8 10 8 7 12 14 15 14 1215 13 12

14 12 1114 12 10

14 12 10

5 70 0 0 0

5 70 0 0 0 0 0 0 0 0 0

5 70 0 0 0

5 70 0 0 0 0 0 0 0 0 0

12 810

910

8 12 8 12 10 812 10 8

11 9 710 9 7

12 810

910

8 10 812 13 15 17 15 1417 15 13

16 14 1216 14 12

15 14 12

5 70 0 0 0

5 70 0 0 0 0 0 0 0 0 0

5 70 0 0 0

5 70 0 0 0

35

14 1012

1112

10 14 10 14 12 1013 12 10

12 11 912 10 9

14 1012

1112

10 12 14 10 15 17 19 17 1519 17 15

17 16 1417 16 14

17 15 14

9 100 0 0 0

9 100 0 0 0 0 0 0 0 0 0

9 100 0 0 0

9 100 0 0 0 0 0 0 0 0 0


12

Sorgdal

Gtr. 5

D Em E5

D Em E5 G5/D E5 E5/B E5

C6 E5

F/A E5 B5 E5 G5 E5 C5/G E5 B5/F#

6

63 3

6

6

Gtr. 3

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.6

Gtr. 4

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.6

E5 E5 F5 E5

P.M.

P.M.

17 1213

1413

12 17 12 15 14 1215 13 12

14 12 1114 12 10

19 1416

1616

1819

1816

1616

14 15 17 15 1417 16 13

16 14 1216 14 13

15 1413

9 100 0 0 0

9 100 0 0 0 0 0 0 0 0 0

100

70

120

90

140

100

150

14

9 100 0 0 0

9 100 0 0 0 0 0 0 0 0 0

50

20

30

00

20 3 0 3 0 2

14 14

799

799

799

799

799

799

81010

0 0 0 0 022

799

799

799

799

799

799

81010

0 0 0 0 022


13

Sorgdal

AmerikhastanWords and Music by Dave Mustaine


from Megadeth - United Abominations

Moderately q = 115

Gtr. 1 (clean)

(Synth)4 sec.

*

Verse

2nd time, Gtrs. 1, 4 & 6 tacet2nd time, Gtr. 3: w/ Rhy. Fig. 1 (7 1/2 times)

let ring throughout

Riff A

mf

F#m7

1. Recruiting

2. See additional lyrics

1

E5

13

F#5

1

A5

the ill - fated

3fr

13

C5

2fr

13

B5

for The War.

Gtr. 2 (dist.)

4 sec. Riff B

mf

End Riff B

P.M.

*Chord symbols reflect implied harmony.

Gtr. 1

Gtr. 2: w/ Riff B (7 times)

A6

A legion of uneducated, bankrupt souls

Badd4

with a lust for revenge,

answering the call

F#m7

from New Yorqatar to Califarabia.

End Riff A

911

11

0

11

9

1011

119

0 2 0 2 5 2 0 2 0 2 0 2 3 5 3 0 0 2 0 2 5 2 0 2 0 2 0 2 3 5 3 0

1211

11

0

11

12

9

1111

129

87

07

9

77

89

911

11

0

11

9

1011

119


Sorgdal

1CTo oda

*Gtr. 3 (dist.)

Gtr. 1: w/ Riff A2nd time, Gtr. 5: w/ Fill 2 (3 1/2 times)

Rhy. Fig. 1

E5 F#5

P.M.

Desperation

A5

provides

E5 F5 F#5

fertile ground for religious extremism.

E5

End Rhy. Fig. 1

F5

Gtr. 3: w/ Rhy. Fig. 1 (2 times)

E5

This glorious brainwashing where

F#5 A5 E5 F5 F#5

*Doubled throughout

prejudice lies like a crouching tiger

E5 F5 E5

tormenting peasants

F#5 A5 E5

till they erect an army under everyones nose.

F5 F#5

E5 F5

**Gtr. 4 (dist.)

E5

In the end, propaganda

F#5 A5 E5 F5

destroys their DNA.

F#5

God help them.

w/ wah-wah

mf

Guitar Solo

D5 E5 D5 E5

3

**Glen Drover

Gtr. 3

P.M.

Fill 1 End Fill 1

Rhy. Fig. 2

Gtr. 5

Fill 2

0 24

0022

XXX

0 1 2 2 XXX

022

XXX

13

1412 14 12

14

0 24

0022

XXX

0 1 2 24 3 2 0

200

22

22

00

22

22

6 76


2

Sorgdal

D5 E5 D5 E5 G5 D5 E5 D5 E5 D5 E5 D5 E5 A5

3 hold bend3/4 3/4 3/4 1/2 1 2

End Rhy. Fig. 2

Gtr. 4


D5 E5 D5 E5 D5 E5 D5 E5

P.H. loco

8va

G5 D5 E5 D5

grad. release

E5 D5 E5 D5 E5 A5

3

Pitch: B

1 1/2 1/21 2

Gtr. 4

Guitar Solo

A5 F#5 E5 F#5 A5 F#5 E5 F#5Gtr. 4 tacet

A5

F#5 E5 F#5 A5 F#5 G5

1 1

*Gtr. 5 (dist.)

f

*Dave Mustaine

1/21/2 1/21/2 1/41/4

Gtr. 3

Riff C

P.M.

P.M.

P.M.

End Riff C

P.M.

12 14 1414 14

14 1414 14 1412 14

14 1214 12

1415 15

00

22

22

00

22

22

55

00

22

22

00

22

22

00

22

22

00

22

22 2

2

1515 15 15 15 X7

1716

17 17

1615 14

1514 12

13 16

1416

16 16 16

16 16 1414

16 16 1616

14 1717

14161616

1414

16 1416 15 14

17 14

16

5 2 0 2 5 2 0 2 5 2 0 2 5 2 2 2 2 3 3 3


3

Sorgdal

Gtr. 5

Gtr. 3: w/ Riff C (1 1/2 times)

A5 F#5 E5

F#5 A5 F#5 E5 F#5 A5 F#5 E5 F#5 A5 F#5 G5

grad. bend

A5 F#5 E5 F#5 A5 F#5 E5 F#5

3 3 3

1/41/4 1 1 1

Gtr. 5

A5 F#5 E5

steady gliss.

F#5 A5 F#5

P.S.

G5

stringnoise

A5

F#5 E5 F#5 Bb5 Ab5 F5

6 6 6 6

1 1

Gtr. 3

P.M.

Rhy. Fig. 3

P.M. P.M.

A5

G5 E5 Ab5Gb5Eb5 A5 G5 D5 Bb5 G5 Db5

Oo,1.

6 6 6 6 6 6 6 6

P.M. P.M. P.M. P.M.

