melodic - · pdf filemelodic minor and harmonic minor. minor scales can be described as sad...

Higher Music Concepts (Int2 / Higher) : 2009 DMG

Page |

1

MELODIC

Words in this section describe what is happening in the melody or „tune‟.

The melody can move in a variety of ways:-

ASCENDING Moving in an upward direction

DESCENDING Moving in a downward direction

STEPWISE Moving by step to the note directly above

or below

LEAPING Jumping between high notes and low notes

The melody can move in patterns:- REPETITION Musical idea heard more than once in exactly

The same way by exactly that same

Instrument / voice

IMITATION Musical idea played by one instrument / voice

And then repeated exactly the same way by

another instrument / voice

SEQUENCE A pattern of notes repeated higher or lower

PHRASE Short musical idea, part of the melody

THEME A clear recognisable melody which is the

main idea for a composition

QUESTION An opening phrase in a melody

ANSWER Reply to an opening phrase or musical answer


Page |

2

The melody can be measured in distance:-

INTERVAL The distance between 2 notes

SEMITONE The shortest distance in music – half a tone

C to C# or B to Bb, etc

TONE An interval of 2 semitones, eg from

C to D or F to G etc

BROKEN CHORD Notes of the chord played separately

MICROTONE * An interval smaller than a semitone. Used

in Eastern European music and also Indian

Music. Sometimes found in music of the

20th Century.

TRITONE * Interval made up from three whole tones

Eg: F - B

The melody can be decorated in order to make it more interesting:-

VARIATION When the main theme is developed by

adding extra notes or changing the speed or

tonality

ORNAMENT A decoration added to the melody using

different or additional notes

GRACE-NOTE A type of ornament played quickly before

the note. Used mainly as a decoration


Page |

3

TRILL A rapid repeated movement between

2 notes

TURN * An ornament – 4 notes turn around the main

Note.

Played as : the note above – the main note –

the note below – the main note again.

MORDENT * An ornament.

Played as : the main note – the note above –

the main note again.

(inverted mordent – mordent)

ACCIACCATURA * An ornament which sounds like a

„crushed note‟. The note is played very quickly

on or before the note.

APPOGGIATURA * An ornament which sounds like a „leaning note‟.

It takes on half the value of the main note

that follows it.

Eg – 1 minim becomes 2 crotchets.


Page |

4

Melodies can be played using different scales:- MODE * Usually refers to an early form of scale or

in reference to a major mode (major key) or

minor mode (minor key).

MAJOR SCALE A row of notes built on an order of tones

and semitones. Major scales can be

described as bright and happy

MINOR SCALE A row of notes built on an order of tones

and semitones. Two main types –

Melodic Minor and Harmonic Minor.

Minor scales can be described

as sad and dull.

HARMONIC MINOR * Scale sharing the same key signature as its

relative major but raises the 7th note by one

semitone.

MELODIC MINOR * Scale sharing the same key signature as its

relative major but raises the 6th and 7th notes

by one semitone ascending and similarly lowers

them when descending.

CHROMATIC A scale built entirely on semitones

PENTATONIC A scale based on 5 notes. Very popular in folk Music


Page |

5

WHOLE TONE SCALE A scale built entirely on tones. Popular in 20th

Century music and sometimes sounds strange

to the ear.

BLUES SCALE A scale used in BLUES music. In the scale of

C the main blues scale uses the notes C, Eb, F,

Gb, G, Bb, and high C.

TONAL Music based on a Major or Minor key.

ATONAL Music based on no particular key. Sounds

dissonant and is hard to listen to.

Very popular in 20th Cent.

MODULATING Moving from a higher key to a lower key and

vice versa

RELATIVE MAJOR A change from a minor key to the major

key with the same signature. The major

key is found 3 semitones higher –

eg, D Minor to F Major

RELATIVE MINOR A change from the major key to the minor

key with the same key signature. The minor

key is found 3 semitones lower –

eg, C Major to A Minor


Page |

6

TONE ROW * The 12 notes found in a chromatic octave

are arranged in a particular order – appearing

once only in the row. Each note is as important

as the other. Found in Serialism.

In vocal music we can describe the word setting of melodies as follows:- SYLLABIC One note for each syllable.

