michael howard studios · 152 west 25th street | 10th floor | new york city 10001 212 645 1525 | |...

WINTER 2012

Text & Scene StudyOne and Two-Year ConservatoriesSummer ConservatoriesYoung Actor ConservatoryFundamentalsShakespeareAlexander TechniqueAccent ReductionActing for Film & TVThe Actor / SingerThe Art of FilmAudition SkillsClown & ComedyMeditation for ActorsMovementMonologuesVocalization

Michael Howard Studios is the country’s premiere professional acting studio for theatre, film, and television. Founded in 1953 by actor and director Michael Howard, a protege of both Sanford Meisner at the Neighborhood Playhouse and Lee Strasberg at the Actor’s Studio, it is the longest running, privately owned acting Studio in New York. Michael established his Studio grounded in the dramatic innovations of Constantin Stanislavski. The Studio has evolved to incorporate many schools of thought and techniques from around the world. Its core belief is to help actors develop a technique - a method which is truly individual.

MICHAEL HOWARD STUDIOS152 West 25th Street | 10th Floor | New York City 10001

212 645 1525 | www.MichaelHowardStudios.com | [email protected]

http://www.MichaelHowardStudios.com

http://www.MichaelHowardStudios.com

mailto:[email protected]


MICHAEL HOWARD STUDIOS WINTER 2012

ONGOINGCLASSESTEXT&SCENESTUDY

The Text and Scene Study Classes offer students a chance to learn, develop, and perfect their craft under the focused guidance of an instructor and in the presence of their peers. Each of our teachers brings years of professional experience and study to these ongoing classes, which are enrolled on a month-to-month basis to conform to the busy life of the professional actor.

Admission to these classes is highly selective, and each prospective student is required to meet with the teacher before enrollment. In some cases, an audition may be required as well. If you are interested in one of these classes, please contact the studio via phone or email at [email protected].

MICHAEL HOWARD

Michael Howard’s Master Class in Text and Scene Study is for the accomplished, professional actor who seeks the challenge of working with an experienced group of peers and the country’s most renowned acting teacher. Michael is always eager to meet new students who are ready to take their work to the highest level of training. AUDITION/INTERVIEW required. CLASS SIZE LIMITED

Tuesdays 1 – 6 PM $345 per month

Now accepting headshot/resumes for consideration.

GABRIELLE BERBERICH

Gabrielle is a casting director, writer, and producer for film and television, as well as the owner of Michael Howard Studios. She follows up her immensely popular Acting for Film & Television Workshop with this on-going Scene Study class. Through scene work and text analysis, this class will focus on the passionate pursuit of artistic growth and evolution of today's actor in the American Theatre including stage, film and television. In addition, it will serve to assist actors in the craft of acting as a business. Together, this class will have the occasion to draw from the insight and experience of industry guests, including working actors, directors, producers, agents, and managers. CLASS SIZE LIMITED

Wednesdays 3 – 6 PM $290 per month




POLINA KLIMOVITSKAYA

Polina’s work focuses on the powerful traditions of the Russian theatre while embracing newer theories of performance from Europe. With students from all over the world, her class provides a creative space for actors to grow and develop among a group of dedicated artists each of whom bring unique histories and skill sets to their work.

Fridays 12 – 3 PM $265 per month

ANGELA PIETROPINTO

Angela Pietropinto (Welcome To The Dollhouse, Greetings from the Shore, Nurse Jackie) is a working actor in all realms of the industry. Her scene study class is geared to give its participants a process that they can rely upon; a process rooted in astute text analysis and the ability to make bold choices - the selection of strong objectives, formidable obstacle, meaningful pre-lives, personalization, and varied actions. Angela is renowned for her hands on teaching style and is recommended by some of the top agencies and casting directors for her transformational work with the actor.

Mondays 7 – 10 PM $265 per month

JIM SHANKMANJim is a working actor (Broadway’s Grease, Circle in the Square’s Once in a Lifetime) and playwright (Alien Child, Life Could Be A Dream). Jim is also a highly-acclaimed producer and director as well as a protege of Michael Howard. His scene study class will focus on the actor’s ability to reveal himself from within the roles he creates. The class will use scene study and exercise work to strengthen and stretch the actor’s imagination in order to bring his deepest feelings, his deepest sense of self to his work, and to use an awakened imagination to create active characters whose behavior is dramatically clear and direct. The class will also concentrate on the ability to interpret the playwright’s text in order to create character, define relationships, understand situations,

and find the story that is at the heart of the scene.

