melodic organization three facts about melody melody is ubiquitous melody is robust can rank...

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Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

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Page 1: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Melodic Organization

• Three facts about melody

• Melody is ubiquitous

• Melody is robust

• Can rank melodies on various psychological dimensions

Page 2: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Melodic Grouping and Gestalt Principles of Organization

• Can divide organizational processes into two groups

• How are independent elements combined to form separate groupings?

• How are higher order abstractions derived from such groupings?

Page 3: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Gestalt Principles of Organization

Page 4: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Melodic Grouping and Gestalt Principles of Organization

• Can divide organizational processes into two groups

• How are independent elements combined to form separate groupings?

• How are higher order abstractions derived from such groupings?

Page 5: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping of Sequences of Single Tones

• What are the aspects that drive groupings of single tones?

• Grouping by pitch proximity

• Pseudopolophony

Page 6: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping by Pitch Proximity

Temporal coherence and the

fission boundary

60 ms, 1 semitone: 90 ms, 1 semitone:

90 ms, 5 semitone: 90 ms, 12 semitones:

150 ms, 12 semi: 150 ms, 17, semi:

Temporal Coherence Boundary

Fission Boundary

Page 7: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping of Sequences of Multiple Tones

• The Scale Illusion (Deutsch, 1974, 1975)

Page 8: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping of Sequences of Multiple Tones

The Scale Illusion, variant

Page 9: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping of Sequences of Multiple Tones

The Scale Illusion (Butler, 1979)

Page 10: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping of Sequences of Multiple Tones

The Scale Illusion

Tschaikowsky, 6th Symphony

Page 11: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping of Sequences of Multiple Tones

Grouping by spatial location

The Octave Illusion (Deutsch, 1974)

Page 12: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Grouping of Sequences of Multiple Tones

Interleaved melodies

Dowling (1973)

Three Blind Mice

Mary Had A Little Lamb

Combined

Page 13: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Higher-Order Pitch Abstractions

Complex melody transformations

Schoenberg (1951)

Page 14: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Melodic Contour

Sample melodic contours

Dowling

Page 15: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Models of Melodic Contour

Friedmann (1985)

1 2 3 5 4 0 1 4 2 3 5 0

Friedmann:

Page 16: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Models of Melodic Contour

Marvin & Laprade (1987)

1 2 3 5 4 0 1 4 2 3 5 0

Marvin & Laprade:

Page 17: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Models of Melodic Contour, con’t

Quinn (1999)

Page 18: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Models of Melodic Contour, con’t

Quinn (1999)

Page 19: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Models of Melodic Contour, con’t

Schmuckler (1999)

Page 20: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Models of Melodic Contour, con’t

Schmuckler (1999)

Page 21: Melodic Organization Three facts about melody Melody is ubiquitous Melody is robust Can rank melodies on various psychological dimensions

Models of Melodic Contour, con’t

Schmuckler (1999)