MELISMATIC Several notes sung to one syllable

WORD PAINTING The music can illustrate the word or the

phrase, eg the words „running down the hill‟

may be sung as a descending scale

SCAT SINGING Nonsense words and sounds made up by a

singer usually found in JAZZ music.


Page |

7

HARMONIC

Words in this section describe what is happening in the harmony

Harmony can be split into two areas of TONALITY:-

MAJOR The music sounds in a major key – bright and

happy sounding

MINOR The music sounds in a minor key – sad and

dull sounding

POLYTONALITY * Two or more keys played at the same time.

Eg : 1 part in C Major / 1 part in F Major.

Sounds strange to the ear!

Harmony is built in the following way:- CHORD Two or more notes sounding together

CHORD CHANGE Moving from 1 chord to a different chord

DISCORD A chord in which certain notes clash producing

an unpleasant sound. Popular in 20th Century

music

CONSONANCE Notes which sound well together, pleasant on

the ear

DISSONANCE Notes which do not sound pleasant when

played together

INTERVAL The distance between 2 notes


Page |

8

SUSPENSION An effect created when a note from 1 chord is

held over to the next chord creating a discord.

The note is then resolved

PASSING NOTE A note moving between 2 notes from the

same chord,

eg D is the passing note between C and E

VAMP A rhythmic accompaniment with a bass

note played on the strong beat and a chord

played off the beat.

Chords :- DOMINANT 7th * Chord built upon the dominant (5th) note of

the key which adds the 7th note above the root

(the 7th note of the scale).

Eg – In the scale of F Major (C-E-G-Bb)

DIMINISHED CHORD * A chord built from two Minor 3rd intervals.

Sometimes used as a scary effect!

Eg – C-Eb-Gb

DIMINISHED 7th * A chord built from three Minor 3rd intervals

one on top of the other. The interval between

the lower note and the top note is a

diminished 7th.

AUGMENTED CHORD * Chord formed from the Major chord where the

5th is raised a semitone.

Sometimes used as a suspence effect!


Page |

9

ADDED 6th * Chord made up from a Major chord with the

6th note added to the top.

Sometimes gives a „jazzy‟ effect!

Harmony changes in the following way:- MODULATION A change of key

MODULATION TO THE A change from the major key to the minor

RELATIVE MINOR key with the same key signature. The minor

key will be 3 semitones lower

eg C Major to A Minor

Concepts affecting harmony are:- PERFECT CADENCE 2 chords at the end of a phrase.

Chord V to chord I – the dominant to the tonic.

PLAGAL CADENCE * 2 chords at the end of a phrase.

Chord IV to chord I. Sounds finished and is

known as the „Amen‟ effect.


Page |

10

IMPERFECT CADENCE 2 chords at the end of a phrase.

Chord I to chord V – the tonic to the dominant.

This cadence has an unfinished feel

INTERRUPTED CADENCE * 2 chords at the end of a phrase.

Chord V to chord VI (minor chord). Known as

the „surprise‟ cadence as it interrupts the flow

of the music. (always ends in a minor chord!)

TIERCE DE PICARDIE The final chord in a piece of music played in

the minor key is changed to major

DRONE One note held on or repeated in the bass.

Commonly found on a bagpipe.


Page |

11

RHYTHMIC

Words in this section describe what is happening in the rhythm and tempo

Rhythm falls into 2 areas:- SIMPLE TIME Music with 2, 3 or 4 beats in the bar.

Each beat is usually 1 crotchet

COMPOUND TIME Each beat is divided into groups of

3 pulses

Speed changes are described in the following way:- ACCELERANDO Music gets gradually faster

RALLENTANDO Music gets gradually slower

RUBATO The performer plays in a very

free way and is able to pull the music

about to suit the situation

Rhythm effects can be described in the following way:- ON THE BEAT The main accents are on the beat

OFF THE BEAT The main accents are on the weak

beat or against the beat

SYNCOPATION Accented notes playing off or against

The beat. Same as above

SCOTCH SNAP A rhythmic figure with a short

accented note followed by a longer

note. Mostly found in a Strathspey


Page |

12

CROSS RHYTHMS Effect where 2 notes are played

against 3

DOTTED RHYTHMS Long notes followed by short notes

and vice versa giving a jolty effect

TRIPLETS Group of three notes played in the

space of 1 beat

DOWN BEAT The first beat of each bar, which

The conductor would show with a

downward stroke

UP BEAT The last beat in the bar, which the

conductor would show with an

upward beat

ANACRUSIS Notes which appear before the first

strong beat of the bar. Almost like

a very short lead-in.