Jim encourages his actors to devise a uniquely personal way of working, by presenting them with a variety of approaches to the craft. The aim of the class is not to indoctrinate an actor into a specific way of working but to train the actor to work truthfully and stylistically, however he finds his way to that goal.

Tuesdays 7 - 10 PM $265 per month


NAOMI THORNTON

Naomi Thornton is on the faculty at Bard College and has years of experience as a performer, director and producer; she’s also a veteran of the Michael Howard Studios, having held classes here longer than anyone except Michael himself. Her tightly knit group of students examine various approaches to performance led by Naomi’s dynamic rigor and focus.

Tuesdays 7 – 10 PM $265 per month

GREG MULLAVEYGreg is a working actor whose credits are too many to list fully, but here are a few (Mary Hartman, Mary Hartman, iCarly, Romantic Comedy, Bob&Carol&Ted&Alice). He is a voting member of both The Academy of Motion Picture Arts & Sciences and The Television Academy.

Greg will focus on the W’s of acting: The “Who, What, Why, Where and When.” While imparting techniques Greg has developed through his vast experience in film, television, and stage, he leads the journey with an emphasis on the ‘Why’ -- finding it and making not just any choice, but the most exciting one. His class also focuses on relaxation exercises, dealing with tension, vocal and enunciation work, and text analysis, by using and defining actions, intentions, objectives, and super objectives all while learning to lay the groundwork for impulsive, organic behavior.

Mondays 2:30 - 5:30 PM $265 per month


WORKSHOPSWINTER2012

ACCENT REDUCTION – David WellsDo you lose parts because of your accent? This innovative class combines group instruction and individual drill to develop a mutual “General American” accent. Suitable for foreign actors who want to work in America and for American actors who want to increase their castability.

All New Format: 5 One-On-One Sessions; receive a hour hour diagnostic with written as well as verbal feedback. Tape the sessions for extra practice! $500.00

ACTING FOR FILM & TELEVISION – Gabrielle BerberichFrom learning what works best at a taped audition, to the language and dynamics of a film set, to establishing trust with a director and understanding the actor’s part in the production process, this class will give you an insider’s perspective on both the creative technique and the practical necessities of working in film and television. The course will also feature several visits from guest professionals from all areas of the industry, including casting and production. Berberich is a casting director, writer, and producer for film and television, as well as the owner of Michael Howard Studios.

$595.00Thursday & Friday; March 15 & 16; 6:00 - 10:00pmSaturday & Sunday; March 17 & 18; 12:00 - 4:00pm

ALEXANDER TECHNIQUE – Daniel SingerFind your physical balance! Improve your breath support and impact your voice! This Alexander Technique class will allow you to increase your range of creative choices by changing the way you carry your body and speak. It’s appropriate for Beginning and Advanced actors, and offers flexible scheduling.

Mondays, 5:30 - 6:30pm$35.00 Drop-In-Rate$120.00 for 4 classes (15% Discount)


SHAKESPEARE’S HEIGHTENED LANGUAGE – Patsy Rodenburg

Do not miss this opportunity to explore Shakespeare’s text with the Head of the Voice Department of the Guildhall School of Music and Drama in London. See why Dame Judi Dench claims “The best thing you could possibly have is a class with Patsy.” HEADSHOT/RESUME REQUIRED PRIOR TO ADMISSION.

LEVEL ONE April 26 - 28, 20129:00am - 6:00pm daily$650.00

For those who have not yet studied with Patsy, or those looking for a refresher. Level One helps take the fear out of approaching Shakespeare, incorporatingsignificant group and solo voice work, culminating in one-on-one monologue work. HEADSHOT/RESUME SUBMISSION REQUIRED FOR CONSIDERATION.

LEVEL TWOApril 29 - May 1, 20129:00am to 6:00pm daily$650.00

Level Two continues the work of Level One, incorporating group and ensemble work with an emphasis on Patsy’s Second Circle exercises, diving deeper into text analysis and character development. ACTORS MUST HAVE PARTICIPATED IN PAST LEVEL ONE IN ORDER TO ENROLL IN LEVEL TWO.

*** For those who register for all three levels, there is a 10% discount on the total cost. ***

LEVEL THREE: Coming Soon!February 9 - 129:00am - 6:00pm daily$875.00

For those ready to apply Patsy’s work to a full length play, Level Three takes the ensemble aspect of Patsy’s work and culminates in a presentation of one Shakespeare play. This four day intensive focuses on ensemble, heightened text, and character development and is for actors ready to take their work to the highest level. ACTORS MUST HAVE PARTICIPATED IN PAST LEVELS ONE & TWO IN ORDER TO ENROLL IN LEVEL THREE.