End Rhy. Fig. 3

16 16 1414

161616 16

1616 14

1714

17 1416

1417 14

1417 14

16 16 4

4

42

15X X

XX 1714 17 17

17 14 19 1417

17 1417 13 16

13 16 1316

18 1316

16 1316

5 2 0 2 5 2 2 2 2 3 3 3 5 2 0 2 6 4 13

13

12 1512 15 12

1517 12

1515 12

15 11 1411 14 11

1416 11

1414 11

14 10 1310 13 10

1315 10

1313 10

13 9 129 12 9

1214 9

1212 9

12

5 3 022

022

4 211

11

5 300

00

6 3 44

44


4

Sorgdal

all

all

Chorus2nd time, Gtr. 5: w/ Fill 3

F#5

that

that

they

you

en

en

vi

vi

-

-

sioned

sion

-

-

of

of

what

what

things

things

2nd time, Gtr. 3: w/ Fill 4

would

will

come

come

to

to

be

be

P.S.

1/2

1

P.M.

turned

turns

in

in

to

to

-

-

a

a

pink

death

mess

knell

when

when

they

you

blew

look

Gtr. 5 tacet

be

E5

to

hind

F#5

-

smith

A5

er

the

F#5

- eens.

scenes.

G5

-A5

P.S.

Riff D End Riff D

Gtr. 5

Fill 3

Gtr. 3

Fill 4

3

1617

16 1416 X

X

2 0 3 4 5 2 XX

XX 3 4

24 2 0

2

43 2 0

2 XX

XX 3 4

24 2 0

2 0

XX

2 3 4 5 2 XX

XX 3 4

24 2 0

2 0 2 0 2 5 2 XXX

XXX

35

57

7 7

43 2 0

2 XX

XX 3 4

24 3 2 0

2 0


5

Sorgdal

2CTo oda

We

F#5

are just a war a way- from A mer- i- kha- stan,

- when

Gtr. 3

Riff E End Riff E

God

Gtr. 3: w/ Riff D

ver

sus- god; the un

E5

do

F#5

-

A5 F#5

ing-

G5

of man.

A5

Gtr. 3

Interlude

Rhy. Fig. 4

E5 F#5 E5 F#5

P.M.

A5 E5 F#5 E5 F#5

P.M.

C5 B5 E5 F#5 E5 F#5

P.M.

A5

Prom is- ing- a va por,-

Gtr. 6 (dist.)

mf

Gtr. 4

wah-wah off

2 3 4 5 2 XX

XX 3 4

24 2 0

2 0

43 2 0

2 XX

XX 3 4

24 2 0

2 XX

12 11 1211 9 11 14 13 14 14 16 14 14 11 11 12 12 12

9 7 9 12 11 1211 10 11 11 12 11 11 7 79 9 9


6

Sorgdal

D.S. al Coda 1

E5 F#5 E5 F#5

P.M.

End Rhy. Fig. 4

E5


F#5 E5 F#5 A5

in the end

E5

they

F#5

be come

E5

-

F#5

one.

C5 B5 E5

F#5 E5 F#5 A5 E5

F#5 E5 F#5 E5

11 11 1212 9 9 69 8

11

9 9 12 11 1211 10 11

7 99 6 6 16 15 1614 13 14

14 13 14

11 16 15 16

14

16

1714

1410

1414

1416 16

14 19 18 1916

1921

1918

15

1819

1819 19


7

Sorgdal

1 Coda

Gtr. 4

Were coming to get you!

Gtr. 3: w/ Fill 1

w/ wah-wah

Guitar Solo


D5 E5 D5 E5 D5 E5 D5 E5 G58va

1/2 1/2 1/2 1/21 1 1 1 1 1

D5 E5 D5 E5

rake

D5 E5 D5 E58va

A5

loco

rake

D5 E5 D5 E5

1 1 1 1 1/2 1 1/2 1 1/2 1

D5 E5 D5 E5 G5 D5 E5 D5 E5 D5 E5 D5 E5 A5

3

Gtr. 4

Guitar SoloGtr. 3: w/ Riff C (3 times)

A5 F#5 E5 F#5 A5 F#5 E5 F#5Gtr. 4 tacet

A5

F#5 E5 F#5 A5 F#5 G5

1 1

Gtr. 5

let ring

1

Gtr. 5

A5 F#5 E5 F#5 A5 F#5 E5 F#5

let ring

A5 F#5 E5 F#5 A5 F#5 G5

hold bend 1 1 1 1

7

17

1416 14

17 17 17 1720

17

20 20 X19 19 19

XX

15 15 15 15 15

1215 14 15

1215

1214

1215

1214

1215

1215 12

1512

1512 14 12 14 15 14 12 14 12

15 14

12

14

12

17 17

X 12 15

1614

16 1416 16 16

161414

1614

1614

14

16 1417 17 17


8

Sorgdal

D.S.S. al Coda 2

A5 F#5 E5 F#5 A5 F#5 E5 F#5

A5 F#5 E5 F#5 A5 F#5 G5

6 6 6 6


A5 F#5 E5 F#5 Bb5 Ab5 F5

66

66

TT

T TT

T

A5 G5 E5 Ab5 Gb5 Eb5

66

66

TT

T TT

T

A5 G5 D5 Bb5 G5 Db5

2. Oo,

6

66

6

TT

T TT

T

16 17 16 1418

14 17 19 17 1418

14 16 17 16 14

1717 16 1418

14 17 19 17 1418

14 14 17 16 14 19 17 14 17 16 1419 17 14

14 9 12 9 12 914 9 12

14 9 12 13 8 11 8 11 813 8 11

13 8 11

12 7 10 7 10 712 7 10

12 7 10 11 6 9 6 9 611 6 9

11 6 9

10 5 8 5 8 510 5 9

10 5 8 9 4 7 4 7 49 4 7

9 4 7


9

Sorgdal

2 Coda

un

E5

do

F#5

-

A5 F#5

ing-

G5

of man.

A5

Gtr. 3: w/ Riff E

Guitar Solo

F#5

Gtr. 4

semi-harm.

3/4 11

Gtr. 3: w/ Riff D

steady gliss.

P.M. P.M. P.M. P.M.

3

1/2

P.M.

E5

P.M.

F#5 A5

P.M.

F#5

P.M.