THREE AGAINST TWO * One line or part playing quavers in

groups of two while another part

plays triplets.

Concepts affecting the rhythm:- DRUM FILL A rhythmic decoration played on the

drumkit

BEAT/PULSE The basic pulse you hear in music.

The pulse may be in groups of 2, 3

or 4 with an accent or stress on the

first beat of each bar


Page |

13

PAUSE The musical flow / rhythm is held

up by a long note or silence

ACCENTED Notes that are slightly stressed

sounding louder than others.

HEMIOLA * Often appears in Baroque music where

music which has three beats in a bar

moves to two beats and creates a cross

rhythm over a bar line. This often

happens to emphasise a cadence. Almost

gives a Rallentando effect.

AUGMENTATION * The note values are increased

affecting the length of the notes.

The music sounds slower when repeated.

DIMINUTION * The note values are decreased. The

music sounds faster when repeated.

TIME CHANGES * Changes in time signature.

IRREGULAR METRES * Regular time changes.


Page |

14

STRUCTURAL

Words in this section describe how a piece of music is put together or constructed

All music falls into one of 3 categories MONOPHONIC One single line or part

POLYPHONY Texture consisting of two or more melodic

lines which weave independently of each other

CONTRAPUNTAL Similar to above

HOMOPHONY Texture where all the parts move together

rhythmically

These categories are either ACCOMPANIED One or more instruments / voices support the

main melody

UNACCOMPANIED The melody is not supported by any other

instruments or voices

Music is constructed in the following ways SINGLE LINE One musical part

SOLO Single line / performer

UNISON / OCTAVE Two or more parts performing the same

named note at the same pitch or 8 notes

apart


Page |

15

HARMONY Two or more parts performing different

notes at the same time

ENSEMBLE Group of musicians performing together

CLUSTER A group of notes played on a keyboard

instrument with the palm of the hand. A

20th Century technique – harsh on the ear

DESCANT Another melody above the main tune,

mainly in vocal music

COUNTERMELODY A melody played against the main melody

OBBLIGATO A prominent solo instrument part in a

piece of vocal music. Almost like an

instrumental descant

CONTRARY MOTION Two parts moving in opposite directions

Eg one ascending, one descending

PEDAL A note which is held or repeated

continuously in the bass part while the

harmony changes over it

INVERTED PEDAL A note which is held or repeated

continuously in the upper part while the

harmony changes below it

CHORD Two or more notes sounding together

ARPEGGIO Notes of the chord played one after the

other – can be spread beyond an octave

ANTIPHONAL * One group of voices or instruments answers

another. Like an ehco effect.

INVERSION * The music is mirrored or turned upside down

RETROGRADE * To go backwards – a musical section is

played from the end to the beginning.


Page |

16

SUBJECT * The main theme in a composition or the

main themes in Sonata Form or the main

theme on which a Fugue is based.

COUNTERSUBJECT * Found in a Fugue. After the subject or

answer has been played, the continuation

on that same voice or instrument is called

the countersubject.

REAL ANSWER * Found in a Fugue after the subject is played,

the same tune appears in another voice or part

in the dominant key. This is called the answer.

If the intervals are exactly the same as the

subject then this is called a Real Answer.

TONAL ANSWER * Found in a Fugue. If the intervals in the

answer are not exactly the same as the

subject then this is a Tonal Answer.

EPISODE * A section linking two appearances of the

same material. In a fugue, an episode can be

used as a modulating link between entries of

the subject.

STRETTO * Where the voices or parts enter very quickly

one after another as in a Fugue.

Music is also constructed using different sections

REPETITION A section repeated in exactly the same

way by exactly the same instrument

OSTINATO / RIFF A short musical pattern repeated many times

BINARY A form where the music is made up from

2 sections – A & B

TERNARY A form where the music is made up from

3 sections – A B A


Page |

17

RONDO A form in music where the first section

comes back after each contrasting section

A B A C A D A E A etc

THEME AND VARIATIONS A form in music where each section

changes the main theme through speed,

tonality, time signature or rhythm

ROUND Each part sings or plays the melody

entering one after the other

CANON Strict imitation where one part sings or

plays the melody with another part entering shortly

afterwards with exactly the same

melody

MINUET & TRIO A dance with 3 beats in the bar. The trio

is a contrasting minuet after which the

first minuet returns

PROGRAMME Music which tells a story or describes a

scene or picture

MIDDLE 8 Modulating 8 bars connecting 2 related

sections

STROPHIC Music / song with a recurring verse and

Chorus

THROUGH – COMPOSED Music / song that does not have a chorus

or repeat

CODA The concluding section at the end of a

movement or section to give a final effect.