COMINGSOON

FUNDAMENTALS OF ACTING - Naomi ThorntonThis course is a perfect introduction to the studio for those new to the craft, or those wanting to revive long-dormant skills. Through exercises and improvisations, this workshop will inspire the actor to make inventive and dynamic choices when preparing for an audition or creating a role, in theatre, film and television. Emphasis is on the fundamentals of relaxation, concentration, and imagination towards the exploration of a career in stage, film, and television.

Mondays, 6:30 - 9:30pm10 Sessions$575.00

THE ACTOR/SINGER – A Master Class with Judy KuhnThis is a class for the singing actor that focuses on song interpretation and vocal performance. Students work individually on material of their choice with Tony Award Nominee Judy Kuhn each class, as well as participate in group exercises. Students who take the class should come ready to play, feel free to experiment with material and take risks. Although this is not a vocal technique class, Judy will address individual technical concerns and make suggestions about how to approach working on them.

January 30 & February 22:30 - 5:30pm$350.00

INTRODUCTION TO THE WORLD OF VOICEOVERS – Steven Friedman This weekend intensive will be a comprehensive introduction to the world of voiceovers for any actor eager to break into this lucrative and exciting area of the industry. You will have the opportunity to analyze copy, identify your style and niche, learn mic technique, perform cold readings, gain information on developing a demo, and gain valuable business and marketing advice. You will also do rigorous mock auditions and cover everything from initial reads to call-backs.

Saturday & Sunday12:00 - 5:00pm$395.00


THE ART OF FILM – Alister SandersonIn 6 sessions, increase your awareness of how acting in film is inter-related with camera-work, sound-work, editing, lighting, sets and locations, props, costume and make-up, digital effects, and with narrative and non- narrative material. This class invites to think about how an actor today can draw on and contribute to the 120- year tradition of cinematic performance, and how the art of film shapes the way we live our lives. One feature film will be screened in its entirety over the course of 6 weeks, along with short films and sequences, and will explore how a Hollywood-style does its work.

CLOWNClown is a unique idiotic character within each of us who wants to play, tease and entertain. Clown is a born anarchist who longs for harmony. And yet, clown often limits oneself from this form of expression. Why? Because of all of those intrinsic rules of behavior created by organized societies! Often, we prevent ourselves from discovering our inner clown as performers and actors. The class is structured around games and group improvisations. We give ourselves a new name, build a costume and work with the smallest mask - the red nose. We learn about the pleasure to disobey and the joy of laughing at ourselves and others.

ACTING IN THE SHORT FILM - Christophe AverlanA 12 day immersion for actors looking to break into the film and television market.For 12 days actors will experience every essential aspect of acting on film using state of the art equipment. Beginning with a casting day led by Gabrielle Berberich, actors will record their screen tests and gain valuable feedback on their audition technique. Actors will then move to on-camera monologue work culminating in a five day film shoot, written for the actors and shot on set. Leading this workshop is French film director and playwright Christophe Averlan, whose work has been seen in dozens of European Film Festivals. Each actor will receive a copy of the professionally-shot, fully-edited short film, and Michael Howard Studios will host a film screening for the actors and invited guests.

Monday - Friday, 10:00am - 6:00pm Daily; Limit of 16 students $1,600


SCENE STUDY WORKSHOP – Olympia Dukakis Academy Award® Winner Olympia Dukakis will share her wisdom and passion in this three-day intensive. The class will include monologue work and scene study.

Headshot and resume submission required.

THE COMEDIC ACTOR – Andrew ShaiferVeteran comic performer Andrew Shaifer returns to MHS offering an 8- week workshop in contemporary comedic skills for stage, film, and television. From stand-up to sitcom to sketch comedy to solo performance, this workshop will offer a variety of lively exercises that will enhance your ability to use comedy in live performance, during auditions and on the set. A perfect offering for any actor interested in creating and performing their own comedic work by writing one’s own material, telling personal stories, and collaborating with other class members on sketches. This workshop culminates in a final performance at Michael Howard Studios.

KINETIC ANIMAL – Polina Klimovitskaya Animals, animals, animals. They will lead the actor to the most natural birth of a dramatic character. Through 'animal work' the actor's innate nature is awakened and stimulated toward harmonious transformation into another being. Eventually each "animal" will find its human equivalent and transform into a dramatic character of the student's choice (chosen from a play or short story). There will be a final presentation of each student's work held in front of an invited audience.