G5 A5Gtr. 3: w/ Riff EGtr. 4 tacet

Guitar Solo

F#53

6 66

31/2

6 6 6

6

Gtr. 5

Gtr. 3: w/ Riff D

E5 F#5 A5 F#5 G5 A5

6 6

1/2 1/21

Gtr. 4

3

4 44 43 2

4

42

4 24

44

24

24 4 4 2 4 4

911

9 79

7 67

67

6 5

65 4

54

54 2 4

44 5 4 2 17 16 14

1614 16 17 16 14

1614 16 17 16 14 19 17 14 17 16 14 16

19 17 14 17 14 14 1417 14 17 14

14 1417 14 17 14

17 17 16 14 14 16 16

16 16 16 16 16 16 14 14 16 X 1414

1616

X 1414

1616

1616

XX

1414

XX

XX

XX

XX

XX

X X X


10

Sorgdal

Gtr. 4

Guitar Solo

F#5

67

77

Gtr. 5

Gtr. 3

P.M.

9 3

10

12 14 12 10 12 1410 12 14 12 10 12 14

11 12 14 12 11 12 1411 13 14 13 11 13 14

1414

2 2 3 4 5 2 2 23 4

24 2 0

2 0

12 14 15 14 1214 13 12 13 14

14 17 15 1416 14

17

17 1919 17

19 18 17 14 15 1615 17

14 16 17 16 1417

1414

43 2 0

2 XX

XX 3 4

24 2 0

2 XX


11

Sorgdal

7 11

1/2

P.M.

Gtr. 4

Gtr. 5 tacet

E5 F#5 A5 F#5 G5

P.S.

A5Gtr. 5

Outro-Guitar Solo

Gtr. 4 tacet

F#5 G5 G#5 A5 F#5

6 6 6 6

Gtr. 3

P.M.

6 6 6 6 6 6

G5 G#5 A5 F#5 G5 G#5A5 F#5 G5 G#5A5 F#5

6 6 6 6 6 6 6 6

P.M.

6 6 6 6 6 6 6 6

16 17 16 1417 16 14

1714 16 17 16 14

1716

1617 16 14

1716 17 16 14

17 1614

1414

2 2 3 4 5 2 2 23 4

24 2 0

2 0

1616

1616

14

XXX

17 1414

17 1414

17 1414

17 1414

19 1415

19 1415

19 1415

19 1415

2 2 0 2 5 2 2 2 3 3 3 3 3 3 5 5 5 5 5 5 2 2 2 3 4 5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

17 1416

17 1416

17 1416

17 1416

19 1415

19 1415

19 1415

19 1415 14 17

14 17 1417 14 17

14 17 1415 14 15

14 17 1415 14 15

14 17 1415

2 2 2 3 4 5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 4 5 5 5 2 2 2 2 2 2 2 3 4 5 5 5 2 2 2 2


12

Sorgdal

G5 G#5 A5 F#5

6 6 66

P.M. 6 6

6 3

2. No rules of engagement, this enemy hides

Amongst women and children.

And to beat violence, you must ignore the focus groups.

You must send in the Mossad, turn off the BBC, CNN

And dont look back.

Rest assured therell be no more Middle Eastern crisis, hell!

Therell be no more Middle East!

These are your people, Lady Liberty,

Pull up your dress today.

And tattooed is property of the USA

A subsidiary of Halliburton.

Surprise?!

But a roaring lion is about to be unleashed on earth.

Hey, Jihad Joe? Guess what? Were coming to get you?

Additional Lyrics

14 1614 17 14

16 14 1614 17 14

1617 18

1718 17 16 17 18

1917 16

19 16 16

2 2 2 3 4 5 5 5 2 2 2 23 4

24 3 2 3 4

43 2

24

24


13

Sorgdal

Moderately q = 113

A Tout Le MondeWords and Music by Dave Mustaine, Dave Ellefson, Nick Menza and Martin Friedman

from Megadeth - United Abominations

1994 MUSTAINE MUSIC, VULGARIAN MUSIC, MENZA MUSIC and ADAM MARTIN MUSICAll Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission

(Set Me Free)

Verse

*F#m

**Dont1. Male: re mem- ber- where I

E6sus4

was,

13

F#5

1

E5

13

B5

11

A54fr

13

C#5

13

Dsus24fr

1

E6

13

G55fr

13

A5

oh, I re al-

B7[no3rd]

ized-

V

life was a game.

Gtr. 1 (clean)

let ring throughout

Riff A

mf


**Dave Mustaine

Gsus2 A5 G5

Gtr. 1: w/ Riff A (3 times)

F#m

The more se ri- ous- ly- I took

E6sus4

things, the hard -

End Riff A

er

B7[no3rd]

the rules be came.-

Gsus2

A5 G5 F#m

I had no i dea-

E6sus4

what it cost,

B7[no3rd]

my life passed

Gsus2

be fore- my eyes.

A5 G5 F#m

Oo, I found out how lit tle-

24

2

24

2

24

04

2

04

2

04 2

42

24

24

2

3

02

30

22

3


Sorgdal

E6sus4

I ac com- plished,-

B7[no3rd]

all my plans de nied.-

Gsus2

A5 G5

Pre-Chorus

F#5

So1. as

Mov2.

you

ing-

read

on

this,

*

know,

A5/F#

my friends,

is a sim ple- thing,

**B5/F#

Id

what it

love

leaves be

to stay

hind-

with you

is

all.

hard.

Gtrs. 2 & 3 (dist.)

mf P.M. P.M. P.M. P.M.

*Bass plays F#. **As before

F#5

Please

You know

smile

the sleep

when

ing-

you

feel

think

no

A5

of

more

me,

pain,

my

and the

P.M. P.M. P.M.

bod

liv

B5

ing

ys-

-

gone,

are

thats

scarred.

all.

D5

P.M.

(cont. in slashes)

P.M.

44

22

44 2

2

422

44

22

44

24

44

2 44

22

44 2

2

24

22

44

22

44

2 77

77

77

77

77

77

77

77

77

77

77

77

77

77

77

0


2

Sorgdal

CoT oda

*Gtrs. 2 & 3

Rhy. Fig. 1

Chorus

F#5 E5 B5 open

A

Oh, a tout le monde. A tout mes a mis.

- Je vous aime.

3

Gtr. 1

w/ slight dist.

let ring throughout

Riff B

*Composite arrangement

F#5 A5 C#5

Je dois par tir.- These are the last words Ill ev er

- speak,

B5

open

A Dsus2

(1st time, Gtr. 3 cont. in notation)

End Rhy. Fig. 1

P.M.

open

E

Verse

Gtr. 1 tacet

Rhy. Fig. 2

Gtr. 2

F#5

P.M.

and theyll set me free.

Oo,2. if my heart

** (IfFemale: my

End Riff B Gtr. 3Riff C

P.M. P.M. P.M.

**Cristina Scabbia (Lacuna Coil)

910

910

9

9

99

79

9

7

87

77

8

7

67

57

6

5

65

55

5

65

5

65

45

4

6

4

42

22

2

4

2

0755

24

2

24

2

24


3

Sorgdal

D.S. al Coda

Coda

E5 E6 E5 E6 E5 E6 B5 F#5 G5 VA5End Rhy. Fig. 2

G5

P.M.

was still a live- I know it would sure ly- break.