CADENZA A show-off passage in a Concerto where the

soloist performs a solo passage showing how

well they play the instrument.

LEITMOTIV * A recurring theme throughout a work

which represents a person, event or idea.


Page |

18

RITORNELLO * Returning passage. In a Concerto Grosso

it is the main theme played by the orchestra.

SONATA FORM * Often describes the form of the first

movements of sonatas, symphonies and

overtures. Falls into 3 sections :

Exposition – Development – Recapitulation.

EXPOSITION * The first section of a movement in

Sonata Form or the first section of a Fugue.

BRIDGE * A link between 2 themes. In sonata form

the transition or bridge passage links the

first subject group to the second subject

group and also modulates to the key of

the second.

TRANSITION * Similar to above.

Bass lines can be constructed in different ways WALKING BASS A moving bass line with notes of the same

value. They usually move in step

GROUND BASS A theme repeated in the bass many times

while the upper parts are varied

ALBERTI BASS Broken chords played in the left hand

while the right hand plays the melody.

Usually found only on piano


Page |

19

BASSO CONTINUO * Found in Baroque Music. Consists of a Bass

Line usually played by cello, bass, viola or

bassoon in addition to a keyboard part –

harpsichord or organ. The players would

fill in missing harmonies.


Page |

20

TIMBRE

Words in this section describe instruments, ensembles and how they are used

Voices are as follows:- SOPRANO The highest range of female voice

MEZZO-SOPRANO Female voice range lying between a

soprano and alto

ALTO The lowest female voice

COUNTERTENOR Male adult voice range higher than a tenor.

Can sometimes sound like a female. Sound

is produced by singing in what is called

the „head voice‟

TENOR A high adult male voice

BARITONE Male voice range lying between a tenor

and a bass

BASS The lowest male voice

Concepts describing vocals are:-

A CAPPELLA Unaccompanied singing

LEAD VOCALS The main singers in a group

BACKING VOCALS Singers who support the main singer

usually by singing in harmony in the background


Page |

21

CHORAL Music for voices with more than one

singer on each part

COLORATURA * Term used to describe highly decorative,

florid, vocal singing involving scales and

ornaments. The singer would sometimes

exceed their vocal range.

SPRECHGESANG * Technique used in vocal music where the

singer is required to use the voice in an

expressive manner half way between

singing and speaking. 20th C. technique.

Sections of the Orchestra:- STRINGS Consisting : Violin, Viola, Cello,

Double Bass and Harp

WOODWIND Consisting: Piccolo, Flute, Oboe, Clarinet,

Saxophone and Bassoon

BRASS Consisting: Trumpet, Trombone, Horn

and Tuba

PERCUSSION Consisting: Tuned – Glockenspiel,

Xylophone, Marimba, Metalophone etc

Consisting : Untuned – Drumkit, Timpani,

Triangle, Cymbals, Tambourine etc

Each section has concepts associated with them:- STRINGS:- BOWING When strings are played with a bow

ARCO Another word for Bowing

PLUCKING Using fingers to pick the strings


Page |

22

PIZZICATO Sound made by plucking the strings

with fingers

STRUMMING Sound produced by drawing fingers or

a plectrum across the strings

SLAPPING Method of playing a bass guitar where the

thumb is used to hit the strings

DOUBLE STOPPING Sound produced by bowing more than

one string at a time

COL LEGNO Sound produced by bouncing the wooden

side of the bow on the strings – gives a

clicking sound

TREMOLANDO Trembling, quivering effect

TREMOLO Rapid up and down movement on the

strings creating an agitated effect.

Can also be produced by playing different

notes at least a 3rd apart on piano or

wind instruments

VIBRATO A rapid but minute fluctuation in pitch to

give an expressive quality to a note.

HARMONICS * The high eerie like sounds produced on a

bowed string instrument by lightly touching

the string at certain points. On a guitar this

will sound “bell like”.