MEDITATION FOR ACTORS – Parlan McGaw This class consists of meditation instruction and practice; awareness exercises involving sense perceptions, physicality, and spatial awareness; contemplation exercises; and discussions – all designed to help actors integrate meditation into their artistic toolbox. Parlan has led a weeklong retreat for actors at Karme Choling Meditation Center in Vermont alongside Michael Howard.


ADVANCED VOCAL PRODUCTION – David Wells*Practice, Practice, Practice. Level Two provides a “woodshed” for actors to work on their material using the principles of good vocal production. Each session includes a warm up, then leads to in-depth investigation of the methods of vocal expression introduced in Level One. Through individual exercises, actors will explore advanced vocal production in challenging texts and situations. Auditions, classical texts, scene-work, rehearsal techniques and personal voice issues will be addressed in a supportive format that encourages each artist to take risks and grow.

*Prerequisite is Vocal Production or other approved Voice Training.

SCENE STUDY INTENSIVE – Joan DarlingEmmy Award® Winner Joan Darling shares her wisdom and passion in this three-day intensive. The class will include monologue work and scene study. HEADSHOT & RESUME SUBMISSION IS REQUIRED. CLASS SIZE IS LIMITED!

VOCAL PRODUCTION: MAKE YOUR VOICE HEARD – David WellsLearn the principles of effective voice use in this eight week introduction of vocal development. Celebrated teacher/coach David Wells introduces you to the underlying causes of vocal difficulties and shows you how the simple, diligent practice of an organized set of exercises can put you on the road to the voice you deserve. You will discover the depth and individuality of your own voice and celebrate its unique contribution to the art of theater, film, and television.

MONOLOGUES – Jacqueline Brogan Develop audition material that shows you off at your best!! Get a competitive advantage, while deepening your understanding of yourself and your acting process. Students will spend time learning about their choices and honing their material to perfection.


ONE and TWO–YEAR CONSERVATORIESSeptember 2012 – June 2013

Programs for actors committed to excellence in their cra and career

Our One and Two-Year Conservatories are designed to give serious actors the tools they need to start a career in theatre, film and television. ese programs are constructed to enhance all elements of the actor's instrument and cra. Different disciplines are included to enable the actor to develop artistically and to grow as an individual, including body work, on-camera audition skills, Shakespeare, and improvisation, amongst others. ough the teachers have different backgrounds, they have in common the commitment and passion to help actors develop an acting method of their own and construct a life in the American eatre – a life that will include the legitimate stage, film and television. Instruction includes classes focusing on artistic growth; as well as lessons and strategies to help students learn how to navigate the business of acting.

e year culminates with a full theatrical production and industry showcase. Following the One-Year program, students participating in the Two-Year Conservatory will be part of a mentorship program with industry professionals. ey will also be part of advanced classes, master intensives, and production, including stage and camera. During this time, actors are free to audition and book professional work.

CONSERVATORYPROGRAMS


A six-week immersion dedicated to the actor's cra

Our Summer Conservatory is a rigorous curriculum for the serious actor. What has become one of the most successful summer programs in the country is geared towards university students and professionals looking for an opportunity to work on their cra full-time. Actors find the intensive immersion of the Summer Conservatory to be an exciting, life-changing experience.With an emphasis on classes that develop the actor’s instrument, our program leads actors towards a deeper understanding, not only of their cra, but of themselves. Our summer intensives include scene study, movement, voice, camera, Shakespeare, acting techniques, clown, improvisation, and the business of acting—all taught by the Michael Howard Studios’ preeminent faculty.

SUMMERCONSERVATORY June 25 - August 3, 2012Daytime and Evening Sections


A two-week intensiveFor the talented teenage actor

e Michael Howard Studios’ Young Actor Conservatory is a professional training program for the serious teen actor in grades 9 through 12. It provides an intense training experience in one of New York City’s most respected and renowned professional acting studios. It is geared toward the high school student who wants to expand his/her acting skills in theater, film, and television, and develop as an artist in a safe, positive environment. Our Young Actor Conservatory promotes self-esteem and a “can do” attitude through our specially designed courses, taught by an expert and nurturing faculty of artists who have extensive experience working within the professional realm of Michael Howard Studios. We are proud to offer a program that builds confidence and helps to develop the young actor into a whole person and artist.

YOUNG ACTORCONSERVATORY Coming August, 2012!

michael howard studios · 152 west 25th street | 10th floor | new york city 10001 212 645 1525 | |...

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