3 3

heart was still a live.)-

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

End Riff C

Gtr. 2: w/ Rhy. Fig. 2Gtr. 3: w/ Riff C

F#5

AndFemale: my mem ries- left with

E5

you.

E6 E5 E6 E5 E6

Male:

B5

Theres noth ing- more to say.

F#5 G5

A5 G5

(Ooh,Male: and my mem ries- left with you.)

Gtrs.2 & 3

Rhy. Fig. 3

Guitar SoloGtr. 1 tacet

F#5 E5

*Gtr. 4 (dist.)

f

rake

*Glen Drover

11 1/2 1/2

B5 F#5 G5 VA5End Rhy. Fig. 3

G5

04

2

04

2

04 2

42

24

24

2 3

02

30

22

3

10 1417

1416 16 17 1717

14X

X

16 16 1617

16

17 15 15 19 14 14 14

6 1417

14 1315

13 1114

11 912

9 6


4

Sorgdal

Gtr. 4


F#5 E5

B5 F#5

P.M. P.H.

G5

P.H.

15maloco

P.M.

A5 G53

3

Pitch: E F#

1

F#5

let ring

E5

rake P.M. 1 hold bend1

Gtr. 5 (dist.)

B5

F#5 G5 A5

mf

G5

6

6

Gtr. 4

P.M. 3

66

7 10 5 74

5 76 4 4 2 4 4 6

4 4 2 47 7 4

5 5 54 4 4

4 4 2 4 5 4 2 4 2 4 5 4 24

4 2 2

1110

11 1110 10

XX 10 10

12

XX

10 9 9 10 911 9

16 18 1916 18 20 16 18 20

17 19 21

79 7

77

99

77

77

13 14 1316

13 14 1613 14

13 14 1613 14 16 13 14 16

14 16 17


5

Sorgdal

Pre-Chorus

Female:

G#5

So as you read this,

* B5/G#

know, my friends,

**

Gtrs. 4 & 5 tacet

C#5/G#

Id love to stay with you all.

Gtr. 5

Gtr. 4

Gtrs. 2 & 3

P.M. P.M. P.M. P.M.

*Bass plays G#. **As before

G#5

(With you all.)

Please smile, smile

B5

when you think a bout- me.

Gtrs. 2 & 3

P.M. P.M. P.M.

19 19

16 16

46 4

466 4

4

644

66

4 66

44

66

44

66

44

66 4

4

6


6

Sorgdal

C#5

My bod ys- gone, thats all.

E5

(Thats all.)

(Uh.)

P.M.

P.M.

Chorus

*

Gtr. 1: w/ Riff B (2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)

Voc. Fig. 1

F#5

A tout le monde.

(A tout le monde.

E5

A tout mes a mis.-

A tout mes a

B5

mis.-

Je vous aime.

Je vous

A5

aime.

*Refers to upstemmed voc. only.

F#5

Je dois

par

tir.-

Je dois par

A5

tir.)-

These are the last words

End Voc. Fig. 1C#5

Ill ev er

- speak,

B5


Dsus2

Bkgd. Voc.: w/ Voc. Fig. 1

F#5

A tout le monde.

E5

A tout mes a mis.-

B5

Je vous aime.

A5 F#5

Je dois par tir.-

44

66

44

66

44

99

99

99

99

99

99

99

99

99

99

99

99

99

99

99

0


7

Sorgdal

A5

These are the last words

C#5

Ill ev er-

speak,

B5


Dsus2


Outro

F#5 E5

Gtr. 5

Gtr. 4

rake

B5 F#5 G5 A5 G5 F#5

14 12 1414

14 12 1414

1413

14 1214 13

14

14 13 1416

14 13 1416

XX

13 14 1316 14

16

15 14 15 12 15 14 1514 14

97

8 12 12 1012 11

14 12 1414

14 12 1414

16 14 1616

16 14 1616

1716

1415 14

16 16 14 14 13 1416

14 13 1416


8

Sorgdal

rit.

Slower q = 96

rit.

E5 B5 F#5

Gtr. 4 tacet

P.M.

rake Gtrs. 2 & 3

rit.

P.M.

Gtr. 5 tacet

F#5

Gtr. 1: w/ Riff A

F#m

E6sus4

TheseSpoken: are the last words

3

Gtrs. 2 & 3

B7[no3rd]

Ill ev er- speak,

Gtrs. 2 & 3 tacet

Gsus2

and theyll set

A5

me free.

G5

ppp

rit.

Gtr. 1

F#56

mp

F#m

w/ bar

1414

1314 12

14 1314

15 14 15 12 15 14 15 12 15 1414 13

14 1214 12 11 12 14

XX16

13 14 1316 14

16

16 14 1616

16 14 1616 16

7 67 6

7 57 5 4 5 7

24

24

24

04

04

24

24

04

04

24

244222

244222


9

Sorgdal

Intro

Fast q = 216

Back in the DayWords and Music by Dave Mustaine


from Megadeth - The System Has Failed

1. 7.

8.

**D5

type2

134

C54fr

134

Ab5

134

G5

13

C55fr

13

D56fr

13

Eb5

Oo,1.

*Gtr. 1 (dist.)

mf

Riff A End Riff A

*Doubled throughout

**Chord symbols reflect implied harmony.

where

VerseGtr. 1: w/ Riff A (8 times)

D5

were you when it hap pened?- Uh, where could you be found? Were you at the front

of the stage, or in the un der- ground?- From S F out to Old Bridge, New

York back to L A, the world of met al- changed for ever- back in the day.

Chorus

Dm

A5 Bb5

Well, that was back in the day.

Dm A5 Bb5

And if, uh, you werent

C5

Gtr. 1

Rhy. Fig. 1

P.M. P.M.

End Rhy. Fig. 1

10 0 0 8 0 0 7 0 0 8 0 0 7 0 7 0 0 8 0 0 7 0 7 0

5776

577

577

688

688

688

688

688

688

688

5776

577

577

688

688

688

688

81010

81010


1

Sorgdal

CoT oda

D.S. al Coda

Coda

there


Dm A5 Bb5

it does nt- mat ter- an y- way

Dm

-

A5 Bb5

be cause- you would nt

C5

- un der- -

stand.

Interlude


D5

Eh,2. live

Verse


D5

to die and

die to play.

Ev ry- day and place leave

a path of met al- cross the world from stage to stage.

stand.