WOODWIND:- BLOWING Sound produced by blowing into or across

the mouth piece

FLUTTER TONGUING A method of tonguing in which the player

rolls the letter „r‟. It is particularly

effective on flute but also used on brass


Page |

23

BRASS:- BLOWING Sound produced by blowing into or across

the mouth piece

MUTED Using a device which reduces the volume

or alters the sound of an instrument

CON SORDINO Musical term for muted

PERCUSSION:- STRIKING Sound is produced by hitting an instrument

ORCHESTRA SECTIONS:- CONSORT * An old English word, from the Renaissance

and early Baroque periods for a group of

instruments or chamber ensemble. A Whole

consort applies to one family of instruments

such as Viols or Recorders, while a Broken

consort applies to mixed families.

RIPIENO * The main, larger group of instruments in a

Concerto Grosso..

CONCERTINO * The smaller, solo, group of players in a

Concerto Grosso

Scottish Instruments:- ACCORDION Instrument with a keyboard in which the

sounds are produced by squeezing bellows

with the arms

FIDDLE Another name for the violin

PIPES Short for Bagpipes


Page |

24

Instrumental effects:- BENDING Changing the pitch of a note – for example

By pushing a guitar string upwards.

ROLLS A very fast repetition of a note on a

percussion instrument like snare drum

or timpani.

DISTORTION An electronic effect used in rock music

to colour the sound of the electric guitar

REVERB An electronic effect which can give the

impression of different hall acoustics

DELAY An electronic effect which repeats a note

or a phrase

General instrumental concepts:-

GLISSANDO Rapid sliding up or down the notes

Popular on piano, harp and trombone

SUSTAINED When the sound is held on

STACCATO Short, crisp, detached notes

LEGATO Notes played smoothly

CRESCENDO Getting louder

DIMINUENDO Getting quieter

Individual instruments:- ELECTRIC GUITAR Guitar which requires an amplifier to

produce sound

ACOUSTIC GUITAR A guitar which does not require an

amplifier to produce the sound


Page |

25

12-STRING GUITAR A guitar that is double strung having

2 notes per pitch

SLIDE GUITAR A method of playing a guitar whereby

the player uses a metal tube or bottleneck

around his finger and slides it across the

frets to change the pitch

FRETLESS BASS GUITAR A bass guitar with no frets – closer in

tone to a double bass

DRUMKIT Percussion instrument were tuned skins

are hit with sticks

ELECTRONIC DRUMS Drumkit where the sounds are

electronically recreated along with other

percussion sounds

PIANO Keyboard instrument where the sound

is produced by hammers hitting sticks

ORGAN A keyboard instrument usually found in

churches – often more than 1 keyboard

SYNTHESISER Keyboard instrument capable of making

new and unusual electronic sounds

RECORDER Early woodwind instrument sound

produced by blowing – four types,

descant, treble, tenor and bass

PAN PIPES Pipes which are graded in size and bound

together with the sound produced by

blowing across the top of the pipes

SITAR A string instrument from India. In

addition to melody strings it has a drone

and strings which vibrate with each other

TABLA Two Indian drums tuned to different

pitches and often used to accompany a

sitar


Page |

26

Bands and ensembles:- BRASS BAND A band containing brass instruments

and percussion

CEILIDH BAND A band containing fiddles, drums and accordion.

Mainly used to accompany dancing

MILITARY BAND A band containing woodwind, brass and

percussion

PIPE BAND A band containing Bagpipes and drums

ROCK BAND A band containing guitars, bass guitars,

drums and vocals

STEEL BAND A West Indian band containing

instruments made out of oil drums.

Each drum is hammered into panels to

make different pitches

SCOTTISH DANCE BAND A band containing fiddle, accordion,

piano and drums

WIND BAND A band containing woodwind, brass and percussion

instruments. Usually intended

for performance in a Concert Hall

FOLK GROUP A group of instrumentalists and singers

performing songs from a particular country

JAZZ GROUP A group which performs jazz containing,

drumkit, piano and trumpet

POP GROUP A group of instrumentalists and singers

performing modern day popular music

GHANAIAN DRUM West African percussion instruments

ENSEMBLE drums, bells and shakes which are played

together

LATIN PERCUSSION A set of percussion instruments playing

ENSEMBLE music from Latin America, Brazil and Cuba


Page |

27

CHAMBER MUSIC Music written for a small instrumental

ensemble with one player to a part .


