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Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000. http://www.metmuseum.org/toah/ht/?period=02&region=wam (Sept. 14, 2010)

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Page 1: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Mesopotamia

PERSIAT

Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000. http://www.metmuseum.org/toah/ht/?period=02&region=wam

(Sept. 14, 2010)

Page 2: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Sargon

• Sharru-ken = the king is legitimate

• World’s first empire– Under his sons it extended from Anatolia to

Iran to Arabia to the Mediterranean

The British Museum – Mesopotamia. N.d.

http://www.mesopotamia.co.uk. (Sept. 9, 2008).

Page 3: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Farming

• How did they successfully grow crops like barley without a lot of rain and limited water?– Canals and irrigation ditches

• Water level controlled by regulators

• Farmers could only use an allotted amount of water (regulator turned on)

Ibid.

Page 4: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Gods

• “Gods control the world, are responsible for things in the world, including nature, and most acts that take place in daily life.”

• They protect cities.• They live in temples.• Priests take care of Gods (rituals).• Ordinary people make offerings to Gods.

– metal and stone objects, plaques, stone figures

Ibid.

Page 5: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Gods

Ishtar

Ea (Enki)

Human-headed bull from Sargon II’s tomb

Page 6: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Offerings

Metal object

Plaque

Stone figure

Page 7: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Special Privileges

• Carved stone figures represent elite worshippers– Taken to temples instead of being there

• Male and female figures

Ibid.

Male worshipper

Metropolitan Museum of Art – Heilbrunn Timeline of Art History. 2000. http://www.metmuseum.org/toah/works-of-art/40.156 (Sept. 14, 2010).

Page 8: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Ziggurats

• Temples on platforms.

• Usually mud brick.

• They are the homes of Gods.– Higher than humans (stairways)

• Goes back to mountains – important in their mythology so maybe the temples had to be high for the Gods to see the mountains?

• Chief God of a city has a temple dedicated to it.

Ibid.

Page 9: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Ziggurat

Ibid.

Page 10: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Astronomy

• Babylonian scribes observed and recorded the movement of stars and planets.– Advised king on how these movements would

affect the calendar.• Calendar used for dating festivals and collecting

loans and taxes.

• Need to observe starts to know when to add extra month.

• Scribes advise king of how omens could predict future events.

Ibid.

Page 11: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Babylonian Calendar

The Schoyen Collection – Calendars and Almanacs. N.d.

http://www.schoyencollection.com/calendars.htm (Sept. 14, 2010).

Lists 12 months and good days

Page 12: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

Pictograms

The British Museum – Mesopotamia. N.d. http://www.mesopotamia.co.uk. (Sept. 9, 2008).

Page 13: Mesopotamia PERSIAT Metropolitan Museum of Art. Heilbrunn Timeline of Art History – Mesopotamia. 2000

CuneiformA script used to write different languages, such as Sumerian, Akkadian, Hittite, etc.

Ibid.