memorization tricks of the trade, and beyond theatre i, fall 2015

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MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

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Page 1: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

MEMORIZATIONTRICKS OF THE TRADE, AND BEYOND

THEATRE I, FALL 2015

Page 2: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

How Did You Memorize?

Page 3: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

How Did You Memorize?

Page 4: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

How Did You Memorize?

And how well did your techniques work?

Page 5: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Classic TechniquesTypical advice

• Practice, practice, practice!

Recall speed /

Numberof errors

Time spent practicing

Power Lawof Practice

Page 6: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Classic TechniquesTypical advice

• Practice, practice, practice!

More advice from Mr. Byron

• Try it alone

• Act it out

• Know your cues

Page 7: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Classic TechniquesWhat actors actually do (according to researchers)

• Figure out character’s intention

• Text analysis

• Mnemonics (selectively)

• Most difficult material only

• Interact authentically to experience character’s actions

• Recall due to emotional involvement and movement

Page 8: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Classic TechniquesWhat actors actually do (according to researchers)

• Figure out character’s intention

• Text analysis

• Mnemonics (selectively)

• Most difficult material only

• Interact authentically to experience character’s actions

• Recall due to emotional involvement and movement

Mind-Body Connections

Facial expressions / body position that match specific emotions influence your physiology (e.g., heart rate, breathing).

Imagining that you are experiencing an emotion even changes your blood chemistry!

Page 9: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Modern Tools

Line Learner

Scene Study

Dialog Partner

Page 10: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Questions?

Page 11: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Power of PsychologyDeliberate practice

• Focus on fixing errors

Page 12: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Power of PsychologySpaced practice

Page 13: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Power of PsychologySpaced practice

• Test yourself just before expected time of forgetting

• Learning comes first! Testing is for maintenance

• Know your remembering deadline

• Farther off = use longer intervals (but shorter percent)

• One week = review what you learned 3 days ago

• End of semester test = review what you learned 1–2 weeks ago

Page 14: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

A Spaced Practice Tool

Anki

Page 15: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

EncodingSpecificity

The Power of PsychologyListen to music … maybe

• Learning context should be similar to recall context

Page 16: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Power of PsychologyListen to music … maybe

• Learning context should be similar to recall context

• Mood similarity is OK

• Music, especially tempo, affects mood

EncodingSpecificity

Page 17: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Power of PsychologyListen to music … maybe

• Learning context should be similar to recall context

• Mood similarity is OK

• Music, especially tempo, affects mood

• Use cues to overcome dissimilar encoding

• Know the line ahead of yours

EncodingSpecificity

Page 18: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Power of PsychologyListen to music … maybe

• Learning context should be similar to recall context

• Mood similarity is OK

• Music, especially tempo, affects mood

• Use cues to overcome dissimilar encoding

• Know the line ahead of yours

• Avoid learning interference

EncodingSpecificity

Page 19: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Classic TechniquesWhat actors actually do

• Extract the character’s intentions through text analysis• Based on identifying beats• “actors remembered 59% of a six-page dramatic scene by using their natural learning

strategy compared to 19% recall by novices using a rote repetition strategy”• “this [actor-specific] beat division process resulted in significantly more recall of the

scene by actors (M5 46%) compared to novices (M5 25%).” [goal as abstraction]• “in experiments with actors, they would often be told not to memorize, just to analyze,

yet they still recalled more material than controls who deliberately memorized the same text”

• “a general student population usually recalled only the gist of the material. Why would a strategy that generally produces retention of just the main ideas of a text result in verbatim learning when employed by actors? The protocols suggested that the actors attended closely to the exact wording of the script for the purpose of gaining clues to interpretation.”

• Use mnemonics selectively for most difficult material• Actively experience character’s actions through authentic interaction with other actors

[say / act it like you mean it]• Works due to personal emotional involvement• Movement with dialogue enhances recall at a later time

• (Yes, but… what about the memorization?)

Page 20: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Power of PsychologyFocus on fixing errors (“Deliberate Practice”)

• <Researcher>

Test yourself just before expected time of forgetting (“Spaced Practice”)

• <Researcher>• “Reviewing material when it is fresh provides minimal benefit; however, waiting until

material has been forgotten is also costly because the earlier study provides little benefit.”

• Goal is to ~maximize retention at a given time~• To remember longer, start with a longer review interval (in particular, to remember

past the end of a semester, review after two weeks)• “if you want to know the optimal distribution of your study time, you need to decide

how long you wish to remember something.”• For a semester, go back and review material introduced 1-2 weeks ago• Must actually be learned first (it’s a maintenance strategy)

Listen to music … maybe

• For learning linguistic content, music may be OK, but recall best if that music is present (so perhaps set up other aspects of context similarly)

• Encoding specificity, but cues can overcome encoding (knowing the line before your line)

• Mood is part of encoding specificity (and music, esp. tempo, affects mood)

Page 21: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

• The optimal gap increased as test delay increased. However, when measured as a proportion of test delay, the optimal gap declined from about 20 to 40% of a 1-week test delay to about 5 to 10% of a 1-year test delay. The interaction of gap and test delay implies that many educational practices are highly inefficient.

• For the RIs of 7, 35, 70, and 350 days, the optimal gaps (of those included in the study) were 1, 11, 21, and 21 days, respectively, for recall and 1, 7, 7, and 21 days, respectively, for recognition. We were able to obtain more precise estimates of the optimal gaps by interpolating our data with cubic splines (see Fig. 3); for recall, these interpolated gaps were approximately 3, 8, 12, and 27 days (corresponding to 43%, 23%, 17%, and 8% of the RIs, respectively), and for recognition, the interpolated gaps were approximately 1.6, 7, 10, and 25 days (24%, 19%, 14%, and 7% of the RIs).

• For remembering with test less than 5 days out, spaced practice is not necessary

Page 22: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

The Mind–Body ConnectionFacial expressions / body position that match specific emotions influence your physiology (e.g., heart rate, breathing)

Imagining that you are experiencing an emotion even changes your blood chemistry!

Page 23: MEMORIZATION TRICKS OF THE TRADE, AND BEYOND THEATRE I, FALL 2015

Is that enough for today?