Page |

28

STYLES / FORMS

Words in this section describe the original form /style of the music in relation to the history

of music

Musical periods:- BAROQUE Music written between 1600-1750. Popular

composers were Bach and Handel

CLASSICAL Music written between 1750-1810. Popular

composers were Mozart, Haydn and

Beethoven

ROMANTIC Music written between 1810-1900. Popular

composers were Chopin, Schubert and

Tchaikovsky

LATE ROMANTIC * Music of the late 19th Century and early

20th Century which retains the dramatic

intensity of the earlier 19th C. Music contains

vast instrumental forces and large

scale compositions.

NATIONALIST * A term used to describe music which

incorporates elements of folk music of

the composers‟ country. It emerged around

the second half of the 19th Century.

Vocal styles/forms:- HYMN TUNE A simple melody used in the church

OPERA A secular drama set to music featuring

vocals with orchestral accompaniment


Page |

29

ORATORIO A musical setting of a biblical story

featuring vocals and orchestra.

No acting or staging

RECITATIVE Vocal writing found in Opera, Oratorio and

Cantata following the rhythm or speech.

It is often half sung / half spoken in order

to move on the story or plot

ARIA A song found in an Opera, Oratorio and

Cantata usually with orchestral

accompaniment

DA CAPO ARIA * An aria in ternary form. The 3rd section is

not written out but the instruction Da Capo

(from the beginning) is given instead. The

first section is repeated in a highly

ornamented fashion.

CHORUS A group of singers with several voices to each

part.

Used in Opera, Oratorio and Cantata

PLAINCHANT * Also known as Plainsong. Unaccompanied

melody set to words of the Roman Catholic

liturgy such as the Mass. Plainchants are

Modal and have no regular metre.

Sung in Latin.

CHANT * Unaccompanied vocal music to which the

words of psalms are sung in the Church

Of England.

MASS * From Renaissance period, a large scale sacred

choral work featuring a Latin text and

polyphonic texture. Usually performed a

cappella. Listen for eg, Kyrie, Benedictus,

Gloria, etc.


Page |

30

MOTET * From the Renaissance period, a religious

choral composition, usually unaccompanied

( a cappella ) for the Roman Catholic Church

in Latin and is the equivalent of the Anthem

of the reformed church.

ANTHEM * Short sacred choral work sung in English.

Sometimes unaccompanied but sometimes

accompanied by organ.

MADRIGAL * From the Renaissance period, a non-religious

work, polyphonic in style and using imitation.

The text is sung in English.

BALLETT * A madrigal easily recognised by it‟s

„Fah-la-la‟ chorus.

CANTATA A small scale Oratorio

PASSION Type of Oratorio describing the Crucifixion.

Sung in German and features a Chorale

CHORALE German Hymn tune written in four parts

for Soprano, Alto, Tenor and Bass.

Usually Homophonic in texture

MUSICAL Popular musical play featuring vocals

and orchestra

LIED * From the Romantic period, music for

solo voice and piano sung in German.

SONG CYCLE * A group of songs linked by a common

theme or with a text written by the same

author usually accompanied by piano or

sometimes small ensembles or full orchestra.


Page |

31

Instrumental styles/forms:- PAVAN * A Renaissance court dance linked with the

Galliard. The pavan is slow and stately

with 2 beats in the bar.

(Remember – PA-VAN – 2syllables)

GALLIARD * A Renaissance court dance which follows

a Pavan. The Galliard is quick and lively and

has 3 beats in the bar.

(Remember – GALL-I-ARD – 3 syllables)

OVERTURE * A piece of orchestral music which introduces

a large-scale work such as an opera,

oratorio or musical.

SONATA * A work for solo piano of solo instrument

and piano.

SUITE * A set of dances or a collection of pieces

that stand on their own or are part of a

larger scale work.

CONCERTO A work for solo instrument and orchestra

CONCERTO GROSSO * From the Baroque period, a concerto in

which a group of soloists (concertino) is

combined and contrasted with a larger

group (ripieno).

FUGUE * A contrapuntal piece based on a theme

(subject) announced in one part alone and

then imitated by others in close succession.

CHORALE PRELUDE * An extended work for organ based on a chorale

melody. Usually found in the Baroque era.