Guitar Solo

E5 B5

A5 B5 A5 G5 F#5 E5

F5 C5

B5 C5 B5 G5 F#5

Gtr. 2 (dist.)

f

2

1 11 1/2

1 1

Gtr. 1 Riff B End Riff B

12 12

1214 12

14 12 10 12 14

12

12 1412

12 1212

1215 15

0

22 0 2 0

3 2 0

33 2 3 2

3 2


2

Sorgdal

Gtr. 1: w/ Riff B

E5

B5

A5 B5 A5 G5 F#5 E5

F5 C5 B5 C5 B5

In

G5 F#5

Gtr. 2

P.H. w/ bar

8va

loco

1 1/2

slack

1/2 1

den

Bridge

Gtr. 1: w/ Riff B (2 times)Gtr. 2 tacet

E5

im- and

B5

leath er

-

A5 B5 A5

we

G5

were

F#5

all

E5

part of

F5

one

C5

force.

B5 C5 B5

Knocked

G5 F#5

Gtr. 3 (dist.)

mf

Riff C End Riff C

rock

Gtr. 3: w/ Riff C

E5

and roll on its

B5

ass

A5

and

B5 A5

put

G5 F#5

met

E5

al- on

F5

the

C5

course.

B5 C5 B5 G5 F#5

(High

Guitar Solo

Voc. Fig. 1

A5

er.)-

Gtr. 2 tacet

End Voc. Fig. 1

Gtr. 2

1/2

Gtr. 1 Riff D

P.M.

End Riff D

15 1212 15 12

15 14 141214

12 1415

14 1214

14 1214

12 14 1215 15

2

44 2 4 2

5 4 2

55 4 5 4

5 4

0 4 45 75 7 7

7 57 5 7 7

0 07

0 0 07

0 0 09 10

09

0 0 07 8

07

5 7 85 6 7

5 6 7


3

Sorgdal

Gtr. 4 (dist.)

mf

Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)Gtr. 1: w/ Riff D (3 times)

Gtr. 4 tacet

1/41/4

Gtr. 2

fdbk.

Pitch: A

1 1

Gtr. 4

Gtr. 2 tacet

let ring

3 3 3 3 3

1/21/2 1

Gtr. 1

Interlude

Rhy. Fig. 2

C5 Ab5

(cont. in notation)

G5Gtr. 4 tacet

F5 G5 C5 Ab5 G5 Eb5 D5

(Ah.)

* Voc. Fig. 2

Uh, back in the day,

End Voc. Fig. 2

Gtr. 1

End Rhy. Fig. 2

*Applies to Bkgd. Voc. only.

7 7 755

55

7 7 777

5 67 5

07 7 7

5 55

5 5 7 5 5 8 7 57 7

57 5

8

77 5

80

1720

1717

1919

19

19

1919

1717

1919

2020

191717

19 19 1719

20 19 1719

20 19 1719

20 19 1719

20 19 1719

17

17 17

355

133

355

355

466

355

688

577


4

Sorgdal

Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)Gtr. 1: w/ Rhy. Fig. 2 (3 times)

C5

Ab5 G5 F5 G5

uh, you

C5

werent

Ab5

there.

G5 Eb5 D5

Gtr. 4

C5

Ab5 G5

It does

F5

nt

G5

- mat

C5

ter

Ab5

-

G5 Eb5 D5

C5 Ab5 G5

cause

F5

you

G5

would

C5

nt- un

Ab5

der-

G5

stand.-

Eb5 D5

This

3

3

1617 15 17

15 1613 15 13

16 1715 16

1316

1616

15 15

20 16 15 16 13 15 11 13 1115

1113 15 12 13 12

1312

12

16 15 13 15 13 12 13 1213 16 12 10 12

1310

12 13 10


5

Sorgdal

is

Outro

C5

our way of life,

D5

a

Eb5

life

C5

that was born free, and

Eb5

to

D5

Gtr. 4

Riff E1

Gtr. 1

Riff E

fol

C5

low- or ders- how to live

D5

was

Eb5

nev

C5

er- meant to be,

Eb5 D5

uh,

Eb

oh.

Dm Db

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

3 3 3 3 3 3 3 3 3 3 3 3 3 5 6 3 3 3 3 3 3 3 3 3 3 3 3 3 6 5

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

3 3 3 3 3 3 3 3 3 3 3 3 3 5 6 3 3 3 3 3 3 3 3 3 3 3 3 3 6 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4


6

Sorgdal

C5

D5 Eb5 C5

Peals

Eb5

of

D5

End Riff E1

End Riff E

thun

Gtr. 1: w/ Riff E (3 times)Gtr. 4: w/ Riff E1 (2 5/8 times)

C5

der,- sheets of light ning,-

D5

the

Eb5

pow

C5

er- hits the stage.

Eb5

The

D5

mu

C5

sic- was ex cit- ing,-

D5

the

Eb5

ma

C5

ni- a- raged,

Eb5 D5

uh,

Eb

oh.

Dm Db C5

D5 Eb5

C5 Eb5 D5

We all

C5

had the fe ver.-

D5 Eb5

Our

ears

C5

start ed- to ring.

Eb5 D5

Feed

C5

ing- this wild fire,-

D5 Eb5

con -

sum

C5

ing- ev ry- thing,-

Eb5 D5

uh,

Eb

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

3 3 3 3 3 3 3 3 3 3 3 3 3 5 6 3 3 3 3 3 3 3 3 3 3 3 3 3 6 5


7

Sorgdal

oh.

Dm Db C5

D5 Eb5

C5

Eb5 D5

Met

C5

als- king back then

D5

and

Eb5

still

C5

is to this day.

Eb5

Oth

D5

ers- im

C5

i- tate- or

chal lenge- but

D5

it

Eb5

nev

C5

er- goes a way,-

Eb5 D5

uh,

Eb

oh,

D Db C5

D5 Eb5

Gtr. 4

ah.

C5 Eb5 D5 C5

D5 Eb5

Gtr. 4

Riff F End Riff F

Gtr. 1

Riff G

4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 10 10 10 10 10 10 10 10 10 10 10 10 10 12 13

10 10 10 10 10 10 10 10 10 10 10 10 10 13 12 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 6 6


8

Sorgdal

Gtr. 1

Gtr. 4: w/ Riff F (3 times)

C5 Eb5 D5End Riff G

C5

Gtr. 1: w/ Riff G (2 3/4 times)

Gtr. 4

D5 Eb5

C5 Eb5 D5 C5 Eb5 D5

C5 Eb5 D5 C5 Eb5 D5

C5 Gtr. 1

3fr

C 6fr

Eb5 5fr

D5 type2C5 D5 Eb5

C5 type2 Eb5 D5 C5 type2 D5 Eb5 C5 type2

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 5 510 10 10 10 10 10 10 10 10

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 13 12 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 13 12 10 10 10 10 10 10 10 10 12 13

10 10 10 10 10 10 10 10 13 12 10 10 10 10 10 10 10 10 12 13 10 10


9

Sorgdal

Intro

Fast q = 226 Half-time feel

Words and Music by Dave Mustaine

Bite the Hand That Feeds



*Gtrs. 1 & 2 (dist.)