SYMPHONY A large work for orchestra in four movements


Page |

32

FANFARE A short piece played on trumpets usually

indicating an important occasion or event

SCHERZO A lively movement in triple time often found

in a symphony, sonata or chamber music

AIR * A song or simple melody, sometimes the

title of a movement or suite.

SYMPHONIC POEM * A full symphonic work in one movement which

tells a story in sound, often called a tone poem.

20th Century.

CHACONNE * A vocal or instrumental composition in slow,

stately three-beat time with a Ground Bass.

Popular in the 17th Century in keyboard music

PASSACAGLIA * Originally a slow stately dance of the 17th

century, this term now applies to a piece

with a theme which is continually repeated,

but not necessarily in the bass like a Chaconne.

Scottish styles/forms:- BOTHY BALLAD Folk song with many verses telling a story of

rural or farming / working life

GAELIC PSALMS Unaccompanied songs sung in gaelic.

One member of the congregation starts

and the rest follow

MOUTH MUSIC Gaelic nonsense words sung in imitation of

the sound of bagpipes as an accompaniment

to dancing

SCOTS BALLAD A slow Scottish song telling a story

WAULKING SONG Gaelic work song sung by women. One woman

leads and the others follow. The sound of

the tweed being „waulked‟ or hit against

the work surface is heard in the background


Page |

33

JIG A fast Scottish dance in compound time

MARCH Music with a strong steady pulse with two

or four beats in the bar

STRATHSPEY A Scottish dance with four beats in the

bar featuring dotted rhythms and a

Scotch Snap

REEL A fast Scottish dance in simple time with

two or four beats in the bar.

WALTZ A dance in simple time with three beats

in the bar

PIBROCH Classical music for the solo bagpipe usually in

variation form

SLOW AIR * A slow traditional song usually played on the

fiddle or the bagpipes

Jazz styles/forms:- BLUES Music written in 4/4 time and mostly

patterned in a 12-bar structure and on a

scale where some notes are flattened –

the blues scale

BOOGIE-WOOGIE Blues style for the piano where the left

had plays an Ostinato with the right hand

improvising freely

DIXIELAND Performed by a small group of players

where group improvisations and solos are

popular

IMPROVISATION Music made up on the spot by the performer

RAGTIME A style of dance music popular at the end

of the 19th Century. Often played on the

piano and featuring a strongly syncopated

melody in the right hand against a steady

vamp in the left hand


Page |

34

SWING A jazz style started in the 1930‟s usually

performed by Big Bands

JAZZ FUNK * A combination of Jazz improvisation and

the amplified instruments and character

of rock.

Latin American styles/forms:- SAMBA Very lively, syncopated dance with 2 beats

in the bar featuring a set of percussion

instruments as the foundation

SALSA A musical style originating in Cuba.

An important element is the rhythm

provided by a large percussion section

20th Century styles/forms:- IMPRESSIONIST A term borrowed from painting in which

musical ideas merge to create a rather

blurred and vague outline. Debussy was an

important composer of this style

MINIMALIST A 20th Century development where simple

rhythmic and melodic figures are repeated

very slight changes each time

ALEATORIC Chance music. Players have a free choice as

to the rhythm and pitch of the music. No

two performances will be exactly the same.

NEO-CLASSICAL * Music written from 1929 onwards as a

reaction to Romanticism. Composers returned

to the structures and the styles of the earlier

period but included dissonant, tonal and atonal

harmonies.


Page |

35

SERIAL * Method of composition in which the twelve

notes of the chromatic scale are organised

into a series or tone row. The row can be

transposed, inverted or played in retrograde.

MUSIQUE CONCRETE * Recorded natural sounds which are

transformed using simple editing techniques

such as playing backwards, slowing or speeding.

General styles/forms:- COUNTRY An American style of popular music

featuring banjo, guitar, drums and

sometimes vocals

GHANAIAN Music from West India

INDIAN Music from India using instruments such

as the sitar and tabla

INDONESIAN Type of percussion instruments from

GAMELAN Indonesia. The instruments are usually metal

and tuned and the music is built up in layers

POP Popular music performed by a group of

musicians. Usually music that has been

in the charts

ROCK Popular music with a steady driving beat

SOUL Afro-American popular music including

elements of blues, gospel and conveying

strong emotions.

melodic - · pdf filemelodic minor and harmonic minor. minor scales can be described as sad...

Documents