**

mf

F#5 E5 F#5 G5 F#5 E5 F#5 E5 F#5 G5 F#5 E5 F#5

P.M.

G5

*Composite arrangement

**Chord symbols reflect implied harmony.

F#5 E5 F#5 G5 F#5 E5 F#5 E5 F#5 G5 F#5 E5 F#5

P.M.

G5

Rhy. Fig. 1

F#5 E5 F#5 G5 F#5 E5

P.M.

F#5 E5 F#5 G5 F#5 E5 F#5

P.M.

End Rhy. Fig. 1

2nd time, end half-time feel

G5

2 2 0 2 3 2 2 0 0 0 0 2 2 0 2 3 2 2 2 0 2 3

2 2 0 2 3 2 2 0 0 0 0 2 2 0 2 3 2 2 2 0 2 35

24

24

0 2 3 2 2 2 0 0 0 24

24

0 2 3 2 2 2 0 2 35


1

Sorgdal

3rd time, Gtr. 3: w/ Fill 1

Verse

Am7

The2. de

They1.

3., 4. See additional lyrics

pres-

ball

sion-

gagged

of

la dy

a

-

de

jus

pres-

tice-

sion,-

and

Riff A

P.M. P.M. P.M. P.M.

End Riff A

P.M. P.M. P.M. P.M.3

blind fold-

world

ed

wide

-

-

her

su i-

so

cide-

she cant

for

see.

the e con- o- my-

C5

A5 D5 C5 A5 D5 C5 A5

P.M. P.M. P.M. P.M. P.M. P.M. P.M.3


Am7

caused

The

by

e

the

ro-

di a-

sion- of

lec-

the

tic-

peo

cha

ples-

os-

trust of what

when the

will

Gtr. 2

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 3 3

Fill 1Gtr. 3

steady gliss.

55

0 07

0 05

0 07

0 0

7 8 7 5 755

0 07

0 05

055

XX

XX

55

XX

XX

55

7

55

0 07

0 05

0 07

0 0

7 8 7 5 755

0 07

0 05

055

77 7

755

77 7

755

77

55

0 07

0 05

0 07

0 0

7 8 7 5 755

0 07

0 05

0 07

0 0

7 8 7 5 7

13 13 13 7


2

Sorgdal

come

mob

to be

on Wall Street

an F.

took

D.

We

I.

the

C. as

peo

sist-

ple-

ed- su

for

G5

i

a

-

-

Gtr. 1


3

Gtr. 2


3

cide.

ride.

Interlude

Half-time feel


F#5 E5 F#5 G5 F#5

E5 F#5

E5 F#5 G5 F#5

E5 F#5 G5

F#5

E5 F#5 G5 F#5

E5 F#5

E5 F#5 G5 F#5

E5 F#5 G5

End half-time feel

Chorus

Am

When its dog eat dog,

Bm

you are what you eat

G5

Gtrs. 1 & 2

55

0 07

0 05

0 07

0 0

7 8 7 5 755

0 07

0 05

0 07

0 035

55

0 07

0 05

0 07

0 0

7 8 7 5 7

55

0 07

0 05

0 07

0 035

5 0 7 8 5 0 7 8 5 0 7 8 5 0 7 8 7 0 9 10 7 0 9 10 7 0 9 7 35


3

Sorgdal

CTo oda

Half-time feel

F#5 E5 E#5 F#5 G5

E5 F#5 G5 G#5

E5 G5 G#5 G5

A5 Ab5 G5

End half-time feel

Rhy. Fig. 2

P.M. P.M. P.M. P.M.

End Rhy. Fig. 2

Am

just like the mad dog

Bm

that bites the hand

that feeds.

3 3 3 3

Half-time feel

*Voc. Fig. 1

*Refers to downstemmed vocs. only.


F#5

(Like

E5 E#5

the

F#5 G5

mad

dog

E5 F#5 G5 G#5

that bites

E5 G5

the

G#5 G5

hand

that

A5 Ab5

feeds.)

G5

F#5

Just1. like

When2.

E5

its

E#5

the

F#5

End Voc. Fig. 1

G5

mad

dog

dog

eat

E5 F#5

dog,

G5 G#5

that

you

bites

are

E5 G5

the

what

G#5

hand

A5

that

you

feeds.

eat.

Ab5

1st time, end half-time feel

G5

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

24

24

0 1 2 355

35

0 0 2 35

46

46

0 3 4 35

35

0 57

46

35

5 0 7 8 5 0 7 8 5 0 7 8 5 0 7 8 7 0 9 10 7 0 9 10

4 2 0 4 2 04 2 0

4 2 0

24

24

0 1 2 355

35

0 0 2 35

46

46

0 3 4 57

57

0 57

46

35


4

Sorgdal

Guitar Solo

Em7

Gtrs. 1 & 2: w/ Riff B (2 1/2 times)

*Gtr. 3 (dist.)

f

3 5 3

*Chris Broderick

1 1/2

Gtrs. 1 & 2

Riff B

P.M. P.M. P.M.

End Riff B

P.M.

Gtr. 3

1/2

Gtr. 4 (dist.)

mf

1

Gtr. 3

Gtr. 4 tacet

F5

F#m7

3

33

3

8va

1 1 1/2 1 1/2

Gtrs. 1 & 2

P.M. P.M. Riff C

P.M. P.M. P.M.

End Riff C

P.M.

1512 12 13 12

1511 11 12 12 14 12 11 12 14 14 15 13 15 15 17 15 14

55

0 07

0 05

0 07

0 0 0 0 0 0

19 1515

17 16 1616 17

1619 17

1619 20

16

1720 19 20

17 19 19

1212 13

1216 13

1216

12

12

14 12 11 12 14 15 15

19 1517

1617

19 1615

1314

13 1916 19 19 19

07

0 0 13

22

2 244

2 222

2 244

2 2 2 2 2 2


5

Sorgdal

D.S. al Coda

(take repeat)

Coda

Gtr. 3

Gtrs. 1 & 2: w/ Riff C (1 1/2 times)

8va loco 3 3 3

3

Gtr. 3

P.M.

G5

G#5

3

3 3 3 33 3 3 3

3

Gtrs. 1 & 2

P.M. P.M. P.M. P.M. P.M. P.M.

Bkgd. Voc.: w/ Voc. Fig. 1Gtrs. 1 & 2: w/ Rhy. Fig. 2

F#5 E5 E#5 F#5 G5

E5 F#5 G5 G#5

E5 G5 G#5 G5

A5 Ab5 G5

F#5

Just like

E5 E#5

the

F#5 G5

mad dog,

E5 F#5 G5 G#5

you bite

E5 G5

the

G#5

hand

A5

that feeds.

End half-time feel

Ab5 G5 F#5 F5

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

19 19 1618

19 1618

14 1113

14 1114

11 11

11 12 1214 11 14 11

1214 11

13 12 1311 14 11

13 12 1411 12 14 16 12 14 16

1216 14 12 14 16

12 14 16

244

2 2 2 2 2 2

22

2 244

2 222

2 244

2 2 35

46

24

24

0 1 2 355

35

0 0 2 35

46

46

0 3 4 57

57

57

57

46

35

24

13


6

Sorgdal

Interlude

q. = 166

Em

Gtr. 3

Riff D

Gtrs. 1 & 2

Riff E End Riff E

Gtr. 3

Gtrs. 1 & 2: w/ Riff E (2 times)

12 0 8 12 0 812 0

812 0 8 12 0 8 12 0 12

8 0 12 0 8 0

7 7 75

7 7 5 7 7 8 7 7 5 7 75

7 75 7

5 75 7

12 0 8 12 0 812 0

812 0 8 12 0

1512 0 12

14 0 15 0 14 0

5 7 75

7 7 5 7 7 8 7 7 5 7 75

7 75 7

5 75 7

15 0 12 15 0 1213 0

1213 0 12 13 0

1213 0 13

14 0 12 0 14 0


7

Sorgdal

End Riff D

Gtr. 3

Interlude

Em

Bb5 A5 Em Bb5 A5 G5

1/2 1/2

Gtr. 4

1/2 1/2

Gtrs. 1 & 2

Riff F End Riff F

Gtr. 3

Gtrs. 1 & 2: w/ Riff F (3 times)

Em

Bb5 A5 Em Bb5 A5 G5

1/2 1/2

Gtr. 4

1/2 1/2

19 0 15 19 0 1519 0

1519 0 17 19 0 17 19 0 17 13 0 17 0 13 0

14 1716 1818 18

14 14 1716 1818 18 16

12 1412 1414 14 14

9 9 1412 1414 14 12

5 7 75

7 768

57 5 7 7

57 7

68

57

35

18 1620 1718 17

1620 1718 17

19

14 12

121415 14

12

121415 14 12


8

Sorgdal

Em Bb5 A5 Em Bb5 A5 G5

1 1

1/2 1/2

Em

Bb5 A5 Em Bb5 A5 G58va

1/2 1/2

1/2 1/2

Gtr. 4

Interlude

Gtrs. 1 & 2: w/ Riff E (4 times)Gtr. 3: w/ Riff D

EmGtr. 4 tacet

Gtr. 5 (dist.)

Riff G

mf

End Riff G

2019

20 20X 2019

18 2020 20 18

1715

17 1715 17 1716

15 1717 17 15

22 22 21 2122

21 19 19 21 2121 21 19

19 17 15 1717 17 1515 17 1717 17 15

17

4 5 54

5 5 4 5 5 7 5 5 4 5 54

5 5

5 75 7

5 7


9

Sorgdal

Play 4 times

Additional Lyrics

3. They took everything and anything

As long as it once belonged to me.

The rats got all the money.

The roaches licked the cupboards

Clean of T.V. dinners and beer.

4. This never-ending nightmare

Of the dreams Ill never, ever get to see.

And just one silver bullet to your head.

It will set me free from all the life

I wasted trusting you.

Gtr. 5: w/ Riff G (3 times)

Gtr. 6 (dist.)

mf

Gtr. 6 tacet

Gtr. 5

Outro

Gtrs. 1 & 2: w/ Riff F (4 times)

Em Bb5

A5 Em

4th time, Gtr. 5 tacet

Bb5

A5 G5

Gtrs. 1 & 2

A5 G5 F5 E5

7 9 97

9 9 10 9 9 10 9 9 10 9 9 10 9 10

7 9 97

9 9 7 9 9 7 9 9 7 9 9 7 9 9

12 14 1412

14 14 12 14 1412

14 14

57

35

13

02


10

Sorgdal

Intro

Fast Rock q. = 180

Blackmail the UniverseWords and Music by Dave Mustaine


from Megadeth - The System Has Failed

(Sound effects)

15 sec.

firing

Spoken: This

a

is

Stinger

breaking

missile.

news.

The pilot

It

and

appears

all

*Gtr. 1 (dist.)

fP.M.

*Doubled throughout

that

passengers

Air Force One

are

was

unaccounted

shot down

for.

somewhere

The Presidents

over the

whereabouts

Middle East this

are

morning

presently unknown,

by a

P.M. P.M.

sleeper

and

cell

he

of rogue

is

terrorists

presumed missing. The Vice President, Secretary of State and

P.M. P.M. P.M.

0 0 0 3 2 0 0 0 0 5 3 0 0 0 0 3 2 0 5 3 0 3 2 0

0 0 0 3 2 0 0 0 0 5 3 0 0 0 0 3 2 0 5 3 0 3 2 0 2 2 24 4 4

2 2 23 3 3

2 2 22 2 2

2 2 23 3 3

0 0 0 3 2 0 0 0 0 5 3 0 0 0 0 3 2 0 5 3 0 3 2 0


1

Sorgdal

principals of the military are assembling. Our nation stands at DEFCON three.

P.M. P.M. P.M. P.M. P.M.

Verse

F#5

The1. great est- cri sis,- will some one- come for me?

P.M.

Riff A

P.M. P.M.

I

red, white and blew it.

Un

Gtr. 1: w/ Riff A

leashed- re venge,- my

P.M.

End Riff A

bod y- is de tained.- How could

an y- bod- y- do this?

Be -

2 2 24 4 4

2 2 23 3 3

2 2 22 2 2

2 2 23 3 3

0 0 0 3 2 0 0 0 0 5 3 0

0 0 0 3 2 0 5 3 0 3 2 0 24

24

2 0 2 3 5 3 2 0 24

24

2 0 2 3 52 3 4

24

24

2 0 2 3 5 3 2 0 24

24

XX

XX

XX

XX

XX

XX

XX

XX


2

Sorgdal

tray

al,- I peel a way- the days.

Med als- are use

less,

- Un cle- Sams for -

Gtr. 1

Riff B

P.M. P.M.

got

ten- me.

Im not im por

- tant,

- no one will ev

er- come.

Ill nev er

- be

P.M. P.M.

found.

God get me out of this hell.

Nu

G#5

cle- ar

-

P.M.

End Riff B P.M.

bat tle

- fields- en er- gized.-

P.M. P.M.

24

24

2 0 2 3 5 3 2 0 24

24

XX

XX

XX

XX

XX

XX

XX

XX

24

24

2 0 2 3 5 3 2 0

24

24

XX

XX

XX

XX

XX

XX

XX

XX

24

24

2 0 2 3 5 3 2 0 24

24

2 0 2 3 52 3 4

24

24

2 0 2 3 5 3 2 0 24

24 4 3 2

5 4 3 2 3 4 46

46

4 2 4 52

5 4 2

46

46

4 2 4 5 74 5 6

46

46

4 2 4 52

5 4 2 46

46

XX

XX

XX

XX

XX

XX

XX

XX


3

Sorgdal

Rubato

Cold

A#5

wars are

heat ing

- up a gain.-

P.M. P.M. P.M.

Verse

Gtr. 1: w/ Riff B

F#5

The2. ten sions-

mount ing;

-

peo

ple,-

lift up your fists

in re venge.-

Gtr. 1

Interlude

F#5

P.M. P.M.

A5 F#5

P.M.

C5 B5 G5 F#5

P.M. P.M.

A5

68

68

6 4 6 74

7 6 4 68

68

6 4 6 7 96 7 8

68

68

6 4 6 74

7 6 4

68

68

XX

XX

XX

XX

XX

XX

XX

XX

24

0 24

0 24 0

224

24

035

24

35

24

0 24

0 24 0

2


4

Sorgdal

A tempo

F#5 C5

The

E5

stage

Bridge

F#5

is set.

A5 F#5 C5

Wholl

B5

be

G5

the first

F#5

to blink?

A5

P.M. P.M.

Rhy. Fig. 1

P.M. P.M. P.M. P.M. P.M.

F#5 C5

We

E5

cant go


F#5

to war.

A5 F#5 C5

Re

B5

mem

G5

- ber-

F#5

that Vi et- nam- thing?

A5

P.M.

End Rhy. Fig. 1

P.M.

F#5 C5 E5

Peace

F#5

at an y- price,

A5 F#5 C5

with

B5

a

G5

gun

F#5

to your head. Bang!

A5

F#5

Bang!

C5 E5

Weak

F#5

ness- runs in your fam

A5

i- ly,

F#5

-

C5

but

B5

what

G5

runs

F#5

in mine is death!

A5

24

02

24

035

0 0 0 24

0 24

0 24 0

224

24

035

24

35

24

0 24

0 24 0

2

24

02

24

035

0 0 0


5

Sorgdal

F#5 C5 E5

Guitar Solo

*G#5

F#5 G#5 F#5 G#5 B5

G#5 F#5 D5 C#5 A5

Gtr. 2 (dist.)

f

3

8va

1/2 1 1/2

Gtr. 1

P.M.

P.M. P.M.


G#5 F#5 G#58va

F#5 G#5

locoB5 G#5 F#5 D5 F#5 G#5 F#5 G#5 F#5 G#5 B5

6

3

1 1 1

P.M.

P.M. P.M. P.M.

P.M.

6 4 6 4 6 4 8 6 8 11 811

8 1111 13 13 11 1311 12 14

11 12 1314 13 16

4 2 4 2 42 4

4 25 4

5

1416 14 12 12 1114 12

1114 12 11

13 11 13 1114 13 11 14 13 11

14 1114 12 11 11 11

4 2 4 2 42 4

4 25

2 2 2 4 2 4 2 42


6

Sorgdal

G#5 F#5 D5 C#5 A5 G#5

F#5 G#5 F#5 G#5 B5

This

1 1 1

P.M. P.M.

P.M.

3 3

is

Bridge

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2 tacet

F#5your five

A5

min

F#5

- ute- warn

C5

ing.

B5

-

G5 F#5

Burn all your clas

A5

si

F#5

- fied-

C5

doc u

E5

- ments.-

(Oh. Oh.

F#5

And if cool

A5

er

F#5

- heads

C5

dont

B5

pre

G5

vail,-

F#5

first strike

A5

from

F#5

a po

C5

lit- i

E5

- cal-

Oh.)

11 14

16 17 1618

1816 1618

424 2

5 45 4 2 4 2 4

2 5 45

3 23


7

Sorgdal

1.

2.

3.

dead

Interlude

E5

man.

D5/E

E5 F5 F#5/E

E5 F#5/E G5

Gtr. 1

P.M. P.M. P.M. P.M. P.M. P.M.

G#5/E

P.M.

F#5/E

P.M.

G#5/E

P.M.

C#5 C5 B5/E

P.M.

A5/E

P.M.

C5 B5 A#5/E

P.M.

G#5/E

P.M.

B5 A#5

F#5

communiqus.

And he

Appeasement

G5

respects

only

only

A5

makes

one

We

the

word:

need

F#5

all

aggressor

the

C5

Force!

more

help we

B5

aggressive.

can

G5

get

F#5

No

Air

He

sign

strikes

of

understands

them

G5

and

only

stopping.

E5

P.M. P.M.let ring P.M. P.M. let ring

one language:

Bb5

Action!

G

No time

Bb5

for back channel invasions!

Bb5

Retaliate,

G

I

P.M. 3 3

P.M.

77

0 0 55

0 0 55

77

0 0 77

88

99

0 0 77

0 0 77

99

0 0 99

1010

1111

0 0 99

0 0 99

1111

0 01111

1010

99

0 077

01010

99

88

0 066

099

88

2

4

2

55

002

24

24 0 3

524

35

2

4

2

55

3 0

0 68

68

32 5

0 68

68

0 68

68

0 68

68

32 5


8

Sorgdal

say!

F#5 G5

The will of

A5

good

F#5

men

C5

cannot

B5 G5

counter

F#5

the

G5

terrible

E5

P.M. P.M.let ring P.M. P.M. let ring

let ring

strain

Guitar Solo

of war.

F5

F#5

A5

Gtr. 2

1

Gtr. 1

let ring P.M. let ring P.M. let ring P.M. P.M. P.M.

E5

w/ bar

F5 F#5 A58v a

-2 1/2

1

1 1/2

1 1 11 1

Riff C

let ring P.M. let ring P.M. let ring P.M. P.M.

End Riff C

P.M.

2

4

2

55

002

24

24 0 3

524

35

2

4

2

55

3 0

1212 11 12 11

12 14 14 12 1412

14 1414

14 1212 10

0

2

3 2 1

3

3 5 2

4

5 4 2 302

2 302

3 2

12 12

15 17 1715 17 17 1715 17 15 17 20

0

2

3 2 1

3

3 5 2

4

5 4 2 302

2 302

3 2


9

Sorgdal

Gtr. 2

Gtr. 1: w/ Riff C (2 times)

E5

F5 F#5

8valoco

A5

megadeth guitar compilation

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